Our Flame-flower, the Family Flame-flower, is now plainly established in the north-east corner of the pergola, and flourishes exceedingly. There, or thereabouts, it will remain through the generations to come—a cascade of glory to the eye, a fountain of pride to the soul. "Our fathers' fathers," the unborn will say of us, "performed this thing; they toiled and suffered that we might front the world with confidence—a family secure in the knowledge that it has been tried by fire and not found wanting…."
The Atherley's flame-flower, I am glad to inform you, is dead.
. . . . . . .
We started the work five years ago. I was young and ignorant then—I did not understand. One day they led me to an old apple tree and showed me, fenced in at its foot, two twigs and a hint of leaf. "The flame-flower!" they said, with awe in their voices. I was very young; I said that I didn't think much of it. It was from that moment that my education began….
Everybody who came to see us had to be shown the flame-flower. Visitors were conducted to the apple tree in solemn procession, and presented. They peered over the fence and said, "A-ah!" just as if they knew all about it. Perhaps some of them did. Perhaps some of them had tried to grow it in their own gardens.
As November came on and the air grew cold, the question whether the flame-flower should winter abroad became insistent. After much thought it was moved to the shrubbery on the southern side of the house, where it leant against a laburnum until April. With the spring it returned home, seemingly stronger for the change; but the thought of winter was too much for it, and in October it was ordered south again.
For the next three years it was constantly trying different climates and testing various diets. Though it was touch and go with it all this time our faith was strong, our courage unshaken. June, 1908, found it in the gravel-pit. It seemed our only hope….
And in the August of that year I went and stayed with the Atherleys.
. . . . . .
One morning at breakfast I challenged Miss Atherley to an immediate game of tennis.
"Not directly after," said Mrs Atherley, "it's so bad for you.Besides, we must just plant our flame-flower first."
I dropped my knife and fork and gazed at her open-mouthed.
"Plant your—WHAT?" I managed to say at last.
"Flame-flower. Do you know it? John brought one down last night—it looks so pretty growing up anything."
"It won't take a moment," said Miss Atherley, "and then I'll beat you."
"But—but you mustn't—you—you mustn't talk like THAT about it," I stammered." Th-that's not the way to talk about a flame-flower."
"Why, what's wrong?"
"You're just going to plant it! Before you play tennis! It isn't a—a BUTTERCUP! You can't do it like that."
"Oh, but do give us any hints—we shall be only too grateful."
"Hints! Just going to plant it!" I repeated, getting more and more indignant. "I—I suppose Sir Christopher Wren s-said to his wife at breakfast one morning, 'I've just got to design St Paul's Cathedral, dear, and then I'll come and play tennis with you. If you can give me any hints—'"
"Is it really so difficult?" asked Mrs Atherley. "We've seen lots of it in Scotland."
"In Scotland, yes. Not in the South of England." I paused, and then added, "WE have one."
"What soil is yours? Do you plant it very deep? Do they like a lot of water?" These and other technical points were put to me at once.
"Those are mere details of horticulture," I said. "What I am protesting against is the whole spirit in which you approach the business—the light-hearted way in which you assume that you can support a flame-flower. You have to be a very superior family indeed to have a flame-flower growing in your garden."
They laughed. They thought I was joking.
"Well, we're going to plant it now, anyhow," said Miss Atherley."Come along and help us."
We went out, six of us, Mrs Atherley carrying the precious thing; and we gathered round an old tree trunk in front of the house.
"It would look rather pretty here," said Mrs Atherley. "Don't you think?"
I gave a great groan.
"You—you—you're all wrong again," I said in despair. "You don't put a flame-flower in a place where you think it will look pretty; you try in all humility to find a favoured spot where it will be pleased to grow. There may be such a spot in your garden or there may not. Until I know you better I cannot say. But it is extremely unlikely to be here, right in front of the window."
They laughed again, and began to dig up the ground. I turned my back in horror; I could not watch. And at the last moment some qualms of doubt seized even them. They spoke to me almost humbly.
"How would YOU plant it?" they asked.
It was my last chance of making them realize their responsibility.
"I cannot say at this moment," I began, "exactly how the ceremony should be performed, but I should endeavour to think of something in keeping with the solemnity of the occasion. It may be that Mrs Atherley and I would take the flower and march in procession round the fountain, singing a suitable chant, while Bob and Archie with shaven heads prostrated themselves before the sundial. Miss Atherley might possibly dance the Fire-dance upon the east lawn, while Mr Atherley stood upon one foot in the middle of the herbaceous border and played upon her with the garden hose. These or other symbolic rites we should perform, before we planted it in a place chosen by Chance. Then leaving a saucer of new milk for it lest it should thirst in the night we would go away, and spend the rest of the week in meditation."
I paused for breath.
"That might do it," I added, "or it might not. But at least that is the sort of spirit that you want to show."
Once more they laughed … and then they planted it.
. . . . . . . .
These have been two difficult years for me. There have been times when I have almost lost faith, and not even the glories of our own flame-flower could cheer me. But at last the news came. I was at home for the week-end and, after rather a tiring day showing visitors the north-east end of the pergola, I went indoors for a rest. On the table there was a letter for me. It was from Mrs Atherley.
"BY THE WAY," she wrote, "THE FLAME-FLOWER IS DEAD."
"By the way"!
But even if they had taken the business seriously, even if they had understood fully what a great thing it was they were attempting—even then I think they would have failed.
For, though I like the Atherleys very much, though I think them all extremely jolly … yet—I doubt, you know, if they are QUITE the family to have a flame-flower growing in their garden.
"KNOW thyself," said the old Greek motto. (In Greek—but this is an English book.) So I bought a little red volume called, tersely enough, WERE YOU BORN IN JANUARY? I was; and, reassured on this point, the author told me all about myself.
For the most part he told me nothing new. "You are," he said in effect, "good-tempered, courageous, ambitious, loyal, quick to resent wrong, an excellent raconteur, and a leader of men." True. "Generous to a fault"—(Yes, I was overdoing that rather)—"you have a ready sympathy with the distressed. People born in this month will always keep their promises." And so on. There was no doubt that the author had the idea all right. Even when he went on to warn me of my weaknesses he maintained the correct note. "People born in January," he said, "must be on their guard against working too strenuously. Their extraordinarily active brains—" Well, you see what he means. It IS a fault perhaps, and I shall be more careful in future. Mind, I do not take offence with him for calling my attention to it. In fact, my only objection to the book is its surface application to ALL the people who were born in January. There should have been more distinction made between me and the rabble.
I have said that he told me little that was new. In one matter, however, he did open my eyes. He introduced me to an aspect of myself entirely unsuspected.
"They," he said-meaning me, "have unusual business capacity, and are destined to be leaders in great commerical enterprises."
One gets at times these flashes of self-revelation. In an instant I realized how wasted my life had been; in an instant I resolved that here and now I would put my great gifts to their proper uses. I would be a leader in an immense commercial enterprise.
One cannot start commercial enterprises without capital. The first thing was to determine the exact nature of my balance at the bank. This was a matter for the bank to arrange, and I drove there rapidly.
"Good-morning," I said to the cashier, "I am in rather a hurry. MayI have my pass-book?"
He assented and retired. After an interminable wait, during which many psychological moments for commercial enterprise must have lapsed, he returned.
"I think YOU have it," he said shortly.
"Thank you," I replied, and drove rapidly home again.
A lengthy search followed; but after an hour of it one of those white-hot flashes of thought, such as only occur to the natural business genius, seared my mind and sent me post-haste to the bank again.
"After all," I said to the cashier, "I only want to know my balance.What is it?"
He withdrew and gave himself up to calculation. I paced the floor impatiently. Opportunities were slipping by. At last he pushed a slip of paper across at me. My balance!
It was in four figures. Unfortunately two of them were shillings and pence. Still, there was a matter of fifty pounds odd as well, and fortunes have been built up on less.
Out in the street I had a moment's pause. Hitherto I had regarded my commercial enterprise in the bulk, as a finished monument of industry; the little niggling preliminary details had not come up for consideration. Just for a second I wondered how to begin.
Only for a second. An unsuspected talent which has long lain dormant needs, when waked, a second or so to turn round in. At the end of that time I had made up my mind. I knew exactly what I would do. I would ring up my solicitor.
"Hallo, is that you? Yes, this is me. What? Yes, awfully, thanks. How are you? Good. Look here, come and lunch with me. What? No, at once. Good-bye."
Business, particularly that sort of commercial enterprise to which I had now decided to lend my genius, can only be discussed properly over a cigar. During the meal itself my solicitor and I indulged in the ordinary small-talk of the pleasure-loving world.
"You're looking very fit," said my solicitor. "No, not fat, FIT."
"You don't think I'm looking thin?" I asked anxiously. "People are warning me that I may be overdoing it rather. They tell me that I must be seriously on my guard against brain strain."
"I suppose they think you oughtn't to strain it too suddenly," said my solicitor. Though he is now a solicitor he was once just an ordinary boy like the rest of us, and it was in those days that he acquired the habit of being rude to me, a habit he has never quite forgotten.
"What is an onyx?" I said, changing the conversation.
"Why?" asked my solicitor, with his usual business acumen.
"Well, I was practically certain that I had seen one in the Zoo, in the reptile house, but I have just learnt that it is my lucky month stone. Naturally I want to get one."
The coffee came and we settled down to commerce.
"I was just going to ask you," said my solicitor—"have you any money lying idle at the bank? Because if so—"
"Whatever else it is doing, it isn't lying idle," I protested. "I was at the bank to-day, and there were men chivying it about with shovels all the time."
"Well, how much have you got?"
"About fifty pounds."
"It ought to be more than that."
"That's what I say, but you know what banks are. Actual merit counts for nothing with them."
"Well, what did you want to do with it?"
"Exactly. That was why I rang you up. I—er—" This was really my moment, but somehow I was not quite ready to seize it. My vast commercial enterprise still lacked a few trifling details. "Er—I—well, it's like that."
"I might get you a few ground rents."
"Don't. I shouldn't know where to put them."
"But if you really have fifty pounds simply lying idle I wish you'd lend it to me for a bit. I'm confoundedly hard up."
("GENEROUS TO A FAULT, YOU HAVE A READY SYMPATHY WITH THEDISTRESSED." Dash it, what could I do?)
"Is it quite etiquette for clients to lend solicitors money?" I asked. "I thought it was always solicitors who had to lend it to clients. If I must, I'd rather lend it to you—I mean, I'd dislike it less—as to the old friend of my childhood."
"Yes, that's how I wanted to pay it back."
"Bother. Then I'll send you a cheque to-night," I sighed.
And that's where we are at the moment. "PEOPLE BORN IN THIS MONTH ALWAYS KEEP THEIR PROMISES." The money has got to go to-night. If I hadn't been born in January I shouldn't be sending it; I certainly shouldn't have promised it; I shouldn't even have known that I had it. Sometimes I almost wish that I had been born in one of the decent months. March, say.
WHEN I am not feeling very well I go to Beatrice for sympathy and advice. Anyhow I get the advice.
"I think," I said carelessly, wishing to break it to her as gently as possible, "I think I have hay-fever."
"Nonsense," said Beatrice.
That annoyed me. Why shouldn't I have hay-fever if I wanted to?
"If you're going to begrudge me every little thing," I began.
"You haven't even got a cold."
As luck would have it a sneeze chose that moment for its arrival.
"There!" I said triumphantly.
"Why, my dear boy, if you had hay-fever you'd be sneezing all day."
"That was only a sample. There are lots more where that came from."
"Don't be so silly. Fancy starting hay-fever in September."
"I'm not starting it. I am, I earnestly hope, just finishing it. If you want to know, I've had a cold all the summer."
"Well, I haven't noticed it."
"That's because I'm such a good actor. I've been playing the part of a man who hasn't had a cold all the summer. My performance is considered to be most life-like."
Beatrice disdained to answer, and by and by I sneezed again.
"You certainly have a cold," she said, putting down her work.
"Come, this is something."
"You must be careful. How did you catch it?"
"I didn't catch it. It caught me."
"Last week-end?"
"No, last May."
Beatrice picked up her work again impatiently. I sneezed a third time.
"Is this more the sort of thing you want?" I said.
"What I say is that you couldn't have had hay-fever all the summer without people knowing."
"But, my dear Beatrice, people do know. In this quiet little suburb you are rather out of the way of the busy world. Rumours of war, depressions on the Stock Exchange, my hay-fever—these things pass you by. But the clubs are full of it. I assure you that, all over the country, England's stately homes have been plunged into mourning by the news of my sufferings, historic piles have bowed their heads and wept."
"I suppose you mean that in every house you've been to this summer you've told them that you had it, and they've been foolish enough to believe you."
"That's putting it a little crudely. What happens is—"
"Well, all I can say is, you know a very silly lot of people."
"What happens is that when the mahogany has been cleared of its polished silver and choice napery, and wine of a rare old vintage is circulating from hand to hand—"
"If they wanted to take any notice of you at all, they could have given you a bread poultice and sent you to bed."
"Then, as we impatiently bite the ends off our priceless Havanas—"
"They might know that you couldn't possibly have hay-fever."
I sat up suddenly and spoke to Beatrice.
"Why on earth SHOULDN'T I have hay-fever?" I demanded. "Have you any idea what hay-fever is? I suppose you think I ought to be running about wildly, trying to eat hay—or yapping and showing an unaccountable aversion from dried grass? I take it that there are grades of hay-fever, as there are of everything else. I have it at present in a mild form. Instead of being thankful that it is no worse, you—"
"My dear boy, hay-fever is a thing people have all their lives, and it comes on every summer. You've never even pretended to have it before this year."
"Yes, but you must start SOME time. I'm a little backward, perhaps.Just because there are a few infant prodigies about, don't despiseme. In a year or two I shall be as regular as the rest of them." AndI sneezed again.
Beatrice got up with an air of decision and left the room. For a moment I thought she was angry and had gone for a policeman, but as the minutes went by and she didn't return I began to fear that she might have left the house for good. I was wondering how I should break the news to her husband when, to my relief, she came in again.
"You may be right," she said, putting down a small package and unpinning her hat. "Try this. The chemist says it's the best hay-fever cure there is."
"It's in a lot of languages," I said as I took the wrapper off. "I suppose German hay is the same as any other sort of hay? Oh, here it is in English. I say, this is a what-d'-you-call-it cure."
"So the man said."
"Homeopathic. It's made from the pollen that causes hay-fever. Yes. Ah, yes." I coughed slightly and looked at Beatrice out of the corner of my eye. "I suppose," I said carelessly, "if anybody took this who HADN'T got hay-fever, the results might be rather—I mean that he might then find that he-in fact, er—HAD got it."
"Sure to," said Beatrice.
"Yes. That makes us a little thoughtful; we don't want to over-do this thing." I went on reading the instructions. "You know, it's rather odd about my hay-fever—it's generally worse in town than in the country."
"But then you started so late, dear. You haven't really got into the swing of it yet."
"Yes, but still—you know, I have my doubts about the gentleman who invented this. We don't see eye to eye in this matter. Beatrice, you may be right—perhaps I haven't got hay-fever."
"Oh, don't give up."
"But all the same I know I've got something. It's a funny thing about my being worse in town than in the country. That looks rather as if—By Jove, I know what it is—I've got just the opposite of hay-fever."
"What is the opposite of hay?"
"Why, bricks and things."
I gave a last sneeze and began to wrap up the cure.
"Take this pollen stuff back," I said to Beatrice, "and ask the man if he's got anything homoeopathic made from paving-stones. Because, you know, that's what I really want."
"You HAVE got a cold," said Beatrice.
ONCE upon a time there was a beautiful girl who lived in a mansion in Park Lane with her mother and her two sisters and a crowd of servants. Cinderella, for that was her name, would have dearly loved to have employed herself about the house sometimes; but whenever she did anything useful, like arranging the flowers or giving the pug a bath, her mother used to say, "Cinderella! What DO you think I engage servants for? Please don't make yourself so common."
Cinderella's two sisters were much older and plainer than herself, and their mother had almost given up hope about them, but she used to drag Cinderella to balls and dances night after night, taking care that only the right sort of person was introduced to her. There were many nights when Cinderella would have preferred a book at home in front of the fire, for she soon found that her partners' ideas of waltzing were as catholic as their conversation was limited. It was, indeed, this fondness for the inglenook that had earned her the name of Cinderella.
One day, when she was in the middle of a delightful story, her mother came in suddenly and cried:
"Cinderella! Why aren't you resting, as I told you? You know we are going to the Hogbins' to-night."
"Oh, mother," pleaded Cinderella, "NEED I go to the dance?"
"Don't be so absurd! Of course you're going!"
"But I've got nothing to wear."
"I've told Jennings what you're to wear. Now go and lie down. I want you to look your best to-night, because I hear that young Mr Hogbin is back again from Australia." Young Mr Hogbin was not the King's son; he was the son of a wealthy gelatine manufacturer.
"Then may I come away at twelve?" begged Cinderella.
"You'll come away when I tell you."
Cinderella made a face and went upstairs. "Oh, dear," she thought to herself, "I wish I were as old as my two sisters, and could do what I liked. I'm sure if my godmother were here she would get me off going." But, alas! her godmother lived at Leamington, and Cinderella, after a week at Leamington, had left her there only yesterday.
Cinderella indeed looked beautiful as they started for the ball; but her mother, who held a review of her in the drawing-room, was not quite satisfied.
"Cinderella!" she said. "You know I said you were to wear the silver slippers!"
"Oh, mother, they ARE so tight," pleaded Cinderella. "Don't you remember I told you at the time they were much too small for me?"
"Nonsense. Go and put them on at once."
The dance was in full swing when Cinderella arrived. Although her lovely appearance caused several of the guests to look at her, they did not ask each other eagerly who she was, for most of them knew her already as Miss Partington-Smith. A brewer's son led her off to dance.
The night wore on slowly. One young man after another trod on Cinderella's toes, trotted in circles round her, ran her violently backwards into some other man, or swooped with her into the fireplace. Cinderella, whose feet seemed mechanically to adapt themselves to the interpretation of the Boston that was forming in her partner's brain, bore it from each one as long as she could; and then led the way to a quiet corner, where she confessed frankly that she had NOT bought all her Christmas presents yet, and that she WAS going to Switzerland for the winter.
The gelatine manufacturer's son took her in to supper. It was noticed that Cinderella looked much happier as soon as they had sat down, and indeed throughout the meal she was in the highest spirits. For some reason or other she seemed to find even Mr Hogbin endurable. But just as they were about to return to the ball-room an expression of absolute dismay came over her face.
"Anything the matter?" said her partner.
"N—no," said Cinderella; but she made no effort to move.
"Well, shall we come?"
"Y—yes."
She waited a moment longer, dropped her fan under the table, picked it up slowly, and followed him out.
"Let's sit down here," she said in the hall; "not upstairs."
They sat in silence; for he had exhausted his stock of questions at the end of their first dance, and had told her all about Australia during supper; while she apparently had no desire for conversation of any kind, being wrapped up in her thoughts.
"I'll wait here," she said, as a dance began. "If you see mother, I wish you'd send her to me."
Her mother came up eagerly.
"Well, dear?" she said.
"Mother," said Cinderella, "do take me home at once. Something extraordinary has happened."
"It's young Mr Hogbin! I knew it!"
"Who? Oh—er—yes, of course. I'll tell you all about it in the carriage, mother."
"Is my little girl going to be happy?"
"I don't know," said Cinderella anxiously. "There's just a chance."
The chance must have come off, for, once in the carriage, Cinderella gave a deep sigh of happiness.
"Well, dear?" said her mother again.
"You'll NEVER guess, mother," laughed Cinderella. "Try."
"I guess that my little daughter thinks of running away from me," said her mother archly. "Am I right?"
"Oh, how lovely! Why, running away is simply the LAST thing I could do. Look!" She stretched out her foot-clothed only in a pale blue stocking.
"Cinderella!"
"I TOLD you they were too tight," she explained rapidly, "and I was trodden on by every man in the place, and I simply HAD to kick them off at supper, and—and I only got one back. I don't know what happened to the other; I suppose it got pushed along somewhere, but, anyhow,Iwasn't going under the table after it." She laughed suddenly and softly to herself. "I wonder what they'll do when they find the slipper?" she said.
. . . . . . . .
Of course the King's son (or anyhow, Mr Hogbin) ought to have sent it round to all the ladies in Mayfair, taking knightly oath to marry her whom it fitted. But what actually happened was that a footman found it, and, being very sentimental and knowing that nobody would ever dare to claim it, carried it about with him ever afterwards—thereby gaining a great reputation with his cronies as a nut.
Oh, and by the way—I ought to put in a good word for the godmother.She did her best.
"Cinderella!" said her mother at lunch next day, as she looked up from her letters. "Why didn't you tell me your godmother was ill?"
"She wasn't very well when I left her, but I didn't think it was anything much. Is she bad? I AM sorry."
"She writes that she has obtained measles. I suppose that means YOU'RE infectious. Really, it's very inconvenient. Well, I'm glad we didn't know yesterday or you couldn't have gone to the dance."
"Dear fairy godmother!" said Cinderella to herself. "She was a day too late, but how sweet of her to think of it at all!"
ANNESLEY BUPP was born one of the Bupps of Hampshire—the Fighting Bupps, as they were called. A sudden death in the family left him destitute at the early age of thirty, and he decided to take seriously to journalism for a living. That was twelve years ago. He is now a member of the Authors' Club; a popular after-dinner speaker in reply to the toast of Literature; and one of the best-paid writers in Fleet Street. Who's Who tells the world that he has a flat at Knightsbridge and a cottage on the river. If you ask him to what he owes his success he will assure you, with the conscious modesty of all great men, that he has been lucky; pressed further, that Hard Work and Method have been his watchwords. But to the young aspirant he adds that of course if you have it in you it is bound to come out.
When Annesley started journalism he realized at once that it was necessary for him to specialize in some subject. Of such subjects two occurred to him—"George Herbert" and "Trams." For a time he hesitated, and it was only the sudden publication of a brief but authoritative life of the poet which led him finally to the study of one of the least explored of our transit systems. Meanwhile he had to support himself. For this purpose he bought a roll-top desk, a typewriter, and an almanac; he placed the almanac on top of the desk, seated himself at the typewriter, and began.
It was the month of February; the almanac told him that it wanted a week to Shrove Tuesday. In four days he had written as many articles, entitled respectively Shrovetide Customs, The Pancake, Lenten Observances, and Tuesdays Known to Fame. The Pancake, giving as it did the context of every reference in literature to pancakes, was the most scholarly of the four; the Tuesday article, which hazarded the opinion that Rome may at least have been begun on a Tuesday, the most daring. But all of them were published.
This early success showed Annesley the possibilities of the topical article; it led him also to construct a revised calendar for his own use. In the "Bupp Almanac" the events of the day were put back a fortnight; so that, if the Feast of St Simon and St Jude fell upon the 17th, Annesley's attention was called to it upon the 3rd, and upon the 3rd he surveyed the Famous Partnerships of the epoch. Similarly, The Origin of Lord Mayor's Day was put in hand on October 26th.
He did not, however, only glorify the past; current events claimed their meed of copy. In the days of his dependence Annesley had travelled, so that he could well provide the local colour for such sketches as Kimberley as I Knew It (1901) and Birmingham by Moonlight (1903). His Recollections of St Peter's at Rome were hazy, yet sufficient to furnish an article with that title at the time of the Coronation. But I must confess that Dashes for the Pole came entirely from his invaluable Encyclopaedia….
Annesley Bupp had devoted himself to literature for two years before his first article on trams was written. This was called Voltage, was highly technical, and convinced every editor to whom it was sent (and by whom it was returned) that the author knew his subject thoroughly. So when he followed it up with How to be a Tram Conductor, he had the satisfaction not only of seeing it in print within a week, but of reading an editorial reference to himself as "the noted expert on our overhead system." Two other articles in the same paper—Some Curious Tram Accidents and Tram or Bus: Which?— established his position.
Once recognized as the authority on trams, Bupp was never at a loss for a subject. In the first place there were certain articles, such as Tramways in 1904, Progress of Tramway Construction in the Past Year, Tramway Inventions of the Last Twelvemonth, and The Tram: Its Future in 1905, which flowed annually from his pen. From time to time there would arise the occasion for the topical article on trams—Trams as Army Transports and How our Trams fared during the Recent Snow, to give two obvious examples. And always there was a market for such staple articles as Trams in Fiction….
You will understand, then, that by the end of 1906 Annesley Bupp had a reputation; to be exact, he had two reputations. In Fleet Street he was known as a writer upon whom a sub-editor could depend; a furnisher of what got to be called "buppy"—matter which is paid at a slightly higher rate than ordinary copy, because the length and quality of it never vary. Outside Fleet Street he was regarded simply as a literary light; Annesley Bupp, the fellow whose name you saw in every paper; an accepted author.
It was not surprising, therefore, that at the beginning of 1907 public opinion forced Annesley into (sic) n wer fields of literature. It demanded from him, among other things, a weekly review of current fiction entitled Fireside Friends. He wrote this with extraordinary fluency; a few words of introduction, followed by a large fragment of the book before him, pasted beneath the line, "Take this, for instance." An opinion of any kind he rarely ventured; an adverse opinion, like a good friend, never.
About this time he was commissioned to write three paragraphs each day for an evening paper. The first of them always began: "Mr Asquith's admission in the House of Commons yesterday that he had never done so and so is not without parallel. In 1746 the elder Pitt …" The second always began: "Mention of the elder Pitt recalls the fact that …" The third always began: "It may not be generally known …"
Until he began to write these paragraphs Annesley Bupp had no definite political views.
Annesley Bupp is now at the zenith of his fame. The "buppy" of old days he still writes occasionally, but he no longer signs it in full. A modest "A. B." in the corner, supposed by the ignorant to stand for "Arthur Balfour," is the only evidence of the author. (I say "the only evidence," for he has had, like all great men, his countless imitators.) Trams also he deserted with the publication of his great work on the subject—Tramiana. But as a writer on Literature and Old London he has a European reputation, and his recent book, In the Track of Shakespeare: A Record of a Visit to Stratford-on-Avon, created no little stir.
He is in great request at public dinners, where his speech in reply to the toast of Literature is eagerly attended.
He contributes to every symposium in the popular magazines.
It is all the more to be regretted that his autobiography, The Last of the Bupps, is to be published posthumously.
THE SCENE IS AN APARTMENT IN THE MANSION OF Sir Thomas Farthingale.THERE IS NO NEED TO DESCRIBE THE FURNITURE IN IT, AS REHEARSALS WILLGRADUALLY SHOW WHAT IS WANTED. A PICTURE OR TWO OF PREVIOUS SirThomas's MIGHT BE SEEN ON THE WALLS, IF YOU HAVE AN ARTISTIC FRIENDWHO COULD ARRANGE THIS; BUT IT IS A MISTAKE TO HANG UP YOUR OWNANCESTORS AS SOME OF YOUR GUESTS MAY RECOGNIZE THEM, AND THUS PIERCEBENEATH THE VRAISEMBLANCE OF THE SCENE.
Mistress Dorothy Farthingale IS SEATED IN THE MIDDLE OF THE STAGE,READING A LETTER AND OCCASIONALLY SIGHING.
ENTER My Lord Carey.
CAREY. Mistress Dorothy alone! Truly Fortune smiles upon me.
DOROTHY (HIDING THE LETTER QUICKLY). An she smiles, my lord, I needs must frown.
CAREY (USED TO THIS SORT OF THING AND NO LONGER PUT OFF BY IT). Nay, give me but one smile, sweet mistress. (SHE SIGHS HEAVILY.) You sigh! Is't for me?
DOROTHY (FEELING THAT THE SOONER HE AND THE AUDIENCE UNDERSTAND THESITUATION THE BETTER). I sigh for another, my lord, who is absent.
CAREY (ANNOYED). Zounds, and zounds again!
A pest upon the fellow! (He strides up and down the room, keeping out of the way of his sword as much as possible.) Would that I might pink the pesky knave!
DOROTHY (turning upon him a look of hate). Would that you might have the chance, my lord, so it were in fair fighting. Methinks Roger's sword-arm will not have lost its cunning in the wars.
CAREY. A traitor to fight against his King!
DOROTHY. He fights for what he thinks is right. (She takes out his letter and kisses it.)
CAREY (observing the action). You have a letter from him!
DOROTHY (hastily concealing it, and turning pale). How know you that?
CAREY. Give it to me! (She shrieks and rises.) By heavens, madam, I will have it! [He struggles with her and seizes it.
Enter Sir Thomas.
SIR THOMAS. Odds life, my lord, what means this?
CAREY (straightening himself). It means, Sir Thomas, that you harbour a rebel within your walls. Master Roger Dale, traitor, corresponds secretly with your daughter. [Who, I forgot to say, has swooned.
SIR THOMAS (sternly). Give me the letter. Ay, 'tis Roger's hand, I know it well. (He reads the letter, which is full of thoughtful metaphors about love, aloud to the audience. Suddenly his eyebrows go up and down to express surprise. He seizes Lord Carey by the arm.) Ha! Listen! "To-morrow, when the sun is upon the western window of the gallery, I will be with thee." The villain!
CAREY (who does not know the house very well). When is that?
SIR THOMAS. Why,'tis now, for I have but recently passed through the gallery and did mark the sun.
CAREY (FIERCELY). In the name of the King, Sir Thomas, I call upon you to arrest this traitor.
SIR THOMAS (sighing). I loved the boy well, yet—[He shrugs his shoulders expressively and goes out with Lord Carey to collect sufficient force for the arrest.
Enter Roger by a secret door, R.
ROGER. My love!
DOROTHY (opening her eyes). Roger!
ROGER. At last!
[For the moment they talk in short sentences like this. Then DOROTHY puts her hand to her brow as if she is remembering something horrible.
DOROTHY. Roger! Now I remember! It is not safe for you to stay!
ROGER (very brave). Am I a puling child to be afraid?
DOROTHY. My Lord Carey is here. He has read your letter.
ROGER. The black-livered dog! Would I had him at my sword's point to teach him manners.
[He puts his hand to his heart and staggers into a chair.
DOROTHY. Oh, you are wounded!
ROGER. Faugh,'tis but a scratch. Am I a puling—
[He faints. She binds up his ankle.
Enter Lord Carey with two soldiers.
CAREY. Arrest this traitor! (ROGER is led away by the soldiers.)
Dorothy (stretching out her hands to him). Roger! (She sinks into a chair.)
Carey (choosing quite the wrong moment for a proposal). Dorothy, I love you! Think no more of this traitor, for he will surely hang. 'Tis your father's wish that you and I should wed.
Dorothy (refusing him). Go, lest I call in the grooms to whip you.
Carey. By heaven—(thinking better of it) I go to fetch your father.
[Exit.
Enter Roger by secret door, L.
Dorothy. Roger! You have escaped!
Roger. Knowest not the secret passage from the wine cellar, where we so often played as children? 'Twas in that same cellar the thick-skulled knaves immured me.
Dorothy. Roger, you must fly! Wilt wear a cloak of mine to elude our enemies?
Roger (missing the point rather). Nay, if I die, let me die like a man, not like a puling girl. Yet, sweetheart—
Enter Lord Carey by ordinary door.
Carey (forgetting himself in his confusion). Odds my zounds, dod sink me! What murrain is this?
Roger (seizing Sir Thomas's sword, which had been accidentally left behind on the table, as I ought to have said before, and advancing threateningly). It means, my lord, that a villain's time has come. Wilt say a prayer?
[They fight, and Carey is disarmed before they can hurt each other.
Carey (dying game). Strike, Master Dale!
Roger. Nay, I cannot kill in cold blood.
[He throws down his sword. Lord Carey exhibits considerable emotion at this, and decides to turn over an entirely new leaf.
Enter two soldiers.
Carey. Arrest that man! (Roger is seized again.) Mistress Dorothy, it is for you to say what shall be done with the prisoner.
Dorothy (standing up if she was sitting down, and sitting down if she was standing up). Ah, give him to me, my lord!
Carey (joining the hands of Roger and Dorothy). I trust to you, sweet mistress, to see that the prisoner does not escape again.
[Dorothy and Roger embrace each other, if they can do it without causing a scandal in the neighbourhood, and the curtain goes down.