She did not look at the girl as she said it—that she could not do, perhaps out of something that, for her, was the nearest she would ever come to pity. There ensued a long, almost breathless silence, while Angela waited with her eyes turned away. A leaf dropped, and she heard its minute, soft falling, heard the creak of the branch that had let fall its leaf as a breeze passed over the garden.
Then the silence was broken by a quiet, dull voice, that sounded to her like the voice of a stranger: ‘No—’ it said very slowly, ‘no—I couldn’t marry you, Angela.’ And when Angela at last gained the courage to look up, she found that she was sitting there alone.
Forthree weeks they kept away from each other, neither writing nor making any effort to meet. Angela’s prudence forbade her to write: ‘Litera scripta manet’—a good motto, and one to which it was wise to adhere when dealing with a firebrand like Stephen. Stephen had given her a pretty bad scare, she realized the necessity for caution; still, thinking over that incredible scene, she found the memory rather exciting. Deprived of her anodyne against boredom, she looked upon Ralph with unfriendly eyes; while he, poor, inadequate, irritable devil, with his vague suspicions and his chronic dyspepsia, did little enough to divert his wife—his days, and a fairly large part of his nights as well, were now spent in nagging.
He nagged about Tony who, as ill luck would have it, had decided that the garden was rampant with moles: ‘If you can’t keep that bloody dog in order, he goes. I won’t have him digging craters round my roses!’ Then would come a long list of Tony’s misdeeds from the time he had left the litter. He nagged about the large population of green-fly, deploring the existence of their sexual organs: ‘Nature’s a fool! Fancy procreation being extended to that sort of vermin!’ And then he would grow somewhat coarse as he dwelt on the frequent conjugal excesses of green-fly. But most of all he nagged about Stephen, because this as he knew, irritated his wife: ‘How’s your freak getting on? I haven’t seen her just lately; have you quarrelled or what? Damned good thing if you have. She’s appalling; never saw such a girl in my life; comes swaggering round here with her legs in breeches. Why can’t she ride like an ordinary woman? Good Lord, it’s enough to make any man see red; that sort of thing wants putting down at birth, I’d like to institute state lethal chambers!’
Or perhaps he would take quite another tack and complain that recently he had been neglected. ‘Late for every damned meal—running round with that girl—you don’t care what happens to me any more. A lot you care about my indigestion! I’ve got to eat any old thing these days from cow-hide to bricks. Well, you listen to me, that’s not what I pay for; get that into your head! I pay for good meals to be served on time;on time, do you hear? And I expect my wife to be in her rightful place at my table to see that the omelette’s properly prepared. What’s the matter with you that you can’t go along and make it yourself? When we were first married you always made my omelettes yourself. I won’t eat yellow froth with a few strings of parsley in it—it reminds me of the dog when he’s sick, it’s disgusting! And I won’t go on talking about it either, the next time it happens I’ll sack the cook. Damn it all, you were glad enough of my help when I found you practically starving in New York—but now you’re for ever racing off with that girl. It’s all this damned animal’s fault that you met her!’ He would kick out sideways at the terrified Tony, who had lately been made to stand proxy for Stephen.
But worst of all was it when Ralph started weeping, because, as he said, his wife did not love him any more, and because, as he did not always say, he felt ill with his painful, chronic dyspepsia. One day he must make feeble love through his tears: ‘Angela, come here—put your arms around me—come and sit on my knee the way you used to.’ His wet eyes looked dejected yet rather greedy: ‘Put your arms around me, as though you cared—’ He was always insistent when most ineffectual.
That night he appeared in his best silk pyjamas—the pink ones that made his complexion look sallow. He climbed into bed with the sly expression that Angela hated—it was so pornographic. ‘Well, old girl, don’t forget that you’ve got a man about the house; you haven’t forgotten it, have you?’ After which followed one or two flaccid embraces together with much arrogant masculine bragging; and Angela, sighing as she lay and endured, quite suddenly thought of Stephen.
Pacingrestlessly up and down her bedroom, Stephen would be thinking of Angela Crossby—haunted, tormented by Angela’s words that day in the garden: ‘Could you marry me, Stephen?’ and then by those other pitiless words: ‘Can I help it if you’re—what you obviously are?’
She would think with a kind of despair: ‘What am I in God’s name—some kind of abomination?’ And this thought would fill her with very great anguish, because, loving much, her love seemed to her sacred. She could not endure that the slur of those words should come anywhere near her love. So now night after night she must pace up and down, beating her mind against a blind problem, beating her spirit against a blank wall—the impregnable wall of non-comprehension: ‘Why am I as I am—and what am I?’ Her mind would recoil while her spirit grew faint. A great darkness would seem to descend on her spirit—there would be no light wherewith to lighten that darkness.
She would think of Martin, for now surely she loved just as he had loved—it all seemed like madness. She would think of her father, of his comfortable words: ‘Don’t be foolish, there’s nothing strange about you.’ Oh, but he must have been pitifully mistaken—he had died still very pitifully mistaken. She would think yet again of her curious childhood, going over each detail in an effort to remember. But after a little her thoughts must plunge forward once more, right into her grievous present. With a shock she would realize how completely this coming of love had blinded her vision; she had stared at the glory of it so long that not until now had she seen its black shadow. Then would come the most poignant suffering of all, the deepest, the final humiliation. Protection—she could never offer protection to the creature she loved: ‘Could you marry me, Stephen?’ She could neither protect nor defend nor honour by loving; her hands were completely empty. She who would gladly have given her life, must go empty-handed to love, like a beggar. She could only debase what she longed to exalt, defile what she longed to keep pure and untarnished.
The night would gradually change to dawn; and the dawn would shine in at the open windows, bringing with it the intolerable singing of birds: ‘Stephen, look at us, look at us, we’re happy!’ Away in the distance there would be a harsh crying, the wild, harsh crying of swans by the lakes—the swan called Peter protecting, defending his mate against some unwelcome intruder. From the chimneys of Williams’ comfortable cottage smoke would rise—very dark—the first smoke of the morning. Home, that meant home and two people together, respected because of their honourable living. Two people who had had the right to love in their youth, and whom old age had not divided. Two poor and yet infinitely enviable people, without stain, without shame in the eyes of their fellows. Proud people who could face the world unafraid, having no need to fear that world’s execration.
Stephen would fling herself down on the bed, completely exhausted by the night’s bitter vigil.
Therewas some one who went every step of the way with Stephen during those miserable weeks, and this was the faithful and anxious Puddle, who could have given much wise advice had Stephen only confided in her. But Stephen hid her trouble in her heart for the sake of Angela Crossby.
With an ever-increasing presage of disaster, Puddle now stuck to the girl like a leech, getting little enough in return for her trouble—Stephen deeply resented this close supervision: ‘Can’t you leave me alone? No, of course I’m not ill!’ she would say, with a quick spurt of temper.
But Puddle, divining her illness of spirit together with its cause, seldom left her alone. She was frightened by something in Stephen’s eyes; an incredulous, questioning, wounded expression, as though she were trying to understand why it was that she must be so grievously wounded. Again and again Puddle cursed her own folly for having shown such open resentment of Angela Crossby; the result was that now Stephen never discussed her, never mentioned her name unless Puddle clumsily dragged it in, and then Stephen would change the subject. And now more than ever Puddle loathed and despised the conspiracy of silence that forbade her to speak frankly. The conspiracy of silence that had sent the girl forth unprotected, right into the arms of this woman. A vain, shallow woman in search of excitement, and caring less than nothing for Stephen.
There were times when Puddle felt almost desperate, and one evening she came to a great resolution. She would go to the girl and say: ‘Iknow. I know all about it, you can trust me, Stephen.’ And then she would counsel and try to give courage: ‘You’re neither unnatural, nor abominable, nor mad; you’re as much a part of what people call nature as anyone else; only you’re unexplained as yet—you’ve not got your niche in creation. But some day that will come, and meanwhile don’t shrink from yourself, but just face yourself calmly and bravely. Have courage; do the best you can with your burden. But above all be honourable. Cling to your honour for the sake of those others who share the same burden. For their sakes show the world that people like you and they can be quite as selfless and fine as the rest of mankind. Let your life go to prove this—it would be a really great life-work, Stephen.’
But the resolution waned because of Anna, who would surely join hands with the conspiracy of silence. She would never condone such fearless plain-speaking. If it came to her knowledge she would turn Puddle out bag and baggage, and that would leave Stephen alone. No, she dared not speak plainly because of the girl for whose sake she should now, above all, be outspoken. But supposing the day should arrive when Stephen herself thought fit to confide in her friend, then Puddle would take the bull by the horns: ‘Stephen, Iknow. You can trust me, Stephen.’ If only that day were not too long in coming—
For none knew better than this little grey woman, the agony of mind that must be endured when a sensitive, highly organized nature is first brought face to face with its own affliction. None knew better the terrible nerves of the invert, nerves that are always lying in wait. Super-nerves, whose response is only equalled by the strain that calls that response into being. Puddle was well acquainted with these things—that was why she was deeply concerned about Stephen.
But all she could do, at least for the present, was to be very gentle and very patient: ‘Drink this cocoa, Stephen, I made it myself—’ And then with a smile, ‘I put four lumps of sugar!’
Then Stephen was pretty sure to turn contrite: ‘Puddle—I’m a brute—you’re so good to me always.’
‘Rubbish! I know you like cocoa made sweet, that’s why I put in those four lumps of sugar. Let’s go for a really long walk, shall we, dear? I’ve been wanting a really long walk now for weeks.’
Liar—most kind and self-sacrificing liar! Puddle hated long walks, especially with Stephen who strode as though wearing seven league boots, and whose only idea of a country walk was to take her own line across ditches and hedges—yes, indeed, a most kind and self-sacrificing liar! For Puddle was not quite so young as she had been; at times her feet would trouble her a little, and at times she would get a sharp twinge in her knee, which she shrewdly suspected to be rheumatism. Nevertheless she must keep close to Stephen because of the fear that tightened her heart—the fear of that questioning, wounded expression which now never left the girl’s eyes for a moment. So Puddle got out her most practical shoes—her heaviest shoes which were said to be damp-proof—and limped along bravely by the side of her charge, who as often as not ignored her existence.
There was one thing in all this that Puddle found amazing, and that was Anna’s apparent blindness. Anna appeared to notice no change in Stephen, to feel no anxiety about her. As always, these two were gravely polite to each other, and as always they never intruded. Still, it did seem to Puddle an incredible thing that the girl’s own mother should have noticed nothing. And yet so it was, for Anna had gradually been growing more silent and more abstracted. She was letting the tide of life carry her gently towards that haven on which her thoughts rested. And this blindness of hers troubled Puddle sorely, so that anger must often give way to pity.
She would think: ‘God help her, the sorrowful woman; she knows nothing—why didn’t he tell her? It was cruel!’ And then she would think: ‘Yes, but God help Stephen if the day ever comes when her mother does know—what will happen on that day to Stephen?’
Kind and loyal Puddle; she felt torn to shreds between those two, both so worthy of pity. And now in addition she must be tormented by memories dug out of their graves by Stephen—Stephen, whose pain had called up a dead sorrow that for long had lain quietly and decently buried. Her youth would come back and stare into her eyes reproachfully, so that her finest virtues would seem little better than dust and ashes. She would sigh, remembering the bitter sweetness, the valiant hopelessness of her youth—and then she would look at Stephen.
But one morning Stephen announced abruptly: ‘I’m going out. Don’t wait lunch for me, will you.’ And her voice permitted of no argument or question.
Puddle nodded in silence. She had no need to question, she knew only too well where Stephen was going.
Withhead bowed by her mortification of spirit, Stephen rode once more to The Grange. And from time to time as she rode she flushed deeply because of the shame of what she was doing. But from time to time her eyes filled with tears because of the pain of her longing.
She left the cob with a man at the stables, then made her way round to the old herb-garden; and there she found Angela sitting alone in the shade with a book which she was not reading.
Stephen said: ‘I’ve come back.’ And then without waiting: ‘I’ll do anything you want, if you’ll let me come back.’ And even as she spoke those words her eyes fell.
But Angela answered: ‘You had to come back—because I’ve been wanting you, Stephen.’
Then Stephen went and knelt down beside her, and she hid her face against Angela’s knee, and the tears that had never so much as once fallen during all the hard weeks of their separation, gushed out of her eyes. She cried like a child, with her face against Angela’s knee.
Angela let her cry on for a while, then she lifted the tear-stained face and kissed it: ‘Oh, Stephen, Stephen, get used to the world—it’s a horrible place full of horrible people, but it’s all there is, and we live in it, don’t we? So we’ve just got to do as the world does, my Stephen.’ And because it seemed strange and rather pathetic that this creature should weep, Angela was stirred to something very like love for a moment: ‘Don’t cry any more—don’t cry, honey,’ she whispered, ‘we’re together; nothing else really matters.’
And so it began all over again.
Stephenstayed on to lunch, for Ralph was in Worcester. He came home a good two hours before teatime to find them together among his roses; they had followed the shade when it left the herb-garden.
‘Oh, it’s you!’ he exclaimed as his eye lit on Stephen; and his voice was so naïvely disappointed, so full of dismay at her reappearance, that just for a second she felt sorry for him.
‘Yes, it’s me—’ she replied, not quite knowing what to say.
He grunted, and went off for his pruning knife, with which he was soon amputating roses. But in spite of his mood he remained a good surgeon, cutting dexterously, always above the leaf-bud, for the man was fond of his roses. And knowing this Stephen must play on that fondness, since now it was her business to cajole him into friendship. A degrading business, but it had to be done for Angela’s sake, lest she suffer through loving. Unthinkable that—‘Could you marry me, Stephen?’
‘Ralph, look here;’ she called, ‘Mrs. John Laing’s got broken! We may be in time if we bind her with bass.’
‘Oh, dear, has she?’ He came hurrying up as he spoke, ‘Do go down to the shed and get me some, will you?’
She got him the bass and together they bound her, the pink-cheeked, full-bosomed Mrs. John Laing.
‘There,’ he said, as he snipped off the ends of her bandage, ‘that ought to set your leg for you, madam!’
Near by grew a handsome Frau Karl Druschki, and Stephen praised her luminous whiteness, remarking his obvious pleasure at the praise. He was like a father of beautiful children, always eager to hear them admired by a stranger, and she made a note of this in her mind: ‘He likes one to praise his roses.’
He wanted to talk about Frau Karl Druschki: ‘She’s a beauty! There’s something so wonderfully cool—as you say, it’s the whiteness—’ Then before he could stop himself: ‘She reminds me of Angela, somehow.’ The moment the words were out he was frowning, and Stephen stared hard at Frau Karl Druschki.
But as they passed from border to border, his brow cleared: ‘I’ve spent over three hundred,’ he said proudly, ‘never saw such a mess as this garden was in when I bought the place—had to dig in fresh soil for the roses just here, these are all new plants; I motored half across England to get them. See that hedge of York and Lancasters there? They didn’t cost much because they’re out of fashion. But I like them, they’re small but rather distinguished I think—there’s something so armorial about them.’
She agreed: ‘Yes, I’m awfully fond of them too;’ and she listened quite gravely while he explained that they dated as far back as the Wars of the Roses.
‘Historical, that’s what I mean,’ he explained. ‘I like everything old, you know, except women.’
She thought with an inward smile of his newness.
Presently he said in a tone of surprise: ‘I never imagined that you’d care about roses.’
‘Yes, why not? We’ve got quite a number at Morton. Why don’t you come over to-morrow and see them?’
‘Do your William Allen Richardsons do well?’ he inquired.
‘I think so.’
‘Mine don’t. I can’t make it out. This year, of course, they’ve been damaged by green-fly. Just come here and look at these standards, will you? They’re being devoured alive by the brutes!’ And then as though he were talking to a friend who would understand him: ‘Roses seem good to me—you know what I mean, there’s virtue about them—the scent and the feel and the way they grow. I always had some on the desk in my office, they seemed to brighten up the whole place, no end.’
He started to ink in the names on the labels with a gold fountain pen which he took from his pocket. ‘Yes,’ he murmured, as he bent his face over the labels, ‘yes, I always had three or four on my desk. But Birmingham’s a foul sort of place for roses.’
And hearing him, Stephen found herself thinking that all men had something simple about them; something that took pleasure in the things that were blameless, that longed, as it were, to contact with Nature. Martin had loved huge, primitive trees; and even this mean little man loved his roses.
Angela came strolling across the lawn: ‘Come, you two,’ she called gaily, ‘tea’s waiting in the hall!’
Stephen flinched: ‘Come, you two—’ the words jarred on and she knew that Angela was thoroughly happy, for when Ralph was out of earshot for a moment she whispered:
‘You were clever about his roses!’
At tea Ralph relapsed into sulky silence; he seemed to regret his erstwhile good humour. And he ate quite a lot, which made Angela nervous—she dreaded his attacks of indigestion, which were usually accompanied by attacks of bad temper.
Long after they had all finished tea he lingered, until Angela said: ‘Oh, Ralph, that lawn mower. Pratt asked me to tell you that it won’t work at all; he thinks it had better go back to the makers. Will you write about it now before the post goes?’
‘I suppose so—’ he muttered; but he left the room slowly.
Then they looked at each other and drew close together, guiltily, starting at every sound: ‘Stephen—be careful for God’s sake—Ralph—’
So Stephen’s hands dropped from Angela’s shoulders, and she set her lips hard, for no protest must pass them any more; they had no right to protest.
Thatautumn the Crossbys went up to Scotland, and Stephen went to Cornwall with her mother. Anna was not well, she needed a change, and the doctor had told them of Watergate Bay, that was why they had gone to Cornwall. To Stephen it mattered very little where she went, since she was not allowed to join Angela in Scotland. Angela had put her foot down quite firmly: ‘No, my dear, it wouldn’t do. I know Ralph would make hell. I can’t let you follow us up to Scotland.’ So that there, perforce, the matter had ended.
And now Stephen could sit and gloom over her trouble while Anna read placidly, asking no questions. She seldom worried her daughter with questions, seldom even evinced any interest in her letters.
From time to time Puddle would write from Morton, and then Anna would say, recognizing the writing: ‘Is everything all right?’
And Stephen would answer: ‘Yes, Mother, Puddle says everything’s all right.’ As indeed it was—at Morton.
But from Scotland news seemed to come very slowly. Stephen’s letters would quite often go unanswered; and what answers she received were unsatisfactory, for Angela’s caution was a very strict censor. Stephen herself must write with great care, she discovered, in order to pacify that censor.
Twice daily she visited the hotel porter, a kind, red-faced man with a sympathy for lovers.
‘Any letters for me?’ she would ask, trying hard to appear rather bored at the mere thought of letters.
‘No, miss.’
‘There’s another post in at seven?’
‘Yes, miss.’
‘Well—thank you.’
She would wander away, leaving the porter to think to himself: ‘She don’t look like a girl as would have a young man, but you never can tell. Anyhow she seems anxious—I do hope it’s all right for the poor young lady.’ He grew to take a real interest in Stephen, and would sometimes talk to his wife about her: ‘Have you noticed her, Alice? A queer-looking girl, very tall, wears a collar and tie—you know, mannish. And she seems just to change her suit of an evening—puts on a dark one—never wears evening dress. The mother’s still a beautiful woman; but the girl—I dunno, there’s something about her—anyhow I’m surprised she’s got a young man; though she must have, the way she watches the posts, I sometimes feel sorry for her.’
But her calls at his office were not always fruitless: ‘Any letters for me?’
‘Yes, miss, there’s just one.’
He would look at her with a paternal expression, glad enough to think that her young man had written; and Stephen, divining his thoughts from his face, would feel embarrassed and angry. Snatching her letter she would hurry to the beach, where the rocks provided a merciful shelter, and where no one seemed likely to look paternal, unless it should be an occasional seagull.
But as she read, her heart would feel empty; something sharp like a physical pain would go through her: ‘Dear Stephen. I’m sorry I’ve not written before, but Ralph and I have been fearfully busy. We’re having a positive social orgy up here, I’m so glad he took this large shoot. . . .’ That was the sort of thing Angela wrote these days—perhaps because of her caution.
However, one morning an unusually long letter arrived, telling all about Angela’s doings: ‘By the way, we’ve met the Antrim boy, Roger. He’s been staying with some people that Ralph knows quite well, the Peacocks, they’ve got a wonderful old castle; I think I must have told you about them.’ Here followed an elaborate description of the castle, together with the ancestral tree of the Peacocks. Then: ‘Roger has talked quite a lot about you; he says he used to tease you when you were children. He says that you wanted to fight him one day—that made me laugh awfully, it’s so like you, Stephen! He’s a good-looking person and rather a nice one. He tells me that his regiment’s stationed at Worcester, so I’ve asked him to come over to The Grange when he likes. It must be pretty dreary, I imagine, in Worcester. . . .’
Stephen finished the letter and sat staring at the sea for a moment, after which she got up abruptly. Slipping the letter into her pocket she buttoned her jacket; she was feeling cold. What she needed was a walk, a really long walk. She set out briskly in the direction of Newquay.
Duringthose long, anxious weeks in Cornwall, it was borne in on Stephen as never before how wide was the gulf between her and her mother, how completely they two must always stand divided. Yet looking at Anna’s quiet ageing face, the girl would be struck afresh by its beauty, a beauty that seemed to have mollified the years, to have risen triumphant over time and grief. And now as in the days of her childhood, that beauty would fill her with a kind of wonder; so calm it was, so assured, so complete—then her mother’s deep eyes, blue like distant mountains, and now with that far-away look in their blueness, as though they were gazing into the distance. Stephen’s heart would suddenly tighten a little; a sense of great loss would descend upon her, together with the sense of not fully understanding just what she had lost or why she had lost it—she would stare at Anna as a thirsty traveller in the desert will stare at a mirage of water.
And one evening there came a preposterous impulse—the impulse to confide in this woman within whose most gracious and perfect body her own anxious body had lain and quickened. She wanted to speak to that motherhood, to implore, nay, compel its understanding. To say: ‘Mother, I need you. I’ve lost my way—give me your hand to hold in the darkness.’ But good God, the folly, the madness of it! The base betrayal of such a confession! Angela delivered over, betrayed—the unthinkable folly, the madness of it.
Yet sometimes as Anna and she sat together looking out at the misty Cornish coast-line, hearing the dull, heavy throb of the sea and the calling of sea-gulls the one to the other—as they sat there together it would seem to Stephen that her heart was so full of Angela Crossby, all the bitterness, all the sweetness of her, that the mother-heart beating close by her own must surely, in its turn, be stirred to beat faster, for had she not once sheltered under that heart? And so extreme was her need becoming, that now she must often find Anna’s cool hand and hold it a moment or two in her own, trying to draw from it some consolation.
But the touch of that cool, pure hand would distress her, causing her spirit to ache with longing for the simple and upright and honourable things that had served many simple and honourable people. Then all that to some might appear uninspiring, would seem to her very fulfilling and perfect. A pair of lovers walking by arm in arm—just a quiet, engaged couple, neither comely nor clever nor burdened with riches; just a quiet, engaged couple—would in her envious eyes be invested with a glory and pride passing all understanding. For were Angela and she those fortunate lovers, they could stand before Anna happy and triumphant. Anna, the mother, would smile and speak gently, tolerant because of her own days of loving. Wherever they went older folk would remember, and remembering would smile on their love and speak gently. To know that the whole world was glad of your gladness, must surely bring heaven very near to the world.
One night Anna looked across at her daughter: ‘Are you tired, my dear? You seem a bit fagged.’
The question was unexpected, for Stephen was supposed not to know what it meant to feel fagged, her physical health and strength were proverbial. Was it possible then that her mother had divined at long last her utter weariness of spirit? Quite suddenly Stephen felt shamelessly childish, and she spoke as a child who wants comforting.
‘Yes, I’m dreadfully tired.’ Her voice shook a little; ‘I’m tired out—I’m dreadfully tired,’ she repeated. With amazement she heard herself making this weak bid for pity, and yet she could not resist it. Had Anna held out her arms at that moment, she might soon have learnt about Angela Crossby.
But instead she yawned: ‘It’s this air, it’s too woolly. I’ll be very glad when we get back to Morton. What’s the time? I’m almost asleep already—let’s go up to our beds, don’t you think so, Stephen?’
It was like a cold douche; and a good thing too for the girl’s self-respect. She pulled herself together: ‘Yes, come on, it’s past ten. I detest this soft air.’ And she flushed, remembering that weak bid for pity.
Stephenleft Cornwall without a regret; everything about it had seemed to her depressing. Its rather grim beauty which at any other time would have deeply appealed to her virile nature, had but added to the gloom of those interminable weeks spent apart from Angela Crossby. For her perturbation had been growing apace, she was constantly oppressed by doubts and vague fears; bewildered, uncertain of her own power to hold; uncertain too, of Angela’s will to be held by this dangerous yet bloodless loving. Her defrauded body had been troubling her sorely, so that she had tramped over beach and headland, cursing the strength of the youth that was in her, trying to trample down her hot youth and only succeeding in augmenting its vigour.
But now that the ordeal had come to an end at last, she began to feel less despondent. In a week’s time Angela would get back from Scotland; then at least the hunger of the eyes could be appeased—a terrible thing that hunger of the eyes for the sight of the well-loved being. And then Angela’s birthday was drawing near, which would surely provide an excuse for a present. She had sternly forbidden the giving of presents, even humble keepsakes, on account of Ralph—still, a birthday was different, and in any case Stephen was quite determined to risk it. For the impulse to give that is common to all lovers, was in her attaining enormous proportions, so that she visualized Angela decked in diadems worthy of Cleopatra; so that she sat and stared at her bank book with eyes that grew angry when they lit on her balance. What was the good of plenty of money if it could not be spent on the person one loved? Well, this time it should be so spent, and spent largely; no limit was going to be set to this present!
An unworthy and tiresome thing money, at best, but it can at least ease the heart of the lover. When he lightens his purse he lightens his heart, though this can hardly be accounted a virtue, for such giving is perhaps the most insidious form of self-indulgence that is known to mankind.
Stephenhad said quite casually to Anna: ‘Suppose we stay three or four days in London on our way back to Morton? You could do some shopping.’ Anna had agreed, thinking of her house linen which wanted renewing; but Stephen had been thinking of the jewellers’ shops in Bond Street.
And now here they actually were in London, established at a quiet and expensive hotel; but the problem of Angela’s birthday present had, it seemed, only just begun for Stephen. She had not the least idea what she wanted, or what Angela wanted, which was far more important; and she did not know how to get rid of her mother, who appeared to dislike going out unaccompanied. For three days of the four Stephen fretted and fumed; never had Anna seemed so dependent. At Morton they now led quite separate lives, yet here in London they were always together. Scheme as she might she could find no excuse for a solitary visit to Bond Street. However, on the morning of the fourth and last day, Anna succumbed to a devastating headache.
Stephen said: ‘I think I’ll go and get some air, if you really don’t need me—I’m feeling energetic!’
‘Yes, do—I don’t want you to stay in,’ groaned Anna, who was longing for peace and an aspirin tablet.
Once out on the pavement Stephen hailed the first taxi she met; she was quite absurdly elated. ‘Drive to the Piccadilly end of Bond Street,’ she ordered, as she jumped in and slammed the door. Then she put her head quickly out of the window: ‘And when you get to the corner, please stop. I don’t want you to drive along Bond Street, I’ll walk. I want you to stop at the Piccadilly corner.’
But when she was actually standing on the corner—the left-hand corner—she began to feel doubtful as to which side of Bond Street she ought to tackle first. Should she try the right side or keep to the left? She decided to try the right side. Crossing over, she started to walk along slowly. At every jeweller’s shop she stood still and gazed at the wares displayed in the window. Now she was worried by quite a new problem, the problem of stones, there were so many kinds. Emeralds or rubies or perhaps just plain diamonds? Well, certainly neither emeralds nor rubies—Angela’s colouring demanded whiteness. Whiteness—she had it! Pearls—no, one pearl, one flawless pearl and set as a ring. Angela had once described such a ring with envy, but alas, it had been born in Paris.
People stared at the masculine-looking girl who seemed so intent upon feminine adornments. And some one, a man, laughed and nudged his companion: ‘Look at that! What is it?’
‘My God! What indeed?’
She heard them and suddenly felt less elated as she made her way into the shop.
She said rather loudly: ‘I want a pearl ring.’
‘A pearl ring? What kind, madam?’
She hesitated, unable now to describe what she did want: ‘I don’t quite know—but it must be a large one.’
‘For yourself?’ And she thought that the man smiled a little.
Of course he did nothing of the kind; but she stammered: ‘No—oh, no—it’s not for myself, it’s for a friend. She’s asked me to choose her a large pearl ring.’ To her own ears the words sounded foolish and flustered.
There was nothing in that shop that fulfilled her requirements, so once more she must face the guns of Bond Street. Now she quickened her steps and found herself striding; modifying her pace she found herself dawdling; and always she was conscious of people who stared, or whom she imagined were staring. She felt sure that the shop assistants looked doubtful when she asked for a large and flawless pearl ring; and catching a glimpse of her reflection in a glass, she decided that naturally they would look doubtful—her appearance suggested neither pearls nor their price. She slipped a surreptitious hand into her pocket, gaining courage from the comforting feel of her cheque book.
When the east side of the thoroughfare had been exhausted, she crossed over quickly and made her way back towards her original corner. By now she was rather depressed and disgruntled. Supposing that she should not find what she wanted in Bond Street? She had no idea where else to look—her knowledge of London was far from extensive. But apparently the gods were feeling propitious, for a little further on she paused in front of a small, and as she thought, quite humble shop. As a matter of fact it was anything but humble, hence the bars half-way up its unostentatious window. Then she stared, for there on a white velvet cushion lay a pearl that looked like a round gleaming marble, a marble attached to a slender circlet of platinum—some sort of celestial marble! It was just such a ring as Angela had seen in Paris, and had since never ceased to envy.
The person behind this counter was imposing. He was old, and wore glasses with tortoiseshell rims: ‘Yes, madam, it’s a very fine specimen indeed. The setting’s French, just a thin band of platinum, there’s nothing to detract from the beauty of the pearl.’
He lifted it tenderly off its cushion, and as tenderly Stephen let it rest on her palm. It shone whiter than white against her skin, which by contrast looked sunburnt and weather-beaten.
Then the dignified old gentleman murmured the price, glancing curiously at the girl as he did so, but she seemed to be quite unperturbed, so he said: ‘Will you try the effect of the ring on your finger?’
At this, however, his customer flushed: ‘It wouldn’t go anywhere near my finger!’
‘I can have it enlarged to any size you wish.’
‘Thanks, but it’s not for me—it’s for a friend.’
‘Have you any idea what size your friend takes, say in gloves? Is her hand large or small do you think?’
Stephen answered promptly: ‘It’s a very small hand,’ then immediately looked and felt rather self-conscious.
And now the old gentleman was openly staring: ‘Excuse me,’ he murmured, ‘an extraordinary likeness. . . .’ Then more boldly: ‘Do you happen to be related to Sir Philip Gordon of Morton Hall, who died—it must be about two years ago—from some accident? I believe a tree fell—’
‘Oh, yes, I’m his daughter,’ said Stephen.
He nodded and smiled: ‘Of course, of course, you couldn’t be anything but his daughter.’
‘You knew my father?’ she inquired, in surprise.
‘Very well, Miss Gordon, when your father was young. In those days Sir Philip was a customer of mine. I sold him his first pearl studs while he was at Oxford, and at least four scarf pins—a bit of a dandy Sir Philip was up at Oxford. But what may interest you is the fact that I made your mother’s engagement ring for him; a large half-hoop of very fine diamonds—’
‘Didyoumake that ring?’
‘I did, Miss Gordon. I remember quite well his showing me a miniature of Lady Anna—I remember his words. He said: “She’s so pure that only the purest stones are fit to touch her finger.†You see, he’d known me ever since he was at Eton, that’s why he spoke of your mother to me—I felt deeply honoured. Ah, yes—dear, dear—your father was young then and very much in love. . . .’
She said suddenly: ‘Is this pearl as pure as those diamonds?’
And he answered: ‘It’s without a blemish.’
Then she found her cheque book and he gave her his pen with which to write out the very large cheque.
‘Wouldn’t you like some reference?’ she inquired, as she glanced at the sum for which he must trust her.
But at this he laughed: ‘Your face is your reference, if I may be allowed to say so, Miss Gordon.’
They shook hands because he had known her father, and she left the shop with the ring in her pocket. As she walked down the street she was lost in thought, so that if people stared she no longer noticed. In her ears kept sounding those words from the past, those words of her father’s when long, long ago he too had been a young lover: ‘She’s so pure that only the purest stones are fit to touch her finger.’
Whenthey got back to Morton there was Puddle in the hall, with that warm smile of hers, always just a little mocking yet pitiful too, that queer composite smile that made her face so arresting. And the sight of this faithful little grey woman brought home to Stephen the fact that she had missed her. She had missed her, she found, out of all proportion to the size of the creature, which seemed to have diminished. Coming back to it after those weeks of absence, Puddle’s smallness seemed to be even smaller, and Stephen could not help laughing as she hugged her. Then she suddenly lifted her right off her feet with as much ease as though she had been a baby.
Morton smelt good with its log fires burning, and Morton looked good with the goodness of home. Stephen sighed with something very like contentment: ‘Lord! I’m so glad to be back again, Puddle. I must have been a cat in my last incarnation; I hate strange places—especially Cornwall.’
Puddle smiled grimly. She thought that she knew why Stephen had hated Cornwall.
After tea Stephen wandered about the house, touching first this, then that, with affectionate fingers. But presently she went off to the stables with sugar for Collins and carrots for Raftery; and there in his spacious, hay-scented loose box, Raftery was waiting for Stephen. He made a queer little sound in his throat, and his soft Irish eyes said: ‘You’re home, home, home. I’ve grown tired with waiting, and with wishing you home.’
And she answered: ‘Yes, I’ve come back to you, Raftery.’
Then she threw her strong arm around his neck, and they talked together for quite a long while—not in Irish or English but in a quiet language having very few words but many small sounds and many small movements, that meant much more than words.
‘Since you went I’ve discovered a wonderful thing,’ he told her, ‘I’ve discovered that for me you are God. It’s like that some times with us humbler people, we may only know God through His human image.’
‘Raftery,’ she murmured, ‘oh, Raftery, my dear—I was so young when you came to Morton. Do you remember that first day out hunting when you jumped the huge hedge in our big north paddock? What a jump! It ought to go down to history. You were splendidly cool and collected about it. Thank the Lord you were—I was only a kid, all the same it was very foolish of us, Raftery.’
She gave him a carrot, which he took with contentment from the hand of his God, and proceeded to munch. And she watched him munch it, contented in her turn, hoping that the carrot was succulent and sweet; hoping that his innocent cup of pleasure might be full to the brim and overflowing. Like God indeed, she tended his needs, mixing the evening meal in his manger, holding the water bucket to his lips while he sucked in the cool, clear, health-giving water. A groom came along with fresh trusses of straw which he opened and tossed among Raftery’s bedding; then he took off the smart blue and red day clothing, and buckled him up in a warm night blanket. Beyond in the far loose box by the window, Sir Philip’s young chestnut kicked loudly for supper.
‘Woa horse! Get up there! Stop kicking them boards!’ And the groom hurried off to attend to the chestnut.
Collins, who had spat out his two lumps of sugar, was now busy indulging his morbid passion. His sides were swollen well-nigh to bursting—blown out like an air balloon was old Collins from the evil and dyspeptic effects of the straw, plus his own woeful lack of molars. He stared at Stephen with whitish-blue eyes that saw nothing, and when she touched him he grunted—a discourteous sound which meant: ‘Leave me alone!’ So after a mild reproof she left him to his sins and his indigestion.
Last but not least, she strolled down to the home of the two-legged creature who had once reigned supreme in those princely but now depleted stables. And the lamplight streamed out through uncurtained windows to meet her, so that she walked on lamplight. A slim streak of gold led right up to the porch of old Williams’ comfortable cottage. She found him sitting with the Bible on his knees, peering crossly down at the Scriptures through his glasses. He had taken to reading the Scriptures aloud to himself—a melancholy occupation. He was at this now. As Stephen entered she could hear him mumbling from Revelation: ‘And the heads of the horses were as the heads of lions; and out of their mouths issued fire and smoke and brimstone.’
He looked up, and hastily twitched off his glasses: ‘Miss Stephen!’
‘Sit still—stop where you are, Williams.’
But Williams had the arrogance of the humble. He was proud of the stern traditions of his service, and his pride forbade him to sit in her presence, in spite of their long and kind years of friendship. Yet when he spoke he must grumble a little, as though she were still the very small child who had swaggered round the stables rubbing her chin, imitating his every expression and gesture.
‘You didn’t ought to have no ’orses, Miss Stephen, the way you runs off and leaves them;’ he grumbled, ‘Raftery’s been off ’is feed these last days. I’ve been talkin’ to that Jim what you sets such store by! Impudent young blight, ’e answered me back like as though I’d no right to express me opinion. But I says to ’im: “You just wait, lad,†I says, “You wait until I gets ’old of Miss Stephen!â€â€¯â€™
For Williams could never keep clear of the stables, and could never refrain from nagging when he got there. Deposed he might be, but not yet defeated even by old age, as grooms knew to their cost. The tap of his heavy oak stick in the yard was enough to send Jim and his underling flying to hide curry-combs and brushes out of sight. Williams needed no glasses when it came to disorder.
‘Be this place ’ere a stable or be it a pigsty, I wonder?’ was now his habitual greeting.
His wife came bustling in from the kitchen: ‘Sit down, Miss Stephen,’ and she dusted a chair.
Stephen sat down and glanced at the Bible where it lay, still open, on the table.
‘Yes,’ said Williams dourly, as though she had spoken, ‘I’m reduced to readin’ about ’eavenly ’orses. A nice endin’ that for a man like me, what’s been in the service of Sir Philip Gordon, what’s ’ad ’is legs across the best ’unters as ever was seen in this county or any! And I don’t believe in them lion-headed beasts breathin’ fire and brimstone, it’s all agin nature. Whoever it was wrote them Revelations, can’t never have been inside of a stable. I don’t believe in no ’eavenly ’orses neither—there won’t be no ’orses in ’eaven; and a good thing too, judgin’ by the description.’
‘I’m surprised at you, Arth-thur, bein’ so disrespectful to The Book!’ his wife reproached him gravely.
‘Well, it ain’t no encyclopaedee to the stable, and that’s a sure thing,’ grinned Williams.
Stephen looked from one to the other. They were old, very old, fast approaching completion. Quite soon their circle would be complete, and then Williams would be able to tackle Saint John on the points of those heavenly horses.
Mrs. Williams glanced apologetically at her: ‘Excuse ’im, Miss Stephen, ’e’s gettin’ rather childish. ’E won’t read no pretty parts of The Book; all ’e’ll read is them parts about chariots and such like. All what’s to do with ’orses ’e reads; and then ’e’s so unbelievin’—it’s aw-ful!’ But she looked at her mate with the eyes of a mother, very gentle and tolerant eyes.
And Stephen, seeing those two together, could picture them as they must once have been, in the halcyon days of their youthful vigour. For she thought that she glimpsed through the dust of the years, a faint flicker of the girl who had lingered in the lanes when the young man Williams and she had been courting. And looking at Williams as he stood before her twitching and bowed, she thought that she glimpsed a faint flicker of the youth, very stalwart and comely, who had bent his head downwards and sideways as he walked and whispered and kissed in the lanes. And because they were old yet undivided, her heart ached; not for them but rather for Stephen. Her youth seemed as dross when compared to their honourable age; because they were undivided.
She said: ‘Make him sit down, I don’t want him to stand.’ And she got up and pushed her own chair towards him.
But old Mrs. Williams shook her white head slowly: ‘No, Miss Stephen, ’e wouldn’t sit down in your presence. Beggin’ your pardon, it would ’urt Arth-thur’s feelin’s to be made to sit down; it would make ’im feel as ’is days of service was really over.’
‘I don’t need to sit down,’ declared Williams.
So Stephen wished them both a good night, promising to come again very soon; and Williams hobbled out to the path which was now quite golden from border to border, for the door of the cottage was standing wide open and the glow from the lamp streamed over the path. Once more she found herself walking on lamplight, while Williams, bareheaded, stood and watched her departure. Then her feet were caught up and entangled in shadows again, as she made her way under the trees.
But presently came a familiar fragrance—logs burning on the wide, friendly hearths of Morton. Logs burning—quite soon the lakes would be frozen—‘and the ice looks like slabs of gold in the sunset, when you and I come and stand here in the winter . . . and as we walk back we can smell the log fires long before we can see them, and we love that good smell because it means home, and our home is Morton . . . because it means home and our home is Morton. . . .’
Oh, intolerable fragrance of log fires burning!
Angeladid not return in a week, she had decided to remain another fortnight in Scotland. She was staying now with the Peacocks, it seemed, and would not get back until after her birthday. Stephen looked at the beautiful ring as it gleamed in its little white velvet box, and her disappointment and chagrin were childish.
But Violet Antrim, who had also been staying with the Peacocks, had arrived home full of importance. She walked in on Stephen one afternoon to announce her engagement to young Alec Peacock. She was so much engaged and so haughty about it that Stephen, whose nerves were already on edge, was very soon literally itching to slap her. Violet was now able to look down on Stephen from the height of her newly gained knowledge of men—knowing Alec she felt that she knew the whole species.
‘It’s a terrible pity you dress as you do, my dear,’ she remarked, with the manner of sixty, ‘a young girl’s so much more attractive when she’s soft-don’t you think you could soften your clothes just a little? I mean, you do want to get married, don’t you! No woman’s complete until she’s married. After all, no woman can really stand alone, she always needs a man to protect her.’
Stephen said: ‘I’m all right—getting on nicely, thank you!’
‘Oh, no, but you can’t be!’ Violet insisted. ‘I was talking to Alec and Roger about you, and Roger was saying it’s an awful mistake for women to get false ideas into their heads. He thinks you’ve got rather a bee in your bonnet; he told Alec that you’d be quite a womanly woman if you’d only stop trying to ape what you’re not.’ Presently she said, staring rather hard: ‘That Mrs. Crossby—do you really like her? Of course I know you’re friends and all that—But why are you friends? You’ve got nothing in common. She’s what Roger calls a thorough man’s woman. I think myself she’s a bit of a climber. Do you want to be used as a scaling ladder for storming the fortifications of the county? The Peacocks have known old Crossby for years, he’s a wonderful shot for an ironmonger, but they don’t care for her very much I believe—Alec says she’s man-mad, whatever that means, anyhow she seems desperately keen about Roger.’
Stephen said: ‘I’d rather we didn’t discuss Mrs. Crossby, because, you see, she’s my friend.’ And her voice was as icy cold as her hands.
‘Oh, of course if you’re feeling like that about it—’ laughed Violet, ‘no, but honest, she is keen on Roger.’
When Violet had gone, Stephen sprang to her feet, but her sense of direction seemed to have left her, for she struck her head a pretty sharp blow against the side of a heavy bookcase. She stood swaying with her hands pressed against her temples. Angela and Roger Antrim—those two—but it couldn’t be, Violet had been purposely lying. She loved to torment, she was like her brother, a bully, a devil who loved to torment—it couldn’t be—Violet had been lying.
She steadied herself and leaving the room and the house, went and fetched her car from the stables. She drove to the telegraph office at Upton: ‘Come back, I must see you at once,’ she wired, taking great care to prepay the reply, lest Angela should find an excuse for not answering.
The clerk counted the words with her stump of a pencil, then she looked at Stephen rather strangely.
The nextmorning came Angela’s frigid answer: ‘Coming home Monday fortnight not one day sooner please no more wires Ralph very much upset.’
Stephen tore the thing into a hundred fragments and then hurled it away. She was suddenly shaking all over with uncontrollable anger.
Rightup to the moment of Angela’s return that hot anger supported Stephen. It was like a flame that leapt through her veins, a flame that consumed and yet stimulated, so that she purposely fanned the fire from a sense of self preservation.
Then came the actual day of arrival. Angela must be in London by now, she would certainly have travelled by the night express. She would catch the 12.47 to Malvern and then motor to Upton—it was nearly twelve. It was afternoon. At 3.17 Angela’s train would arrive at Great Malvern—it had arrived now—in about twenty minutes she would drive past the very gates of Morton. Half-past four. Angela must have got home; she was probably having tea in the parlour—in the little oak parlour with its piping bullfinch whose cage always stood near the casement window. A long time ago, a lifetime ago, Stephen had blundered into that parlour, and Tony had barked, and the bullfinch had piped a sentimental old German tune—but that was surely a lifetime ago. Five o’clock. Violet Antrim had obviously lied; she had lied on purpose to torment Stephen—Angela and Roger—it couldn’t be; Violet had lied because she liked to torment. A quarter past five. What Was Angela doing now? She was near, just a few miles away—perhaps she was ill, as she had not written; yes, that must be it, of course Angela was ill. The persistent, aching hunger of the eyes. Anger, what was it? A folly, a delusion, a weakness that crumbled before that hunger. And Angela was only a few miles away.
She went up to her room and unlocked a drawer from which she took the little white case. Then she slipped the case into her jacket pocket.
Shefound Angela helping her maid to unpack; they appeared to be all but snowed under by masses of soft, inadequate garments. The bedroom smelt strongly of Angela’s scent, which was heavy yet slightly pungent.
She glanced up from a tumbled heap of silk stockings: ‘Hallo, Stephen!’ Her greeting was casually friendly.
Stephen said: ‘Well, how are you after all these weeks? Did you have a good journey down from Scotland?’
The maid said: ‘Shall I wash your new crêpe de Chine nightgowns, ma’am? Or ought they to go to the cleaners?’
Then, somehow, they all fell silent.
To break this suggestive and awkward silence, Stephen inquired politely after Ralph.
‘He’s in London on business for a couple of days; he’s all right, thanks,’ Angela answered briefly, and she turned once more to sorting her stockings.
Stephen studied her. Angela was not looking well, her mouth had a childish droop at the corners; there were quite new shadows, too, under her eyes, and these shadows accentuated her pallor. And as though that earnest gaze made her nervous, she suddenly bundled the stockings together with a little sound of impatience.
‘Come on, let’s go down to my room!’ And turning to her maid: ‘I’d rather you washed the new nightgowns, please.’
They went down the wide oak stairs without speaking, and into the little oak panelled parlour. Stephen closed the door; then they faced each other.
‘Well, Angela?’
‘Well, Stephen?’ And after a pause: ‘What on earth made you send that absurd telegram? Ralph got hold of the thing and began to ask questions. You are such an almighty fool sometimes—you knew perfectly well that I couldn’t come back. Why will you behave as though you were six, have you no common sense? What’s it all about? Your methods are not only infantile—they’re dangerous.’
Then taking Angela firmly by the shoulders, Stephen turned her so that she faced the light. She put her question with youthful crudeness; ‘Do you find Roger Antrim physically attractive—do you find that he attracts you that way more than I do?’ She waited calmly, it seemed, for her answer.
And because of that distinctly ominous calm, Angela was scared, so she blustered a little: ‘Of course I don’t! I resent such questions; I won’t allow them even from you, Stephen. God knows where you get your fantastic ideas! Have you been discussing me with that girl Violet? If you have, I think it’s simply outrageous! She’s quite the most evil-minded prig in the county. It was not very gentlemanly of you, my dear, to discuss my affairs with our neighbours, was it?’
‘I refused to discuss you with Violet Antrim,’ Stephen told her, still speaking quite calmly. But she clung to her point: ‘Was it all a mistake? Is there no one between us except your husband? Angela, look at me—I will have the truth.’
For answer Angela kissed her.
Stephen’s strong but unhappy arms went round her, and suddenly stretching out her hand, she switched off the little lamp on the table, so that the room was lit only by firelight. They could not see each other’s faces very clearly any more, because there was only firelight. And Stephen spoke such words as a lover will speak when his heart is burdened to breaking; when his doubts must bow down and be swept away before the unruly flood of his passion. There in that shadowy, firelit room, she spoke such words as lovers have spoken ever since the divine, sweet madness of God flung the thought of love into Creation.
But Angela suddenly pushed her away: ‘Don’t, don’t—I can’t bear it—it’s too much, Stephen. It hurts me—I can’t bear this thing—for you. It’s all wrong, I’m not worth it, anyhow it’s all wrong. Stephen, it’s making me—can’t you understand? It’s too much—’ She could not, she dared not explain. ‘If you were a man—’ She stopped abruptly, and burst into uncontrollable weeping.
And somehow this weeping was different from any that had gone before, so that Stephen trembled. There was something frightened and desolate about it; it was like the sobbing of a terrified child. The girl forgot her own desolation in her pity and the need that she felt to comfort. More strongly than ever before she felt the need to protect this woman, and to comfort.
She said, grown suddenly passionless and gentle: ‘Tell me—try to tell me what’s wrong, belovèd. Don’t be afraid of making me angry—we love each other, and that’s all that matters. Try to tell me what’s wrong, and then let me help you; only don’t cry like this—I can’t endure it.’
But Angela hid her face in her hands: ‘No, no, it’s nothing; I’m only so tired. It’s been a fearful strain these last months. I’m just a weak, human creature, Stephen—sometimes I think we’ve been worse than mad. I must have been mad to have allowed you to love me like this—one day you’ll despise and hate me. It’s my fault, but I was so terribly lonely that I let you come into my life, and now—oh, I can’t explain, you wouldn’t understand; how could you understand, Stephen?’
And so strangely complex is poor human nature, that Angela really believed in her feelings. At that moment of sudden fear and remorse, remembering those guilty weeks in Scotland, she believed that she felt compassion and regret for this creature who loved her, and whose ardent loving had paved the way for another. In her weakness she could not part from the girl, not yet—there was something so strong about her. She seemed to combine the strength of a man with the gentler and more subtle strength of a woman. And thinking of the crude young animal Roger, with his brusque, rather brutal appeal to the senses, she was filled with a kind of regretful shame, and she hated herself for what she had done, and for what she well knew she would do again, because of that urge to passion.
Feeling humble, she groped for the girl’s kind hand; then she tried to speak lightly: ‘Would you always forgive this very miserable sinner, Stephen?’
Stephen said, not apprehending her meaning, ‘If our love is a sin, then heaven must be full of such tender and selfless sinning as ours.’
They sat down close together. They were weary unto death, and Angela whispered: ‘Put your arms around me again—but gently, because I’m so tired. You’re a kind lover, Stephen—some times I think you’re almost too kind.’
And Stephen answered: ‘It’s not kindness that makes me unwilling to force you—I can’t conceive of that sort of love.’
Angela Crossby was silent.
But now she was longing for the subtle easement of confession, so dear to the soul of woman. Her self-pity was augmented by her sense of wrong-doing—she was thoroughly unstrung, almost ill with self-pity—so that lacking the courage to confess the present, she let her thoughts dwell on the past. Stephen had always forborne to question, and therefore that past had never been discussed, but now Angela felt a great need to discuss it. She did not analyse her feelings; she only knew that she longed intensely to humble herself, to plead for compassion, to wring from the queer, strong, sensitive being who loved her, some hope of ultimate forgiveness. At that moment, as she lay there in Stephen’s arms, the girl assumed an enormous importance. It was strange, but the very fact of betrayal appeared to have strengthened her will to hold her, and Angela stirred, so that Stephen said softly:
‘Lie still—I thought you were fast asleep.’
And Angela answered: ‘No, I’m not asleep, dearest, I’ve been thinking. There are some things I ought to tell you. You’ve never asked me about my past life—why haven’t you, Stephen?’
‘Because,’ said Stephen, ‘I knew that some day you’d tell me.’
Then Angela began at the very beginning. She described a Colonial home in Virginia. A grave, grey house, with a columned entrance, and a garden that looked down on deep, running water, and that water had rather a beautiful name—it was called the Potomac River. Up the side of the house grew magnolia blossoms, and many old trees gave their shade to its garden. In summer the fire-flies lit lamps on those trees, shifting lamps that moved swiftly among the branches. And the hot summer darkness was splashed with lightning, and the hot summer air was heavy with sweetness.
She described her mother who had died when Angela was twelve—a pathetic, inadequate creature; the descendant of women who had owned many slaves to minister to their most trivial requirements: ‘She could hardly put on her own stockings and shoes,’ smiled Angela, as she pictured that mother.
She described her father, George Benjamin Maxwell—a charming, but quite incorrigible spendthrift. She said: ‘He lived in past glories, Stephen. Because he was a Maxwell—a Maxwell of Virginia—he wouldn’t admit that the Civil War had deprived us all of the right to spend money. God knows, there was little enough of it left—the War practically ruined the old Southern gentry! My grandma could remember those days quite well; she scraped lint from her sheets for our wounded soldiers. If Grandma had lived, my life might have been different—but she died a couple of months after Mother.’
She described the eventual cataclysm, when the home had been sold up with everything in it, and she and her father had set out for New York—she just seventeen and he broken and ailing—to rebuild his dissipated fortune. And because she was now painting a picture of real life, untinged by imagination, her words lived, and her voice grew intensely bitter.
‘Hell—it was hell! We went under so quickly. There were days when I hadn’t enough to eat. Oh, Stephen, the filth, the unspeakable squalor—the heat and the cold and the hunger and the squalor. God, how I hate that great hideous city! It’s a monster, it crushes you down, it devours—even now I couldn’t go back to New York without feeling a kind of unreasoning terror. Stephen, that damnable city broke my nerve. Father got calmly out of it all by dying one day—and that was so like him! He’d had about enough, so he just lay down and died; but I couldn’t do that because I was young—and I didn’t want to die, either. I hadn’t the least idea what I could do, but I knew that I was supposed to be pretty and that good-looking girls had a chance on the stage, so I started out to look for a job. My God! Shall I ever forget it!’
And now she described the long, angular streets, miles and miles of streets; miles and miles of faces all strange and unfriendly—faces like masks. Then the intimate faces of would-be employers, too intimate when they peered into her own—faces that had suddenly thrown off their masks.
‘Stephen, are you listening? I put up a fight, I swear it! I swear I put up a fight—I was only nineteen when I got my first job—nineteen’s not so awfully old, is it, Stephen?’