THE BLACK FLEMINGSCHAPTER I
THE BLACK FLEMINGS
Oncethrough the dark old iron gates, he seemed to have left the warm and friendly autumn day, the warm and friendly world, behind him.
David Fleming laughed half aloud at the fancy and stepped back into the rambling country road, where wheel tracks were so quickly obliterated in the loose-drifting sand, to contrast once more, for his own amusement, the peaceful dreaming landscape in the afternoon sunlight and the sinister shadows of Wastewater.
Five miles away along the rugged coast lay Crowchester, the little fishing village whose activities tinged the fresh salty air, even here, with the odour of salted fish. Between Crowchester and Wastewater, beside whose forbidding great gates he stood, ran the irregular road, rising through dunes, skirting wind-twisted groves of pine and fir, disappearing into ragged hollows to emerge again on turfy bluffs, and finally winding in here toward the old brick house that lay hidden behind these high walls.
On his right lay the shore, rocky, steep, rough, with pebbles complaining as the tide dragged them to and fro, surf hammering restlessly among the rocks or brimming and ebbing with tireless regularity over the scooped stoneof the pools. No two inches of it, no two drops of its immensity ever the same; it held him now, as it had held him for so many hours in his very babyhood, in a sort of tranced contemplation.
The sun was setting in angry red beyond the forest behind him, but a hard and brilliant light still lay on the water, and the waves were sculptured harshly in silver-tipped steel. Where the old brick wall of Wastewater descended to the shore enough sand had been stored in the lee of the wall to form a triangular strip of beach, and here scurfy suds were eddying lazily, hemmed back from the tide by a great jammed log and only stirred now and then by a fringe of the surf, which formed new bubbles even while it pricked the old.
On the sharp irregular fall of the cliff, distorted, wind-blown pines and tight-woven mallows clung, with the hardy smaller growths of the seaside: blown blue lupin, coarse sedge and furzy grasses, yellow-topped odorous sage and dry fennel. About their exposed, tenaciously clinging roots was tangled all the litter of the sea: ropes, slender logs as white and bare as old bones, seaweeds, and cocoanut shells.
David breathed the salty, murmuring air, faintly scented with fish, looked back once more toward the shining roofs and the rising faint plumes of smoke above Crowchester, shrugged his shoulders with a philosophic laugh, and turned again toward Wastewater’s gates.
These were four: two great wrought-iron wings in the centre, where carriages had once entered and departed, and, designed ingeniously in the same enormous framework, two smaller gates, one on each side, for foot passengers.
The carriage gates had been closed for years and were bedded deep in dry grass and fallen leaves, and the right-hand smaller gate had perhaps not been opened three times in its more than one hundred years’ existence. But the left-hand gate stood slightly ajar, and beyond it ran a faintly outlined footpath into a deep old garden. The whole elaborate structure, met by the mossy brick wall on both sides, was thick with rust, its scrolls and twisted bars shone brick-red in the last of the sunlight.
David had walked briskly from the village and his blood was moving rapidly, but he shivered as the familiar atmosphere once more enveloped him. Once again the dilapidated, stately old garden with its bottle-edged flower beds, where the ragged rose bushes were already showing red and yellow hips, where the pines were shedding their slippery needles, and where the maples and elms looked tattered and forlorn.
The place had been thickly planted almost two hundred years ago; it was densely overgrown now; the trees crowded each other, and the growth underneath them was sickly. The old path was spongy with wet leaves underfoot, and the air so pungent with their sharp odour as to be almost anæsthetic. Between the blackened trunks on the right David could again see the serenely moving, deeply breathing surface of the ocean, but now the garden and low cliffs shut off the shore.
On all other sides lay the garden and the thicket of the plantation through which presently, after some winding, he came upon Wastewater Hall itself, standing up boldly in the twilight gloom. The last dying fires of the sunset, burning through black tree trunks behindit, seemed only to make darker than ever the outlines of the great dark red brick house, three-storied and with a steep mansard as well, its uncompromising bulk enhanced rather than softened by a thickly wooded coat of black ivy.
It was an enormous old Georgian building, impressive for size if for nothing more. Wastewater’s twenty acres stood on a sharply jutting point of cliff, and the house faced the sea on three sides; the garden was shut off from the road by the long western wall. Immediately back of the kitchen and stable yards there was a rear gate, buried in shrubbery and quite out of sight from the house, for delivery wagons and tradespeople.
The main entrance was on the eastern front, facing straight out to sea, but this presented now only rows of shuttered windows and stone steps deep in fallen leaves, and David stopped instead at the stone steps of the columned side door. Leaves had littered the paths and lay thick upon the struggling grass of the rose beds, but these three steps had been swept clean, their dried surfaces still showing the marks of a wet broom.
David, absorbing the details with the eye of one who perhaps is reluctant to see confirmed previous impressions or fears, shrugged again, made a little face between impatience, amusement, and misgiving, and gave the old-fashioned iron bell-pull a vigorous jerk.
Then came a long wait. But he did not ring again. The first fifteen of David’s thirty-one years had been spent here, within these grave old walls, and he knew exactly what was happening now inside.
The jerk on the brass-handled wire would set into convulsive motion one of a row of precariously balancedbells far down in the enormous stone-floored kitchen. Most of these bells had not been rung for two generations at least. They were connected with the bedrooms and the study—it had been a long time since any resident of Wastewater had felt it necessary to summon a servant to bedrooms or study. In the row, David remembered, were also the front-door bell, dining-room bell, and the side-door bell. He began to wonder if the last were broken.
No, someone was coming. He could not possibly have heard steps behind that massive and impenetrable door, but he assuredly sensed a motion there, stirring, creaking, the distant bang of another door.
Then another wait, not so long. And at last the door was carefully opened by Hedda, who looked casually at him with squinting old white-lashed eyes, looked back in concern at her bars and bolts, closed the door behind him, and then said in a mild old voice in which traces of her Belgian origin lingered:
“Good. How is Mister David?”
“Splendid,” David answered, with a heartiness that the chill of the dark old hall already tinged with a certain familiar depression. “Where’s my aunt, Hedda?”
Hedda had been staring at him with a complacent, vacuous smile, like the slightly demented creature she really was. Now she roused herself just a shade and answered in a slightly reproachful voice:
“Where but upstairs shall she be?”
David remembered now that Gabrielle had long ago announced, with her precocious little-girl powers of observation, that “Hedda always tells us things the firsttime as if it were the twentieth, and her patience quite worn out with telling us!” An affectionate half smile twitched the corners of David’s mouth as he thought of that old tawny-headed, rebellious little Gabrielle of ten years before, and he followed the smile with as sudden a sigh.
He mounted gloomy, wide old stairs through whose enormous western windows a dim light was struggling. The treads were covered with a dark carpet strapped in brass rods. Gabrielle, as a baby, had loved the top-shaped ends of these rods, had stolen them, been detected, restored them, how many, many times!
The thought of her more than the thought of his old little self, of Tom and Sylvia, who were the real Flemings, after all, always came to him strangely when he first returned to the old house after any absence. Gabrielle, shouting, roaring, weeping, laughing, had roused more echoes in Wastewater than all the rest of them put together; she roused more echoes now, poor little Gabrielle!
Poor Gabrielle, and poor Tom! mused David. Life had dealt oddly with both these long-ago, eager, happy children, as Life seemed to have a fashion of dealing with the children of so strange and silent, so haunted and mysterious an old house. The shadow of the house, as real upon his spirit as was the actual shadow of the autumn twilight upon these stained old walls, shut heavily upon David as he crossed the upper hallways and turned the knob of the sitting-room door.
His aunt, in the widow’s black she had worn for some eighteen years, was sitting erect in an upholstered armchair by the fire. She turned to glance toward him ashe came in and welcomed him with a lifeless cheek to kiss and with the warmest smile her face ever knew.
It was not very warm; Flora Fleming had the black colouring of the clan; her look was always heavy, almost forbidding. She was in the middle fifties now; there was a heavy threading of gray in her looped, oily dark hair. Her skin was dark and the rough heavy eyebrows almost met above her sharply watchful eyes. There were black hairs at the corners of her lips and against her ears below her temples; her eyes were set a shade too close together, her teeth were slightly yellowed, too prominent, and rested upon her bitten lower lip. She wore, as always, a decent handsome silk that seemed never old and never new; there was a heavy book in her knuckly, nervous hands, and David noted for the first time to-day a discoloured vein or two in her somewhat florid, long face.
“This is good of you, David,” she said, dispassionately, putting her glasses into her book and laying it aside.
“Didn’t wake you from a nap?” David said, glad to sit down after his brisk walk.
“A nap?” She dismissed it with a quiet, not quite pleased smile. “Since when have I had that weakness?” she asked. “No. On an afternoon like this, with the leaves falling, one hears the wind about Wastewater if it blows nowhere else, and the sea. I can never nap in the afternoons. I hear—voices,” she finished, as if half to herself.
“Lord, one realizes how lonely the old place is, coming back to it!” David said, cheerfully.
“Not for me,” his aunt again corrected him in her quiet voice that seemed full of autumnal reveries andthe quiet falling of leaves itself. “Other places are lonely. Not this.”
“Well, it’s extremely nice to know that you feel so,” David pursued, resolutely combating the creeping quiet, the something that was almost depression, always ready to come out of musty corners and capture one here. “But when the girls are home we’ll have some young life at Wastewater, and then—when they marry, you’ll have to move yourself into brighter quarters—into a city apartment, perhaps!”
“When they marry?” she repeated, slightly stressing the pronoun.
“As I suppose they will?” David elucidated, looking up.
“They?”
“Sylvia—and Gabrielle, too!” he reminded her.
“Oh, Gabrielle?” She repeated the name quietly. “To be sure, she will marry,” she said, musingly. “But I can hardly feel that quite as much my affair as Sylvia’s future, David,” she finished, mildly.
“Daughter and niece!” David summarized it. “Sylvia rich and Gabrielle penniless, but both young and both our girls!”
“I can’t see it quite that way,” Mrs. Fleming said, thoughtfully, after a pause. “Gabrielle gets here to-night—you knew that?”
“That’s what brings me,” he answered. “I thought perhaps you would like me to meet her in Boston, bring her home?”
“I wired in answer to the Mother Superior’s wire,” Flora said, “that she was quite capable of making the journey herself. She should be here at about eightto-night. She is eighteen, David. There is no necessity of making a child of her!”
“No,” he conceded, good-humouredly. “But it might seem a little warmer welcome. I’ll go in to Crowchester for her, at least. After all, we’ve not seen her for years—for more than two years! When I was in Paris—when Jim Rucker and I were on our way to Spain—it was midsummer, and she and some of the other girls and nuns were in Normandy. I shall be glad to see her again.”
“I wish,” said Mrs. Fleming, slowly, “that I could say as much. But her return brings it all up again, David. I shall do all I can for her, try my best to place her well. But when I think of my delicate little sister,” Flora rushed on, in a voice suddenly shaking, “and of her giving her life for this unwelcome child—the old bitterness rises up in me——!”
She stopped as if she were choking, and with set lips and inflated nostrils sat breathing quickly and looking into the fire, shaken by the painful agitation of a passion usually suppressed.
“I know. I know,” David, who came nearer than any one else in the world to intimacy with this woman, said soothingly. “But it wasn’t Gabrielle’s fault that poor little Aunt Lily made a stupid marriage with a—what was he? A travelling agent? Surely—surely, if you loved Aunt Lily, you can make up all the sorrow and shame of it to Gabrielle! There was—therewasa marriage there, Aunt Flora?” David added, with a keen look up from his own finely shaped hands, now linked and hanging between his knees as he sat forward in his low chair.
“Between Lily and Charpentier? Certainly!” she answered, sharply. And suspiciously she added: “What makes you ask that?”
“It has sometimes gone through my head that there might not have been—that that might account for her despair and her death,” David suggested. “Not that it matters much,” he added, more briskly. “What matters is that here we have Gabrielle, a young thing of eighteen, apparently all over her early frailness and delicateness—at least, I gather so?” he interrupted himself to ask, with another upward glance.
“The Superior writes that she is in perfect health.”
“Good. So here we have Gabrielle,” resumed David, “eighteen, finished off most satisfactorily by almost eight years with the good Sisters and with two post-graduate years in the Paris convent—discovered not to have a vocation——”
“Which I profoundly hoped she would have!” put in Flora, forcefully.
“Oh, come, Aunt Flora—the poor little thing! Why should she be a religious if she doesn’t want to? After all, she’s your sister’s child and your own Sylvia’s cousin—give her a chance!” David pleaded, good-naturedly.
Flora looked at him temperately, patiently.
“But of course I shall give her a chance, David!” she said, quietly. “She will unquestionably have some plan for herself. I shall see that it is helped, if it is reasonable. But in the old days,” Flora added, “she was treated exactly as a child of the house. She must not expect that now. There have been changes sincethen, David. Poor Tom’s loss, Roger’s death—poor Mamma’s death——”
She was silent. David, staring thoughtfully into the fire, was silent, too. The strangely repressive influence of the twilight, the old room, the cold, reminiscent voice that somehow rang of the tomb, the autumn winds beginning to whine softly about the old house, and beyond and above and through all sounds the quiet steady suck and rising rush of the sea, the scream of little pebbles beneath the shrill fine crying of gulls in the dusk, had taken possession of his spirit again. Something mysterious, unhappy about it all—something especially so about Flora—was oppressing him once more.
But why? David asked himself, angrily. Here was a widowed woman, living in an old house only a few miles from the very heart of civilization, contented with her solitude, yet counting the hours until her idolized daughter’s return to Wastewater for the summer months; conscientious in the discharge of her duty where Gabrielle, her sister’s motherless little girl, was concerned, spending her days peacefully among servants and flowers, books and memories.
Many and many another elderly woman lived so. What was there so strangely disturbing, so almost menacing about this one? He did not know. He told himself impatiently now that it was only because she was his kinswoman that she had power to make him so uneasy; this was, in short, the disadvantage of knowing her so well.
“The girls will brighten you up!” he remarked, hopefully.
“Perhaps,” his aunt answered, forbiddingly. And again there was silence, and presently Mrs. Fleming went away, with some murmur of dinner.
Left alone, David glanced about the familiar room, whose every detail had been just as it was now in all the days he could remember. It was a large room with rep-curtained bays on two sides. The furniture was all dark and heavy, sixty, seventy years old. Carved walnut, oak, horsehair, heavy-fringed upholstery, stiffly laundered antimacassars, bookcases whose glass doors mirrored the room, gas jets on heavy black-and-gilt brass arms.
A hanging lamp was lowered over the centre table, where albums and gift books, shells and vases were neatly ranged upon a mat of Berlin wool. A coal fire was smoking sulkily in the steel-rodded grate; the mantelpiece was of brown marble flanked with columns of shining black; the mantelshelf bore another fringed specimen of Berlin wool work and was decorated by a solid black marble clock with gilt horses mounting it in a mad scramble; two beautiful great Sèvres vases of blue china wreathed with white roses and filled with dry teazels, some small photographs in tarnished metal frames, and several smaller articles: Turkish and Chinese boxes, Japanese lacquer ash trays, and a tiny Dresden couple.
There were what-nots in two corners, with their flights of graded and scalloped shelves similarly loaded; here were more photographs, more gift books, a row of lichen owls on a strip of stiff silvery lichen, small specimens of Swiss wood-carving and cloisonné, a china clock that had not moved its hands in all of David’slifetime, a teacup or two, a vial of sand from the banks of the Jordan, a bowl of Indian brass filled with coloured pebbles, bits of branched coral, goldstone, a chain of Indian beads, and some Aztec pottery in rich brick-brown and painted stripes.
On the walls were dark old paintings, engravings, and woodcuts in heavy frames, interspersed here and there with rubbishy later contributions: “A Yard of Roses” in a white-and-gilt mat and frame, and a coloured photograph of ladies and children, too sickeningly pretty, in high-belted empire gowns and curls, dancing to the music of a spinet.
The only notable thing among all these was a life-size study that hung above the mantel: the portrait in oil of a man of perhaps thirty or thirty-five. David ended his inspection with a long look at it, and his thoughts went to its subject.