ACKNOWLEDGMENT

PART I—Types, Tools, Machines, and Materials1.Type: a Primer of InformationBy A. A. StewartRelating to the mechanical features of printing types; their sizes, font schemes, etc., with a brief description of their manufacture. 44 pp.; illustrated; 74 review questions; glossary.2.Compositors’ Tools and MaterialsBy A. A. StewartA primer of information about composing sticks, galleys, leads, brass rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50 review questions; glossary.3.Type Cases, Composing Room FurnitureBy A. A. StewartA primer of information about type cases, work stands, cabinets, case racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33 review questions; glossary.4.Imposing Tables and Lock-up AppliancesBy A. A. StewartDescribing the tools and materials used in locking up forms for the press, including some modern utilities for special purposes. 59 pp.; illustrated; 70 review questions; glossary.5.Proof PressesBy A. A. StewartA primer of information about the customary methods and machines for taking printers’ proofs. 40 pp.; illustrated; 41 review questions; glossary.6.Platen Printing PressesBy Daniel BakerA primer of information regarding the history and mechanical construction of platen printing presses, from the original hand press to the modern job press, to which is added a chapter on automatic presses of small size. 51 pp.; illustrated; 49 review questions; glossary.7.Cylinder Printing PressesBy Herbert L. BakerBeing a study of the mechanism and operation of the principal types of cylinder printing machines. 64 pp.; illustrated; 47 review questions; glossary.8.Mechanical Feeders and FoldersBy William E. SpurrierThe history and operation of modern feeding and folding machines; with hints on their care and adjustments. Illustrated; review questions; glossary.9.Power for Machinery in Printing HousesBy Carl F. ScottA treatise on the methods of applying power to printing presses and allied machinery with particular reference to electric drive. 53 pp.; illustrated; 69 review questions; glossary.10.Paper Cutting MachinesBy Niel Gray, Jr.A primer of information about paper and card trimmers, hand-lever cutters, power cutters, and other automatic machines for cutting paper, 70 pp.; illustrated; 115 review questions; glossary.11.Printers’ RollersBy A. A. StewartA primer of information about the composition, manufacture, and care of inking rollers. 46 pp.; illustrated; 61 review questions; glossary.12.Printing InksBy Philip RuxtonTheir composition, properties and manufacture (reprinted by permission from Circular No. 53, United States Bureau of Standards): together with some helpful suggestions about the everyday use of printing inks by Philip Ruxton. 80pp.; 100 review questions; glossary.13.How Paper is MadeBy William Bond WheelwrightA primer of information about the materials and processes of manufacturing paper for printing and writing. 68 pp.; illustrated; 62 review questions; glossary.14.Relief EngravingsBy Joseph P. DonovanBrief history and non-technical description of modern methods of engraving; woodcut, zinc plate, halftone; kind of copy for reproduction; things to remember when ordering engravings. Illustrated; review questions; glossary.15.Electrotyping and StereotypingBy Harris B. Hatch and A. A. StewartA primer of information about the processes of electrotyping and stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.PART II—Hand and Machine Composition16.TypesettingBy A. A. StewartA handbook for beginners, giving information about justifying, spacing, correcting, and other matters relating to typesetting. Illustrated; review questions; glossary.17.Printers’ ProofsBy A. A. StewartThe methods by which they are made, marked, and corrected, with observations on proofreading. Illustrated; review questions; glossary.18.First Steps in Job CompositionBy Camille DeVézeSuggestions for the apprentice compositor in setting his first jobs, especially about the important little things which go to make good display in typography. 63 pp.; examples; 55 review questions; glossary.19.General Job CompositionHow the job compositor handles business stationery, programs and miscellaneous work. Illustrated; review questions; glossary.20.Book CompositionBy J. W. BothwellChapters from DeVinne’s “Modern Methods of Book Composition,” revised and arranged for this series of text-books by J. W. Bothwell of The DeVinne Press, New York. Part I: Composition of pages. Part II: Imposition of pages. 229 pp.; illustrated; 525 review questions; glossary.21.Tabular CompositionBy Robert SeaverA study of the elementary forms of table composition, with examples of more difficult composition. 36 pp.; examples; 45 review questions.22.Applied ArithmeticBy E. E. SheldonElementary arithmetic applied to problems of the printing trade, calculation of materials, paper weights and sizes, with standard tables and rules for computation, each subject amplified with examples and exercises. 159 pp.23.Typecasting and Composing MachinesA. W. Finlay, EditorSection I—The LinotypeBy L. A. HornsteinSection II—The MonotypeBy Joseph HaysSection III—The IntertypeBy Henry W. CozzensSection IV—Other Typecasting and Typesetting MachinesBy Frank H. SmithA brief history of typesetting machines, with descriptions of their mechanical principles and operations. Illustrated; review questions; glossary.PART III—Imposition and Stonework24.Locking Forms for the Job PressBy Frank S. HenryThings the apprentice should know about locking up small forms, and about general work on the stone. Illustrated; review questions; glossary.25.Preparing Forms for the Cylinder PressBy Frank S. HenryPamphlet and catalog imposition; margins; fold marks, etc. Methods of handling type forms and electrotype forms. Illustrated; review questions; glossary.PART IV—Presswork26.Making Ready on Platen PressesBy T. G. McGrewThe essential parts of a press and their functions; distinctive features of commonly used machines. Preparing the tympan, regulating the impression, underlaying and overlaying, setting gauges, and other details explained. Illustrated; review questions; glossary.27.Cylinder PressworkBy T. G. McGrewPreparing the press; adjustment of bed and cylinder, form rollers, ink fountain, grippers and delivery systems. Underlaying and overlaying; modern overlay methods. Illustrated; review questions; glossary.28.Pressroom Hints and HelpsBy Charles L. DuntonDescribing some practical methods of pressroom work, with directions and useful information relating to a variety of printing-press problems. 87 pp.; 176 review questions.29.Reproductive Processes of the Graphic ArtsBy A. W. ElsonA primer of information about the distinctive features of the relief, the intaglio, and the planographic processes of printing. 84 pp.; illustrated; 100 review questions; glossary.PART V—Pamphlet and Book Binding30.Pamphlet BindingBy Bancroft L. GoodwinA primer of information about the various operations employed in binding pamphlets and other work in the bindery. Illustrated; review questions; glossary.31.Book BindingBy John J. PlegerPractical information about the usual operations in binding books; folding; gathering, collating, sewing, forwarding, finishing. Case making and cased-in books. Hand work and machine work. Job and blank-book binding. Illustrated; review questions; glossary.PART VI—Correct Literary Composition32.Word Study and English GrammarBy F. W. HamiltonA primer of information about words, their relations, and their uses. 68 pp.; 84 review questions; glossary.33.PunctuationBy F. W. HamiltonA primer of information about the marks of punctuation and their use, both grammatically and typographically. 56 pp.; 59 review questions; glossary.34.CapitalsBy F. W. HamiltonA primer of information about capitalization, with some practical typographic hints as to the use of capitals. 48 pp.; 92 review questions; glossary.35.Division of WordsBy F. W. HamiltonRules for the division of words at the ends of lines, with remarks on spelling, syllabication and pronunciation. 42 pp.; 70 review questions.36.Compound WordsBy F. W. HamiltonA study of the principles of compounding, the components of compounds, and the use of the hyphen. 34 pp.; 62 review questions.37.Abbreviations and SignsBy F. W. HamiltonA primer of information about abbreviations and signs, with classified lists of those in most common use. 58 pp.; 32 review questions.38.The Uses of ItalicBy F. W. HamiltonA primer of information about the history and uses of italic letters. 31 pp.; 37 review questions.39.ProofreadingBy Arnold LevitasThe technical phases of the proofreader’s work; reading, marking, revising, etc.; methods of handling proofs and copy. Illustrated by examples. 59 pp.; 69 review questions; glossary.40.Preparation of Printers’ CopyBy F. W. HamiltonSuggestions for authors, editors, and all who are engaged in preparing copy for the composing room. 36 pp.; 67 review questions.41.Printers’ Manual of StyleA reference compilation of approved rules, usages, and suggestions relating to uniformity in punctuation, capitalization, abbreviations, numerals, and kindred features of composition.42.The Printer’s DictionaryBy A. A. StewartA handbook of definitions and miscellaneous information about various processes of printing, alphabetically arranged. Technical terms explained. Illustrated.PART VII—Design, Color, and Lettering43.Applied Design for PrintersBy Harry L. GageA handbook of the principles of arrangement, with brief comment on the periods of design which have most influenced printing. Treats of harmony, balance, proportion, and rhythm; motion; symmetry and variety; ornament, esthetic and symbolic. 37 illustrations; 46 review questions; glossary; bibliography.44.Elements of Typographic DesignBy Harry L. GageApplications of the principles of decorative design. Building material of typography: paper, types, ink, decorations and illustrations. Handling of shapes. Design of complete book, treating each part. Design of commercial forms and single units.Illustrations; review questions; glossary; bibliography.45.Rudiments of Color in PrintingBy Harry L. GageUse of color: for decoration of black and white, for broad poster effect, in combinations of two, three, or more printings with process engravings. Scientific nature of color, physical and chemical. Terms in which color may be discussed: hue, value, intensity. Diagrams in color, scales and combinations. Color theory of process engraving. Experiments with color. Illustrations in full color, and on various papers. Review questions; glossary; bibliography.46.Lettering in TypographyBy Harry L. GagePrinter’s use of lettering: adaptability and decorative effect. Development of historic writing and lettering and its influence on type design. Classification of general forms in lettering. Application of design to lettering. Drawing for reproduction. Fully illustrated; review questions; glossary; bibliography.47.Typographic Design in AdvertisingBy Harry L. GageThe printer’s function in advertising. Precepts upon which advertising is based. Printer’s analysis of his copy. Emphasis, legibility, attention, color. Method of studying advertising typography. Illustrations; review questions; glossary; bibliography.48.Making Dummies and LayoutsBy Harry L. GageA layout: the architectural plan. A dummy: the imitation of a proposed final effect. Use of dummy in sales work. Use of layout. Function of layout map. Binding schemes for dummies. Dummy envelopes. Illustrations; review questions; glossary; bibliography.PART VIII—History of Printing49.Books Before TypographyBy F. W. HamiltonA primer of information about the invention of the alphabet and the history of bookmaking up to the invention of movable types. 62 pp.; illustrated; 64 review questions.50.The Invention of TypographyBy F. W. HamiltonA brief sketch of the invention of printing and how it came about. 64 pp.; 62 review questions.51.History of Printing—Part IBy F. W. HamiltonA primer of information about the beginnings of printing, the development of the book, the development of printers’ materials, and the work of the great pioneers. 63 pp.; 55 review questions.52.History of Printing—Part IIBy F. W. HamiltonA brief sketch of the economic conditions of the printing industry from 1450 to 1789, including government regulations, censorship, internal conditions and industrial relations. 94 pp.; 128 review questions.53.Printing in EnglandBy F. W. HamiltonA short history of printing in England from Caxton to the present time. 89 pp.; 65 review questions.54.Printing in AmericaBy F. W. HamiltonA brief sketch of the development of the newspaper, and some notes on publishers who have especially contributed to printing. 98 pp.; 84 review questions.55.Type and Presses in AmericaBy F. W. HamiltonA brief historical sketch of the development of type casting and press building in the United States. 52 pp.; 61 review questions.PART IX—Cost Finding and Accounting56.Elements of Cost in PrintingBy Henry P. PorterThe Standard Cost-Finding Forms and their uses. What they should show. How to utilize the information they give. Review questions. Glossary.57.Use of a Cost SystemBy Henry P. PorterThe Standard Cost-Finding Forms and their uses. What they should show. How to utilize the information they give. Review questions. Glossary.58.The Printer as a MerchantBy Henry P. PorterThe selection and purchase of materials and supplies for printing. The relation of the cost of raw material and the selling price of the finished product. Review questions. Glossary.59.Fundamental Principles of EstimatingBy Henry P. PorterThe estimator and his work; forms to use; general rules for estimating. Review questions. Glossary.60.Estimating and SellingBy Henry P. PorterAn insight into the methods used in making estimates, and their relation to selling. Review questions. Glossary.61.Accounting for PrintersBy Henry P. PorterA brief outline of an accounting system for printers; necessary books and accessory records. Review questions. Glossary.PART X—Miscellaneous62.Health, Sanitation, and SafetyBy Henry P. PorterHygiene in the printing trade; a study of conditions old and new; practical suggestions for improvement; protective appliances and rules for safety.63.Topical IndexBy F. W. HamiltonA book of reference covering the topics treated in the Typographic Technical Series, alphabetically arranged.64.Courses of StudyBy F. W. HamiltonA guidebook for teachers, with outlines and suggestions for classroom and shop work.

PART I—Types, Tools, Machines, and Materials

Relating to the mechanical features of printing types; their sizes, font schemes, etc., with a brief description of their manufacture. 44 pp.; illustrated; 74 review questions; glossary.

A primer of information about composing sticks, galleys, leads, brass rules, cutting and mitering machines, etc. 47 pp.; illustrated; 50 review questions; glossary.

A primer of information about type cases, work stands, cabinets, case racks, galley racks, standing galleys, etc. 43 pp.; illustrated; 33 review questions; glossary.

Describing the tools and materials used in locking up forms for the press, including some modern utilities for special purposes. 59 pp.; illustrated; 70 review questions; glossary.

A primer of information about the customary methods and machines for taking printers’ proofs. 40 pp.; illustrated; 41 review questions; glossary.

A primer of information regarding the history and mechanical construction of platen printing presses, from the original hand press to the modern job press, to which is added a chapter on automatic presses of small size. 51 pp.; illustrated; 49 review questions; glossary.

Being a study of the mechanism and operation of the principal types of cylinder printing machines. 64 pp.; illustrated; 47 review questions; glossary.

The history and operation of modern feeding and folding machines; with hints on their care and adjustments. Illustrated; review questions; glossary.

A treatise on the methods of applying power to printing presses and allied machinery with particular reference to electric drive. 53 pp.; illustrated; 69 review questions; glossary.

10.

A primer of information about paper and card trimmers, hand-lever cutters, power cutters, and other automatic machines for cutting paper, 70 pp.; illustrated; 115 review questions; glossary.

11.

A primer of information about the composition, manufacture, and care of inking rollers. 46 pp.; illustrated; 61 review questions; glossary.

12.

Their composition, properties and manufacture (reprinted by permission from Circular No. 53, United States Bureau of Standards): together with some helpful suggestions about the everyday use of printing inks by Philip Ruxton. 80pp.; 100 review questions; glossary.

13.

A primer of information about the materials and processes of manufacturing paper for printing and writing. 68 pp.; illustrated; 62 review questions; glossary.

14.

Brief history and non-technical description of modern methods of engraving; woodcut, zinc plate, halftone; kind of copy for reproduction; things to remember when ordering engravings. Illustrated; review questions; glossary.

15.

A primer of information about the processes of electrotyping and stereotyping. 94 pp.; illustrated; 129 review questions; glossaries.

PART II—Hand and Machine Composition

16.

A handbook for beginners, giving information about justifying, spacing, correcting, and other matters relating to typesetting. Illustrated; review questions; glossary.

17.

The methods by which they are made, marked, and corrected, with observations on proofreading. Illustrated; review questions; glossary.

18.

Suggestions for the apprentice compositor in setting his first jobs, especially about the important little things which go to make good display in typography. 63 pp.; examples; 55 review questions; glossary.

19.

How the job compositor handles business stationery, programs and miscellaneous work. Illustrated; review questions; glossary.

20.

Chapters from DeVinne’s “Modern Methods of Book Composition,” revised and arranged for this series of text-books by J. W. Bothwell of The DeVinne Press, New York. Part I: Composition of pages. Part II: Imposition of pages. 229 pp.; illustrated; 525 review questions; glossary.

21.

A study of the elementary forms of table composition, with examples of more difficult composition. 36 pp.; examples; 45 review questions.

22.

Elementary arithmetic applied to problems of the printing trade, calculation of materials, paper weights and sizes, with standard tables and rules for computation, each subject amplified with examples and exercises. 159 pp.

23.

Section I—The LinotypeBy L. A. Hornstein

Section II—The MonotypeBy Joseph Hays

Section III—The IntertypeBy Henry W. Cozzens

Section IV—Other Typecasting and Typesetting MachinesBy Frank H. Smith

A brief history of typesetting machines, with descriptions of their mechanical principles and operations. Illustrated; review questions; glossary.

PART III—Imposition and Stonework

24.

Things the apprentice should know about locking up small forms, and about general work on the stone. Illustrated; review questions; glossary.

25.

Pamphlet and catalog imposition; margins; fold marks, etc. Methods of handling type forms and electrotype forms. Illustrated; review questions; glossary.

PART IV—Presswork

26.

The essential parts of a press and their functions; distinctive features of commonly used machines. Preparing the tympan, regulating the impression, underlaying and overlaying, setting gauges, and other details explained. Illustrated; review questions; glossary.

27.

Preparing the press; adjustment of bed and cylinder, form rollers, ink fountain, grippers and delivery systems. Underlaying and overlaying; modern overlay methods. Illustrated; review questions; glossary.

28.

Describing some practical methods of pressroom work, with directions and useful information relating to a variety of printing-press problems. 87 pp.; 176 review questions.

29.

A primer of information about the distinctive features of the relief, the intaglio, and the planographic processes of printing. 84 pp.; illustrated; 100 review questions; glossary.

PART V—Pamphlet and Book Binding

30.

A primer of information about the various operations employed in binding pamphlets and other work in the bindery. Illustrated; review questions; glossary.

31.

Practical information about the usual operations in binding books; folding; gathering, collating, sewing, forwarding, finishing. Case making and cased-in books. Hand work and machine work. Job and blank-book binding. Illustrated; review questions; glossary.

PART VI—Correct Literary Composition

32.

A primer of information about words, their relations, and their uses. 68 pp.; 84 review questions; glossary.

33.

A primer of information about the marks of punctuation and their use, both grammatically and typographically. 56 pp.; 59 review questions; glossary.

34.

A primer of information about capitalization, with some practical typographic hints as to the use of capitals. 48 pp.; 92 review questions; glossary.

35.

Rules for the division of words at the ends of lines, with remarks on spelling, syllabication and pronunciation. 42 pp.; 70 review questions.

36.

A study of the principles of compounding, the components of compounds, and the use of the hyphen. 34 pp.; 62 review questions.

37.

A primer of information about abbreviations and signs, with classified lists of those in most common use. 58 pp.; 32 review questions.

38.

A primer of information about the history and uses of italic letters. 31 pp.; 37 review questions.

39.

The technical phases of the proofreader’s work; reading, marking, revising, etc.; methods of handling proofs and copy. Illustrated by examples. 59 pp.; 69 review questions; glossary.

40.

Suggestions for authors, editors, and all who are engaged in preparing copy for the composing room. 36 pp.; 67 review questions.

41.

A reference compilation of approved rules, usages, and suggestions relating to uniformity in punctuation, capitalization, abbreviations, numerals, and kindred features of composition.

42.

A handbook of definitions and miscellaneous information about various processes of printing, alphabetically arranged. Technical terms explained. Illustrated.

PART VII—Design, Color, and Lettering

43.

A handbook of the principles of arrangement, with brief comment on the periods of design which have most influenced printing. Treats of harmony, balance, proportion, and rhythm; motion; symmetry and variety; ornament, esthetic and symbolic. 37 illustrations; 46 review questions; glossary; bibliography.

44.

Applications of the principles of decorative design. Building material of typography: paper, types, ink, decorations and illustrations. Handling of shapes. Design of complete book, treating each part. Design of commercial forms and single units.Illustrations; review questions; glossary; bibliography.

45.

Use of color: for decoration of black and white, for broad poster effect, in combinations of two, three, or more printings with process engravings. Scientific nature of color, physical and chemical. Terms in which color may be discussed: hue, value, intensity. Diagrams in color, scales and combinations. Color theory of process engraving. Experiments with color. Illustrations in full color, and on various papers. Review questions; glossary; bibliography.

46.

Printer’s use of lettering: adaptability and decorative effect. Development of historic writing and lettering and its influence on type design. Classification of general forms in lettering. Application of design to lettering. Drawing for reproduction. Fully illustrated; review questions; glossary; bibliography.

47.

The printer’s function in advertising. Precepts upon which advertising is based. Printer’s analysis of his copy. Emphasis, legibility, attention, color. Method of studying advertising typography. Illustrations; review questions; glossary; bibliography.

48.

A layout: the architectural plan. A dummy: the imitation of a proposed final effect. Use of dummy in sales work. Use of layout. Function of layout map. Binding schemes for dummies. Dummy envelopes. Illustrations; review questions; glossary; bibliography.

PART VIII—History of Printing

49.

A primer of information about the invention of the alphabet and the history of bookmaking up to the invention of movable types. 62 pp.; illustrated; 64 review questions.

50.

A brief sketch of the invention of printing and how it came about. 64 pp.; 62 review questions.

51.

A primer of information about the beginnings of printing, the development of the book, the development of printers’ materials, and the work of the great pioneers. 63 pp.; 55 review questions.

52.

A brief sketch of the economic conditions of the printing industry from 1450 to 1789, including government regulations, censorship, internal conditions and industrial relations. 94 pp.; 128 review questions.

53.

A short history of printing in England from Caxton to the present time. 89 pp.; 65 review questions.

54.

A brief sketch of the development of the newspaper, and some notes on publishers who have especially contributed to printing. 98 pp.; 84 review questions.

55.

A brief historical sketch of the development of type casting and press building in the United States. 52 pp.; 61 review questions.

PART IX—Cost Finding and Accounting

56.

The Standard Cost-Finding Forms and their uses. What they should show. How to utilize the information they give. Review questions. Glossary.

57.

The Standard Cost-Finding Forms and their uses. What they should show. How to utilize the information they give. Review questions. Glossary.

58.

The selection and purchase of materials and supplies for printing. The relation of the cost of raw material and the selling price of the finished product. Review questions. Glossary.

59.

The estimator and his work; forms to use; general rules for estimating. Review questions. Glossary.

60.

An insight into the methods used in making estimates, and their relation to selling. Review questions. Glossary.

61.

A brief outline of an accounting system for printers; necessary books and accessory records. Review questions. Glossary.

PART X—Miscellaneous

62.

Hygiene in the printing trade; a study of conditions old and new; practical suggestions for improvement; protective appliances and rules for safety.

63.

A book of reference covering the topics treated in the Typographic Technical Series, alphabetically arranged.

64.

A guidebook for teachers, with outlines and suggestions for classroom and shop work.

THIS series of Typographic Text-books is the result of the splendid co-operation of a large number of firms and individuals engaged in the printing business and its allied industries in the United States of America.

The Committee on Education of the United Typothetae of America, under whose auspices the books have been prepared and published, acknowledges its indebtedness for the generous assistance rendered by the many authors, printers, and others identified with this work.

While due acknowledgment is made on the title and copyright pages of those contributing to each book, the Committee nevertheless felt that a group list of co-operating firms would be of interest.

The following list is not complete, as it includes only those who have co-operated in the production of a portion of the volumes, constituting the first printing. As soon as the entire list of books comprising the Typographic Technical Series has been completed (which the Committee hopes will be at an early date), the full list will be printed in each volume.

The Committee also desires to acknowledge its indebtedness to the many subscribers to this Series who have patiently awaited its publication.

Committee on Education,United Typothetae of America.

Committee on Education,

United Typothetae of America.

Henry P. Porter,Chairman,E. Lawrence Fell,A. M. Glossbrenner,J. Clyde Oswald,Toby Rubovits.

Henry P. Porter,Chairman,

E. Lawrence Fell,

A. M. Glossbrenner,

J. Clyde Oswald,

Toby Rubovits.

Frederick W. Hamilton,Education Director.

CONTRIBUTORSFor Composition and ElectrotypesIsaac H. Blanchard Company, New York, N. Y.S. H. Burbank & Co., Philadelphia, Pa.J. S. Cushing & Co., Norwood, Mass.The DeVinne Press, New York, N. Y.R. R. Donnelley & Sons Co., Chicago, Ill.Geo. H. Ellis Co., Boston, Mass.Evans-Winter-Hebb, Detroit, Mich.Franklin Printing Company, Philadelphia, Pa.F. H. Gilson Company, Boston, Mass.Stephen Greene & Co., Philadelphia, Pa.W. F. Hall Printing Co., Chicago, Ill.J. B. Lippincott Co., Philadelphia, Pa.McCalla & Co. Inc., Philadelphia, Pa.The Patteson Press, New York, New YorkThe Plimpton Press, Norwood, Mass.Poole Bros., Chicago, Ill.Edward Stern & Co., Philadelphia, Pa.The Stone Printing & Mfg. Co., Roanoke, Va.C. D. Traphagen, Lincoln, Neb.The University Press, Cambridge, Mass.For CompositionBoston Typothetae School of Printing, Boston, Mass.William F. Fell Co., Philadelphia, Pa.The Kalkhoff Company, New York, N. Y.Oxford-Print, Boston, Mass.Toby Rubovits, Chicago, Ill.For ElectrotypesBlomgren Brothers Co., Chicago, Ill.Flower Steel Electrotyping Co., New York, N. Y.C. J. Peters & Son Co., Boston, Mass.Royal Electrotype Co., Philadelphia, Pa.H. C. Whitcomb & Co., Boston, Mass.For EngravingsAmerican Type Founders Co., Boston, Mass.C. B. Cottrell & SonsCo., Westerly, R. I.Golding Manufacturing Co., Franklin, Mass.Harvard University, Cambridge, Mass.Inland Printer Co., Chicago, Ill.Lanston Monotype Machine Company, Philadelphia, Pa.Mergenthaler Linotype Company, New York, N. Y.Geo. H. Morrill Co., Norwood, Mass.Oswald Publishing Co., New York, N. Y.The Printing Art, Cambridge, Mass.B. D. Rising Paper Company, Housatonic, Mass.The Vandercook Press, Chicago, Ill.For Book PaperAmerican Writing Paper Co., Holyoke, Mass.West Virginia Pulp & Paper Co., Mechanicville, N. Y.

Isaac H. Blanchard Company, New York, N. Y.

S. H. Burbank & Co., Philadelphia, Pa.

J. S. Cushing & Co., Norwood, Mass.

The DeVinne Press, New York, N. Y.

R. R. Donnelley & Sons Co., Chicago, Ill.

Geo. H. Ellis Co., Boston, Mass.

Evans-Winter-Hebb, Detroit, Mich.

Franklin Printing Company, Philadelphia, Pa.

F. H. Gilson Company, Boston, Mass.

Stephen Greene & Co., Philadelphia, Pa.

W. F. Hall Printing Co., Chicago, Ill.

J. B. Lippincott Co., Philadelphia, Pa.

McCalla & Co. Inc., Philadelphia, Pa.

The Patteson Press, New York, New York

The Plimpton Press, Norwood, Mass.

Poole Bros., Chicago, Ill.

Edward Stern & Co., Philadelphia, Pa.

The Stone Printing & Mfg. Co., Roanoke, Va.

C. D. Traphagen, Lincoln, Neb.

The University Press, Cambridge, Mass.

Boston Typothetae School of Printing, Boston, Mass.

William F. Fell Co., Philadelphia, Pa.

The Kalkhoff Company, New York, N. Y.

Oxford-Print, Boston, Mass.

Toby Rubovits, Chicago, Ill.

Blomgren Brothers Co., Chicago, Ill.

Flower Steel Electrotyping Co., New York, N. Y.

C. J. Peters & Son Co., Boston, Mass.

Royal Electrotype Co., Philadelphia, Pa.

H. C. Whitcomb & Co., Boston, Mass.

American Type Founders Co., Boston, Mass.

C. B. Cottrell & SonsCo., Westerly, R. I.

Golding Manufacturing Co., Franklin, Mass.

Harvard University, Cambridge, Mass.

Inland Printer Co., Chicago, Ill.

Lanston Monotype Machine Company, Philadelphia, Pa.

Mergenthaler Linotype Company, New York, N. Y.

Geo. H. Morrill Co., Norwood, Mass.

Oswald Publishing Co., New York, N. Y.

The Printing Art, Cambridge, Mass.

B. D. Rising Paper Company, Housatonic, Mass.

The Vandercook Press, Chicago, Ill.

American Writing Paper Co., Holyoke, Mass.

West Virginia Pulp & Paper Co., Mechanicville, N. Y.

Transcriber’s NotesPage 5:Leads and Slugs 20changed toLeads and Slugs 21Page 8:Setting the Composing Stick 21changed toSetting the Composing Stick 22Page 21:(nonpareil), 12-point (pica), and 18 pointchanged to(nonpareil), 12-point (pica), and 18-pointPage 24:If the the gage line ischanged toIf the gage line isPage 31:It oftens happens that thechanged toIt often happens that thePage 44:between word endings like ——e w——, y a——changed tobetween word endings like ——e w——, ——y a——Page 47:at the begining may not needchanged toat the beginning may not needPage 53:being shorter than the preceedingchanged tobeing shorter than the precedingPage 58:or a side heading at the beginingchanged toor a side heading at the beginningPage 59:see other title of this serieschanged tosee other titles of this seriesPage 91:or the compositor, is out of sorts, See Sorts.changed toor the compositor, is out of sorts. See Sort.Page 92:Roman typechanged toRoman TypePage iii:15.Electrotyping and Stereotypingchanged to15.Electrotyping and SterotypingPage v:Illustrations; review questions, glossary; bibliography.changed toIllustrations; review questions; glossary; bibliography.The order of Glossary entries has been retained as they appear in the original publication, the following out of alphabetical order:Cast Up (Page 86)Extract (Page 88)Hair Line (Page 88)High-to-line (Page 89)Lay of the Case (Page 90)Logotype (Page 90)Mutton Fist (Page 91)Pi (Page 91)Pica (Page 91)Planer (Page 92)Turned Commas (Page 93)The following words were inconsistently hyphenated, and appear here as in the original:old-style/oldstylere-spacing/respacingside-stick/sidestick

Page 5:Leads and Slugs 20changed toLeads and Slugs 21Page 8:Setting the Composing Stick 21changed toSetting the Composing Stick 22Page 21:(nonpareil), 12-point (pica), and 18 pointchanged to(nonpareil), 12-point (pica), and 18-pointPage 24:If the the gage line ischanged toIf the gage line isPage 31:It oftens happens that thechanged toIt often happens that thePage 44:between word endings like ——e w——, y a——changed tobetween word endings like ——e w——, ——y a——Page 47:at the begining may not needchanged toat the beginning may not needPage 53:being shorter than the preceedingchanged tobeing shorter than the precedingPage 58:or a side heading at the beginingchanged toor a side heading at the beginningPage 59:see other title of this serieschanged tosee other titles of this seriesPage 91:or the compositor, is out of sorts, See Sorts.changed toor the compositor, is out of sorts. See Sort.Page 92:Roman typechanged toRoman TypePage iii:15.Electrotyping and Stereotypingchanged to15.Electrotyping and SterotypingPage v:Illustrations; review questions, glossary; bibliography.changed toIllustrations; review questions; glossary; bibliography.

Page 5:Leads and Slugs 20changed toLeads and Slugs 21

Page 8:Setting the Composing Stick 21changed toSetting the Composing Stick 22

Page 21:(nonpareil), 12-point (pica), and 18 pointchanged to(nonpareil), 12-point (pica), and 18-point

Page 24:If the the gage line ischanged toIf the gage line is

Page 31:It oftens happens that thechanged toIt often happens that the

Page 44:between word endings like ——e w——, y a——changed tobetween word endings like ——e w——, ——y a——

Page 47:at the begining may not needchanged toat the beginning may not need

Page 53:being shorter than the preceedingchanged tobeing shorter than the preceding

Page 58:or a side heading at the beginingchanged toor a side heading at the beginning

Page 59:see other title of this serieschanged tosee other titles of this series

Page 91:or the compositor, is out of sorts, See Sorts.changed toor the compositor, is out of sorts. See Sort.

Page 92:Roman typechanged toRoman Type

Page iii:15.Electrotyping and Stereotypingchanged to15.Electrotyping and Sterotyping

Page v:Illustrations; review questions, glossary; bibliography.changed toIllustrations; review questions; glossary; bibliography.

The order of Glossary entries has been retained as they appear in the original publication, the following out of alphabetical order:

Cast Up (Page 86)Extract (Page 88)Hair Line (Page 88)High-to-line (Page 89)Lay of the Case (Page 90)Logotype (Page 90)Mutton Fist (Page 91)Pi (Page 91)Pica (Page 91)Planer (Page 92)Turned Commas (Page 93)

The following words were inconsistently hyphenated, and appear here as in the original:

old-style/oldstylere-spacing/respacingside-stick/sidestick

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