CHAPTER XVIII

CHAPTER XVIIIHARTLEY PULLS A NEW ONE

Looked like kind of a simple guy, this Hartley Tyler. I expect it was the wide-set, sort of starey eyes, or maybe the stiff way he had of holdin' his neck. If you'd asked me I'd said he might have qualified as a rubber-stamp secretary in some insurance office, or as a tea-taster, or as a subway ticket-chopper.

Anyway, he wasn't one you'd look for any direct action from. Too mild spoken and slow moving. And yet when he did cut loose with an original motion he shoots the whole works on one roll of the bones. He'd come out of the bond room one Saturday about closin' time and tip-toed hesitatin' up to where Piddie and I was havin' a little confab on some important business matter—such as whether the Corrugated ought to stand for the new demands of the window cleaners, or cut the contract to twice a month instead of once a week. Mr. Piddie would like to take things like that straight to Old Hickory himself, but he don't quite dare, so he holds me up and asks what I think Mr. Ellins would rule in such a case. I was justgiving him some josh or other when he notices Hartley standin' there patient.

"Well?" says Piddie, in his snappiest office-manager style.

"Pardon me, sir," says Hartley, "but several weeks ago I put in a request for an increase in salary, to take effect this month."

"Oh, did you?" says Piddie, springin' that sarcastic smile of his. "Do I understand that it was an ultimatum?"

"Why—er—I hadn't thought of putting it in that form, sir," says Hartley, blinkin' something like an owl that's been poked off his nest.

"Then I may as well tell you, young man," says Piddie, "that it seems inadvisable for us to grant your request at this time."

Hartley indulges in a couple more blinks and then adds: "I trust that I made it clear, Mr. Piddie, how important such an increase was to me?"

"No doubt you did," says Piddie, "but you don't get it."

"That is—er—final, is it?" asks Hartley.

"Quite," says Piddie. "For the present you will continue at the same salary."

"I'll see you eternally cursed if I do," observes Hartley, without changin' his tone a note.

"Eh?" gasps Piddie.

"Oh, go to thunder, you pin-head!" says Hartley, startin' back for the bond room to collect his eye-shade, cuff protectors and other tools of his trade.

"You—you're discharged, young man!" Piddie gurgles out throaty.

"Very well," Hartley throws over his shoulder. "Have it that way if you like."

Which is where I gets Piddie's goat still further on the rampage by lettin' out a chuckle.

"The young whipper-snapper!" growls Piddie.

"Oh, all of that!" says I. "What you going to do besides fire him? Couldn't have him indicted under the Lever act, could you?"

Piddie just glares and stalks off. Having been called a pin-head by a bond room cub he's in no mood to be kidded. So I follows in for a few words with Hartley. You see, I could appreciate the situation even better than Piddie, for I knew more of the facts in the case than he did. For instance, I had happened to be in Old Hickory's private office when old man Tyler, who's one of our directors, you know, had wished his only son onto our bond room staff.

He's kind of a rough old boy, Z. K. Tyler, one of the bottom-rungers who likes to tell how he made his start as fry cook on an owl lunch wagon. Course, now he has his Broad Street offices and is one of the big noises on the Curb market. Operatin' in motor stocks is his specialty, and when you hear of two or three concerns being merged and the minority holders howlin' about being gypped, or any little deal like that, you can make a safe bet that somewherein the background is old Z. K. jugglin' the wires and rakin' in the loose shekels. How he gets away with that stuff without makin' the rock pile is by me, but he seems to do it reg'lar.

And wouldn't you guess he'd be just the one to have finicky ideas as to how his son and heir should conduct himself. Sure thing! I heard him sketchin' some of 'em out to Old Hickory.

"The trouble with most young fellows," says he, "is that they're brought up too soft. Kick 'em out and let 'em rustle for themselves. That's what I had to do. Made a man of me. Now take Hartley. He's twenty-five and has had it easy all his life—city and country home, college, cars to drive, servants to wait on him, and all that. What's it done for him? Why, he has no more idea of how to make a dollar for himself than a chicken has of stirring up an omelette.

"Of course, I could take him in with me and show him the ropes, but he couldn't learn anything worth while that way. He'd simply be a copy-cat. He'd develop no originality. Besides, I'd rather see him in some other line. You understand, Ellins? Something a little more substantial. Got to find it for himself, though. He's got to make good on his own hook before I'll help him any more. So out he goes.

"Ought to have a year or so to pick up the elements of business, though. So let's find a place for him here in the Corrugated. No snapjob. I want him to earn every dollar he gets, and to live off what he earns. Do him good. Maybe it'll knock some of the fool notions out of his head. Oh, he's got 'em. Say, you couldn't guess what fool idea he came back from college with. Thought he wanted to be a painter. Uh-huh! An artist! Asked me to set him up in a studio. All because him and a room mate had been daubin' some brushes with oil paints at a summer school they went to during a couple of vacations. Seems a long-haired instructor had been telling Hartley what great talent he had. Huh! I soon cured him of that. 'Go right to it, son,' says I. 'Paint something you can sell for five hundred and I'll cover it with a thousand. Until then, not a red cent.' And inside of twenty-four hours he concluded he wasn't any budding Whistler or Sargent, and came asking what I thought he should tackle first. Eh? Think you could place him somewhere?"

So Old Hickory merely shrugs his shoulders and presses the button for Piddie. I expect he hears a similar tale about once a month and as a rule he comes across with a job for sonny boy. 'Specially when it's a director that does the askin'. Now and then, too, one of 'em turns out to be quite a help, and if they're utterly useless he can always depend on Piddie to find it out and give 'em the quick chuck.

As a rule this swift release don't mean much to the Harolds and Perceys except a welcome vacation while the old man pries open anotherside entrance in the house of Opportunity, Ltd., which fact Piddie is wise to. But in this ease it's a different proposition.

"Did you mean it, Tyler, handin' yourself the fresh air that way!" I asks him.

"Absolutely," says he, snappin' some rubber bands around, a neat little bundle.

"Who'd have thought you was a self starter!" says I. "What you going to do now?"

He hunches his shoulders. "Don't know," says he. "I must find something mighty quick, though."

"Oh, it can't be as desperate a case as that, can if?" I asks. "You know you'll get two weeks' pay and with that any single-footed young hick like you ought to——"

"But it happens I'm not single-footed," breaks in Hartley.

"Eh?" says I. "You don't mean you've gone and——"

"Nearly a month ago," says Hartley. "Nicest little girl in the world, too. You must have noticed her. She was on the candy counter in the arcade for a month or so."

"What!" says I. "The one with the honey-colored hair and the bashful behavin' eyes?"

Hartley nods and blushes.

"Say, you are a fast worker when you get going, ain't you?" says I. "Picked a Cutie-Sweet right away from all that opposition. But I judge she's no heiress."

"Edith is just as poor as I am," admits Hartley.

"How about your old man?" I goes on. "What did Z. K. have to say when he heard!"

"Suppose'we don't go into that," says Hartley. "As a matter of fact, I hung up the 'phone just as he was getting his second wind."

"Then he didn't pull the 'bless you, my children,' stuff, eh?" I suggests.

"No," says Hartley, grinnin'. "Quite the contrary. Anyway, I knew what to expect from him. But say, Torchy, I did have a pretty vague notion of what it costs to run a family these days."

"Don't you read the newspapers?" says I.

"Oh, I suppose I had glanced at the headlines," says Hartley. "And of course I knew that restaurant prices had gone up, and laundry charges, and cigarettes and so. But I hadn't shopped for ladies' silk hose, or for shoes, or—er—robes de nuit, or that sort of thing. And I hadn't tried to hire a three-room furnished apartment. Honest, it's something awful."

"Yes, I've heard something like that for quite a spell now," says I. "Found that your little hundred and fifty a month wouldn't go very far, did you?"

"Far!" says Hartley. "Why, it was like taking a one-gallon freezer of ice cream to a Sunday school picnic. Really, it seemed as if there were a thousand hands reaching out formy pay envelope the moment I got it. I don't understand how young married couples get along at all."

"If you did," says I, "you'd have a steady job explainin' the miracle to about 'steen different Congressional committees. How about Edith? Is she a help—or otherwise?"

"She's a good sport, Edith is," says Hartley. "She keeps me bucked up a lot. It was her decision that I just passed on to Mr. Piddie. We talked it all out last night; how impossible it was to live on my present salary, and what I should say if it wasn't raised. That is, all but the crude way I put it, and the pin-head part. We agreed, though, that I had to make a break, and that it might as well be now as later on."

"Well, you've made it," says I. "What now?"

"We've got to think that out," says Hartley.

"The best of luck to you," says I, as he starts toward the elevator.

And with that Hartley drops out. You know how it is here in New York. If you don't come in on the same train with people you know, or they work in different buildin's, or patronize some other lunch room, the chances of your seein' 'em more 'n once in six months are about as good as though they'd moved to St. Louis or Santa Fe.

I expect I was curious about what was goin' to happen to Hartley and his candy counterbride, maybe for two or three days. But it must have been as many weeks before I even heard his name mentioned. That was when old Z. K. blew into the private office one day and, after a half hour of business chat, remarks to Old Hickory; "By the way, Ellins, how is that son of mine getting on?"

"Eh?" says Old Hickory, starin' at him blank. "Son of yours with us? I'd forgotten. Let's see. Torchy, in what department is young Tyler now?"

"Hartley?" says I. "Oh, he quit weeks ago."

"Quit?" says Z. K. "Do you mean he was fired?"

"A little of both," says I. "Him and Mr. Piddie split about fifty-fifty on that. They had a debate about him gettin' a raise. No, he didn't leave any forwardin' address and he hasn't been back since."

"Huh!" says Z. K., scratchin' his left ear. "He'd had the impudence to go and get himself married, too. Think of that Ellins! A youngster who never did a stroke of real work in his life loads himself up with a family in these times. Well, I suppose he's finding out what a fool he is, and when they both get good and hungry he'll come crawling back. Oh yes, I'll give him a job this time, a real one. You know I've been rebuilding my country home down near Great Neck. Been having a deuce of a time doing it, too—materials held up,workmen going out on strikes every few days. I'll set Hartley to running a concrete mixer, or wheeling bricks when he shows up."

But somehow Hartley don't do the homeward crawl quite on schedule. At any rate, old Z. K. was in the office three or four times after that without mentionin' it, and you bet he would have cackled some if Hartley had come back. All he reports is that the house rebuildin' is draggin' along to a finish and he hopes to be able to move in shortly.

"Want you to drive over and see what you think of it," he remarks to Mr. Robert, once when Old Hickory happens to be out. "Only a few plasterers and plumbers and painters still hanging on. How about next Saturday? I've got to be there about 2 o'clock. What say?"

"I shall be very glad to," says Mr. Robert, who's always plannin' out ways of revisin' his own place.

If it hadn't been for some Western correspondence that needed code replies by wire I expect I should have missed out on this tour of inspection to the double-breasted new Tyler mansion. As it was Mr. Robert tells me to take the code book and my hat and come along with him in the limousine. So by the time we struck Jamaica I was ready to file the messages and enjoy the rest of the drive.

We finds old Z. K. already on the ground, unloadin' a morning grouch on a landscape architect.

"Be with you in a minute, Robert," says he. "Just wander in and look around."

That wasn't so easy as it sounded, for all through the big rooms was scaffolds and ladders and a dozen or more original members of the Overalls Club splashin' mortar and paint around. I was glancin' at these horny-handed sons of toil sort of casual when all of a sudden I spots one guy in a well-daubed suit of near-white ducks who looks strangely familiar. Walkin' up to the step-ladder for a closer view I has to stop and let out a chuckle. It's Hartley.

"Well, well!" says I. "So you did have to crawl back, eh?"

"Eh?" says he, almost droppin' a pail of white paint. "Why, hello, Torchy!"

"I see you're workin' for a real boss now," says I.

"Who do you mean?" says he.

"The old man," says I, grinnin'.

"Not much!" says Hartley. "He's only the owner, and precious little bossing he can do on this job. I'm working for McNibbs, the contractor."

"You—you mean you're a reg'lar painter?" says I, gawpin'.

"Got to be, or I couldn't handle a brush here," says Hartley. "This is a union job."

"But—but how long has this been goin' on, Hartley?" I asks.

"I've held my card for nearly three monthsnow," says he. "No, I haven't been painting here all that time. In fact, I came here only this morning. The president of our local shifted me down here for—for reasons. I'm a real painter, though."

"You look it, I must say," says I. "Like it better than being in the bond room?"

"Oh, I'm not crazy about it," says he. "Rather smelly work. But it pays well. Dollar an hour, you know, and time and a half for overtime. I manage to knock out sixty or so a week. Then I get something for being secretary of the Union."

"Huh!" says I. "Secretary, are you? How'd you work up to that so quick?"

"Oh, they found I could write fairly good English and was quick at figures," says he. "Besides, I'm always foreman of the gang. Do all the color mixing, you know. That's where my art school experience comes in handy."

"That ought to tickle the old man," says I. "Seen him yet?"

"No," says Hartley, "but I want to. Is he here?"

"Sure," says I. "He's just outside. He'll be in soon."

"Fine!" says Hartley. "Say, Torchy, stick around if you want to be entertained. I have a message for him."

"I'll be on hand," says I. "Here he comes now."

As old Z. K. stalks in, still red in the ears from his debate outside, Hartley climbs down off the step ladder. For a minute or so the old man don't seem to see him any more'n he does any of the other workmen that he's had to dodge around. Not until Hartley steps right up to him and remarks: "Mr. Tyler, I believe?" does Z. K. stop and let out a gasp.

"Hah!" he snorts. "Hartley, eh? Well, what does this mean—a masquerade?"

"Not at all," says Hartley. "This is my regular work."

"Oh, it is, eh?" says he. "Well, keep at it then. Why do you knock off to talk to me?"

"Because I have something to say to you, sir," says Hartley. "You sent a couple of non-union plumbers down here the other day, didn't you?"

"What if I did?" demands Z. K. "Got to get the work finished somehow, haven't I?"

"You'll never get it finished with scab labor, Mr. Tyler," says Hartley. "You have tried that before, haven't you? Well, this is final. Send those plumbers off at once or I will call out every other man on the job."

"Wh-a-a-at!" gasps Z. K. "You will! What in thunder have you got to do with it?"

"I've been authorized by the president of our local to strike the job, that's all," says Hartley. "I am the secretary. Here are my credentials and my union card."

"Bah!" snorts Z. K. "You impudent youngshrimp. I don't believe a word of it. And let me tell you, young man, that I'll send whoever I please to do the work here, unions or no unions."

"Very well," says Hartley. With that he turns and calls out: "Lay off, men. Pass the word on."

And say, inside of two minutes there isn't a lick of work being done anywhere about the place. Plasterers drop their trowels and smoothing boards, painters come down off the ladders, and all hands begin sheddin' their work clothes. And while Z. K. is still sputterin' and fumin' the men begin to file out with their tools under their arms. Meanwhile Hartley has stepped over into a corner and is leisurely peelin' off his paint-spattered ducks.

"See here, you young hound!" shouts Z. K. "You know I want to get into this house early next month. I—I've simply got to."

"The prospects aren't good," says Hartley.

Well, they had it back and forth like that for maybe five minutes before Z. K. starts to calm down a bit. He's a foxy old pirate, and he hates to quit, but he's wise enough to know when he's beaten.

"Rather smooth of you, son, getting back at me this way," he observes smilin' sort of grim. "Learned a few things, haven't you, since you've been knocking around?"

"Oh, I was bound to," says Hartley.

"Got to be quite a man, too—among painters, eh?" adds Z. K.

Hartley shrugs his shoulders.

"Could you call all those fellows back as easily as you sent them off?" demands Tyler.

"Quite," says Hartley. "I wouldn't, though, until you had fired those scab plumbers."

"I see," says Z. K. "And if I did fire 'em, do you think you have influence enough to get a full crew of union men to finish this job by next Saturday?"

"Oh, yes," says Hartley. "I could put fifty men at work here Monday morning—if I wanted to."

"H-m-m-m!" says Z. K., caressin' his left ear. "It's rather a big house for just your mother and me to live in. Plenty of room for another family. And I suppose a good studio could be fixed up on the third floor. Well, son, want to call it a trade?"

"I'll have to talk to Edith first," says Hartley. "I think she'll like it, and I'll bet you'll like her, too."

Uh-huh! From late reports I hear that Hartley was right both ways. A few days later Mr. Robert tells me that the Tylers are all preparin' to move out together. He had seen the whole four of 'em havin' a reunion dinner at the Plutoria, and says they all seemed very chummy.

"Just like they was members of One BigUnion, eh?" says I. "But say, Hartley's right up to date in his methods of handlin' a wrathy parent, ain't he? Call a strike on 'em. That's the modern style. I wonder if he's got it patented?"

CHAPTER XIXTORCHY GETS A HUNCH

Course, I only got my suspicions, and I ain't in position to call for the real facts in the case, but I'll bet if it came to a show down I could name the master mind that wished this backache and the palm blisters on me. Uh-huh! Auntie. I wouldn't put it past her, for when it comes to evenin' up a score she's generally right there with the goods. Deep stuff, as a rule, too.

I ain't denyin' either, but what Auntie had grounds for complaint. Maybe you remember how she came out to spend a quiet week-end with us after a nerve shatterin' night in town and near got chewed up by Buddy, the super-watch dog, and then was almost flooded out of bed because the attic storage tank ran over? Not that I didn't have a perfect alibi on both counts. I did. But neither registered with Auntie.

Still, this before-breakfast sod-turnin' idea comes straight from Vee. Ever try that for an appetizer? Go on, give it a whirl. Ought to be willin' to try anything once, you know. Some wise old guy said that, I understand. I'd liketo find the spot where he's laid away. I think I'd go plant a cabbage on his grave. Anyway, he's got some little tribute like that comin' from me.

Just turnin' up sod with a spade in the dewy morn. Listens kind of romantic, don't it! And you might like it first rate. Might agree with you. As for me, I've discovered that my system don't demand anything like that. Posi-tive-ly. I gave it a good try-out and the reactions wasn't satisfactory.

You see, it was this way: there's a narrow strip down by the road where our four-acre estate sort of pinches out, and Vee had planned to do some fancy landscape gardenin' on it—a bed of cannas down the middle, I believe, and then rows of salvia, and geraniums and other things. She had it all mapped out on paper. Also the bulbs and potted plants had arrived and were ready to be put in.

But it happens that Dominick, our official gardener, had all he could jump to just then, plantin' beans and peas and corn, and the helper he depended on to break up this roadside strip had gone back on him.

"How provoking!" says Vee. "I am so anxious to get those things in. If the ground was ready I would do the planting myself. I just wish"—and then she stops.

"Well, let's have it," says I. "What's your wish?"

"Oh, nothing much Torchy," says she. "Butif I were strong enough to dig up that sod I wouldn't have to wait for any pokey Italian."

"Why couldn't I do it?" I suggests reckless.

"You!" says Vee, and then snickers.

Say, if she'd come poutin' around, or said right out that she didn't see why I couldn't make myself useful now and then, I'd have announced flat that gardenin' was way out of my line. But when she snickers—well, you know how it is.

"Yessum! Me," says I. "It ain't any art, is it, just stirrin' up the ground with a spade? And how do you know, Vee, but what I'm the grandest little digger ever was? Maybe it's a talent I've been concealin' from you all along."

"But it's rather hard work, turning old sod, and getting out all the grass roots and rocks," says she. "It takes a lot of strength."

"Huh!" says I. "Feel of that right arm."

"Yes," says she, "I believe you are strong, Torchy. But when could you find the time?"

"I'd make it," says I. "All I got to do is to roll out of the cot an hour or so earlier in the morning. Wouldn't six hours do the job? Well, two hours a day for three days, and there you are. Efficiency stuff. That's me. Lead me to it."

Vee gazes at me admirin'. "Aren't you splendid, Torchy!" says she. "And I'm sure the exercise will do you a lot of good."

"Sure!" says I. "Most likely I'll get the habit and by the end of the summer I'll be areg'lar Sandow. Now where's that kitchen alarm clock? Let's see. M-m-m-m! About 5:30 will do for a starter, eh?"

Oh, I'm a determined cuss when I get going. Next mornin' the sun and me punched in at exactly the same time, and I don't know which was most surprised. But there I was, associatin' with the twitterin' little birds and the early worms, and to show I was just as happy as they were I hums a merry song as I swings out through the dewy grass with the spade over my shoulder.

Say, there's no fake about the grass being dewy at that hour, either. I hadn't gone more 'n a dozen steps through it before my feet were as soggy as if I'd been wadin' in a brook. I don't do any stallin' around, same as these low brow labor gangs. I pitches right in earnest and impetuous, makin' the dirt fly. Why, I had the busy little bee lookin' like he was loafin' on a government contract.

I was just about gettin' my second wind and was puttin' in some heavy licks when I hears somebody tootin' a motor horn out in the road. I looks up to find that it's that sporty neighbor of mine, Nick Barrett, who now and then indulges a fad for an early spin in his stripped roadster. He has collected his particular chum, Norris Bagby, and I expect they're out to burn up the macadam before the traffic cops go on duty.

"What's the big idea, Torchy?" sings outNick. "Going to bury a cat, or something?"

"Nothing tragic like that," says I. "Just subbin' in for the gardener. Pulling a little honest toil, such as maybe you've read about but haven't met."

"Doing it on a bet, I suppose?" suggests Norris.

"Ah, run along and don't get comic," says I.

And with that I tears into the sod again, puttin' both shoulders and my back into the swing. I don't let up, either, until I think it must be after 7 o'clock, and then I stops long enough to look at my watch. It's just 6:20. Well, I expect I slowed up some from then on. No use tryin' to dig all over that ground in one morning. And at 6:35 I discovers that I'd raised a water blister on both palms. Ten minutes later I noticed this ache in my back and arms.

"Oh, well!" says I, "gotta take time to change and wash up."

At that I didn't feel so bad. After a shower and a fresh outfit from the socks up I was ready to tackle three fried eggs and two cups of coffee. On the way to the station I glanced proud at what I'd accomplished. But somehow it didn't look so much. Just a little place in one corner.

Course, goin' in on the 8:03 I had to stand for a lot of kiddin'. They're a great bunch of humorists, them commuters. Nick and Norrie has spread the news around industrious aboutmy sunrise spadin' stunt, and everybody has to pull his little wheeze.

"How's the old back feel about now; eh, Torchy?" asks one.

"Great stuff!" says another. "Everybody does it—once."

"The boy's clever with the spade, I'll say," adds Nick. "Let's all turn out tomorrow morning and watch him. He does it regular, they tell me."

I grinned back at 'em as convincin' as I could. For somehow I wasn't just in the mood for grinnin'. My head was achin' more or less, and my back hurt, and my palms were sore. By noon I was a wreck. Absolutely. And when I thought of puttin' in two or three more sessions like that I had to groan. Could I do it? On the other hand, could I renig on the job after all that brash line of talk I'd given Vee?

Say, it was all I could do to limp out to luncheon. I didn't want much, but I thought maybe some tea and toast would make me feel better. And it was in a restaurant that I ran across this grouchy Scotchman, MacGregor Shinn, who sold me the place here a while back.

"Maybe you don't know it, Mac," says I, "but you're a wise guy."

"Am I, though?" says he. "I hadn't noticed it myself. Just how, now?"

"Unloadin' that country property on me," says I. "I used to wonder why you let go of it. I don't any more. I've got the right hunchat last. You got up bright and early one morning and tried digging around with a spade. Eh?"

Mac stares at me sort of puzzled. "Not me," says he. "Whatever put that in your mind, me lad?"

"Ah, come!" says I. "With all that land lyin' around you was bound to get reckless with a spade some time or other. Might not have been flower beds you was excavatin' for, same as me. Maybe you was specializin' on spuds, or cabbages. But I'll bet you had your foolish spell."

Mr. Shinn shakes his head. "All the digging I ever did out there," says he, "was with a niblick in the bunkers of the Roaring Rock golf course. No, I'm wrong."

"Ha, ha!" says I. "I thought so."

"Yes," he goes on, rubbin' his chin reminiscent, "I mind me of one little job of digging I did. I had a cook once who had a fondness for gin that was scandalous. Locking it up was no good, except in my bureau drawers, so one time when I had an extra case of Gordon come in I sneaked out at night and buried it. That was just before I sold the place to you and—By George, me lad!"

Here he has stopped and is gazin' at me with his mouth open.

"Well?" says I.

"I canna mind digging it up again," says he.

"That doesn't sound much like a Scotchman,"says I, "being so careless with good liquor. But you were in such a rush to get back to town maybe you did forget. Where did you plant it?"

Mac scratches his head. "I canna seem to think," says he.

And about then I begins to get a glimmer of this brilliant thought of mine. "Would it have been in that three-cornered strip that runs along by the road?" I asks.

"It might," says he.

I didn't press him for any more details. I'd heard enough. I finished my invalid's lunch and slid out. But say, when I caught the 5:13 out to Harbor Hills that afternoon I had something all doped out to slip to that bunch of comic commuters. I laid for 'em in the smokin' car, and when Nick Barrett discovers me inspectin' my palm blisters he starts in with his kidding again.

"Oh, you'll be able to get out and dig again in a week or so," says he.

"I hope so," says I.

"Still strong for it, eh?" says he.

"Maybe if you knew what I was diggin' for," says I, "you'd—well, there's no tellin'."

"Eh?" says he. "Whaddye mean?"

I shakes my head and looks mysterious.

"Isn't it green corn, or string beans that you're aimin' at, Torchy?" he asks.

"Not exactly," says I. "Vegetable raisin'ain't in my line. I leave that to Dominick. But this—oh, well!"

"You don't mean," insists Nick, eyein' me close, "buried treasure!"

"I expect some would call it that—in these days," says I.

Uh-huh! I had him sittin' up by then, with his ear stretched. And I must say that from then on Nick does some scientific pumpin'. Not that I let out anything in so many words, but I'm afraid he got the idea that what I was after was something money couldn't buy. That is, not unless somebody violated a sacred amendment to the grand old constitution. In fact, I may have mentioned casually that a whole case of Gordon was worth riskin' a blister here and there.

As for Nick, he simply listens and gasps. You know how desperate some of them sporty ginks are, who started out so gay only a year or so ago with a private stock in the cellar that they figured would last 'em until the country rose in wrath and undid Mr. Volstead's famous act? Most of 'em are discoverin' what poor guessers they were. About 90 per cent are bluffin' along on home brew hooch that has all the delicate bouquet of embalmin' fluid and produced about the same effect as a slug of liquid T. N. T., or else they're samplin' various kinds of patent medicines and perfumes. Why, I know of one thirsty soul who tries to work up a dinner appetite by rattlin' a handful of shingle nails inthe old shaker. And if Nick Barrett has more 'n half a bottle of Martini mixture left in the house he sleeps with it under his pillow. So you can judge how far his tongue hangs out when he gets me to hint that maybe a whole case of Gordon is buried somewhere on my premises.

"Torchy," says he, shakin' me solemn by the hand, "I wish you the best of luck. If you'll take my advice, though, you won't mention this to anyone else."

Oh, no, I didn't. That is, only to Norrie Bagby and one or two others that I managed to get a word with on the ride home.

Vee was mighty sympathetic about the blisters and the way my back felt. I was dosed and plastered and put to bed at 8:30 to make up for all the sleep I'd lost at the other end of the day.

"And we'll not bother any more about the silly old flowers," says she. "If Dominick can't find time to do the spading we'll just let it go."

"No," says I, firm and heroic. "I'm no quitter, Vee. I said I'd get it done within three days and I stick to it."

"Torchy," says she, "don't you dare try getting up again at daylight and working with your poor blistered hands. I—I shall feel dreadfully about it, if you do."

"Well, maybe I will skip tomorrow mornin'," says I, "but somehow or other that diggin' has got to be done."

"I only wish Auntie could hear you say that," says Vee, pattin' me gently on the cheek.

"Why Auntie?" I asks.

"Oh, just because," says Vee.

With that she fixes me up all comfy on the sleepin' porch and tells me to call her if I want anything.

"I won't," says I. "I'm all set for slumber. It's goin' to be a fine large night, ain't it!"

"Perfect," says Vee.

"Moon shinin' and everything?" says I.

"Yes," says she.

"Then here's hoping," says I.

"There, there!" says Vee. "I'm afraid you're a little feverish."

Maybe I was, but I didn't hear another thing until more 'n ten hours later when I woke up to find the sun winkin' in at me through the shutters.

"Did you have a good night's rest?" asks Vee.

"As good as they come," says I. "How about you!"

"Oh, I slept fairly well," says she. "I was awake once or twice. I suppose I was worrying a little about you. And then I thought I hear strange noises."

"What sort of noises?" I asks.

"Oh, like a lot of men walking by," says she. "That must have been nearly midnight. They were talking low as they passed, and it almost sounded as if they were carrying toolsof some sort. Then along towards morning I thought I heard them pass again. I'm sure some of them were swearing."

"Huh!" says I. "I wonder what they could have been peeved about on such a fine night?"

"Or I might have been simply dreaming," she adds.

"Yes, and then again," says I, smotherin' a chuckle.

I could hardly wait to dress and shave before rushin' out to inspect the spot where I'd almost ruined myself only the mornin' before. And it was something worth inspectin'. I'll say. Must be nearly half an acre in that strip and I expect that sod has been growin' for years untouched by the hand of man. At 6 P. M. last night it was just a mass of thick grass and dandelions, but now—say, a tractor plough and a gang of prairie tamers couldn't have done a more thorough job. If there was a square foot that hadn't been torn up I couldn't see it with the naked eye.

Course, it aint all smooth and even. There was holes here and there, some of 'em three feet deep, but about all the land needed now was a little rakin' and fillin' in, such as Dominick could do in his spare time. The cheerin' fact remains that the hard part of the work has been done, silent and miraculous, and without price.

I shouts for Vee to come out and see. It ain't often, either, that I can spring anythingon her that leaves her stunned and bug-eyed.

"Why, Torchy!" says she, gaspy. "How in the world did you ever manage it? I—I don't understand."

"Oh, very simple!" says I. "It's all in havin' the right kind of neighbors."

"But you don't mean," says she, "that you persuaded some of our—oh, I'm sure you never could. Besides, you're grinning. Torchy, I want you to tell me all about it. Come, now! Exactly what happened last night?"

"Well," says I, "not being present myself I could hardly tell that. But I've got a good hunch."

"What is it!" she insists.

"From your report of what you heard," says I, "and from the looks of the ground 'n everything, I should judge that the Harbor Hills Exploring and Excavating Co. had been making a night raid on our property."

"Pooh!" says Vee. "I never heard of such a company. But if there is one, why should they come here?"

"Oh, just prospectin', I expect," says I.

"For what?" demands Vee.

"For stuff that the 18th amendment says they can't have," says I. "Gettin' down to brass tacks, for a case of dry gin."

Even that don't satisfy Vee. She demands why they should dig for any such thing on our land.

"They might have heard some rumor," saysI, "that MacGregor Shinn went off and left it buried there. As though a Scotchman could ever get as careless as that. I don't believe he did. Anyway, some of them smart Alec commuters who were kiddin' me so free yesterday must have worked up blisters of their own. My guess is that they lost some sleep, too."

You don't have to furnish Vee with a diagram of a joke, you know, before she sees it. At that she squints her eyes and lets out a snicker.

"I wonder, Torchy," says she, "who could have started such a rumor?"

"Yes, that's the main mystery, ain't it?" says I. "But your flower bed is about ready, ain't it?"

CHAPTER XXGIVING 'CHITA A LOOK

I got to admit that there's some drawbacks to being a 100 per cent perfect private see. Not that I mind making myself useful around the general offices. I'm always willin' to roll up my sleeves any time and save the grand old Corrugated Trust from going on the rocks. I'll take a stab at anything, from meetin' a strike committee of the Amalgamated Window Washers' Union to subbin' in as president for Old Hickory at the annual meetin'. And between times I don't object to makin' myself as handy as a socket wrench. That is, so long as it's something that has to do with finance, high or low.

But say, when they get to usin' me in strictly fam'ly affairs, I almost work up a grouch. Notice the almost. Course, with this fair-and-warmer disposition of mine I can't quite register. Not with Mr. Robert, anyway. He has such a matey, I-say-old-chap way with him. Like here the other day when he comes strollin' out from the private office rubbin' his chin puzzled, stares around for a minute, and then makes straight for my desk.

"Well," says he, "I presume you noted the arrival of the prodigal son; eh, Torchy?"

"Meaning Ambrose the Ambler?" says I.

"The same," says he.

"They will come back even from South America," says I. "And you was figurin', I expect, how that would be a long, wet walk. But then, nothing was ever too wet for Amby, and the only fear he had of water was that he might get careless some time and swallow a little."

"Quite so," says Mr. Robert, grinnin'.

You see, this Ambrose Wood party is only an in-law once removed. Maybe you remember Ferdy, who had the nerve to marry Marjorie Ellins, the heavyweight sister of Mr. Robert's, here a few years back? Well, that was when the Ellinses acquired a brunette member of the flock. Ambrose is a full brother of Ferdy's. In every sense. That is, he was in the good old days when Mr. Volstead was only a name towards the end of roll call.

I ought to know more or less about Amby for we had him here in the general offices for quite some time, tryin' to discover if there wasn't some sphere of usefulness that would excuse us handin' him a pay envelope once a week. There wasn't. Course, we didn't try him as a paper weight or a door stop. But he had a whirl at almost everything else. And the result was a total loss.

For one thing, time clocks meant no more to Amby than an excursion ad. would to a SingSing lifer. Amby wasn't interested in 'em. He'd drift in among the file room or bond clerks, or whatever bunch he happened to be inflicted on that particular month, at any old hour, from 10 A. M. up to 2:30 P. M. Always chirky and chipper about it, too. And his little tales about the parties he'd been to on the night before was usually interestin'. Which was bad for the general morale, as you can guess. Also his light and frivolous way of chuckin' zippy lady stenogs under the chin and callin' 'em "Dearie" didn't help his standin' any. Yeauh! He was some boy, Amby, while he lasted. Three different times Brother Ferdie was called from his happy home at night to rush down with enough cash bail to rescue Ambrose from a cold-hearted desk sergeant, and once he figured quite prominent on the front page of the morning papers when he insisted on confidin' to the judge that him and the young lady in the taxi was really the king and queen of Staten Island come over to visit upper Broadway. I don't doubt that Amby thought he was something of the kind at the time, too, but you know how the reporters are apt to play up an item of that kind. And of course they had to lug in the fact that Ambrose was a near-son-in-law of the president of the Corrugated Trust.

That was where Old Hickory pushed the button for me. "Young man," says he, chewin' his cigar savage, "what should you say wasthe longest steamer trip that one could buy a ticket for direct from New York?"

"Why," says I, "my guess would be Buenos Ayres."

"Very well," says he, "engage a one way passage on the next boat and see that Mr. Ambrose Wood stays aboard until the steamer sails."

Which I did. Ambrose didn't show any hard feelin's over it. In fact, as I remember, he was quite cheerful. "Tell the old hard boiled egg not to worry about me," says he. "He may be able to lose me this way for a while, but I'm not clear off the map yet. I'll be back some day."

Must have been more 'n three years ago, and as I hadn't heard Amby's name mentioned in all that time I joined in the general surprise when I saw him trailin' in dressed so neat and lookin' so fit.

"On his way to hand Ferdy the glad jolt, eh?" I asks.

"No," says Mr. Robert. "Ambrose seems quite willing to postpone meeting his brother for a day or so. He has just landed, you see, and doesn't care to dash madly out into the suburbs. What he wishes most, as I understand, is to take a long, long look at New York."

"Well, after three years' exile," says I, "you can hardly blame him for that."

Mr. Robert hunches his shoulders. "I suppose one can't," says he. "Only it leaves himon my hands, as it were. Someone must do the family honors—dinner, theatre, all that sort of thing. And if I were not tied up by an important committee meeting out at the country club I should be very glad to—er—"

"Ye-e-es?" says I, glancin' at him suspicious.

"You've guessed it, Torchy," says he. "I must leave them to you."

"Whaddye mean, them?" says I. "I thought we was talking about Ambrose."

"Oh, certainly," says Mr. Robert. "But Mrs. Wood is with him, he says. In fact they came up together. Same boat. They would, you know. Charming young woman. At least, so I inferred from what Ambrose said. One of those dark Spanish beauties such as—"

"Check!" says I. "That lets me out. All the Spanish I know is 'Multum in parvo' and I forget just what that means now. I couldn't talk to the lady a-tall."

But Mr. Robert insists I don't have to be conversational with her, or with Ambrose, either. All he wants me to do is steer 'em to some nice, refined place regardless of expense, give 'em a welcome-home feed that will make 'em forget that the Ellins family is only represented by proxy, tow 'em to some high-class entertainment, like "The Boudoir Girls," and sort of see that Ambrose lands back at his hotel without having got mixed up with any of his old set.

"Oh!" says I. "Kind of a he-chaperone act, eh?"

That seems to be the general idea, and as he promises to stop in at the house and fix things up for me at home, and pushes a roll of twenties at me to spray around with as I see fit, of course, I has to take the job. I trails in with Mr. Robert while he apologizes elaborate to Ambrose and explains how he's had to ask me to fill in.

"Perfectly all right, old man," says Ambrose. "In fact—well, you get the idea, eh? The little wife hasn't quite got her bearings yet. Might feel better about meeting her new relatives after she's been around a bit. And Torchy will do fine."

He tips me the wink as Mr. Robert hurries off.

"Same old cut-up, eh, Amby?" says I.

"Who me?" says he. "No, no! Nothing like that. Old married man, steady as a church. Uh-huh! Two years and a half in the harness. You ought to see the happy hacienda we call home down there. Say, it's forty-eight long miles out of Buenos Ayres. Can you picture that! El Placida's the name of the cute little burg. It looks it. They don't make 'em any more placid anywhere."

"I wonder you picked it then," says I.

"I didn't exactly," says Ambrose. "El Placida rather picked me. Funny how things work out sometimes. Got chummy with an oldboy going down on the boat, Senor Alvarado. Showed him how to play Canfield and Russian bank and gave him the prescription for mixing a Hartford stinger. Before we crossed the line he thought I was an ace. Wanted to know what I was going to do down in his great country. 'Oh, anything that will keep me in cigarettes,' says I. 'You come with me and learn the wool business,' says he. 'It's a bet,' says I. So instead of being stranded in a strange land and nibbling the shrubbery for lunch, as my dear brother and the Ellinses had doped out, I lands easy on my feet with a salary that starts when I walks down the gank plank. Only I have to be in El Placida to draw my pay."

"But you made good, did you?" I asks.

"I did as long as Senor Alvarado was around to back me up," says Amby, "but when he slides down to the city for a week's business trip and turns me over to that Scotch superintendent of his the going got kind of rough. Mr. McNutt sends me out with a flivver to buy wool around the country. Looked easy. Buying things used to be my long suit. I bought a lot of wool. But I expect some of them low-browed rancheros must have gypped me good and plenty. Anyway, McNutt threw a fit when he looked over my bargains. He didn't do a thing but fire me, right off the reel. Honest, I'd never been fired so impetuous or so enthusiastic. He invites me to get off the place, which means hiking back to Buenos Ayres.

"Well, what can you do with a Scotchman who's mad clear to the marrow? Especially a rough actor like McNutt. I'd already done a mile from the village when along comes 'Chita in her roadster. You know, old man Alvarado's only daughter. Some senorita, 'Chita is. You should have seen those black eyes of her's flash when she heard how abrupt I'd been turned loose. 'We shall go straight to papa,' says she. 'He will tell Senor McNutt where he gets off.' She meant well, 'Chita. But I had my doubts. I knew that Alvarado was pretty strong for McNutt. I'd heard him say there wasn't another man in the Argentine who knew more about wool than McNutt, and if it came to a showdown as to which of us stayed on I wouldn't have played myself for a look in.

"So while 'Chita is stepping on the gas button and handing out a swell line of sympathy I begins to hint that there's one particular reason why I hated to leave El Placida. Oh, we'd played around some before that. Strictly off stage stuff, though; a little mandolin practice in the moonlight, a few fox trot lessons, and so on. But before the old man I'd let on to be skirt shy. It went big with him, I noticed. But there in the car I decides that the only way to keep in touch with the family check book is to make a quick bid for 'Chita. So I cut loose with the best Romeo lines I had in stock. Twice 'Chita nearly ditched us, but finally she pulls up alongside the road and gives her whole attention towhat I had to say. Oh, they know how to take it, those sonoritas. She'd had a whole string of young rancheros and caballeros dangling around her for the past two years. But somehow I must have had a lucky break, for the next thing I knew we'd gone to a fond clinch and it was all over except the visit to the church."

"And you married the job, eh?" says I. "Fast work, I'll say. But how did papa take it?"

"Well, for the first ten minutes," says Ambrose, "I thought I'd been caught out in a thunderstorm while an earthquake and a sham battle were being staged. But pretty soon he got himself soothed down, patted me on the shoulder and remarked that maybe I'd do as well as some others that he hadn't much use for. And while he didn't make McNutt eat his words or anything like that, he gave him to understand that a perfectly good son-in-law wasn't expected to be such a shark at shopping for wool. Anyway, we've been getting along fairly well ever since. You have to, in a place like El Placida."

"And this is a little postponed honeymoon tour, eh?" I suggests.

"Hardly," says Ambrose. "I hope it's a clean break away from the continent of South America in general and El Placida in particular."

"Oh!" says I. "Will Senor Alvarado stake you to that?"

"He isn't staking anybody now," says Ambrose. "Uh-huh! Checked out last winter. Good old scout. Left everything to 'Chita, the whole works. And I've been ever since then trying to convince her that the one spot worth living in anywhere on the map is this little old burg with Broadway running through the middle."

"That ought to be easy," says I.

"Not with a girl who's been brought up to think that Buenos Ayres is the last word in cities," says Ambrose. "Why, she's already begun to feel sorry for the bellhops and taxi drivers and salesladies because she's discovered that not one of 'em knows a word of Spanish. Asks me how all these people manage to amuse themselves evenings with no opera to go to, no band playing on the plaza, and so on. See what I'm up against, Torchy?"

"I get a glimmer," says I.

"That's why I'm glad you are going to tow us around," he goes on, "instead of Bob Ellins. He's a back number, Bob. Me, too, from having been out of it all so long. Why, I've only been scouting about a little, but I can't find any of the old joints."

"Yes, a lot of 'em have been put out of business," says I.

"Must be new ones just as good though," heinsists. "The live wires have to rally around somewhere."

"I don't know about that," says I. "This prohibition has put a crimp in—"

"Oh, you can't tell me!" breaks in Ambrose. "Maybe it's dimmed the lights some in Worcester and Toledo and Waukegan, but not in good old Manhattan. Not much! I know the town too well. Our folks just wouldn't stand for any of that Sahara bunk. Not for a minute. Might have covered up a bit—high sign necessary, side entrances only, and all that. But you can't run New York without joy water. It's here. And so are the gay lads and lassies who uncork it. We want to mingle with 'em, 'Chita and yours truly. I want her to see the lights where they're brightest, the girls where they're gayest. Want to show her how the wheels go 'round. You get me; eh, Torchy?"

"Sure!" says I.

What was the use wastin' any more breath? Besides, I'd been hearin' a lot of these young hicks talk big about spots where the lid could be pried off. Maybe it was so. Ambrose and 'Chita should have a look, anyway. And I spent the rest of the afternoon interviewin' sporty acquaintances over the 'phone, gettin' dope on where to hunt for active capers and poppin' corks. I must say, too, that most of the steers were a little vague. But, then, you can't tell who's who these days, with so manyministers givin' slummin' parties and Federal agents so thick.

When I sails around to the Plutoria to collect Amby and wife about 6:30 I finds 'Chita all gussied up like she was expectin' big doings. Quite a stunner she is, with them high voltage black eyes, and the gold ear hoops, and in that vivid colored evening gown. And by the sparkle in her eyes I can guess she's all primed for a reg'lar party.

"How about the old Bonaparte for the eats?" I says to Ambrose.

"Swell!" says he. "I remember giving a little dinner for four there once when we opened—"

"Yes, I know," says I. "Here's the taxi."

Did look like kind of a jolly bunch, too, down there in the old dining-room—orchestra jabbin' away, couple of real Jap girls floatin' around with cigars and cigarettes, and all kinds of glasses on the tables. But you should have seen Amby's jaw drop when he grabs the wine list and starts to give an order.

"What the blazes is a grenadine cocktail or—or a pineapple punch?" he demands.

"By me," says I. "Why not sample some of it?"

Which he does eager. "Bah!" says he. "Call that a cocktail, do they? Nothing but sweetened water colored up. Here, waiter! Call the chief."

All Ambrose could get out of the head waiter,though, was shoulder shrugs and regrets. Nothing doing in the real red liquor line. "The champagne cider iss ver' fine, sir," he adds.

"Huh!" says Ambrose. "Ought to be at four fifty a quart. Well, we'll take a chance."

Served it in a silver bucket, too. It had the familiar pop, and the bubbles showed plain in the hollow stemmed glasses, but you could drink a gallon of it without feelin' inspired to do anything wilder than call for a life preserver.

The roof garden girl-show that we went to afterwards was a zippy performance, after it's kind. Also there was a bar in the lobby. Amby shoved up to that prompt—and came back with two pink lemonades, at 75 cents a throw.

"Well," says I, "ain't there mint on top and a cherry in the bottom?"

"And weak lemonade in between," grumbles Ambrose. "What do they take me for, a gold fish?"

"We'll try a cabaret next," says I.

We did. They had the place fixed up fancy, too, blue and green toy balloons floatin' around the ceilin', a peacock in a big gold cage, tables ranged around the dancin' space, and the trombone artist puttin' his whole soul into a pumpin' out "The Alcoholic Blues." And you could order most anything off the menu, from a poulet casserole to a cheese sandwich. Amby and 'Chita splurged on a cafe parfait and a grape juice rickey. Other dissipated couples at nearby tables were indulgin' in canapes of caviar andfrosted sarsaparillas. But shortly after midnight the giddy revellers begun to thin out and the girl waiters got yawny.

"How about a round of strawb'ry ice cream sodas; eh, Amby?" I suggests.

"No," says he, "I'm no high school girl. I've put away so much of that sweet slush now that I'll be bilious for a week. But say, Torchy, honest to goodness, is Broadway like this all the time now?"

"No," says I. "They're goin' to have a Y.W.C.A. convention here next week and I expect that'll stir things up quite a bit."

"Sorry," says Amby, "but I shan't be here."

"No?" says I.

"Pos-i-tively," says Ambrose. "'Chita and I will be on our way back by that time; back to good old Buenos Ayres, where there's more doing in a minute than happens the whole length of Broadway in a month. And listen, old son; when we open a bottle something besides the pop will come out of it." "Better hurry," says I. "Maybe Pussyfoot Johnson's down there now monkeying with the constitution."


Back to IndexNext