CHAPTER V. HOW TO SET A RUBY.
We will now continue our talk & consider the way of setting a ruby, and the box of gold in which it has to be fitted. This box, whether in a pendant, a ring, or what not, is always called the bezel. What you have first of all to observe in the setting of the stone in this bezel, is that the former must not be set too deep, so as to deprive it of its full value, nor too high, so as to isolate it from its surrounding detail. I mention this because I have seen mistakes made in both ways, and I am certain that practising jewellers who have a right knowledge of drawing and design would not go wrong in either the one direction or the other.
So let us place our fine ruby into its bezel. In order to what is technically called ‘set’[28]it, we must provide ourselves with four or five ruby foils[29]of which some should be of so deep a glow that they seem quite dark, and others differing in intensity till they have scarce any red in them at all. With all these different specimens of foils before us, we take hold of the ruby with a piece of hard black wax well pointed, pressing the wax upon one of the projections of the stone. Then your good jeweller tries his ruby now upon this foil, now upon that, till his own good taste determines him which foil will give most value to his stone. Sometimes the jeweller will find it may help him to move the stone to and from the foil, but he has to recollect that the air between the foil & the stone will always give an effect different to that afterwards given when the stone is set in the bezel where no air passes behind. Therefore your capable man places the cut foil in the setting, at one time bringing it close, at another interposing a space. Thereupon let him set his jewel with all the care, taste & delicacy of which an able man is master.
FOOTNOTES:[28]Legare.[29]Literally leaves that are of themselves red.
[28]Legare.
[28]Legare.
[29]Literally leaves that are of themselves red.
[29]Literally leaves that are of themselves red.