She went with him and they walked on in silence for a while, then Martin stood still, and began to talk quickly; he was saying amazing, incredible things: ‘Stephen, my dear—I do utterly love you.’ He was holding out his arms, while she shrank back bewildered: ‘I love you, I’m deeply in love with you, Stephen—look at me, don’t you understand me, belovèd? I want you to marry me—you do love me, don’t you?’ And then, as though she had suddenly struck him, he flinched: ‘Good God! What’s the matter, Stephen?’
She was staring at him in a kind of dumb horror, staring at his eyes that were clouded by desire, while gradually over her colourless face there was spreading an expression of the deepest repulsion—terror and repulsion he saw on her face, and something else too, a look as of outrage. He could not believe this thing that he saw, this insult to all that he felt to be sacred; for a moment he in his turn, must stare, then he came a step nearer, still unable to believe. But at that she wheeled round and fled from him wildly, fled back to the house that had always protected; without so much as a word she left him, nor did she once pause in her flight to look back. Yet even in this moment of headlong panic, the girl was conscious of something like amazement, amazement at herself, and she gasped as she ran: ‘It’s Martin—Martin—’ And again: ‘It’s Martin!’
He stood perfectly still until the trees hid her. He felt stunned, incapable of understanding. All that he knew was that he must get away, away from Stephen, away from Morton, away from the thoughts that would follow after. In less than two hours he was motoring to London; in less than two weeks he was standing on the deck of the steamer that would carry him back to his forests that lay somewhere beyond the horizon.
No onequestioned at Morton; they spoke very little. Even Anna forbore to question her daughter, checked by something that she saw in the girl’s pale face.
But alone with her husband she gave way to her misgivings, to her deep disappointment: ‘It’s heart-breaking, Philip. What’s happened? They seemed so devoted to each other. Will you ask the child? Surely one of us ought to—’
Sir Philip said quietly: ‘I think Stephen will tell me.’ And with that Anna had perforce to be content.
Very silently Stephen now went about Morton, and her eyes looked bewildered and deeply unhappy. At night she would lie awake thinking of Martin, missing him, mourning him as though he were dead. But she could not accept this death without question, without feeling that she was in some way blameworthy. What was she, what manner of curious creature, to have been so repelled by a lover like Martin? Yet she had been repelled, and even her pity for the man could not wipe out that stronger feeling. She had driven him away because something within her was intolerant of that new aspect of Martin.
Oh, but she mourned his good, honest friendship; he had taken that from her, the thing she most needed—but perhaps after all it had never existed except as a cloak for this other emotion. And then, lying there in the thickening darkness, she would shrink from what might be waiting in the future, for all that had just happened might happen again—there were other men in the world beside Martin. Fool, never to have visualized this thing before, never to have faced the possibility of it; now she understood her resentment of men when their voices grew soft and insinuating. Yes, and now she knew to the full the meaning of fear, and Martin it was, who had taught her its meaning—her friend—the man she had utterly trusted had pulled the scales from her eyes and revealed it. Fear, stark fear, and the shame of such fear—that was the legacy left her by Martin. And yet he had made her so happy at first, she had felt so contented, so natural with him; but that was because they had been like two men, companions, sharing each other’s interests. And at this thought her bitterness would all but flow over; it was cruel, it was cowardly of him to have deceived her, when all the time he had only been waiting for the chance to force this other thing on her.
But what was she? Her thoughts slipping back to her childhood, would find many things in her past that perplexed her. She had never been quite like the other small children, she had always been lonely and discontented, she had always been trying to be some one else—that was why she had dressed herself up as young Nelson. Remembering those days she would think of her father, and would wonder if now, as then, he could help her. Supposing she should ask him to explain about Martin? Her father was wise, and had infinite patience—yet somehow she instinctively dreaded to ask him. Alone—it was terrible to feel so much alone—to feel oneself different from other people. At one time she had rather enjoyed this distinction—she had rather enjoyed dressing up as young Nelson. Yet had she enjoyed it? Or had it been done as some sort of inadequate, childish protest? But if so against what had she been protesting when she strutted about the house, masquerading? In those days she had wanted to be a boy—had that been the meaning of the pitiful young Nelson? And what about now? She had wanted Martin to treat her as a man, had expected it of him. . . . The questions to which she could find no answers, would pile themselves up and up in the darkness; oppressing, stifling by sheer weight of numbers, until she would feel them getting her under; ‘I don’t know—oh, God, I don’t know!’ she would mutter, tossing as though to fling off those questions.
Then one night towards dawn she could bear it no longer; her dread must give place to her need of consolation. She would ask her father to explain her to herself; she would tell him her deep desolation over Martin. She would say: ‘Is there anything strange about me, Father, that I should have felt as I did about Martin?’ And then she would try to explain very calmly what it was she had felt, the intensity of it. She would try to make him understand her suspicion that this feeling of hers was a thing fundamental, much more than merely not being in love; much, much more than not wanting to marry Martin. She would tell him why she found herself so utterly bewildered; tell him how she had loved Martin’s strong, young body, and his honest brown face, and his slow thoughtful eyes, and his careless walk—all these things she had loved. Then suddenly terror and deep repugnance because of that unforeseen change in Martin, the change that had turned the friend into the lover—in reality it had been no more than that, the friend had turned lover and had wanted from her what she could not give him, or indeed any man, because of that deep repugnance. Yet there should have been nothing repugnant about Martin, nor was she a child to have felt such terror. She had known certain facts about life for some time and they had not repelled her in other people—not until they had been brought home to herself had these facts both terrified and repelled her.
She got up. No good in trying to sleep, those eternal questions kept stifling, tormenting. Dressing quickly she stole down the wide, shallow stairs to the garden door, then out into the garden. The garden looked unfamiliar in the sunrise, like a well-known face that is suddenly transfigured. There was something aloof and awesome about it, as though it were lost in ecstatic devotion. She tried to tread softly for she felt apologetic, she and her troubles were there as intruders; their presence disturbed this strange hush of communion, this oneness with something beyond their knowledge, that was yet known and loved by the soul of the garden. A mysterious and wonderful thing this oneness, pregnant with comfort could she know its true meaning—she felt this somewhere deep down in herself, but try as she would her mind could not grasp it; perhaps even the garden was shutting her out of its prayers, because she had sent away Martin. Then a thrush began to sing in the cedar, and his song was full of wild jubilation: ‘Stephen, look at me, look at me!’ sang the thrush, ‘I’m happy, happy, it’s all very simple!’ There was something heartless about that singing which only served to remind her of Martin. She walked on disconsolate, thinking deeply. He had gone, he would soon be back in his forests—she had made no effort to keep him beside her because he had wanted to be her lover. . . . ‘Stephen, look at us, look at us!’ sang the birds, ‘We’re happy, happy, it’s all very simple!’ Martin walking in dim, green places—she could picture his life away in the forests, a man’s life, good with the goodness of danger, a primitive, strong, imperative thing—a man’s life, the life that should have been hers—And her eyes filled with heavy, regretful tears, yet she did not quite know for what she was weeping. She only knew that some great sense of loss, some great sense of incompleteness possessed her, and she let the tears trickle down her face, wiping them off one by one with her finger.
And now she was passing the old potting shed where Collins had lain in the arms of the footman. Choking back her tears she paused by the shed, and tried to remember the girl’s appearance. Grey eyes—no, blue, and a round-about figure—plump hands, with soft skin always puckered from soap-suds—a housemaid’s knee that had pained very badly: ‘See that dent? That’s the water. . . . It fair makes me sick.’ Then a queer little girl dressed up as young Nelson: ‘I’d like to be awfully hurt for you, Collins, the way that Jesus was hurt for sinners. . . .’ The potting shed smelling of earth and dampness, sagging a little on one side, lop-sided—Collins lying in the arms of the footman, Collins being kissed by him, wantonly, crudely—a broken flower pot in the hand of a child—rage, deep rage—a great anguish of spirit—blood on a face that was pale with amazement, very bright red blood that kept trickling and trickling—flight, wild, inarticulate flight, away and away, anyhow, anywhere—the pain of torn skin, the rip of torn stockings—
She had not remembered these things for years, she had thought that all this had been quite forgotten; there was nothing to remind her of Collins these days but a fat, half-blind and pampered old pony. Strange how these memories came back this morning; she had lain in bed lately trying to recapture the childish emotions aroused in her by Collins and had failed, yet this morning they came back quite clearly. But the garden was full of a new memory now; it was full of the sorrowful memory of Martin. She turned abruptly, and leaving the shed walked towards the lakes that gleamed faintly in the distance.
Down by the lakes there was a sense of great stillness which the songs of the birds could in no way lessen, for this place had that curious stillness of spirit that seems to interpenetrate sound. A swan paddled about in front of his island, on guard, for his mate had a nest full of cygnets; from time to time he glanced crossly at Stephen though he knew her quite well, but now there were cygnets. He was proud in his splendid, incredible whiteness, and paternity made him feel overbearing, so that he refused to feed from Stephen’s hand although she found a biscuit in her pocket.
‘Coup, c-o-u-p!’ she called, but he swung his neck sideways as he swam—it was like a disdainful negation. ‘Perhaps he thinks I’m a freak,’ she mused grimly, feeling more lonely because of the swan.
The lakes were guarded by massive old beech trees, and the beech trees stood ankle-deep in their foliage; a lovely and luminous carpet of leaves they had spread on the homely brown earth of Morton. Each spring came new little shuttles of greenness that in time added warp and woof to the carpet, so that year by year it grew softer and deeper, and year by year it glowed more resplendent. Stephen had loved this spot from her childhood, and now she instinctively went to it for comfort, but its beauty only added to her melancholy, for beauty can wound like a two-edged sword. She could not respond to its stillness of spirit, since she could not lull her own spirit to stillness.
She thought: ‘I shall never be one with great peace any more, I shall always stand outside this stillness—wherever there is absolute stillness and peace in this world, I shall always stand just outside it.’ And as though these thoughts were in some way prophetic, she inwardly shivered a little.
Then what must the swan do but start to hiss loudly, just to show her that he was really a father: ‘Peter,’ she reproached him, ‘I won’t hurt your babies—can’t you trust me? I fed you the whole of last winter!’
But apparently Peter could not trust her at all, for he squawked to his mate who came out through the bushes, and she hissed in her turn, flapping strong angry wings, which meant in mere language: ‘Get out of this, Stephen, you clumsy, inadequate, ludicrous creature; you destroyer of nests, you disturber of young, you great wingless blot on a beautiful morning!’ Then they both hissed together: ‘Get out of this, Stephen!’ So Stephen left them to the care of their cygnets.
Remembering Raftery, she walked to the stables, where all was confusion and purposeful bustle. Old Williams was ruthlessly out on the warpath; he was scolding: ‘Drat the boy, what be ’e a-doin’? Come on, do! ’Urry up, get them two horses bridled, and don’t go forgettin’ their knee-caps this mornin’—and that bucket there don’t belong where it’s standin’, nor that broom! Did Jim take the roan to the blacksmith’s? Gawd almighty, why not? ’Er shoes is like paper! ’Ere, you Jim, don’t you go on ignorin’ my orders, if you do—Come on, boy, got them two horses ready? Right, well then, up you go! You don’t want no saddle, like as not you’d give ’im a gall if you ’ad one!’
The sleek, good-looking hunters were led out in clothing—for the early spring mornings were still rather nippy—and among them came Raftery, slender and skittish; he was wearing his hood, and his eyes peered out bright as a falcon’s from the two neatly braided eye-holes. From a couple more holes in the top of his head-dress, shot his small, pointed ears, which now worked with excitement.
‘ ’Old on!’ bellowed Williams, ‘What the ’ell be you doin’? Quick, shorten ’is bridle, yer not in a circus!’ And then seeing Stephen: ‘Beg pardon, Miss Stephen, but it be a fair crime not to lead that horse close, and ’im all corned up until ’e’s fair dancin’!’
They stood watching Raftery skip through the gates, then old Williams said softly: ‘ ’E do be a wonder—more nor fifty odd years ’ave I worked in the stables, and never no beast ’ave I loved like Raftery. But ’e’s no common horse, ’e be some sort of Christian, and a better one too than a good few I knows on—’
And Stephen answered: ‘Perhaps he’s a poet like his namesake; I think if he could write he’d write verses. They say all the Irish are poets at heart, so perhaps they pass on the gift to their horses.’
Then the two of them smiled, each a little embarrassed, but their eyes held great friendship the one for the other, a friendship of years now cemented by Raftery whom they loved—and small wonder, for assuredly never did more gallant or courteous horse step out of stable.
‘Oh, well,’ sighed Williams, ‘I be gettin’ that old—and Raftery, ’e do be comin’ eleven, but ’e don’t feel it yet in ’is limbs the way I does—me rheumatics ’as troubled me awful this winter.’
She stayed on a little while, comforting Williams, then made her way back to the house, very slowly. ‘Poor Williams,’ she thought, ‘he is getting old, but thank the Lord nothing’s the matter with Raftery.’
The house lay full in a great slant of sunshine; it looked as though it was sunning its shoulders. Glancing up, she came eye to eye with the house, and she fancied that Morton was thinking about her, for its windows seemed to be beckoning, inviting: ‘Come home, come home, come inside quickly, Stephen!’ And as though they had spoken, she answered: ‘I’m coming,’ and she quickened her lagging steps to a run, in response to this most compassionate kindness. Yes, she actually ran through the heavy white doorway under the semi-circular fanlight, and on up the staircase that led from the hall in which hung the funny old portraits of Gordons—men long dead and gone but still wonderfully living, since their thoughts had fashioned the comeliness of Morton; since their loves had made children from father to son—from father to son until the advent of Stephen.
Thatevening she went to her father’s study, and when he looked up she thought she was expected.
She said: ‘I want to talk to you, Father.’
And he answered: ‘I know—sit close to me, Stephen.’
He shaded his face with his long, thin hand, so that she could not see his expression, yet it seemed to her that he knew quite well why she had come to him in that study. Then she told him about Martin, told him all that had happened, omitting no detail, sparing him nothing. She openly mourned the friend who had failed her, and herself she mourned for failing the lover—and Sir Philip listened in absolute silence.
After she had spoken for quite a long time, she at length found the courage to ask her question: ‘Is there anything strange about me, Father, that I should have felt as I did about Martin?’
It had come. It fell on his heart like a blow. The hand that was shading his pale face trembled, for he felt a great trembling take hold of his spirit. His spirit shrank back and cowered in his body, so that it dared not look out on Stephen.
She was waiting, and now she was asking again: ‘Father, is there anything strange about me? I remember when I was a little child—I was never quite like all the other children—’
Her voice sounded apologetic, uncertain, and he knew that the tears were not far from her eyes, knew that if he looked now he would see her lips shaking, and the tears making ugly red stains on her eyelids. His loins ached with pity for this fruit of his loins—an insufferable aching, an intolerable pity. He was frightened, a coward because of his pity, as he had been once long ago with her mother. Merciful God! How could a man answer? What could he say, and that man a father? He sat there inwardly grovelling before her: ‘Oh, Stephen, my child, my little, little Stephen.’ For now in his pity she seemed to him little, little and utterly helpless again—he remembered her hands as the hands of a baby, very small, very pink, with minute perfect nails—he had played with her hands, exclaiming about them, astonished because of their neat perfection: ‘Oh, Stephen, my little, little Stephen.’ He wanted to cry out against God for this thing; he wanted to cry out: ‘You have maimed my Stephen! What had I done or my father before me, or my father’s father, or his father’s father? Unto the third and fourth generations. . . .’ And Stephen was waiting for his answer. Then Sir Philip set the lips of his spirit to the cup, and his spirit must drink the gall of deception: ‘I will not tell her, You cannot ask it—there are some things that even God should not ask.’
And now he turned round and deliberately faced her; smiling right into her eyes he lied glibly: ‘My dear, don’t be foolish, there’s nothing strange about you, some day you may meet a man you can love. And supposing you don’t, well, what of it, Stephen? Marriage isn’t the only career for a woman. I’ve been thinking about your writing just lately, and I’m going to let you go up to Oxford; but meanwhile you mustn’t get foolish fancies, that won’t do at all—it’s not like you, Stephen.’ She was gazing at him and he turned away quickly: ‘Darling, I’m busy, you must leave me,’ he faltered.
‘Thank you,’ she said very quietly and simply, ‘I felt that I had to ask you about Martin—’
Aftershe had gone he sat on alone, and the lie was still bitter to his spirit as he sat there, and he covered his face for the shame that was in him—but because of the love that was in him he wept.
Therewas gossip in plenty over Martin’s disappearance, and to this Mrs. Antrim contributed her share, even more than her share, looking wise and mysterious whenever Stephen’s name was mentioned. Every one felt very deeply aggrieved. They had been so eager to welcome the girl as one of themselves, and now this strange happening—it made them feel foolish which in turn made them angry.
The spring meets were heavy with tacit disapproval—nice men like young Hallam did not run away for nothing; and then what a scandal if those two were not engaged; they had wandered all over the country together. This tacit disapproval was extended to Sir Philip, and via him to Anna for allowing too much freedom; a mother ought to look after her daughter, but then Stephen had always been allowed too much freedom. This, no doubt, was what came of her riding astride and fencing and all the rest of the nonsense; when she did meet a man she took the bit between her teeth and behaved in a most amazing manner. Of course, had there been a proper engagement—but obviously that had never existed. They marvelled, remembering their own toleration, they had really been extremely broad-minded. An extraordinary girl, she had always been odd, and now for some reason she seemed odder than ever. Not so much as a word was said in her hearing that could possibly offend, and yet Stephen well knew that her neighbors’ good-will had been only fleeting, a thing entirely dependent upon Martin. He it was who had raised her status among them—he, the stranger, not even connected with their county. They had all decided that she meant to marry Martin, and that fact had at once made them welcoming and friendly; and suddenly Stephen longed intensely to be welcomed, and she wished from her heart that she could have married Martin.
The strange thing was that she understood her neighbours in a way, and was therefore too just to condemn them; indeed had nature been less daring with her, she might well have become very much what they were—a breeder of children, an upholder of home, a careful and diligent steward of pastures. There was little of the true pioneer about Stephen, in spite of her erstwhile longing for the forests. She belonged to the soil and the fruitfulness of Morton, to its pastures and paddocks, to its farms and its cattle, to its quiet and gentlemanly ordered traditions, to the dignity and pride of its old red brick house, that was yet without ostentation. To these things she belonged and would always belong by right of those past generations of Gordons whose thoughts had fashioned the comeliness of Morton, whose bodies had gone to the making of Stephen. Yes, she was of them, those bygone people; they might spurn her—the lusty breeders of sons that they had been—they might even look down from Heaven with raised eyebrows, and say: ‘We utterly refuse to acknowledge this curious creature called Stephen.’ But for all that they could not drain her of blood, and her blood was theirs also, so that do what they would they could never completely rid themselves of her nor she of them—they were one in their blood.
But Sir Philip, that other descendant of theirs, found little excuse for his critical neighbours. Because he loved much he must equally suffer, consuming himself at times with resentment. And now when he and Stephen were out hunting he would be on his guard, very anxious and watchful lest any small incident should occur to distress her, lest at any time she should find herself lonely. When hounds checked and the field collected together, he would make little jokes to amuse his daughter, he would rack his brain for these poor little jokes, in order that people should see Stephen laughing.
Sometimes he would whisper: ‘Let ’em have it hot, Stephen, that youngster you’re on loves a good bit of timber—don’t mind me, I know you won’t damage his knees, just you give ’em a lead and let’s see if they’ll catch you!’ And because it was seldom indeed that they caught her, his sore heart would know a fleeting contentment.
Yet people begrudged her even this triumph, pointing out that the girl was magnificently mounted: ‘Anyone could get there on that sort of horse,’ they would murmur, when Stephen was out of hearing.
But small Colonel Antrim, who was not always kind, would retort if he heard them: ‘Damn it,no, it’s the riding. The girl rides, that’s the point; as for some of you others—’ And then he would let loose a flood of foul language. ‘If some bloody fools that I know rode like Stephen, we’d have bloody well less to pay to the farmers,’ and much more he would say to the same effect, with rich oaths interlarding his every sentence—the foulest-mouthed master in the whole British Isles he was said to be, this small Colonel Antrim.
Oh, but he dearly loved a fine rider, and he cursed and he swore his appreciation. Even in the presence of a sporting bishop one day, he had failed to control his language; indeed, he had sworn in the face of the bishop with enthusiasm, as he pointed to Stephen. An ineffectual and hen-pecked little fellow—in his home he was hardly allowed to say ‘damn.’ He was never permitted to smoke a cigar outside of his dark, inhospitable study. He must not breed Norwich canaries, which he loved, because they brought mice, declared Mrs. Antrim; he must not keep a pet dog in the house, and the ‘Pink ’Un’ was anathema because of Violet. His taste in art was heavily censored, even on the walls of his own water-closet, where nothing might hang but a family group taken sixteen odd years ago with the children.
On Sundays he sat in an uncomfortable pew while his wife chanted psalms in the voice of a peacock. ‘Oh come, let us sing unto the Lord,’ she would chant, as she heartily rejoiced in the strength of her salvation. All this and a great deal more he endured, indeed most of his life was passed in endurance—had it not been for those red-letter days out hunting, he might well have become melancholic from boredom. But those days, when he actually found himself master, went far to restore his anæmic manhood, and on them he would speak the good English language as some deep-seated complex knew it ought to be spoken—ruddily, roundly, explosively spoken, with elation, at times with total abandon—especially if he should chance to remember Mrs. Antrim would he speak it with total abandon.
But his oaths could not save Stephen now from her neighbours, nothing could do that since the going of Martin—for quite unknown to themselves they feared her; it was fear that aroused their antagonism. In her they instinctively sensed an outlaw, and theirs was the task of policing nature.
In hervast drawing-room so beautifully proportioned, Anna would sit with her pride sorely wounded, dreading the thinly veiled questions of her neighbours, dreading the ominous silence of her husband. And the old aversion she had felt for her child would return upon her like the unclean spirit who gathered to himself seven others more wicked, so that her last state was worse than her first, and at times she must turn away her eyes from Stephen.
Thus tormented, she grew less tactful with her husband, and now she was always plying him with questions: ‘But why can’t you tell me what Stephen said to you, Philip, that evening when she went to your study?’
And he, with a mighty effort to be patient, would answer: ‘She said that she couldn’t love Martin—there was no crime in that. Leave the child alone, Anna, she’s unhappy enough; why not let her alone?’ And then he would hastily change the subject.
But Anna could not let Stephen alone, could never keep off the topic of Martin. She would talk at the girl until she grew crimson; and seeing this, Sir Philip would frown darkly, and when he and his wife were alone in their bedroom he would often reproach her with violence.
‘Cruel—it’s abominably cruel of you, Anna. Why in God’s name must you go on nagging Stephen?’
Anna’s taut nerves would tighten to breaking, so that she, when she answered, must also speak with violence.
One night he said abruptly: ‘Stephen won’t marry—I don’t want her to marry; it would only mean disaster.’
And at this Anna broke out in angry protest. Why shouldn’t Stephen marry? She wished her to marry. Was he mad? And what did he mean by disaster? No woman was ever complete without marriage—what on earth did he mean by disaster? He frowned and refused to answer her question. Stephen, he said, must go up to Oxford. He had set his heart on a good education for the child, who might some day become a fine writer. Marriage wasn’t the only career for a woman. Look at Puddle, for instance; she’d been at Oxford—a most admirable, well-balanced, sensible creature. Next year he was going to send Stephen to Oxford. Anna scoffed: Yes, indeed, he might well look at Puddle! She was what came of this higher education—a lonely, unfulfilled, middle-aged spinster. Anna didn’t want that kind of life for her daughter.
And then: ‘It’s a pity you can’t be frank, Philip, about what was said that night in your study. I feel that there’s something you’re keeping back from me—it’s so unlike Martin to behave as he has done; there must have been something that you haven’t told me, to have made him go off without even a letter—’
He flared up at once because he felt guilty. ‘I don’t care a damn about Martin!’ he said hotly. ‘All I care about is Stephen, and she’s going to Oxford next year; she’s my child as well as yours, Anna!’
Then quite suddenly Anna’s self-control left her, and she let him see into her tormented spirit; all that had lain unspoken between them she now put into crude, ugly words for his hearing: ‘You care nothing for me any more—you and Stephen are enleagued against me—you have been for years.’ Aghast at herself, she must yet go on speaking: ‘You and Stephen—oh, I’ve seen it for years—you and Stephen.’ He looked at her, and there was warning in his eyes, but she babbled on wildly: ‘I’ve seen it for years—the cruelty of it; she’s taken you from me, my own child—the unspeakable cruelty of it!’
‘Cruelty, yes, but not Stephen’s, Anna—it’s yours; for in all the child’s life you’ve never loved her.’
Ugly, degrading, rather terrible half-truths; and he knew the whole truth, yet he dared not speak it. It is bad for the soul to know itself a coward, it is apt to take refuge in mere wordy violence.
‘Yes, you, her mother, you persecute Stephen, you torment her; I sometimes think you hate her!’
‘Philip—good God!’
‘Yes, I think you hate her; but be careful, Anna, for hatred breeds hatred, and remember I stand for the rights of my child—if you hate her you’ve got to hate me; she’s my child. I won’t let her face your hatred alone.’
Ugly, degrading, rather terrible half-truths. Their hearts ached while their lips formed recriminations. Their hearts burst into tears while their eyes remained dry and accusing, staring in hostility and anger. Far into the night they accused each other, they who before had never seriously quarrelled; and something very like the hatred he spoke of leapt out like a flame that seared them at moments.
‘Stephen, my own child—she’s come between us.’
‘It’s you who have thrust her between us, Anna.’
Mad, it was madness! They were such faithful lovers, and their love it was that had fashioned their child. They knew it was madness and yet they persisted, while their anger dug out for itself a deep channel, so that future angers might more easily follow. They could not forgive and they could not sleep, for neither could sleep without the other’s forgiveness, and the hatred that leapt out at moments between them would be drowned in the tears that their hearts were shedding.
Likesome vile and prolific thing, this first quarrel bred others, and the peace of Morton was shattered. The house seemed to mourn, and withdraw into itself, so that Stephen went searching for its spirit in vain. ‘Morton,’ she whispered, ‘where are you, Morton? I must find you, I need you so badly.’
For now Stephen knew the cause of their quarrels, and she recognized the form of the shadow that had seemed to creep in between them at Christmas, and knowing, she stretched out her arms to Morton for comfort: ‘My Morton, where are you? I need you.’
Grim and exceedingly angry grew Puddle, that little, grey box of a woman in her schoolroom; angry with Anna for her treatment of Stephen, but even more deeply angry with Sir Philip, who knew the whole truth, or so she suspected, and who yet kept that truth back from Anna.
Stephen would sit with her head in her hands. ‘Oh, Puddle, it’s my fault; I’ve come in between them, and they’re all I’ve got—they’re my one perfect thing—I can’t bear it—why have I come in between them?’
And Puddle would flush with reminiscent anger as her mind slipped back and back over the years to old sorrows, old miseries, long decently buried but now disinterred by this pitiful Stephen. She would live through those years again, while her spirit would cry out, unregenerate, against their injustice.
Frowning at her pupil, she would speak to her sharply: ‘Don’t be a fool, Stephen. Where’s your brain, where’s your backbone? Stop holding your head and get on with your Latin. My God, child, you’ll have worse things than this to face later—life’s not all beer and skittles, I do assure you. Now come along, do, and get on with that Latin. Remember you’ll soon be going up to Oxford.’ But after a while she might pat the girl’s shoulder and say rather gruffly: ‘I’m not angry, Stephen—I do understand, my dear, I do really—only somehow I’ve just got to make you have backbone. You’re too sensitive, child, and the sensitive suffer—well, I don’t want to see you suffer, that’s all. Let’s go out for a walk—we’ve done enough Latin for to-day—let’s walk over the meadows to Upton.’
Stephen clung to this little, grey box of a woman as a drowning man will cling to a spar. Puddle’s very hardness was somehow consoling—it seemed concrete, a thing you could trust, could rely on, and their friendship that had flourished as a green bay-tree grew into something more stalwart and much more enduring. And surely the two of them had need of their friendship, for now there was little happiness at Morton; Sir Philip and Anna were deeply unhappy—degraded they would feel by their ceaseless quarrels.
Sir Philip would think: ‘I must tell her the truth—I must tell her what I believe to be the truth about Stephen.’ He would go in search of his wife, but having found her would stand there tongue-tied, with his eyes full of pity.
And one day Anna suddenly burst out weeping, for no reason except that she felt his great pity. Not knowing and not caring why he pitied, she wept, so that all he could do was to console her.
They clung together like penitent children. ‘Anna, forgive me.’
‘Forgive me, Philip—’ For in between quarrels they were sometimes like children, naïvely asking each other’s forgiveness.
Sir Philip’s resolution weakened and waned as he kissed the tears from her poor, reddened eyelids. He thought: ‘To-morrow—to-morrow I’ll tell her—I can’t bear to make her more unhappy to-day.’
So the weeks drifted by and still he had not spoken; summer came and went, giving place to the autumn. Yet one more Christmas visited Morton, and still Sir Philip had not spoken.
Februarycame bringing snowstorms with it, the heaviest known for many a year. The hills lay folded in swathes of whiteness, and so did the valleys at the foot of the hills, and so did the spacious gardens of Morton—it was all one vast panorama of whiteness. The lakes froze, and the beech trees had crystalline branches, while their luminous carpet of leaves grew brittle so that it crackled now underfoot, the only sound in the frozen stillness of that place that was always infinitely still. Peter, the arrogant swan, turned friendly, and he and his family now welcomed Stephen who fed them every morning and evening, and they glad enough to partake of her bounty. On the lawn Anna set out a tray for the birds, with chopped suet, seed, and small mounds of breadcrumbs; and down at the stables old Williams spread straw in wide rings for exercising the horses who could not be taken beyond the yard, so bad were the roads around Morton.
The gardens lay placidly under the snow, in no way perturbed or disconcerted. Only one inmate of theirs felt anxious, and that was the ancient and wide-boughed cedar, for the weight of the snow made an ache in its branches—its branches were brittle like an old man’s bones; that was why the cedar felt anxious. But it could not cry out or shake off its torment; no, it could only endure with patience, hoping that Anna would take note of its trouble, since she sat in its shade summer after summer—since once long ago she had sat in its shade dreaming of the son she would bear her husband. And one morning Anna did notice its plight, and she called Sir Philip, who hurried from his study.
She said: ‘Look, Philip! I’m afraid for my cedar—it’s all weighted down—I feel worried about it.’
Then Sir Philip sent in to Upton for chain, and for stout pads of felt to support the branches; and he himself must direct the gardeners while they climbed into the tree and pushed off the snow; and he himself must see to the placing of the stout felt pads, lest the branches be galled. Because he loved Anna who loved the cedar, he must stand underneath it directing the gardeners.
A sudden and horrible sound of rending. ‘Sir, look out! Sir Philip, look out, sir, it’s giving!’
A crash, and then silence—a horrible silence, far worse than that horrible sound of rending.
‘Sir Philip—oh, Gawd, it’s over ’is chest! It’s crushed in ’is chest—it’s the big branch wot’s given! Some one go for the doctor—go quick for Doctor Evans. Oh, Gawd, ’is mouth’s bleedin’—it’s crushed in ’is chest—Won’t nobody go for the doctor?’
The grave, rather pompous voice of Mr. Hopkins: ‘Steady, Thomas, it’s no good losin’ your head. Robert, you’d best slip over to the stables and tell Burton to go in the car for the doctor. You, Thomas, give me a hand with this bough—steady on—ease it off a bit to the right, now lift! Steady on, keep more to the right—now then, gently, gently, man—lift!’
Sir Philip lay very still on the snow, and the blood oozed slowly from between his lips. He looked monstrously tall as he lay on that whiteness, very straight, with his long legs stretched out to their fullest, so that Thomas said foolishly: ‘Don’t ’e be big—I don’t know as I ever noticed before—’
And now some one came scuttling over the snow, panting, stumbling, hopping grotesquely—old Williams, hatless and in his shirt sleeves—and as he came on he kept calling out something: ‘Master, oh, Master!’ And he hopped grotesquely as he came on over the slippery snow. ‘Master, Master—oh, Master!’
They found a hurdle, and with dreadful care they placed the master of Morton upon it, and with dreadful slowness they carried the hurdle over the lawn, and in through the door that Sir Philip himself had left standing ajar.
Slowly they carried him into the hall, and even more slowly his tired eyes opened, and he whispered: ‘Where’s Stephen? I want—the child.’
And old Williams muttered thickly: ‘She’s comin’, Master—she be comin’ down the stairs; she’s here, Sir Philip.’
Then Sir Philip tried to move, and he spoke quite loudly: ‘Stephen! Where are you? I want you, child—’
She went to him, saying never a word, but she thought: ‘He’s dying—my Father.’
And she took his large hand in hers and stroked it, but still without speaking, because when one loves there is nothing left in the world to say, when the best belovèd lies dying. He looked at her with the pleading eyes of a dog who is dumb, but who yet asks forgiveness. And she knew that his eyes were asking forgiveness for something beyond her poor comprehension; so she nodded, and just went on stroking his hand.
Mr. Hopkins asked quietly: ‘Where shall we take him?’
And as quietly Stephen answered: ‘To the study.’
Then she herself led the way to the study, walking steadily, just as though nothing had happened, just as though when she got there she would find her father lolling back in his arm-chair, reading. But she thought all the while: ‘He’s dying—my Father—’ Only the thought seemed unreal, preposterous. It seemed like the thinking of somebody else, a thing so unreal as to be preposterous. Yet when they had set him down in the study, her own voice it was that she heard giving orders.
‘Tell Miss Puddleton to go at once to my Mother and break the news gently—I’ll stay with Sir Philip. One of you please send a housemaid to me with a sponge and some towels and a basin of cold water. Burton’s gone for Doctor Evans, you say? That’s quite right. Now I’d like you to go up and fetch down a mattress, the one from the blue room will do—get it quickly. Bring some blankets as well and a couple of pillows—and I may need a little brandy.’
They ran to obey, and before very long she had helped to lift him on to the mattress. He groaned a little, then he actually smiled as he felt her strong arms around him. She kept wiping the blood away from his mouth, and her fingers were stained; she looked at her fingers, but without comprehension—they could not be hers—like her thoughts, they must surely be somebody else’s. But now his eyes were growing more restless—he was looking for some one, he was looking for her mother.
‘Have you told Miss Puddleton, Williams?’ she whispered.
The man nodded.
Then she said: ‘Mother’s coming, darling; you lie still,’ and her voice was softly persuasive as though she were speaking to a small, suffering child. ‘Mother’s coming; you lie quite still, darling.’
And she came—incredulous, yet wide-eyed with horror. ‘Philip, oh, Philip!’ She sank down beside him and laid her white face against his on the pillow. ‘My dear, my dear—it’s most terribly hurt you—try to tell me where it hurts; try to tell me, belovèd. The branch gave—it was the snow—it fell on you, Philip—but try to tell me where it hurts most, belovèd.’
Stephen motioned to the servants and they went away slowly with bowed heads, for Sir Philip had been a good friend; they loved him, each in his or her way, each according to his or her capacity for loving.
And always that terrible voice went on speaking, terrible because it was quite unlike Anna’s—it was toneless, and it asked and re-asked the same question: ‘Try to tell me where it hurts most, belovèd.’
But Sir Philip was fighting the battle of pain; of intense, irresistible, unmanning pain. He lay silent, not answering Anna.
Then she coaxed him in words soft with memories of her country. ‘And you the loveliest man,’ she whispered, ‘and you with the light of God in your eyes.’ But he lay there unable to answer.
And now she seemed to forget Stephen’s presence, for she spoke as one lover will speak with another—foolishly, fondly, inventing small names, as one lover will do for another. And watching them Stephen beheld a great marvel, for he opened his eyes and his eyes met her mother’s, and a light seemed to shine over both their poor faces, transfiguring them with something triumphant, with love—thus those two rekindled the beacon for their child in the shadow of the valley of death.
It waslate afternoon before the doctor arrived; he had been out all day and the roads were heavy. He had come the moment he received the news, come as fast as a car clogged with snow could bring him. He did what he could, which was very little, for Sir Philip was conscious and wished to remain so; he would not permit them to ease his pain by administering drugs. He could speak very slowly.
‘No—not that—something urgent—I want—to say. No drugs—I know I’m—dying—Evans.’
The doctor adjusted the slipping pillows, then turning he whispered carefully to Stephen. ‘Look after your mother. He’s going, I think—it can’t be long now. I’ll wait in the next room. If you need me you’ve only got to call me.’
‘Thank you,’ she answered, ‘if I need you I’ll call you.’
Then Sir Philip paid even to the uttermost farthing, paid with stupendous physical courage for the sin of his anxious and pitiful heart; and he drove and he goaded his ebbing strength to the making of one great and terrible effort: ‘Anna—it’s Stephen—listen.’ They were holding his hands. ‘It’s—Stephen—our child—she’s, she’s—it’s Stephen—not like—’
His head fell back rather sharply, and then lay very still upon Anna’s bosom.
Stephen released the hand she was holding, for Anna had stooped and was kissing his lips, desperately, passionately kissing his lips, as though to breathe back the life into his body. And none might be there to witness that thing, save God—the God of death and affliction, Who is also the God of love. Turning away she stole out of their presence, leaving them alone in the darkening study, leaving them alone with their deathless devotion—hand in hand, the quick and the dead.