NUMBERED FOOTNOTES:[1]Mr.Harte, Mr.Stanhope's tutor.[2]Slovenly air.[3]Those little nothings that give the ton.[4]High Court, or Jubilee Days.[5]A famous dancing master at that time in Paris.[6]Mr. Stanhope's gentleman.[7]No distortion of countenance, or aukward behaviour; no absence of mind; but to keep the Graces always in remembrance.[8]Mr. Stanhope dined one day with some company at his father's, when the following circumstance happen'd, which so much enrag'd him, that he called for his servant to take him from table and wash him clean.[9]A female polisher of manners.[10]Have your stiffness remov'd.[11]You should dress like a man of the great world.[12]Always in the fashion, and your cloaths well put on.[13]What success with the Graces.[14]The great art of pleasing.[15]The amiable, the every thing.
[1]Mr.Harte, Mr.Stanhope's tutor.
[1]Mr.Harte, Mr.Stanhope's tutor.
[2]Slovenly air.
[2]Slovenly air.
[3]Those little nothings that give the ton.
[3]Those little nothings that give the ton.
[4]High Court, or Jubilee Days.
[4]High Court, or Jubilee Days.
[5]A famous dancing master at that time in Paris.
[5]A famous dancing master at that time in Paris.
[6]Mr. Stanhope's gentleman.
[6]Mr. Stanhope's gentleman.
[7]No distortion of countenance, or aukward behaviour; no absence of mind; but to keep the Graces always in remembrance.
[7]No distortion of countenance, or aukward behaviour; no absence of mind; but to keep the Graces always in remembrance.
[8]Mr. Stanhope dined one day with some company at his father's, when the following circumstance happen'd, which so much enrag'd him, that he called for his servant to take him from table and wash him clean.
[8]Mr. Stanhope dined one day with some company at his father's, when the following circumstance happen'd, which so much enrag'd him, that he called for his servant to take him from table and wash him clean.
[9]A female polisher of manners.
[9]A female polisher of manners.
[10]Have your stiffness remov'd.
[10]Have your stiffness remov'd.
[11]You should dress like a man of the great world.
[11]You should dress like a man of the great world.
[12]Always in the fashion, and your cloaths well put on.
[12]Always in the fashion, and your cloaths well put on.
[13]What success with the Graces.
[13]What success with the Graces.
[14]The great art of pleasing.
[14]The great art of pleasing.
[15]The amiable, the every thing.
[15]The amiable, the every thing.
LETTERED FOOTNOTES:(a)Page 5. second volume.(b)Page 92. second volume.(c)Page 33. ditto.(d)Page 53. second volume.(e)Page 17. second volume.(f)Page 101. second volume.(g)Page 106. second volume.(h)Page 218. second volume.(i)Page 227. second volume.(j)Page 216. ditto.(k)Page 262. second volume.(l)Page 92. second volume.(m)Page 18. ditto.(n)Page 73. third volume.(o)Page 220. second volume.(p)Page 332. second volume.(q)Page 181. ditto.(r)Page 66. third volume.(s)Page 220. second volume.(t)Page 153. third volume.(u)Page 108. third volume.(v)Page 74. third volume.(w)Page 74. ditto.(x)Page 182. second volume.(y)Page 113. third volume.(z)Page 81. third volume.(a)Page 42. ditto.(b)Page 43. third volume.(c)Page 283. second volume.(d)Page 68. ditto.(e)Page 332. second volume.(f)Page 57. ditto.(g)Page 57. second volume.(h)Page 178. third volume.(i)Page 351. second volume.
(a)Page 5. second volume.
(a)Page 5. second volume.
(b)Page 92. second volume.
(b)Page 92. second volume.
(c)Page 33. ditto.
(c)Page 33. ditto.
(d)Page 53. second volume.
(d)Page 53. second volume.
(e)Page 17. second volume.
(e)Page 17. second volume.
(f)Page 101. second volume.
(f)Page 101. second volume.
(g)Page 106. second volume.
(g)Page 106. second volume.
(h)Page 218. second volume.
(h)Page 218. second volume.
(i)Page 227. second volume.
(i)Page 227. second volume.
(j)Page 216. ditto.
(j)Page 216. ditto.
(k)Page 262. second volume.
(k)Page 262. second volume.
(l)Page 92. second volume.
(l)Page 92. second volume.
(m)Page 18. ditto.
(m)Page 18. ditto.
(n)Page 73. third volume.
(n)Page 73. third volume.
(o)Page 220. second volume.
(o)Page 220. second volume.
(p)Page 332. second volume.
(p)Page 332. second volume.
(q)Page 181. ditto.
(q)Page 181. ditto.
(r)Page 66. third volume.
(r)Page 66. third volume.
(s)Page 220. second volume.
(s)Page 220. second volume.
(t)Page 153. third volume.
(t)Page 153. third volume.
(u)Page 108. third volume.
(u)Page 108. third volume.
(v)Page 74. third volume.
(v)Page 74. third volume.
(w)Page 74. ditto.
(w)Page 74. ditto.
(x)Page 182. second volume.
(x)Page 182. second volume.
(y)Page 113. third volume.
(y)Page 113. third volume.
(z)Page 81. third volume.
(z)Page 81. third volume.
(a)Page 42. ditto.
(a)Page 42. ditto.
(b)Page 43. third volume.
(b)Page 43. third volume.
(c)Page 283. second volume.
(c)Page 283. second volume.
(d)Page 68. ditto.
(d)Page 68. ditto.
(e)Page 332. second volume.
(e)Page 332. second volume.
(f)Page 57. ditto.
(f)Page 57. ditto.
(g)Page 57. second volume.
(g)Page 57. second volume.
(h)Page 178. third volume.
(h)Page 178. third volume.
(i)Page 351. second volume.
(i)Page 351. second volume.
R.C. BoysUniversity of Michigan
Ralph CohenUniversity of California, Los Angeles
Vinton A. DearingUniversity of California, Los Angeles
Lawrence Clark PowellWm. Andrews Clark Memorial Library
Corresponding Secretary: Mrs.Edna C. Davis, Wm. Andrews Clark Memorial Library
The Society's purpose is to publish reprints (usually facsimile reproductions) of rare seventeenth and eighteenth century works. All income of the Society is devoted to defraying costs of publication and mailing.
Correspondence concerning subscriptions in the United States and Canada should be addressed to the William Andrews Clark Memorial Library, 2205 West Adams Boulevard, Los Angeles 18, California. Correspondence concerning editorial matters may be addressed to any of the general editors. The membership fee is $4.00 a year for subscribers in the United States and Canada and 15/-for subscribers in Great Britain and Europe. British and European subscribers should address B.H. Blackwell, Broad Street, Oxford, England.
Six items, most of them from the following list, will be reprinted.
Two Burlesques of Chesterfield(1774, 1776). Selected, with an introduction, by Sidney Gulick. Richard Savage,An Author to be Let(1732). Introduction by James Sutherland. William Herbert, Third Earl of Pembroke.Poems(1660). Introduction by Gaby Onderwyzer. Francis Hutcheson,Reflections on Laughter(1729). Introduction by Scott Elledge.Eighteenth-Century Newspaper Essays on the Theatre.Selected, with an introduction, by John Loftis. [Peter Whalley]An Essay on the Manner of Writing History(1746). Introduction by Keith Stewart.Sawney and Colley[1742] and other Pope pamphlets. Edited, with an introduction, by W. Powell Jones. Henry Fuseli,Remarks on the Writings and Conduct of J. J. Rousseau(1767). Introduction by Karl S. Guthke. [Charles Croke]Fortune's Uncertainty(1667). Introduction by William Matthews.
Single copies of past publications, except those which are out of print, are available at $.75 each. A list of publications in print may be obtained by writing to the Society.
THE AUGUSTAN REPRINT SOCIETYWILLIAM ANDREWS CLARK MEMORIAL LIBRARY2205 West Adams Boulevard, Los Angeles 18, California
Make check or money order payable toThe Regents of the University of California.
A. "The Graces"
On p. 2, extra quotation mark deleted in the phrase "speak distinctly and gracefully" in footnote 1.
On page 7, "observe e'm all" has been amended to "observe 'em all".
On p. 21 The redundant double quotation mark after "grandure" has been deleted.
B. "The Fine Gentleman's Etiquette"
These typos have been amended:
On p. 7, "supprose" has been amended to "suppose".
On p. 20, "you hand" has been amended to "your hand".
This poem makes much use of quotation marks. It is not always certain that they have been put in the correct place, but they have been left unchanged.
In "The Fine Gentleman's Etiquette", there are two sets of footnotes. One set, which contains references to Chesterfield's Letters, is anchored with lower-case alphabetic characters, and placed after the relevant paragraph. The second set is anchored with Arabic numerals and placed at the end of the poem.
In footnote 4 the word "days" had "s" printed in reverse. This is now printed the right way round.