CHAPTER V.

With the progress of civilization, Enterprise took more diversified forms. First, man was summoned to display this commanding quality of mind in the subjugation or destruction of the stronger and fiercer animals; then he had to enter on the perilous adventure into strange regions by land, and the hazardous transit of the ocean, in search of still more unknown countries. We have just glanced at another department of enterprise—the search for antiquities; and the subject was placed in this order because it seemed naturally connected with the perils of travel. But enterprise had taken a thousand forms before men began to venture on great dangers for the attainment of more certain knowledge of the past: the hewing of rocks and levelling of forests, the disembowelling of mines, the construction of highways and harbours, the erection of bridges and lighthouses, of Cyclopæan piles and pyramids, of obelisks and columns, of aqueducts and walls of cities—these, and a thousand other displays of strength, genius, and skill, were among the “Triumphs of Enterprise” ages ago, and they are now succeeded by the formation of railways, and the myriad-fold enterprises of modern science.

How much would we not give for an authentic account of those mysterious enterprises—the building of Stonehenge,of the round towers of Ireland, and of the multitudinous “Druidical” monuments, as they are termed, which are scattered in immense masses over Spain and other parts of the continent? We are left to conjecture for their origin, and our knowledge of it may never reach to certainty. The venerable pyramids themselves are equally mysterious, both as it regards the purposes for which they were erected and the means of erecting them. The Cyclopæan masses of stone which form the foundations of the ruined temple at Balbec (masses which dwarf the stones of the Pyramids), as well as the recently discovered remains in Central America, stretch back into the far past, and also puzzle and confound all human judgment and reckoning.

Stonehenge.

Again, even of some of the more recent erections of antiquity, opinion is divided as to the true cause of carryingout such enterprises. In this predicament antiquarian criticism places the Roman aqueducts—those immense structures, formed often of several miles of arches, on which water was conveyed over valleys. From a passage in Pliny it is argued that the Romans were really acquainted with the hydrostatic truth that water will rise to its own level; that these immense edifices were erected rather from reasons of state policy than from ignorance, the construction of them serving to employ turbulent spirits. All this, however, is doubtful, and it may be that real ignorance stimulated the Romans to carry on and complete these gigantic undertakings which abound in their empire. One, it may be observed, which was begun by Caius Cæsar, but completed by Claudius, and therefore called the Claudian aqueduct,was forty miles in length, and was raised sufficiently to distribute water over the seven hills of the imperial mistress of the world.

Ruins of the Temple at Balbec.

But above all the civil enterprises of the Romans we ought to place their roads; these grand and enduring highways, indeed, stamped Europe with a new feature, and the civilized likeness thus impressed on her was not effaced until railroads gave the initiative to a new civilization. We cannot refrain from quoting Gibbon’s masterly description of the Roman highways; it occurs after he has been depicturing the subordinate Roman capitals in Asia Minor, Syria, and Egypt:—“All these cities were connected with each other and with the capital by the public highways, which, issuing from the Forum at Rome, traversed Italy, pervaded the provinces, and were terminated only by the frontiers of the empire. If we carefully trace the distance from the wall of Antoninus (in Scotland) to Rome, and from thence to Jerusalem, it will be found that the great chain of communication from the north-west to the south-east point of the empire was drawn out to the length of 4080 Roman (or 3740 English) miles. The public roads were accurately divided by milestones, and ran in a direct line from one city to another, with very little respect for the obstacles either of nature or private property. Mountains were perforated, and bold arches thrown over the broadest and most rapid streams; the middle part of the road was raised into a terrace which commanded the adjacent country, consisting of several strata of sand, gravel, and cement, and was paved with large stones, or,in some places near the capital, with granite. Such was the solid construction of the Roman highways, whose firmness has not entirely yielded to the effect of fifteen centuries. They united the subjects of the most distant provinces by an easy and familiar intercourse; but their primary object had been to facilitate the marches of the legions, nor was any country considered as completely subdued till it had been rendered in all its parts pervious to the arms and authority of the conqueror. The advantage of receiving the earliest intelligence, and of conveying their orders with celerity, induced the emperors to establish throughout their extensive dominions the regular institution of posts. Houses were everywhereerected at the distance of five or six miles; each of them was constantly provided with forty horses, and by the help of these relays it was easy to travel a hundred miles in a day along the Roman roads. The use of the posts was allowed to those who claimed it by an imperial mandate; but though originally intended for the public service, it was sometimes indulged to the business or conveniency of private citizens.”

St. Peter’s at Rome.

From other accounts we learn that the Roman roads varied in importance and uses. The great lines were called “Prætorian ways,” as being under the direction of the prætors, and those formed the roads for military intercourse. Other lines were exclusively adapted for commerce or civil intercourse, and were under the direction of consuls. Both kinds were formed in a similar manner. The plan on which they were made was more calculated for durability than ease to the traveller, and for our modern wheel carriages they would be found particularly objectionable. Whatever was their entire breadth the centre constituted the beaten track, and was made of large ill-dressed stones laid side by side to form a compact mass of from twelve to twenty feet broad, and therefore in their external aspect they were but coarse stone causeways.

Some of the Roman roads had double lines of this solid pavement, with a smooth brick path for foot passengers, and at intervals along the sides there were elevated stones on which travellers could rest, or from which cavalry could easily mount their horses. One important feature in the construction of all the Romanroads was the bottoming of them with solid materials. Their first operation seems to have been the removal of all loose earth or soft matter which might work upwards to the surface, and then they laid courses of small stones or broken tiles and earthenware, with a course of cement above, and upon that were placed the heavy stones for the causeway; thus a more substantial and durable pavement was formed, the expense being defrayed from the public treasury. Various remains of Roman roads of this kind still exist in France, and also in different parts of Britain. One of the chief Roman thoroughfares, in an oblique direction across the country from London to the western part of Scotland, was long known by the name of Watling Street, and the name has been perpetuated in the appellation of one of the streets of the metropolis.

In the construction of their amphitheatres and other places of public amusement, the Romans far transcended modern nations, in none of which does a theatre exist of dimensions at all comparable with those of the cities in the Roman empire. The ruins of the Colosseum, in Rome itself, are the source of wonder to every visitor. The beautiful lines of Byron on these magnificent remains of Roman civilization are well known.

Respecting numerous other enterprises of the ancient world, interesting but imperfect accounts remain. Such are the narratives of what were termed the “Seven Wonders of the World.” It is time, however, to leave antiquity—or, at least, classic antiquity—to speak of one wondrous enterprise—that of a nation at the very “ends of the earth,” of whom indeed many wonders are told.

Bell, the enterprising traveller, presents, perhaps, the clearest account of the celebrated “Great Wall of China.”

“On the 2nd of November, 1720, about noon,” says he, “we could perceive the famous wall, running along the tops of the mountains, towards the north-east. One of our people cried out ‘land!’ as if we had been all this while at sea. It was now, as nearly as I can compute, about forty English miles from us, and appeared white at this distance. The appearance of it, running from one high rock to another, with square towers at certain intervals, even at this distance is most magnificent.”

In two days they arrived at the foot of this mighty barrier, and entered through a great gate into China. Here a thousand men were perpetually on guard, by the officers commanding whom they were received with much politeness, and invited to tea.

“The long, or endless wall, as it is commonly called,” continues Bell, “encompasses all the north and west parts of China. It was built about six hundred years ago by one of the emperors, to prevent the frequent incursions of the Mongols and other western Tartars, who made a practice of assembling numerous troops of horse and invading the country in different places. The Chinese frontiers were too extensive to be guarded against such bold and numerous enemies, who, after plundering and destroying a wealthy country, returned to their own loaded with spoils.

“The Chinese, finding all precautions ineffectual to put a stop to the inroads of such barbarians, at last resolvedto build this famous wall. It begins in the province of Leotong, at the bottom of the Bay of Nankin, and proceeds across rivers, and over the tops of the highest mountains, without interruption, keeping nearly along the circular ridge of barren rocks that surround the country to the north and west; and, after running southwards about twelve hundred English miles, ends in impassable mountains and sandy deserts.

Part of the Great Wall of China.

This is an engraving of a small portion of this wonderful work. At the top is represented a piece of the wall, with one of the towers, as it is seen by a person standing on the ground. Immediately under it is a bird’s-eye view of the same, representing the dimensions and position of the tower, in relation to the wall. And on the left side is a section which shows how the masonry is constructed—of two walls getting thinner towards the top, and the intermediate space filled in with work of a rougher kind.

“The foundation consists of large blocks of square stones, laid in mortar; but the rest of the wall is built of brick. The whole is so strong and well built as toneed almost no repair, and, in such a dry climate, may remain in this condition for many ages. Its height and breadth are not equal in every place; nor, indeed, is it necessary they should. When carried over steep rocks, where no horse can pass, it is about fifteen or twenty feet high, and broad in proportion; but, when running through a valley, or crossing a river, there you see a strong wall, about thirty feet high, with square towers at the distance of a bow-shot from one another, and embrasures at equal distances. The top of the wall is flat, and paved with broad freestones; and where it rises over a rock, or any eminence, you ascend by a fine easy stone stair. The bridges over rivers and torrents are exceedingly neat, being both well contrived and executed. They have two stories of arches, one above another, to afford sufficient passage for the waters on sudden rains and floods.”

Bell was also informed by the Chinese that this wall was completed within the space of five years; every sixth man in the empire having been compelled to work at it, or find a substitute. The date of its erection, however, is considered uncertain; and therefore this account may also be untrue. Gibbon gives the third century before the Christian era as the date of its construction, and assigns it a length of fifteen hundred miles. Du Pauw reduces the length to four hundred and fifty miles, not choosing to consider the western branch, “which,” he says, “is of earth, worthy the name of a wall.” Many writers judge it to be a very recent work, or, at least, of as modern a date as on this side the thirteenthcentury, since it is not mentioned by Marco Polo. Yetteais not mentioned by him, although the Chinese have used it for thousands of years. If it be true that much of Marco Polo’s manuscript was destroyed because his friends ignorantly believed his wondrous relations (such as the burning of a “black stone,” or coal, by the Chinese, for fuel) to be false, the omission of allusions to the Great Wall, inourcopies of Marco Polo will be no argument against its antiquity.

Next to the Great Wall, the Porcelain Tower of Nankin is usually classed as the great marvel of China. The following curious description of this temple of Boudh, for such the porcelain pagoda is, was purchased in the city of Nankin, on the return of one of our English embassies, and was first published in a leading periodical, which was furnished with a translation by Sir George Staunton, the celebrated scholar and traveller.

“The Dwelling of Security, Tranquillity, and Peace. The representation of the precious glazed tower of the Temple of Gratitude, in the province of Kiang-Nan.

“This work was commenced at noon, on the fifteenth day of the sixth moon, of the tenth year of the Emperor Yong Lo (1413 of the Christian era), of the Dynasty of Ming, and was completed on the first day of the eighth moon, of the sixth year of the Emperor Siuen Té, of the same dynasty, being altogether a period of nineteen years in building.

“The sum of money expended in completing the precious glazed tower was two millions four hundred andeighty-five thousand, four hundred and eighty-four ounces of silver. In the construction of the ornamental globe on the pinnacle of the roof of the tower, forty-eightkin(one pound and one-third) in weight of gold (sixty-four pounds), and one thousand four hundredkinin weight of copper were consumed. The circumference of this globe is thirty-sixche(about fourteen inches). Each round or story is eighteenchehigh. In that part of the tower called the quang were consumed four thousand eight hundred and seventykinweight of brass. The iron hoops or rings on the pinnacle of the roof are nine in number, and sixty-threecheeach in circumference. The smaller hoops are twenty-fourchein circumference, and their total weight is three thousand six hundredkin.

“On different parts of the tower are suspended eighty-one iron bells, each bell weighing twelvekin, or sixteen pounds. There are also nine iron chains, each of which weighs one hundred and fiftykin, and is eightychelong. The copper pan with two mouths to it on the roof is estimated to weigh nine hundredkin, and is sixtychein circumference. There is also a celestial plate on the top weighing four hundred and sixtykin, and twentychein circumference. In the upper part of the tower are preserved the following articles:—Of night-illuminating pearls, one string; of water-repelling pearls, one string; of fire-repelling pearls, one string; of dust-repelling pearls, one string; and over all these is a string of Fo’s relics. Also an ingot of solid gold, weighing fortyleang(ounces), and one hundredkinweight of tea; of silver,one thousandleangweight; of the bright huing, two pieces, weighing one hundredkin; of precious stones, one string; of the everlasting physic-money, one thousand strings; of yellow satin, two pieces; of the book hidden in the earth, one copy; of the book of Omitd Fo, one copy; of the book of She Kia Fo, one copy; of the book of Tsie Yin Fo, one copy; all wrapped up together, and preserved in the temple.

“The tower has eight sides or faces, and its circumference is two hundred and fortyche. The nine stories taken together are two hundred and twenty-eight and a halfchehigh. From the highest story to the extreme point of the pinnacle of the roof are one hundred and twentyche. The lamps within the tower are seven times seven in number, in all forty-nine lamp-dishes, and on the outside there are one hundred and twenty-eight lamp-dishes. Each night they are supplied with fiftykinweight of oil. Their splendour penetrates upwards to the thirty-third heaven—mid-way; they shed a lustre over the people, the good and bad together—downwards; they illuminate the earth as far as the City of Tse Kee Hien, in the Province of Che-Kiang.

“The official title of the head priest of the temple is Chao Sieu. His disciples are called Yue. The total number of priests on the establishment is eight hundred and fifty. The family name of the head mason of the building was Yao, his personal name Sieu, and his native town Tsing Kiang Foo. The family name of the head carpenter was Hoo, his personal name Chung, and his native province Kiang See.

“The extent of the whole enclosure of the temple is seven hundred and seventymeu(somewhat less than an English acre) and eight-tenths. To the southward, towards Chin Van San, are two hundred and twenty-sixmeu. Eastward, to the boundary of Chin Sien Seng, are two hundred and thirty-fourmeuand eight-tenths. In the centre is the ground of Hoo Kin Te. Westward, as far as the land of She Hon Hoa, are one hundred and twentymeu. And northward, to the land of Lien Sien Song, are one hundred and eightymeu.

“Viewing, therefore, this History of the Glazed Tower, may it not be considered as the work of a Divinity? Who shall perform the like?

“Lately, on the fifteenth day of the fifth moon, of the fifth year of Kia King, at four in the morning, the God of Thunder, in his pursuit of a monstrous dragon, followed it into this temple, struck three of the sides of the fabric, and materially damaged the ninth story; but the strength and majesty of the God of the temple are most potent, and the laws of Fo are not subject to change. The tower, by his influence, was therefore saved from entire destruction. The Viceroy and the Foo-Yen reported the circumstance to his imperial majesty; and, on the sixth day of the second moon of the seventh year, the restoration of the damaged parts was commenced, and on the nineteenth day of the fifth moon the repairs were completed.

“On the twenty-ninth day of the sixth moon of the twelfth year of his present majesty, at four in the afternoon, on a sudden there fell a heavy shower of rain, andthe God of Thunder again rushed forth in front of the tower, and, penetrating the roof, pursued the great dragon from the top to the bottom. The glazed porcelain tiles of the sixth story were much damaged, and where the God of Thunder issued out at the great gate several of the boards taken from the wood of the heavenly flower-tree were broken. Thus, the God of Thunder, having finally driven away the monstrous dragon, returned to his place in the heavens.

“The priests of the temple reported the event to the local authorities, and the officer Hen submitted the report to his Imperial Majesty, and awaited the issue of the sums required to defray the charge of the repairs. The gates of the tower have been closed for a year while the interior has been repairing.

“‘Deny not the presence of a God—a God there is;He sounds his dread thunder, and all the world trembles.’”

“‘Deny not the presence of a God—a God there is;

He sounds his dread thunder, and all the world trembles.’”

Such is the singular register of the Porcelain Pagoda at Nankin. The terraced mountains have been often mentioned as another wonder of China; but recent travellers declare that these enterprises are exceedingly few in the “flowery” land.

To revert to Europe; the great difficulty is to select the themes of Enterprise. Here is one, however, of a somewhat rude, but yet highly adventurous, and also highly useful kind. It is a sketch of a Swiss wonder—the famous “Slide of Alpnach.”

For many centuries the rugged flanks and deep gorges of Mount Pilatus were covered by impenetrable forests;lofty precipices encircled them on all sides. Even the daring hunters were scarcely able to reach them, and the inhabitants of the valley never conceived the idea of disturbing them with the axe. These immense forests were therefore allowed to grow and perish, the most intelligent and skilful considering it quite impracticable to avail themselves of such inaccessible stores.

In November, 1816, Mr. John Rulph, of Rentingen, and three other Swiss gentlemen, entertaining more sanguine hopes, drew up a plan of a slide, founded on trigonometrical measurements; and, having purchased a certain extent of the forests from the commune of Alpnach for 6000 crowns, began the construction of it.

The slide of Alpnach was formed of about 25,000 large pine trees, deprived of their bark, and united together without the aid of iron. It occupied about one hundred and sixty workmen during eighteen months, and cost nearly one hundred thousand francs, or 4166l.It was about three leagues, or 44,000 English feet long, and terminated in the Lake of Lucerne. It had the form of a trough about six feet broad, and from three to six deep. Its bottom was formed of three trees, the middle one of which had a groove cut out in the direction of its length, for receiving small rills of water for the purpose of diminishing the friction. The whole slide was sustained by about two thousand supports, and in many places was attached in a very ingenious manner to the rugged precipices of granite. The direction of the slide was sometimes straight and sometimes zigzag, with an inclination of from ten to eighteen degrees. It was oftencarried along the sides of precipitous rocks, and sometimes over their summits; occasionally it passed underground, and at other times over the deep gorges by scaffoldings one hundred and twenty feet high.

Before any step could be taken in its erection it was necessary to cut several thousand trees to obtain a passage through the impenetrable thickets; and as the workmen advanced, men were posted at certain distances in order to point out the road for their return. Mr. Rulph was often obliged to be suspended by cords, in order to descend precipices many hundred feet high, to give directions, having scarcely two good carpenters among his men, they having been hired as the occasion offered.

All difficulties being at length surmounted, the larger pines, which were about one hundred feet long, and ten inches thick at their smaller extremity, ran through the space ofthree leagues, ornearly nine miles, inthree minutes and a half; and, during their descent, appeared to be only a few feet in length. The arrangements were extremely simple. Men were posted at regular distances along the slide, and as soon as everything was ready the man at the bottom called out to the next one above him, “Lachez!”—Let go! The cry was repeated, and reached the top of the slide in three minutes; the man at the top of the slide then cried out to the one below, “Il vient!”—It comes! As soon as the tree had reached the bottom, and plunged into the lake, the cry of “Lachez!” was repeated as before. By these means a tree descended every five or six minutes. When a tree, by accident, escaped from the trough of the slide,it often penetrated by its thickest extremity from eighteen to twenty-four feet into the earth, and if it struck another tree, it cleft it with the rapidity of lightning.

Such was the enterprising work undertaken and executed under the direction of a single individual. This wondrous structure, however, no longer exists, and scarcely a tree is to be seen on the flanks of Mount Pilatus. Political events having taken away the demand for timber, and another market having been found, the operation of cutting and transporting the trees necessarily ceased.

Let us now glance at the enterprise of erecting a more durable monument. Russia, proud of her Czar, the celebrated Peter the Great, wished to erect a monument to his memory. Catherine the Second was the monarch who had the direction of the work, and her choice for an artist fell upon M. Falconet, who, in his conception of an equestrian statue, resolved that the subordinate parts should bear an equal impress of genius. “The pedestals in general use,” he observed, “had no distinctive feature, and adapt themselves equally well to any subject. Being of so universal application they suggest no new or elevated thoughts to the beholder.” Falconet wished to make the Czar appear as the father and legislator of his people—great and extraordinary in everything—undertaking and completing that which others were unable to imagine. To carry out this conception a precipitous rock was fixed on for the pedestal, on which the statue should appear with characteristics distinguishing it from those erected to other sovereigns.

Falconet’s first idea was to form this pedestal of six masses of rock, bound together with bars of iron or copper; but the objection was urged, that the natural decay of the bands would cause a disruption of the various parts, and present a ruinous aspect, while it would be difficult to insure perfect uniformity in the quality and appearance of the different blocks. The next proposal was to form it of one whole rock; but this appeared impossible, and in a report to the senate it was stated that the expense would be so enormous as almost to justify the abandonment of the undertaking. At length it was resolved to bring to the city of St. Petersburg the largest rock that could be found, cost what it might.

The search for a huge mass of rock was begun, but the whole summer was passed in vain exploration. The idea of forming the pedestal of several pieces had again been entertained, when an immense stone was discovered near Cronstadt, which it was determined to use as the principal mass. Various mechanics having been applied to, refused to undertake the task of removing this stone, as did likewise the Russian Admiralty.

Fortunately for M. Falconet, he was acquainted with a native of Cephalonia, who had assumed the name of Lascary, and who, while serving in the corps of cadets, had given high proofs of mechanic skill. Lascary had all along strenuously recommended the adoption of the original design, and now undertook the formation of the pedestal. A few days after his appointment to this commission he received information from a peasant of alarge rock lying in a marsh near a bay in the Gulf of Finland, about twenty miles from St. Petersburg by water. The stone was examined, and the base, by sounding around it, was found to be flat. It was a parallelopipedon in form, and was forty-two feet long, twenty-seven feet wide, and twenty-one feet high. These were dimensions sufficiently extensive to realise the conceptions of M. Falconet. The authorities, when the mass was beheld, again recommended its being cut into separate portions for convenient removal. The Empress Catherine and her minister Betzky, were, however, on the side of Lascary, and orders were imperatively given to commence the strange enterprise.

The resolution was taken by M. Lascary to remove the stone without the use of rollers, as these not only present a long surface, which increases the friction and thereby impedes speed, but are not easily made of the great diameter that would have been required owing to the soft and yielding nature of the ground on which the work was to be performed. Spherical bodies, revolving in a metallic groove, were then chosen as the means of transport. These offered many advantages; their motion is more prompt than that of rollers, with a less degree of friction, as they present but small points of contact. Beams of wood, of a foot square, and thirty-three feet in length, were then prepared; one side was hollowed in the form of a gutter, and lined, the sides being convex to the thickness of two inches, with a composition of copper and tin. Balls of the same composite metal, five inches in diameter, were then made, to bear only on the bottomof the groove. These beams were intended to be placed on the ground in a line in front of the stone, while upon them were reversed two other beams prepared in a similar manner, each forty-two feet long and one foot and a half square, connected as a frame by stretchers and bars of iron fourteen feet in length, carefully secured by nuts, screws, and bolts.

A load of three thousand pounds, when placed on the working model (which had been first constructed) was found to move with ease. Betzky, the minister, was pleased with the exhibition of the model; but the crowds who came to witness it cried, “A mountain upon eggs!” But Lascary was not to be driven from his purpose, so intelligently formed, by a little unthinking clamour.

The rock lay in a wild and deserted part of the country, and therefore the first thing to be done was to build barracks capable of accommodating four hundred labourers, artisans, and others. These, with M. Lascary, were all lodged on the spot, as the readiest means of forwarding the work. From the rock to the river Neva a line of road was then cleared a distance of six versts, or twenty-one thousand English feet, to a width of one hundred and twenty feet, in order to gain space for the various operations and to give a free circulation of air, so essential to the health of workmen in a marshy district, as well as to the drying and freezing of the ground—a point of much importance when the enormous weight to be removed is considered. The operation of disinterring the rock was commenced in December, when the influence of the frosts began to be felt. It was embeddedto the depth of fifteen feet; the excavation required to be of great width—eighty-four feet all round—to admit of turning the stone, which did not lie in the most favourable position for removal. An inclined plane, six hundred feet in length, was afterwards made, by means of which, when the stone was turned, it might be drawn up to the level surface.

Objectors said it would be impossible to place the monster mass of rock upon the machine destined to transport it; but Lascary was still unshaken. Preferring simplicity to complication, he resolved to employ ordinary levers, known technically as levers of the first order. These were made of three masts, each sixty-five feet in length, and a foot and a half in diameter at the larger end, firmly bound together. To lessen the difficulty of moving these, triangles of thirty feet high were erected, with windlasses attached near the base, from which a cord, passing through a pulley at the top, was fastened to the smaller end of the lever, which being drawn up to the top of the triangle, was ready for the operation of turning; each of these levers was calculated to raise a weight of two hundred thousand pounds.

A row of piles had been driven into the ground at the proper distance from the stone on one side, to serve as a fulcrum; and on the other a series of piles were disposed as a platform, to prevent the sinking of the mass on its descent. Twelve levers, with three men to each, were stationed at the side to be lifted, and the lower extremities being placed under the mass, the upper ends were drawn downwards by the united action of the twelvewindlasses. When the stone rose to the height of a foot, beams and wedges were then driven underneath to maintain it in that position, while the levers were arranged for a second lift. To assist the action of the levers, large iron rings were soldered into the upper corner of the rock, from which small cables were passed to four capstans, each turned by thirty-six men, thus maintaining a steady strain, while the stone was prevented from returning to its original position when the levers were shifted. These operations were repeated until the rock was raised nearly to an equipoise, when cables from six other capstans were attached to the opposite side, to guard against a too sudden descent; and as a further precaution against fracture, a bed six feet in thickness, of hay and moss intermingled, was placed to receive the rock, on which it was at length happily laid. As it was of great importance that all the workmen should act at one and the same time, two drummers were stationed on the top of the stone, who, at a sign from the engineer, gave the necessary signals on their drums, and secured the certainty of order and precision in the various operations.

The machinery for the removal had, in the meantime, been finished. Of the lower grooved beams already described, six pairs were prepared, so that when the rock had advanced over one pair they might be drawn forward and placed in a line in advance of the foremost, without interrupting the movements. The balls were laid in the grooves two feet apart; the upper frame, intended as the bed for the rock, placed above. Themass, weighing in its original form four millions of pounds, or nearly eighteen hundred tons, was then raised by means of powerful screws, and deposited on the frame, when it was drawn up the inclined plane by the united force of six capstans. The road did not proceed in a direct line to the river, owing to the soft state of portions of the marsh. It was impossible in many places to reach a firm foundation with piles fifty feet in length. This naturally added to the difficulties of the transport, as the direction of the draught had frequently to be changed. Piles were driven along the whole line on both sides, at distances of three hundred feet apart; to these the cables were made fast, while the capstans revolved, two of which were found sufficient to draw the stone on a level surface, while on unequal ground four were required. From five hundred to twelve hundred feet were got over daily, which, when regard is had to the short winter days of five hours in that high latitude, may be considered as rapid.

So interesting was the spectacle of the enormous mass when moving, with the two drummers at their posts, the forge erected on it continually at work, and forty workmen constantly employed in reducing it to a regular form, that the empress and the court visited the spot to see the novel sight; and notwithstanding the rigour of the season, crowds of persons of all ranks went out every day as spectators. Small flat sledges were attached to each side of the stone by ropes, on which were seated men provided with iron levers, whose duty it was to prevent the balls, of which fifteen on a side were used, fromstriking against each other and thus impeding the motion. The tool-house was also attached, and moved with the stone, in order that everything might be ready to hand when wanted. Balls and grooves of cast-iron were tried, but this material crumbled into fragments as readily as if made with clay. No metal was found to bear the weight so well as the mixture of copper and tin, and even with this the balls were sometimes flattened and the grooves curled up when the pressure by any accident became unequal. The utility of rollers was also tried; but with double the number of capstans and the power, the cables broke, while the stone did not advance one inch.

Suddenly the enterprise was checked by the sinking of the stone to a depth of eighteen inches in the road, to the chagrin of the engineer, who was suffering under a severe attack of marsh fever. Lascary, however, was not disheartened, and speedily remedied the accident, spite of the idle clamours of the multitude; and in six weeks from the time of first drawing the stone from its bed, he had the satisfaction of seeing it safely deposited on the temporary wharf built for the purpose of embarkation on the banks of the river, when the charge fell into the hands of the Admiralty, who had undertaken the transport by water to the city.

The Russian Admiralty had ordered a vessel or barge one hundred and eighty feet in length, sixty-six feet in width, and seventeen feet from deck to keel, to be built, with every appliance that skill could suggest to render it capable of supporting the enormous burthen. Greatprecautions were now necessary to prevent the rock falling into the stream. Water was let into the vessel until she sank to the bottom of the river, which brought her deck on a level with the wharf; the rock was then drawn on board by means of two capstans placed on the deck of another vessel anchored at some distance from the shore. Pumps and buckets were now brought into use to clear the barge of the water with which she had been filled; but, to the surprise and consternation of those engaged, she did not rise equally; the centres bearing most of the weight remained at the bottom, while the head and stern springing up gave to the whole the form of a sharp curve; the timbers gave way, and, the seams opening, the water re-entered rapidly; four hundred men were then set to bale, in order that every part might be simultaneously cleared; but the curve became greater in proportion to the diminution of the internal volume of water.

Lascary, who, from the time the rock had been placed on the deck of the vessel, had been a simple spectator of these operations, which occupied two weeks, now received orders to draw it again upon the wharf. He immediately applied himself to remedy the error, which had been committed in not distributing the weight equally, without removing the stone. He first caused the head and stern of the barge to be loaded with large stones, until they sank to a level with the centre; the rock was then raised by means of screws and beams of timber, diverging to every part of the vessel, placed under and against it, and, on the removal of the screws, the pressure beingequal in every part, she regained her original form. The water was next pumped out, the stones removed from the head and stern, and a ship lashed on each side of the barge, which on the 22nd of September, 1769, arrived opposite the quay where it was intended to erect the statue. The rock was raised from the spot where it was first found at the end of March preceding.

The debarkation—not the least hazardous part of the enterprise—had yet to be accomplished. As the river was here of a greater depth than at the place of embarkation, rows of piles had been driven into the bottom alongside the quay, and cut off level at a distance of eight feet below the surface. On these the barge was rested; to prevent the recurrence of the rising of the head and stern when the supports should be removed, three masts lashed together, crossing the deck at each extremity, were secured to the surface of the quay. It was then feared that, as the rock approached the shore, the vessel might heel and precipitate it into the river. This was obviated by fixing six other masts to the quay, which projected across the whole breadth of the deck, and were made fast to a vessel moored outside, thus presenting a counterpoise to the weight of the stone. The grooved beams were laid ready, the cables secured, and, at the moment of removing the last support, the drummers beat the signal, the men at the capstans ran round with a cheer, the barge heeled slightly, which accelerated the movement, and in an instant the rock was safety landed on the quay.

The whole expense of the removal of this giganticrock was about 70,000 roubles, or 14,000l., while the materials which remained were worth two-thirds of the sum.

Horse and rider statue

Dr. Granville, in his “Travels to St. Petersburg,” describing the public promenade in front of the Admiralty in that city, says, “Here the colossal equestrian statue of the founder of this magnificent city, placed on a granite rock, seems to command the undivided attention of the stranger. On approaching the rock, the simple inscription fixed on it in bronze letters, ‘Petro Primo, Catherina Secunda,MDCCLXXXII,’ meets the eye. The same inscription in the Russian language appears on the opposite side. The area is inclosed within a handsome railing placed between granite pillars. The idea of Falconet, the French architect, commissioned to erect an equestrian statue to the extraordinary man at whose command a few scattered huts of fishermen were converted into palaces, was to represent the hero as conquering, by enterprise and personal courage, difficulties almost insurmountable. This the artist imagined might be properly represented by placing Peter on a fiery steed which he is supposed to have taught by skill, management, and perseverance, to rush up a steep and precipitous rock, to the very brink of the precipice, over which the animal and the imperial rider pause, without fear, and in an attitude of triumph. The horse rears with his fore-feet in the air, and seems to be impatient of restraint, while the sovereign, turned towards the island, surveys with calm and serene countenance his capital rising out of the waters, over which he extendsthe hand of protection. The bold manner in which the group has been made to rest on the hind legs of the horse only, is not more surprising than the skill with which advantage is taken of the allegorical figure of the serpent of envy spurned by the horse, to assist in upholding so gigantic a mass. This monument of bronze is said to have been cast at a single jet. The head was modelled by Mademoiselle Calot, a female artist of great merit, a contemporary of Falconet, and is admitted to be a strong resemblance of Peter the Great. The height of the figure of the emperor is eleven feet; that of the horse seventeen feet. The bronze is in the thinnest parts the fourth of an inch only, and one inch in the thickestpart; the general weight of metal in the group is equal to 36,636 English pounds. I heard a venerable Russian nobleman, who was living at St. Petersburg when this monument was in progress, relate that as soon as the artist had formed his conception of the design he communicated it to the empress, together with the impossibility of representing to nature so striking a position of man and animal, without having before his eyes a horse and rider in the attitude he had devised. General Melissino, an officer having the reputation of being the most expert as well as boldest rider of the day, to whom the difficulties of the architect were made known, offered to ride daily one of Count Alexis Orloff’s best Arabians out of that nobleman’s stud, to the summit of a steep artificial mound formed for the purpose, accustoming the horse to gallop up to it and to halt suddenly, with his fore-legs raised, pawing the air over the brink of a precipice. This dangerous experiment was carried into effect by the general for some days, in the presence of several spectators, and of Falconet, who sketched the various movements and parts of the groups from day to day, and was thus enabled to produce perhaps the finest—certainly the most correct—statue of the kind in Europe.”

It thus appears thatenterprisecharacterised not only Lascary, the engineer, but Falconet, the artist, Melissino, the officer who undertook to depict the living model, and in brief, the entire deed from beginning to end. How strikingly might the parallel be continued with Peter himself! The young reader will find the historyof the Czar, which he can peruse in various forms, pregnant with lessons of enterprise to a degree beyond that of any modern man, with the exception of Napoleon. In both their histories, however, we are compelled to remind him, there is much to censure; and in the history of the latter especially, much more to censure than to praise.

Napoleon

If our own country be viewed with strictness, it will be found that we have no great work of ornamental enterprise simply, at all comparable to the one just sketched. Russia, nevertheless, can bear no comparison with England in point of useful enterprises; she has nothing, for instance, like the Eddystone light-house or the Plymouth breakwater. A few brief sentences will serve to sketch the former.

The first light-house built on the Eddystone rock was constructed by Winstanley, in 1696 to 1700. Whilesome repairs were making under his inspection, the building was blown down in a terrible hurricane, during the night of the 26th of November, 1703, and he and his workmen perished. Not a vestige, except some iron stanchions and a chain, was left behind.

Rudyerd, in 1706, erected another, which was destroyed by fire, in 1755; it was entirely of wood, except the five lower courses of stone, on the rock.

The present edifice is a circular tower of stone sweeping up with a gentle curve from the base, and gradually diminishing to the top, somewhat similar to the swelling of the trunk of a tree. The tower is furnished with a door and windows, and a staircase and ladders for ascending to the lantern, through the apartments of those who keep watch. Mr. Smeaton undertook the arduous task of constructing the present light-house, in the spring of 1756, and completed it in about three years. In order to form his foundation, Smeaton accurately measured the very irregular surface of the rock, and made a model of it. Granite partially worked, forms the foundation; every outside piece is grafted into the rock, to sustain more effectually the action of the sea; a border of three inches effects also a kind of socket for the foundation. Each course of masonry is dovetailed together, in the most skilful manner, and each layer of masonry is strongly cemented together and connected by oaken plugs, and the whole strongly cramped. The general weight of the stones employed is a ton, and some few are two tons. In the solid work the centre stones were fixed first, and all the courses were fitted on a platformand accurately adjusted before they were removed to the rock.

The base of the tower is about twenty-six feet nine inches in diameter; the diameter at the top of the solid masonry is about nineteen feet nine inches; and the height of the solid masonry is thirteen feet from the foundation. The height of the tower from the centre of the base is sixty-one feet seven inches; the lantern, the base of which is stone, is twenty-four feet. The whole height is eighty-five feet seven inches; and the Eddystone light-house has not only the merit of utility, but also of beauty, strength, and originality, and is itself sufficient to immortalise the name of the architect.

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