CHAPTER V.

The Jonesy Benefit grew like Jack's bean-stalk after Miss Allison took charge of it. There was less than a week in which to get ready, as the boys insisted on having it on the twenty-second of February, in honour of Washington's birthday; but in that short time the childish show which Ginger had proposed grew into an entertainment so beautiful and elaborate that the neighbourhood talked of it for weeks after.

Miss Allison spent one sleepless night, planning her campaign like a general, and next morning had an army of helpers at work. Before the day was over she sent a letter to an old school friend of hers in the city, Miss Eleanor Bond, who had been her most intimate companion all through her school-days, and who still spent a part of every summer with her.

"Dearest Nell," the letter said, "come out to-morrow on the first afternoon train, if you love me. The children are getting up an entertainment for charity, which shall be duly explained on your arrival. No time now. I am superintending a force of carpenters in the college hall, where the entertainment is to take place, have two seamstresses in the house hurrying up costumes, and am helping mother scour the country for pretty children to put in the tableaux.

"The house is like an ant-hill in commotion, there is so much scurrying around; but I know that is what you thoroughly enjoy. You shall have a finger in every pie if you will come out and help me to make this a never-to-be-forgotten occasion.

"I want to make the old days of chivalry live again for Virginia and Malcolm and Keith. I am going back to King Arthur's Court for the flower of knighthood at his round table. Come and read for us between tableaux as only you can do. Be the interpreter of 'Sir Launfal's Vision' and the 'Idylls of the King,' Give us the benefit of your talent for sweet charity's sake, if not for the sake of 'auld lang syne' and your devoted ALLISON."

"She'll be here," said Miss Allison, as she sealed the letter, nodding confidently to Mrs. Sherman, who had come over to help with Lloyd's costume. "You remember Nell Bond, do you not? She took the prize every year in elocution, and was always in demand at every entertainment. She is the most charming reader I ever heard, and as for story-telling--well, she's better than the 'Arabian Nights.' You must let the Little Colonel come over every evening while she is here."

Miss Bond arrived the next day, and her visit was a time of continual delight to the children. They followed her wherever she went, until Mrs. Maclntyre laughingly called her the 'Pied Piper of Hamelin,' and asked what she had done to bewitch them.

The first night they gathered around the library-table, all as busy as bees. Keith and the Little Colonel were cutting tinsel into various lengths for Virginia to tie into fringe for a gay banner. Malcolm was gilding some old spurs, Mrs. Maclntyre sat stringing yards of wax beads, that gleamed softly in the lamplight like great rope of pearls, and Mrs. Sherman was painting the posters, which were to be put up in the post-office and depot as advertisements of the Jonesy Benefit.

Miss Allison, who had been busy for hours with pasteboard and glue, tin-foil and scissors, held up the suit of mail which she had just finished.

"Isn't that fine!" cried Malcolm. "It looks exactly like some of the armour we saw in the Tower of London, doesn't it, Keith?"

"I've thought of a riddle!" exclaimed Virginia. "Why is Aunt Allison's head like Aladdin's lamp?"

"'Cause it's so bright?" ventured Malcolm.

"No; because she has only to rub it, and everything she thinks of appears. I don't see how it is possible to make so many beautiful things out of almost nothing."

Virginia looked admiringly around at all the pretty articles scattered over the room. A helmet with nodding white plumes lay on the piano. A queen's robe trailed its royal ermine beside it. A sword with a jewelled hilt shone on the mantel, and a dozen dazzling shields were ranged in various places on the low bookshelves.

It was easy, in the midst of such surroundings, for the children to imagine themselves back in the days of King Arthur and his court, while Miss Bond sat there telling them such beautiful tales of its fair ladies and noble knights. Indeed, before the day of the entertainment came around they even found themselves talking to each other in the quaint speech of that olden time.

When Malcolm accidentally ran against his grandmother in the hall, instead of his usual, "Oh, excuse me, grandmother," it was "Prithee grant me gracious pardon, fair dame. Not for a king's ransom would I have thus jostled thee in such unseemly haste!" And Ginger, instead of giving Keith a slap when he teasingly penned her up in a corner, to make her divide some nuts with him, said, in a most tragic way, "Unhand me, villain, or by my troth thou'lt rue this ruffian conduct sore!"

The library-table was strewn with books of old court life, and pictures of kings and queens whose costumes were to be copied in the tableaux. There was one book which Keith carried around with him until he had spelled out the whole beautiful tale. It was called "In Kings' Houses," and was the story of the little Duke of Gloster who was made a knight in his boyhood. And when Keith had read it himself, he took it down to the professor's, and read it all over again to Jonesy.

"THERE WAS ONE BOOK WHICH KEITH CARRIED AROUND WITH HIM."

"Think how grand he must have looked, Jonesy," cried Keith, "and I am to be dressed exactly like him when I am knighted in the tableau." Then he read the description again:

"'A suit of white velvet embroidered with seed pearls, and literally blazing with jewels,--even the buttons being great brilliants. From his shoulder hung a cloak of azure blue velvet, the colour of the order, richly wrought with gold; and around his neck he wore the magnificent collar and jewel of St. George and the Dragon, that was the personal gift of his Majesty, the king.'

"Think how splendid it must have been, Jonesy, when the procession came in to the music of trumpets and bugles and silver flutes and hautboys! Wouldn't you like to have seen the heralds marching by, two by two, in cloth of gold, with an escort of the queen's guard following? All of England's best and bravest were there, and they sat in the carven stalls in St. George's Chapel, with their gorgeous banners drooping over them. I saw that chapel, Jonesy, when we were in England, and I saw where the knights kept the 'vigil of arms' in the holy places, the night before they took their vows." He picked up the book and read again: "'Fasting and praying and lonely watching by night in the great abbey where there are so many dead folk.'

"Oh, don't you wish you could have lived in those days, Jonesy, and have been a knight?"

It was all Greek to Jonesy. The terms puzzled him, but he enjoyed Keith's description of the tournaments.

Several evenings after that, Keith went down to the cottage dressed in the beautiful velvet costume of white and blue, ablaze with rhinestones and glittering jewels. He had been wrapped in his Aunt Allison's golf cape, and, as he threw it off, Jonesy's eyes opened wider and wider with wonder.

"Hi! You look like a whole jeweller's window!" he cried, dazzled by the gorgeous sight. The professor lighted another lamp, and Keith turned slowly around, to be admired on every side like a pleased peacock.

"Of course it's all only imitation," he explained, "but it will look just as good as the real thing behind the footlights. But you ought to see the stage when it's fixed up to look like the Hall of the Shields, if you want to see glitter. It's be-yu-tiful! Like the one at Camelot, you know."

But Jonesy did not know, and Keith had to tell about that old castle at Camelot, as Miss Bond had told him. How that down the side of the long hall ran a treble range of shields,--

"And under every shield a knight was named,For such was Arthur's custom in his hall.When some good knight had done one noble deedHis arms were carven only, but if twainHis arms were blazoned also, but if noneThe shield was blank and bare, without a sign,Saving the name beneath."

Keith had been greatly interested in watching the carpenters fix the stage so that it could be made to look like the Hall of the Shields in a very few moments, when the time for that tableau should come. He knew where every glittering shield was to hang, and every banner and battle-axe.

"How do you suppose those knights felt," he said to Jonesy, "who saw their shields hanging there year after year, blank and bare, because they had never done even one noble deed? They must have been dreadfully ashamed when the king walked by and read their names underneath, and then looked up at the shields and saw nothing emblazoned on them or even carved. Seems to me that I would have done something to have made me worthy of that honour if I haddiedfor it!"

Something,--it may have been the soft, rich colour of the jewel-broidered velvet the boy wore, or maybe the flush that rose to his cheeks at the thrill of such noble thoughts,--something had brought an unusual beauty into his face. As he stood there, with head held high, his dark eyes flashing, his face glowing, and in that princely dress of a bygone day, he looked every inch a nobleman. There was something so pure and sweet, too, in the expression of his upturned face that the light upon it seemed to touch it into an almost unearthly fairness.

The professor, who had been watching him with a tender smile on his rugged old face, drew the child toward him, and brushed the hair back on his forehead.

"Ach, liebchen," he said, in his queer broken speech, "thy shield will never be blank and bare. Already thou hast blazoned it with the beauty of a noble purpose, and like Galahad, thou too shalt find the Grail."

It was Keith's turn to be puzzled, but he did not like to ask for an explanation; there was something so solemn in the way the old man put his hand on his head as he spoke, almost as if he were bestowing a blessing. Besides, it was time to go to the rehearsal at the college. One of the servants had come to stay with Jonesy while the professor went over to practise on his violin. He was to play behind the scenes, a soft, low accompaniment to Miss Bond's reading.

By eight o'clock, the night of the Benefit, every seat in the house was full. "That's jolly for Jonesy," exclaimed Malcolm, peeping out from behind the curtain. "We counted up that ten cents a ticket would make enough, if they were all sold, to pay his board till papa comes home, and buy him all the new clothes he needs, too. Now every ticket is sold."

"Hurry up, Malcolm," called Keith. "We are first on the programme, and it is time to begin."

There was a great bustle behind the scenes for a few minutes, and then "Beauty and the Beast" was announced. When the Little Colonel came on the stage leading the great bear, such a cheering and clapping began that they both looked around, half frightened; but the boys followed immediately and the Little Colonel, dressed as a flower girl, danced out to meet Keith, who came in clicking his castanets in time to Malcolm's whistling. The bear was made to go through all his tricks and his soldier drill.

The children in the audience stood on tiptoe in their eagerness to see the great animal perform, and were so wild in their applause that the boys begged to be allowed to take it in front of the curtain every time during the evening when there was a long pause while some tableau was being prepared.

Over the rustle of fluttering programmes and the hum of conversation that followed the first number, there fell presently the soft, sweet notes of the professor's violin, and Miss Bond's musical voice began the story of the Vision of Sir Launfal.

"My golden spurs now bring to me,And bring to me my richest mail,For to-morrow I go over land and seaIn search of the Holy Grail."

Here the curtains were drawn apart to show Malcolm seated on his pony as Sir Launfal, "in his gilded mail that flamed so bright." It was really a beautiful picture he made, and his grandmother, leaning forward, her face beaming with pride at the boy's noble bearing, compared him with Arthur himself, "with lance in rest, from spur to plume a star of tournament,"

The next tableau showed him spurning the leper at his gate, and turning away in disgust from the beggar who "seemed the one blot on the summer morn." How Miss Bond's voice rang out when "the leper raised not the gold from the dust."

"Better to me the poor man's crust.That is no true alms which the hand can hold.He gives nothing but worthless goldWho gives from a sense of duty."

In the next tableau it was "as an old bent man, worn-out and frail," that Sir Launfal came back from his weary pilgrimage. He had not found the Holy Grail, but through his own sufferings he had learned pity for all pain and poverty. Once more he stood beside the leper at his castle gate, but this time he stooped to share with him his crust and wooden bowl of water.

Then it happened on the stage just as was told in the poem.

A light shone round about the place, and the crouching leper stood up. The old ragged mantle dropped off, and there in a long garment almost dazzling in its whiteness, stood a figure--

"Shining and tall, and fair, and straightAs the pillar that stood by the Beautiful gate."

They could not see the face, it was turned aside; but the golden hair was like a glory, and the uplifted arms held something high in air that gleamed like a burnished star, as all the lights in the room were turned full upon it, for a little space. It was a golden cup. Then the voice again:

"In many climes without availThou hast spent thy life for the Holy Grail.Behold it is here--this cup, which thouDidst fill at the streamlet for me but now.The holy supper is kept indeedIn whatso we share with another's need."

It was an old story to most of the audience, worn threadbare by many readings, but with these living illustrations, and Miss Bond's wonderful way of telling it, a new meaning crept into the well-known lines, that thrilled every listener.

"Could you understand that, Teddy?" asked old Judge Fairfax, patting his little grandson on the head.

"Course!" exclaimed seven-year-old Ted, who had followed his sister Sally to every rehearsal.

"When you give money to people just to get rid of 'em, and because you feel you'd ought to, it doesn't count for anything. But if you divide something you've got, and would like to keep it all yourself, because you love to, and are sorry for 'em, then it counts a pile. Sir Launfal would have popped Jonesy into a 'sylum when he first started out to find that gold cup, but when he came back he'd 'a' worked like a horse getting up a benefit for him, and would have divided his own home with him, if he hadn't been living at his grandmother's, and couldn't."

An amused smile went around that part of the audience which overheard Ted's shrilly given explanation.

Pictures from the "Idylls of the King" followed in rapid succession, and then came the prettiest of all, being the one in which Keith was made a knight. Virginia as queen, her short black hair covered by a powdered wig, and a long court-train sweeping behind her, stood touching his shoulder with the jewel-hilted sword, as he knelt at her feet. Lloyd and Sally Fairfax, Julia Ferris, and a dozen other pretty girls of the neighbourhood, helped to fill out the gay court scene, while all the boys that could be persuaded to take part were dressed up for heralds, guardsmen, pages, and knights. That tableau had to be shown four times, and then the audience kept on applauding as if they never intended to stop.

The last one in this series of tableaux was the Hall of the Shields, as Keith had described it to Jonesy. A whole row of dazzling shields hung across the back of the stage, emblazoned with the arms of all the old knights whose names have come down to us in song or story. Then for the first time that evening Miss Bond came out on the stage where she could be seen, and told the story of the death of King Arthur, and the passing away of the order of the Round Table. She told it so well that little Ted Fairfax listened with his mouth open, seeming to see the great arm that rose out of the water to take back the king's sword into the sea, from which it had been given him. An arm like a giant's, "clothed in white samite, mystic, wonderful, that caught the sword by the hilt, flourished it three times, and drew it under the mere."

"True, 'the old order changeth,'" said Miss Bond, "but knighthood hasnotpassed away. The flower of chivalry has blossomed anew in this new world, and America, too, has her Hall of the Shields."

Just a moment the curtains were drawn together, and then were widely parted again, as a chorus of voices rang out with the words:

"Hail, Columbia, happy land;Hail, ye heroes, heaven-born band!"

In that moment, on every shield had been hung the pictured face of some well-known man who had helped to make his country a power among the nations; presidents, patriots, philanthropists, statesmen, inventors, and poets,--there they were, from army and navy, city and farm, college halls and humble cabins,--a long, long line, and the first was Washington, and the last was the "Hero of Manila."

Cheer after cheer went up, and it might have been well to have ended the programme there, but to satisfy the military-loving little Ginger, one more was added.

"There ought to be a Goddess of Liberty in it," she insisted, "because it is Washington's birthday; and if we had been doing it by ourselves we were going to have something in it about Cuba, on papa's account."

So when the curtain rose the last time, it was on Sally Fairfax as a gorgeous Goddess of Liberty, conferring knighthood on two boys who stood for the Army and Navy, while a little dark-eyed girl knelt at their feet as Cuba, the distressed maiden whom their chivalry had rescued.

It was late when the performance closed; later still when the children reached home that night, for Mrs. MacIntyre had determined to have a flash-light picture taken of them, and they had to wait until the photographer could send home for his camera.

After they reached the house they could hardly be persuaded to undress. Virginia trailed up and down the halls in her royal robes, Malcolm clanked around in his suit of mail and plumed helmet, and Keith stood before a mirror, admiring the handsome little figure it showed him.

"I hate to take it off," he said, fingering the dazzling collar, ablaze with jewels. "I'd like to be a knight always, and wear a sword and spurs every day."

"So would I," said Malcolm, beginning to yawn sleepily. "I wish that Jonesy had been well enough to go to-night. Isn't it splendid that the Benefit turned out so well? Aunt Allison says there is plenty of money now to get Jonesy's clothes and pay his board till papa comes, and send him back to Barney, too, if papa thinks best and hasn't any better plan."

"I wish there'd been enough money to buy a nice little home out here in the country for him and Barney. Wouldn't it have been lovely if there had a-been?" cried Keith.

"Well, I should say!" answered Malcolm. "Maybe we can have another benefit some day and make enough for that."

With this pleasant prospect before them, they laid aside their knightly garments, hoping to put them on again soon in Jonesy's behalf, and talked about the home that might be his some day, until they fell asleep.

The flash-light pictures of the three children were all that the fondest grandmother could wish. As soon as they came, Keith carried his away to his room to admire in private. "It is so pretty that it doesn't seem it can be me," he said, propping it up on the desk before him. "I wish that I could look that way always."

The next time that Miss Allison went into the room she found that Keith had written under it in his round, boyish hand, a quotation that had taken his fancy the first time he heard it. It was in one of Miss Bond's stories, and he repeated it until he learned it: "Live pure,speak truth, right the wrong, follow the king; else wherefore born?"

She asked him about it at bedtime. "Why, that's our motto," he explained. "Malcolm has it written under his, too. We've made up our minds to be a sort of knight, just as near the real thing as we can, you know, and that is what knights have to do: live pure, and speak truth, and right the wrong. We've always tried to do the first two, so that won't be so hard. It's righting the wrong that will be the tough job, but we have done it a little teenty, weenty bit for Jonesy, don't you think, auntie? It was all wrong that he should have such a hard time and be sent to an asylum away from Barney, when we have you all and everything nice. Malcolm and I have been talking it over. If we could do something to keep him from growing up into a tramp like that awful man that brought him here, wouldn't that be as good a deed as some that the real knights did? Wouldn't that be serving our country, too, Aunt Allison, just a little speck?" He asked the question anxiously. Malcolm said nothing, but also waited with a wistful look for her answer.

"My dear little Sir Galahads," she said, bending over to give each of the boys a good-night kiss, "you will be 'really truly' knights if you can live up to the motto you have chosen. Heaven help you to be always as worthy of that title as you are to-night!"

Keith held her a moment, with both arms around her neck. "What does that mean, auntie?" he asked. "That is what the professor said, too,--Galahad."

"It is too late to explain to you to-night," she said, "but I will tell you sometime soon, dear."

It was several days before she reminded them of that promise. Then she called them into her room and told them the story of Sir Galahad, the maiden knight, whose "strength was as the strength of ten because his heart was pure." Then from a little morocco case, lined with purple velvet, she took two pins that she had bought in the city that morning. Each was a little white enamel flower with a tiny diamond in the centre, like a drop of dew.

"You can't wear armour in these days," she said, as she fastened one on the lapel of each boy's coat, "but this shall be the badge of your knighthood,--'wearing the white flower of a blameless life.' The little pins will help you to remember, maybe, and will remind you that you are pledged to right the wrong wherever you find it, in little things as well as great."

It was a very earnest talk that followed. The boys came out from her room afterward, wearing the tiny white pins, and with a sweet seriousness in their faces. A noble purpose had been born in their hearts; but alas for chivalry! the first thing they did was to taunt Virginia with the fact that she could never be a knight because she was only a girl.

"I don't care," retorted Ginger, quickly. "I can be a--a--patriot, anyhow, and that's lots better."

The boys laughed, and she flushed angrily.

"They ought to mean the same thing exactly in this day of the world," said Miss Allison, coming up in time to hear the dispute that followed. "Virginia, you shall have a badge, too. Run into my room and bring me that little jewelled flag on my cushion."

"I think that this is the very prettiest piece of jewelry you have," exclaimed Virginia, coming back with the pin. It was a little flag whose red, white, and blue was made of tiny settings of garnets, sapphires, and diamonds.

"You think that, because it is in the shape of a flag," said Miss Allison, with an amused smile. "Well, it shall be yours. See how well it can remind you of the boys' knightly motto. There is the white for the first part, the 'live pure,' and the 'true blue' for the 'speak truth,' and then the red,--surely no soldier's little daughter needs to be told what that stands for, when her own brave father has spilled part of his good red life-blood to 'right the wrong' on the field of battle."

"Oh, Aunt Allison!" was all that Virginia could gasp in her delight as she clasped the precious pin tightly in her hand. "Is it mine? For my very own?"

"For your very own, dear," was the answer.

"Oh, I'm so glad!" cried Virginia, thanking her with a kiss. "I'd a thousand times rather have it than one like the boys'. It means so much more!"

Early in March, when the crocuses were beginning to bud under the dining-room windows, there came one of those rare spring days that seem to carry the warmth of summer in its sunshine.

"Exactly the kind of a day for a picnic," Virginia had said that morning, and when her grandmother objected, saying that the ground was still too damp, she suggested having it in the hay-barn. The boys piled the hay that was left from the winter's supply up on one side of the great airy room, set wide the big double doors, and swept it clean.

"It is clean enough now for even grandmother to eat in," said Virginia, as she spread a cloth on the table Unc' Henry had carried out for them. "It's good enough for a queen. Oh, I'll tell you what let's do. Let's play that Malcolm and I are a wicked king and queen and Lloyd is a 'fair ladye' that we have shut up in a dungeon. This will be a banquet, and while we are eating Keith can be the knight who comes to her rescue and carries her off on his pony."

"That's all right," consented Keith, "except the eating part. How can we get our share of the picnic?"

"We'll save it for you," answered Virginia, "and you can eat it afterward."

"Save enough for Jonesy, too," said Keith. "He shall be my page and help me rescue her. I'll go and ask him now."

The month had made a great change in Jonesy. With plenty to eat, his thin little snub-nosed face grew plump and bright. There was a good-humoured twinkle in his sharp eyes, and being quick as a monkey at imitating the movements of those around him, Mrs. MacIntyre found nothing to criticise in his manners when Malcolm and Keith brought him into the house. Their pride in him was something amusing, and seeing that, after all, he was an inoffensive little fellow, she made no more objections to their playing with him.

By the time Keith was back again with Jonesy, the other guests had arrived, and the Little Colonel had been lowered into a deep feed-bin, in lieu of a dungeon. The banquet began in great state, but in a few moments was interrupted by a fearful shrieking from the depths of the bin. The fair ladye protested that she would not stay in her dungeon.

"There's nasty big spidahs down heah!" she called. "Ow! One is crawlin' on my neck now, and my face is all tangled up in cobwebs! Get me out! Get me out! Quick, Gingah!"

The king sprang up to go to her rescue, but was promptly motioned to his seat again by a warning shake of the other crowned head.

"Why, of course! There's always spiders in dungeons," called the wicked queen, coolly helping herself to another piece of chicken. "Besides, you should say 'your Majesty' when you are talking to me."

"But there's a mouse in heah, too," she called back, in distress. "Oo! Oo! It ran ovah my feet. If you don't make them take me out of heah, Gingah Dudley, I'll do somethingawfulto you! Murdah! Murdah!" she yelled, pounding on the sides of the bin with both her fists, and stamping her little foot in a furious rage.

"THE LITTLE COLONEL HAD BEEN LOWERED INTO A DEEP FEED-BIN."

Seeing that Lloyd was really terrified, and fearing that her screams would bring some one from the house, the royal couple and their guests sprang to the rescue, nearly upsetting the banquet as they did so. The game would have been broken up then, when she was lifted out from the feed-bin, red and angry, if it had not been for the king's great tact. He brushed the cobwebs from her face and hair, and even got down on his royal knees to ask her pardon.

His polite coaxing finally had its effect on the little lady, and he persuaded her to climb a ladder into a loft just above them. Here on a pile of clean hay, beside an open window that looked across a peaceful meadow, her anger cooled. Towers were far more comfortable than dungeons, in her opinion, and when Malcolm came up the ladder with a plateful of the choicest morsels of the feast, she began to enjoy her part of the play. Jonesy was sent to inform his knight of the change from dungeon to tower, and the banquet went merrily on.

He found Keith waiting below the barn, with his pony tied to a fence. On the other side of the fence lay the railroad track, which skirted the back of Mrs. MacIntyre's place for over half a mile.

"Do you see that hand-car?" asked Keith, pointing with his riding-whip to one on the track. "The section boss let Malcolm and me ride up and down on it all afternoon one day this winter. Some workman left it on the switch while ago, and while you were up at the barn I got two darkeys to move it for me. They didn't want to at first, but I knew that there'd be no train along for an hour, and told 'em so, and they finally did it for a dime apiece. As soon as I rescue Lloyd I'll dash down here on my pony with her behind me. Then we'll slip through the fence and get on the hand-car, and be out of sight around the curve before the rest get here. They won't know where on earth we've gone, and it will be the best joke on them. It's down grade all the way to the section-house, so I can push it easily enough by myself, but I'll need your help coming back, maybe. S'pose you cut across lots to the section-house as soon as I start to the barn, and meet me there. It isn't half as far that way, so you'll get there as soon as we do."

"All right," said Jonesy. "I'm your kid."

"You should say, ''Tis well, Sir Knight, I fly to do thy bidding,'" prompted Keith.

Jonesy grinned. He could not enter into the spirit of the play as the others did. "Aw, I'll be on time," he said; then, as Keith untied his pony, started on a run across the fields.

The Lady Lloyd had not finished her repast when her rescuer appeared, but she put the plate down on the hay to await her return, and obediently climbed down the ladder he placed for her. They reached the fence before the banqueters knew that she had escaped. Flinging the pony's bridle over a fence-post, when they reached the edge of the field, the brave knight crawled through the fence and pulled Lloyd after him, tearing her dress, much to that dainty little lady's extreme disgust.

By the time the king and his guard were mounted in pursuit, on the other pony which stood in waiting, the runaways were in the hand-car. It moved slowly at first, although Keith was strong for his age, and his hardy little muscles were untiring.

"Isn't it lovely?" cried Lloyd, as they moved faster and faster and swept around the curve. "I wish we could go all the way to Louisville on this." The warm March wind fanned her pink cheeks, and blew her soft light hair into her eyes.

Jonesy was waiting at the section-house, and waved his cap as they passed. "We're going on, around the next bend," shouted Keith, as they passed him. "Whoop-la! this is fine, and not a bit hard to work!"

"What will the wicked queen think when she can't find us?" asked Lloyd, laughing happily, as they sped on down the track.

"She'll think that I am a magician and have spirited you away," said Keith.

"Then if you are a magician you ought to change her into a nasty black spidah, to pay her back fo' shuttin' me up with them!" Lloyd was delighted with this new play. For the time it seemed as if she really were escaping from a castle prison. Faster and faster they went. Jonesy, who had followed them to the second curve, stood watching them with wistful eyes, wishing he could be with them. They passed the depot, and then the hand-car seemed to grow smaller and smaller as it rolled away, until it was only a moving speck in the distance. Then he turned and walked back to the section-house.

"I s'pect we've gone about far enough," said Keith, after awhile. "We'd better turn around now and go back, or the picnic will all be over before we get our share. Let's wait here a minute till I rest my arms, and then we'll start."

The place where they had stopped was the loneliest part of the track that could be found in miles, on either side. It was in the midst of a thick beech woods, and the twitter of a bird, now and then, was the only sound in all the deep stillness.

"What lovely green moss on that bank!" cried the Little Colonel. "Wouldn't it make a beautiful carpet for our playhouse down by the old mill?"

"I'll get you some," said Keith, gallantly springing from the car and clambering up the bank. Taking out his knife, he began to cut great squares of the velvety green moss, and pile it up to carry back to the hand-car.

Meanwhile Jonesy waited at the section-house, digging his heels into the cinders that lined the track, and looking impatiently down the road. Presently the section boss came limping along painfully, and sat down on the bank in the warm spring sunshine. He had dropped a piece of heavy machinery on his foot, the week before, and was only able to hobble short distances.

Everybody in the Valley was interested in Jonesy since the fire and the Benefit had made him so well known, and the man was glad of this opportunity to satisfy his curiosity about the boy. Jonesy, with all the fearlessness of a little street gamin brought up in a big city, answered him fearlessly, even saucily at times, much to the man's amusement.

"So you want to get a job around here, do you?" said the man, presently, with a grin. "Maybe I can give you one. Know anything about railroadin'?"

"Heaps," answered Jonesy. "Well, I'd ought to, seem' as I've lived next door to the engine yards all my life, and spent my time dodgin' the cop on watch there, when I was tryin' to steal rides on freight-cars and such."

"Is that what you're hangin' around here now for?" asked the man, with a good-natured twinkle in his eyes.

"Nope! I'm waiting for that MacIntyre kid to come back this way. He went down the track a bit ago on a hand-car, playing rescue a princess with one of the girls at the picnic,"

The section boss sprang up with an exclamation of alarm. "How far's he gone?" he asked. "There's a special due to pass here in a few minutes."

Even while he spoke there sounded far away in the distance, so far that it was like only a faint echo, the whistle of an approaching locomotive. The man hobbled down the track a yard or so and stopped. "What do you suppose they'll do?" he asked. "There are so many bends in this road, the train may come right on to 'em before the engineer sees 'em. S'pose they'll jump off, or turn and try to come back?"

Jonesy glanced around wildly a second, and then sprang forward toward the man.

"Give me the switch-key!" he cried, in a high voice, shrill with excitement. "You can't run, but I can. Give me the switch-key!" Perplexed by the sudden turn of affairs and the little fellow's commanding tone, the man took the key from his pocket. He realised his own helplessness to do anything, and there was something in Jonesy's manner that inspired confidence. He felt that the child's quick wit had grasped the situation and formed some sensible plan of action.

Again the whistle sounded in the distance, and, snatching the key, Jonesy was off down the track like an arrow. The section boss, leaning heavily on his cane, limped after him as fast as he could.

Keith and the Little Colonel, having gathered the moss and started back home, were rolling leisurely along, still talking of magicians and their ilk.

"What if we should meet a dragon?" cried the Little Colonel. "A dragon with a scaly green tail, and red eyes and a fiery tongue. What would you do then?"

"I'd say, 'What! Ho! Thou monster!' and cleave him in twain with my good broadsword, and when he saw its shining blade smite through the air he'd just curl up and die."

Keith looked back to smile at the bright laughing face beside him. Then he caught sight of something over his shoulder that made him pause. "Oh, look!" he cried, pointing over the tree-tops behind them. A little puff of smoke, rising up in the distance, trailed along the sky like a long banner. At the same instant, out of the smoke, sounded the whistle of an approaching engine. The track behind them had so many turns, he could not judge of their distance from it, and for an instant he stopped working the handle bar up and down, too thoroughly frightened to know what to do. An older child might have acted differently; might have jumped from the hand-car and left it to be run into by the approaching train, or have hurried back around the bend to flag the engine. But Keith had only one idea left: that was to keep ahead of the train as long as possible. It seemed so far away he thought they could surely reach the depot before it caught up with them, and his sturdy little arms bent to the task.

For a moment there was a real pleasure in the exertion. He felt with an excited thrill that he was really running away with the Little Colonel, and rescuing her from a pursuing danger. Suddenly the whistle sounded again, and this time it seemed so close behind them that the Little Colonel gave a terrified glance over her shoulder and then screamed at the sight of the great snorting monster, breathing out fire and smoke, worse than any scaly-tailed dragon that she had ever imagined. It was far down the track but they could hear its terrible rumble as it rushed over a trestle, and the singing of the wires overhead.

Keith was straining every muscle now, but it was like running in a nightmare. His arms moved up and down at a furious speed, but it seemed to him that the hand-car was glued to one spot. It seemed, too, that it had been hours since they first discovered that the engine was after them, and he felt that he would soon be too exhausted to move another stroke. Would the depot never never come in sight?

Just then they shot around the curve and caught sight of Jonesy at the depot switch, wildly beckoning with his cap and shouting for them to come on. At that sight, with one supreme effort Keith put his fast-failing strength to the test, and sent the hand-car rolling forward faster than ever. It shot past the switch that Jonesy had unlocked and off to the side-track, just as the train bore down upon them around the last bend.

There was barely time for Jonesy to set the switch again before it thundered on along the main track past the little depot. Being a special, it did not stop. As it went shrieking by, the engineer cast a curious glance at a hand-car on the side-track. A little girl sat on it, a pretty golden-haired child with dark eyes big with fright, and her face as white as her dress. He wondered what was the matter.

For a moment after the shrieking train whizzed by everything seemed deathly still. Keith sat leaning against the embankment, white and limp from exhaustion and the excitement of his close escape. Jonesy was panting and wiping the perspiration from his red face, for he had run like a deer to reach the switch in time.

"I couldn't have held out a minute longer," said Keith, presently. "My arms felt like they had gone to sleep, and I was just ready to give up when I caught sight of you. That seemed to give me strength to go on, when I saw what you were at and that it would only be a little farther to go before we would be safe. Plow did you happen to be at the switch, and know how to set it?"

"Hain't lived all my life around engine yards fer nothin'," answered Jonesy. "Why didn't you jump off and flag the train?"

"I was so taken by surprise I didn't think of that," answered Keith. "The only thing I knew was that we had to keep ahead of it as long as possible. You've saved my life, Jones Carter, and I'll never forget it, no matter what comes,"

"I've been rescued twice to-day," said the Little Colonel, taking a deep breath as she began to recover from her fright. "Jonesy ought to be a knight, too."

"That's so!" exclaimed Keith, springing to his feet. "Come on and let's go back to the barn. We'll tell our adventures, and then we'll go through the ceremony of making Jonesy a Sir Something or other. He's certainly won his spurs."

"Goin' back on the hand-car?" asked Jonesy.

"Not much," answered Keith, with a sickly sort of smile. "Somehow such fast travelling doesn't seem to agree with a fellow. Walking is good enough for me."

"Me too!" cried the Little Colonel, tying on her white sunbonnet. "But the first part of it was lovely,--just like flyin'."

Jonesy ran back to give the man his key, and was kept answering questions so long that he did not catch up with the other children until they were in sight of the barn.

"After all," said Keith, as the three trudged along together, "maybe we'd better not tell how near we came to being run over. Grandmother and Aunt Allison would be dreadfully worried if they should hear of it. They are always worrying for fear something will happen to us."

"Mothah would bewild" exclaimed the Little Colonel, "if she knew I had been in any dangah. Maybe she wouldn't let me out of her sight again to play all summah."

"Then let's don't tell for a long, long time," proposed Keith. "It'll be our secret, just for us three."

"All right," the others agreed. They dropped the subject then, for the barn was just ahead of them, and the gay picnickers came running out, demanding to know where they had been so long.

The Little Colonel often spoke of her experience afterward to the two boys, however, and in Keith's day-dreams a home for Jonesy began to crowd out all other hopes and plans.


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