“Where would you and me be, if it wasn’t for the farmers?” he says.
“I’d be home right now,” I says, “Lying down, with an ice pack on my head.”
“You have these headaches too often,” he says. “Why dont you have your teeth examined good? Did he go over them all this morning?”
“Did who?” I says.
“You said you went to the dentist this morning.”
“Do you object to my having the headache on your time?” I says. “Is that it?” They were crossing the alley now, coming up from the show.
“There they come,” he says. “I reckon I better get up front.” He went on. It’s a curious thing how no matter what’s wrong with you, a man’ll tell you to have your teeth examined and a woman’ll tell you to get married. It always takes a man that never made much at any thing to tell you how to run your business, though. Like these college professors without a whole pair of socks to their name, telling you how to make a million in ten years, and a woman that couldn’t even get a husband can always tell you how to raise a family.
Old man Job came up with the wagon. After a while he got through wrapping the lines around the whip socket.
“Well,” I says, “Was it a good show?”
“I aint been yit,” he says. “But I kin be arrested in dat tent tonight, dough.”
“Like hell you haven’t,” I says. “You’ve been away from here since three oclock. Mr Earl was just back here looking for you.”
“I been tendin to my business,” he says. “Mr Earl knows whar I been.”
“You may can fool him,” I says. “I wont tell on you.”
“Den he’s de onliest man here I’d try to fool,” he says. “Whut I want to waste my time foolin a man whut I dont keer whether I sees him Sat’dy night er not? I wont try to fool you,” he says. “You too smart fer me. Yes, suh,” he says, looking busy as hell, putting five or six little packages into the wagon, “You’s too smart fer me. Aint a man in dis town kin keep up wid you fer smartness. You fools a man whut so smart he cant even keep up wid hisself,” he says, getting in the wagon and unwrapping the reins.
“Who’s that?” I says.
“Dat’s Mr Jason Compson,” he says. “Git up dar, Dan!”
One of the wheels was just about to come off. I watched to see if he’d get out of the alley before it did. Just turn any vehicle over to a nigger, though. I says that old rattletrap’s just an eyesore, yet you’ll keep it standing there in the carriage house a hundred years just so that boy can ride to the cemetery once a week. I says he’s not the first fellow that’ll have to do things he doesn’t want to. I’d make him ride in that car like a civilised man or stay at home. What does he know about where he goes or what he goes in, and us keeping a carriage and a horse so he can take a ride on Sunday afternoon.
A lot Job cared whether the wheel came off or not, long as he wouldn’t have too far to walk back. Like I say the only place for them is in the field, where they’d have to work from sunup to sundown. They cant stand prosperity or an easy job. Let one stay around white people for a while and he’s not worth killing. They get so they can outguess you about work before your very eyes, like Roskus the only mistake he ever made was he got careless one day and died. Shirking and stealing and giving you a little more lip and a little more lip until some day you have to lay them out with a scantling or something. Well, it’s Earl’s business. But I’d hate to have my business advertised over this town by an old doddering nigger and a wagon that you thought every time it turned a corner it would come all to pieces.
The sun was all high up in the air now, and inside it was beginning to get dark. I went up front. The square was empty. Earl was back closing the safe, and then the clock begun to strike.
“You lock the back door,” he says. I went back and locked itand came back. “I suppose you’re going to the show tonight,” he says. “I gave you those passes yesterday, didn’t I?”
“Yes,” I said. “You want them back?”
“No, no,” he says, “I just forgot whether I gave them to you or not. No sense in wasting them.”
He locked the door and said Goodnight and went on. The sparrows were still rattling away in the trees, but the square was empty except for a few cars. There was a ford in front of the drugstore, but I didn’t even look at it. I know when I’ve had enough of anything. I dont mind trying to help her, but I know when I’ve had enough. I guess I could teach Luster to drive it, then they could chase her all day long if they wanted to, and I could stay home and play with Ben.
I went in and got a couple of cigars. Then I thought I’d have another headache shot for luck, and I stood and talked with them awhile.
“Well,” Mac says, “I reckon you’ve got your money on the Yankees this year.”
“What for?” I says.
“The Pennant,” he says. “Not anything in the League can beat them.”
“Like hell there’s not,” I says. “They’re shot,” I says. “You think a team can be that lucky forever?”
“I dont call it luck,” Mac says.
“I wouldn’t bet on any team that fellow Ruth played on,” I says. “Even if I knew it was going to win.”
“Yes?” Mac says.
“I can name you a dozen men in either League who’re more valuable than he is,” I says.
“What have you got against Ruth?” Mac says.
“Nothing,” I says. “I haven’t got any thing against him. I dont even like to look at his picture.” I went on out. The lights were coming on, and people going along the streets toward home. Sometimes the sparrows never got still until full dark. The night they turned on the new lights around the courthouse it waked them up and they were flying around and blundering into the lights all night long. They kept it up two or three nights, then one morning theywere all gone. Then after about two months they all came back again.
I drove on home. There were no lights in the house yet, but they’d all be looking out the windows, and Dilsey jawing away in the kitchen like it was her own food she was having to keep hot until I got there. You’d think to hear her that there wasn’t but one supper in the world, and that was the one she had to keep back a few minutes on my account. Well at least I could come home one time without finding Ben and that nigger hanging on the gate like a bear and a monkey in the same cage. Just let it come toward sundown and he’d head for the gate like a cow for the barn, hanging onto it and bobbing his head and sort of moaning to himself. That’s a hog for punishment for you. If what had happened to him for fooling with open gates had happened to me, I never would want to see another one. I often wondered what he’d be thinking about, down there at the gate, watching the girls going home from school, trying to want something he couldn’t even remember he didn’t and couldn’t want any longer. And what he’d think when they’d be undressing him and he’d happen to take a look at himself and begin to cry like he’d do. But like I say they never did enough of that. I says I know what you need, you need what they did to Ben then you’d behave. And if you dont know what that was I says, ask Dilsey to tell you.
There was a light in Mother’s room. I put the car up and went on into the kitchen. Luster and Ben were there.
“Where’s Dilsey?” I says. “Putting supper on?”
“She upstairs wid Miss Cahline,” Luster says. “Dey been goin hit. Ever since Miss Quentin come home. Mammy up there keepin um fum fightin. Is dat show come, Mr Jason?”
“Yes,” I says.
“I thought I heard de band,” he says. “Wish I could go,” he says. “I could ef I jes had a quarter.”
Dilsey came in. “You come, is you?” she says. “Whut you been up to dis evenin? You knows how much work I got to do; whyn’t you git here on time?”
“Maybe I went to the show,” I says. “Is supper ready?”
“Wish I could go,” Luster said. “I could ef I jes had a quarter.”
“You aint got no business at no show,” Dilsey says. “You goon in de house and set down,” she says. “Dont you go up stairs and git um started again, now.”
“What’s the matter?” I says.
“Quentin come in a while ago and says you been follerin her around all evenin and den Miss Cahline jumped on her. Whyn’t you let her alone? Cant you live in de same house wid you own blood niece widout quoilin?”
“I cant quarrel with her,” I says, “because I haven’t seen her since this morning. What does she say I’ve done now? made her go to school? That’s pretty bad,” I says.
“Well, you tend to yo business and let her alone,” Dilsey says, “I’ll take keer of her ef you’n Miss Cahline’ll let me. Go on in dar now and behave yoself twell I get supper on.”
“Ef I jes had a quarter,” Luster says, “I could go to dat show.”
“En ef you had wings you could fly to heaven,” Dilsey says. “I dont want to hear another word about dat show.”
“That reminds me,” I says, “I’ve got a couple of tickets they gave me.” I took them out of my coat.
“You fixin to use um?” Luster says.
“Not me,” I says. “I wouldn’t go to it for ten dollars.”
“Gimme one of um, Mr Jason,” he says.
“I’ll sell you one,” I says. “How about it?”
“I aint got no money,” he says.
“That’s too bad,” I says. I made to go out.
“Gimme one of um, Mr Jason,” he says. “You aint gwine need um bofe.”
“Hush yo mouf,” Dilsey says, “Dont you know he aint gwine give nothing away?”
“How much you want fer hit?” he says.
“Five cents,” I says.
“I aint got dat much,” he says.
“How much you got?” I says.
“I aint got nothing,” he says.
“All right,” I says. I went on.
“Mr Jason,” he says.
“Whyn’t you hush up?” Dilsey says. “He jes teasin you. He fixin to use dem tickets hisself. Go on, Jason, and let him lone.”
“I dont want them,” I says. I came back to the stove. “I camein here to burn them up. But if you want to buy one for a nickel?” I says, looking at him and opening the stove lid.
“I aint got dat much,” he says.
“All right,” I says. I dropped one of them in the stove.
“You, Jason,” Dilsey says, “Aint you shamed?”
“Mr Jason,” he says, “Please, suh. I’ll fix dem tires ev’ry day fer a mont’.”
“I need the cash,” I says. “You can have it for a nickel.”
“Hush, Luster,” Dilsey says. She jerked him back. “Go on,” she says, “Drop hit in. Go on. Git hit over with.”
“You can have it for a nickel,” I says.
“Go on,” Dilsey says. “He aint got no nickel. Go on. Drop hit in.”
“All right,” I says. I dropped it in and Dilsey shut the stove.
“A big growed man like you,” she says. “Git on outen my kitchen. Hush,” she says to Luster. “Dont you git Benjy started. I’ll git you a quarter fum Frony tonight and you kin go tomorrow night. Hush up, now.”
I went on into the living room. I couldn’t hear anything from upstairs. I opened the paper. After awhile Ben and Luster came in. Ben went to the dark place on the wall where the mirror used to be, rubbing his hands on it and slobbering and moaning. Luster begun punching at the fire.
“What’re you doing?” I says. “We dont need any fire tonight.”
“I trying to keep him quiet,” he says. “Hit always cold Easter,” he says.
“Only this is not Easter,” I says. “Let it alone.”
He put the poker back and got the cushion out of Mother’s chair and gave it to Ben, and he hunkered down in front of the fireplace and got quiet.
I read the paper. There hadn’t been a sound from upstairs when Dilsey came in and sent Ben and Luster on to the kitchen and said supper was ready.
“All right,” I says. She went out. I sat there, reading the paper. After a while I heard Dilsey looking in at the door.
“Whyn’t you come on and eat?” she says.
“I’m waiting for supper,” I says.
“Hit’s on the table,” she says. “I done told you.”
“Is it?” I says. “Excuse me. I didn’t hear anybody come down.”
“They aint comin,” she says. “You come on and eat, so I can take something up to them.”
“Are they sick?” I says. “What did the doctor say it was? Not Smallpox, I hope.”
“Come on here, Jason,” she says, “So I kin git done.”
“All right,” I says, raising the paper again. “I’m waiting for supper now.”
I could feel her watching me at the door. I read the paper.
“Whut you want to act like this fer?” she says. “When you knows how much bother I has anyway.”
“If Mother is any sicker than she was when she came down to dinner, all right,” I says. “But as long as I am buying food for people younger than I am, they’ll have to come down to the table to eat it. Let me know when supper’s ready,” I says, reading the paper again. I heard her climbing the stairs, dragging her feet and grunting and groaning like they were straight up and three feet apart. I heard her at Mother’s door, then I heard her calling Quentin, like the door was locked, then she went back to Mother’s room and then Mother went and talked to Quentin. Then they came down stairs. I read the paper.
Dilsey came back to the door. “Come on,” she says, “fo you kin think up some mo devilment. You just tryin yoself tonight.”
I went to the diningroom. Quentin was sitting with her head bent. She had painted her face again. Her nose looked like a porcelain insulator.
“I’m glad you feel well enough to come down,” I says to Mother.
“It’s little enough I can do for you, to come to the table,” she says. “No matter how I feel. I realise that when a man works all day he likes to be surrounded by his family at the supper table. I want to please you. I only wish you and Quentin got along better. It would be easier for me.”
“We get along all right,” I says. “I dont mind her staying locked up in her room all day if she wants to. But I cant have all this whoop-de-do and sulking at mealtimes. I know that’s a lot to ask her, but I’m that way in my own house. Your house, I meant to say.”
“It’s yours,” Mother says, “You are the head of it now.”
Quentin hadn’t looked up. I helped the plates and she begun to eat.
“Did you get a good piece of meat?” I says. “If you didn’t, I’ll try to find you a better one.”
She didn’t say anything.
“I say, did you get a good piece of meat?” I says.
“What?” she says. “Yes. It’s all right.”
“Will you have some more rice?” I says.
“No,” she says.
“Better let me give you some more,” I says.
“I dont want any more,” she says.
“Not at all,” I says, “You’re welcome.”
“Is your headache gone?” Mother says.
“Headache?” I says.
“I was afraid you were developing one,” she says. “When you came in this afternoon.”
“Oh,” I says. “No, it didn’t show up. We stayed so busy this afternoon I forgot about it.”
“Was that why you were late?” Mother says. I could see Quentin listening. I looked at her. Her knife and fork were still going, but I caught her looking at me, then she looked at her plate again. I says,
“No. I loaned my car to a fellow about three o’clock and I had to wait until he got back with it.” I ate for a while.
“Who was it?” Mother says.
“It was one of those show men,” I says. “It seems his sister’s husband was out riding with some town woman, and he was chasing them.”
Quentin sat perfectly still, chewing.
“You ought not to lend your car to people like that,” Mother says. “You are too generous with it. That’s why I never call on you for it if I can help it.”
“I was beginning to think that myself, for awhile,” I says. “But he got back, all right. He says he found what he was looking for.”
“Who was the woman?” Mother says.
“I’ll tell you later,” I says. “I dont like to talk about such things before Quentin.”
Quentin had quit eating. Every once in a while she’d take a drink of water, then she’d sit there crumbling a biscuit up, her face bent over her plate.
“Yes,” Mother says, “I suppose women who stay shut up like I do have no idea what goes on in this town.”
“Yes,” I says, “They dont.”
“My life has been so different from that,” Mother says. “Thank God I dont know about such wickedness. I dont even want to know about it. I’m not like most people.”
I didn’t say any more. Quentin sat there, crumbling the biscuit until I quit eating, then she says,
“Can I go now?” without looking at anybody.
“What?” I says. “Sure, you can go. Were you waiting on us?”
She looked at me. She had crumbled all the biscuit, but her hands still went on like they were crumbling it yet and her eyes looked like they were cornered or something and then she started biting her mouth like it ought to have poisoned her, with all that red lead.
“Grandmother,” she says, “Grandmother—”
“Did you want something else to eat?” I says.
“Why does he treat me like this, Grandmother?” she says. “I never hurt him.”
“I want you all to get along with one another,” Mother says, “You are all that’s left now, and I do want you all to get along better.”
“It’s his fault,” she says, “He wont let me alone, and I have to. If he doesn’t want me here, why wont he let me go back to—”
“That’s enough,” I says, “Not another word.”
“Then why wont he let me alone?” she says. “He—he just—”
“He is the nearest thing to a father you’ve ever had,” Mother says. “It’s his bread you and I eat. It’s only right that he should expect obedience from you.”
“It’s his fault,” she says. She jumped up. “He makes me do it. If he would just—” she looked at us, her eyes cornered, kind of jerking her arms against her sides.
“If I would just what?” I says.
“Whatever I do, it’s your fault,” she says. “If I’m bad, it’s because I had to be. You made me. I wish I was dead. I wish we wereall dead.” Then she ran. We heard her run up the stairs. Then a door slammed.
“That’s the first sensible thing she ever said,” I says.
“She didn’t go to school today,” Mother says.
“How do you know?” I says. “Were you down town?”
“I just know,” she says. “I wish you could be kinder to her.”
“If I did that I’d have to arrange to see her more than once a day,” I says. “You’ll have to make her come to the table every meal. Then I could give her an extra piece of meat every time.”
“There are little things you could do,” she says.
“Like not paying any attention when you ask me to see that she goes to school?” I says.
“She didn’t go to school today,” she says. “I just know she didn’t. She says she went for a car ride with one of the boys this afternoon and you followed her.”
“How could I,” I says, “When somebody had my car all afternoon? Whether or not she was in school today is already past,” I says, “If you’ve got to worry about it, worry about next Monday.”
“I wanted you and she to get along with one another,” she says. “But she has inherited all of the headstrong traits. Quentin’s too. I thought at the time, with the heritage she would already have, to give her that name, too. Sometimes I think she is the judgment of Caddy and Quentin upon me.”
“Good Lord,” I says, “You’ve got a fine mind. No wonder you kept yourself sick all the time.”
“What?” she says. “I dont understand.”
“I hope not,” I says. “A good woman misses a lot she’s better off without knowing.”
“They were both that way,” she says, “They would make interest with your father against me when I tried to correct them. He was always saying they didn’t need controlling, that they already knew what cleanliness and honesty were, which was all that anyone could hope to be taught. And now I hope he’s satisfied.”
“You’ve got Ben to depend on,” I says, “Cheer up.”
“They deliberately shut me out of their lives,” she says, “It was always her and Quentin. They were always conspiring against me. Against you too, though you were too young to realise it. They always looked on you and me as outsiders, like they did yourUncle Maury. I always told your father that they were allowed too much freedom, to be together too much. When Quentin started to school we had to let her go the next year, so she could be with him. She couldn’t bear for any of you to do anything she couldn’t. It was vanity in her, vanity and false pride. And then when her troubles began I knew that Quentin would feel that he had to do something just as bad. But I didn’t believe that he would have been so selfish as to—I didn’t dream that he—”
“Maybe he knew it was going to be a girl,” I says, “And that one more of them would be more than he could stand.”
“He could have controlled her,” she says. “He seemed to be the only person she had any consideration for. But that is a part of the judgment too, I suppose.”
“Yes,” I says, “Too bad it wasn’t me instead of him. You’d be a lot better off.”
“You say things like that to hurt me,” she says. “I deserve it though. When they began to sell the land to send Quentin to Harvard I told your father that he must make an equal provision for you. Then when Herbert offered to take you into the bank I said, Jason is provided for now, and when all the expense began to pile up and I was forced to sell our furniture and the rest of the pasture, I wrote her at once because I said she will realise that she and Quentin have had their share and part of Jason’s too and that it depends on her now to compensate him. I said she will do that out of respect for her father. I believed that, then. But I’m just a poor old woman; I was raised to believe that people would deny themselves for their own flesh and blood. It’s my fault. You were right to reproach me.”
“Do you think I need any man’s help to stand on my feet?” I says, “Let alone a woman that cant name the father of her own child.”
“Jason,” she says.
“All right,” I says. “I didn’t mean that. Of course not.”
“If I believed that were possible, after all my suffering.”
“Of course it’s not,” I says. “I didn’t mean it.”
“I hope that at least is spared me,” she says.
“Sure it is,” I says, “She’s too much like both of them to doubt that.”
“I couldn’t bear that,” she says.
“Then quit thinking about it,” I says. “Has she been worrying you any more about getting out at night?”
“No. I made her realise that it was for her own good and that she’d thank me for it some day. She takes her books with her and studies after I lock the door. I see the light on as late as eleven oclock some nights.”
“How do you know she’s studying?” I says.
“I don’t know what else she’d do in there alone,” she says. “She never did read any.”
“No,” I says, “You wouldn’t know. And you can thank your stars for that,” I says. Only what would be the use in saying it aloud. It would just have her crying on me again.
I heard her go up stairs. Then she called Quentin and Quentin says What? through the door. “Goodnight,” Mother says. Then I heard the key in the lock, and Mother went back to her room.
When I finished my cigar and went up, the light was still on. I could see the empty keyhole, but I couldn’t hear a sound. She studied quiet. Maybe she learned that in school. I told Mother goodnight and went on to my room and got the box out and counted it again. I could hear the Great American Gelding snoring away like a planing mill. I read somewhere they’d fix men that way to give them women’s voices. But maybe he didn’t know what they’d done to him. I dont reckon he even knew what he had been trying to do, or why Mr Burgess knocked him out with the fence picket. And if they’d just sent him on to Jackson while he was under the ether, he’d never have known the difference. But that would have been too simple for a Compson to think of. Not half complex enough. Having to wait to do it at all until he broke out and tried to run a little girl down on the street with her own father looking at him. Well, like I say they never started soon enough with their cutting, and they quit too quick. I know at least two more that needed something like that, and one of them not over a mile away, either. But then I dont reckon even that would do any good. Like I say once a bitch always a bitch. And just let me have twenty-four hours without any damn New York jew to advise me what it’s going to do. I dont want to make a killing;save that to suck in the smart gamblers with. I just want an even chance to get my money back. And once I’ve done that they can bring all Beale Street and all bedlam in here and two of them can sleep in my bed and another one can have my place at the table too.
The day dawned bleak and chill, a moving wall of grey light out of the northeast which, instead of dissolving into moisture, seemed to disintegrate into minute and venomous particles, like dust that, when Dilsey opened the door of the cabin and emerged, needled laterally into her flesh, precipitating not so much a moisture as a substance partaking of the quality of thin, not quite congealed oil. She wore a stiff black straw hat perched upon her turban, and a maroon velvet cape with a border of mangy and anonymous fur above a dress of purple silk, and she stood in the door for awhile with her myriad and sunken face lifted to the weather, and one gaunt hand flac-soled as the belly of a fish, then she moved the cape aside and examined the bosom of her gown.
The gown fell gauntly from her shoulders, across her fallen breasts, then tightened upon her paunch and fell again, ballooning a little above the nether garments which she would remove layer by layer as the spring accomplished and the warm days, in colour regal and moribund. She had been a big woman once but now her skeleton rose, draped loosely in unpadded skin that tightened again upon a paunch almost dropsical, as though muscle and tissue had been courage or fortitude which the days or the years had consumed until only the indomitable skeleton was left rising like a ruin or a landmark above the somnolent and impervious guts, and above that the collapsed face that gave the impression of the bones themselves being outside the flesh, lifted into the driving day withan expression at once fatalistic and of a child’s astonished disappointment, until she turned and entered the house again and closed the door.
The earth immediately about the door was bare. It had a patina, as though from the soles of bare feet in generations, like old silver or the walls of Mexican houses which have been plastered by hand. Beside the house, shading it in summer, stood three mulberry trees, the fledged leaves that would later be broad and placid as the palms of hands streaming flatly undulant upon the driving air. A pair of jaybirds came up from nowhere, whirled up on the blast like gaudy scraps of cloth or paper and lodged in the mulberries, where they swung in raucous tilt and recover, screaming into the wind that ripped their harsh cries onward and away like scraps of paper or of cloth in turn. Then three more joined them and they swung and tilted in the wrung branches for a time, screaming. The door of the cabin opened and Dilsey emerged once more, this time in a man’s felt hat and an army overcoat, beneath the frayed skirts of which her blue gingham dress fell in uneven balloonings, streaming too about her as she crossed the yard and mounted the steps to the kitchen door.
A moment later she emerged, carrying an open umbrella now, which she slanted ahead into the wind, and crossed to the woodpile and laid the umbrella down, still open. Immediately she caught at it and arrested it and held to it for a while, looking about her. Then she closed it and laid it down and stacked stovewood into her crooked arm, against her breast, and picked up the umbrella and got it open at last and returned to the steps and held the wood precariously balanced while she contrived to close the umbrella, which she propped in the corner just within the door. She dumped the wood into the box behind the stove. Then she removed the overcoat and hat and took a soiled apron down from the wall and put it on and built a fire in the stove. While she was doing so, rattling the grate bars and clattering the lids, Mrs Compson began to call her from the head of the stairs.
She wore a dressing gown of quilted black satin, holding it close under her chin. In the other hand she held a red rubber hot water bottle and she stood at the head of the back stairway, calling “Dilsey” at steady and inflectionless intervals into the quietstairwell that descended into complete darkness, then opened again where a grey window fell across it. “Dilsey,” she called, without inflection or emphasis or haste, as though she were not listening for a reply at all. “Dilsey.”
Dilsey answered and ceased clattering the stove, but before she could cross the kitchen Mrs Compson called her again, and before she crossed the diningroom and brought her head into relief against the grey splash of the window, still again.
“All right,” Dilsey said, “All right, here I is. I’ll fill hit soon ez I git some hot water.” She gathered up her skirts and mounted the stairs, wholly blotting the grey light. “Put hit down dar en g’awn back to bed.”
“I couldn’t understand what was the matter,” Mrs Compson said. “I’ve been lying awake for an hour at least, without hearing a sound from the kitchen.”
“You put hit down and g’awn back to bed,” Dilsey said. She toiled painfully up the steps, shapeless, breathing heavily. “I’ll have de fire gwine in a minute, en de water hot in two mo.”
“I’ve been lying there for an hour, at least,” Mrs Compson said. “I thought maybe you were waiting for me to come down and start the fire.”
Dilsey reached the top of the stairs and took the water bottle. “I’ll fix hit in a minute,” she said. “Luster overslep dis mawnin, up half de night at dat show. I gwine build de fire myself. Go on now, so you wont wake de others twell I ready.”
“If you permit Luster to do things that interfere with his work, you’ll have to suffer for it yourself,” Mrs Compson said. “Jason wont like this if he hears about it. You know he wont.”
“Twusn’t none of Jason’s money he went on,” Dilsey said. “Dat’s one thing sho.” She went on down the stairs. Mrs Compson returned to her room. As she got into bed again she could hear Dilsey yet descending the stairs with a sort of painful and terrific slowness that would have become maddening had it not presently ceased beyond the flapping diminishment of the pantry door.
She entered the kitchen and built up the fire and began to prepare breakfast. In the midst of this she ceased and went to the window and looked out toward her cabin, then she went to the door and opened it and shouted into the driving weather.
“Luster!” she shouted, standing to listen, tilting her face from the wind, “You, Luster?” She listened, then as she prepared to shout again Luster appeared around the corner of the kitchen.
“Ma’am?” he said innocently, so innocently that Dilsey looked down at him, for a moment motionless, with something more than mere surprise.
“Whar you at?” she said.
“Nowhere,” he said. “Jes in de cellar.”
“Whut you doin in de cellar?” she said. “Dont stand dar in de rain, fool,” she said.
“Aint doin nothin,” he said. He came up the steps.
“Dont you dare come in dis do widout a armful of wood,” she said. “Here I done had to tote yo wood en build yo fire bofe. Didn’t I tole you not to leave dis place last night befo dat woodbox wus full to de top?”
“I did,” Luster said, “I filled hit.”
“Whar hit gone to, den?”
“I dont know’m. I aint teched hit.”
“Well, you git hit full up now,” she said. “And git on up den en see bout Benjy.”
She shut the door. Luster went to the woodpile. The five jaybirds whirled over the house, screaming, and into the mulberries again. He watched them. He picked up a rock and threw it. “Whoo,” he said, “Git on back to hell, whar you belong at. ’Taint Monday yit.”
He loaded himself mountainously with stove wood. He could not see over it, and he staggered to the steps and up them and blundered crashing against the door, shedding billets. Then Dilsey came and opened the door for him and he blundered across the kitchen. “You, Luster!” she shouted, but he had already hurled the wood into the box with a thunderous crash. “Hah!” he said.
“Is you tryin to wake up de whole house?” Dilsey said. She hit him on the back of his head with the flat of her hand. “Go on up dar and git Benjy dressed, now.”
“Yessum,” he said. He went toward the outer door.
“Whar you gwine?” Dilsey said.
“I thought I better go round de house en in by de front, so I wont wake up Miss Cahline en dem.”
“You go on up dem backstairs like I tole you en git Benjy’s clothes on him,” Dilsey said. “Go on, now.”
“Yessum,” Luster said. He returned and left by the diningroom door. After awhile it ceased to flap. Dilsey prepared to make biscuit. As she ground the sifter steadily above the bread board, she sang, to herself at first, something without particular tune or words, repetitive, mournful and plaintive, austere, as she ground a faint, steady snowing of flour onto the bread board. The stove had begun to heat the room and to fill it with murmurous minors of the fire, and presently she was singing louder, as if her voice too had been thawed out by the growing warmth, and then Mrs Compson called her name again from within the house. Dilsey raised her face as if her eyes could and did penetrate the walls and ceiling and saw the old woman in her quilted dressing gown at the head of the stairs, calling her name with machinelike regularity.
“Oh, Lawd,” Dilsey said. She set the sifter down and swept up the hem of her apron and wiped her hands and caught up the bottle from the chair on which she had laid it and gathered her apron about the handle of the kettle which was now jetting faintly. “Jes a minute,” she called, “De water jes dis minute got hot.”
It was not the bottle which Mrs Compson wanted, however, and clutching it by the neck like a dead hen Dilsey went to the foot of the stairs and looked upward.
“Aint Luster up dar wid him?” she said.
“Luster hasn’t been in the house. I’ve been lying here listening for him. I knew he would be late, but I did hope he’d come in time to keep Benjamin from disturbing Jason on Jason’s one day in the week to sleep in the morning.”
“I dont see how you expect anybody to sleep, wid you standin in de hall, holl’in at folks fum de crack of dawn,” Dilsey said. She began to mount the stairs, toiling heavily. “I sont dat boy up dar half hour ago.”
Mrs Compson watched her, holding the dressing gown under her chin. “What are you going to do?” she said.
“Gwine git Benjy dressed en bring him down to de kitchen, whar he wont wake Jason en Quentin,” Dilsey said.
“Haven’t you started breakfast yet?”
“I’ll tend to dat too,” Dilsey said. “You better git back in bed twell Luster make yo fire. Hit cold dis mawnin.”
“I know it,” Mrs Compson said. “My feet are like ice. They were so cold they waked me up.” She watched Dilsey mount the stairs. It took her a long while. “You know how it frets Jason when breakfast is late,” Mrs Compson said.
“I cant do but one thing at a time,” Dilsey said. “You git on back to bed, fo I has you on my hands dis mawnin too.”
“If you’re going to drop everything to dress Benjamin, I’d better come down and get breakfast. You know as well as I do how Jason acts when it’s late.”
“En who gwine eat yo messin?” Dilsey said. “Tell me dat. Go on now,” she said, toiling upward. Mrs Compson stood watching her as she mounted, steadying herself against the wall with one hand, holding her skirts up with the other.
“Are you going to wake him up just to dress him?” she said.
Dilsey stopped. With her foot lifted to the next step she stood there, her hand against the wall and the grey splash of the window behind her, motionless and shapeless she loomed.
“He aint awake den?” she said.
“He wasn’t when I looked in,” Mrs Compson said. “But it’s past his time. He never does sleep after half past seven. You know he doesn’t.”
Dilsey said nothing. She made no further move, but though she could not see her save as a blobby shape without depth, Mrs Compson knew that she had lowered her face a little and that she stood now like a cow in the rain, as she held the empty water bottle by its neck.
“You’re not the one who has to bear it,” Mrs Compson said. “It’s not your responsibility. You can go away. You dont have to bear the brunt of it day in and day out. You owe nothing to them, to Mr Compson’s memory. I know you have never had any tenderness for Jason. You’ve never tried to conceal it.”
Dilsey said nothing. She turned slowly and descended, lowering her body from step to step, as a small child does, her hand against the wall. “You go on and let him alone,” she said. “Dont go in dar no mo, now. I’ll send Luster up soon as I find him. Let him alone, now.”
She returned to the kitchen. She looked into the stove, then she drew her apron over her head and donned the overcoat and opened the outer door and looked up and down the yard. The weather drove upon her flesh, harsh and minute, but the scene was empty of all else that moved. She descended the steps, gingerly, as if for silence, and went around the corner of the kitchen. As she did so Luster emerged quickly and innocently from the cellar door.
Dilsey stopped. “Whut you up to?” she said.
“Nothin,” Luster said, “Mr Jason say fer me to find out whar dat water leak in de cellar fum.”
“En when wus hit he say fer you to do dat?” Dilsey said. “Last New Year’s day, wasn’t hit?”
“I thought I jes be lookin whiles dey sleep,” Luster said. Dilsey went to the cellar door. He stood aside and she peered down into the obscurity odorous of dank earth and mould and rubber.
“Huh,” Dilsey said. She looked at Luster again. He met her gaze blandly, innocent and open. “I dont know whut you up to, but you aint got no business doin hit. You jes tryin me too dis mawnin cause de others is, aint you? You git on up dar en see to Benjy, you hear?”
“Yessum,” Luster said. He went on toward the kitchen steps, swiftly.
“Here,” Dilsey said, “You git me another armful of wood while I got you.”
“Yessum,” he said. He passed her on the steps and went to the woodpile. When he blundered again at the door a moment later, again invisible and blind within and beyond his wooden avatar, Dilsey opened the door and guided him across the kitchen with a firm hand.
“Jes thow hit at dat box again,” she said, “Jes thow hit.”
“I got to,” Luster said, panting, “I cant put hit down no other way.”
“Den you stand dar en hold hit a while,” Dilsey said. She unloaded him a stick at a time. “Whut got into you dis mawnin? Here I sont you fer wood en you aint never brought mo’n six sticks at a time to save yo life twell today. Whut you fixin to ax me kin you do now? Aint dat show lef town yit?”
“Yessum. Hit done gone.”
She put the last stick into the box. “Now you go on up dar wid Benjy, like I tole you befo,” she said. “And I dont want nobody else yellin down dem stairs at me twell I rings de bell. You hear me.”
“Yessum,” Luster said. He vanished through the swing door. Dilsey put some more wood in the stove and returned to the bread board. Presently she began to sing again.
The room grew warmer. Soon Dilsey’s skin had taken on a rich, lustrous quality as compared with that as of a faint dusting of wood ashes which both it and Luster’s had worn, as she moved about the kitchen, gathering about her the raw materials of food, coordinating the meal. On the wall above a cupboard, invisible save at night, by lamp light and even then evincing an enigmatic profundity because it had but one hand, a cabinet clock ticked, then with a preliminary sound as if it had cleared its throat, struck five times.
“Eight oclock,” Dilsey said. She ceased and tilted her head upward, listening. But there was no sound save the clock and the fire. She opened the oven and looked at the pan of bread, then stooping she paused while someone descended the stairs. She heard the feet cross the diningroom, then the swing door opened and Luster entered, followed by a big man who appeared to have been shaped of some substance whose particles would not or did not cohere to one another or to the frame which supported it. His skin was dead looking and hairless; dropsical too, he moved with a shambling gait like a trained bear. His hair was pale and fine. It had been brushed smoothly down upon his brow like that of children in daguerreotypes. His eyes were clear, of the pale sweet blue of cornflowers, his thick mouth hung open, drooling a little.
“Is he cold?” Dilsey said. She wiped her hands on her apron and touched his hand.
“Ef he aint, I is,” Luster said. “Always cold Easter. Aint never seen hit fail. Miss Cahline say ef you aint got time to fix her hot water bottle to never mind about hit.”
“Oh, Lawd,” Dilsey said. She drew a chair into the corner between the woodbox and the stove. The man went obediently and sat in it. “Look in de dinin room and see whar I laid dat bottle down,” Dilsey said. Luster fetched the bottle from the diningroomand Dilsey filled it and give it to him. “Hurry up, now,” she said. “See ef Jason wake now. Tell em hit’s all ready.”
Luster went out. Ben sat beside the stove. He sat loosely, utterly motionless save for his head, which made a continual bobbing sort of movement as he watched Dilsey with his sweet vague gaze as she moved about. Luster returned.
“He up,” he said, “Miss Cahline say put hit on de table.” He came to the stove and spread his hands palm down above the firebox. “He up, too,” He said, “Gwine hit wid bofe feet dis mawnin.”
“Whut’s de matter now?” Dilsey said. “Git away fum dar. How kin I do anything wid you standin over de stove?”
“I cold,” Luster said.
“You ought to thought about dat whiles you wus down dar in dat cellar,” Dilsey said. “Whut de matter wid Jason?”
“Sayin me en Benjy broke dat winder in his room.”
“Is dey one broke?” Dilsey said.
“Dat’s whut he sayin,” Luster said. “Say I broke hit.”
“How could you, when he keep hit locked all day en night?”
“Say I broke hit chunkin rocks at hit,” Luster said.
“En did you?”
“Nome,” Luster said.
“Dont lie to me, boy,” Dilsey said.
“I never done hit,” Luster said. “Ask Benjy ef I did. I aint stud’in dat winder.”
“Who could a broke hit, den?” Dilsey said. “He jes tryin hisself, to wake Quentin up,” she said, taking the pan of biscuits out of the stove.
“Reckin so,” Luster said. “Dese is funny folks. Glad I aint none of em.”
“Aint none of who?” Dilsey said. “Lemme tell you somethin, nigger boy, you got jes es much Compson devilment in you es any of em. Is you right sho you never broke dat window?”
“Whut I want to break hit fur?”
“Whut you do any of yo devilment fur?” Dilsey said. “Watch him now, so he cant burn his hand again twell I git de table set.”
She went to the diningroom, where they heard her moving about, then she returned and set a plate at the kitchen table and set food there. Ben watched her, slobbering, making a faint, eager sound.
“All right, honey,” she said, “Here yo breakfast. Bring his chair, Luster.” Luster moved the chair up and Ben sat down, whimpering and slobbering. Dilsey tied a cloth about his neck and wiped his mouth with the end of it. “And see kin you kep fum messin up his clothes one time,” she said, handing Luster a spoon.
Ben ceased whimpering. He watched the spoon as it rose to his mouth. It was as if even eagerness were muscle-bound in him too, and hunger itself inarticulate, not knowing it is hunger. Luster fed him with skill and detachment. Now and then his attention would return long enough to enable him to feint the spoon and cause Ben to close his mouth upon the empty air, but it was apparent that Luster’s mind was elsewhere. His other hand lay on the back of the chair and upon that dead surface it moved tentatively, delicately, as if he were picking an inaudible tune out of the dead void, and once he even forgot to tease Ben with the spoon while his fingers teased out of the slain wood a soundless and involved arpeggio until Ben recalled him by whimpering again.
In the diningroom Dilsey moved back and forth. Presently she rang a small clear bell, then in the kitchen Luster heard Mrs Compson and Jason descending, and Jason’s voice, and he rolled his eyes whitely with listening.
“Sure, I know they didn’t break it,” Jason said. “Sure, I know that. Maybe the change of weather broke it.”
“I dont see how it could have,” Mrs Compson said. “Your room stays locked all day long, just as you leave it when you go to town. None of us ever go in there except Sunday, to clean it. I dont want you to think that I would go where I’m not wanted, or that I would permit anyone else to.”
“I never said you broke it, did I?” Jason said.
“I dont want to go in your room,” Mrs Compson said. “I respect anybody’s private affairs. I wouldn’t put my foot over the threshold, even if I had a key.”
“Yes,” Jason said, “I know your keys wont fit. That’s why I had the lock changed. What I want to know is, how that window got broken.”
“Luster say he didn’t do hit,” Dilsey said.
“I knew that without asking him,” Jason said. “Where’s Quentin?” he said.
“Where she is ev’y Sunday mawnin,” Dilsey said. “Whut got into you de last few days, anyhow?”
“Well, we’re going to change all that,” Jason said. “Go up and tell her breakfast is ready.”
“You leave her alone now, Jason,” Dilsey said. “She gits up fer breakfast ev’y week mawnin, en Cahline lets her stay in bed ev’y Sunday. You knows dat.”
“I cant keep a kitchen full of niggers to wait on her pleasure, much as I’d like to,” Jason said. “Go and tell her to come down to breakfast.”
“Aint nobody have to wait on her,” Dilsey said. “I puts her breakfast in de warmer en she—”
“Did you hear me?” Jason said.
“I hears you,” Dilsey said. “All I been hearin, when you in de house. Ef hit aint Quentin er yo maw, hit’s Luster en Benjy. Whut you let him go on dat way fer, Miss Cahline?”
“You’d better do as he says,” Mrs Compson said, “He’s head of the house now. It’s his right to require us to respect his wishes. I try to do it, and if I can, you can too.”
“’Taint no sense in him bein so bad tempered he got to make Quentin git up jes to suit him,” Dilsey said. “Maybe you think she broke dat window.”
“She would, if she happened to think of it,” Jason said. “You go and do what I told you.”
“En I wouldn’t blame her none ef she did,” Dilsey said, going toward the stairs. “Wid you naggin at her all de blessed time you in de house.”
“Hush, Dilsey,” Mrs Compson said, “It’s neither your place nor mine to tell Jason what to do. Sometimes I think he is wrong, but I try to obey his wishes for you alls’ sakes. If I’m strong enough to come to the table, Quentin can too.”
Dilsey went out. They heard her mounting the stairs. They heard her a long while on the stairs.
“You’ve got a prize set of servants,” Jason said. He helped his mother and himself to food. “Did you ever have one that was worth killing? You must have had some before I was big enough to remember.”
“I have to humour them,” Mrs Compson said. “I have to dependon them so completely. It’s not as if I were strong. I wish I were. I wish I could do all the house work myself. I could at least take that much off your shoulders.”
“And a fine pigsty we’d live in, too,” Jason said. “Hurry up, Dilsey,” he shouted.
“I know you blame me,” Mrs Compson said, “for letting them off to go to church today.”
“Go where?” Jason said. “Hasn’t that damn show left yet?”
“To church,” Mrs Compson said. “The darkies are having a special Easter service. I promised Dilsey two weeks ago that they could get off.”
“Which means we’ll eat cold dinner,” Jason said, “or none at all.”
“I know it’s my fault,” Mrs Compson said. “I know you blame me.”
“For what?” Jason said. “You never resurrected Christ, did you?”
They heard Dilsey mount the final stair, then her slow feet overhead.
“Quentin,” she said. When she called the first time Jason laid his knife and fork down and he and his mother appeared to wait across the table from one another, in identical attitudes; the one cold and shrewd, with close-thatched brown hair curled into two stubborn hooks, one on either side of his forehead like a bartender in caricature, and hazel eyes with black-ringed irises like marbles, the other cold and querulous, with perfectly white hair and eyes pouched and baffled and so dark as to appear to be all pupil or all iris.
“Quentin,” Dilsey said, “Get up, honey. Dey waitin breakfast on you.”
“I cant understand how that window got broken,” Mrs Compson said. “Are you sure it was done yesterday? It could have been like that a long time, with the warm weather. The upper sash, behind the shade like that.”
“I’ve told you for the last time that it happened yesterday,” Jason said. “Dont you reckon I know the room I live in? Do you reckon I could have lived in it a week with a hole in the window you could stick your hand—” his voice ceased, ebbed, left himstaring at his mother with eyes that for an instant were quite empty of anything. It was as though his eyes were holding their breath, while his mother looked at him, her face flaccid and querulous, interminable, clairvoyant yet obtuse. As they sat so Dilsey said,
“Quentin. Dont play wid me, honey. Come on to breakfast, honey. Dey waitin fer you.”
“I cant understand it,” Mrs Compson said, “It’s just as if somebody had tried to break into the house—” Jason sprang up. His chair crashed over backward. “What—” Mrs Compson said, staring at him as he ran past her and went jumping up the stairs, where he met Dilsey. His face was now in shadow, and Dilsey said,
“She sullin. Yo ma aint unlocked—” But Jason ran on past her and along the corridor to a door. He didn’t call. He grasped the knob and tried it, then he stood with the knob in his hand and his head bent a little, as if he were listening to something much further away than the dimensioned room beyond the door, and which he already heard. His attitude was that of one who goes through the motions of listening in order to deceive himself as to what he already hears. Behind him Mrs Compson mounted the stairs, calling his name. Then she saw Dilsey and she quit calling him and began to call Dilsey instead.
“I told you she aint unlocked dat do’ yit,” Dilsey said.
When she spoke he turned and ran toward her, but his voice was quiet, matter of fact. “She carry the key with her?” he said. “Has she got it now, I mean, or will she have—”
“Dilsey,” Mrs Compson said on the stairs.
“Is which?” Dilsey said. “Whyn’t you let—”
“The key,” Jason said, “To that room. Does she carry it with her all the time. Mother.” Then he saw Mrs Compson and he went down the stairs and met her. “Give me the key,” he said. He fell to pawing at the pockets of the rusty black dressing sacque she wore. She resisted.
“Jason,” she said, “Jason! Are you and Dilsey trying to put me to bed again?” she said, trying to fend him off, “Cant you even let me have Sunday in peace?”
“The key,” Jason said, pawing at her, “Give it here.” He looked back at the door, as if he expected it to fly open before he could get back to it with the key he did not yet have.
“You, Dilsey!” Mrs Compson said, clutching her sacque about her.
“Give me the key, you old fool!” Jason cried suddenly. From her pocket he tugged a huge bunch of rusted keys on an iron ring like a mediaeval jailer’s and ran back up the hall with the two women behind him.
“You, Jason!” Mrs Compson said. “He will never find the right one,” she said, “You know I never let anyone take my keys, Dilsey,” she said. She began to wail.
“Hush,” Dilsey said, “He aint gwine do nothin to her. I aint gwine let him.”
“But on Sunday morning, in my own house,” Mrs Compson said, “When I’ve tried so hard to raise them Christians. Let me find the right key, Jason,” she said. She put her hand on his arm. Then she began to struggle with him, but he flung her aside with a motion of his elbow and looked around at her for a moment, his eyes cold and harried, then he turned to the door again and the unwieldy keys.
“Hush,” Dilsey said, “You, Jason!”
“Something terrible has happened,” Mrs Compson said, wailing again, “I know it has. You, Jason,” she said, grasping at him again. “He wont even let me find the key to a room in my own house!”
“Now, now,” Dilsey said, “Whut kin happen? I right here. I aint gwine let him hurt her. Quentin,” she said, raising her voice, “dont you be skeered, honey, I’se right here.”
The door opened, swung inward. He stood in it for a moment, hiding the room, then he stepped aside. “Go in,” he said in a thick, light voice. They went in. It was not a girl’s room. It was not anybody’s room, and the faint scent of cheap cosmetics and the few feminine objects and the other evidences of crude and hopeless efforts to feminize it but added to its anonymity, giving it that dead and stereotyped transience of rooms in assignation houses. The bed had not been disturbed. On the floor lay a soiled undergarment of cheap silk a little too pink; from a half open bureau drawer dangled a single stocking. The window was open. A pear tree grew there, close against the house. It was in bloom and the branches scraped and rasped against the house and the myriadair, driving in the window, brought into the room the forlorn scent of the blossoms.
“Dar now,” Dilsey said, “Didn’t I told you she all right?”
“All right?” Mrs Compson said. Dilsey followed her into the room and touched her.
“You come on and lay down, now,” she said. “I find her in ten minutes.”
Mrs Compson shook her off. “Find the note,” she said. “Quentin left a note when he did it.”
“All right,” Dilsey said, “I’ll find hit. You come on to yo room, now.”
“I knew the minute they named her Quentin this would happen,” Mrs Compson said. She went to the bureau and began to turn over the scattered objects there—scent bottles, a box of powder, a chewed pencil, a pair of scissors with one broken blade lying upon a darned scarf dusted with powder and stained with rouge. “Find the note,” she said.
“I is,” Dilsey said. “You come on, now. Me and Jason’ll find hit. You come on to yo room.”
“Jason,” Mrs Compson said, “Where is he?” She went to the door. Dilsey followed her on down the hall, to another door. It was closed. “Jason,” she called through the door. There was no answer. She tried the knob, then she called him again. But there was still no answer, for he was hurling things backward out of the closet: garments, shoes, a suitcase. Then he emerged carrying a sawn section of tongue-and-groove planking and laid it down and entered the closet again and emerged with a metal box. He set it on the bed and stood looking at the broken lock while he dug a key ring from his pocket and selected a key, and for a time longer he stood with the selected key in his hand, looking at the broken lock, then he put the keys back in his pocket and carefully tilted the contents of the box out upon the bed. Still carefully he sorted the papers, taking them up one at a time and shaking them. Then he upended the box and shook it too and slowly replaced the papers and stood again, looking at the broken lock, with the box in his hands and his head bent. Outside the window he heard some jaybirds swirl shrieking past, and away, their cries whipping away along the wind, and an automobile passed somewhere and diedaway also. His mother spoke his name again beyond the door, but he didn’t move. He heard Dilsey lead her away up the hall, and then a door closed. Then he replaced the box in the closet and flung the garments back into it and went down stairs to the telephone. While he stood there with the receiver to his ear, waiting, Dilsey came down the stairs. She looked at him, without stopping, and went on.
The wire opened. “This is Jason Compson,” he said, his voice so harsh and thick that he had to repeat himself. “Jason Compson,” he said, controlling his voice. “Have a car ready, with a deputy, if you cant go, in ten minutes. I’ll be there—What?—Robbery. My house. I know who it—Robbery, I say. Have a car read—What? Aren’t you a paid law enforcement—Yes, I’ll be there in five minutes. Have that car ready to leave at once. If you dont, I’ll report it to the governor.”
He clapped the receiver back and crossed the diningroom, where the scarce-broken meal now lay cold on the table, and entered the kitchen. Dilsey was filling the hot water bottle. Ben sat, tranquil and empty. Beside him Luster looked like a fice dog, brightly watchful. He was eating something. Jason went on across the kitchen.
“Aint you going to eat no breakfast?” Dilsey said. He paid her no attention. “Go on and eat yo breakfast, Jason.” He went on. The outer door banged behind him. Luster rose and went to the window and looked out.
“Whoo,” he said, “Whut happenin up dar? He been beatin’ Miss Quentin?”
“You hush yo mouf,” Dilsey said. “You git Benjy started now en I beat yo head off. You keep him quiet es you kin twell I get back, now.” She screwed the cap on the bottle and went out. They heard her go up the stairs, then they heard Jason pass the house in his car. Then there was no sound in the kitchen save the simmering murmur of the kettle and the clock.
“You know whut I bet?” Luster said. “I bet he beat her. I bet he knock her in de head en now he gone fer de doctor. Dat’s whut I bet.” The clock tick-tocked, solemn and profound. It might have been the dry pulse of the decaying house itself; after a while it whirred and cleared its throat and struck six times. Ben lookedup at it, then he looked at the bullet-like silhouette of Luster’s head in the window and he begun to bob his head again, drooling. He whimpered.