Early on the evening when the Alstons had seen "The Zingara," Boyé Mayer walked up Kearney Street looking into florists' windows. A cigarette depended from his lip, his opened overcoat disclosed the glossy whiteness of a shield-like shirt bosom, his head was crowned by a shining top hat. He was altogether a noticeable and distinguished figure.
He had been twice to the Albion and was going again this evening, having already engaged the right-hand stage box. Now he was purporting to send Pancha Lopez a third floral tribute and with it reveal his identity. The two previous ones had been anonymous, but tonight her curiosity—roused to a high pitch, or he knew nothing of women—would be satisfied. She would not only know who her unknown admirer was, but she would see him sitting in stately solitude in the right-hand box.
She had been a great surprise. Where he had expected to find an overblown, coarse woman with the strident voice of the music hall and its banal vulgarities, he had seen a girl, young, spontaneous, full of a sparkling charm. He had heard enough singing to know that her voice, fresh and untrained, had promise, and that the spirited dash of her performance indicated no common gifts. Under any circumstances she would have interested him; how much more so now when he knew of her affiliation with a notorious outlaw! She was evidently a potent personality, lawless and daring. The situation appealed to his slyly malign humor, she confidently secure, he completely informed. It was a fitting sequel to the picaresque adventure and he anticipated much entertainment from meeting her, saw himself, with stealthy adroitness, worming his way toward her guilty secrets.
A florist's window, a bower of blossoms under the gush of electric lights, attracted him and he turned into the shop. The proprietor came forward, ingratiatingly polite, his welcoming words revealing white teeth and a foreign accent.
The gentleman wanted a large sheaf bouquet in two colors, red and orange—certainly, and a Gallic wave of the hand indicated a marble slab where flowers were ranged in funnel-shaped green vases. Looking over them, the gentleman lapsed into a French so perfect that the florist suggested Monsieur was of that nation, also his own. Monsieur neither admitted nor denied the charge, occupied over the flowers. He was very particular about them—perhaps the florist would understand better what he wanted when he knew they were for Miss Lopez at the Albion and were designed to match her gypsy dress.
Ah, perfectly—several vases were drawn forward—and over these the two men talked of Miss Lopez and her admirable performance.
"A true artist," the florist thought, "young, and without training as Monsieur can see. A Californian, a girl of the people, risen from nothing. But no doubt Monsieur has already heard her history."
Monsieur was a stranger, he knew little of the lady, and, apparently engrossed in his selection of the flowers, heard such facts in the career of Pancha Lopez as the public were allowed to know. The florist ended the biography with what should be—for the gentleman ordering so costly a bouquet—the most notable item—Miss Lopez was a girl of spotless reputation.
Monsieur looked surprised:
"Has no favored one, no lovers?"
The florist, combining a scarlet carnation with a sunset rose, shrugged his shoulders, treating the subject with the lively gravity of the Gaul:
"None, Monsieur. It is known that many men have paid their court, but no—good-day to you and out they go! She wants nobody—it is all work, work, work. A good, industrious girl, very unusual when one considers her beginnings. But being so, and with her talents, she will arrive. My God, it is certain."
Monsieur appeared no longer interested. He paid for his bouquet, which was to be sent to the stage door that evening, then wrote a message on a card. This time the card bore no "swell sentiment;" the words were frank and to the point:
"Why can't I know you? I want to so much. I am alone here and a stranger. If you care to look me over and see if you think I'm worth meeting, I'll be in the right-hand stage box tonight.
"Argonaut Hotel."
As he walked to the Albion he thought over what he had heard. It was very different from what he had expected to hear and increased his interest in her. He had given her credit for a high artistic intelligence, but evidently she possessed the other kind too. How else could she have spread an impression of herself so unlike what she really was? A deep,ruséegirl! He began to be very keen to meet her and see which of the two would be the more expert in the duel of attack and parry.
The flowers and the note were delivered in the first entr'acte. With a sliding rush Pancha was back on the stage, her eye glued to the peephole in the curtain. What she saw held her tranced. Like Mark, her standards suffered from a limited experience. That the effective pose was studied, the handsome face hard and withered, the evening dress too showily elegant, escaped her. She had never—except on the covers of magazines—seen such a man.
The stage hands had to pull her away from the curtain and she went to her dressing room with her cheeks crimson under the rouge and her eyes like black diamonds. Upon his own stage, plumed, spurred and cloaked, romance had entered with the tread of the conqueror.
After the second gift of flowers her curiosity was as lively as Mayer had expected. But she was not going to show it, she was going to be cool and indifferent till he made himself known. Then she contemplated a guarded condescension, might agree to be met and even called upon; a man who wrote such sentiments and gave such bouquets should not be treated with too much disdain. But when she saw him, her surprise was so great that she forgot all her haughty intentions. Gratified vanity surged through her. At one moment she thrilled with the anticipation of meeting such a personage, and at the next drooped to fears that she might disappoint his fastidious taste.
That night she answered the letter, writing it over several times:
Thanks for the flowers. They're grand. I ain't ever before had such beautys espechully the ones that matched my dress. I looked you over and I don't think you're so bad, so if you still want to know me maybe you can. I live in the Vallejo Hotel on Balboa Street and if you'd give yourself the pleasure of calling I'll be there Tuesday at four.
Yours truly,
Miss PANCHA LOPEZ.
P. S. Balboa Street is in the Mission.
The next evening she received his answer, thanking her for her kindness and saying he would come.
She prepared for him with sedulous care, not only her room and her clothes, but herself. She was determined she would comport herself creditably, would be equal to the occasion and fulfill the highest expectations. She was going to act like a lady—no one would ever suspect she had once waited on table in the Buon Gusto restaurant, or been a barefoot, miner's kid. As she put on her black velveteen skirt and best crimson crêpe blouse, she pledged herself to a wary refinement, laid the weight of it on her spirit. The only models she had to follow were the leading ladies of the road companies she had seen, and she impressed upon her mind details of manner from the heroines of "East Lynne" and "The Banker's Daughter."
When four o'clock struck she was seated by the center table, a book negligently held in one hand, her feet, in high-heeled, beaded slippers, neatly crossed, and a gold bracelet given her by her father on her arm. She took a last, inspecting glance round the room and found it entirely satisfactory. On the table beside her a battered metal tray held a bottle of native Chianti, two glasses and a box of cigarettes. In Pancha's world a visitor was always offered liquid refreshment and she had chosen the Chianti as less plebeian than beer and not so expensive as champagne. She had no acquaintance with either wine or cigarettes; her thrifty habits and care of her voice made her shun both.
Mayer recognized the room as a familiar type—he had been in many such in many lands. But the girl did not fit it. She looked to him very un-American, more like a Spaniard or a French midinette. There was nothing about her that suggested the stage, no make-up, none of its bold coquetry or crude allure. She was rather stiff and prim, watchful, he thought, and her face added to the impression. With its high cheek bones and dusky coloring he found it attractive, but also a baffling and noncommittal mask.
He was even more than she had anticipated. His deep bow over her hand, his deference, thrilled her as the Prince might have thrilled Cinderella. She was very careful of her manners, keeping to the weather, expressing herself with guarded brevity. A chill constraint threatened to blight the occasion, but Mayer, versed in the weaknesses of stage folk, directed the conversation to her performance in "The Zingara," for which he professed an ardent admiration.
"I was surprised by it, even after what I'd heard. I wonder if you know how good it is?"
Her color deepened.
"I try to make it good, I've been trying for six years."
He smiled.
"Six years! You must have begun when you were a child."
This was too much for Pancha. Her delight at his praise had been hard to suppress; now it burst all bonds. She forgot her refinement and the ladylike solemnity of her face gave place to a gamin smile.
"Oh, quit it. You can't hand me out that line of talk. I'm twenty-two and nobody believes it."
Thenhelaughed and the constraint was dissipated like a morning mist. They drew nearer to the table and Pancha offered the wine. To be polite she took a little herself and Mayer, controlling grimaces as he sipped, asked her about her career. She told him what she was willing to tell; nothing of her private life which she thought too shamefully sordid. It was a series of jumps from high spot to high spot in her gradual ascent. He noticed this and judged it as a story edited for the public, it tallied so accurately with what he had heard already from the florist. There was evidently a rubber stamp narrative for general circulation.
After she had concluded he made his first advance, lightly with an air of banter.
"And how does it come that in this long, lonely struggle you've stayed unmarried?"
A belated coquetry—Pancha climbing up had wasted no time on such unassisting arts—stirred in her. She tilted her head and shot a look at him from the sides of her eyes.
"I guess no one came along that filled the bill."
"Among all the men that must have come along?"
"Um-um," she stood her glass on the table, turning its stem with her long brown fingers.
"The lady must be hard to please."
"Maybe she is."
Her eyes rested on the ruby liquid in the glass. The lids were fringed with black lashes that grew straightly downward, making a semicircle of little, pointed dashes on each cheek. He could not decide whether she was embarrassed or slyly amused.
"Or perhaps she's just wedded to her art."
"That cuts some ice, I guess."
"Love is known to improve art. Haven't you ever heard that?"
"I shouldn't wonder. I've heard an awful lot about love."
"Only heard, never felt? Never responded to any of the swains that have been crowding round?"
"How do you know they've been crowding round?"
He leaned nearer, gently impressive:
"What I'm looking at tells me so."
She met his eyes charged with sentimental meaning, and burst into irrepressible laughter.
"Oh,you—shut up! I ain't used to such hot air. I'll have to open the windows and let in the cold."
It was not what he had expected and he felt rebuffed. Dropping back in his chair, he shrugged his shoulders.
"What can I say? It's not fair to let me come here and then muzzle me."
"Oh, I ain't going as far as that. But you don't have to talk to me that way. I'm the plain, sensible kind."
He shook his head, slowly, incredulously.
"No, I've got to contradict you. Lips can tell lies but eyes can't.You're a good many other things but you're not sensible."
"What other things?"
"Charming, fascinating, piquant, with a heart like a bright, glowing coal."
She threw back her head and let her laughter, rich and musical, float out on the room.
"Oh, listen to him! Wouldn't it make a dog laugh!" Then, swaying on her chair, she leaned toward him, grave but with her eyes twinkling. "Mr. Man, you can't read me for a cent. Right here," she touched her heart with a finger tip, "it's frozen hard. I keep it in cold storage."
"Hasn't it ever been taken out and thawed?"
"Never has and never will be."
She swayed away from him, keeping her glance on his. For a still second a strange seriousness, having no place in the scene, held them. She was conscious of perplexity in his face, he of something wistful and questioning in hers. She spoke first.
"You're very curious about me, Mr. Boyé Mayer?"
She ought not to have said that and it was his fault that she did. She was no mean adversary and that she had seen through his first tentatives proved them clumsy and annoyed him. He smiled, a smile not altogether pleasant, and rose.
"All men must be curious where you're concerned."
"Not as bad as you."
"Ah, well, I'm a child of nature. I don't hide my feelings. I'm curious and show it. Do you know what makes me so?"
She shook her head, anticipating flatteries. But he did not break into them as quickly as she had expected. Turning to where his hat lay he took it up, looked at it for a moment and then, with his gray eyes shifting to hers, said low, as if taking her into his confidence:
"I'm curious because you're interesting. I think you're the most interesting thing I've seen since I came to San Francisco."
This was even more than she had hoped for. An unfamiliar bashfulness made her look away from the gray eyes and stammer in rough deprecation:
"Oh, cut it out!"
"I never cut out the truth. But I'm going to cut out myself. It's time for me to be moving on. Good-by."
His hand was extended and she put hers into it, feeling the light pressure of his cool, dry fingers. She did not know what to say, wanted to ask him to come again, but feared, in her new self-consciousness, it wasn't the stylish thing to do.
"I'm real glad you called," was the nearest she dared.
He was at the door and turned, hopefully smiling.
"Are you?"
"Sure," she murmured.
"Then why don't you ask me to come again?"
"I thought that was up to you."
He again was unable to decide whether her coyness was an expression of embarrassment or an accomplished artfulness, but he inclined to the latter opinion.
"Right O! I'll come soon, in a few days.Hasta mañana, fair lady."
After the door had closed on him she stood sunk in thought, from which she emerged with a deep sigh. A slow, gradual smile curved her lips; she raised her head, looked about her, then moving to the mirror, halted in front of it. The day was drawing toward twilight, pale light falling in from the bay window and meeting the shadows in the back of the room. Her figure seemed to lie on the glass as if floating on a pool of darkness. The black skirt melted into it, but the crimson blouse and the warm pallor of the face and arms emerged in liquid clearness, richly defined, harmoniously glowing. She looked long, trying to see herself with his eyes, trying to know herself anew as pretty and bewitching.
Mayer walked home wondering. He was completely intrigued by her. Her performance in "The Zingara" had led him to expect a girl of much more poise and finish, and yet with all her rawness she was far from naïve. His own experience recognized hers; both had lived in the world's squalid byways; he could have talked to her in their language and she would have understood. But she was not of the women of such places, she had a clean, clear quality like a flame. Daring beyond doubt, wild and elusive, but untouched by what had touched the rest. He found it inexplicable, unless one granted her unusual capacity, unsuspected depths and a rare and seasoned astuteness. He had to come back to that and he was satisfied to do so. It would add zest to the duel which had just begun.
So distinguished a figure as Boyé Mayer could not live long unnoticed in San Francisco. He had not been a month at the hotel before items about him appeared in the press. Mrs. Wesson, society reporter of theDespatch, after seeing him twice on Kearney Street, found out who he was and rustled into the Argonaut office for a word with Ned Murphy. Mr. Mayer was a wealthy gentleman from New York, but back of that Murphy guessed he was foreign, anyway the Frenchwoman who did his laundry and the Dutch tailor who pressed his clothes said he could talk their languages like he was born in the countries. He wasn't friendly, sort of distant; all he'd ever said to Murphy was that he was on the coast for his health and wanted to live very quiet to get back his strength after an illness.
It wasn't much but Mrs. Wesson made a paragraph out of it that neatly rounded off her column.
Even without the paragraphs he would not have been unheeded. Among the carelessly dressed men, bustling along the streets in jostling haste, he loomed immaculately clad, detached, splendidly idle amidst their vulgar activity. He had the air of unnoticing hauteur, unattainable by the American and therefore much prized. His clean-shaven, high-nosed face was held in a brooding abstraction, his well-shod foot seemed to press the pavement with disdain. Eating a solitary dinner at Jack's or Marchand's, he looked neither to the right nor the left. Beauty could stare and whisper and he never give it the compliment of a glance. Ladies who entertained began to inquire about him, asked their menkind to find out who he was, and if he was all right make his acquaintance and "bring him to the house."
He was not so solitary as he looked. Besides Pancha Lopez he had met other people. The wife of the manager of the Argonaut Hotel had asked him to a card party, found him "a delightful gentleman" and handed him on to her friends. They too had found him "a delightful gentleman" and the handing on had continued. He enjoyed it, slipping comfortably into the new environment—it was a change after the sinister years beyond the pale, and the horrible, outcast days. Also he did not confine himself to the small sociabilities to which he was handed on. There were many paths of profit and pleasure in the city by the Golden Gate and he explored any that offered entertainment—those that led to tables green as grass under the blaze of electric lights, those that led to the poker game behind Soledad Lanza's pink-fronted restaurant, those that led up alleys to dark, secretive doors, and that which led to Pancha's ugly sitting room.
He sought this one often and yet for all his persuasive cunning he found out nothing, got no further, surprised no admissions. He was drawn back there teased and wondering and went away again, piqued and baffled.
One evening, a month after her first meeting with him, Pancha, going home on the car, thought about her father. She felt guilty, for of late she had rather forgotten him and this was something new and blameworthy. Now she remembered how long it was since she had seen him and that his last letter had come over a month ago. It was a short scrawl from Downieville and had told her that the sale of his prospect hole—he had hoped to sell it sometime early in September—had fallen through. He had seemed down-hearted.
Despite the divergent lines of their lives a great tie of affection united them. They met only at long intervals—when he came into town for a night—and all correspondence between them was on his side as she never knew where he was. Even had he not lavished a rough tenderness upon her, the memory of pangs mutually suffered, of hardships mutually endured, would have bound her to him. He was the only person who had passed, closely allied, an intimate figure, through the full extent of her life. Though he was so much to her she never spoke of him, except to Charlie Crowder, her one friend, of whose discretion she was sure. This reticence was partly due to tenderness—the past and his place in it had their sacredness—and partly to the miner's own wish. As her star had risen it was he who had suggested the wisdom of "keeping him out." He thought it bad business; an opera singer's father—especially a father with a pick and a pan—had no advertising value and might be detrimental. When he put it that way she saw the sense of it—Pancha was always quick to see things from a business angle—and fell in with his wish. She was not unwilling to. It wasn't that she was ashamed of him, she cared too little for the world to be ashamed of anything, but she did not want him made a joke of in the wings or written up satirically in the theatrical column. When small road managers who had known her at the start came into town and asked where "Pancha's Pa" was, nobody knew anything about such a person, and they guessed "the old guy must have died."
Since she had lived at the Vallejo Hotel he had been there five times, always after dark. She had told Cushing, the night clerk, that Mr. Michaels was a relation of hers from the country and if he came when she was out to let him into her rooms.
As she drew up at the desk and asked for her key—it hung on a rack studded with little hooks—Cushing, drowsing with his feet on a chair, rose wearily, growling through a yawn:
"Mr. Michaels has came. He's been here about an hour. I done what you said and let him in."
She smothered an expression of joy, snatched the key and ran upstairs. Lovely—just as she was thinking of him! She let herself in anticipating a glad welcome and saw that he was lying on the sofa asleep.
The only light in the room was from the extension lamp on the table and by its shaded glow she stood looking at him. He was sleeping heavily, still wrapped in the old overcoat she knew so well, his coarse hands, with blackened finger nails, clasped on his breast. His face, relaxed in rest, looked worn, the forehead seamed with its one deep line, the eyes sunk below the grizzled brows. It came upon her with a shock that he seemed old and tired, and it hurt her. In a childish desire to bring him back to himself, have him assume his familiar aspect and stop her pain, she shook him by the shoulder, crying:
"Pa, Pa, wake up."
He woke with a violent start, his feet swung to the floor, his body hunched as if to spring, his glance wildly alive. Then it fell on her and the fierce alertness died out; his face softened into a smile, almost sheepish, and he rubbed his hand over his eyes.
"Lord, I was asleep," he muttered.
She kissed him, pulled him up, and with an arm round his back, steered him to an armchair, asking questions. His hand on her waist patted softly.
"Well, you ain't fattened up any," he said with a quizzical grin and side glance.
That made him look more like himself, but Pancha noticed that his movements were stiff.
"What's the matter?" she said sharply. "You ain't got the rheumatism again, have you?"
"Nup," he sank slowly into the chair. "But sometimes when I first move I sort 'er kink at the knees. Gets me in the morning, but I limber up all right."
She stood beside him, uneasily frowning.
"What are you goin' to do this winter when the rains begin? You can't run risks of being sick, and me not able to get to you."
"Sick—hell!" He shot a humorous look at her. "I ain't sick in God's own country—it's only down here. Why y'ain't all as stiff as stone images in this sea-damp beats me."
"Oh, it's the damp," she said, relieved.
"Course it's the damp. I wouldn't expect a rope dancer to live here and stay spry."
That was like Pa; her anxiety evaporated and she began to smile.
"Well, there's one person who does—yours truly. If you don't believe it, come to the Albion and see."
"There ain't another like you, hon. There's not your match from theRockies to the Pacific."
"Oh, old blarney!" she cried, now joyous, and, giving him a pat on the shoulder, moved about collecting supper. "Sit tight there while I get you a bite. I've some olives that'll make you think you're back among the greasers."
The supper came from divers places—the window sill, the top bureau drawer, the closet shelf. Beer and sardines were its chief features, with black olives soaked in oil and garlic, cheese straws taken from a corset box, and ripe figs oozing through their paper bag.
They ate hungrily without ceremony, wiping their fingers on the towel she had spread for a cloth. As they munched they swapped their news—his failure at selling the ledge, her success in "The Zingara." He listened to that with avid attention.
"Can you stay and see me tomorrow night?" she asked.
He shook his head.
"'Fraid not. I got a date with a feller in Dutch Flat for tomorrow afternoon."
"About the prospect?"
"Yep—it's a chance and I got to jump at it."
"Why did it fall through before?"
He shoveled in a cracker spread with sardines before he answered.
"Oh, same old story—thought it didn't show up as big as they'd expected.You can't count on it, no more'n you can on the weather."
She smothered a sigh. The "prospect" and the "ledge" had been part of their life, lifting them to high hopes, dropping them to continual disappointment. She would have counseled him to give it all up, but that he now and then had had luck, especially in the last five years. She went back to herself.
"'The Zingara' has been a great thing for me. Everybody says so. If the next piece goes as big I'm going to strike for a raise. Wait till I show you," she jumped up, rubbing her oily fingers on the towel, "and you'll see why little Panchita's had to get an extra-sized hat."
She took from a side table a book—the actress's scrap album—and came back flirting its pages. At one she pressed it open and held it toward him, triumphantly pointing to a clipping. "There, from theSacramento Courier."
He gave a glance at the clipping and said:
"Oh, yes,that. Grand, ain't it?"
She was surprised.
"You've seen it. Why didn't you send it to me?"
"Who said I'd seen it?" He took the book from her, staring across it, suddenly combative. "Don't you run along so fast. Ain't you known if I had I'd have mailed it to you?"
"But how did you know about it?" she said, her surprise growing, for she saw he was moved.
"You're gettin' too darned quick." He pushed the book in among the dishes roughly, his irritation obvious.
"Ain't it possible I might have heard it? Might have met a feller that come up from Marysville who'd seen It and told me?"
"Yes, of course it is. You needn't get mad about it."
"Mad—who said I was mad?" He bent over the book, muttering like a storm in retreat. "I guess I ain't missed so many that when one does get by me you should throw it in my teeth."
She smoothed the top of his head with a placating hand and went back to her seat. Nibbling a ripe olive she watched him as he read. Her eyes were anxiously questioning. This too—anger at so small a thing—was unlike him.
When he had finished his annoyance was over; pride beamed from his face as if a light was lit behind it.
"I guess there ain't many of 'em get a write-up like that." He put the book aside and began a second attack on the supper. "Crowder's some friend. His little finger's worth more'n the whole kit and crew you've had danglin' round you since you started."
"You're right." She stretched her hand for a fig, spilling, bruised and bursting, from the torn bag. "There's a new one dangling."
With her father Pancha was always truthful. To the rest of the world she lied whenever she thought it necessary, never carelessly or prodigally, for to be fearless was part of her proud self-sufficiency. But as she had learned to fight, to battle her way up, to climb over her enemy, to wrest her chance from opposing forces, she had learned to lie when the occasion demanded. She was only entirely frank and entirely truthful with the one person whom she loved.
He put down his glass and looked at her, in sudden, fixed attention.
"What's that?"
"I've got a real, genuine, all-wool-yard-wide beau."
She leaned her elbows on the table, holding the fig to her mouth, her thin fingers manipulating the skin as she sucked the pulp. Her eyes were full of laughter.
"What do you mean?"
"Just what I'm telling you. You needn't look like I'd said he was a defaulting bank cashier, nor so surprised either. It ain't flattering to your only child."
Her father did not respond to her gayety.
"Look-a-here, Panchita," he began, but she stopped him, flapping a long hand.
"Cut it out, Pop. I know all that. You needn't come any stern parent business over me.I'mon.Iknow my way about. I ain't going to run my head into any noose, or tie any millstone round my neck. Don't you think by this time you can trust me?"
Her words seemed to reassure him. The bovine intensity of his gaze softened.
"You've had a heap of beaux," he said moodily.
"And kept every last one of 'em in their place, except for those I kicked out. And they got to their place; my kick landed them there."
"Who is he?"
Pancha returned to her fig, looking over its wilted skin for clinging tidbits.
"Named Mayer, a foreigner—at least he's born here, but he looks foreign and acts foreign; hands out the kind of talk you read in books. Awful high class."
"Treats you respectful?"
She gave him a withering glance.
"Respectful!Treats me like I'd faint if he spoke rough or break if he touched me. I ain't ever seen anything so choice. You said I was thin—it's keeping up such a dignified style that's worn me down."
This description was so unlike the bandit's idea of love-making that he became incredulous.
"How do you know he's a beau? Looks like to me he was just marking time."
She smiled, the secret smile of a woman who has seen the familiar signs. She had taken another fig and delicately breaking it open, eyed its crimson heart.
"He's jealous."
"Who of?"
"Nobody, anybody, everybody." She began to laugh, and putting her lips to the fruit, sucked, and then drew them away stained with its ruby juice. "He's always trying to draw me, find out if there isn't somebody I like. Pop, you'd laugh if you could hear him sniffing round the subject like a cat round the cream."
"What do you tell him?"
"Me?" She gave him a scornful cast of her eye. Her face was flushed, and with her crimsoned mouth and shining eyes she was for the moment beautiful. "I got my pride. I told him the truth at first, and when he wouldn't believe me—'Oh, no, theremust besomeone'—I says to myself, 'All right, deary, have it your own way,' and I jolly him along now," she laughed with joyous memory. "I got him good and guessing, Pop."
The old man looked dissatisfied.
"I ain't much stuck on this, Panchita. What good are you goin' to get out of it?"
"Fun!" she cried, throwing the fig skin on the table. "Don't I deserve some after six years? If he wants to act like a fool that's his affair, and believe me, he's able to take care of himself. And so am I. No one knows that better than you do, deary."
He left soon after that. In his nomad life, with its long gaps of separation from her, it was easy for him to keep his movements concealed and caution had become a habit. So he had not told her that on his last visit to the city he had taken a room, instead of going to one of the men's hotels that dotted the Mission. It was in a battered, dingy house that crouched in shame-faced decay behind the shrubs and palms of a once jaunty garden. Mrs. Meeker, the landlady, was a respectable woman who had seen so complete an extinction of fortune that she asked nothing of her few lodgers but the rent in advance and a decent standard of sobriety. To the bandit it offered a seclusion so grateful that he had resolved to keep it, a hiding-place to which he could steal when the longing for his child would not be denied.
The house was not far from the Vallejo Hotel, on a cross street off one of the main avenues of traffic. As he rounded the corner he saw the black bushiness of its garden and then, barring the night sky, the skeleton of a new building. The sight gave him a disagreeable shock; anything that let more life and light into that secluded backwater was a menace. He approached, anxiously scanning it. It took the place of old rookeries, demolished in his absence, one side rising gaunt and high against Mrs. Meeker's. He leaned from the front steps and looked over the fence; the separation between the two walls was not more than two or three feet.
His room was on the top floor in the back, and gaining it, he jerked up the shade and looked out. Formerly a row of dreary yards extended to the houses in the rear. Now the frame of the new building filled them in, projecting in sketchy outline to the end of the lots. Disturbed he studied it—four stories, a hotel, apartments, or offices. Whatever it was it would be bad for him, bringing men so close to his lair.
He stood for some time gazing out, saw a late, lopsided moon swim into the sky and by its light the yard below develop a beauty of glistening leaves and fretted shadows. The windows of the houses beyond the fence shone bright, glazed with a pallid luster. Even Mrs. Meeker's stable, wherein she kept her horse and cart, the one relic saved from better days, stood out darkly picturesque amid the frosted silver of vines. He saw nothing of all this, only the black skeleton which would soon be astir with the life he shunned.
He drew down the shade and dropped heavily into a chair, his feet sprawled, his chin sunk on his breast. The single gas jet emitted a torn yellow flame that issued from the burner with a stuttering, ripping sound. The light gilded the bosses of his face, wax-smooth above the shadowed hollows, and it looked even older than it had in sleep. His spirit drooped in a somber exhaustion—he was so tired of it all, of the stealth, the watchfulness, the endless vigilance, the lack of rest. One more coup, one lucky haul, and he was done. Then there would be the ranch, peace, security, an honest ending, and Pancha, believing, never knowing.
The autumn was drawing to an end and the winter season settling into its gait. Everybody was back in town, at least Mrs. Wesson said so in her column, where she also prophesied a program of festivities for the coming six months. This was reassuring as Mrs. Wesson was supposed to know, and anyway there were signs of it already—a first tentative outbreak of parties, little dinners cropping up here and there. People who did things were trailing back from Europe, bringing new clothes and ideas with which to abash the stay-at-homes. Big houses were opening and little houses that had been open all along were trying to pretend they had been shut. Furs were being hung on clothes lines and raincoats brought out of closets. Violets would soon be blooming around the roots of the live oaks and the Marin County hills be green. In short the San Francisco winter was at hand.
The Alston house had been cleaned and set in order from the cellar to the roof and in its dustless, shining spaciousness Lorry sat down and faced her duties. The time had come for her to act. Chrystie must take her place among her fellows, be set forth, garnished and launched as befitted the daughter of George Alston. It was an undertaking before which Lorry's spirit quailed, but it was part of the obligation she had assumed. Though she had accepted the idea, the translation from contemplation to action was slow. In fact she might have stayed contemplating had not a conversation one night with Chrystie nerved her to a desperate courage.
The girls occupied two adjoining rooms on the side of the house which overlooked the garden. Across the hall was their parents' room, exactly the same as it had been when Minnie Alston died there. Behind it were others, large, high-ceilinged, with vast beds and heavy curtains. These had been tenanted at long intervals, once by an uncle from the East, since deceased, and lately by the Barlow girls, Chrystie's friends from San Mateo. That had been quite an occasion. Chrystie talked of it as she did of going to the opera or on board the English man-of-war.
Lorry was sitting in front of the glass brushing her hair, when Chrystie, supposedly retired, came in fully dressed. She dropped onto the side of the bed, watching her sister, with her head tilted, her eye dreamily ruminant.
"What's the matter, dear?" said Lorry. "Why aren't you in bed?"
Chrystie yawned.
"I can't possibly imagine except that I don't want to be there," came through the yawn.
"Aren't you sleepy?"
"In a sort of way." She yawned again and stretched with a wide spread of arms. "I seem to be sleepy on the outside but it doesn't go down into my soul."
Lorry, drawing the comb through her long hair which fell in a shining sweep from her forehead to the chair seat, wanted this explained. But her sister vaguely shook her head and stared at the carpet, then, after a pause, murmured:
"I wish something would happen."
"What kind of thing?"
"Oh, just something—any old thing would be a change."
Lorry stopped combing.
"Do you mean that you're dull?" she asked. The worried gravity of her face did not fit the subject.
"That must be it." Chrystie raised her eyes and looked at the cornice, her red lips parted, her glance becoming animated. "Yes, of course, that's it—I'm dull. Why didn't I see it myself? You've put it before me in letters of fire—I'm dreadfully dull."
"What would you like to do?"
"Have some good times, lots of them. There aren't enough of them this way. We can't go to the theater too often or we'd get used to it, and I can't get the Barlows to come up here every week, they have such crowds of engagements."
She sighed at the memory of the Barlows' superior advantages and the sigh sounded like a groan of reproach in Lorry's ears. Innocently, unconsciously, unaccusingly, Chrystie was rubbing in the failure of her stewardship. She combed at the ends of her hair, her eyes blind to its burnished brightness.
"Would you like to have a party here?" she said in a solemn voice.
Chrystie's glance was diverted from the cornice, wide open and astonished.
"A party here, inthishouse?"
"Yes, it's big enough. There's plenty of room and we can afford it."
"But, Lorry"—the proposition was so startling that she could hardly believe it—"arealparty?"
"Any kind of a party you want. We might have several. We could begin with a dinner; Fong can cook anything."
Chrystie, the idea accepted and held in dazzled contemplation, suddenly saw a flaw.
"But where would we get any men?"
"We know some and we could find some more."
"You talk as if you could find them scattered about on the ground the way they found nuggets in '49. Let's count our nuggets." She held up the spread fingers of a large white hand, bending one down with each name. "There's Charlie Crowder if he can get off, and his friend Robinson in the express company, and Roy Barlow, whom I know so well I could recite him in my sleep, and Mrs. Kirkham's grandnephew who looks like a child—and—and—good gracious, Lorry, is thatallour nuggets?"
"We could have some of those young men whose mothers knew ours."
"You said you didn't like them."
"I know I did, but if you're going to give parties you have to have people you don't like to fill up."
"Um," Chrystie pondered, "I suppose you must. Oh, there's Marquis deLafayette."
"Yes," said Lorry, "I thought of him."
Chrystie's eyes, bright with question, rested on her sister.
"You can't exactly call him a nugget."
"Why not?"
"Because he doesn't shine, darling."
This explanation appeared to strike its maker as a consummate witticism.She fell back on the bed in spasms of laughter.
Lorry looked annoyed.
"He's nicer than any of the others, I think."
"Of course he is, but he's been buried too long in the soil; he needs polishing." She rolled over on the bed in her laughter.
Lorry began to braid her hair, her face grave.
"I don't think things like that matter a bit, and I don't see at all what you're laughing at."
"I'm laughing at Marquis de Lafayette. I can't help it—something about his hands and his manners. They're so ponderously polite; maybe it's from waiting on table in the students' boarding house."
"I never knew you were a snob before, Chrystie."
"I guess I am. Isn't it awful? Oh, dear, I've laughed so much I've got a pain. It's perfectly true, I'm a snob. I like my nuggets all smooth and shiny with no knobs or bits of earth clinging to them."
Lorry's hair was done and she rose and approached her sister.
"You've spoiled my bed. Get off it and go."
But Chrystie would not move. With her face red and the tears of her laughter standing in her eyes she gazed at the serious one.
"Lorry, darling, you look so sweet in that wrapper with your hair slicked back. You look like somebody I know. Who is it? Oh, of course, the Blessed Damozel, leaning on the bar of Heaven, only it's the bar of the bed."
"Don't be silly, Chrystie. Get up."
"Never till I have your solemn, eternal, sworn-to promise."
"What promise?"
"To give that party."
"You have it—I said I'd do it and I will."
"And get nuggets for it?"
"Yes."
"All right, I'll go."
She sat up, rosy, disheveled, her hair hanging in a tousled mop from its loosened pins. Catching Lorry's hand, she squeezed it, looking up at her like an affectionate, drowsy child.
"Dear little Blessed Damozel, I love you a lot even though you are high-minded and think I'm a snob."
She had been in her room for some minutes, Lorry already in bed with a light at her elbow and a book in her hand, when she reappeared in the doorway. The pins were gone from her hair and it lay in a yellow tangle on her shoulders, bare and milk-white. Looking at her sister with round, shocked eyes, she said:
"It's just come to me how awful it is that two young, beautiful and aristocratic ladies should have to hunt so hard for nuggets. It's tragic, Lorry. It'sscandalous," and she disappeared.
Lorry couldn't read after that. She put out the light and made plans in the dark.
The next day she rose, grimly determined, and girded herself for action. In the morning, giving Fong the orders, she told him she was going to have a dinner, and in the afternoon went to see Mrs. Kirkham.
Mrs. Kirkham had once been a friend of Minnie Alston's and she was the only one of that now diminishing group with whom Lorry felt at ease. Had the others known of the visit and its cause they would have thrown up their hands and said, "Just like that girl." Mrs. Kirkham was nobody now, the last person to go to for help in social matters. In the old days in Nevada her husband had been George Alston's paymaster, and she had held her head high and worn diamonds.
But that was ages ago. Long before the date of this story the high head had been lowered and the diamonds sold, all but those that encircled the miniature of her only baby, dead before the Con-Virginia slump. She lived in a little flat up toward the cemeteries, second floor, door to the left, and please press the push button. In her small parlor the pictures of the Bonanza Kings hung on the walls and she was wont, an old rheumatic figure in shiny black with the miniature pinned at her withered throat, to point to these and tell stories of the great Iliad of the Comstock.
She was very fond of Lorry and when she heard her predicament—a party to be given and not enough men—patted her hand and nodded understandingly. Times were changed—ah, if the girls had been in Virginia in the seventies! And after a brisk canter through her memories (she always had to have that) galloped back into the present and its needs. Lorry went home reassured and soothed. You could always count on Mrs. Kirkham's taking hold and helping you through.
The old lady was put on her mettle, flattered by the appeal, made to feel she was still a living force. Also she would have done anything in the world for Minnie's girls. She consulted with her niece, well married and socially aspiring if not yet installed in the citadel. It was a happy thought; the niece had the very thing, "a delightful gentleman," lately arrived in the city. So it fell out that Boyé Mayer, under the chaperonage of Mrs. Kirkham, was brought to call and asked to fill a seat at the formidable dinner.
Formidable was hardly a strong enough word. It advanced on Lorry like a darkling doom. Once she had set its machinery in motion it seemed to rush forward with a vengeful momentum. Everybody accepted but Charlie Crowder, who could not get off, and Mark Burrage, who wrote her a short, stiff note saying he "was unable to attend." For a space that made her oblivious to the larger, surrounding distress. It was a little private and particular sting for herself that concentrated her thoughts upon the hurt it left. After she read it her face had flushed, and she had dropped it into her desk snapping the lid down hard. If he didn't want to come he could stay away. Men didn't like her anyway; she knew it and she wasn't going to make any mistakes. Her concern in life was Chrystie and it was being pointed out to her that she wasn't supposed to have any other.
Finally the evening came and everything was ready. Fong's talents, after years of disuse, rose in the passion of the artist and produced a feast worthy of the past. A florist decorated the table and the lower floor. Mother's jewels were taken out of the safety deposit box, and Lorry and Chrystie, in French costumes with their hair dressed so that they looked like strangers, gazed upon each other in the embowered drawing-room realizing that they had brought it upon themselves and must see it through.
The start was far from promising; none of them seemed able to live up to it. Aunt Ellen kept following the strange waiters with suspicious eyes, then looking down the glittering table at Lorry like a worried dog. And Chrystie, who had been all blithe expectation up to the time she dressed, was suddenly shattered by nervousness, making detached, breathless remarks about the weather and then drinking copious draughts of water. As for Lorry, she felt herself so small and shriveled that her new dress hung on her in folds and her mouth was so dry she could hardly articulate.
It was awful. The guests seemed to feel the blight and wither under it, eating carefully as if fearing sounds of mastication might intrude on the long, recurring silences. There was a time when Lorry thought she couldn't bear it, had a distracted temptation to leap to her feet, say she was faint and rush from the place. Then came the turn in the tide—Mr. Mayer, the strange man Mrs. Kirkham had produced, did it. She had noticed that he alone seemed free from the prevailing discomfort, looked undisturbed and calm, glancing at the table, the guests, herself and Chrystie. But it was not until the fish that he started to talk. It was about the fish, but it branched away from the fish, radiated out from it to other fish, to the waters where the other fish swam, to the countries that gave on the waters, to the people who lived in the countries.
He woke them all up, held them entranced. Lorry couldn't be sure whether he really was so clever or seemed so by contrast with them, but she thought it was the latter. It didn't matter; nothing mattered except that he was making it go. And at first she had been loath to ask him! She hadn't liked him, thought he was too suavely elaborate, a sort of overdone imitation. Well, thank goodness she had, for he simply took the dinner which was settling down to a slow, sure death and made it come to life.
Presently they were all talking, to their partners, across the table, even to Aunt Ellen. The exhilarating sound of voices rose to a hum, then a concerted babble broken by laughter. It grew animated, it grew sparkling, it grew brilliant. Chrystie, with parted lips and glistening eyes, became as artlessly amusing as she was in the bosom of her family. She was delightful, her frank enjoyment a charming spectacle. Lorry, in that seat which so short a time before had seemed but one remove from the electric chair, now reigned as from a throne, proudly surveying the splendors of her table and the gladness of her guests.
When it was over, the last carriage wheels rumbling down the street, the girls stood in the hall and looked at one another. Aunt Ellen, creaking in her new silks, toiled up the stairs, an old, shaky hand on the balustrade.
"Come up, girls," she quavered; "you must be dead tired."
"Well," breathed Lorry with questioning eyes on her sister, "how was it?"
Chrystie jumped at her and folded her in a rapturous embrace.
"Oh, it was maddening, blissful, rip-roarious! Oh, Lorry, it was the grandest thing since the water came up to Montgomery street!"
"Youdidenjoy it, didn't you?"
"Enjoy it! Why, I never had such a galumptious time in my life. They all did. The Barlow girls are on their heads about it—they said so and I saw it."
"I think everybody had a good time."
"Of course they did. But, oh, didn't you nearly die at the beginning? I was sick. Honestly, Lorry, I felt something sinking in me down here, and my mouth getting all sideways. If it hadn't been for that man I'd have just slipped out of my seat under the table and died there at their feet."
"He saved it," said Lorry solemnly, as one might mention a doctor who had brought back from death a beloved relative.
The gas was out and they were mounting the stairs, arms entwined, warm young flesh on warm young flesh.
"Isn't he a thoroughbred, isn't he a gem!" Chrystie chanted. "I'd like to go to Mrs. Kirkham's tomorrow, climb up her front stairs on my knees and knock my forehead on the sill of her parlor door."
"Did you really like him? I think he's clever and entertaining but I wouldn't want him for a friend."
"I didn't think about him that way. I just sort of stood off and admired. He's the mostmagneticthing!"
"Yes, I suppose he is, but—"
"There are no buts about it." Then in the voice of knowledge, "I'll tell you what he is, I'll put it in terms you can understand—he's the perfect specimen of the real, genuine, solid gold nugget."
After the dinner Mayer walked downtown. He had been a good deal surprised, rather amused, and in the drawing-room afterward extremely bored. His amusement was sardonic. He grinned at the thought of himself in such company and wondered if it could have happened anywhere but California. Those two girls, rich and young, were apparently free to ask anybody into their house. It was curious, and he saw them similarly placed in Europe; they would have been guarded like the royal treasure, chiefly to keep such men as himself out.
The splendor of the entertainment had surprised him. He was becoming used to the Californian's prodigal display of flowers, but such a dinner, served to unappreciative youth, was something new. The whole affair had been a combination of an intelligent luxury and a rank crudity—food fit for kings set before boys and girls who had no more appreciation of its excellence than babies would have had. And the silver on the table, cumbrously magnificent, it was worth a small fortune.
Outside the humor of his own presence there, he had found the affair tedious, especially that last hour in the drawing-room. It was the sort of place that had always bored him even when he was young, governed by narrow, feminine standards, breathing a ponderous respectability from every curtain fold. Neither of the girls had been attractive. The elder, the small, pale one, was a prim, stiff little thing. The other was nothing but a gawky child; fine coloring—these Californians all had it—but with no charm or mystery. They were like the fruit, all run to size but without much flavor. He thought the elder girl had some intelligence; one would have to be on one's guard with her. He made a mental note of it, for he intended going there again—it was the best meal he had eaten since he left New York.
The night was warm and soft, a moon rising over the housetops. He breathed deep of the balmy air, inhaling it gratefully. After such a constrained three hours he felt the need of relaxation, of easy surroundings, of an expansion to his accustomed dimensions. Swinging down the steep street between the dark gardens and flanking walls, he surveyed the lights of the city's livelier center and thought of something to do that would take the curse of the dinner off his spirit.
A half hour later Pancha, emerging from the alley that led to the Albion's stage door, saw a tall, familiar shape approach from the shadows. Her heart gave a jump, and as her hand was enfolded in a strong, possessive grasp, she could not control the sudden quickening of her breath.
"Oh, it's you! Gee, how you scared me," she said, to account for it.
He squeezed the hand, murmuring apologies, his vanity gratified, for he knew no man at the stage door would ever scare Pancha.
As it was so fine a night he suggested that she walk back to the hotel and let him escort her, to which, with a glance at the moon, and a sniff of the mellow air, she agreed.
So they fared forth, two dark figures, choosing quieter streets than those she usually trod, the tapping of her high heels falling with a smart regularity on the stillness held between the silver-washed walls.
They were rather silent, conversation broken by periods when their mingled footfalls beat clear on the large, enfolding mutter of the city sinking to sleep. It was his fault; heretofore he had been the leader, conducting her by a crafty discursiveness toward those confidences she so resolutely withheld. But tonight he did not want to talk, trailing lazy steps beside her, casting thoughtful glances upward at the vast, illumined sky. It made her nervous; there was something of a deep, disturbing intimacy about it; not a sweet and soothing intimacy, but portentous and agitating. She tried to be herself, laid about for bright things to say and found she could pump up no defiant buoyancy, her tongue clogged, her spirit oppressed by a disintegrating inner distress. It did not make matters any better when he said in a dreamy tone:
"Why are you so quiet?"
"I've worked hard tonight. I'm tired and you're walking so fast."
He was immediately contrite, slackening his step, which in truth was very slow.
"Oh, Pancha, what a brute I am. Why didn't you tell me?" And he took her hand and tried to draw it through his arm.
But she resisted, pulling away from him almost pettishly, shrinking from his touch.
"No, no, let me alone. I like to walk by myself."
He drew back with a slight shrug, more amused than repulsed. Nevertheless he was rather sorry he had suggested the walk, he had never known her to be less entertaining.
"Always proud, always independent, always keeping her guard up." He cast a questioning side glance at her face, grave and pale by his shoulder. "You wild thing, can no one tame you?"
"Why do you say I'm wild?"
"Because you are. How long have I known you? Since early in September andI don't get any nearer. You still keep me guessing."
"About what?"
"Aboutwhat?" He leaned down and spied at her profile. "About yourself."
"Oh, me!"
"Yes, you—what else? You're the most secretive little sphinx outside Egypt."
She did not answer for a moment. Shehadbeen secretive, but it was about the humble surroundings of her youth, those ignominious beginnings of hers. Of this she could not bring herself to tell, fearful that it would lower her in his esteem. She saw him, hearing of the Buon Gusto restaurant and the life along the desert, withdrawing from her in shocked repugnance. About other things—the stage, the lovers—she had been frank, almost confidential.
"I don't see why you say that," she protested; "I've told you any amount of stuff."
"But not everything. You know that, Pancha."
He was now so keen, like a dog with its nose to the scent, that he forgot her recent refusal and hooked his hand inside her arm. This time she did not draw away and they walked on, close-linked, alone in the moonlit street. Conscious of her reticences, ashamed of her lack of candor, and yet afraid to make damaging revelations, she said defensively:
"I've told you as much as I want to tell."
He seized on that, in his eagerness pressing her arm against his side, bending over her like a lover.
"Yes, but not all. And why not all? Why should you keep anything from me?"
"But whyshouldI tell you?" she asked, her loitering step coming to a stop.
As the situation stood the question was a poser. He did not want to be her lover, had never intended it; his easy gallantry had meant nothing. But now, seeing her averted face, the eyes down-drooped, he could think of no reply that was not love-making. She stole a swift look at him, recognized his hesitation, and felt a stab, for it was the love-making answer she had expected. The mortified anger of the woman who has made a bid for tenderness and seen herself mistaken surged up in her.
She jerked her arm violently out of his grasp and walked forward at a swinging pace.
"What's the matter?" he said, chasing at her heels. "Are you angry?"
"I shouldn't wonder," she threw over her shoulder. "Being nagged at for fun doesn't appeal to me."
"But what do you mean?—I'm all at sea."
She suddenly brought up short, and wheeling, faced him, her face lowering, her breath quick:
"I'm the one to say that, for I don't get you, Boyé Mayer, I don't see what you're up to. But sometimes I think you've just come snooping round roe to find out something. You come and you go, always so curious, always wanting to know, pussy-footing round with your questions and your compliments. What's on your mind?"
Mayer found himself in an impasse. She knew him too well and she was too angry to be diverted with the temporizing lightness of their early acquaintance. There was only one thing to say to her, and—the cause of her excitement plain to his informed mind—it was not difficult to say.
"Pancha," he pleaded, "you don't understand."
"You bet I don't and I want to. I'd like to have it explained—I'd like to know what you hang round me for. Do you think I'm hiding something? Do you think I'm a criminal?"
"I think you're the most charming girl in the world," he protested.
She gave a smothered sound of rage and started off, faster than ever, down the street. This time he kept up with her, and rounding a corner the two lamps at the foot of the Vallejo's steps loomed up close at hand.
"Stop," he said. "Wait." He had no idea the hotel was so near, and surprised at the sight of it his voice became suddenly imperious and he seized her arm with a dominating grip. She tried to jerk it away, but he held it and drew her, stiff and averse, toward him.
"You foolish one," he whispered. "Why, don't you see? I hang around because I can't help it. I come because I can't stay away—I want to know about you because I'm jealous of every man that ever looked at you."
With the last word he threw his arm about her and snatched her close. Against him she suddenly relaxed, melted into a thing of yielding softness, while his lips touched a cheek like a burning rose petal.
The next moment she was gone. He had a glimpse of her on the Vallejo steps in swallow-swift silhouette and then heard the bang of the door.
In her room Pancha moved about mechanically, doing the accustomed things. She lighted the light, took off her hat and jacket, brought the milk from the window sill. Then, with the bottle on the table beside her, she sat down, her hands in her lap, her eyes on space. She was as motionless as a statue, save for the breaths that lifted her chest. She sat that way for a long time, her only movements a shifting of her blank gaze or a respiration deeper than the others. She saw nothing of what her glance rested on, heard none of the decreasing midnight sounds in the street or the house about her. An intensity of feeling had lifted her to a plane where the familiar and habitual had no more place than had premonitions and forebodings.