This is clearly a system of decimal arithmetic, which, for theease, simplicity, and convenience of its operations, it were to be wished was generally adopted in Europe, instead of the endless ways in which the integer is differently divided in different countries, and in the different provinces of the same country. TheSwan-panwould be no bad instrument for teaching to a blind person the operations of arithmetic. Yet, paradoxical as it may seem, these operations, as performed by the Chinese, like their written characters, require more the exercise of the eye than of the mind. The simple addition or subtraction of the little balls to, or from, the middle bar, shews at once by their disposition on the board the result of any required combination. The invention of it I think may fairly be attributed to the Chinese; though it has been compared, how justly I cannot pretend to say, to the Romanabacus.
It has been observed, and perhaps with a great deal of truth, that the arts which supply the luxuries, the conveniences, and the necessaries of life, have derived but little advantage in the first instance from the labours and speculations of philosophers; that the ingenuity of artists, the accidental or progressive discoveries of common workmen, in any particular branch of business, have frequently affordeddata, from which, by the reasonings and investigations of philosophers, hints have sometimes been struck out for arriving at the same ends by a shorter way; that the learned are therefore more properly to be considered as improvers than inventors. Of this mortifying truth, the Chinese afford many strong examples in their arts and manufactures, and particularly in some of those operations that have a reference to chemistry, which cannot here be said toexist as a science, although several branches are in common practice as chemical arts. Without possessing any theory concerning the affinities of bodies, or attractions of cohesion or aggregation, they clarify the muddy waters of their rivers, for immediate use, by stirring them round with a piece of alum in a hollow bamboo; a simple operation which, experience has taught them, will cause the clayey particles to fall to the bottom: and having ascertained the fact, they have given themselves no further trouble to explain the phenomenon.
In like manner, they are well acquainted with the effect of steam upon certain bodies that are immersed in it; that its heat is much greater than that of boiling water. Yet, although for ages they have been in the constant practice of confining it in close vessels, something likePapin's digester, for the purpose of softening horn, from which their thin, transparent, and capacious lanterns are made, they seem not to have discovered its extraordinary force when thus pent up; at least, they have never thought of applying that power to purposes which animal strength has not been adequate to effect. They extract from the three kingdoms of nature the most brilliant colours, which they have also acquired the art of preparing and mixing, so as to produce every intermediate tint; and, in their richest and most lively hues, they communicate these colours to silks, cottons, and paper; yet they have no theory on colours.
The process of smelting iron from the ore is well known to them; and their cast ware of this metal is remarkably thin and light. They have also an imperfect knowledge of convertingit into steel, but their manufactures of this article are not to be mentioned with those of Europe, I will not say of England, because it stands unrivalled in this and indeed almost every other branch of the arts. Though their cast-iron wares appear light and neat, and are annealed in heated ovens, to take off somewhat of their brittleness, yet their process of rendering cast iron malleable is imperfect, and all their manufactures of wrought iron are consequently of a very inferior kind, not only in workmanship but also in the quality of the metal. In most of the other metals their manufactures are above mediocrity. Their trinkets of silver fillagree are extremely neat, and their articles of tootanague are highly finished.
With the use of cannon they pretend to have been long acquainted. When Gengis-Khan entered China, in the thirteenth century, artillery and bombs and mines are said to have been employed on both sides; yet when the city of Macao, in the year 1621, made a present to the Emperor of three pieces of artillery, it was found necessary to send along with them three men to instruct the Chinese how to use them. The introduction of matchlocks, I am inclined to think, is of no very ancient date; they wear no marks of originality about them, like other articles of Chinese invention; on the contrary, they are exact models of the old Portugueze matchlock; and differ in nothing from those which still continue to be carried, as an article of commerce, by this nation to Cochin-China. There can be no doubt, however, of the use of gunpowder being known to the Chinese long before the Christian era.
In a very ancient treatise on the military art, there is a detailed account of the manner how to annoy an enemy's camp, by springing a mine with gunpowder; but this treatise makes no mention of cannon. Fire-works, made generally of gunpowder, filings of zinc, camphor, and other ingredients, are described in various old tracts. It is easily conceived, that the deflagration of nitre was likely to be first noticed in those countries where it is the spontaneous and abundant production of the earth, which is the case on the elevated desarts of Tartary and Thibet, and on the low and extensive plains of India and China. The gunpowder, however, made by the Chinese is extremely bad. They have no particular manufactory, but each individual makes his own. It is in fact one part of the soldier's employment to prepare his own gunpowder. The usual proportions, according toVan-ta-gin's information are,
50 pounds of nitre,25 —— sulphur,25 —— charcoal.
50 pounds of nitre,25 —— sulphur,25 —— charcoal.
They know not the art of granulating the paste, as in Europe, but use it in a coarse powder, which sometimes cakes together into a solid mass; and from the impurity of the nitre, (no means appearing to be employed for extracting the common salt it usually contains) the least exposure to the air, by attracting the moisture, makes it unfit for service. This may be one reason for their objection to firelocks.
It has been remarked, that the three great discoveries of the magnetic needle, of gunpowder, and of printing, in Europe, followed close upon the return of the famous traveller MarcoPolo. It was the boast indeed ofCaung-sheeto the Jesuits, when they instructed him in some of the sciences of Europe, that the latter country was neither acquainted with the mariner's compass, nor with the art of printing, nor with gunpowder, till they had been in common use in China near two thousand years. As to gunpowder, it is pretty obvious, that our countryman Roger Bacon was well acquainted with the ingredients that enter into its composition. In more than one part of his works he observes, that with saltpetre and other articles may be made a fire that will inflame to a great distance; and in one place he states, that with sulphur, saltpetre, and something else, which he disguises under two or three barbarous words, a composition may be made, by which the effects of thunder and of lightning may be imitated. Bacon died in the year 1292, and Marco Polo returned to Europe in 1295; so that he could not possibly have received any hint to lead towards the discovery through the channel of the Venetian traveller[18].
If the Chinese had, at any period of their history, been acquainted with the art of casting large cannon, and of makinguse of them in their wars, it is scarcely probable they would ever have lost it. Yet it is very certain the two Jesuits, Schaal and Verbiest, took great pains to instruct them in the method of casting cannon; in which, however, they have not made any progress or improvement. I observed, near one of the gates of Pekin, a few rude, ill-shapen, and disproportionate pieces, lying unmounted on the ground, and these, with some of the same kind on the frontiers of Canton, and a few pieces, apparently twelve pounders, atHang-tcheu-foo, which had wooden pent-houses erected over each, were the only cannon that we noticed in the whole country. Whether the specimens, exhibited in the annexed plate, which were drawn by the late Captain Parish of the Royal Artillery, be originally of Chinese invention, or borrowed from some other nation, I cannot take upon me to decide; but such are the pieces which are sometimes found, scattered about the gates of some of their cities.
Mr. Bell, who visited China in the suite of the Russian Embassador, near a century ago, remarks, that "towards the western extremity of the Great Wall, he observed some hundreds of old cannon piled up in one of the towers, each composed of three or four pieces of hammered iron, joined and fastened together with hoops of the same metal." It is probable indeed that the Chinese, like the Hindoos, before the time of Schaal and Verbiest, made use of cannon of wrought iron, which were hooped together like those mentioned by Mr. Bell.
Sketches of Chinese Artillery. References. Fig. 1 Iron four Pounder about 8 feet long at Han cheu Fou 2. Iron four Pounder about 8 feet long at Chong san chien 3. A Field Piece about the Calibre and length of our Wall Piece but of much greater thickness of Metal 4. Half Pounder Field Piece 5. A Platform of Masonry with irregular Pieces about 2 pounders probably for throwing stones. They are thus placed in the open Spaces at the Gate Ways at PEKIN and Ton cheu 6. A Stand for Field Pieces at Cou pe keou Fig. 1 Fig. 2 Fig. 3 Fig. 4 Fig. 5 Fig. 6 Published May 1st. 1804 by Cadell & Davies Strand. Neele sculp. 352 Strand.Sketches of Chinese Artillery.References.
Fig. 1 Iron four Pounder about 8 feet long at Han cheu Fou2. Iron four Pounder about 8 feet long at Chong san chien3. A Field Piece about the Calibre and length of our Wall Piecebut of much greater thickness of Metal4. Half Pounder Field Piece5. A Platform of Masonry with irregular Pieces about 2 poundersprobably for throwing stones. They are thus placed in the openSpaces at the Gate Ways atPEKINand Ton cheu6. A Stand for Field Pieces at Cou pe keou
Fig. 1 Iron four Pounder about 8 feet long at Han cheu Fou2. Iron four Pounder about 8 feet long at Chong san chien3. A Field Piece about the Calibre and length of our Wall Piecebut of much greater thickness of Metal4. Half Pounder Field Piece5. A Platform of Masonry with irregular Pieces about 2 poundersprobably for throwing stones. They are thus placed in the openSpaces at the Gate Ways atPEKINand Ton cheu6. A Stand for Field Pieces at Cou pe keou
Neele sculp. 352 Strand.
Published May 1st. 1804 by Cadell & Davies Strand.
In making their salutes, of which they are not sparing, theyinvariably employ three small petards, or pistol-barrels rather, which are stuck erect in the ground; and in firing these small pieces the soldiers are so afraid, that they are discharged by a train laid from one to the other. When Captain Parish caused a few rounds to be fired from two field-pieces, which were among the presents for the Emperor, in as quick succession as possible, the Chinese officers very coolly observed, that their own soldiers could do it just as well, and perhaps better. And when Lord Macartney asked the Ex-viceroy of Canton if he would wish to see his guard go through the different evolutions as practised in Europe, he replied with equal indifference, "That they could not possibly be new to him, who had been so much engaged in the wars on the frontiers of Tartary;" though the chances are, that he had never before seen a firelock: with such ridiculous affectation of superiority, and contempt for other nations, does the unconquerable pride of this people inspire them. It seems, indeed, to be laid down as a general principle, never to be caught in the admiration of any thing brought among them by foreigners. Whenever a man of rank came to look at the presents, if observed by any of us, he would carelessly glance his eye over them, and affect as much indifference as if he was in the daily habit of viewing things of the same kind.
A French physician, who travelled in China, says he never saw an alembic or distillatory apparatus in the whole country. The art of distillation, however, is very well known, and in common practice. TheirSau-tchoo, (literally burnt wine), isan ardent spirit distilled from various kinds of grain, but most commonly from rice, of a strong empyreumatic flavour, not unlike the spirit known in Scotland by the name of whiskey. The rice is kept in hot water till the grains are swollen; it is then mixed up with water in which has been dissolved a preparation calledpe-ka, consisting of rice-flour, liquorice-root, anniseed, and garlic; this not only hastens fermentation, but is supposed to give it a peculiar flavour. The mixture then undergoes distillation. TheSau-tchoo, thus prepared, may be considered as the basis of the best arrack, which in Java is exclusively the manufacture of Chinese, and is nothing more than a rectification of the above spirit, with the addition of molasses and juice of the cocoa-nut tree. Before distillation the liquor is simply calledtchoo, or wine, and in this state is a very insipid and disagreeable beverage. The vine grows extremely well in all the provinces, even as far north as Pekin, but the culture of it seems to meet with little encouragement, and no wine is made from the juice of the grape, except by the missionaries near the capital.
The manufacture of earthen ware, as far as depends upon the preparation of the materials, they have carried to a pitch of perfection not hitherto equalled by any nation, except the Japanese, who are allowed to excel them, not only in this branch, but also in all articles of lacquered and varnished ware, which fetch exorbitant prices even in China. The beauty of their porcelain, in a great degree, depends upon the extreme labour and attention that is paid to the assortment, and the preparation of the different articles employed. These are ingeneral a fine sort of clay calledKao-linwhich is a species of Soap-rock, and a granite calledPe-tun-tse, composed chiefly of quartz, the proportion of mica being very small. These materials are ground down and washed with the greatest care; and when the paste has been turned or moulded into forms, each piece is put into a box of clay before it goes into the oven; yet with every precaution, it frequently happens (so much is this art still a work of chance) that a whole oven runs together and becomes a mass of vitrified matter. Neither the Chinese nor the Japanese can boast of giving to the materials much elegance of form. With those inimitable models from the Greek and Roman vases, brought into modern use by the ingenious Mr. Wedgwood, they will not bear a comparison. And nothing can be more rude and ill-designed than the grotesque figures and other objects painted, or rather daubed, on their porcelain, which however are generally the work of the wives and children of the labouring poor. That they can do better we have evident proof; for if a pattern be sent out from England, the artists in Canton will execute it with scrupulous exactness; and their colours are inimitable.
The manufacture of glass was totally unknown among them until the last century when, at the recommendation of the Jesuits, a family was engaged to go from France to Pekin, for the purpose of introducing the art of glass-making into the country. The attempt failed of success, and the concern, at the death of the manager, was broken up. In Canton they melt old broken glass and mold it into new forms; and they have been taught to coat plates of glass with silver, which are partially used aslooking-glasses; but their common mirrors are of polished metal, which is apparently a composition of copper and zinc.
The pride, or the policy, of the government affecting to despise any thing new or foreign, and the general want of encouragement to new inventions, however ingenious, have been greatly detrimental to the progress of the arts and manufactures. The people discover no want of genius to conceive, nor of dexterity to execute; and their imitative powers have always been acknowledged to be very great. Of the truth of this remark we had several instances atYuen-min-yuen. The complicated glass lustres, consisting of several hundred pieces, were taken down, piece by piece, in the course of half an hour, by two Chinese, who had never seen any thing of the kind before, and were put up again by them with equal facility; yet Mr. Parker thought it necessary for our mechanics to attend at his warehouse several times to see them taken down and again put together, in order to be able to manage the business on their arrival in China. A Chinese undertook to cut a slip of glass from a large curved piece, intended to cover the great dome of the planetarium, after our two artificers had broken three similar pieces in attempting to cut them with the help of the diamond. The man performed it in private, nor could he be prevailed on to say in what manner he accomplished it. Being a little jagged along the margin, I suspect it was not cut but fractured, perhaps by passing a heated iron over a line drawn with water, or some other fluid. It is well known that a Chinese in Canton, on being shewn an European watch, undertook, and succeeded, to make one like it, though he had never seen any thing of thekind before, but it was necessary to furnish him with a main spring, which he could not make: and they now fabricate in Canton, as well as in London, and at one third of the expence, all those ingenious pieces of mechanism which at one time were sent to China in such vast quantities from the repositories of Coxe and Merlin. The mind of a Chinese is quick and apprehensive, and his small delicate hands are formed for the execution of neat work.
The manufacture of silks has been established in China at a period so remote, as not to be ascertained from history; but the time when the cotton plant was first brought from the northern parts of India into the southern provinces of China is known, and noticed in their annals. That species of the cotton plant, from which is produced the manufacture usually called nankin cotton, is said to loose its peculiar yellow tint in the course of two or three years when cultivated in the southern provinces, owing, in all probability, to the great heat of the weather and continued sunshine. I have raised this particular species at the Cape of Good Hope where, upon the same plant, as well as on others produced from its seed, the pods were as full and the tint of as deep a yellow in the third year as in the first. As is generally the case in most of their manufactures, those of silk and cotton do not appear to have lately undergone progressive improvement. The want of proper encouragement from the government, and the rigid adherence to ancient usage, have rendered indeed all their fabrics stationary.
Of all the mechanical arts that in which they seem to have attained the highest degree of perfection is the cutting of ivory. In this branch they stand unrivalled, even at Birmingham, that great nursery of the arts and manufactures where, I understand, it has been attempted by means of a machine to cut ivory fans and other articles, in imitation of those of the Chinese; but the experiment, although ingenious, has not hitherto succeeded to that degree, so as to produce articles fit to vie with those of the latter. Nothing can be more exquisitely beautiful than the fine open work displayed in a Chinese fan, the sticks of which would seem to be singly cut by the hand, for whatever pattern may be required, or a shield with coat of arms, or a cypher, the article will be finished according to the drawing at the shortest notice. The two outside sticks are full of bold sharp work, undercut in such a manner as could not be performed any other way than by the hand. Yet the most finished and beautiful of these fans may be purchased at Canton for five to ten Spanish dollars[19]. Out of a solid ball of ivory, with a hole in it not larger than half an inch in diameter, they will cut from nine to fifteen distinct hollow globes, one within another, all loose and capable of being turned round in every direction, and each of them carved full of the same kind of open work that appears on the fans. A very small sum of money is the price of one of these difficult trifles. Models of temples,pagodas, and other pieces of architecture, are beautifully worked in ivory; and from the shavings, interwoven with pieces of quills, they make neat baskets and hats, which are as light and pliant as those of straw. In short, all kinds of toys for children, and other trinkets and trifles, are executed in a neater manner and for less money in China, than in any other part of the world.
The various uses, to which that elegant species of reed called the bamboo is applied, would require a volume to enumerate. Their chairs, their tables, their skreens, their bedsteads and bedding, and many other household moveables, are entirely constructed of this hollow reed, and some of them in a manner sufficiently ingenious and beautiful. It is used on board ships for poles, for sails, for cables, for rigging, and for caulking. In husbandry for carts, for wheelbarrows, for wheels to raise water, for fences, for sacking to hold grain, and a variety of other utensils. The young shoots furnish an article of food; and the wicks of their candles are made of its fibres. It serves to embellish the garden of the prince, and to cover the cottage of the peasant. It is the instrument, in the hand of power, that keeps the whole empire in awe. In short, there are few uses to which a Chinese cannot apply the bamboo, either entire or split into thin laths, or further divided into fibres to be twisted into cordage, or macerated into a pulp to be manufactured into paper.
That "there is nothing new under the sun," was the observation of a wise man in days of yore. Impressed with thesame idea an ingenious and learned modern author[20]has written a book to prove, that all the late discoveries and inventions of Europe were known to the ancients. The discovery of making paper from straw, although new, perhaps, in Europe, is of very ancient date in China. The straw of rice and other grain, the bark of the mulberry-tree, the cotton shrub, hemp, nettles, and various other plants and materials, are employed in the paper manufactories of China, where sheets are prepared of such dimensions, that a single one may be had to cover the whole side of a moderate sized room. The finer sort of paper for writing upon has a surface as smooth as vellum, and is washed with a strong solution of alum to prevent the ink from sinking. Many old persons and children earn a livelihood by washing the ink from written paper, which, being afterwards beaten and boiled to a paste, is re-manufactured into new sheets; and the ink is also separated from the water, and preserved for future life. To this article of their manufacture the arts in our own country owe so many advantages, that little requires to be said in its favour. The Chinese, however, acknowledge their obligations to the Coreans for the improvements in making ink, which, not many centuries ago, were received from them.
As to the art of printing, there can be little doubt of its antiquity in China, yet they have never proceeded beyond a wooden block. The nature, indeed, of the character is such, that moveable types would scarcely be practicable. It is true,the component parts of the characters are sufficiently simple and few in number; but the difficulty of putting them together upon the frame, into the multitude of forms of which they are capable, is perhaps not to be surmounted.
Like the rest of their inventions the chain-pump which, in Europe, has been brought to such perfection as to constitute an essential part of ships of war and other large vessels, continues among the Chinese nearly in its primitive state, the principal improvement since its first invention consisting in the substitution of boards or basket-work for wisps of straw. Its power with them has never been extended beyond that of raising a small stream of water up an inclined plane, from one reservoir to another, to serve the purposes of irrigation. They are of different sizes, some worked by oxen, some by treading in a wheel, and others by the hand.
The great advantages attainable from the use of mechanical powers are either not understood or, purposely, not employed. In a country of such vast population, machinery may perhaps be considered as detrimental especially as, at least, nine-tenths of the community must derive their subsistence from manual labour. It may be a question, not at all decided in their minds, whether the general advantages of facilitating labour, and gaining time by means of machinery, be sufficient to counterbalance the individual distress that would, for a time, be occasioned by the introduction of such machinery. Whatever the reason may be, no such means are to be met with in the country. Among the presents that were carried out for the Emperor were an apparatus for the air pump, various articles for conducting a set of experiments in electricity, and the models of a complete set of mechanical powers placed upon a brass pillar. The Emperor, happening to cast his eye upon them, enquired of the eunuch in waiting for what they were intended. This mutilated animal, although he had been daily studying the nature and use of the several presents, in order to be able to say something upon them when they should be exhibited to his master, could not succeed in making his Imperial Majesty comprehend the intention of the articles in question. "I fancy," says the old monarch, "they are meant as playthings for some of my great grandchildren."
The power of the pulley is understood by them, and is applied on board all their large vessels, but always in a single state; at least, I never observed a block with more than one wheel in it. The principle of the lever should also seem to be well known, as all their valuable wares, even silver and gold, are weighed with the steelyard: and the tooth and pinion wheels are used in the construction of their self-moving toys, and in all their rice-mills that are put in motion by a water wheel. But none of the mechanical powers are applied on the great scale to facilitate and to expedite labour. Simplicity is the leading feature in all their contrivances that relate to the arts and manufactures. The tools of every artificer are of a construction the most simple that it should seem possible to make them, and yet each tool is so contrived as to answer several purposes. Thus, the bellows of the blacksmith, which is nothing more than a hollow cylinder of wood, with a valvular piston,beside blowing the fire, serves for his seat when set on end, and as a box to contain the rest of his tools. The barber's bamboo basket, that contains his apparatus, is also the seat for his customers. The joiner makes use of his rule as a walking stick, and the chest that holds his tools serves him as a bench to work on. The pedlar's box and a large umbrella are sufficient for him to exhibit all his wares, and to form his little shop.
Little can be said in favour of the state of the fine arts in this country. Of their poetry, modern and ancient, I have given a specimen; but I think it right once more to observe that, with regard to Asiatic compositions, Europeans cannot form a proper judgment, and more especially of those of the Chinese, which, to the mysterious and obscure expressions of metaphor, add the disadvantage of a language that speaks but little to the ear; a whole sentence, or a combination of ideas, being sometimes shut up in a short monosyllable, whose beauties are most studiously addressed to the sense of seeing alone.
Of the other two sister arts, painting and music, a more decided opinion may be passed. Of the latter I have little to observe. It does not seem to be cultivated as a science: it is neither learned as an elegant accomplishment, nor practiced as an amusement of genteel life, except by those females who are educated for sale, or by such as hire themselves out for the entertainment of those who may be inclined to purchase their favours. And as the Chinese differ in their ideas from all other nations, thesewomen play generally upon wind instruments, such as small pipes and flutes; whilst the favourite instrument of the men is the guittar or something not very unlike it, some of which have two strings, some four, and others seven. Eunuchs, and the lowest class of persons, are hired to play; and the merit of a performance should seem to consist in the intenseness of the noise brought out of the different instruments. The gong or, as they call it, theloois admirably adapted for this purpose. This instrument is a sort of shallow kettle, or rather the lid of a kettle, which they strike with a wooden mallet covered with leather. The composition is said to be copper, tin, and bismuth. They have also a kind of clarinet, three or four different sorts of trumpets, and a stringed instrument not unlike a violoncello. Theirsingis a combination of uneven reeds of bamboo, not unlike the pipe of Pan; the tones are far from being disagreeable, but its construction is so wild and irregular, that it does not appear to be reducible to any kind of scale. Their kettle drums are generally shaped like barrels; and these, as well as different-sized bells fixed in a frame, constitute parts in their sacred music. They have also an instrument of music which consists of stones, cut into the shape of a carpenter's square, each stone suspended by the corner in a wooden frame. Those which I saw appeared to belong to that species of the silicious genus usually called Gneiss, a sort of slaty granite. In the Keswick museum are musical stones of the same kind, which were picked up in a rivulet at the foot of Skiddaw mountain; but these seem to contain small pieces of black shorl or tourmaline. It is indeed the boast of their historians, that the whole empire of nature has been laid under contribution in order to complete their system of music: that the skins of animals, the fibres of plants, metals, stones, and baked earths, have all been employed in the production of sounds. Their instruments, it is true, are sufficiently varied, both as to shape and materials, but I know of none that is even tolerable to an European ear. An English gentleman in Canton took some pains to collect the various instruments of the country, of which the annexed plate is a representation, but his catalogue is not complete.
A sheet of bell Metal A pot of bell Metal The Great Bell of Canton 20 feet diameter 8-16 Inches thick. A Barrel drum sometimes of Wood & sometimes Metal. A Log of Wood shaped like a Skull and used in Temples. A Metal Bell. A Lyre of silken Strings. A small Flute. A Muffled Drum. The Metal Gong or Loo Cymbals. Uncertain A Pair of Rattles or Castanets. Cymbals struck with a rod. Alommon Flute. Two Stringed Violins A Three Stringed Guitar. A Pipe of inequal reeds or bamboos. Four Stringed Guitars. Three Trumpets. A Lyre of 11 Metallic Strings. Metal Plates an Instrument used in Sacred Music. A small barrell Drum. A fixed Drum used in Sacred Music. A small Gong or Loo. Published May 10th, 1804 by Cadell and Davies Strand. Neele sc. Strand
A sheet of bell MetalA pot of bell MetalThe Great Bell of Canton 20 feet diameter 8-16 Inches thick.A Barrel drum sometimes of Wood & sometimes Metal.A Log of Wood shaped like a Skull and used in Temples.A Metal Bell.A Lyre of silken Strings.A small Flute.A Muffled Drum.The Metal Gong or LooCymbals.UncertainA Pair of Rattles or Castanets.Cymbals struck with a rod.Alommon Flute.Two Stringed ViolinsA Three Stringed Guitar.A Pipe of inequal reeds or bamboos.Four Stringed Guitars.Three Trumpets.A Lyre of 11 Metallic Strings.Metal Plates an Instrument used in Sacred Music.A small barrell Drum.A fixed Drum used in Sacred Music.A small Gong or Loo.
A sheet of bell MetalA pot of bell MetalThe Great Bell of Canton 20 feet diameter 8-16 Inches thick.A Barrel drum sometimes of Wood & sometimes Metal.A Log of Wood shaped like a Skull and used in Temples.A Metal Bell.A Lyre of silken Strings.A small Flute.A Muffled Drum.The Metal Gong or LooCymbals.UncertainA Pair of Rattles or Castanets.Cymbals struck with a rod.Alommon Flute.Two Stringed ViolinsA Three Stringed Guitar.A Pipe of inequal reeds or bamboos.Four Stringed Guitars.Three Trumpets.A Lyre of 11 Metallic Strings.Metal Plates an Instrument used in Sacred Music.A small barrell Drum.A fixed Drum used in Sacred Music.A small Gong or Loo.
Neele sc. Strand
Published May 10th, 1804 by Cadell and Davies Strand.
A Chinese band generally plays, or endeavours to play, in unison, and sometimes an instrument takes the octave; but they never attempt to play in separate parts, confining their art to the melody only, if I may venture to apply a name of so much sweetness to an aggregation of harsh sounds. They have not the least notion of counter-point, or playing in parts: an invention indeed to which the elegant Greeks had not arrived, and which was unknown in Europe as well as Asia, until the monkish ages.
I never heard but one single Chinese who could be said to sing with feeling or plaintiveness. Accompanied with a kind of guittar, he sung the following air in praise of the flowerMoo-lee, which it seems is one of the most popular songs in the whole country. The simple melody was taken down by Mr. Hittner, and I understand has been published in London, with head and tail-pieces, accompaniments, and all the refined arts of European music; so that it ceases to be a specimen of the plain melody ofChina. I have therefore given it in its unadorned state, as sung and played by the Chinese, together with the words of the first stanza, and their literal translation.
MOO-LEE-WHA
MIDI
Moo-lee-wha.
I.
12345Hau ye-to sien wha,678910111213Yeu tchau yeu jie lo tsai go kia141516171819Go pun tai, poo tchoo mun202122232425Twee tcho sien wha ul lo.
12345Hau ye-to sien wha,678910111213Yeu tchau yeu jie lo tsai go kia141516171819Go pun tai, poo tchoo mun202122232425Twee tcho sien wha ul lo.
II.
123456Hau ye to Moo-lee-wha7891011121314Man yuen wha kai soy poo quee ta151617181920Go pun tai tsai ye ta21222324252627Tai you kung kan wha jin ma.
123456Hau ye to Moo-lee-wha7891011121314Man yuen wha kai soy poo quee ta151617181920Go pun tai tsai ye ta21222324252627Tai you kung kan wha jin ma.
Literal Translation.
I.
12345How delightful this branch of fresh flowers678910111213One morning one day it was dropped in my house141516171819I the owner will wear it not out of doors202122232425But I will hold the fresh flower and be happy.
12345How delightful this branch of fresh flowers678910111213One morning one day it was dropped in my house141516171819I the owner will wear it not out of doors202122232425But I will hold the fresh flower and be happy.
II.
123456How delightful this branch of theMoo-leeflower7891011121314In the full plot of flowers blowing freely none excels it151617181920I the owner will wear this gathered branch21222324252627Wear it yet fear, the flower seen, men will envy.
123456How delightful this branch of theMoo-leeflower7891011121314In the full plot of flowers blowing freely none excels it151617181920I the owner will wear this gathered branch21222324252627Wear it yet fear, the flower seen, men will envy.
I have thought it not amiss to subjoin a few other airs of the popular kind, which were written by the same gentleman at Canton, who made the drawings of their musical instruments.
No. I
MIDI
No. II
MIDI
No. III
MIDI
No. IV
MIDI
No. V
MIDI
No. VI
MIDI
No. VII
MIDI
No. VIII
MIDI
No. IX