XXXVIOF PARADISE LOST

“Some little talk awhile of Me and TheeThere was, and then no more of Thee and Me.”

“Some little talk awhile of Me and TheeThere was, and then no more of Thee and Me.”

“Some little talk awhile of Me and Thee

There was, and then no more of Thee and Me.”

“Let me say it whilst I have the courage.” Suppose you had the greater courage to write, “I will never say it.” Let me rather cry with Saul, “Farewell to others, but never we part.” And yet I know that we have already parted to meet no more.

BY a dispensation of that Providence which, if seldom kind, is sometimes less than malignant, I received your two letters together—the poison and the antidote. I looked at the dates on the postmarks, and I took the poison first. It did not take long to read, and I am glad now that I can truly tell you that my impulse was to ignore your expressed wish, your command, and to at once tell you that I did not believe a single word of those lines, which, if meant to hurt, could not have been better conceived, for truly they were coldly cruel. Indeed, the note was hateful, and so absolutely unlike you, that it must have defeated its object, had that been really as you declared it. If you know me at all, you must have realised that, if I know the Kingdom of Heaven may not be taken by storm, I should never seek for the charity which is thrown to the importunate. But the other letterwas there, and in it I found such measure of consolation as is vouchsafed to those who find that, if their path is difficult, they will not tread it alone, and it tends upward. It may not be all we desire—how should it be in a world which is full of

“Infinite passionAnd the pain of finite hearts that yearn”?

“Infinite passionAnd the pain of finite hearts that yearn”?

“Infinite passion

And the pain of finite hearts that yearn”?

Still, it is much; and, at the worst, it is death without its sting.

Do I know? I think I do. You see, if the future contains nothing for me, I have still the past—and, in that past, I have learnt to implicitly trust you, and you have let me see enough of your very self to make me disregard even what comes from you, when it has nothing in common with your real character. But I shall not forget—I do not do that easily at any time—and, if all else faded, I could not forget our friendship. Do you think the first man and woman ever forgot that once they dwelt in Paradise? It was the recollection of all they had lost which was the beginning of mortal suffering. If that “pleasant place” is closed to me, I am not likely to forget that I have seen the gate, that I know where to find it, and that there is but one. Yes, I understand; and the proof is, that in my regret there is no bitternessnow. I also remember what I said when we leant over the balustrade of a verandah and looked out into the silver sheen of a ravishing Eastern night, wherein the frail chalices of the moonflower shone like great, milk-white stars in their leafy sky, while from the trellis-work beneath us rose the faint, sweet scent of those strange blossoms. You have taught me how great the exception can be. The cynicism is only skin-deep, and I shall never swell the ranks of the Faithful—though I still think there is much to be said for the Faith. The creed, like other creeds, suffers by the perfunctory service of those who profess to be true believers. As for the way you have chosen, I think it is the right way, at least it is the best to follow now; and, to help you tread it well, I also say, “God be with you.” They need not be my last words to you, for, if ever my loyal service can further any wish of yours, our friendship is not so poor a thing that you would hesitate to give me the satisfaction of doing for you anything that lies in my power. That was in the bond we made long ago. If we cannot forget what came into our dream of mutual trust and intellectual companionship, is it not better to bravely accept the fiat of Destiny and make the past a link to bind us more closely to the terms of our bond? Even sowe may still help each other, still cleave to the sympathy which we know will never fail us; and, if our paths divide, the earth is not wide enough to keep us asunder, should we ever try to say “Adieu.”

THIS is my last letter to you,Carina, and I am writing in the belief that you are in heaven. But are you really there, and, if you are, is all well with you? Have you everything you desire and no regrets? It seems such a very long way off, you have such small control over the means of transport, and so much depends on hearsay, that one may, I trust, be pardoned for entertaining doubt where all is so indefinite. Then the accounts of that blessed place that have come to different parts of the world, though always inspired, differ so materially. To mortals, immortality is a difficult conception. To finite minds, conscious of the grasp of a limited intelligence, but still very much alive to the evidence of the senses we possess, the idea of a heaven, somewhere beyond the reach of earthly imagination, is perhaps more difficult still. So many millions come into the world, and werealise fairly well how and why they come; they all, without exception, go, and none ever return, and some, we are told, are in heaven, and some elsewhere. The time here is so absurdly short, and the eternity there is so impossibly long, that, if our chances of spending the latter in joy, or sorrow, depend on what we do in the former, it is only natural that this one idea should occupy our thoughts to the exclusion of all others. Yet there, again, we are such frail things, that in this way lies what we call madness.

If you have solved the great problem, can you not enlighten my darkness, my craving for exact knowledge? Write to me,Carina, write and tell me what it is all like. If I have wearied you with my feeble, little tales, my stupid questions, my pictures that must seem to you so flat and colourless in the glory of that better world, my vain imaginings and poor human longings, will you not take pity on me and gladden my weary eyes with a word-painted vision of the Heavenly City, the fields of Elysium, or at least the houris who are to be the portion of the Faithful? I do not know which paradise you are in. See, I wait with the pencil on the paper: will you not make it write?

You do not heed. Perhaps, after all, you arenot there; or is it possible that you have forgotten this small planet and those you left here, and that you find more congenial friends in the company of the angels? I dare say it is natural, and I do not upbraid you; but some day I may reach that desired haven, and I want you to remember that I have earned your consideration by my discretion, if you can spare me no more tender feeling. If, for instance, I had sent you these letters while you were still on earth, and you had incautiously left them about (as you would have been certain to do), quite a number of them would have compromised you in the opinion of the servant girl, and she is the origin of a vast deal of earthly gossip. I suppose you have no servant girls and no gossip where you are: the absence of effect depending on the want of cause. Happy heaven! and yet I believe that there are people on this earth who really enjoy being the subject of gossip. To them the suggestions of scandal are as the savour of salt, as danger is to the sportsman; the wilder the suggestion, the more amusing the game; and there are even those who, when tattle wanes and desire fails, say or insinuate, to their own detriment, the thing that is not, rather than disappear into obscurity. It is the same desire for notoriety and attention whichprompted Martin to set fire to York Minster, and led the woman to complain to the vicar that her husband had ceased to beat her.

Up in the serene atmosphere of those heavenly heights you have no cathedrals, no husbands, no wives, no work, no play, no food, no frocks—pardon me, that is a slip of the pen; of course you have frocks, but what else have you? Is it not sometimes just a little monotonous? If life is so short that it amounts to little more than the constant fear of coming death, are you not sometimes overawed by the contemplation of eternity? But, after all, the dwellers in heaven may never think. Never to remember, and so never to regret; never to think, and so never to desire—that is a possible scheme of existence where a thousand years might be as one day, and to the weary it would mean rest. But so would oblivion, and we are not altogether satisfied with the thought of oblivion.

“Oh, Threats of Hell and Hopes of Paradise!One thing is certain—ThisLife flies;One thing is certain, and the rest is Lies;The Flower that once has blown for ever dies.”

“Oh, Threats of Hell and Hopes of Paradise!One thing is certain—ThisLife flies;One thing is certain, and the rest is Lies;The Flower that once has blown for ever dies.”

“Oh, Threats of Hell and Hopes of Paradise!

One thing is certain—ThisLife flies;

One thing is certain, and the rest is Lies;

The Flower that once has blown for ever dies.”

That is well enough, but it is not an inspired writing; it is a cry rather of despair than conviction, and oft repeated to make up for want of certainty.Of things mundane we have acquired a tolerable knowledge, however much there is yet to be learnt; but that in us which we call the Soul will never be satisfied till it learns something of the hereafter. Who will teach it? Do we know more now than they did when men fought with bows and arrows, or flint weapons, instead of hundred-ton guns fired by electricity?

Standing alone in some vast solitude where man and his doings have no part, have made no mark and left no trace—where face to face with Nature, with mountain and plain, forest and sea and a limitless firmament, man’s somewhat puny efforts are forgotten, there comes an intense longing for something higher and nobler than the life we live. The soul of man cries out for light, for some goal towards which he may by effort and sacrifice attain; for he is not lacking in the qualities that have made heroes and martyrs throughout all the ages. If he cannot rend the veil and scale the heights of heaven, he can grasp the things within his reach; and, realising that there are problems beyond his intelligence, he can yet give his life to make easier the lot of his fellow-creatures, seeking humbly, but courageously, to follow, no matter how far behind, in the footsteps of his Great Exemplar. Nor need his efforts beless strenuous, his object less worthy, because this passionate cry of a voice, stilled centuries ago, strikes a sympathetic chord in his heart.

“Yet ah! that Spring should vanish with the Rose!That Youth’s sweet-scented manuscript should close!The Nightingale, that in the branches sang,Ah whence, and whither flown again, who knows!Would but the Desert of the Fountain yieldOne glimpse—if dimly, yet indeed reveal’d,To which the fainting Traveller might spring,As springs the trampled herbage of the field!Would but some wingèd Angel, ere too late,Arrest the yet-unfolded Roll of Fate,And make the stern Recorder otherwiseEnregister, or quite obliterate!Ah Love, could you and I with Him conspireTo grasp this sorry Scheme of things entire,Would not we shatter it to bits—and thenRe-mould it nearer to the Heart’s Desire!”

“Yet ah! that Spring should vanish with the Rose!That Youth’s sweet-scented manuscript should close!The Nightingale, that in the branches sang,Ah whence, and whither flown again, who knows!Would but the Desert of the Fountain yieldOne glimpse—if dimly, yet indeed reveal’d,To which the fainting Traveller might spring,As springs the trampled herbage of the field!Would but some wingèd Angel, ere too late,Arrest the yet-unfolded Roll of Fate,And make the stern Recorder otherwiseEnregister, or quite obliterate!Ah Love, could you and I with Him conspireTo grasp this sorry Scheme of things entire,Would not we shatter it to bits—and thenRe-mould it nearer to the Heart’s Desire!”

“Yet ah! that Spring should vanish with the Rose!That Youth’s sweet-scented manuscript should close!The Nightingale, that in the branches sang,Ah whence, and whither flown again, who knows!

“Yet ah! that Spring should vanish with the Rose!

That Youth’s sweet-scented manuscript should close!

The Nightingale, that in the branches sang,

Ah whence, and whither flown again, who knows!

Would but the Desert of the Fountain yieldOne glimpse—if dimly, yet indeed reveal’d,To which the fainting Traveller might spring,As springs the trampled herbage of the field!

Would but the Desert of the Fountain yield

One glimpse—if dimly, yet indeed reveal’d,

To which the fainting Traveller might spring,

As springs the trampled herbage of the field!

Would but some wingèd Angel, ere too late,Arrest the yet-unfolded Roll of Fate,And make the stern Recorder otherwiseEnregister, or quite obliterate!

Would but some wingèd Angel, ere too late,

Arrest the yet-unfolded Roll of Fate,

And make the stern Recorder otherwise

Enregister, or quite obliterate!

Ah Love, could you and I with Him conspireTo grasp this sorry Scheme of things entire,Would not we shatter it to bits—and thenRe-mould it nearer to the Heart’s Desire!”

Ah Love, could you and I with Him conspire

To grasp this sorry Scheme of things entire,

Would not we shatter it to bits—and then

Re-mould it nearer to the Heart’s Desire!”

THE END

Printed byBallantyne, Hanson & Co.

Edinburgh & London

SECOND EDITIONMalay SketchesBYFRANK ATHELSTANE SWETTENHAMWITH TITLE-PAGE AND COVER DESIGNED BYPATTEN WILSONCrown 8vo, 6s.“Mr. Swettenham’s style is simple and direct and vigorous. Particularly good is his eye for colour, and he has a fine sense of the brilliant melancholy of the East. To few falls the good fortune of introducing us to a new people, and seldom have we the advantage of so admirable a guide.”—Pall Mall Gazette.“Nothing approaching Mr. Swettenham’s intimate knowledge and illuminative analysis has yet seen the light about that fascinating country which he so well describes.”—Daily Chronicle.“Its unconventional character is one of the most attractive points about this very attractive volume. Mr. Swettenham succeeds in making the life and character of the Malays real to us in a way that so far as we are aware no other writer has done.”—Publishers’ Circular.“A pleasant simplicity of style, a total lack of affectation, and a comparatively unknown land and people for subject-matter, make ‘Malay Sketches’ entirely delightful. They are always vivid, always convincing.”—St. James’s Budget.“This is one of those books which exercise such a fascination upon the mind of the stay-at-home traveller. Stay-at-home though he may be, he has no difficulty in distinguishing the work of a genuine authority from the hasty and inexact impressions of the idle globe-trotter. ‘Malay Sketches’ will be speedily recognised by him as belonging to the more reliable kind of his favourite literature.”—Spectator.London: JOHN LANE, The Bodley Head

SECOND EDITION

Malay Sketches

BY

FRANK ATHELSTANE SWETTENHAM

WITH TITLE-PAGE AND COVER DESIGNED BY

PATTEN WILSON

Crown 8vo, 6s.

“Mr. Swettenham’s style is simple and direct and vigorous. Particularly good is his eye for colour, and he has a fine sense of the brilliant melancholy of the East. To few falls the good fortune of introducing us to a new people, and seldom have we the advantage of so admirable a guide.”—Pall Mall Gazette.

“Nothing approaching Mr. Swettenham’s intimate knowledge and illuminative analysis has yet seen the light about that fascinating country which he so well describes.”—Daily Chronicle.

“Its unconventional character is one of the most attractive points about this very attractive volume. Mr. Swettenham succeeds in making the life and character of the Malays real to us in a way that so far as we are aware no other writer has done.”—Publishers’ Circular.

“A pleasant simplicity of style, a total lack of affectation, and a comparatively unknown land and people for subject-matter, make ‘Malay Sketches’ entirely delightful. They are always vivid, always convincing.”—St. James’s Budget.

“This is one of those books which exercise such a fascination upon the mind of the stay-at-home traveller. Stay-at-home though he may be, he has no difficulty in distinguishing the work of a genuine authority from the hasty and inexact impressions of the idle globe-trotter. ‘Malay Sketches’ will be speedily recognised by him as belonging to the more reliable kind of his favourite literature.”—Spectator.

London: JOHN LANE, The Bodley Head

Book Catalogue

Book Catalogue

1898List of BooksINBELLES LETTRESPublished by John LaneThe Bodley HeadVIGO STREET, LONDON, W.

1898

List of Books

IN

BELLES LETTRES

Published by John Lane

The Bodley Head

VIGO STREET, LONDON, W.

Adams (Francis).Essays in Modernity.Crown 8vo. 5s. net.[Shortly.A Child of the Age.Crown 8vo. 3s. 6d. net.A. E.Homeward: Songs by the Way.Sq. 16mo, wrappers, 1s. 6d. net.[Second Edition.The Earth Breath, and other Poems.Sq. 16mo. 3s. 6d. net.Aldrich (T. B.).Later Lyrics.Sm. fcap. 8vo. 2s. 6d. net.Allen (Grant).The Lower Slopes: A Volume of Verse. Crown 8vo. 5s. net.The Woman Who Did.Crown 8vo. 3s. 6d. net.[Twenty-third Edition.The British Barbarians.Crown 8vo. 3s. 6d. net.[Second Edition.Atherton (Gertrude).Patience Sparhawk and her Times.Crown 8vo. 6s.[Third Edition.The Californians.Crown 8vo. 6s.[Shortly.Bailey (John C.).English Elegies.Crown 8vo. 5s. net.[In preparation.Balfour (Marie Clothilde).Maris Stella.Crown 8vo. 3s. 6d. net.Songs from a Corner of France.[In preparation.Beeching (Rev. H. C.).In a Garden: Poems. Crown 8vo. 5s. net.St. Augustine at Ostia.Crown 8vo, wrappers, 1s. net.Beerbohm (Max).The Works of Max Beerbohm.With a Bibliography byJohn Lane. Sq. 16mo. 4s. 6d. net.The Happy Hypocrite.Sq. 16mo. 1s. net.[Third Edition.Bennett (E. A.).A Man from the North.Crown 8vo. 3s. 6d.Journalism for Women: A Practical Guide. Sq. 16mo. 2s. 6d. net.Benson (Arthur Christopher).Lyrics.Fcap. 8vo, buckram. 5s. net.Lord Vyet and other Poems.Fcap. 8vo. 3s. 6d. net.Bridges (Robert).Suppressed Chapters and other Bookishness.Crown 8vo. 3s. 6d. net.[Second Edition.Brotherton (Mary).Rosemary for Remembrance.Fcap. 8vo. 3s. 6d. net.Brown (Vincent).My Brother.Sq. 16mo. 2s. net.Ordeal by Compassion.Crown 8vo. 3s. 6d.Two in Captivity.Crown 8vo. 3s. 6d.[In preparation.Bourne (George).A Year’s Exile.Crown 8vo. 3s. 6d.Buchan (John).Scholar Gipsies.With 7 full-page Etchings byD. Y. Cameron. Crown 8vo. 5s. net.[Second Edition.Musa Piscatrix.With 6 Etchings byE. Philip Pimlott. Crown 8vo. 5s. net.Grey Weather.Crown 8vo. 5s.[In preparation.John Burnet of Barns.A Romance. Crown 8vo. 6s.Campbell (Gerald).The Joneses and the Asterisks.A Story in Monologue. 6 Illustrations byF. H. Townsend. Fcap. 8vo. 3s. 6d. net.[Second Edition.Case (Robert H.).English Epithalamies.Crown 8vo. 5s. net.Castle (Mrs. Egerton).My Little Lady Anne.Sq. 16mo. 2s. net.Chapman (Elizabeth Rachel).Marriage Questions in Modern Fiction.Crown 8vo. 3s. 6d. net.Charles (Joseph F.).The Duke of Linden.Crown 8vo. 5s.[In preparation.Cobb (Thomas).Carpet Courtship.Crown 8vo. 3s. 6d.Mr. Passingham.Crown 8vo. 3s. 6d.[In preparation.Coleridge (Ernest Hartley).Poems.3s. 6d. net.Corvo (Baron).Stories Toto Told Me.Square 16mo. 1s. net.Crane (Walter).Toy Books.Re-issue of.This Little Pig’s Picture Book, containing:

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Adams (Francis).

Essays in Modernity.Crown 8vo. 5s. net.

[Shortly.

A Child of the Age.Crown 8vo. 3s. 6d. net.

A. E.

Homeward: Songs by the Way.Sq. 16mo, wrappers, 1s. 6d. net.

[Second Edition.

The Earth Breath, and other Poems.Sq. 16mo. 3s. 6d. net.

Aldrich (T. B.).

Later Lyrics.Sm. fcap. 8vo. 2s. 6d. net.

Allen (Grant).

The Lower Slopes: A Volume of Verse. Crown 8vo. 5s. net.

The Woman Who Did.Crown 8vo. 3s. 6d. net.

[Twenty-third Edition.

The British Barbarians.Crown 8vo. 3s. 6d. net.

[Second Edition.

Atherton (Gertrude).

Patience Sparhawk and her Times.Crown 8vo. 6s.

[Third Edition.

The Californians.Crown 8vo. 6s.

[Shortly.

Bailey (John C.).

English Elegies.Crown 8vo. 5s. net.

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Balfour (Marie Clothilde).

Maris Stella.Crown 8vo. 3s. 6d. net.

Songs from a Corner of France.

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In a Garden: Poems. Crown 8vo. 5s. net.

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Case (Robert H.).

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Cobb (Thomas).

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Coleridge (Ernest Hartley).

Poems.3s. 6d. net.

Corvo (Baron).

Stories Toto Told Me.Square 16mo. 1s. net.

Crane (Walter).

Toy Books.Re-issue of.

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