Portrait of CharlesI.

Portrait of CharlesI.Itis recorded of the celebrated Sculptor Giovanni Lorenzi Bernini, that on his seeing the painting by Vandyke which presents three portraits of King CharlesI.on the same canvass, the one a front face, the other a half side, and the third a profile, the artist observed, “whoever the individual be whose likeness these three portraits represent, I am of opinion that the same will come to an untimely end.”This painting had been expressly taken and forwarded to Rome in order that Bernini might, from the resemblance, sculpture a marble bust of the king; which accordingly he did, and King Charles, the best and greatest patron of the arts that England can boast of, was so much pleased with the performance, that he sent Bernini a very valuable ring, saying to the person whom he commissioned to deliver it, “Andate a coronar quello mano, che ha fatto si bel lavarno.”

Portrait of CharlesI.Itis recorded of the celebrated Sculptor Giovanni Lorenzi Bernini, that on his seeing the painting by Vandyke which presents three portraits of King CharlesI.on the same canvass, the one a front face, the other a half side, and the third a profile, the artist observed, “whoever the individual be whose likeness these three portraits represent, I am of opinion that the same will come to an untimely end.”This painting had been expressly taken and forwarded to Rome in order that Bernini might, from the resemblance, sculpture a marble bust of the king; which accordingly he did, and King Charles, the best and greatest patron of the arts that England can boast of, was so much pleased with the performance, that he sent Bernini a very valuable ring, saying to the person whom he commissioned to deliver it, “Andate a coronar quello mano, che ha fatto si bel lavarno.”

Itis recorded of the celebrated Sculptor Giovanni Lorenzi Bernini, that on his seeing the painting by Vandyke which presents three portraits of King CharlesI.on the same canvass, the one a front face, the other a half side, and the third a profile, the artist observed, “whoever the individual be whose likeness these three portraits represent, I am of opinion that the same will come to an untimely end.”

This painting had been expressly taken and forwarded to Rome in order that Bernini might, from the resemblance, sculpture a marble bust of the king; which accordingly he did, and King Charles, the best and greatest patron of the arts that England can boast of, was so much pleased with the performance, that he sent Bernini a very valuable ring, saying to the person whom he commissioned to deliver it, “Andate a coronar quello mano, che ha fatto si bel lavarno.”


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