Take a very common instance of this agonizing incompatibility. A widow brings up her son to manhood. He meets a strange woman, and goes off with and marries her, leaving his mother desolate. It does not occur to him that this is at all hard on her: he does it as a matter of course, and actually expects his mother to receive, on terms of special affection, the woman for whom she has been abandoned. If he shewed any sense of what he was doing, any remorse; if he mingled his tears with hers and asked her not to think too hardly of him because he had obeyed the inevitable destiny of a man to leave his father and mother and cleave to his wife, she could give him her blessing and accept her bereavement with dignity and without reproach. But the man never dreams of such considerations. To him his mother's feeling in the matter, when she betrays it, is unreasonable, ridiculous, and even odious, as shewing a prejudice against his adorable bride.
I have taken the widow as an extreme and obvious case; but there are many husbands and wives who are tired of their consorts, or disappointed in them, or estranged from them by infidelities; and these parents, in losing a son or a daughter through marriage, may be losing everything they care for. No parent's love is as innocent as the love of a child: the exclusion of all conscious sexual feeling from it does not exclude the bitterness, jealousy, and despair at loss which characterize sexual passion: in fact, what is called a pure love may easily be more selfish and jealous than a carnal one. Anyhow, it is plain matter of fact that naively selfish people sometimes try with fierce jealousy to prevent their children marrying.
Until the family as we know it ceases to exist, nobody will dare to analyze parental affection as distinguished from that general human sympathy which has secured to many an orphan fonder care in a stranger's house than it would have received from its actual parents. Not even Tolstoy, in The Kreutzer Sonata, has said all that we suspect about it. When it persists beyond the period at which it ceases to be necessary to the child's welfare, it is apt to be morbid; and we are probably wrong to inculcate its deliberate cultivation. The natural course is for the parents and children to cast off the specific parental and filial relation when they are no longer necessary to one another. The child does this readily enough to form fresh ties, closer and more fascinating. Parents are not always excluded from such compensations: it happens sometimes that when the children go out at the door the lover comes in at the window. Indeed it happens now oftener than it used to, because people remain much longer in the sexual arena. The cultivated Jewess no longer cuts off her hair at her marriage. The British matron has discarded her cap and her conscientious ugliness; and a bishop's wife at fifty has more of the air of afemme galantethan an actress had at thirty-five in her grandmother's time. But as people marry later, the facts of age and time still inexorably condemn most parents to comparative solitude when their children marry. This may be a privation and may be a relief: probably in healthy circumstances it is no worse than a salutary change of habit; but even at that it is, for the moment at least, a wrench. For though parents and children sometimes dislike one another, there is an experience of succor and a habit of dependence and expectation formed in infancy which naturally attaches a child to its parent or to its nurse (a foster parent) in a quite peculiar way. A benefit to the child may be a burden to the parent; but people become attached to their burdens sometimes more than the burdens are attached to them; and to "suffer little children" has become an affectionate impulse deep in our nature.
Now there is no such impulse to suffer our sisters and brothers, our aunts and uncles, much less our cousins. If we could choose our relatives, we might, by selecting congenial ones, mitigate the repulsive effect of the obligation to like them and to admit them to our intimacy. But to have a person imposed on us as a brother merely because he happens to have the same parents is unbearable when, as may easily happen, he is the sort of person we should carefully avoid if he were anyone else's brother. All Europe (except Scotland, which has clans instead of families) draws the line at second cousins. Protestantism draws it still closer by making the first cousin a marriageable stranger; and the only reason for not drawing it at sisters and brothers is that the institution of the family compels us to spend our childhood with them, and thus imposes on us a curious relation in which familiarity destroys romantic charm, and is yet expected to create a specially warm affection. Such a relation is dangerously factitious and unnatural; and the practical moral is that the less said at home about specific family affection the better. Children, like grown-up people, get on well enough together if they are not pushed down one another's throats; and grown-up relatives will get on together in proportion to their separation and their care not to presume on their blood relationship. We should let children's feelings take their natural course without prompting. I have seen a child scolded and called unfeeling because it did not occur to it to make a theatrical demonstration of affectionate delight when its mother returned after an absence: a typical example of the way in which spurious family sentiment is stoked up. We are, after all, sociable animals; and if we are let alone in the matter of our affections, and well brought up otherwise, we shall not get on any the worse with particular people because they happen to be our brothers and sisters and cousins. The danger lies in assuming that we shall get on any better.
The main point to grasp here is that families are not kept together at present by family feeling but by human feeling. The family cultivates sympathy and mutual help and consolation as any other form of kindly association cultivates them; but the addition of a dictated compulsory affection as an attribute of near kinship is not only unnecessary, but positively detrimental; and the alleged tendency of modern social development to break up the family need alarm nobody. We cannot break up the facts of kinship nor eradicate its natural emotional consequences. What we can do and ought to do is to set people free to behave naturally and to change their behavior as circumstances change. To impose on a citizen of London the family duties of a Highland cateran in the eighteenth century is as absurd as to compel him to carry a claymore and target instead of an umbrella. The civilized man has no special use for cousins; and he may presently find that he has no special use for brothers and sisters. The parent seems likely to remain indispensable; but there is no reason why that natural tie should be made the excuse for unnatural aggravations of it, as crushing to the parent as they are oppressive to the child. The mother and father will not always have to shoulder the burthen of maintenance which should fall on the Atlas shoulders of the fatherland and motherland. Pending such reforms and emancipations, a shattering break-up of the parental home must remain one of the normal incidents of marriage. The parent is left lonely and the child is not. Woe to the old if they have no impersonal interests, no convictions, no public causes to advance, no tastes or hobbies! It is well to be a mother but not to be a mother-in-law; and if men were cut off artificially from intellectual and public interests as women are, the father-in-law would be as deplorable a figure in popular tradition as the mother-in-law.
It is not to be wondered at that some people hold that blood relationship should be kept a secret from the persons related, and that the happiest condition in this respect is that of the foundling who, if he ever meets his parents or brothers or sisters, passes them by without knowing them. And for such a view there is this to be said: that our family system does unquestionably take the natural bond between members of the same family, which, like all natural bonds, is not too tight to be borne, and superimposes on it a painful burden of forced, inculcated, suggested, and altogether unnecessary affection and responsibility which we should do well to get rid of by making relatives as independent of one another as possible.
The difficulty of inducing people to talk sensibly about the family is the same as that which I pointed out in a previous volume as confusing discussions of marriage. Marriage is not a single invariable institution: it changes from civilization to civilization, from religion to religion, from civil code to civil code, from frontier to frontier. The family is still more variable, because the number of persons constituting a family, unlike the number of persons constituting a marriage, varies from one to twenty: indeed, when a widower with a family marries a widow with a family, and the two produce a third family, even that very high number may be surpassed. And the conditions may vary between opposite extremes: for example, in a London or Paris slum every child adds to the burden of poverty and helps to starve the parents and all the other children, whereas in a settlement of pioneer colonists every child, from the moment it is big enough to lend a hand to the family industry, is an investment in which the only danger is that of temporary over-capitalization. Then there are the variations in family sentiment. Sometimes the family organization is as frankly political as the organization of an army or an industry: fathers being no more expected to be sentimental about their children than colonels about soldiers, or factory owners about their employees, though the mother may be allowed a little tenderness if her character is weak. The Roman father was a despot: the Chinese father is an object of worship: the sentimental modern western father is often a play-fellow looked to for toys and pocket-money. The farmer sees his children constantly: the squire sees them only during the holidays, and not then oftener than he can help: the tram conductor, when employed by a joint stock company, sometimes never sees them at all.
Under such circumstances phrases like The Influence of Home Life, The Family, The Domestic Hearth, and so on, are no more specific than The Mammals, or The Man In The Street; and the pious generalizations founded so glibly on them by our sentimental moralists are unworkable. When households average twelve persons with the sexes about equally represented, the results may be fairly good. When they average three the results may be very bad indeed; and to lump the two together under the general term The Family is to confuse the question hopelessly. The modern small family is much too stuffy: children "brought up at home" in it are unfit for society. But here again circumstances differ. If the parents live in what is called a garden suburb, where there is a good deal of social intercourse, and the family, instead of keeping itself to itself, as the evil old saying is, and glowering at the neighbors over the blinds of the long street in which nobody knows his neighbor and everyone wishes to deceive him as to his income and social importance, is in effect broken up by school life, by out-of-door habits, and by frank neighborly intercourse through dances and concerts and theatricals and excursions and the like, families of four may turn out much less barbarous citizens than families of ten which attain the Boer ideal of being out of sight of one another's chimney smoke.
All one can say is, roughly, that the homelier the home, and the more familiar the family, the worse for everybody concerned. The family ideal is a humbug and a nuisance: one might as reasonably talk of the barrack ideal, or the forecastle ideal, or any other substitution of the machinery of social organization for the end of it, which must always be the fullest and most capable life: in short, the most godly life. And this significant word reminds us that though the popular conception of heaven includes a Holy Family, it does not attach to that family the notion of a separate home, or a private nursery or kitchen or mother-in-law, or anything that constitutes the family as we know it. Even blood relationship is miraculously abstracted from it; and the Father is the father of all children, the mother the mother of all mothers and babies, and the Son the Son of Man and the Savior of his brothers: one whose chief utterance on the subject of the conventional family was an invitation to all of us to leave our families and follow him, and to leave the dead to bury the dead, and not debauch ourselves at that gloomy festival the family funeral, with its sequel of hideous mourning and grief which is either affected or morbid.
I do not know how far this detestable custom of mourning is carried in France; but judging from the appearance of the French people I should say that a Frenchwoman goes into mourning for her cousins to the seventeenth degree. The result is that when I cross the Channel I seem to have reached a country devastated by war or pestilence. It is really suffering only from the family. Will anyone pretend that England has not the best of this striking difference? Yet it is such senseless and unnatural conventions as this that make us so impatient of what we call family feeling. Even apart from its insufferable pretensions, the family needs hearty discrediting; for there is hardly any vulnerable part of it that could not be amputated with advantage.
By art teaching I hasten to say that I do not mean giving children lessons in freehand drawing and perspective. I am simply calling attention to the fact that fine art is the only teacher except torture. I have already pointed out that nobody, except under threat of torture, can read a school book. The reason is that a school book is not a work of art. Similarly, you cannot listen to a lesson or a sermon unless the teacher or the preacher is an artist. You cannot read the Bible if you have no sense of literary art. The reason why the continental European is, to the Englishman or American, so surprisingly ignorant of the Bible, is that the authorized English version is a great work of literary art, and the continental versions are comparatively artless. To read a dull book; to listen to a tedious play or prosy sermon or lecture; to stare at uninteresting pictures or ugly buildings: nothing, short of disease, is more dreadful than this. The violence done to our souls by it leaves injuries and produces subtle maladies which have never been properly studied by psycho-pathologists. Yet we are so inured to it in school, where practically all the teachers are bores trying to do the work of artists, and all the books artless, that we acquire a truly frightful power of enduring boredom. We even acquire the notion that fine art is lascivious and destructive to the character. In church, in the House of Commons, at public meetings, we sit solemnly listening to bores and twaddlers because from the time we could walk or speak we have been snubbed, scolded, bullied, beaten and imprisoned whenever we dared to resent being bored or twaddled at, or to express our natural impatience and derision of bores and twaddlers. And when a man arises with a soul of sufficient native strength to break the bonds of this inculcated reverence and to expose and deride and tweak the noses of our humbugs and panjandrums, like Voltaire or Dickens, we are shocked and scandalized, even when we cannot help laughing. Worse, we dread and persecute those who can see and declare the truth, because their sincerity and insight reflects on our delusion and blindness. We are all like Nell Gwynne's footman, who defended Nell's reputation with his fists, not because he believed her to be what he called an honest woman, but because he objected to be scorned as the footman of one who was no better than she should be.
This wretched power of allowing ourselves to be bored may seem to give the fine arts a chance sometimes. People will sit through a performance of Beethoven's ninth symphony or of Wagner's Ring just as they will sit through a dull sermon or a front bench politician saying nothing for two hours whilst his unfortunate country is perishing through the delay of its business in Parliament. But their endurance is very bad for the ninth symphony, because they never hiss when it is murdered. I have heard an Italian conductor (no longer living) take theadagioof that symphony at a livelyallegretto, slowing down for the warmer major sections into the speed and manner of the heroine's death song in a Verdi opera; and the listeners, far from relieving my excruciation by rising with yells of fury and hurling their programs and opera glasses at the miscreant, behaved just as they do when Richter conducts it. The mass of imposture that thrives on this combination of ignorance with despairing endurance is incalculable. Given a public trained from childhood to stand anything tedious, and so saturated with school discipline that even with the doors open and no schoolmasters to stop them they will sit there helplessly until the end of the concert or opera gives them leave to go home; and you will have in great capitals hundreds of thousands of pounds spent every night in the season on professedly artistic entertainments which have no other effect on fine art than to exacerbate the hatred in which it is already secretly held in England.
Fortunately, there are arts that cannot be cut off from the people by bad performances. We can read books for ourselves; and we can play a good deal of fine music for ourselves with the help of a pianola. Nothing stands between us and the actual handwork of the great masters of painting except distance; and modern photographic methods of reproduction are in some cases quite and in many nearly as effective in conveying the artist's message as a modern edition of Shakespear's plays is in conveying the message that first existed in his handwriting. The reproduction of great feats of musical execution is already on the way: the phonograph, for all its wheezing and snarling and braying, is steadily improving in its manners; and what with this improvement on the one hand, and on the other that blessed selective faculty which enables us to ignore a good deal of disagreeable noise if there is a thread of music in the middle of it (few critics of the phonograph seem to be conscious of the very considerable mechanical noise set up by choirs and orchestras) we have at last reached a point at which, for example, a person living in an English village where the church music is the only music, and that music is made by a few well-intentioned ladies with the help of a harmonium, can hear masses by Palestrina very passably executed, and can thereby be led to the discovery that Jackson in F and Hymns Ancient and Modern are not perhaps the last word of beauty and propriety in the praise of God.
In short, there is a vast body of art now within the reach of everybody. The difficulty is that this art, which alone can educate us in grace of body and soul, and which alone can make the history of the past live for us or the hope of the future shine for us, which alone can give delicacy and nobility to our crude lusts, which is the appointed vehicle of inspiration and the method of the communion of saints, is actually branded as sinful among us because, wherever it arises, there is resistance to tyranny, breaking of fetters, and the breath of freedom. The attempt to suppress art is not wholly successful: we might as well try to suppress oxygen. But it is carried far enough to inflict on huge numbers of people a most injurious art starvation, and to corrupt a great deal of the art that is tolerated. You will find in England plenty of rich families with little more culture than their dogs and horses. And you will find poor families, cut off by poverty and town life from the contemplation of the beauty of the earth, with its dresses of leaves, its scarves of cloud, and its contours of hill and valley, who would positively be happier as hogs, so little have they cultivated their humanity by the only effective instrument of culture: art. The dearth is artificially maintained even when there are the means of satisfying it. Story books are forbidden, picture post cards are forbidden, theatres are forbidden, operas are forbidden, circuses are forbidden, sweetmeats are forbidden, pretty colors are forbidden, all exactly as vice is forbidden. The Creator is explicitly prayed to, and implicitly convicted of indecency every day. An association of vice and sin with everything that is delightful and of goodness with everything that is wretched and detestable is set up. All the most perilous (and glorious) appetites and propensities are at once inflamed by starvation and uneducated by art. All the wholesome conditions which art imposes on appetite are waived: instead of cultivated men and women restrained by a thousand delicacies, repelled by ugliness, chilled by vulgarity, horrified by coarseness, deeply and sweetly moved by the graces that art has revealed to them and nursed in them, we get indiscriminate rapacity in pursuit of pleasure and a parade of the grossest stimulations in catering for it. We have a continual clamor for goodness, beauty, virtue, and sanctity, with such an appalling inability to recognize it or love it when it arrives that it is more dangerous to be a great prophet or poet than to promote twenty companies for swindling simple folk out of their savings. Do not for a moment suppose that uncultivated people are merely indifferent to high and noble qualities. They hate them malignantly. At best, such qualities are like rare and beautiful birds: when they appear the whole country takes down its guns; but the birds receive the statuary tribute of having their corpses stuffed.
And it really all comes from the habit of preventing children from being troublesome. You are so careful of your boy's morals, knowing how troublesome they may be, that you keep him away from the Venus of Milo only to find him in the arms of the scullery maid or someone much worse. You decide that the Hermes of Praxiteles and Wagner's Tristan are not suited for young girls; and your daughter marries somebody appallingly unlike either Hermes or Tristan solely to escape from your parental protection. You have not stifled a single passion nor averted a single danger: you have depraved the passions by starving them, and broken down all the defences which so effectively protect children brought up in freedom. You have men who imagine themselves to be ministers of religion openly declaring that when they pass through the streets they have to keep out in the wheeled traffic to avoid the temptations of the pavement. You have them organizing hunts of the women who tempt them—poor creatures whom no artist would touch without a shudder—and wildly clamoring for more clothes to disguise and conceal the body, and for the abolition of pictures, statues, theatres, and pretty colors. And incredible as it seems, these unhappy lunatics are left at large, unrebuked, even admired and revered, whilst artists have to struggle for toleration. To them an undraped human body is the most monstrous, the most blighting, the most obscene, the most unbearable spectacle in the universe. To an artist it is, at its best, the most admirable spectacle in nature, and, at its average, an object of indifference. If every rag of clothing miraculously dropped from the inhabitants of London at noon tomorrow (say as a preliminary to the Great Judgment), the artistic people would not turn a hair; but the artless people would go mad and call on the mountains to hide them. I submit that this indicates a thoroughly healthy state on the part of the artists, and a thoroughly morbid one on the part of the artless. And the healthy state is attainable in a cold country like ours only by familiarity with the undraped figure acquired through pictures, statues, and theatrical representations in which an illusion of natural clotheslessness is produced and made poetic.
In short, we all grow up stupid and mad to just the extent to which we have not been artistically educated; and the fact that this taint of stupidity and madness has to be tolerated because it is general, and is even boasted of as characteristically English, makes the situation all the worse. It is becoming exceedingly grave at present, because the last ray of art is being cut off from our schools by the discontinuance of religious education.
Now children must be taught some sort of religion. Secular education is an impossibility. Secular education comes to this: that the only reason for ceasing to do evil and learning to do well is that if you do not you will be caned. This is worse than being taught in a church school that if you become a dissenter you will go to hell; for hell is presented as the instrument of something eternal, divine, and inevitable: you cannot evade it the moment the schoolmaster's back is turned. What confuses this issue and leads even highly intelligent religious persons to advocate secular education as a means of rescuing children from the strife of rival proselytizers is the failure to distinguish between the child's personal subjective need for a religion and its right to an impartially communicated historical objective knowledge of all the creeds and Churches. Just as a child, no matter what its race and color may be, should know that there are black men and brown men and yellow men, and, no matter what its political convictions may be, that there are Monarchists and Republicans and Positivists, Socialists and Unsocialists, so it should know that there are Christians and Mahometans and Buddhists and Shintoists and so forth, and that they are on the average just as honest and well-behaved as its own father. For example, it should not be told that Allah is a false god set up by the Turks and Arabs, who will all be damned for taking that liberty; but it should be told that many English people think so, and that many Turks and Arabs think the converse about English people. It should be taught that Allah is simply the name by which God is known to Turks and Arabs, who are just as eligible for salvation as any Christian. Further, that the practical reason why a Turkish child should pray in a mosque and an English child in a church is that as worship is organized in Turkey in mosques in the name of Mahomet and in England in churches in the name of Christ, a Turkish child joining the Church of England or an English child following Mahomet will find that it has no place for its worship and no organization of its religion within its reach. Any other teaching of the history and present facts of religion is false teaching, and is politically extremely dangerous in an empire in which a huge majority of the fellow subjects of the governing island do not profess the religion of that island.
But this objectivity, though intellectually honest, tells the child only what other people believe. What it should itself believe is quite another matter. The sort of Rationalism which says to a child "You must suspend your judgment until you are old enough to choose your religion" is Rationalism gone mad. The child must have a conscience and a code of honor (which is the essence of religion) even if it be only a provisional one, to be revised at its confirmation. For confirmation is meant to signalize a spiritual coming of age, and may be a repudiation. Really active souls have many confirmations and repudiations as their life deepens and their knowledge widens. But what is to guide the child before its first confirmation? Not mere orders, because orders must have a sanction of some sort or why should the child obey them? If, as a Secularist, you refuse to teach any sanction, you must say "You will be punished if you disobey." "Yes," says the child to itself, "if I am found out; but wait until your back is turned and I will do as I like, and lie about it." There can be no objective punishment for successful fraud; and as no espionage can cover the whole range of a child's conduct, the upshot is that the child becomes a liar and schemer with an atrophied conscience. And a good many of the orders given to it are not obeyed after all. Thus the Secularist who is not a fool is forced to appeal to the child's vital impulse towards perfection, to the divine spark; and no resolution not to call this impulse an impulse of loyalty to the Fellowship of the Holy Ghost, or obedience to the Will of God, or any other standard theological term, can alter the fact that the Secularist has stepped outside Secularism and is educating the child religiously, even if he insists on repudiating that pious adverb and substituting the word metaphysically.
We must make up our minds to it therefore that whatever measures we may be forced to take to prevent the recruiting sergeants of the Churches, free or established, from obtaining an exclusive right of entry to schools, we shall not be able to exclude religion from them. The most horrible of all religions: that which teaches us to regard ourselves as the helpless prey of a series of senseless accidents called Natural Selection, is allowed and even welcomed in so-called secular schools because it is, in a sense, the negation of all religion; but for school purposes a religion is a belief which affects conduct; and no belief affects conduct more radically and often so disastrously as the belief that the universe is a product of Natural Selection. What is more, the theory of Natural Selection cannot be kept out of schools, because many of the natural facts that present the most plausible appearance of design can be accounted for by Natural Selection; and it would be so absurd to keep a child in delusive ignorance of so potent a factor in evolution as to keep it in ignorance of radiation or capillary attraction. Even if you make a religion of Natural Selection, and teach the child to regard itself as the irresponsible prey of its circumstances and appetites (or its heredity as you will perhaps call them), you will none the less find that its appetites are stimulated by your encouragement and daunted by your discouragement; that one of its appetites is an appetite for perfection; that if you discourage this appetite and encourage the cruder acquisitive appetites the child will steal and lie and be a nuisance to you; and that if you encourage its appetite for perfection and teach it to attach a peculiar sacredness to it and place it before the other appetites, it will be a much nicer child and you will have a much easier job, at which point you will, in spite of your pseudoscientific jargon, find yourself back in the old-fashioned religious teaching as deep as Dr. Watts and in fact fathoms deeper.
And now the voices of our Moral Instruction Leagues will be lifted, asking whether there is any reason why the appetite for perfection should not be cultivated in rationally scientific terms instead of being associated with the story of Jonah and the great fish and the thousand other tales that grow up round religions. Yes: there are many reasons; and one of them is that children all like the story of Jonah and the whale (they insist on its being a whale in spite of demonstrations by Bible smashers without any sense of humor that Jonah would not have fitted into a whale's gullet—as if the story would be credible of a whale with an enlarged throat) and that no child on earth can stand moral instruction books or catechisms or any other statement of the case for religion in abstract terms. The object of a moral instruction book is not to be rational, scientific, exact, proof against controversy, nor even credible: its object is to make children good; and if it makes them sick instead its place is the waste-paper basket.
Take for an illustration the story of Elisha and the bears. To the authors of the moral instruction books it is in the last degree reprehensible. It is obviously not true as a record of fact; and the picture it gives us of the temper of God (which is what interests an adult reader) is shocking and blasphemous. But it is a capital story for a child. It interests a child because it is about bears; and it leaves the child with an impression that children who poke fun at old gentlemen and make rude remarks about bald heads are not nice children, which is a highly desirable impression, and just as much as a child is capable of receiving from the story. When a story is about God and a child, children take God for granted and criticize the child. Adults do the opposite, and are thereby led to talk great nonsense about the bad effect of Bible stories on infants.
But let no one think that a child or anyone else can learn religion from a teacher or a book or by any academic process whatever. It is only by an unfettered access to the whole body of Fine Art: that is, to the whole body of inspired revelation, that we can build up that conception of divinity to which all virtue is an aspiration. And to hope to find this body of art purified from all that is obsolete or dangerous or fierce or lusty, or to pick and choose what will be good for any particular child, much less for all children, is the shallowest of vanities. Such schoolmasterly selection is neither possible nor desirable. Ignorance of evil is not virtue but imbecility: admiring it is like giving a prize for honesty to a man who has not stolen your watch because he did not know you had one. Virtue chooses good from evil; and without knowledge there can be no choice. And even this is a dangerous simplification of what actually occurs. We are not choosing: we are growing. Were you to cut all of what you call the evil out of a child, it would drop dead. If you try to stretch it to full human stature when it is ten years old, you will simply pull it into two pieces and be hanged. And when you try to do this morally, which is what parents and schoolmasters are doing every day, you ought to be hanged; and some day, when we take a sensible view of the matter, you will be; and serve you right. The child does not stand between a good and a bad angel: what it has to deal with is a middling angel who, in normal healthy cases, wants to be a good angel as fast as it can without killing itself in the process, which is a dangerous one.
Therefore there is no question of providing the child with a carefully regulated access to good art. There is no good art, any more than there is good anything else in the absolute sense. Art that is too good for the child will either teach it nothing or drive it mad, as the Bible has driven many people mad who might have kept their sanity had they been allowed to read much lower forms of literature. The practical moral is that we must read whatever stories, see whatever pictures, hear whatever songs and symphonies, go to whatever plays we like. We shall not like those which have nothing to say to us; and though everyone has a right to bias our choice, no one has a right to deprive us of it by keeping us from any work of art or any work of art from us.
I may now say without danger of being misunderstood that the popular English compromise called Cowper Templeism (unsectarian Bible education) is not so silly as it looks. It is true that the Bible inculcates half a dozen religions: some of them barbarous; some cynical and pessimistic; some amoristic and romantic; some sceptical and challenging; some kindly, simple, and intuitional; some sophistical and intellectual; none suited to the character and conditions of western civilization unless it be the Christianity which was finally suppressed by the Crucifixion, and has never been put into practice by any State before or since. But the Bible contains the ancient literature of a very remarkable Oriental race; and the imposition of this literature, on whatever false pretences, on our children left them more literate than if they knew no literature at all, which was the practical alternative. And as our Authorized Version is a great work of art as well, to know it was better than knowing no art, which also was the practical alternative. It is at least not a school book; and it is not a bad story book, horrible as some of the stories are. Therefore as between the Bible and the blank represented by secular education, the choice is with the Bible.
But the Bible is not sufficient. The real Bible of modern Europe is the whole body of great literature in which the inspiration and revelation of Hebrew Scripture has been continued to the present day. Nietzsche's Thus Spake Zoroaster is less comforting to the ill and unhappy than the Psalms; but it is much truer, subtler, and more edifying. The pleasure we get from the rhetoric of the book of Job and its tragic picture of a bewildered soul cannot disguise the ignoble irrelevance of the retort of God with which it closes, or supply the need of such modern revelations as Shelley's Prometheus or The Niblung's Ring of Richard Wagner. There is nothing in the Bible greater in inspiration than Beethoven's ninth symphony; and the power of modern music to convey that inspiration to a modern man is far greater than that of Elizabethan English, which is, except for people steeped in the Bible from childhood like Sir Walter Scott and Ruskin, a dead language.
Besides, many who have no ear for literature or for music are accessible to architecture, to pictures, to statues, to dresses, and to the arts of the stage. Every device of art should be brought to bear on the young; so that they may discover some form of it that delights them naturally; for there will come to all of them that period between dawning adolescence and full maturity when the pleasures and emotions of art will have to satisfy cravings which, if starved or insulted, may become morbid and seek disgraceful satisfactions, and, if prematurely gratified otherwise than poetically, may destroy the stamina of the race. And it must be borne in mind that the most dangerous art for this necessary purpose is the art that presents itself as religious ecstasy. Young people are ripe for love long before they are ripe for religion. Only a very foolish person would substitute the Imitation of Christ for Treasure Island as a present for a boy or girl, or for Byron's Don Juan as a present for a swain or lass. Pickwick is the safest saint for us in our nonage. Flaubert's Temptation of St Anthony is an excellent book for a man of fifty, perhaps the best within reach as a healthy study of visionary ecstasy; but for the purposes of a boy of fifteen Ivanhoe and the Templar make a much better saint and devil. And the boy of fifteen will find this out for himself if he is allowed to wander in a well-stocked literary garden, and hear bands and see pictures and spend his pennies on cinematograph shows. His choice may often be rather disgusting to his elders when they want him to choose the best before he is ready for it. The greatest Protestant Manifesto ever written, as far as I know, is Houston Chamberlain's Foundations of the Nineteenth Century: everybody capable of it should read it. Probably the History of Maria Monk is at the opposite extreme of merit (this is a guess: I have never read it); but it is certain that a boy let loose in a library would go for Maria Monk and have no use whatever for Mr Chamberlain. I should probably have read Maria Monk myself if I had not had the Arabian Nights and their like to occupy me better. In art, children, like adults, will find their level if they are left free to find it, and not restricted to what adults think good for them. Just at present our young people are going mad over ragtimes, apparently because syncopated rhythms are new to them. If they had learnt what can be done with syncopation from Beethoven's third Leonora overture, they would enjoy the ragtimes all the more; but they would put them in their proper place as amusing vulgarities.
But there are more dangerous influences than ragtimes waiting for people brought up in ignorance of fine art. Nothing is more pitiably ridiculous than the wild worship of artists by those who have never been seasoned in youth to the enchantments of art. Tenors and prima donnas, pianists and violinists, actors and actresses enjoy powers of seduction which in the middle ages would have exposed them to the risk of being burnt for sorcery. But as they exercise this power by singing, playing, and acting, no great harm is done except perhaps to themselves. Far graver are the powers enjoyed by brilliant persons who are also connoisseurs in art. The influence they can exercise on young people who have been brought up in the darkness and wretchedness of a home without art, and in whom a natural bent towards art has always been baffled and snubbed, is incredible to those who have not witnessed and understood it. He (or she) who reveals the world of art to them opens heaven to them. They become satellites, disciples, worshippers of the apostle. Now the apostle may be a voluptuary without much conscience. Nature may have given him enough virtue to suffice in a reasonable environment. But this allowance may not be enough to defend him against the temptation and demoralization of finding himself a little god on the strength of what ought to be a quite ordinary culture. He may find adorers in all directions in our uncultivated society among people of stronger character than himself, not one of whom, if they had been artistically educated, would have had anything to learn from him or regarded him as in any way extraordinary apart from his actual achievements as an artist. Tartuffe is not always a priest. Indeed he is not always a rascal: he is often a weak man absurdly credited with omniscience and perfection, and taking unfair advantages only because they are offered to him and he is too weak to refuse. Give everyone his culture, and no one will offer him more than his due.
In thus delivering our children from the idolatry of the artist, we shall not destroy for them the enchantment of art: on the contrary, we shall teach them to demand art everywhere as a condition attainable by cultivating the body, mind, and heart. Art, said Morris, is the expression of pleasure in work. And certainly, when work is made detestable by slavery, there is no art. It is only when learning is made a slavery by tyrannical teachers that art becomes loathsome to the pupil.
When we set to work at a Constitution to secure freedom for children, we had better bear in mind that the children may not be at all obliged to us for our pains. Rousseau said that men are born free; and this saying, in its proper bearings, was and is a great and true saying; yet let it not lead us into the error of supposing that all men long for freedom and embrace it when it is offered to them. On the contrary, it has to be forced on them; and even then they will give it the slip if it is not religiously inculcated and strongly safeguarded.
Besides, men are born docile, and must in the nature of things remain so with regard to everything they do not understand. Now political science and the art of government are among the things they do not understand, and indeed are not at present allowed to understand. They can be enslaved by a system, as we are at present, because it happens to be there, and nobody understands it. An intelligently worked Capitalist system, as Comte saw, would give us all that most of us are intelligent enough to want. What makes it produce such unspeakably vile results is that it is an automatic system which is as little understood by those who profit by it in money as by those who are starved and degraded by it: our millionaires and statesmen are manifestly no more "captains of industry" or scientific politicians than our bookmakers are mathematicians. For some time past a significant word has been coming into use as a substitute for Destiny, Fate, and Providence. It is "The Machine": the machine that has no god in it. Why do governments do nothing in spite of reports of Royal Commissions that establish the most frightful urgency? Why do our philanthropic millionaires do nothing, though they are ready to throw bucketfuls of gold into the streets? The Machine will not let them. Always the Machine. In short, they dont know how.
They try to reform Society as an old lady might try to restore a broken down locomotive by prodding it with a knitting needle. And this is not at all because they are born fools, but because they have been educated, not into manhood and freedom, but into blindness and slavery by their parents and schoolmasters, themselves the victims of a similar misdirection, and consequently of The Machine. They do not want liberty. They have not been educated to want it. They choose slavery and inequality; and all the other evils are automatically added to them.
And yet we must have The Machine. It is only in unskilled hands under ignorant direction that machinery is dangerous. We can no more govern modern communities without political machinery than we can feed and clothe them without industrial machinery. Shatter The Machine, and you get Anarchy. And yet The Machine works so detestably at present that we have people who advocate Anarchy and call themselves Anarchists.