CHAPTER II

CHAPTER II“WHY CARE?”

There is the tale, all told. Many may want to ask me my theories. I have none. My story, except as to form, is like the data I keep in every case which comes before my notice—it is a somewhat incomplete and matter-of-fact section out of human life. Like poor MacMechem I try to keep my mind open. I simply offer a narrative of the sequence of events.

One thing only troubles me. Did Margaret Murchie lie when she said Mrs. Estabrook was the daughter of Cranch? or when she said that she was the daughter of Judge Colfax? And to this question many will say, “Why care?” Others will decide—each for himself.

THE END

TITLES SELECTED FROM

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THE SIEGE OF THE SEVEN SUITORS.By Meredith Nicholson. Illustrated by C. Coles Phillips and Reginald Birch.

Seven suitors vie with each other for the love of a beautiful girl, and she subjects them to a test that is full of mystery, magic and sheer amusement.

THE MAGNET.By Henry C. Rowland. Illustrated by Clarence F. Underwood.

The story of a remarkable courtship involving three pretty girls on a yacht, a poet-lover in pursuit, and a mix-up in the names of the girls.

THE TURN OF THE ROAD.By Eugenia Brooks Frothingham.

A beautiful young opera singer chooses professional success instead of love, but comes to a place in life where the call of the heart is stronger than worldly success.

SCOTTIE AND HIS LADY.By Margaret Morse. Illustrated by Harold M. Brett.

A young girl whose affections have been blighted is presented with a Scotch Collie to divert her mind, and the roving adventures of her pet lead the young mistress into another romance.

SHEILA VEDDER.By Amelia E. Barr. Frontispiece by Harrison Fisher.

A very beautiful romance of the Shetland Islands, with a handsome, strong-willed hero and a lovely girl of Gaelic blood as heroine. A sequel to “Jan Vedder’s Wife.”

JOHN WARD, PREACHER.By Margaret Deland.

The first big success of this much loved American novelist. It is a powerful portrayal of a young clergyman’s attempt to win his beautiful wife to his own narrow creed.

THE TRAIL OF NINETY-EIGHT.By Robert W. Service.

Illustrated by Maynard Dixon.

One of the best stories of “Vagabondia” ever written, and one of the most accurate and picturesque of the stampede of gold seekers to the Yukon. The love story embedded in the narrative is strikingly original.

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THE NOVELS OF

CLARA LOUISE BURNHAM

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JEWEL:A Chapter in Her Life. Illustrated by Maude and Genevieve Cowles.

A sweet, dainty story, breathing the doctrine of love and patience and sweet nature and cheerfulness.

JEWEL’S STORY BOOK.Illustrated by Albert Schmitt.

A sequel to “Jewel” and equally enjoyable.

CLEVER BETSY.Illustrated by Rose O’Neill.

The “Clever Betsy” was a boat—named for the unyielding spinster whom the captain hoped to marry. Through the two Betsys a clever group of people are introduced to the reader.

SWEET CLOVER:A Romance of the White City.

A story of Chicago at the time of the World’s Fair. A sweet human story that touches the heart.

THE OPENED SHUTTERS.Frontispiece by Harrison Fisher.

A summer haunt on an island in Casco Bay is the background for this romance. A beautiful woman, at discord with life, is brought to realize, by her new friends, that she may open the shutters of her soul to the blessed sunlight of joy by casting aside vanity and self love. A delicately humorous work with a lofty motive underlying it all.

THE RIGHT PRINCESS.

An amusing story, opening at a fashionable Long Island resort, where a stately Englishwoman employs a forcible New England housekeeper to serve in her interesting home. How types so widely apart react on each other’s lives, all to ultimate good, makes a story both humorous and rich in sentiment.

THE LEAVEN OF LOVE.Frontispiece by Harrison Fisher.

At a Southern California resort a world-weary woman, young and beautiful but disillusioned, meets a girl who has learned the art of living—of tasting life in all its richness, opulence and joy. The story hinges upon the change wrought in the soul of the blasè woman by this glimpse into a cheery life.

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KATE DOUGLAS WIGGIN’SSTORIES OF PURE DELIGHT

Full of originality and humor, kindliness and cheer

THE OLD PEABODY PEW. Large Octavo. Decorative text pages, printed in two colors. Illustrations by Alice Barber Stephens.

One of the prettiest romances that has ever come from this author’s pen is made to bloom on Christmas Eve in the sweet freshness of an old New England meeting house.

PENELOPE’S PROGRESS. Attractive cover design in colors.

Scotland is the background for the merry doings of three very clever and original American girls. Their adventures in adjusting themselves to the Scot and his land are full of humor.

PENELOPE’S IRISH EXPERIENCES. Uniform in style with “Penelope’s Progress.”

The trio of clever girls who rambled over Scotland cross the border to the Emerald Isle, and again they sharpen their wits against new conditions, and revel in the land of laughter and wit.

REBECCA OF SUNNYBROOK FARM.

One of the most beautiful studies of childhood—Rebecca’s artistic, unusual and quaintly charming qualities stand put midst a circle of austere New Englanders. The stage version is making a phenomenal dramatic record.

NEW CHRONICLES OF REBECCA. With illustrations by F. C. Yohn.

Some more quaintly amusing chronicles that carry Rebecca through various stages to her eighteenth birthday.

ROSE O’ THE RIVER. With illustrations by George Wright.

The simple story of Rose, a country girl and Stephen a sturdy young farmer. The girl’s fancy for a city man interrupts their love and merges the story into an emotional strain where the reader follows the events with rapt attention.

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STORIES OF WESTERN LIFE

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RIDERS OF THE PURPLE SAGE, By Zane Grey. Illustrated by Douglas Duer.

In this picturesque romance of Utah of some forty years ago, we are permitted to see the unscrupulous methods employed by the invisible hand of the Mormon Church to break the will of those refusing to conform to its rule.

FRIAR TUCK, By Robert Alexander Wason. Illustrated by Stanley L. Wood.

Happy Hawkins tells us, in his humorous way, how Friar Tuck lived among the Cowboys, how he adjusted their quarrels and love affairs and how he fought with them and for them when occasion required.

THE SKY PILOT, By Ralph Connor. Illustrated by Louis Rhead.

There is no novel, dealing with the rough existence of cowboys, so charming in the telling, abounding as it does with the freshest and the truest pathos.

THE EMIGRANT TRAIL, By Geraldine Bonner. Colored frontispiece by John Rae.

The book relates the adventures of a party on its overland pilgrimage, and the birth and growth of the absorbing love of two strong men for a charming heroine.

THE BOSS OF WIND RIVER, By A. M. Chisholm. Illustrated by Frank Tenney Johnson.

This is a strong, virile novel with the lumber industry for its central theme and a love story full of interest as a sort of subplot.

A PRAIRIE COURTSHIP, By Harold Bindloss.

A story of Canadian prairies in which the hero is stirred, through the influence of his love for a woman, to settle down to the heroic business of pioneer farming.

JOYCE OF THE NORTH WOODS, By Harriet T. Comstock. Illustrated by John Cassel.

A story of the deep woods that shows the power of love at work among its primitive dwellers. It is a tensely moving study of the human heart and its aspirations that unfolds itself through thrilling situations and dramatic developments.

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JOHN FOX, JR’S.

STORIES OF THE KENTUCKY MOUNTAINS

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THE TRAIL OF THE LONESOME PINE. Illustrated by F. C. Yohn.

The “lonesome pine” from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but thefoot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than “the trail of the lonesome pine.”

THE LITTLE SHEPHERD OF KINGDOM COME Illustrated by F. C. Yohn.

This is a story of Kentucky, in a settlement known as “Kingdom Come.” It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

“Chad,” the “little shepherd” did not know who he was nor whence he came—he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery—a charming waif, by the way, who could play the banjo better that anyone else in the mountains.

A KNIGHT OF THE CUMBERLAND. Illustrated by F. C. Yohn.

The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner’s son, and the heroine a beautiful girl perversely christened “The Blight.” Two impetuous young Southerners fall under the spell of “The Blight’s” charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

Included in this volume is “Hell fer-Sartain” and other stories, some of Mr. Fox’s most entertaining Cumberland valley narratives.

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GROSSET & DUNLAP’S

DRAMATIZED NOVELS

THE KIND THAT ARE MAKING THEATRICAL HISTORY

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WITHIN THE LAW. By Bayard Veiller & Marvin Dana. Illustrated by Wm. Charles Cooke.

This is a novelization of the immensely successful play which ran for two years in New York and Chicago.

The plot of this powerful novel is of a young woman’s revenge directed against her employer who allowed her to be sent to prison for three years on a charge of theft, of which she was innocent.

WHAT HAPPENED TO MARY. By Robert Carlton Brown. Illustrated with scenes from the play.

This is a narrative of a young and innocent country girl who is suddenly thrown into the very heart of New York, “the land of her dreams,” where she is exposed to all sorts of temptations and dangers.

The story of Mary is being told in moving pictures and played in theatres all over the world.

THE RETURN OF PETER GRIMM. By David Belasco. Illustrated by John Rae.

This is a novelization of the popular play in which David Warfield, as Old Peter Grimm, scored such a remarkable success.

The story is spectacular and extremely pathetic but withal, powerful, both as a book and as a play.

THE GARDEN OF ALLAH. By Robert Hichens.

This novel is an intense, glowing epic of the great desert, sunlit, barbaric, with its marvelous atmosphere of vastness and loneliness.

It is a book of rapturous beauty, vivid in word painting. The play has been staged with magnificent cast and gorgeous properties.

BEN HUR. A Tale of the Christ. By General Lew Wallace.

The whole world has placed this famous Religious-Historical Romance on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination. A tremendous dramatic success.

BOUGHT AND PAID FOR. By George Broadhurst and Arthur Hornblow. Illustrated with scenes from the play.

A stupendous arraignment of modern marriage which has created an interest on the stage that is almost unparalleled. The scenes are laid in New York, and deal with conditions among both the rich and poor.

The interest of the story turns on the day-by-day developments which show the young wife the price she has paid.

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