AGENTS

To the old, long life and treasure;To the young, all health and pleasure.—Ben Jonson.

To the old, long life and treasure;To the young, all health and pleasure.

To the old, long life and treasure;

To the young, all health and pleasure.

—Ben Jonson.

Youth is a blunder; Manhood a struggle; Old Age a regret.—Disraeli.

We do not count a man's years, until he has nothing else to count.—Emerson.

To be seventy years young is sometimes far more cheerful and hopeful than to be forty years old.—O.W. Holmes.

"John, whatever induced you to buy a house in this forsaken region?"

"One of the best men in the business."—Life.

A farmer, according to this definition, is a man who makes his money on the farm and spends it in town. An agriculturist is a man who makes his money in town and spends it on the farm.

In certain parts of the west, where without irrigation the cultivators of the land would be in a bad way indeed, the light rains that during the growing season fall from time to time, are appreciated to a degree that is unknown in the east.

Last summer a fruit grower who owns fifty acres of orchards was rejoicing in one of these precipitations of moisture, when his hired man came into the house.

"Why don't you stay in out of the rain?" asked the fruit-man.

"I don't mind a little dew like this," said the man. "I can work along just the same."

"Oh, I'm not talking about that," exclaimed the fruit-man. "The next time it rains, you can come into the house. I want that water on the land."

They used to have a farming ruleOf forty acres and a mule.Results were won by later menWith forty square feet and a hen.And nowadays success we seeWith forty inches and a bee.—Wasp.

They used to have a farming ruleOf forty acres and a mule.Results were won by later menWith forty square feet and a hen.And nowadays success we seeWith forty inches and a bee.

They used to have a farming rule

Of forty acres and a mule.

Results were won by later men

With forty square feet and a hen.

And nowadays success we see

With forty inches and a bee.

—Wasp.

Blessed be agriculture! if one does not have too much of it.—Charles Dudley Warner.

When tillage begins, other arts follow. The farmers, therefore, are the founders of human civilization.—Daniel Webster.

MIKE (in bed, to alarm-clock as it goes off)—"I fooled yez that time. I was not aslape at all."

"Alert?" repeated a congressman, when questioned concerning one of his political opponents. "Why, he's alert as a Providence bridegroom I heard of the other day. You know how bridegrooms starting off on their honeymoons sometimes forget all about their brides, and buy tickets only for themselves? That is what happened to the Providence young man. And when his wife said to him, 'Why, Tom, you bought only one ticket,' he answered without a moment's hesitation, 'By Jove, you're right, dear! I'd forgotten myself entirely!'"

A party of Manila army women were returning in an auto from a suburban excursion when the driver unfortunately collided with another vehicle. While a policeman was taking down the names of those concerned an "English-speaking" Filipino law-student politely asked one of the ladies how the accident had happened.

"I'm sure I don't know," she replied; "I was asleep when it occurred."

Proud of his knowledge of the Anglo-Saxon tongue, the youth replied:

"Ah, madam, then you will be able to prove a lullaby."

"What is alimony, ma?"

"It is a man's cash surrender value."—Town Topics

The proof of the wedding is in the alimony.

"Why don't you give your wife an allowance?"

"I did once, and she spent it before I could borrow it back."

SeeChoices.

WILLIE—"Pa!"

PA—"Yes."

WILLIE—"Teacher says we're here to help others."

PA—"Of course we are."

WILLIE—"Well, what are the others here for?"

There was once a remarkably kind boy who was a great angler. There was a trout stream in his neighborhood that ran through a rich man's estate. Permits to fish the stream could now and then be obtained, and the boy was lucky enough to have a permit.

One day he was fishing with another boy when a gamekeeper suddenly darted forth from a thicket. The lad with the permit uttered a cry of fright, dropped his rod, and ran off at top speed. The gamekeeper pursued.

For about half a mile the gamekeeper was led a swift and difficult chase. Then, worn out, the boy halted. The man seized him by the arm and said between pants:

"Have you a permit to fish on this estate?

"Yes to be sure," said the boy, quietly.

"You have? Then show it to me."

The boy drew the permit from his pocket. The man examined it and frowned in perplexity and anger.

"Why did you run when you had this permit?" he asked.

"To let the other boy get away," was the reply. "He didn't have none!"

Oliver Herford sat next to a soulful poetess at dinner one night, and that dreamy one turned her sad eyes upon him. "Have you no other ambition, Mr. Herford," she demanded, "than to force people to degrade themselves by laughter?"

Yes, Herford had an ambition. A whale of an ambition. Some day he hoped to gratify it.

The woman rested her elbows on the table and propped her face in her long, sad hands, and glowed into Mr. Herford's eyes. "Oh, Mr. Herford," she said, "Oliver! Tell me about it."

"I want to throw an egg into an electric fan," said Herford, simply.

"Hubby," said the observant wife, "the janitor of these flats is a bachelor."

"What of it?"

"I really think he is becoming interested in our oldest daughter."

"There you go again with your pipe dreams! Last week it was a duke."

The chief end of a man in New York is dissipation; in Boston, conversation.

When you are aspiring to the highest place, it is honorable to reach the second or even the third rank.—Cicero.

The man who seeks one thing in life, and but one,May hope to achieve it before life be done;But he who seeks all things, wherever he goes,Only reaps from the hopes which around him he sowsA harvest of barren regrets.—Owen Meredith

The man who seeks one thing in life, and but one,

May hope to achieve it before life be done;

But he who seeks all things, wherever he goes,

Only reaps from the hopes which around him he sows

A harvest of barren regrets.

—Owen Meredith

Here's to the dearestOf all things on earth.(Dearest precisely—And yet of full worth.)One who lays siege toSusceptible hearts.(Pocket-books also—That's one of her arts!)Drink to her, toast her,Your banner unfurl—Here's to thepricelessAmerican Girl!—Walter Pulitzer.

Here's to the dearest

Of all things on earth.

(Dearest precisely—

And yet of full worth.)

One who lays siege to

Susceptible hearts.

(Pocket-books also—

That's one of her arts!)

Drink to her, toast her,

Your banner unfurl—

Here's to thepriceless

American Girl!

—Walter Pulitzer.

Eugene Field was at a dinner in London when the conversation turned to the subject of lynching in the United States.

It was the general opinion that a large percentage of Americans met death at the end of a rope. Finally the hostess turned to Field and asked:

"You, sir, must have often seen these affairs?"

"Yes," replied Field, "hundreds of them."

"Oh, do tell us about a lynching you have seen yourself," broke in half a dozen voices at once.

"Well, the night before I sailed for England," said Field, "I was giving a dinner at a hotel to a party of intimate friends when a colored waiter spilled a plate of soup over the gown of a lady at an adjoining table. The gown was utterly ruined, and the gentlemen of her party at once seized the waiter, tied a rope around his neck, and at a signal from the injured lady swung him into the air."

"Horrible!" said the hostess with a shudder. "And did you actually see this yourself?"

"Well, no," admitted Field apologetically. "Just at that moment I happened to be downstairs killing the chef for putting mustard in the blanc mange."

You can always tell the English,You can always tell the Dutch,You can always tell the Yankees—But you can't tell themmuch!

You can always tell the English,

You can always tell the Dutch,

You can always tell the Yankees—

But you can't tell themmuch!

A newspaper thus defined amusements:

The Friends' picnic this year was not as well attended as it has been for some years. This can be laid to three causes, viz.: the change of place in holding it, deaths in families, and other amusements.

I wish that my room had a floor;I don't so much care for a door;But this crawling aroundWithout touching the groundIs getting to be quite a bore.

I wish that my room had a floor;

I don't so much care for a door;

But this crawling around

Without touching the ground

Is getting to be quite a bore.

I am a great friend to public amusements; for they keep people from vice.—Samuel Johnson.

TOMMY—"My gran'pa wuz in th' civil war, an' he lost a leg or a arm in every battle he fit in!"

JOHNNY—"Gee! How many battles was he in?"

TOMMY—"About forty."

They thought more of the Legion of Honor in the time of the first Napoleon than they do now. The emperor one day met an old one-armed veteran.

"How did you lose your arm?" he asked.

"Sire, at Austerlitz."

"And were you not decorated?"

"No, sire."

"Then here is my own cross for you; I make you chevalier."

"Your Majesty names me chevalier because I have lost one arm. What would your Majesty have done had I lost both arms?"

"Oh, in that case I should have made you Officer of the Legion."

Whereupon the old soldier immediately drew his sword and cut off his other arm.

There is no particular reason to doubt this story. The only question is, how did he do it?

A western buyer is inordinately proud of the fact that one of his ancestors affixed his name to the Declaration of Independence. At the time the salesman called, the buyer was signing a number of checks and affixed his signature with many a curve and flourish. The salesman's patience becoming exhausted in waiting for the buyer to recognize him, he finally observed:

"You have a fine signature, Mr. So-and-So."

"Yes," admitted the buyer, "I should have. One of my forefathers signed the Declaration of Independence."

"So?" said the caller, with rising inflection. And then he added:

"Vell, you aind't got nottings on me. One of my forefathers signed the Ten Commandments."

In a speech in the Senate on Hawaiian affairs, Senator Depew of New York told this story:

When Queen Liliuokalani was in England during the English queen's jubilee, she was received at Buckingham Palace. In the course of the remarks that passed between the two queens, the one from the Sandwich Islands said that she had English blood in her veins.

"How so?" inquired Victoria.

"My ancestors ate Captain Cook."

Signor Marconi, in an interview in Washington, praised American democracy.

"Over here," he said, "you respect a man for what he is himself—not for what his family is—and thus you remind me of the gardener in Bologna who helped me with my first wireless apparatus.

"As my mother's gardener and I were working on my apparatus together a young count joined us one day, and while he watched us work the count boasted of his lineage.

"The gardener, after listening a long while, smiled and said:

"'If you come from an ancient family, it's so much the worse for you sir; for, as we gardeners say, the older the seed the worse the crop.'"

"Gerald," said the young wife, noticing how heartily he was eating, "do I cook as well as your mother did?"

Gerald put up his monocle, and stared at her through it.

"Once and for all, Agatha," he said, "I beg you will remember that although I may seem to be in reduced circumstances now, I come of an old and distinguished family. My mother was not a cook."

"My ancestors came over in the 'Mayflower.'"

"That's nothing; my father descended from an aëroplane."—Life.

When in England, Governor Foss, of Massachusetts, had luncheon with a prominent Englishman noted for boasting of his ancestry. Taking a coin from his pocket, the Englishman said: "My great-great-grandfather was made a lord by the king whose picture you see on this shilling." "Indeed!" replied the governor, smiling, as he produced another coin. "What a coincidence! My great-great-grandfather was made an angel by the Indian whose picture you see on this cent."

People will not look forward to posterity, who never look backward to their ancestors.—Burke.

From yon blue heavens above us bent,The gardener Adam and his wifeSmile at the claims of long descent.—Tennyson.

From yon blue heavens above us bent,The gardener Adam and his wifeSmile at the claims of long descent.

From yon blue heavens above us bent,

The gardener Adam and his wife

Smile at the claims of long descent.

—Tennyson.

Charlie and Nancy had quarreled. After their supper Mother tried to re-establish friendly relations. She told them of the Bible verse, "Let not the sun go down upon your wrath."

"Now, Charlie," she pleaded, "are you going to let the sun go down on your wrath?"

Charlie squirmed a little. Then:

"Well, how canIstop it?"

When a husband loses his temper he usually finds his wife's.

It is easy enough to restrain our wrath when the other fellow is the bigger.

MRS. JONES—"Does your husband remember your wedding anniversary?"

MRS. SMITH—"No; so I remind him of it in January and June, and get two presents."

"Suppose," asked the professor in chemistry, "that you were summoned to the side of a patient who had accidentally swallowed a heavy dose of oxalic acid, what would you administer?"

The student who, studying for the ministry, took chemistry because it was obligatory in the course, replied, "I would administer the sacrament."

"How fat and well your little boy looks."

"Ah, you should never judge from appearances. He's got a gumboil on one side of his face and he has been stung by a wasp on the other."

A certain theatrical troupe, after a dreary and unsuccessful tour, finally arrived in a small New Jersey town. That night, though there was no furore or general uprising of the audience, there was enough hand-clapping to arouse the troupe's dejected spirits. The leading man stepped to the foot-lights after the first act and bowed profoundly. Still the clapping continued.

When he went behind the scenes he saw an Irish stagehand laughing heartily. "Well, what do you think of that?" asked the actor, throwing out his chest.

"What d'ye mane?" replied the Irishman.

"Why, the hand-clapping out there," was the reply.

"Hand-clapping?"

"Yes," said the Thespian, "they are giving me enough applause to show they appreciate me."

"D'ye call thot applause?" inquired the old fellow. "Whoi, thot's not applause. Thot's the audience killin' mosquitoes."

Applause is the spur of noble minds, the end and aim of weak ones.—Colton.

O Popular Applause! what heart of man is proof against thy sweet, seducing charms?—Cowper.

A war was going on, and one day, the papers being full of the grim details of a bloody battle, a woman said to her husband:

"This slaughter is shocking. It's fiendish. Can nothing he done to stop it?"

"I'm afraid not," her husband answered.

"Why don't both sides come together and arbitrate?" she cried.

"They did," said he. "They did, 'way back in June. That's how the gol-durned thing started."

"He seems to be very clever."

"Yes, indeed, he can even do the problems that his children have to work out at school."

SONNY—"Aw, pop, I don't wanter study arithmetic."

POP—"What! a son of mine grow up and not he able to figure up baseball scores and batting averages? Never!"

TEACHER—"Now, Johnny, suppose I should borrow $100 from your father and should pay him $10 a month for ten months, how much would I then owe him?"

JOHNNY—"About $3 interest."

"See how I can count, mama," said Kitty. "There's my right foot. That's one. There's my left foot. That's two. Two and one make three. Three feet make a yard, and I want to go out and play in it!"

"Two old salts who had spent most of their lives on fishing smacks had an argument one day as to which was the better mathematician," said George C. Wiedenmayer the other day. "Finally the captain of their ship proposed the following problem which each would try to work out: 'If a fishing crew caught 500 pounds of cod and brought their catch to port and sold it at 6 cents a pound, how much would they receive for the fish?'

"Well, the two old fellows got to work, but neither seemed able to master the intricacies of the deal in fish, and they were unable to get any answer.

"At last old Bill turned to the captain and asked him to repeat the problem. The captain started off: 'If a fishing crew caught 500 pounds of cod and—.'

"'Wait a moment,' said Bill, 'is it codfish they caught?'

"'Yep,' said the captain.

"'Darn it all,' said Bill. 'No wonder I couldn't get an answer. Here I've been figuring on salmon all the time.'"

A new volunteer at a national guard encampment who had not quite learned his business, was on sentry duty, one night, when a friend brought a pie from the canteen.

As he sat on the grass eating pie, the major sauntered up in undress uniform. The sentry, not recognizing him, did not salute, and the major stopped and said:

"What's that you have there?"

"Pie," said the sentry, good-naturedly. "Apple pie. Have a bite?"

The major frowned.

"Do you know who I am?" he asked.

"No," said the sentry, "unless you're the major's groom."

The major shook his head.

"Guess again," he growled.

"The barber from the village?"

"No."

"Maybe"—here the sentry laughed—"maybe you're the major himself?"

"That's right. I am the major," was the stern reply.

The sentry scrambled to his feet.

"Good gracious!" he exclaimed. "Hold the pie, will you, while I present arms!"

The battle was going against him. The commander-in-chief, himself ruler of the South American republic, sent an aide to the rear, ordering General Blanco to bring up his regiment at once. Ten minutes passed; but it didn't come. Twenty, thirty, and an hour—still no regiment. The aide came tearing back hatless, breathless.

"My regiment! My regiment! Where is it? Where is it?" shrieked the commander.

"General," answered the excited aide, "Blanco started it all right, but there are a couple of drunken Americans down the road and they won't let it go by."

An army officer decided to see for himself how his sentries were doing their duty. He was somewhat surprised at overhearing the following:

"Halt! Who goes there?"

"Friend—with a bottle."

"Pass, friend. Halt, bottle."

"A war is a fearful thing," said Mr. Dolan.

"It is," replied Mr. Rafferty. "When you see the fierceness of members of the army toward one another, the fate of a common enemy must be horrible."

See alsoMilitary Discipline.

The colonel of a volunteer regiment camping in Virginia came across a private on the outskirts of the camp, painfully munching on something. His face was wry and his lips seemed to move only with the greatest effort.

"What are you eating?" demanded the colonel.

"Persimmons, sir."

"Good Heavens! Haven't you got any more sense than to eat persimmons at this time of the year? They'll pucker the very stomach out of you."

"I know, sir. That's why I'm eatin' 'em. I'm tryin' to shrink me stomach to fit me rations."

On the occasion of the annual encampment of a western militia, one of the soldiers, a clerk who lived well at home, was experiencing much difficulty in disposing of his rations.

A fellow-sufferer nearby was watching with no little amusement the first soldier's attempts to Fletcherize a piece of meat. "Any trouble, Tom?" asked the second soldier sarcastically.

"None in particular," was the response. Then, after a sullen survey of the bit of beef he held in his hand, the amateur fighter observed:

"Bill, I now fully realize what people mean when they speak of the sinews of war."—Howard Morse.

There was an old sculptor named Phidias,Whose knowledge of Art was invidious.He carved AphroditeWithout any nightie—Which startled the purely fastidious.—Gilbert K. Chesterton.

There was an old sculptor named Phidias,Whose knowledge of Art was invidious.He carved AphroditeWithout any nightie—Which startled the purely fastidious.

There was an old sculptor named Phidias,

Whose knowledge of Art was invidious.

He carved Aphrodite

Without any nightie—

Which startled the purely fastidious.

—Gilbert K. Chesterton.

The friend had dropped in to see D'Auber, the great animal painter, put the finishing touches on his latest painting. He was mystified, however, when D'Auber took some raw meat and rubbed it vigorously over the painted rabbit in the foreground.

"Why on earth did you do that?" he asked.

"Why you see," explained D'Auber, "Mrs Millions is coming to see this picture today. When she sees her pet poodle smell that rabbit, and get excited over it, she'll buy it on the spot."

A young artist once persuaded Whistler to come and view his latest effort. The two stood before the canvas for some moments in silence. Finally the young man asked timidly, "Don't you think, sir, that this painting of mine is—well—er—tolerable?"

Whistler's eyes twinkled dangerously.

"What is your opinion of a tolerable egg?" he asked.

The amateur artist was painting sunset, red with blue streaks and green dots.

The old rustic, at a respectful distance, was watching.

"Ah," said the artist looking up suddenly, "perhaps to you, too, Nature has opened her sky picture page by page! Have you seen the lambent flame of dawn leaping across the livid east; the red-stained, sulphurous islets floating in the lake of fire in the west; the ragged clouds at midnight, black as a raven's wing, blotting out the shuddering moon?"

"No," replied the rustic, "not since I give up drink."

Art is indeed not the bread but the wine of life.—Jean Paul Richter.

Now nature is not at variance with art, nor art with nature; they being both the servants of His providence. Art is the perfection of nature. Were the world now as it was the sixth day, there were yet a chaos. Nature hath made one world, and art another. In brief, all things are artificial; for nature is the art of God.—Sir Thomas Browne.

ARTIST—"I'd like to devote my last picture to a charitable purpose."

CRITIC—"Why not give it to an institution for the blind?"

"Wealth has its penalties." said the ready-made philosopher.

"Yes," replied Mr. Cumrox. "I'd rather be back at the dear old factory than learning to pronounce the names of the old masters in my picture-gallery."

CRITIC—"By George, old chap, when I look at one of your paintings I stand and wonder—"

ARTIST—"How I do it?"

CRITIC "No; why you do it."

He that seeks popularity in art closes the door on his own genius: as he must needs paint for other minds, and not for his own.—Mrs. Jameson.

The caller's eye had caught the photograph of Tommie Billups, standing on the desk of Mr. Billups.

"That your boy, Billups?" he asked.

"Yes," said Billups, "he's a sophomore up at Binkton College."

"Looks intellectual rather than athletic," said the caller.

"Oh, he's an athlete all right," said Billups. "When it comes to running up accounts, and jumping his board-bill, and lifting his voice, and throwing a thirty-two pound bluff, there isn't a gladiator in creation that can give my boy Tommie any kind of a handicap. He's just written for an extra check."

"And as a proud father you are sending it, I don't doubt," smiled the caller.

"Yes," grinned Billups; "I am sending him a rain-check I got at the hall-game yesterday. As an athlete, he'll appreciate its value."—J.K.B.

The supervisor of a school was trying to prove that children are lacking in observation.

To the children he said, "Now, children, tell me a number to put on the board."

Some child said, "Thirty-six." The supervisor wrote sixty-three.

He asked for another number, and seventy-six was given. He wrote sixty-seven.

When a third number was asked, a child who apparently had paid no attention called out:

"Theventy-theven. Changethatyou thucker!"

The following is a recipe for an author:

Take the usual number of fingers,Add paper, manila or white,A typewriter, plenty of postageAnd something or other to write.—Life.

Take the usual number of fingers,Add paper, manila or white,A typewriter, plenty of postageAnd something or other to write.

Take the usual number of fingers,

Add paper, manila or white,

A typewriter, plenty of postage

And something or other to write.

—Life.

Oscar Wilde, upon hearing one of Whistler'sbon motsexclaimed: "Oh, Jimmy; I wish I had said that!" "Never mind, dear Oscar," was the rejoinder, "you will!"

THE AUTHOR—"Would you advise me to get out a small edition?"

THE PUBLISHER—"Yes, the smaller the better. The more scarce a book is at the end of four or five centuries the more money you realize from it."

AMBITIOUS AUTHOR—"Hurray! Five dollars for my latest story, 'The Call of the Lure!'"

FAST FRIEND—"Who from?"

AMBITIOUS AUTHOR—"The express company. They lost it."

A lady who had arranged an authors' reading at her house succeeded in persuading her reluctant husband to stay home that evening to assist in receiving the guests. He stood the entertainment as long as he could—three authors, to be exact—and then made an excuse that he was going to open the front door to let in some fresh air. In the hall he found one of the servants asleep on a settee.

"Wake up!" he commanded, shaking the fellow roughly. "What does this mean, your being asleep out here? You must have been listening at the keyhole."

An ambitious young man called upon a publisher and stated that he had decided to write a book.

"May I venture to inquire as to the nature of the book you propose to write?" asked the publisher, very politely.

"Oh," came in an offhand way from the aspirant to literary fame, "I think of doing something on the line of 'Les Miserables,' only livelier, you know."

"So you have had a long siege of nervous prostration?" we say to the haggard author. "What caused it? Overwork?"

"In a way, yes," he answers weakly. "I tried to do a novel with a Robert W. Chambers hero and a Mary E. Wilkins heroine."—Life.

Mark Twain at a dinner at the Authors' Club said: "Speaking of fresh eggs, I am reminded of the town of Squash. In my early lecturing days I went to Squash to lecture in Temperance Hall, arriving in the afternoon. The town seemed very poorly billed. I thought I'd find out if the people knew anything at all about what was in store for them. So I turned in at the general store. 'Good afternoon, friend,' I said to the general storekeeper. 'Any entertainment here tonight to help a stranger while away his evening?' The general storekeeper, who was sorting mackerels, straightened up, wiped his briny hands on his apron, and said: 'I expect there's goin' to be a lecture. I've been sellin' eggs all day."

An American friend of Edmond Rostand says that the great dramatist once told him of a curious encounter he had had with a local magistrate in a town not far from his own.

It appears that Rostand had been asked to register the birth of a friend's newly arrived son. The clerk at the registry office was an officious little chap, bent on carrying out the letter of the law. The following dialogue ensued:

"Your name, sir?"

"Edmond Rostand."

"Vocation?"

"Man of letters, and member of the French Academy."

"Very well, sir. You must sign your name. Can you write? If not, you may make a cross."—Howard Morse.

George W. Cable, the southern writer, was visiting a western city where he was invited to inspect the new free library. The librarian conducted the famous writer through the building until they finally reached the department of books devoted to fiction.

"We have all your books, Mr. Cable," proudly said the librarian. "You see there they are—all of them on the shelves there: not one missing."

And Mr. Cable's hearty laugh was not for the reason that the librarian thought!

Brief History of a Successful Author: From ink-pots to flesh-pots—R.R. Kirk.

"It took me nearly ten years to learn that I couldn't write stories."

"I suppose you gave it up then?"

"No, no. By that time I had a reputation."

"I dream my stories," said Hicks, the author.

"How you must dread going to bed!" exclaimed Cynicus.

The five-year-old son of James Oppenheim, author of "The Olympian," was recently asked what work he was going to do when he became a man. "Oh," Ralph replied, "I'm not going to work at all." "Well, what are you going to do, then?" he was asked. "Why," he said seriously, "I'm just going to write stories, like daddy."

William Dean Howells is the kindliest of critics, but now and then some popular novelist's conceit will cause him to bristle up a little.

"You know," said one, fishing for compliments, "I get richer and richer, but all the same I think my work is falling off. My new work is not so good as my old."

"Oh, nonsense!" said Mr. Howells. "You write just as well as you ever did. Your taste is improving, that's all."

James Oliver Curwood, a novelist, tells of a recent encounter with the law. The value of a short story he was writing depended upon a certain legal situation which he found difficult to manage. Going to a lawyer of his acquaintance he told him the plot and was shown a way to the desired end. "You've saved me just $100," he exclaimed, "for that's what I am going to get for this story."

A week later he received a bill from the lawyer as follows: "For literary advice, $100." He says he paid.

"Tried to skin me, that scribbler did!"

"What did he want?"

"Wanted to get out a book jointly, he to write the book and I to write the advertisements. I turned him down. I wasn't going to do all the literary work."

At a London dinner recently the conversation turned to the various methods of working employed by literary geniuses. Among the examples cited was that of a well-known poet, who, it is said, was wont to arouse his wife about four o'clock in the morning and exclaim, "Maria, get up; I've thought of a good word!" Whereupon the poet's obedient helpmate would crawl out of bed and make a note of the thought-of word.

About an hour later, like as not, a new inspiration would seize the bard, whereupon he would again arouse his wife, saying, "Maria, Maria, get up! I've thought of a better word!"

The company in general listened to the story with admiration, but a merry-eyed American girl remarked: "Well, if he'd been my husband I should have replied, 'Alpheus, get up yourself; I've thought of a bad word!'"

"There is probably no hell for authors in the next world—they suffer so much from critics and publishers in this."—Bovee.

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