FOOTNOTES:

FOOTNOTES:[81]To leave the stage.

[81]To leave the stage.

"The excellentMermaid Series."—Spectator.

"I lie and dream of your fullMermaidwine."

Master Francis Beaumont to Ben Jonson.

Now Publishing,

In Half-Crown monthly vols., post 8vo, each volume containing 500 pages and an etched fround in cloth with cut or uncut edges,

An Unexpurgated Edition of

THE BEST PLAYS

THE OLD DRAMATISTS,

Under the General Editorship of HAVELOCK ELLIS.

In theMermaid Seriesare being issued the best plays of the Elizabethan and later dramatists—plays which, with Shakespeare's works, constitute the chief contribution of the English spirit to the literature of the world. The Editors who have given their assistance to the undertaking include men of literary eminence, who have distinguished themselves in this field, as well as younger writers of ability.

Each volume contains on an average five complete plays, prefaced by an Introductory Notice of the Author. Great care is taken to ensure, by consultation among the Editors, that the plays selected are in every case thebestand most representative—and not the most conventional, or those which have lived on a merely accidental and traditional reputation. A feature will be made of plays by little known writers, which although often so admirable are now almost inaccessible. In every instance the utmost pains is taken to secure the best text, the spelling is modernised, and brief but adequate notes are supplied. In no case do the Plays undergo any process of expurgation. It is believed that, although they may sometimes run counter to what is called modern taste, the free and splendid energy of Elizabethan art, with its extreme realism and its extreme idealism—embodying, as it does, the best traditions of the English Drama—will not suffer from the frankest representation.

"The admirably selected and editedMermaid Seriesof the Old Dramatists."—Truth.

Each containing 500 Pages and upwards, with Steel engraved Portraitsor other Frontispieces.

With a View of the Red Bull Theatre.

THE BEST PLAYS OF THOMAS HEYWOOD. Edited byA.Wilson Verity. With an Introduction byJ. Addington Symonds.

With a View of Old London showing the Bankside and its Theatres.

THE BEST PLAYS OF JOHN FORD. Edited byHavelock Ellis.

With a Portrait of William Wycherley, from the Picture by Sir Peter Lely.

THE COMPLETE PLAYS OF WILLIAM WYCHERLEY. Edited, with an Introduction and Notes, byW. C. Ward.

With a Portrait of Nathaniel Field, from the Picture at Dulwich College.

NERO AND OTHER PLAYS. Edited, with Introductory Essays and Notes, byH. P. Horne,Arthur Symons,A. W. Verity, andH. Ellis.

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THE BEST PLAYS OF WEBSTER AND TOURNEUR. With an Introduction and Notes byJohn Addington Symonds.

With a Portrait of James Shirley, from the Picture in the Bodleian Gallery.

THE BEST PLAYS OF JAMES SHIRLEY. With an Introduction byEdmund Gosse.

With a View of the Old Fortune Theatre.

THE BEST PLAYS OF THOMAS DEKKER. With Introductory Essay and Notes byErnest Rhys.

With a Portrait of Congreve, from the Picture by Sir Godfrey Kneller.

THE COMPLETE PLAYS OF WILLIAM CONGREVE. Edited and annotated byAlex. C. Ewald.

In Two Vols., with Portraits of Beaumont and Fletcher.

THE BEST PLAYS OF BEAUMONT AND FLETCHER. With an Introduction and Notes byJ. St. Loe Strachey.

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THE BEST PLAYS OF THOMAS MIDDLETON. With an Introduction byAlgernon Charles Swinburne.

With a full-length Portrait of Alleyn, the Actor, from the Picture atDulwich College.

THE BEST PLAYS OF CHRISTOPHER MARLOWE. Edited, with Critical Memoir and Notes, byHavelock Ellis, and containing a General Introduction to the Series byJ. Addington Symonds.

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THE BEST PLAYS OF PHILIP MASSINGER. With a Critical and Biographical Essay and Notes byArthur Symons.

VIZETELLY & CO., 16, HENRIETTA ST., COVENT GARDEN, LONDON,AND ALL BOOKSELLERS.

Transcriber's Notes:Simple spelling, grammar, and typographical errors were corrected.Punctuation normalized.Anachronistic and non-standard spellings retained as printed.P. 171 moved stage direction "[Dies." to previous line. Although this is at the end of 'Pol.'s' line, it seems to be intended for Castalio.

Transcriber's Notes:

Simple spelling, grammar, and typographical errors were corrected.

Punctuation normalized.

Anachronistic and non-standard spellings retained as printed.

P. 171 moved stage direction "[Dies." to previous line. Although this is at the end of 'Pol.'s' line, it seems to be intended for Castalio.

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