ESSAY XVON EGOTISM
It is mentioned in the Life of Salvator Rosa, that on the occasion of an altar-piece of his being exhibited at Rome, in the triumph of the moment, he compared himself to Michael Angelo, and spoke against Raphael, calling himhard,dry, &c. Both these were fatal symptoms for the ultimate success of the work: the picture was in fact afterwards severely censured, so as to cause him much uneasiness; and he passed a great part of his life in quarrelling with the world for admiring his landscapes, which were truly excellent, and for not admiring his historical pieces, which were full of defects. Salvator wanted self-knowledge, and that respect for others, which is both a cause and consequence of it. Like many more, he mistook the violent and irritable workings of self-will (in a wrong direction) for the impulse of genius, and his insensibility to the vast superiority of others for a proof of his equality with them.
In the first place, nothing augurs worse for any one’s pretensions to the highest rank of excellence than his making free with those of others. He who boldly and unreservedly places himself on a level with themighty dead, shows a want of sentiment—the only thing that can ensure immortality to his own works. When we forestal the judgment of posterity, it is because we are not confident of it. A mind that brings all others into a line with its own naked or assumed merits, that sees all objects in the foreground as it were, that does not regard the lofty monuments of genius through the atmosphere of fame, is coarse, crude, and repulsive as a picture without aerial perspective. Time, like distance, spreads a haze and a glory round all things. Not to perceive this, is to want a sense, is to be without imagination. Yet there are those who strut in their own self-opinion, and deck themselves out in the plumes of fancied self-importance as if they were crowned with laurel by Apollo’s own hand. There was nothing in common between Salvator and Michael Angelo: if there had, the consciousness of the power with which he had tocontend would have over-awed and struck him dumb; so that the very familiarity of his approaches proved (as much as any thing else) the immense distance placed between them. Painters alone seem to have a trick of putting themselves on an equal footing with the greatest of their predecessors, of advancing, on the sole strength of their vanity and presumption, to the highest seats in the Temple of Fame, of talking of themselves and Raphael and Michael Angelo in the same breath! What should we think of a poet who should publish to the world, or give a broad hint in private, that he conceived himself fully on a par with Homer or Milton or Shakespear? It would be too much for a friend to say so of him. But artists suffer their friends to puff them in the true ‘King Cambyses’ vein’ without blushing. Is it that they are often men without a liberal education, who have no notion of any thing that does not come under their immediate observation, and who accordingly prefer the living to the dead, and themselves to all the rest of the world? Or that there is something in the nature of the profession itself, fixing the view on a particular point of time, and not linking the present either with the past or future?
Again, Salvator’s disregard for Raphael, instead of inspiring him with any thing like ‘vain and self-conceit,’ ought to have taught him the greatest diffidence in himself. Instead of anticipating a triumph over Raphael from this circumstance, he might have foreseen in it the sure source of his mortification and defeat. The public looked to find inhispictures what he did not see in Raphael, and were necessarily disappointed. He could hardly be expected to produce that which when produced and set before him, he did not feel or understand. The genius for a particular thing does not imply taste in general or for other things, but it assuredly presupposes a taste or feeling for that particular thing. Salvator was so much offended with thedryness,hardness, &c. of Raphael, only because he was not struck, that is, did not sympathise with the divine mind within. If he had, he would have bowed as at a shrine, in spite of the homeliness or finicalness of the covering. Let no man build himself a spurious self-esteem on his contempt or indifference for acknowledged excellence. He will in the end pay dear for a momentary delusion: for the world will sooner or later discover those deficiences in him, which render him insensible to all merits but his own.
Of all modes of acquiring distinction and, as it were, ‘getting the start of the majestic world,’ the most absurd as well as disgusting is that of setting aside the claims of others in the lump, and holding out our own particular excellence or pursuit as the only one worth attending to. We thus set ourselves up as the standard of perfection,and treat every thing else that diverges from that standard as beneath our notice. At this rate, a contempt for any thing and a superiority to it are synonymous. It is a cheap and a short way of showing that we possess all excellence within ourselves, to deny the use or merit of all those qualifications that do not belong to us. According to such a mode of computation, it would appear that our value is to be estimated not by the number of acquirements that wedopossess, but of those in which we are deficient and to which we are insensible:—so that we can at any time supply the place of wisdom and skill by a due proportion of ignorance, affectation, and conceit. If so, the dullest fellow, with impudence enough to despise what he does not understand, will always be the brightest genius and the greatest man. If stupidity is to be a substitute for taste, knowledge, and genius, any one may dogmatise and play the critic on this ground. We may easily make a monopoly of talent, if the torpedo-touch of our callous and wilful indifference is to neutralise all other pretensions. We have only to deny the advantages of others to make them our own: illiberality will carve out the way to pre-eminence much better than toil or study or quickness of parts; and by narrowing our views and divesting ourselves at last of common feeling and humanity, we may arrogate every valuable accomplishment to ourselves, and exalt ourselves vastly above our fellow-mortals! That is, in other words, we have only to shut our eyes, in order to blot the sun out of heaven, and to annihilate whatever gives light or heat to the world, if it does not emanate from one single source, by spreading the cloud of our own envy, spleen, malice, want of comprehension, and prejudice over it. Yet how many are there who act upon this theory in good earnest, grow more bigoted to it every day, and not only become the dupes of it themselves, but by dint of gravity, by bullying and brow-beating, succeed in making converts of others!
A man is a political economist. Good: but this is no reason he should think there is nothing else in the world, or that every thing else is good for nothing. Let us suppose that this is the most important subject, and that being his favourite study, he is the best judge of that point, still it is not the only one—why then treat every other question or pursuit with disdain as insignificant and mean, or endeavour to put others who have devoted their whole time to it out of conceit with that on which they depend for their amusement or (perhaps) subsistence? I see neither the wit, wisdom, nor good-nature of this mode of proceeding. Let him fill his library with books on this one subject, yet other persons are not bound to follow the example, and exclude every other topic from theirs—let him write, let him talk, let him think on nothing else, but let him notimpose the same pedantic humour as a duty or a mark of taste on others—let him ride the high horse, and drag his heavy load of mechanical knowledge along the iron rail-way of the master-science, but let him not move out of it to taunt or jostle those who are jogging quietly along upon their severalhobbies, who ‘owe him no allegiance,’ and care not one jot for his opinion. Yet we could forgive such a person, if he made it his boast that he had read Don Quixote twice through in the original Spanish, and preferred Lycidas to all Milton’s smaller poems! What would Mr. —— say to any one who should profess a contempt for political economy? He would answer very bluntly and very properly, ‘Then you know nothing about it.’ It is a pity that so sensible a man and close a reasoner should think of putting down other lighter and more elegant pursuits by professing a contempt or indifference for them, which springs from precisely the same source, and is of just the same value. But so it is that there seems to be a tacit presumption of folly in whatever gives pleasure; while an air of gravity and wisdom hovers round the painful and pedantic.
A man comes into a room, and on his first entering, declares without preface or ceremony his contempt for poetry. Are we therefore to conclude him a greater genius than Homer? No: but by this cavalier opinion he assumes a certain natural ascendancy over those who admire poetry. Tolook downupon any thing seemingly implies a greater elevation and enlargement of view than tolook upto it. The present Lord Chancellor took upon him to declare in open court that he would not go across the street to hear Madame Catalani sing. What did this prove? His want of an ear for music, not his capacity for any thing higher: So far as it went, it only showed him to be inferior to those thousands of persons who go with eager expectation to hear her, and come away with astonishment and rapture. A man might as well tell you he is deaf, and expect you to look at him with more respect. The want of any external sense or organ is an acknowledged defect and infirmity: the want of an internal sense or faculty is equally so, though our self-love contrives to give a different turn to it. We mortify others bythrowing cold wateron that in which they have an advantage over us, or stagger their opinion of an excellence which is not of self-evident or absolute utility, and lessen its supposed value, by limiting the universality of a taste for it. Lord Eldon’s protest on this occasion was the more extraordinary, as he is not only a good-natured but a successful man. These little spiteful allusions are most apt to proceed from disappointed vanity, and an apprehension that justice is not done to ourselves. By being at the top of a profession, we have leisure to look beyond it.Those who really excel and are allowed to excel in any thing have no excuse for trying to gain a reputation by undermining the pretensions of others; they stand on their own ground; and do not need the aid of invidious comparisons. Besides, the consciousness of excellence produces a fondness for, a faith in it. I should half suspect that any one could not be a great lawyer, who denied that Madame Catalani was a great singer. The Chancellor must dislike her decisive tone, the rapidity of her movements! The late Chancellor (Erskine) was a man of (at least) a different stamp. In the exuberance and buoyancy of his animal spirits, he scattered the graces and ornaments of life over the dust and cobwebs of the law. What is there that is now left of him—what is there to redeem his foibles, or to recal the flush of early enthusiasm in his favour, or kindle one spark of sympathy in the breast, but his romantic admiration of Mrs. Siddons? There are those who, if you praiseWalton’s Complete Angler, sneer at it as a childish or old-womanish performance: some laugh at the amusement of fishing as silly, others carp at it as cruel; and Dr. Johnson said that ‘a fishing-rod was a stick with a hook at one end, and a fool at the other.’ I would rather take the word of one who had stood for days, up to his knees in water, and in the coldest weather, intent on this employ, who returned to it again with unabated relish, and who spent his whole life in the same manner without being weary of it at last. There is something in this more than Dr. Johnson’s definition accounts for. Afooltakes no interest in any thing; or if he does, it is better to be a fool, than a wise man, whose only pleasure is to disparage the pursuits and occupations of others, and out of ignorance or prejudice to condemn them, merely because they are nothis.
Whatever interests, is interesting. I know of no way of estimating the real value of objects in all their bearings and consequences, but I can tell at once their intellectual value by the degree of passion or sentiment the very idea and mention of them excites in the mind. To judge of things by reason or the calculations of positive utility is a slow, cold, uncertain, and barren process—their power of appealing to and affecting the imagination as subjects of thought and feeling is best measured by the habitual impression they leave upon the mind, and it is with this only we have to do in expressing our delight or admiration of them, or in setting a just mental value upon them. They ought to excite all the emotion which they do excite; for this is the instinctive and unerring result of the constant experience we have had of their power of affecting us, and of the associations that cling unconsciously to them. Fancy, feeling may be very inadequate tests of truth; but truth itself operates chiefly on thehuman mind through them. It is in vain to tell me that what excites the heart-felt sigh of youth, the tears of delight in age, and fills up the busy interval between with pleasing and lofty thoughts, is frivolous, or a waste of time, or of no use. You only by that give me a mean opinion of your ideas of utility. The labour of years, the triumph of aspiring genius and consummate skill, is not to be put down by a cynical frown, by a supercilious smile, by an ignorant sarcasm. Things barely of use are subjects of professional skill and scientific inquiry: they must also be beautiful and pleasing to attract common attention, and be naturally and universally interesting. A pair of shoes is good to wear: a pair of sandals is a more picturesque object; and a statue or a poem are certainly good to think and talk about, which are part of the business of life. To think and speak of them with contempt is therefore a wilful and studied solecism. Pictures are good things to go and see. This is what people do; they do not expect to eat or make a dinner of them; but we sometimes want to fill up the time before dinner. The progress of civilisation and refinement is from instrumental to final causes; from supplying the wants of the body to providing luxuries for the mind. To stop at themechanical, and refuse to proceed to thefine arts, or churlishly to reject all ornamental studies and elegant accomplishments as mean and trivial, because they only afford employment to the imagination, create food for thought, furnish the mind, sustain the soul in health and enjoyment, is a rude and barbarous theory—
‘Et propter vitam vivendi perdere causas.’
‘Et propter vitam vivendi perdere causas.’
‘Et propter vitam vivendi perdere causas.’
‘Et propter vitam vivendi perdere causas.’
Before we absolutely condemn any thing, we ought to be able to show something better, not merely in itself, but in the same class. To know the best in each class infers a higher degree of taste; to reject the class is only a negation of taste; for different classes do not interfere with one another, nor can any one’sipse dixitbe taken on so wide a question as abstract excellence. Nothing is truly and altogether despicable that excites angry contempt or warm opposition, since this always implies that some one else is of a different opinion, and takes an equal interest in it.
When I speak of what is interesting, however, I mean not only to a particular profession, but in general to others. Indeed, it is the very popularity and obvious interest attached to certain studies and pursuits, that excites the envy and hostile regard of graver and more recondite professions. Man is perhaps not naturally an egotist, or at least he is satisfied with his own particular line of excellence and the value that he supposes inseparable from it, till he comes into the world and finds it of so little account in the eyes of the vulgar; andhe then turns round and vents his chagrin and disappointment on those more attractive, but (as he conceives) superficial studies, which cost less labour and patience to understand them, and are of so much less use to society. The injustice done to ourselves makes us unjust to others. The man of science and the hard student (from this cause, as well as from a certain unbending hardness of mind) come at last to regard whatever is generally pleasing and striking as worthless and light, and to proportion their contempt to the admiration of others; while the artist, the poet, and the votary of pleasure and popularity treat the more solid and useful branches of human knowledge as disagreeable and dull. This is often carried to too great a length. It is enough that ‘wisdom is justified of her children:’ the philosopher ought to smile, instead of being angry at the folly of mankind (if such it is), and those who find both pleasure and profit in adorning and polishing the airy ‘capitals’ of science and of art, ought not to grudge those who toil under-ground at the foundation, the praise that is due to their patience and self-denial. There is a variety of tastes and capacities that requires all the variety of men’s talents to administer to it. The less excellent must be provided for as well as the more excellent. Those who are only capable of amusement ought to be amused. If all men were forced to be great philosophers and lasting benefactors of their species, how few of us could ever do any thing at all! But nature acts more impartially, though not improvidently. Wherever she bestows aturnfor any thing on the individual, she implants a corresponding taste for it in others. We have only to ‘throw our bread upon the waters, and after many days we shall find it again.’ Let us do our best, and we need not be ashamed of the smallness of our talent, or afraid of the calumnies and contempt of envious maligners. When Goldsmith was talking one day to Sir Joshua of writing a fable in which little fishes were to be introduced, Dr. Johnson rolled about uneasily in his seat and began to laugh, on which Goldsmith said rather angrily—‘Why do you laugh? If you were to write a fable for little fishes, you would make them speak like great whales!’ The reproof was just. Johnson was in truth conscious of Goldsmith’s superior inventiveness, and of the lighter graces of his pen, but he wished to reduce every thing to his own pompous and oracular style. There are not onlybooks for children, but books for all ages and for both sexes. After we grow up to years of discretion, we do not all become equally wise at once. Our own tastes change: the tastes of other individuals are still more different. It was said the other day, that ‘Thomson’s Seasons would be read while there was a boarding-school girl in the world.’ If a thousand volumes were written againstHervey’s Meditations, theMeditations would be read when the criticisms were forgotten. To the illiterate and vain, affectation and verbiage will always pass for fine writing, while the world stands. No woman ever liked Burke, or disliked Goldsmith. It is idle to set up an universal standard. There is a large class who, in spite of themselves, prefer Westall or Angelica Kauffman to Raphael; nor is it fit they should do otherwise. We may come to something like a fixed and exclusive standard of taste, if we confine ourselves to what will please the best judges, meaning thereby persons of the most refined and cultivated minds, and by persons of the most refined and cultivated minds, generally meaningourselves![19]
To return to the original question. I can conceive of nothing so little or ridiculous as pride. It is a mixture of insensibility and ill-nature, in which it is hard to say which has the largest share. If a man knows or excels in, or has ever studied any two things, I will venture to affirm he will be proud of neither. It is perhaps excusable for a person who is ignorant of all but one thing, to thinkthatthe sole excellence, and to be full of himself as the possessor. The way to cure him of this folly is to give him something else to be proud of. Vanity is a building that falls to the ground as you widen its foundation, or strengthen the props that should support it. The greater a man is, the less he necessarily thinks of himself, for his knowledge enlarges with his attainments. In himself he feels that he is nothing, a point, a speck in the universe, except as his mind reflects that universe, and as he enters into the infinite variety of truth, beauty, and power contained in it. Let any one be brought up among books, and taught to think words the only things, and he may conceive highly of himself from the proficiency he has made in language and in letters. Let him then be compelled to attempt some other pursuit—painting, for instance—and be made to feel the difficulties, the refinements of which it is capable, and the number of things of which he was utterly ignorant before, and there will be an end of his pedantry and his pride together. Nothing but the want of comprehension of view or generosity of spirit can make any one fix on his own particular acquirement as the limit of all excellence. No one is (generally speaking) great in more than one thing—if he extends his pursuits, he dissipates his strength—yet in that one thing how small is the interval between him and the next in merit and reputation to himself! But he thinks nothing of, or scorns or loathes the name of his rival, so that all that the other possesses in commongoes for nothing, and the fraction of a difference between them constitutes (in his opinion) the sum and substance of all that is excellent in the universe! Let a man be wise, and then let us ask, will his wisdom make him proud? Let him excel all others in the graces of the mind, has he also those of the body? He has the advantage of fortune, but has he also that of birth, or if he has both, has he health, strength, beauty in a supreme degree? Or have not others the same, or does he think all these nothing because he does not possess them? The proud man fancies that there is no one worth regarding but himself: he might as well fancy there is no other being but himself. The one is not a greater stretch of madness than the other. To make pride justifiable, there ought to be but one proud man in the world, for if any one individual has a right to be so, nobody else has. So far from thinking ourselves superior to all the rest of the species, we cannot be sure that we are above the meanest and most despised individual of it: for he may have some virtue, some excellence, some source of happiness or usefulness within himself, which may redeem all other disadvantages: or even if he is without any such hidden worth, this is not a subject of exultation, but of regret, to any one tinctured with the smallest humanity, and he who is totally devoid of the latter, cannot have much reason to be proud of any thing else. Arkwright, who invented the spinning-jenny, for many years kept a paltry barber’s shop in a provincial town: yet at that time that wonderful machinery was working in his brain, which has added more to the wealth and resources of this country than all the pride of ancestry or insolence of upstart nobility for the last hundred years. We should be cautious whom we despise. If we do not know them, we can have no right to pronounce a hasty sentence: if we do, they may espy some few defects in us.No man is a hero to his valet-de-chambre.What is it then that makes the difference! The dress and pride. But he is the most of a hero who is least distinguished by the one, and most free from the other. If we enter into conversation upon equal terms with the lowest of the people, unrestrained by circumstance, unawed by interest, we shall find in ourselves but little superiority over them. If we know what they do not, they know what we do not. In general, those who do things for others, know more about them than those for whom they are done. A groom knows more about horses than his master. He rides them too: but the one rides behind, the other before! Hence the number of forms and ceremonies that have been invented to keep the magic circle of fancied self-importance inviolate. The late King sought but one interview with Dr. Johnson: his present Majesty is never tired of the company of Mr. Croker.
The collision of truth or genius naturally gives a shock to the pride of exalted rank: the great and mighty usually seek out the dregs of mankind, buffoons and flatterers, for their pampered self-love to repose on. Pride soon tires of every thing but its shadow, servility: but how poor a triumph is that which exists only by excluding all rivalry, however remote. He who invites competition (the only test of merit), who challenges fair comparisons, and weighs different claims, is alone possessed of manly ambition; but will not long continue vain or proud. Pride is ‘a cell of ignorance; travelling a-bed.’ If we look at all out of ourselves, we must see how far short we are of what we would be thought. The man of genius is poor;[20]the rich man is not a lord: the lord wants to be a king: the king is uneasy to be a tyrant or a God. Yet he alone, who could claim this last character upon earth, gave his life a ransom for others! The dwarf in the romance, who saw the shadows of the fairest and the mightiest among the sons of men pass before him, that he might assume the shape he liked best, had only his choice of wealth, or beauty, or valour, or power. But could he have clutched them all, and melted them into one essence of pride, the triumph would not have been lasting. Could vanity take all pomp and power to itself, could it, like the rainbow, span the earth, and seem to prop the heavens, after all it would be but the wonder of the ignorant, the pageant of a moment. The fool who dreams that he is great should first forget that he is a man, and before he thinks of being proud, should pray to be mad!—The only great man in modern times, that is, the only man who rose in deeds and fame to the level of antiquity, who might turn his gaze upon himself, and wonder at his height, for on him all eyes were fixed as his majestic stature towered above thrones and monuments of renown, died the other day in exile, and in lingering agony; and we still see fellows strutting about the streets, and fancying they are something!
Personal vanity is incompatible with the great and theideal. Hewho has not seen, or thought, or read of something finer than himself, has seen, or read, or thought little; and he who has, will not be always looking in the glass of his own vanity. Hence poets, artists, and men of genius in general, are seldom coxcombs, but often slovens; for they find something out of themselves better worth studying than their own persons. They have an imaginary standard in their minds, with which ordinary features (even their own) will not bear a comparison, and they turn their thoughts another way. If a man had a face like one of Raphael’s or Titian’s heads, he might be proud of it, but not else; and, even then, he would be stared at as anon-descriptby ‘the universal English nation.’ Few persons who have seen the Antinous or the Theseus will be much charmed with their own beauty or symmetry; nor will those who understand thecostumeof the antique, or Vandyke’s dresses, spend much time in decking themselves out in all the deformity of the prevailing fashion. A coxcomb is his own lay-figure, for want of any better models to employ his time and imagination upon.
There is an inverted sort of pride, the reverse of that egotism that has been above described, and which, because it cannot be every thing, is dissatisfied with every thing. A person who is liable to this infirmity, ‘thinks nothing done, while any thing remains to be done.’ The sanguine egotist prides himself on what he can do or possesses, the morbid egotist despises himself for what he wants, and is ever going out of his way to attempt hopeless and impossible tasks. The effect in either case is not at all owing to reason, but to temperament. The one is as easily depressed by what mortifies his latent ambition, as the other is elated by what flatters his immediate vanity. There are persons whom no success, no advantages, no applause can satisfy, for they dwell only on failure and defeat. They constantly ‘forget the things that are behind, and press forward to the things that are before.’ The greatest and most decided acquisitions would not indemnify them for the smallest deficiency. They go beyond the old motto—Aut Cæsar, aut nihil—they not only want to be at the head of whatever they undertake, but if they succeed in that, they immediately want to be at the head of something else, no matter how gross or trivial. The charm that rivets their affections is not the importance or reputation annexed to the new pursuit, but its novelty or difficulty. That must be a wonderful accomplishment indeed, which baffles their skill—nothing is with them of any value but as it gives scope to their restless activity of mind, their craving after an uneasy and importunate state of excitement. To them the pursuit is every thing, the possession nothing. I have known persons of this stamp, who, with every reason to be satisfied with their success inlife, and with the opinion entertained of them by others, despised themselves because they could not do something which they were not bound to do, and which, if they could have done it, would not have added one jot to their respectability, either in their own eyes or those of any one else, the very insignificance of the attainment irritating their impatience, for it is the humour of such dispositions to argue, ‘If they cannot succeed in what is trifling and contemptible, how should they succeed in any thing else?’ If they could make the circuit of the arts and sciences, and master them all, they would take to some mechanical exercise, and if they failed, be as discontented as ever. All that they can do vanishes out of sight the moment it is within their grasp, and ‘nothing is but what is not.’ A poet of this description is ambitious of the thews and muscles of a prize fighter, and thinks himself nothing without them. A prose-writer would be a fine tennis-player, and is thrown into despair because he is not one, without considering that it requires a whole life devoted to the game to excel in it; and that, even if he could dispense with this apprenticeship, he would still be just as much bound to excel in rope-dancing, or horsemanship, or playing at cup and ball like the Indian jugglers, all which is impossible. This feeling is a strange mixture of modesty and pride. We think nothing of what we are, because we cannot be every thing with a wish. Goldsmith was even jealous of beauty in the other sex, and the same character is attributed to Wharton by Pope:
‘Though listening senates hung on all he spoke,The club must hail him master of the joke.’
‘Though listening senates hung on all he spoke,The club must hail him master of the joke.’
‘Though listening senates hung on all he spoke,The club must hail him master of the joke.’
‘Though listening senates hung on all he spoke,
The club must hail him master of the joke.’
Players are for going into the church—officers in the army turn players. For myself, do what I might, I should think myself a poor creature unless I could beat a boy of ten years old at chuck-farthing, or an elderly gentlewoman at piquet!
The extreme of fastidious discontent and repining is as bad as that of over-weening presumption. We ought to be satisfied if we have succeeded in any one thing, or with having done our best. Any thing more is for health and amusement, and should be resorted to as a source of pleasure, not of fretful impatience, and endless pity, self-imposed mortification. Perhaps the jealous, uneasy temperament is most favourable to continued exertion and improvement, if it does not lead us to fritter away attention on too many pursuits. By looking out of ourselves, we gain knowledge: by being little satisfied with what we have done, we are less apt to sink into indolence and security. To conclude with a piece of egotism: I never begin one of theseEssayswith a consciousness of having written a line before; and having got to the end of the volume, hope never to look into it again.
ESSAY XVIHOT AND COLD
‘——Hot, cold, moist, and dry, four champions fierce,Strive here for mastery.’—Milton.
‘——Hot, cold, moist, and dry, four champions fierce,Strive here for mastery.’—Milton.
‘——Hot, cold, moist, and dry, four champions fierce,Strive here for mastery.’—Milton.
‘——Hot, cold, moist, and dry, four champions fierce,
Strive here for mastery.’—Milton.
‘The Protestants are much cleaner than the Catholics,’ said a shopkeeper of Vevey to me. ‘They are so,’ I replied, ‘but why should they?’ A prejudice appeared to him a matter-of-fact, and he did not think it necessary to assign reasons for a matter-of-fact. That is not my way. He had not bottomed his proposition on proofs, nor rightly defined it.
Nearly the same remark, as to the extreme cleanliness of the people in this part of the country, had occurred to me as soon as I got to Brigg, where however the inhabitants are Catholics. So the original statement requires some qualification as to the mode of enunciation. I had no sooner arrived in this village, which is situated just under the Simplon, and where you are surrounded withglaciersandgoitres, than the genius of the place struck me on looking out at the pump under my window the next morning, where the ‘neat-handed Phyllises’ were washing their greens in the water, that not a caterpillar could crawl on them, and scouring their pails and tubs that not a stain should be left in them. The raw, clammy feeling of the air was in unison with the scene. I had not seen such a thing in Italy. They have there no delight in splashing and dabbling in fresh streams and fountains—they have a dread of ablutions and abstersions, almost amounting tohydrophobia. Heat has an antipathy in nature to cold. The sanguine Italian is chilled and shudders at the touch of cold water, while the Helvetian boor, whose humours creep through his veins like the dank mists along the sides of his frozen mountains, is ‘native and endued unto that element.’ Here every thing is purified and filtered: there it is baked and burnt up, and sticks together in a most amicable union of filth and laziness. There is a little mystery and a little contradiction in the case—let us try if we cannot get rid of both by means of caution and daring together. It is not that the difference of latitude between one side of the Alps and the other can signify much: but the phlegmatic blood of their German ancestors is poured down the valleys of the Swiss like water, andicedin its progress; whereas that of the Italians, besides its vigorous origin, is enriched and ripened by basking in more genial plains. A single Milanese market-girl (to go no farther south)appeared to me to have more blood in her body, more fire in her eye (as if the sun had made a burninglensof it), more spirit and probably more mischief about her than all the nice,tidy, good-looking, hardworking girls I have seen in Switzerland. To turn this physiognomical observation to a metaphysical account, I should say then that Northern people are clean and Southern people dirty as a general rule, because where the principle of life is more cold, weak, and impoverished, there is a greater shyness and aversion to come in contact with external matter (with which it does not so easily amalgamate), a greater fastidiousness and delicacy in choosing its sensations, a greater desire to know surrounding objects and to keep them clear of each other, than where this principle being more warm and active, it may be supposed to absorb outward impressions in itself, to melt them into its own essence, to impart its own vital impulses to them, and in fine, instead of shrinking from every thing, to be shocked at nothing. The Southern temperament is (so to speak) more sociable with matter, more gross, impure, indifferent, from relying on its own strength; while that opposed to it, from being less able to react on external applications, is obliged to be more cautious and particular as to the kind of excitement to which it renders itself liable. Hence the timidity, reserve, and occasional hypocrisy of Northern manners; the boldness, freedom, levity, and frequent licentiousness of Southern ones. It would be too much to say, that if there is any thing of which a genuine Italian has a horror, it is of cleanliness; or that if there is any thing which seems ridiculous to a thorough-bred Italian woman, it is modesty: but certainly the degree to which nicety is carried by some people is aboreto an Italian imagination, as the excess of delicacy which is pretended or practised by some women is quite incomprehensible to the females of the South. It is wrong, however, to make the greater confidence or forwardness of manners an absolute test of morals: the love of virtue is a different thing from the fear or even hatred of vice. The squeamishness and prudery in the one case have a more plausible appearance; but it does not follow that there may not be more native goodness and even habitual refinement in the other, though accompanied with stronger nerves, and a less morbid imagination. But to return to the first question.[21]—I can readily understand how a Swiss peasant should stand a whole morning at a pump, washing cabbages, cauliflowers, sallads, and getting rid half a dozen times over of the sand, dirt, and insects they contain, because I myself should not only begravelledbymeeting with the one at table, but should be in horrors at the other. A Frenchman or an Italian would be thrown into convulsions of laughter at this superfluous delicacy, and would think his repast enriched or none the worse for such additions. The reluctance to prey on life, or on what once had it, seems to arise from a sense of incongruity, from the repugnance between life and death—from the cold, clammy feeling which belongs to the one, and which is enhanced by the contrast to its former warm, lively state, and by the circumstance of its being taken into the mouth, and devoured as food. Hence the desire to get rid of the idea of the living animal even in ordinary cases by all the disguises of cookery, of boiled and roast, and by the artifice of changing the name of the animal into something different when it becomes food.[22]Hence sportsmen are not devourers of game, and hence the aversion to kill the animals we eat.[23]There is a contradiction between the animate and the inanimate, which is felt as matter of peculiar annoyance by the more cold and congealed temperament which cannot so well pass from one to the other; but this objection is easily swallowed by the inhabitant of gayer and more luxurious regions, who is so full of life himself that he can at once impart it to all that comes in his way, or never troubles himself about the difference. So the Neapolitan bandit takes the life of his victim with little remorse, because he has enough and to spare in himself: his pulse still beats warm and vigorous, while the blood of a more humane native of the frozen North would run cold with horror at the sight of the stiffened corse, and this makes him pause before he stops in another the gushing source, of which he has such feeble supplies in himself. The wild Arab of the Desert can hardly entertain the idea of death, neither dreading it for himself nor regretting it for others. The Italians, Spaniards, and people of the South swarm alive without being sick or sorry at the circumstance: they hunt the accustomed prey in each other’s tangled locks openly in the streets and on the highways, without manifesting shame orrepugnance: combs are an invention of our Northern climes. Now I can comprehend this, when I look at the dirty, dingy, greasy, sun-burnt complexion of an Italian peasant or beggar, whose body seems alive all over with a sort of tingling, oily sensation, so that from any given particle of his shining skin to the beast ‘whose name signifies love’ the transition is but small. This populousness is not unaccountable where all teems with life, where all is glowing and in motion, and every pore thrills with an exuberance of feeling. Not so in the dearth of life and spirit, in the drossy, dry, material texture, the clear complexions and fair hair of the Saxon races, where the puncture of an insect’s sting is a solution of their personal identity, and the idea of life attached to and courting an intimacy with them in spite of themselves, naturally produces all the revulsions of the most violent antipathy and nearly drives them out of their wits. How well the smooth ivory comb and auburn hair agree—while the Greekdandy, on entering a room, applies his hand to brush a cloud of busy stragglers from his hair like powder, and gives himself no more concern about them than about the motes dancing in the sunbeams! The dirt of the Italians is as it were baked into them, and so ingrained as to become a part of themselves, and occasion no discontinuity of their being.
I can forgive the dirt and sweat of a gipsey under a hedge, when I consider that the earth is his mother, the sun is his father. He hunts vermin for food: he is himself hunted like vermin for prey. His existence is not one of choice, but of necessity. The hungry Arab devours the raw shoulder of a horse. This again I can conceive. His feverish blood seethes it, and the virulence of his own breath carries off the disagreeableness of the smell. I do not see that the horse should be reckoned among unclean animals, according to any notions I have of the matter. The dividing of the hoof or the contrary, I should think, has not any thing to do with the question. I can understand the distinction between beasts of prey and the herbivorous and domestic animals, but the horse is tame. The natural distinction between clean and unclean animals (which has been sometimes made into a religious one) I take to depend on two circumstances, viz. the claws and bristly hide, which generally, though not always, go together. One would not wish to be torn in pieces instead of making a comfortable meal, ‘to be supped upon’ where we thought of supping. With respect to the wolf, the tiger, and other animals of the same species, it seems a question which of us should devour the other: this baulks our appetite by distracting our attention, and we have so little relish for being eaten ourselves, or for the fangs and teeth of these shocking animals, that it gives us adistaste for their whole bodies. The horror we conceive at preying upon them arises in part from the fear we had of being preyed upon by them. No such apprehension crosses the mind with respect to the deer, the sheep, the hare—‘here all is conscience and tender heart.’ These gentle creatures (whom we compliment as useful) offer no resistance to the knife, and there is therefore nothing shocking or repulsive in the idea of devoting them to it. There is no confusion of ideas, but a beautiful simplicity and uniformity in our relation to each other, we as the slayers, they as the slain. A perfect understanding subsists on the subject. The hair of animals of prey is also strong and bristly, and forms an obstacle to our Epicurean designs. The calf or fawn is sleek and smooth: the bristles on a dog’s or a cat’s back are like ‘the quills upon the fretful porcupine,’ a very impracticable repast to the imagination, that stick in the throat and turn the stomach. Who has not read and been edified by the account of the supper in Gil Blas? Besides, there is also in all probability the practical consideration urged by Voltaire’s traveller, who being asked ‘which he preferred—black mutton or white?’ replied, ‘Either, provided it was tender.’ The greater rankness in the flesh is however accompanied by a corresponding irritability of surface, a tenaciousness, a pruriency, a soreness to attack, and not that fine, round, pampered passiveness to impressions which cuts up into handsome joints and entire pieces without any fidgetty process, and with an obvious view to solid, wholesome nourishment. Swine’s flesh, the abomination of the Jewish law, certainly comes under the objection here stated; and the bear with its shaggy fur is only smuggled into the Christian larder as half-brother to the wild boar, and because from its lazy, lumpish character and appearance, it seems matter of indifference whether it eats or is eaten. The horse, with sleek round haunches, is fair game, except from custom; and I think I could survive having swallowed part of an ass’s foal without being utterly loathsome to myself.[24]Mites in a rotten cheese are endurable, from being so small and dry that they are scarce distinguishable from the atoms of the cheese itself, ‘so drossy and divisible are they:’ but the Lord deliver me from their more thriving next-door neighbours! Animals that are made use of as food should either be so small as to be imperceptible, or else we should dig into the quarry of life, hew away the masses, and not leave the form standing to reproach us with our gluttony and cruelty. I hate to see a rabbit trussed, or a hare brought to table in the form which it occupied while living: they seem to me apparitions of the burrowers in the earth or the rovers inthe wood, sent to scare away appetite. One reason why toads and serpents are disgusting, is from the way in which they run against or suddenly cling to the skin: the encountering them causes a solution of continuity, and we shudder to feel a life which is not ours in contact with us. It is this disjointed or imperfect sympathy which in the recoil produces the greatest antipathy. Sterne asks why a sword, which takes away life, may be named without offence, though other things, which contribute to perpetuate it, cannot? Because the idea in the one case is merely painful, and there is no mixture of the agreeable to lead the imagination on to a point from which it must make a precipitate retreat. The morally indecent arises from the doubtful conflict between temptation and duty: the physically revolting is the product of alternate attraction and repulsion, of partial adhesion, or of something that is foreign to us sticking closer to our persons than we could wish. The nastiest tastes and smells are not the most pungent and painful, but a compound of sweet and bitter, of the agreeable and disagreeable; where the sense, having been relaxed and rendered effeminate as it were by the first, is unable to contend with the last, faints and sinks under it, and has no way of relieving itself but by violently throwing off the load that oppresses it. Hence loathing and sickness. But these hardly ever arise without something contradictory orimpurein the objects, or unless the mind, having been invited and prepared to be gratified at first, this expectation is turned to disappointment and disgust. Mere pains, mere pleasures do not have this effect, save from an excess of the first causing insensibility and then a faintness ensues, or of the last, causing what is called a surfeit. Sea-sickness has some analogy to this. It comes on with that unsettled motion of the ship, which takes away the ordinary footing or firm hold we have of things, and by relaxing our perceptions, unbraces the whole nervous system. The giddiness and swimming of the head on looking down a precipice, when we are ready with every breath of imagination to topple down into the abyss, has its source in the same uncertain and rapid whirl of the fancy through possible extremes. Thus we find that for cases offainting, sea-sickness, &c. a glass of brandy is recommended as ‘the sovereign’st thing on earth,’ because by grappling with the coats of the stomach and bringing our sensations to afocus, it does away that nauseous fluctuation and suspense of feeling which is the root of the mischief. I do not know whether I make myself intelligible, for the utmost I can pretend is to suggest some very subtle and remote analogies: but if I have at all succeeded in opening up the train of argument I intend, it will at least be possible to conceive how the sanguine Italian is less nice in his intercourse with material objects, less startled at incongruities, less liable to take offence, than the more literal and conscientious German, because the more headstrong current of his own sensations fills up the gaps and ‘makes the odds all even.’ He does not care to have his cabbages and sallads washed ten times over, or his beds cleared of vermin: he can lend or borrow satisfaction from all objects indifferently. The air over his head is full of life, of the hum of insects; the grass under his feet rings and is loud with the cry of the grasshopper; innumerable green lizards dart from the rocks and sport before him: what signifies it if any living creature approaches nearer his own person, where all is one vital glow? The Indian even twines the forked serpent round his hand unharmed, copper-coloured like it, his veins as heated; and the Brahmin cherishes life and disregards his own person as an act of his religion—the religion of fire and of the sun! Yet how shall we reconcile to this theory the constant ablutions (five times a day) of the Eastern nations, and the squalid customs of some Northern people, the dirtiness of the Russians and of the Scotch? Superstition may perhaps account for the one, and poverty and barbarism for the other.[25]
Laziness has a great deal to do in the question, and this again is owing to a state of feeling sufficient to itself, and rich in enjoyment without the help of action. Clothilde (the finest and darkest of the Gensano girls) fixes herself at her door about noon (when her day’s work is done): her smile reflects back the brightness of the sun, she darts upon a little girl with a child in her arms, nearly overturns both, devours it with kisses, and then resumes her position at the door, with her hands behind her back and her shoes down at heel. This slatternliness and negligence is the more remarkable in so finea girl, and one whose ordinary costume is a gorgeous picture, but it is a part of the character; her dress would never have been so rich, if she could take more pains about it—they have no nervous or fidgetty feeling whether a thing is coming off or not: all their sensations, as it were, sit loose upon them. Their clothes are no part of themselves,—they even fling their limbs about as if they scarcely belonged to them; the heat in summer requires the utmost freedom and airiness (which becomes a habit), and they have nothing tight-bound or strait-laced about their minds or bodies. The same girl in winter (for ‘dull, cold winter does inhabit here’ also) would have ascaldaletto(an earthen pan with coals in it) dangling at her wrists for four months together, without any sense of incumbrance or distraction, or any other feeling but of the heat it communicated to her hands. She does not mind its chilling the rest of her body or disfiguring her hands, making her fingers look like ‘long purples’—these children of nature ‘take the good the Gods provide them,’ and trouble themselves little about consequences or appearances. Their self-will is much stronger than their vanity—they have as little curiosity about others as concern for their good opinion. Two Italian peasants talking by the roadside will not so much as turn their heads to look at an English carriage that is passing. They have no interest except in what is personal, sensual. Hence they have as little tenaciousness on the score of property as in the acquisition of ideas. They want neither. Their good spirits are food, clothing, and books to them. They are fond of comfort too, but their notion of it differs from ours—ours consists in accumulating the means of enjoyment, theirs in being free to enjoy, in the dearfar niente. What need have they to encumber themselves with furniture or wealth or business, when all they require (for the most part) is air, a bunch of grapes, bread, and stone-walls? The Italians, generally speaking, have nothing, do nothing, want nothing,—to the surprise of foreigners, who ask how they live? The men are too lazy to be thieves, the women to be something else. The dependence of the Swiss and English on their comforts, that is, on all ‘appliances and means to boot,’ as helps to enjoyment or hindrances to annoyance, makes them not only eager to procure different objects of accommodation and luxury, but makes them take such pains in their preservation and embellishment, andpetthem so when acquired. ‘A man,’ says Yorick, ‘finds an apple, spits upon it, and calls it his.’ The more any one finds himself clinging to material objects for existence or gratification, the more he will take a personal interest in them, and the more will he clean, repair, polish, scrub, scour, and tug at them without end, as if it were his own soul that he was keeping clearfrom spot or blemish. A Swiss dairy-maid scours the very heart out of a wooden pail; a scullion washes the taste as well as the worms out of a dish of broccoli. The wenches are in like manner neat and clean in their own persons, but insipid. The most coarse and ordinary furniture in Switzerland has more pains bestowed upon it to keep it in order, than the finest works of art in Italy. There the pictures are suffered to moulder on the walls; and the Claudes in the Doria Palace at Rome are black with age and dirt. We set more store by them in England, where we have scarce any other sunshine! At the common inns on this side the Simplon, the very sheets have a character for whiteness to lose: the rods and testers of the beds are like a peeled wand. On the opposite side you are thankful when you are not shown into an apartment resembling a three-stalled stable, with horse-cloths for coverlids to hide the dirt, and beds of horse-hair or withered leaves as harbourage for vermin. The more, the merrier; the dirtier, the warmer; live and let live, seem maxims inculcated by the climate. Wherever things are not kept carefully apart from foreign admixtures and contamination, the distinctions of property itself will not, I conceive, be held exceedingly sacred. This feeling is strong as the passions are weak. A people that are remarkable for cleanliness, will be so for industry, for honesty, for avarice, andvice versâ. The Italians cheat, steal, rob (when they think it worth their while to do so) with licensed impunity: the Swiss, who feel the value of property, and labour incessantly to acquire it, are afraid to lose it. At Brigg I first heard the cry of watchmen at night, which I had not heard for many months. I was reminded of the traveller who after wandering in remote countries saw a gallows near at hand, and knew by this circumstance that he approached the confines of civilization. The police in Italy is both secret and severe, but it is directed chiefly to political and not to civil matters. Patriot sighs are heaved unheard in the dungeons of St. Angelo: the Neapolitan bandit breathes the free air of his native mountains!
It may by this time be conjectured why Catholics are less cleanly than Protestants, because in fact they are less scrupulous, and swallow whatever is set before them in matters of faith as well as other things. Protestants, as such, are captious and scrutinising, try to pick holes and find fault,—have a dry, meagre, penurious imagination. Catholics are buoyed up over doubts and difficulties by a greater redundance of fancy, and make religion subservient to a sense of enjoyment. The one are for detecting and weeding out all corruptions and abuses in doctrine or worship: the others enrich theirs with the dust and cobwebs of antiquity, and think their ritual none the worse for thetarnish of age. Those of the Catholic Communion are willing to take it for granted that every thing is right; the professors of the Reformed religion have a pleasure in believing that every thing is wrong, in order that they may have to set it right. In morals, again, Protestants are more precise than their Catholic brethren. The creed of the latter absolves them of half their duties, of all those that are a clog on their inclinations, atones for all slips, and patches up all deficiencies. But though this may make them less censorious and sour, I am not sure that it renders them less in earnest in the part they do perform. When more is left to freedom of choice, perhaps the service that is voluntary will be purer and more effectual. That which is not so may as well be done by proxy; or if it does not come from the heart, may be suffered to exhale merely from the lips. If less is owing in this case to a dread of vice and fear of shame, more will proceed from a love of virtue, free from the least sinister construction. It is asserted that Italian women are more gross; I can believe it, and that they are at the same time more refined than others. Their religion is in the same manner more sensual: but is it not to the full as visionary and imaginative as any? I have heard Italian women say things that others would not—it does not therefore follow that they would do them: partly because the knowledge of vice that makes it familiar renders it indifferent; and because the same masculine tone of thinking that enables them to confront vice, may raise them above it into a higher sphere of sentiment. If their senses are more inflammable, their passions (and their love of virtue and of religion among the rest) may glow with proportionable ardour. Indeed the truest virtue is that which is least susceptible of contamination from its opposite. I may admire a Raphael, and yet not swoon at sight of a daub. Why should there not be the same taste in morals as in pictures or poems? Granting that vice has more votaries here, at least it has fewer mercenary ones, and this is no trifling advantage. As to manners, the Catholics must be allowed to carry it over all the world. The better sort not only say nothing to give you pain; they say nothing of others that it would give them pain to hear repeated. Scandal and tittle-tattle are long banished from good society. After all, to be wise is to be humane. What would our Englishblue-stockingssay to this? The fault and the excellence of Italian society is, that the shocking or disagreeable is not supposed to have an existence in the nature of things.[26]