'Remain in the carriage with the doctor,' said he. 'The exact spot is not agreed upon yet. Wait a little.'
The seconds got out. Sangiorgio stayed inside at the window.
They were first on the ground. The cabin at the Acqua Acetosa was deserted. Doors and shutters were closed. There was not a vestige of life. The great plain stretched along the river, green, treeless, and without a human creature. Far away, in the direction of the Villa Ada, a long file of white sheep was distinguishable against the uniform green and ash-gray, and a hooded shepherd was standing there erect and motionless.
Castelforte and Scalia walked out upon the plain, gesticulating. The weather was clearing a little, though there were still rumblings and threatening signs. The immense area, grown with useless herbage, was such a mournful and desolate wilderness that the shapes of the two well-dressed men moving among the blooming chicory created a curious dissonance in the scene. The Tiber, swollen and livid, was tossing in angry turbulence. Castelforte and Scalia turned back slowly, arguingthe while. Sangiorgio was beginning to tremble with impatience. The carriage seemed suffocating to him, and he could barely breathe.
The two seconds drew near again. Castelforte leaned in at the window.
'We have found a good place; it is a little soft, but not slippery. We must wait to see if the others are satisfied with it.'
'Here they come!' said Sangiorgio, whose senses had become excessively acute through the excitement.
Indeed, the noise of a carriage was audible, and it rapidly grew more defined; the vehicle turned into the plain at a fast gallop, and drew up at a short distance from the hut, in the middle of the field. The door opened, and Oldofredi, Lapucci, and Bomba leaped down.
These last advanced towards Castelforte and Scalia, who came to meet them; Sangiorgio's doctor and Oldofredi's kept aside, kneeling in the grass and opening out their cases, so as to have everything ready. Oldofredi remained near his carriage, with his topcoat on, smoking and playfully tapping the croup of one of the horses with his thin bamboo cane. Sangiorgio, his body half out of the door, was casting hesitating glances about. What enraged him was his inexperience, the newness of the thing, and his ignorance of the formalities. Was he to stay in the coach, or alight as his adversary had done? He looked at the seconds. Castelforte and Lapucci, bent low, were clearing the ground with their feet and drawing lines with their walking-sticks. Scalia came to the window.
'Be quick! Leave your topcoat and hat in the carriage.'
He took the swords and gauntlet, and turned to the spot chosen for the encounter. Bomba also turned, with a pair of swords and another gauntlet. Sangiorgio, whose breast and temples were throbbing, shivered with expectancy and eagerness, threw aside his hat, tore off topcoat, coat, waistcoat, and necktie, and rushed impetuously towards the seconds. The sharp, hard ring of the swords cast on the grass by Scalia checked him. Castelforte shouted to him from the distance:
'Keep on your coat! It is cold!'
Sangiorgio returned, fetched his great-coat, drew it over his shoulders, and joined the seconds. In the centre of the duelling-ground Castelforte and Lapucci were drawing lots for the choice of swords and the privilege of giving the words of command. Scalia and the doctor took Sangiorgio between them, and spoke to him quietly:
'Have you taken a mouthful of brandy?'
'No.'
'That's bad. One ought always to fortify one's self.'
'I shall not need it,' was Sangiorgio's mental retort.
'I am to give the words of command in the fight. You are to choose the swords,' said Castelforte. 'Do you wish to examine ours?'
'I choose our own,' answered Lapucci; 'here they are.'
Oldofredi, who was in another part of the ground, considering the landscape with an anemone between his lips, veered to the right-about. Castelforte stepped up to Sangiorgio, put a sword into his grasp, tied its handle to his wrist, and accompanied him to his post. The doctors moved off twenty paces. Scalia stayed at Sangiorgio's left, and Bomba at Oldofredi's left.Lapucci and Castelforte took up their position in the middle, opposite one another, each with sword in hand.
Oldofredi bore a more stupid and vacant expression than usual; certainly his mind was as yet unoccupied with what ought to have concerned him most.
Castelforte, with his cavalry Captain's manner, looked imperiously at Sangiorgio and then at Oldofredi.
'Gentlemen——' he began in a singing tone.
Sangiorgio, whose blood had run violently to his face, stared at him; Oldofredi spat out the anemone, and with an aristocratic gesture dropped his overcoat from his shoulders.
'Gentlemen, it would be an insult to admonish two men of your breeding to comport yourselves in perfectly chivalrous fashion. I will only remind you that you must immediately stop as soon as you hear the word "Halt!" and that you must not attack excepting at the command "Go!" Now let us begin.'
He gave Lapucci a nod, who replied with another, and called out:
'Guard!'
With a hardly noticeable movement Oldofredi advanced his right foot, bent his arm and sword to the proper angle, and planted himself firmly on his legs. Sangiorgio sprang to the attitude of guard with a bound, stretching out his right arm and sword in such a rigid straight line that he might have been of iron.
'Go!' commanded Castelforte.
And they made a dash at one another. Oldofredi's sword struck Sangiorgio's, which was aimed at him in a thrust, warded it off, and slid down upon the padded glove. ButSangiorgio, raising arm and weapon with savage strength, beat back his enemy's blade, and all but broke his sword guard in the onslaught.
'Halt!' shouted Castelforte, interposing his own weapon.
The two combatants obeyed, and resumed their places. Oldofredi, a little pale, was smiling; he had gauged his foe. Sangiorgio, however, in whose breast raged the fury of a bull that has seen red, kept his mouth shut, and breathed vehemently through his nose.
'Guard!' said Castelforte again.
Sangiorgio, with his arm extended, and his steel's point directed at his adversary's face, glowered at him with such fierce, menacing eyes that Oldofredi took note of it.
'Go!' exclaimed Castelforte.
This time Oldofredi attacked, making for his opponent's body; Sangiorgio, standing steady, his arm outstretched and his point at the enemy's eyes, did not parry. But as he saw the blade, with which a feint had been made at his stomach, flash by his eyes and about to reach his face, he met it with a grinding stroke, so sweeping and so determined that Oldofredi's sword fell from his hand, and remained suspended from the lash.
'Halt!' shouted Castelforte.
Lapucci and Bomba hastened to refasten Oldofredi's weapon to his wrist.
'Good! Another score!' whispered Castelforte into his principal's ear.
Sangiorgio was in a serener state of mind. An internal exultation of pride gratified expressed itself in his face. Histeeth closed together. Oldofredi was back at his post, his sword in hand, but this time he was white with the pallor of rage. His teeth, too, were interlocked, and his brow was as dark as if ready to hurl thunderbolts.
At the word of command he flew at his enemy at a bound, without a feint or any sort of artifice in fencing, intending to split his head open. But before his sword could reach its mark, the point of Sangiorgio's cut into his nether lip, and rent his whole cheek as far as the temple. The four seconds precipitated themselves on the duellists, and the doctors ran up. Oldofredi was dragged aside, and made to sit on a stretcher surrounded by the six men. Sangiorgio stood alone, sword in hand, half undressed, and dazed, under the leaden sky which once more sent down a muddy shower.
* * * * *
While the carriage was passing under the Porta del Popolo indistinctly he heard Castelforte ask the doctor:
'How many stitches will be required?'
'Ten.'
'How many days will he be laid up?'
'Twenty—unless a violent fever sets in.'
'By God, what a fine stroke!' interjected Scalia, gleefully pulling at his cigar.
'And then there is the scar,' added Castelforte, laughing. 'Oldofredi will not forget that stroke!'
The doctor got out at the San Giacomo hospital, after making an appointment to sign the record of the duel. At the mention of this, Sangiorgio broke his silence.
'Are you hungry?' Scalia asked him.
'He ought to be; he certainly deserves an appetite,' said Castelforte.
And they both smiled complacently.
The seconds had not embraced their principal on the ground, so as not to be seen, but during the return, in the carriage, they gradually gave themselves up to affectionate demonstrations. Their coolness and stiffness were gone; they looked at Sangiorgio lovingly, with shining eyes, spoke of him proudly, tenderly, as of a good son who has passed an examination and carried off the highest number of marks. Castelforte actually tapped him two or three times on the shoulder—a very unusual piece of familiarity as coming from this grand gentleman. They caressed him with their eyes, with the tone of their voices, with flattering words, showing how they valued him and how well they were disposed towards him after the duel. He received this flood of new friendship very quietly; the tension of his nerves was relaxing more and more, giving room to a strong desire for physical life, in which he would not think, but would only eat, digesting the meal in a warm room, and then sleep soundly for several hours. He smiled at his seconds like a boy who has distinguished himself at his examinations, like a little girl after her first communion. The whole scene of the Acqua Acetosa, with that great, bleeding, streaming gash on his adversary's face, had now vanished; he felt nothing but the blissful happiness of triumphant rest. His features had expanded, his eyes had lost their feverish glitter, his jaws were loosely set: Francesco Sangiorgio looked like a dolt.
* * * * *
The luncheon at the Roma café was loud and lively. Once a minute Castelforte and Scalia filled Sangiorgio's glass. He ate and drank plentifully, happy in the doing of it, acknowledging by nods the amiable remarks of his two seconds, laughing when they spoke of Oldofredi's mortification, which hurt him far more than his wound.
At dessert the genial humour increased.
'Because,' Scalia was continuing, 'because I have a great experience of duels, and I was anxious on your account, my dear Sangiorgio. Your opponent was strong and brave, and had fought twenty times. You were new at it, inexperienced—and so, of course—I was anxious——'
'Oldofredi was not!' interjected Castelforte.
'He seemed to be in a jocular mood on the ground,' remarked Sangiorgio.
'Oldofredi never makes a joke,' said Scalia sententiously. 'One need not believe in his posings. At the third attack, let me assure you, my dear colleagues, he was raving; he went at you, Sangiorgio, as if he wanted to cleave your skull. What a stroke, ye holy fiends!'
'What a stroke, by God!' chimed in Castelforte.
And the same complimentary speeches began over again; they were rather monotonous, rather exaggerated, as though proffered by persons still under a recent vivid impression, who repeat the same story a hundred times, rocking themselves to the same tune and unable to think of anything else. Thus the tale was retold three or four times. The Honourable Melillo, who had been at lunch with the Honourable Cermigniani at the Colonne, and who was somewhat concerned abouthis Basilicatan colleague, had come down by way of the Corso to see if he might meet his carriage, and while he was jabbering politics, shouting, excitedly gesticulating, vociferating, quoting figures and demolishing calculations, he espied the group of three at table in the eating-house. So the Honourable Melillo, the blonde member with the red face and the white waistcoat, had joined them, in order to embrace Sangiorgio, and meantime Cermigniani, the deputy from the Abruzzi, stood by, listening to the account given by the seconds, tugging mechanically at his black beard, throwing in exclamations, and, seized with warlike ardour, planting himself in a sort of offensive attitude.
Bencini, the old deputy of the Right, the clever old lukewarm Catholic, suspected of deriding God and the devil alike, was chatting and laughing in spirited fashion, at the other end of the room, with Gambara, the dean of the old Conservative party. Bencini, inquisitive and talkative as a woman, came to offer his congratulations, although he scarcely knew Sangiorgio. But the witty, paradox-loving Tuscan entertained a deep dislike for Oldofredi's vainglorious, swaggering stupidity. He chuckled as he thought of the fury of the deputy from the Marches. Quoth he:
'Oldofredi cannot consign this affair to oblivion; they have sewed it on his face! Fortunately, we are not in the dog-days at present, or he might try to bite.'
And all of them, gathered about Sangiorgio, burst out laughing. Castelforte told Gambara, who had come up to him, the story over again, and Gambara smiled placidly as he looked at Sangiorgio with the eye of an old Parliamentarianfond of studious and brave young deputies. Cermigniani and Melillo were listening to the brilliant tittle-tattle of Bencini, with his cackling speech and his dry laugh.
It was almost a procession that escorted Sangiorgio to the landau. The sun had come out, the top of the carriage had been lowered, and Melillo insisted on getting in with him. And all the way down the Corso there was shaking of hands, bows, nods, congratulations, gestures, and smiles, in lavish profusion. The street was full of deputies, journalists, business men, and reporters, standing about after lunch to enjoy a little sunshine before going to Montecitorio. The Honourable Chialamberto, the short Ligurian deputy, was having a discussion with Colonel Dicenzo, a lean Abruzzan of ascetic appearance; both bowed low to the four deputies as they passed, at the same time nudging one another. As for the deputy Carusio, in the Piazza Colonna he rushed to the carriage door, made the coachman stop, hugged and kissed Sangiorgio, shouting excitedly that he was on his way to the Prime Minister's, to inform him of the happy result of the duel.
In the Chamber an ever-growing demonstration occurred, of which Sangiorgio was the centre. The Speaker maintained, as was his wont, his proper dignity, but in the smile with which he greeted Sangiorgio there was something cordial, something affable, a sort of kindly light. The Honourable Freitag, big and stout, with his head sunk between his shoulders, and in the habit of swinging his bulk up and down the dark corridors like an elephant, asked the Southern deputy, in his small, piping voice:
'In the face, was it not?'
'In the face.'
The rest did nothing but stop and congratulate one another with hearty handshakes; they all wanted particulars of the duel. Scalia, Castelforte, and even Melillo, were all besieged; the tale went round of the three sundry attacks and the final stroke; the bellicose deputies listened with sparkling eyes and with occasional exclamations of praise; the pacific deputies listened silently and smiling, thinking of a tournament. A few—the cruellest—wanted to be told more, had the length and depth of Oldofredi's wound described to them, asked if he had bled much, if the wound would heal soon, if the scar would be very plain. But all over the House, by every one, even by the most cautious, even by those who ventured only a word and a bow, the profound antipathy was evinced which was entertained for Oldofredi by most of his fellow-members. In many of them lingered secret rancour because of a sentence, a glance, some trifling insult received and merely endured from forbearance, so as to avoid talk and scandal.
A few rare friends of Oldofredi held aloof, satisfying themselves with offering Sangiorgio no felicitations. When Lapucci and Bomba entered the Chamber as if nothing had happened, at about four o'clock, inquiries were scarce, and were dictated by cold curiosity. The two seconds felt, in their turn, the isolation of their principal, who lay in bed, with face and head bandaged, in a state of violent fever. Few asked about him; they thought, one and all, that the wound was a well-merited punishment for his sovereign insolence, but that one ought to be charitable towards the vanquished.
The enthusiasm for Sangiorgio continued until evening,waxing higher still at the dinner-hour. Overwhelmed and confused, but always preserving his external calm, which was now and then varied by a stolid smile, he let them say and do what they pleased, listening to everybody and everything, yielding to the enjoyment of this new popularity.
He repaired to the Costanzi Theatre, where the 'Huguenots' was being performed, took an orchestra stall, and listened to the music, with which he was unfamiliar, in a half-imbecile state. Behind him, two young men were discussing the duel, pointing at him as the individual who had inflicted the sword-cut on Oldofredi; they spoke in a whisper, but he heard them very well, as he was giving but one ear to the music. After the first act he felt the glow of an ardent gaze upon his face: Donna Elena Fiammanti was looking at him from a box. He betook himself up there automatically. Opening the door, he stepped into the minute room separated from the box and the public by a red curtain. Two arms surrounded his neck, and an agitated voice spoke:
'Oh, Franz! oh, Franz! Why did you fight on my account? It was not worth while!'
On their way downstairs, after the opera—in the course of which at least ten visits had been paid at the box—as Donna Elena leant upon his arm, her eyes moist with pleasure and pride, he saw, in the lobby, the monster Paulo putting on a huge overcoat. Of a sudden, the whole fog of vanity was dispelled, and Sangiorgio felt an impulse to throw himself on that gallant gentleman's broad breast. It was he, the mastiff, who had advised him to aim at the face. On the ground he had remembered nothing but that counsel.
The case had come up expectedly two days after a public holiday. In one of the Italian provinces, on that festal day of patriotic celebration, some of the municipal board and the communal council had made most overt manifestations of advanced republican sentiments. The royalist councillors had immediately resigned their seats; telegrams had been despatched to deputies, newspapers, men of influence; the question had all in a moment assumed a serious aspect.
The summer season had arrived, and the sittings were dragging along in weary fashion; foreign politics had already sunk into their summer sleep; no important laws were being passed; the diversion came up unexpectedly, as a surprise, and was therefore welcome, and received general attention. The love-making between the Chamber and the Ministry had grown languid, like all passions meeting response and gratification; intimacy had brought disgust to those who had loved too warmly, and the commencement of the dispute, which grew more and more complicated, was the lash that stung the surfeited, apathetic lovers to activity. They had neither the inclination left, nor the strength, for fervent love. They now met to fight, to exchange insults, to wage a war of suspicion, political calumny, and private slander. The chief accused wasthe Minister of Home Affairs, who, obedient to his ideal worship of liberty, had not found it in his heart to cast off the aforesaid municipality.
A man of profound thought, large ideas, fine character, accustomed to take a broader view of political questions than was tolerable to the petty spirit of other politicians, ever rising to a lofty conception of things, he stated that the liberty of political conscience must be respected. In private amused at the unwonted importance attached to the affair, he said there was 'no likelihood that these little aldermen would burn down the temple of our institutions.' He declared publicly that the matter was trifling; and to the anxious, deeply-concerned people who came to appeal to him he showed the calm front of the superior individual, which seemed a pretence, but actually was the security of a quiet mind.
But all round him, surreptitiously and visibly, raged the desire for a crisis. All the malcontents, the ambitious, the mediocre, the envious incapables, the conceited fools, agitated, combined, held meetings, talked, harnessing mediocrity with envy, ambition with conceit, discontent with folly. They shouted in the cafés, made speeches at the eating-houses, arranged little sub-conspiracies in the parlours of the furnished houses where deputies had lodgings, behaved like arch-plotters at the tables set out in summer by Ronzi and Singer, the liquor-sellers, in the Piazza Colonna.
All day, at all the railway-stations, from all parts of Italy, deputies were arriving with small hand-bags—the emergency-week bag, into which a careful wife packs four shirts, six pocket-handkerchiefs, a pair of slippers, a clothes-brush, andso on, against the possibility of sudden departure. There were already three hundred and fifty deputies in Rome, an unusual number, never mustered in the most active winter sessions. And probably every one of the three hundred and fifty was expecting, believing, wishing, hoping to become, was certain of becoming, a Minister after the crisis.
The Minister—a strong, good, and wise man—either did not hear, or, if he did, ascribed no importance to the increasing clamour about the crisis.
'There will be no crisis,' he smilingly replied to those who asked him about it in friendly conversation. 'There will be no crisis,' he stated to those whom he assured of the fact with a preoccupied air of condescension.
At bottom he knew the political world and the men composing it. He was fully aware that the Prime Minister was on his side, that the seven other Ministers were with him, that this powerful body of nine would not allow itself to be ousted for no earthly reason but the refusal of a Mayor to sign an address to the King and his raising the cross of the tricoloured banner. He knew the furious lust for power of his eight colleagues, the tenacity of those oysters sticking to the rock; to attain it they had gone through all kinds of political sufferings and agony, and now they would sooner die than let go their hold. He smiled as he thought of what strength proceeds from weakness; he smiled, and felt safe.
But he passed on to a more moral flight of thought: his fine beliefs were still intact from scepticism, his faith in human conscience was yet unshaken. He felt that this supreme worship of liberty was rooted in every Italian heart and brain;he knew that mean interests might for a moment possess those hearts and brains; but that all would vanish in the presence of a great idea.
Malicious whispers, misrepresentations, false or fabricated news which reached him, were without effect; in vain would some true friend caution him and counsel a pessimistic view. The Home Minister maintained his ideality, which was touched ever so little with bitterness: he was not subject to defeat; he felt morally and materially secure, united with his brother Ministers in a generous cause that itself was strength. He ignored the approach of a political crisis, this Minister; besides, in the political caldron all kinds of characters were cooking, and the traits of every section of Italy were represented. The Sicilians were conspicuous for their warm feeling, mixed with irony and common-sense; the Neapolitans shouted and waved their arms; the Romans waited patiently and temporized, but knew the moment for action; the Tuscans laughed behind their spectacles, smiled mockingly under their moustaches, Mephistophelian and ambitious as they were, and laughed at each other and all the rest; the Lombards, with their aristocratic tendencies, flocked together in a solitary group; the Piedmontese and the Ligurians came and went, and made a bustle without speaking, their communications with each other being through the eye. But the most fiery, the most rebellious and wild, were the members from the smaller provinces—the Abruzzi, the Marches, the Romagnas, the Campania, the Calabrias, the countrymen, the representatives of the provinces that give life and wealth to the great cities, the deputies who had a genuine love for politics, whobelieved in them, who thought politics were the greatest force in human life, who became drunk with them as with strong wine.
But in the midst of all these latent elements of discord the men of the Basilicata never spoke, but coalesced, formed groups; frigid and impeccable, they asked no questions and gave no answers. The Minister, the stanch man and true, felt safe; he had never known fear at any juncture—and now he smiled.
When the Minister of Home Affairs entered the hall, on the day when the question was to be brought up, a prolonged murmur ran along the benches. He did not fail to observe it, but, a strong man in great things and small, he had the good sense not to look about, nor to look up at the galleries. It at once occurred to him, however, that the matter was more serious than he at first had considered it. Indeed, on the first day he had said to the Prime Minister, in a tone of unconcern:
'There is a lot of talk about this municipal affair.'
'Heat-blossoms,' the Prime Minister had replied, with a smile.
'Do you agree with me?'
'Of course I agree with you,' answered the other, without, however, specifying upon what points.
'Do you think Don Mario Tasca's speech will be important?'
'One of the usual speeches.'
And they talked of other things.
His other colleagues in the Cabinet had shielded themselves behind a strict reserve. Vargas only, the Minister of Fine Arts, a lean, dried-up old man, consumed by devouringambitions, had offered some uncertain resistance, which the Minister of Home Affairs had combated in an uncertain tone. In the Chamber, however, there was undeniable evidence of a prospectively hot debate. Turning over some of his papers with eyes lowered, the Home Minister became conscious, from the loud, Parliamentary buzz, that at least 400 members must be present. He glanced up at the diplomatic gallery, where the Countess di Santaninfa, lovely and pensive, and dressed in black, was scanning the hall with melancholy eyes, and where the Countess di Malgra, a pale, seductive blonde, who was that day wearing a yellow straw hat, never for an instant ceased from intently considering the assembly. The civil service gallery was full; in the press gallery a triple row of heads anxiously bent forward.
'They smell powder,' thought the Minister. And he looked at his two or three brother Ministers, as if he had something to tell them, but they wore such an indifferent air that he said nothing. He therefore merely glanced at the House. It had quieted down, but had a hard, solid appearance; it was a substantial body of 400 silent, expectant men. And in a quarter of an hour, at three o'clock, the orator of the Right, Don Mario Tasca, began his address from the top bench of the last section but one, in a stillness like that of an empty church. The Prime Minister had come softly into the hall, and had sat down at the end of the Cabinet bench. Don Mario Tasca was a white-haired old man, with pink skin, and a white beard for a collar. His style was elegant; it had rounded periods accompanied and completed by circular manual gestures, resembling the rotation of a small wheel. Thespeech flowed on and on, softly and gently, with never a failure of the voice, never a check, just like the song of a bird. The orator did not look at the Minister; he looked into the air, like an inspired genius. He never bent his head to refer to his notes, but was as one who knows his part by memory. But, under all this external suavity, his discourse yet sounded of rebuke; the speaker mentioned neither individuals nor facts, but, confining himself to terms somewhat vague, stated that certain institutions and certain ideas were being assailed which hitherto no one had ever thought of impugning. It was a speech that did not rail, and was rather nebulous, perhaps; still, it accused. It withheld names, but it scorched consciences.
The Minister paid close attention, and from time to time glanced sideways at the Premier, who never once turned in his direction; the other Ministers also listened attentively to Don Mario Tasca, who continued in his beautiful, fluent prose. All the deputies were turned to the right and were lending ear; up above the whole public was leaning forward; the two Countesses—the dark and the fair—seemed to be drinking in Don Mario Tasca's words.
He spoke for one hour, with never a halt, and scarcely a blunder, and without the least change in the colour of his vocal tone. He challenged the Minister, in his last sentences, which became briefer and ever more contracted, to answer whether he intended to persist in this criminal do-as-you-like, go-as-you-please system. A very, very long murmur of applause rewarded Don Mario Tasca.
The Minister, before replying, tried to question his chiefwith his eyes, but the Prime Minister was writing, and this was therefore impossible. He then rose, and answered very placably, very judicially, reducing the question to its lowest terms, declaring it unimportant, planing and smoothing all the facts, having recourse to a number of highly-sensible arguments, foregoing expansion into fine language, which he believed inept. And as he spoke so calmly, he looked about, casting questioning glances at the deputies' faces, as if seeking their approval. But their faces did not light up, for they were displeased. The deputies were not mollified—no, not they; they had come here wrought up by a week of debate and anticipation, the matter was very serious, and the Minister had tried to deal them another hand by belittling the whole affair.
Fruitlessly did he lavish the best of his cleverness and ingenuity, as well as striking sallies both lucid and logical; he continued in the wrong key, not having caught the spirit of the occasion, blind to the circumstance that good oratory was the thing on a day when a crisis threatened. He took note of the general dissatisfaction but without understanding its cause—he still thought he could win this battle with the plain weapons of reason. But glacial silence prevailed in the hall at the close of his defence.
Niccolo Ferro, the Radical deputy, hereupon requested the floor. The Minister frowned; that moment foreboded peril. Niccolo Ferro, the best speaker of the Extreme Left, calm, lucid, imperturbable, strong in logic as in rhetoric, threw so clear a light on the situation that it was no longer subject to doubt. The action of that Mayor was held up in its real and great importance; it was a sign of the times; no one wouldventure to violate liberty of conscience so far as to prohibit or punish such manifestations. He treated of the historical traditions of the communes, of the long strife in Italy for the attainment of that state of freedom, which was yet in the bud, but which would soon blossom out. A Councillor is a man, he is a citizen, said the orator; he thinks according to his convictions, and acts as he thinks. Institutions are not destroyed by the hands of men, but fall because of their inherent corruption; not men strangle them, but new ideas are their ruin. They fatally rot through the germs of disease they contain; nothing can ever save them when decay has progressed so far.
Fundamentally Niccolo Ferro was both pleased and displeased with the Minister, and he declared it openly.
He was displeased because he, the champion of liberty, was attempting to throw ridicule on the courageous and bold conduct of this clear-sighted municipality; he was pleased because he knew that the old faith never changed in the hearts of upright men, despite the allurements of despotism to those in power; and he was convinced that never would a tyrannous act be done under instruction from that illustrious man.
The illustrious man had absorbed the whole speech, while nervously twisting his gray moustache. He looked at Niccolo Ferro, his friend, very gently, quite unreprovingly. He felt crushed; he felt the amazement of the Chamber at this fresh piece of audacity from the Radical party; he felt that they all, friend and foe, wanted to force him into an equivocal position, from which there was no escape. He could neither declare himself out and out of Niccolo Ferro's opinion, nor opposehim. In that hour he was conscious of having indulged in a too loyal policy, founded on truth alone, inspired solely by lofty principles, independent of men and events, poetical almost and unreal—a policy so unpractical that it lent itself to ready defeat by both the Right and the Left at the same time. The illustrious man recognised all this, but could say nothing. Possibly, in this peril the old Prime Minister, by addressing the house in his kindly, easy way, might save the situation; he might put Don Mario Tasca's mystical, lyrical apprehensions, and Niccolo Ferro's uncalled-for petulance, in their proper places. But the old Premier was reading a letter, as though he were in the peace of his study instead of in the tumult of the hall.
The floor was then given to the Honourable Sangiorgio, and immediately the assembly was hushed. The Prime Minister raised his hoary head, and looked at the Basilicatan deputy as piercingly as if he were trying to read his soul; the Home Minister breathed a sigh of relief, supposing that what himself and the Premier had omitted Sangiorgio would say. Sangiorgio was clever, and was friendly to the Ministry, so that he could not fail to set things right.
Instead, in one first cruel sentence, the Honourable Sangiorgio fell fiercely and with concentrated wrath upon the Government's home policy. Don Mario Tasca and Niccolo Ferro had said too little, whether for or against. Things really bore a far graver aspect. For a year back the worst disorder had reigned in the management of internal affairs; there was no longer a guiding hand, no longer a bridle; the public officials performed their duties at haphazard, or did nothing atall, having no orders. The policy of the Home Department was founded on equivocation and culpable carelessness; these elastic theories of liberty were causing havoc. And this bitter, almost tragical vein of attack was readily guessed to correspond to the sentiment of the House, which murmured approval of each sentence. Sangiorgio cited facts. He enumerated the Republican associations, which in the course of a year had increased beyond measure; he declared that Republican committees were multiplying everywhere, and likewise rebellious acts, which were done not by that single Mayor, nor in that single place, but by other public officials elsewhere. He spoke of a Prefect who had consented to take part in a banquet where toasts to the King were prohibited, and said that the Minister of Home Affairs, although he knew of it, and in spite of the articles in the Royalist newspapers, had not reprimanded such Prefects, Commissioners, and delegates, all of whom were allowed the free scope of their own opinions and own will, committing deeds inexcusably arbitrary or weak. But the dominant note was their indolence, their shameful neglect. No energetic circular of instructions was ever sent from Rome. The reports of the most zealous functionaries always remained unanswered, or were replied to ambiguously; at Rome, a number of philosophical and sociological deductions were indulged in, but never was an energetic step taken.
The Chamber applauded Sangiorgio so vociferously that the Speaker was obliged to call for order twice. Sangiorgio spoke with a peculiar hardness of voice, with such sharp accent and brevity of phrase, and with such bare simplicity, that thesmallest points told. His facts were like so many blows from an unerring weapon, each striking the mark remorselessly. It was a document of impeachment, a summary compiled with the cold cruelty of a judge in vindication of law and ethics. Sangiorgio's face was set and severe, his features were rigid; he did not smile, did not gesticulate, nor had recourse to any of the common artifices of oratory; he seemed to be so sure of his cause, and so wrapt up in it, that he considered a cold, precise exposition sufficient. He supplied no comments, or very few, but enumerated facts, proceeding from one to another, with the occasional remark: 'But that is not all; there is more.' This sentence, repeated at intervals of three or four minutes with the regularity of a tragic refrain, made a deep impression; nervous tremors seem to run down the spinal column of that great body in the Chamber.
The atmosphere of Parliament was laden with electricity. No one was writing, no one was reading—all were turned towards the speaker; groups of listeners had gathered near his section; some had even climbed the stairs, as if to drink in Sangiorgio's words, in their exaggerated attentiveness. Up above, in the diplomatic gallery, had appeared the ever-beautiful Countess Lalla d' Ariccia, who was the surest barometer of a crisis, for she never came excepting in electrical weather. Donna Luisa Catalani was leaning over, her little head tied about with a white veil, and beside her Donna Angelica Vargas looked down, her lovely face unveiled, quite pink at the temples, under the excitement of curiosity.
The speaker recapitulated all he had said, using his synthesis upon the audience with the force of a hammer. And withoutadding any deductions, without challenging reply, without so much as expecting one, and in disdain of whatever argument from whatever opponent, he read out the following motion:
'That the Chamber, disapproving of the Ministry's home policy, now proceed with the business of the day. Francesco Sangiorgio.'
Then there arose such a huge, irrepressible clamour that for five minutes the Speaker rang his bell in vain. Discussion rang all over the hall, on the steps, in the hemicycle, on the benches, in the galleries—everywhere. The ladies in the diplomatic gallery stared and stared, themselves, perhaps, also seized with nervous agitation.
And the strong, honest man who was Minister of Home Affairs had, without budging, received the strokes of the Honourable Sangiorgio in his breast, half admiring his adversary's might.
Only, towards the end, when the ultimate solution was becoming plain, a growing doubt assailed him. After that extremely vigorous attack, coming from the Centre, from a Ministerialist, from a man who had shown democratic leanings, the situation was so perilous that only the Prime Minister could relieve it. Defence now devolved upon the senior, the chief, the old Parliamentarian. A new and bitter suspicion sprang from the Minister's heart to his head, and in those five minutes of Parliamentary uproar, like certain poisonous plants indigenous to the tropics so this suspicion spread apace in his soul. He looked at the old Prime Minister as penetratingly as if he wanted to tear the truth from out of him, yet, fearing lest some emotion might cloak his voice, he said not a word tohim, nor asked him a single question, but merely looked at him, expecting him to come out of his silence, to come to life, for that morning he might as well have been dead. The Prime Minister, however, remained speechless, and went on writing, stroking his beard with his other hand. And the Minister of Home Affairs suddenly composed himself inwardly, showing nothing outwardly but a slight pallor.
Certainty was at hand, and it was irrefragable. He felt himself abandoned, felt himself betrayed. His colleagues and the Prime Minister had left him to fall alone. They had already separated from him, as though shunning a corpse because of its nauseous odour. Assuredly the betrayal was complete; they wanted to be rid of him, as of a diseased arm or a cancerous leg. The Chamber would have none of him henceforth—that he felt. When the Speaker gave him permission to answer in his own justification, in frank, calm tones the illustrious man was heard to say:
'I have no remarks to make; I accept the Sangiorgio motion.'
At the division, a majority of thirty votes went against him. The Minister of Home Affairs had fallen.
A week after the official Ministerial organ, all the other newspapers following suit, published this:
'It is now ascertained that, in the reconstruction of the Cabinet, Don Silvio Vargas will exchange from the Fine Arts to the Home Department. The Honourable Sangiorgio, in vain requested to join in the new combination, has persistently refused, and has left for the Basilicata.'
A soft breath of lamentation; a dim light, which the blue flamelets cast against the massive granite walls in tedious pagan obsequies had never dispelled; a veiled light, which the yellow taper of Christian burial rites could not strengthen; a chill, sepulchral atmosphere; a frequent sob of music; a great, black mass of people, lost, as it were, in the funeral shadows; in the air, in the light, in the flames, in the music, tears shed and the desire to shed more, betokening irremediable woe.
As for him, sitting in his place, and yielding to the state of melancholy contemplation which by infinite, perpetual gradations merged into grief, a secret tremor shook his fibres, and made his pulse throb fast; and by a natural impulse, conscious that he was trembling and pale, he turned round, searching for something in the faint light falling from the velarium.
Beside him he saw that sweetest of women, Donna Angelica, of truly angelic mien. She was habited in black, in deep mourning, as was seemly in the Pantheon, sacred through the glory and the death of the Hero, and her sad eyes were fixedupon a candle that was consuming away. She saw nothing, and appeared to hear nothing, plunged in thoughts assuredly sorrowful, lost in her mournful dreams. Sitting next to a pillar, she had tried to read in her prayer-book the prayers beseeching peace, invoking rest for the departed; but soon the book had fallen into her lap half open, and her listless hands had not taken it up again.
And to him that dearest of mourners, pale as a pearl under her black veil, her sweet lips still apart for the passage of her prayer, her gaze dissolved in sad religious meditation—to him she appeared as a divine shape. And everything, the fitful, blue glare of the lamps, the thin, streaming flames of the candles, the atmosphere of woe, the sorrowful music, the dire gloom that had overcast even the ancient, stolid walls of the Pantheon, the incurable malady of the spirit—to him it was all embodied in that female form sitting near him: she personified the whole of that tepid, damp winter's day, on which the sun was dead; she was the moral seat of the tears that welled from all things; she was the magnetic abyss of sorrow, which the sorrow of all things could never fill, and in the profound shock of his system, in the thrill of his entire being, of flesh, blood, nerves, muscle, in all the strong composition of a strong man, there was aroused, there started into life, grew, abounded, a sentiment of amorous compassion.
She, all unwitting, gave herself up to her woman's fancies, which wandered among the tapers, the dark sacerdotal vestments glittering with gold, the tall, almost colossal, human cuirassier caryatides, among all the pale, dejected, sad, sorrowful, or indifferent faces. In spite of the immense throng ofpeople surrounding the catafalque, in spite of the vague murmur detaching itself from them, in that hour of spiritual freedom she lost herself completely—in that brief restful hour, that hour of freedom in which private grief was renascent, and melted and flowed into the universal grief. Now and then, at a more lugubrious strain of music, at the voice of a singer bathed, as it were, in tears, at a sentence monotonously chanted in minor by the officiating priest, she would start, and her desolate dream would begin again, moving through other phases and other degrees, in other circles of melancholy; and in a new, intenser mood did she set out upon the path of pain that gentle souls all must travel. She did not weep, for the occasion was too big, too solemn; but he perceived how her delicate eyelids, as finely made as the petals of a flower, were shaded about with violet; there had tears been, there more would flow.
And while he thus ardently gazed upon that sweetest of faces, to which the shadows of pain imparted a nobly ideal expression, and was thinking of naught but that white face, half impregnate, half saturate with tears, and had forgotten all else in his amorous contemplation of the lady, he felt a wonderful change within himself. The infinite grief by which she seemed oppressed he naturally and gradually absorbed into his own spirit; it was like penetration into her heart, slow, but infallibly sure. He asked not the meaning of it, but felt his whole self disappear, drown, perish in that woman; he was mastered, not by her, perhaps, but by what she felt. The whole vagueness, mysteriousness, and unfathomableness of a feminine grief, without lament and without tears, without foundation and without limit, which had appealed to his heartnow seized upon his brain, invaded it and took possession, driving out all other ideas whatever. No, it was no longer compassion, the great, natural compassion of a man towards a suffering woman; compassion is, after all, a personal feeling; compassion is something egoistic; compassion is a cry from one's self. It was he, he who was suffering now, as if the torture of that female heart were his own torture and anguish; it was he who felt the sharp pricking of the unshed tears scorching his lids; it was he who was in the throes of altruistic sympathy, and seemed to be lost in anguish, in a great waste of anguish, as that woman seemed to be struggling in a void of suffering.
And as the obsequial hour advanced, in the pagan temple where the Hero lay in state, a subtle odour of Christian incense went up; from altar to roof the smoke curled upward in graceful spiral shapes, which became more and more attenuated and ethereal until they vanished above, even like prayers ascending to the Most High. The incense, too, partook of the aromatic savour of tears, and the perfume of it, going through the nostrils to the brain, profoundly affected the nerves, caressing them into a state of voluptuous woe. In the half-light everything seemed to sway under that tragic, aromatic kiss; the women had all bent their brows to conceal the trembling of their lips, and the head of the woman he was watching was bowed down, as though her strength was gone. He sustained a shock, and made a motion as if to support her; but a sort of paralysis fell upon his limbs. The incense burned and burned in the silver censers, without flame, overcoming his last efforts of resistance.
A bell rang faintly, but in the midst of such silence it sounded sonorous; Donna Angelica slid from her seat down upon the cold marble floor, covered her face with her hands, and was no more than a heap of black clothes on the ground, unseen, unseeing, forlorn. And he, without kneeling, without inclining his head, without praying, felt annihilated in the woman's annihilation; everything seemed at an end for him, as everything was for her. And at each sound of the bell, as she gave a start as though called by a distant voice, the same action was reflected in him; nothing that spiritually took rise in her but was expressed in him by reflection.
A line of priests, with lighted tapers, drew up round the catafalque; a silver cross, on which hung the dying Saviour, stood fronting the bier. And through the music a strident, rending voice was heard—a voice that did not sing, but cried; a voice that did not ask, but implored: 'Libera, libera, libera me, Domine.' The Christian prayer, the painful cry begging salvation, made the sweet lady raise her eyes. And in her features, consuming away in their pallor like a fading flower, in her transfigured features, a true, intense aspiration was declared.
Now, while the piercing, distressful voice of the singer sued to heaven for deliverance with religious fervour, Donna Angelica, after passing through all the stages of undefined grief, felt a distinct need form in her heart. She now spoke to God, her lips moving as she prayed for deliverance. What had been indefinite till then now was defined: it was deliverance—deliverance from all that had been, good or evil, happiness or wretchedness—'From all, even this, O Lord! Fromall, even what has been, merciful Lord! From all, even the dreadful past, O God of pity!'
As for him who lay in the sepulchre, and whose funeral obsequies were being celebrated, deliverance had come to him at the glorious height to which he had risen; he had found deliverance, and perhaps special grace. The weight of a royal crown, the burden of a reign, the heavy responsibility of the law and of the majestic will, a load of thought and care—deliverance had come to lift all from his soul, now at rest in the ineffable peace. 'As the King sleeps, so let me sleep, O Lord!' she prayed. 'As Thou hast delivered the strong soul of the King, O Lord, so do Thou deliver my weak soul! Even if Death be the deliverer, let me die and be delivered, O Lord!'
In this supreme moment the lovely, despairing creature stretched out her arms to heaven, and as she prayed the hot, rebellious tears, so long restrained, coursed down her cheeks.
He had heard, in a mysterious way, what she besought of God. And that mourning petition, that last appeal of sorrow, gathered into a word, that agonized, Christian supplication, had also flowed from his own heart, amid the music, in the sensuous sadness of the incense, in the sepulchral glimmer of the candles, in the uncertain rocking of the light, under that blue-tinted circle of the velarium, which seemed to be alive. There sprang up in his virile heart, and flowed from it, the prayer of desolation she offered up; what she desired, he desired. An exalted satisfaction of the soul resulted from this feeling of a common desire; so sharp was the strain, so intensely was his will concentrated upon a single object, thathis being seemed multiplied. And as he turned, and saw her feebly weeping, he yielded to the successive, softening emotions of great satisfaction and great sorrow, and bowed his proud head. In truth, he also was weeping—for very love.
* * * * *
Her face almost buried in a bunch of white roses, with which she was toying, and whose fresh, strong perfume coloured her cheeks, Donna Angelica Vargas was listening to a conversation between her husband and Francesco Sangiorgio.
They had been talking politics for an hour, or, rather, Don Silvio Vargas had been talking, as he reclined in his easy-chair, smoking a pestilent Tuscan cigar, and gazing at the dainty flowers painted on the light gray ceiling of the room. He spoke in a dry, hissing voice, by fits and starts, and in abrupt phrases, between the puffs of smoke; every now and then he tugged at his spare moustache, which, despite his years, had remained as brown as his hair. Age did not show in that lean old man, excepting in the thin lines at the corners of the eyes, running fan-shaped to the temples; in the two deep furrows at the corners of the mouth, dug out by his smile; in the hardness of all his features, become almost rigid; in the fleshless neck, where the tendons stood out like the strings of a violin. But otherwise he was strong and robust in his leanness, and when he inserted the round, unframed eyeglass, suspended on a black cord, under his eyebrow, his features assumed a certain vivacity, became almost youthful.
With Don Silvio Vargas this eyeglass was an infalliblebarometer: in his hours of rest the eyebrow scarcely retained it; in the hours of indifference it seemed dull and tarnished, the eye behind it being fixed, and closed or half closed; in the hours of utter weariness, of disgust, the lens loosened from its ring, fell upon his chest, wandered into the folds of his coat and waistcoat; in the hours of conflict, in skirmish, and in battle, the glass stood rigid in its place, clear and bright, and his eye was wide open and scintillant. Both enemies and friends, too much in earnest to be observers, never took note of these changes until later, until afterwards; they overlooked the political barometer; they felt the man's strength, or his weakness, but they did not see the symbols of either.
When, after luncheon, Angelica heard Sangiorgio announced, she had risen to leave the room, but her husband, as he folded up a newspaper and opened another, curtly requested her to stay, as if he intended to be obeyed. She remained standing by a vase of cineraria, flourishing in spite of the severe winter weather. She bowed to the new arrival, and did not join in the conversation. Her slender, youthful figure—she had recently quitted her mourning—was clad in a soft gown of claustral colour, material, and style; a thick silk girdle encircled her waist, and her beautiful white hands were lost in the amplitude of the sleeves. From time to time she looked up; at a clever or spirited remark from her husband she would smile, to show that she was interested in the conversation—that she understood, that she approved. At a reply from Sangiorgio, at one of his objections or statements, she would cast a brief glance of appreciative intelligence at him. And meanwhile she tended her plants, lovingly, eyeing them withgreat solicitude, removing the dust with which their leaves were covered, breaking off the little dried branches and the decayed blossoms, which spoiled their beauty and freshness. She went to and fro among the quantity of green plants, which lent the little drawing-room the appearance of a vernal bower, her tiny white hands coming out of the wide, nunlike sleeves, her fingers pretty as a child's. As she bent over the plants, the white nape of her neck was visible, where her dark hair traced a thick wavy line. When she turned towards Don Silvio or Sangiorgio, it was seen that the violet shadows were absent from her sweet face, from the lids which had shed or suppressed so many tears; charming peace reigned there instead. At a certain moment she cast an inquiring glance at her husband's gloomy face; the bright eye behind the single glass told her to remain. Yet she had finished the daily visit to her plants. She took a bunch of roses from a vase, seated herself in an arm-chair near a bay-window, and inhaled the scent of the flowers, while a little colour strayed to her pale cheeks. On chairs, tables, and mantel lay piled a number of discarded and opened and uncut newspapers, smelling strongly of printer's ink; ragged packages of various colours were strewn on the floor, thrown down there hastily and carelessly. But Donna Angelica neither took up, nor touched, nor even looked at, any of the newspapers; her foot, as if instinct with neatness, pushed two or three of the packages aside. She was smelling the flowers.
Sangiorgio had come to that house in the Piazza dell' Apollinare upon the invitation of Silvio Vargas. The Minister of Home Affairs had stopped him on the threshold of thePantheon, had passed his arm into his, and had spoken to him in an undertone for several minutes. Then he had insisted upon his coming to his house, not to his office—yes, to his house, where they could talk after luncheon—and why the deuce was he never seen there!
'To-morrow, then?' asked Sangiorgio hesitatingly. 'What is the use of to-morrow? No! to-day—this very day!' said Vargas. He repeated that he must talk with him, and, leaving Sangiorgio's arm for his wife's, went off with her.
Sangiorgio went to the Piazza Apollinare at one o'clock. Fearing he might be too early, he was seized with a fit of hesitation at the door. But once inside, he was quickly reassured by Don Silvio's cordial manner. Only, while the Minister talked, he listened to be sure, but followed Donna Angelica in each of her quiet, graceful movements.
'Smoke! Why don't you smoke?' Don Silvio urged him, offering him some cigars while he chewed the end of his Tuscan.
Sangiorgio looked inquiringly in the lady's direction.
'My wife is accustomed to it; she does not object,' briefly commented the Minister.
Sangiorgio did not smoke, however, Donna Angelica's engaging smile notwithstanding. Seated near a little round table, he listened rather than spoke, for Don Silvio liked to be listened to. The Minister, who adored politics with the fervour of a boy of twenty, was that day greatly wrought up on the subject. In the very abuse he levelled at politics, in the very deprecations he showered on them, in his now sarcastically, now angrily nervous speech, the flaming passion for politics was evident that burned in the breast of the old Parliamentarian.And from Don Silvio, Sangiorgio seemed to hear, as if in a dream, a portion of his own thought, an echo of his own aspiring ambition, whose fancies he had never confided to a living soul. He recognised the same fever which had internally consumed him for years, while in Don Silvio the spiritual fire found expression in ideas and words. The Minister was too old, and too passionate by nature, to hide his feelings; he no longer cared to dissemble them. That inner flame must have kept Don Silvio's enthusiasm aglow. Thus did Sangiorgio reason out the cause of such prolonged and lasting vigour.
Occasionally, Don Silvio, as he looked at Sangiorgio, suppressed the sneer which deepened the furrows at the corners of his mouth, and smiled almost tenderly. Oh, he did not forget, not he, how his predecessor had fallen after a speech and a motion by Sangiorgio; he remembered Sangiorgio's brief refusal to enter the reorganized Cabinet. He had never been able to testify his gratitude, but ever since the opening of the new session had shown him his affection, had sought his company, consulted him, in a spirit of mingled deference and cordiality.
'But, at bottom, you are indifferent to power,' said Sangiorgio, after a pause in the conversation.
'No,' answered Vargas frankly, 'I am not indifferent to it; I like it; I wanted it. But the Opposition disgusts me. Sometimes it is stupid, sometimes false, sometimes brutal, and it always acts in bad faith. Where is our loyal, bold, cruel, implacable Opposition? Instead of open attack, they indulge in low pantry gossip; instead of fighting, they sneak in corners; instead of an open onslaught, it is trickery!'
'Man is a paltry creature,' observed Sangiorgio.
'He ought not to be, or ought not to appear so, if he is. By the Lord! have I not been in Opposition, too? You remember, Angelica, when I was in Opposition?'
'I remember,' she answered in the sweetest voice, raising her head.
'I was a devil. I took no rest, and gave my enemies none. Never a moment's truce! Now I am petrifying. I cannot make war now, I must wait for it; and this eternal brigandage makes my blood boil! How you fell upon the Minister that day, Sangiorgio! And you were Ministerial! Were you there that day, Angelica?'
'Yes, I was there.'
'And it is to you we owe it that I am Minister of Home Affairs,' said Vargas with emotion.
'Oh no!' murmured Sangiorgio, smiling.
'Yes, yes! The Prime Minister would never have had the courage to disavow his colleague openly. It surprises me, nevertheless, that he spoke of it to you; no one was aware of it—not even myself.'
'The Premier had told me nothing,' replied Sangiorgio deliberately.
'What! you knew nothing about it?'
'Nothing.'
'There was no understanding?'
'No.'
'By God!' exclaimed Vargas, 'you are wonderful!' And he admiringly looked Sangiorgio all over. The latter laughed formally, but immediately perceived that Angelica'sface was losing its serenity, and was invaded by an air of fatigue.
'Come to the Chamber with me, Sangiorgio; it is two o'clock,' said Vargas, rising to take his departure.
'Shall you be back soon?' asked his wife, fighting down her appearance of lassitude.
'No; there is the Chamber first, and then the Senate, and afterwards I must go to my office, to arrange about a transfer of some Prefects.'
'Shall you be here at seven?'
'About eight or nine—I don't know.'
'Shall I call for you at the Chamber?'
'No, go for a walk to the Villa Borghese, or outside the Porta Pia—anywhere you like. It is no use coming to the Parliament! I shall dine after I have finished. This affair about the Prefects is very serious. I will tell you about it on the way, Sangiorgio. If any letters, or messages, or despatches arrive, let them be sent at once to wherever I am, in the Chamber, or the Senate, or my office. I am expecting important news. I am coming, Sangiorgio.'
And orders were dealt out, short and concise, to his wife and to the secretary who had entered the room; they were delivered in a tone of military command. Don Silvio stood there firm, erect, and strong, like a young man. His feverish ardour was his support; his enthusiasm was his salvation. He went into his study, taking his secretary with him, speaking in low tones and very sharply. Francesco and Angelica remained alone, he standing upright, she with head bent as if in prayer, her fingers playing with the silk girdle about her waist. Theydid not speak, and the moments went by in the prolonged vibration of a musical beat. Suddenly she looked at him with saddened eyes, clasped her hands, and said:
'Why did you want us to have this Home Minister's place?' And her voice trembled with restrained feeling.
Don Silvio returned with overcoat and hat, rolling the extinguished stump of his Tuscan cigar between his lips, his secretary following, with a portfolio full of papers.
'Would you like a rose?' said Angelica to her husband, on the spur of the moment, offering to put one in his buttonhole.
'What can you be thinking of!' he cried, repelling the white hand with a certain degree of roughness. 'Do you want the Opposition to quizz me? A Minister with a rose! I should become the subject of caricatures in the newspapers at once!'
Donna Angelica timidly drew back, casting a furtive glance at Sangiorgio. But she did not give him the rose.
* * * * *
A low sky, with gray, leaden, heavy clouds, becoming black on the horizon, over the Tusculan hills, on Soratte, which itself might have been a great cloud settled down upon the earth; the Campagna bare and wan, undulating in places as though heaving up its inwards; two black hedges, two prickly scant hedges, without a sign of green, without a blossom; a tavern, with a rude depiction on the damp wall of three black decanters standing on a triangle and a girl drinking wine, but with doors and windows barred by decayed wooden shutters; the large gray building where the widow Mangani gives Romansummer and autumn holiday-makers tripe in sauce to eat on a terrace, in an arbour, or in a small yard, where there is room for a table and a pint of white wine; the curious ruin, alone in a field, which bears the semblance of a gigantic armchair with a chipped back, and which in fact is known as the Devil's Chair; a carter lying dozing, face down, on a load of volcano ashes he was bringing into Rome; an occasional fat drop of rain that fell upon the ground; this side St. Agnes' a Cardinal's carriage returning leisurely from the Catacombs, and a few priests walking on both sides of the road; immediately beyond St. Agnes' two carabineers sitting rigid on horseback, wrapped up in their dark cloaks; a gentle, mild breeze that swept the earth; a pungent smell, the peculiar smell of the Roman Campagna, which goes to the brain, and from the brain goes into the system like an insidious miasma; a strange dog, all muddy, that went sniffing along the hedges and looked at every wayfarer with sad, unhappy eyes—these were the things, people, animals, surroundings, seen by Francesco Sangiorgio, towards the close of a winter's day, in the Via Nomentana. And over all things, animals, houses, churches, hung the deep gloom of the imminent rainstorm, the tremendous gloom of a Roman sunset in the Campagna.
'Here is the Ponte Nomentana,' said the coachman, pointing to it with his whip.
'Stop; I wish to get out. And wait for me here,' said Sangiorgio.
He walked up the little slope to the bridge, the strange walled bridge, whose broad, graceful arch curves over the gurgling waters of the Aniene, with two large casements facingup stream and down. Sangiorgio stood on the bridge, and, leaning on a ledge, looked into the distance whence the river came.
It flowed with a narrow, but deep, winding and singularly rapid current, increased by winter rains; it flowed a dull, silvery, but cold white, without a shimmer and utterly glacial. A number of little whirlpools took shape, tiny circles with an interior mouth round which the water coursed in circular ripplets.
On the bank was a little mould of lighter colour, but no vegetation, no gravel, no volcano ashes, and round about was the great desert of the Roman Campagna.
It was not raining as yet, but the vapours from the river and the moist sirocco had imparted a certain dampness to the old bridge, and as he touched the wall at a casement where he was standing, Sangiorgio felt the trickling wet; the elbows of his coat were soaking and dirtied. He scanned the Campagna intently, but neither the poorest specimen of a tree nor the meanest specimen of a human being was in sight; the river, which at Tivoli is so magnificent, so gay, so clamorous, over there ran to a very mournful strain.
He then posted himself at the casement on the left, and watched the water flow swiftly down to join the Tiber. From here the Via Nomentana was seen to continue over the plain, to make an angle and vanish. In the middle of a field stood a cottage, a tumbledown hovel, with two rooms and no ceiling, and walls like broken teeth; at the corner of the road was a tidy, white little cottage, the Huntsman's Inn, from which a fine meadow stretched down to the river. In the water stoodwillow bushes, with blackish, scrawny branches; on the banks were small willows, equally scrawny. A boat was held in the stream by means of a rope attached to a wooden post driven into the shore; the water broke gurgling against boat, willows, and rope.
With the descending darkness, the sky, too, seemed to descend. Gazing with the strenuousness of an earnest searcher, Sangiorgio perceived a closed carriage to stop near the Huntsman's Inn, but it had halted in such a way that he could see neither horse nor coachman. And then, from afar, on the river's right bank, he saw a dark spot that grew and grew, and he recognised the sweet lady who had wept in church.
Dressed in black, she wended her solitary way along the river, walking up-stream, pausing every now and then to look at the speeding current; she moved gently, very close to the water, sinking into the spongy soil, advancing with measured footsteps.
When she had drawn nearer, he observed against the dark dress the bunch of white roses from the room at home full of green plants; she held them clasped to her waist with her hands. Two or three times she turned to the horizon, in admiration of the sad sky, which seemed about to smother the earth, and looked for the Tusculan hills already hidden by the approaching storm. Then she resumed her lonely walk with such lightness of action that she seemed barely to graze the earth.
Not once did she raise her eyes to the walls of the bridge, to the wide casement where stood he who was watching her. Assuredly she believed herself in absolute solitude, in thatvast bare Campagna, that threatening tempest, that last hour of daylight, that melancholy landscape, from which the vulgar would shrink; she believed herself alone, as if in church, praying to God, speaking to God.