We said no more about Heyst on that occasion, and it so happened that I did not meet Davidson again for some three months. When we did come together, almost the first thing he said to me was:
“I've seen him.”
Before I could exclaim, he assured me that he had taken no liberty, that he had not intruded. He was called in. Otherwise he would not have dreamed of breaking in upon Heyst's privacy.
“I am certain you wouldn't,” I assured him, concealing my amusement at his wonderful delicacy. He was the most delicate man that ever took a small steamer to and fro among the islands. But his humanity, which was not less strong and praiseworthy, had induced him to take his steamer past Samburan wharf (at an average distance of a mile) every twenty-three days—exactly. Davidson was delicate, humane, and regular.
“Heyst called you in?” I asked, interested.
Yes, Heyst had called him in as he was going by on his usual date. Davidson was examining the shore through his glasses with his unwearied and punctual humanity as he steamed past Samburan.
I saw a man in white. It could only have been Heyst. He had fastened some sort of enormous flag to a bamboo pole, and was waving it at the end of the old wharf.
Davidson didn't like to take his steamer alongside—for fear of being indiscreet, I suppose; but he steered close inshore, stopped his engines, and lowered a boat. He went himself in that boat, which was manned, of course, by his Malay seamen.
Heyst, when he saw the boat pulling towards him, dropped his signalling-pole; and when Davidson arrived, he was kneeling down engaged busily in unfastening the flag from it.
“Was there anything wrong?” I inquired, Davidson having paused in his narrative and my curiosity being naturally aroused. You must remember that Heyst as the Archipelago knew him was not—what shall I say—was not a signalling sort of man.
“The very words that came out of my mouth,” said Davidson, “before I laid the boat against the piles. I could not help it!”
Heyst got up from his knees and began carefully folding up the flag thing, which struck Davidson as having the dimensions of a blanket.
“No, nothing wrong,” he cried. His white teeth flashed agreeably below the coppery horizontal bar of his long moustaches.
I don't know whether it was his delicacy or his obesity which prevented Davidson from clambering upon the wharf. He stood up in the boat, and, above him, Heyst stooped low with urbane smiles, thanking him and apologizing for the liberty, exactly in his usual manner. Davidson had expected some change in the man, but there was none. Nothing in him betrayed the momentous fact that within that jungle there was a girl, a performer in a ladies' orchestra, whom he had carried straight off the concert platform into the wilderness. He was not ashamed or defiant or abashed about it. He might have been a shade confidential when addressing Davidson. And his words were enigmatical.
“I took this course of signalling to you,” he said to Davidson, “because to preserve appearances might be of the utmost importance. Not to me, of course. I don't care what people may say, and of course no one can hurt me. I suppose I have done a certain amount of harm, since I allowed myself to be tempted into action. It seemed innocent enough, but all action is bound to be harmful. It is devilish. That is why this world is evil upon the whole. But I have done with it! I shall never lift a little finger again. At one time I thought that intelligent observation of facts was the best way of cheating the time which is allotted to us whether we want it or not; but now I, have done with observation, too.”
Imagine poor, simple Davidson being addressed in such terms alongside an abandoned, decaying wharf jutting out of tropical bush. He had never heard anybody speak like this before; certainly not Heyst, whose conversation was concise, polite, with a faint ring of playfulness in the cultivated tones of his voice.
“He's gone mad,” Davidson thought to himself.
But, looking at the physiognomy above him on the wharf, he was obliged to dismiss the notion of common, crude lunacy. It was truly most unusual talk. Then he remembered—in his surprise he had lost sight of it—that Heyst now had a girl there. This bizarre discourse was probably the effect of the girl. Davidson shook off the absurd feeling, and asked, wishing to make clear his friendliness, and not knowing what else to say:
“You haven't run short of stores or anything like that?”
Heyst smiled and shook his head:
“No, no. Nothing of the kind. We are fairly well off here. Thanks, all the same. If I have taken the liberty to detain you, it is not from any uneasiness for myself and my—companion. The person I was thinking of when I made up my mind to invoke your assistance is Mrs. Schomberg.”
“I have talked with her,” interjected Davidson.
“Oh! You? Yes, I hoped she would find means to—”
“But she didn't tell me much,” interrupted Davidson, who was not averse from hearing something—he hardly knew what.
“H'm—Yes. But that note of mine? Yes? She found an opportunity to give it to you? That's good, very good. She's more resourceful than one would give her credit for.”
“Women often are—” remarked Davidson. The strangeness from which he had suffered, merely because his interlocutor had carried off a girl, wore off as the minutes went by. “There's a lot of unexpectedness about women,” he generalized with a didactic aim which seemed to miss its mark; for the next thing Heyst said was:
“This is Mrs. Schomberg's shawl.” He touched the stuff hanging over his arm. “An Indian thing, I believe,” he added, glancing at his arm sideways.
“It isn't of particular value,” said Davidson truthfully.
“Very likely. The point is that it belongs to Schomberg's wife. That Schomberg seems to be an unconscionable ruffian—don't you think so?”
Davidson smiled faintly.
“We out here have got used to him,” he said, as if excusing a universal and guilty toleration of a manifest nuisance. “I'd hardly call him that. I only know him as a hotel-keeper.”
“I never knew him even as that—not till this time, when you were so obliging as to take me to Sourabaya, I went to stay there from economy. The Netherlands House is very expensive, and they expect you to bring your own servant with you. It's a nuisance.”
“Of course, of course,” protested Davidson hastily.
After a short silence Heyst returned to the matter of the shawl. He wanted to send it back to Mrs. Schomberg. He said that it might be very awkward for her if she were unable, if asked, to produce it. This had given him, Heyst, much uneasiness. She was terrified of Schomberg. Apparently she had reason to be.
Davidson had remarked that, too. Which did not prevent her, he pointed out, from making a fool of him, in a way, for the sake of a stranger.
“Oh! You know!” said Heyst. “Yes, she helped me—us.”
“She told me so. I had quite a talk with her,” Davidson informed him. “Fancy anyone having a talk with Mrs. Schomberg! If I were to tell the fellows they wouldn't believe me. How did you get round her, Heyst? How did you think of it? Why, she looks too stupid to understand human speech and too scared to shoo a chicken away. Oh, the women, the women! You don't know what there may be in the quietest of them.”
“She was engaged in the task of defending her position in life,” said Heyst. “It's a very respectable task.”
“Is that it? I had some idea it was that,” confessed Davidson.
He then imparted to Heyst the story of the violent proceedings following on the discovery of his flight. Heyst's polite attention to the tale took on a sombre cast; but he manifested no surprise, and offered no comment. When Davidson had finished he handed down the shawl into the boat, and Davidson promised to do his best to return it to Mrs. Schomberg in some secret fashion. Heyst expressed his thanks in a few simple words, set off by his manner of finished courtesy. Davidson prepared to depart. They were not looking at each other. Suddenly Heyst spoke:
“You understand that this was a case of odious persecution, don't you? I became aware of it and—”
It was a view which the sympathetic Davidson was capable of appreciating.
“I am not surprised to hear it,” he said placidly. “Odious enough, I dare say. And you, of course—not being a married man—were free to step in. Ah, well!”
He sat down in the stern-sheets, and already had the steering lines in his hands when Heyst observed abruptly:
“The world is a bad dog. It will bite you if you give it a chance; but I think that here we can safely defy the fates.”
When relating all this to me, Davidson's only comment was:
“Funny notion of defying the fates—to take a woman in tow!”
Some considerable time afterwards—we did not meet very often—I asked Davidson how he had managed about the shawl and heard that he had tackled his mission in a direct way, and had found it easy enough. At the very first call he made in Samarang he rolled the shawl as tightly as he could into the smallest possible brown-paper parcel, which he carried ashore with him. His business in the town being transacted, he got into a gharry with the parcel and drove to the hotel. With his precious experience, he timed his arrival accurately for the hour of Schomberg's siesta. Finding the place empty as on the former occasion, he marched into the billiard-room, took a seat at the back, near the sort of dais which Mrs. Schomberg would in due course come to occupy, and broke the slumbering silence of the house by thumping a bell vigorously. Of course a Chinaman appeared promptly. Davidson ordered a drink and sat tight.
“I would have ordered twenty drinks one after another, if necessary,” he said—Davidson's a very abstemious man—“rather than take that parcel out of the house again. Couldn't leave it in a corner without letting the woman know it was there. It might have turned out worse for her than not bringing the thing back at all.”
And so he waited, ringing the bell again and again, and swallowing two or three iced drinks which he did not want. Presently, as he hoped it would happen, Mrs. Schomberg came in, silk dress, long neck, ringlets, scared eyes, and silly grin—all complete. Probably that lazy beast had sent her out to see who was the thirsty customer waking up the echoes of the house at this quiet hour. Bow, nod—and she clambered up to her post behind the raised counter, looking so helpless, so inane, as she sat there, that if it hadn't been for the parcel, Davidson declared, he would have thought he had merely dreamed all that had passed between them. He ordered another drink, to get the Chinaman out of the room, and then seized the parcel, which was reposing on a chair near him, and with no more than a mutter—“this is something of yours”—he rammed it swiftly into a recess in the counter, at her feet. There! The rest was her affair. And just in time, too. Schomberg turned up, yawning affectedly, almost before Davidson had regained his seat. He cast about suspicious and irate glances. An invincible placidity of expression helped Davidson wonderfully at the moment, and the other, of course, could have no grounds for the slightest suspicion of any sort of understanding between his wife and this customer.
As to Mrs. Schomberg, she sat there like a joss. Davidson was lost in admiration. He believed, now, that the woman had been putting it on for years. She never even winked. It was immense! The insight he had obtained almost frightened him; he couldn't get over his wonder at knowing more of the real Mrs. Schomberg than anybody in the Islands, including Schomberg himself. She was a miracle of dissimulation. No wonder Heyst got the girl away from under two men's noses, if he had her to help with the job!
The greatest wonder, after all, was Heyst getting mixed up with petticoats. The fellow's life had been open to us for years and nothing could have been more detached from feminine associations. Except that he stood drinks to people on suitable occasions, like any other man, this observer of facts seemed to have no connection with earthly affairs and passions. The very courtesy of his manner, the flavour of playfulness in the voice set him apart. He was like a feather floating lightly in the workaday atmosphere which was the breath of our nostrils. For this reason whenever this looker-on took contact with things he attracted attention. First, it was the Morrison partnership of mystery, then came the great sensation of the Tropical Belt Coal where indeed varied interests were involved: a real business matter. And then came this elopement, this incongruous phenomenon of self-assertion, the greatest wonder of all, astonishing and amusing.
Davidson admitted to me that, the hubbub was subsiding; and the affair would have been already forgotten, perhaps, if that ass Schomberg had not kept on gnashing his teeth publicly about it. It was really provoking that Davidson should not be able to give one some idea of the girl. Was she pretty? He didn't know. He had stayed the whole afternoon in Schomberg's hotel, mainly for the purpose of finding out something about her. But the story was growing stale. The parties at the tables on the veranda had other, fresher, events to talk about and Davidson shrank from making direct inquiries. He sat placidly there, content to be disregarded and hoping for some chance word to turn up. I shouldn't wonder if the good fellow hadn't been dozing. It's difficult to give you an adequate idea of Davidson's placidity.
Presently Schomberg, wandering about, joined a party that had taken the table next to Davidson's.
“A man like that Swede, gentlemen, is a public danger,” he began. “I remember him for years. I won't say anything of his spying—well, he used to say himself he was looking for out-of-the-way facts and what is that if not spying? He was spying into everybody's business. He got hold of Captain Morrison, squeezed him dry, like you would an orange, and scared him off to Europe to die there. Everybody knows that Captain Morrison had a weak chest. Robbed first and murdered afterwards! I don't mince words—not I. Next he gets up that swindle of the Belt Coal. You know all about it. And now, after lining his pockets with other people's money, he kidnaps a white girl belonging to an orchestra which is performing in my public room for the benefit of my patrons, and goes off to live like a prince on that island, where nobody can get at him. A damn silly girl . . . It's disgusting—tfui!”
He spat. He choked with rage—for he saw visions, no doubt. He jumped up from his chair, and went away to flee from them—perhaps. He went into the room where Mrs. Schomberg sat. Her aspect could not have been very soothing to the sort of torment from which he was suffering.
Davidson did not feel called upon to defend Heyst. His proceeding was to enter into conversation with one and another, casually, and showing no particular knowledge of the affair, in order to discover something about the girl. Was she anything out of the way? Was she pretty? She couldn't have been markedly so. She had not attracted special notice. She was young—on that everybody agreed. The English clerk of Tesmans remembered that she had a sallow face. He was respectable and highly proper. He was not the sort to associate with such people. Most of these women were fairly battered specimens. Schomberg had them housed in what he called the Pavilion, in the grounds, where they were hard at it mending and washing their white dresses, and could be seen hanging them out to dry between the trees, like a lot of washerwomen. They looked very much like middle-aged washerwomen on the platform, too. But the girl had been living in the main building along with the boss, the director, the fellow with the black beard, and a hard-bitten, oldish woman who took the piano and was understood to be the fellow's wife.
This was not a very satisfactory result. Davidson stayed on, and even joined the table d'hote dinner, without gleaning any more information. He was resigned.
“I suppose,” he wheezed placidly, “I am bound to see her some day.”
He meant to take the Samburan channel every trip, as before of course.
“Yes,” I said. “No doubt you will. Some day Heyst will be signalling to you again; and I wonder what it will be for.”
Davidson made no reply. He had his own ideas about that, and his silence concealed a good deal of thought. We spoke no more of Heyst's girl. Before we separated, he gave me a piece of unrelated observation.
“It's funny,” he said, “but I fancy there's some gambling going on in the evening at Schomberg's place, on the quiet. I've noticed men strolling away in twos and threes towards that hall where the orchestra used to play. The windows must be specially well shuttered, because I could not spy the smallest gleam of light from that direction; but I can't believe that those beggars would go in there only to sit and think of their sins in the dark.”
“That's strange. It's incredible that Schomberg should risk that sort of thing,” I said.
As we know, Heyst had gone to stay in Schomberg's hotel in complete ignorance that his person was odious to that worthy. When he arrived, Zangiacomo's Ladies' Orchestra had been established there for some time.
The business which had called him out from his seclusion in his lost corner of the Eastern seas was with the Tesmans, and it had something to do with money. He transacted it quickly, and then found himself with nothing to do while he awaited Davidson, who was to take him back to his solitude; for back to his solitude Heyst meant to go. He whom we used to refer to as the Enchanted Heyst was suffering from thorough disenchantment. Not with the islands, however. The Archipelago has a lasting fascination. It is not easy to shake off the spell of island life. Heyst was disenchanted with life as a whole. His scornful temperament, beguiled into action, suffered from failure in a subtle way unknown to men accustomed to grapple with the realities of common human enterprise. It was like the gnawing pain of useless apostasy, a sort of shame before his own betrayed nature; and in addition, he also suffered from plain, downright remorse. He deemed himself guilty of Morrison's death. A rather absurd feeling, since no one could possibly have foreseen the horrors of the cold, wet summer lying in wait for poor Morrison at home.
It was not in Heyst's character to turn morose; but his mental state was not compatible with a sociable mood. He spent his evenings sitting apart on the veranda of Schomberg's hotel. The lamentations of string instruments issued from the building in the hotel compound, the approaches to which were decorated with Japanese paper lanterns strung up between the trunks of several big trees. Scraps of tunes more or less plaintive reached his ears. They pursued him even into his bedroom, which opened into an upstairs veranda. The fragmentary and rasping character of these sounds made their intrusion inexpressibly tedious in the long run. Like most dreamers, to whom it is given sometimes to hear the music of the spheres, Heyst, the wanderer of the Archipelago, had a taste for silence which he had been able to gratify for years. The islands are very quiet. One sees them lying about, clothed in their dark garments of leaves, in a great hush of silver and azure, where the sea without murmurs meets the sky in a ring of magic stillness. A sort of smiling somnolence broods over them; the very voices of their people are soft and subdued, as if afraid to break some protecting spell.
Perhaps this was the very spell which had enchanted Heyst in the early days. For him, however, that was broken. He was no longer enchanted, though he was still a captive of the islands. He had no intention to leave them ever. Where could he have gone to, after all these years? Not a single soul belonging to him lived anywhere on earth. Of this fact—not such a remote one, after all—he had only lately become aware; for it is failure that makes a man enter into himself and reckon up his resources. And though he had made up his mind to retire from the world in hermit fashion, yet he was irrationally moved by this sense of loneliness which had come to him in the hour of renunciation. It hurt him. Nothing is more painful than the shock of sharp contradictions that lacerate our intelligence and our feelings.
Meantime Schomberg watched Heyst out of the corner of his eye. Towards the unconscious object of his enmity he preserved a distant lieutenant-of-the-Reserve demeanour. Nudging certain of his customers with his elbow, he begged them to observe what airs “that Swede” was giving himself.
“I really don't know why he has come to stay in my house. This place isn't good enough for him. I wish to goodness he had gone somewhere else to show off his superiority. Here I have got up this series of concerts for you gentlemen, just to make things a little brighter generally; and do you think he'll condescend to step in and listen to a piece or two of an evening? Not he. I know him of old. There he sits at the dark end of the piazza, all the evening long—planning some new swindle, no doubt. For two-pence I would ask him to go and look for quarters somewhere else; only one doesn't like to treat a white man like that out in the tropics. I don't know how long he means to stay, but I'm willing to bet a trifle that he'll never work himself up to the point of spending the fifty cents of entrance money for the sake of a little good music.”
Nobody cared to bet, or the hotel-keeper would have lost. One evening Heyst was driven to desperation by the rasped, squeaked, scraped snatches of tunes pursuing him even to his hard couch, with a mattress as thin as a pancake and a diaphanous mosquito net. He descended among the trees, where the soft glow of Japanese lanterns picked out parts of their great rugged trunks, here and there, in the great mass of darkness under the lofty foliage. More lanterns, of the shape of cylindrical concertinas, hanging in a row from a slack string, decorated the doorway of what Schomberg called grandiloquently “my concert-hall.” In his desperate mood Heyst ascended three steps, lifted a calico curtain, and went in.
The uproar in that small, barn-like structure, built of imported pine boards, and raised clear of the ground, was simply stunning. An instrumental uproar, screaming, grunting, whining, sobbing, scraping, squeaking some kind of lively air; while a grand piano, operated upon by a bony, red-faced woman with bad-tempered nostrils, rained hard notes like hail through the tempest of fiddles. The small platform was filled with white muslin dresses and crimson sashes slanting from shoulders provided with bare arms, which sawed away without respite. Zangiacomo conducted. He wore a white mess-jacket, a black dress waistcoat, and white trousers. His longish, tousled hair and his great beard were purple-black. He was horrible. The heat was terrific. There were perhaps thirty people having drinks at several little tables. Heyst, quite overcome by the volume of noise, dropped into a chair. In the quick time of that music, in the varied, piercing clamour of the strings, in the movements of the bare arms, in the low dresses, the coarse faces, the stony eyes of the executants, there was a suggestion of brutality—something cruel, sensual and repulsive.
“This is awful!” Heyst murmured to himself.
But there is an unholy fascination in systematic noise. He did not flee from it incontinently, as one might have expected him to do. He remained, astonished at himself for remaining, since nothing could have been more repulsive to his tastes, more painful to his senses, and, so to speak, more contrary to his genius, than this rude exhibition of vigour. The Zangiacomo band was not making music; it was simply murdering silence with a vulgar, ferocious energy. One felt as if witnessing a deed of violence; and that impression was so strong that it seemed marvellous to see the people sitting so quietly on their chairs, drinking so calmly out of their glasses, and giving no signs of distress, anger, or fear. Heyst averted his gaze from the unnatural spectacle of their indifference.
When the piece of music came to an end the relief was so great that he felt slightly dizzy, as if a chasm of silence had yawned at his feet. When he raised his eyes, the audience, most perversely, was exhibiting signs of animation and interest in their faces, and the women in white muslin dresses were coming down in pairs from the platform into the body of Schomberg's “concert-hall.” They dispersed themselves all over the place. The male creature with the hooked nose and purple-black beard disappeared somewhere. This was the interval during which, as the astute Schomberg had stipulated, the members of the orchestra were encouraged to favour the members of the audience with their company—that is, such members as seemed inclined to fraternize with the arts in a familiar and generous manner; the symbol of familiarity and generosity consisting in offers of refreshment.
The procedure struck Heyst as highly incorrect. However, the impropriety of Schomberg's ingenious scheme was defeated by the circumstance that most of the women were no longer young, and that none of them had ever been beautiful. Their more or less worn cheeks were slightly rouged, but apart from that fact, which might have been simply a matter of routine, they did not seem to take the success of the scheme unduly to heart. The impulse to fraternize with the arts being obviously weak in the audience, some of the musicians sat down listlessly at unoccupied tables, while others went on perambulating the central passage: arm in arm, glad enough, no doubt, to stretch their legs while resting their arms. Their crimson sashes gave a factitious touch of gaiety to the smoky atmosphere of the concert-hall; and Heyst felt a sudden pity for these beings, exploited, hopeless, devoid of charm and grace, whose fate of cheerless dependence invested their coarse and joyless features with a touch of pathos.
Heyst was temperamentally sympathetic. To have them passing and repassing close to his little table was painful to him. He was preparing to rise and go out when he noticed that two white muslin dresses and crimson sashes had not yet left the platform. One of these dresses concealed the raw-boned frame of the woman with the bad-tempered curve to her nostrils. She was no less a personage than Mrs. Zangiacomo. She had left the piano, and, with her back to the hall, was preparing the parts for the second half of the concert, with a brusque, impatient action of her ugly elbow. This task done, she turned, and, perceiving the other white muslin dress motionless on a chair in the second row, she strode towards it between the music-stands with an aggressive and masterful gait. On the lap of that dress there lay, unclasped and idle, a pair of small hands, not very white, attached to well-formed arms. The next detail Heyst was led to observe was the arrangement of the hair—two thick, brown tresses rolled round an attractively shaped head.
“A girl, by Jove!” he exclaimed mentally.
It was evident that she was a girl. It was evident in the outline of the shoulders, in the slender white bust springing up, barred slantwise by the crimson sash, from the bell-shaped spread of muslin skirt hiding the chair on which she sat averted a little from the body of the hall. Her feet, in low white shoes, were crossed prettily.
She had captured Heyst's awakened faculty of observation; he had the sensation of a new experience. That was because his faculty of observation had never before been captured by any feminine creature in that marked and exclusive fashion. He looked at her anxiously, as no man ever looks at another man; and he positively forgot where he was. He had lost touch with his surroundings. The big woman, advancing, concealed the girl from his sight for a moment. She bent over the seated youthful figure, in passing it very close, as if to drop a word into its ear. Her lips did certainly move. But what sort of word could it have been to make the girl jump up so swiftly? Heyst, at his table, was surprised into a sympathetic start. He glanced quickly round. Nobody was looking towards the platform; and when his eyes swept back there again, the girl, with the big woman treading at her heels, was coming down the three steps from the platform to the floor of the hall. There she paused, stumbled one pace forward, and stood still again, while the other—the escort, the dragoon, the coarse big woman of the piano—passed her roughly, and, marching truculently down the centre aisle between the chairs and tables, went out to rejoin the hook-nosed Zangiacomo somewhere outside. During her extraordinary transit, as if everything in the hall were dirt under her feet, her scornful eyes met the upward glance of Heyst, who looked away at once towards the girl. She had not moved. Her arms hung down; her eyelids were lowered.
Heyst laid down his half-smoked cigar and compressed his lips. Then he got up. It was the same sort of impulse which years ago had made him cross the sandy street of the abominable town of Delli in the island of Timor and accost Morrison, practically a stranger to him then, a man in trouble, expressively harassed, dejected, lonely.
It was the same impulse. But he did not recognize it. He was not thinking of Morrison then. It may be said that, for the first time since the final abandonment of the Samburan coal mine, he had completely forgotten the late Morrison. It is true that to a certain extent he had forgotten also where he was. Thus, unchecked by any sort of self consciousness, Heyst walked up the central passage.
Several of the women, by this time, had found anchorage here and there among the occupied tables. They talked to the men, leaning on their elbows, and suggesting funnily—if it hadn't been for the crimson sashes—in their white dresses an assembly of middle-aged brides with free and easy manners and hoarse voices. The murmuring noise of conversations carried on with some spirit filled Schomberg's concert-room. Nobody remarked Heyst's movements; for indeed he was not the only man on his legs there. He had been confronting the girl for some time before she became aware of his presence. She was looking down, very still, without colour, without glances, without voice, without movement. It was only when Heyst addressed her in his courteous tone that she raised her eyes.
“Excuse me,” he said in English, “but that horrible female has done something to you. She has pinched you, hasn't she? I am sure she pinched you just now, when she stood by your chair.”
The girl received this overture with the wide, motionless stare of profound astonishment. Heyst, vexed with himself, suspected that she did not understand what he said. One could not tell what nationality these women were, except that they were of all sorts. But she was astonished almost more by the near presence of the man himself, by his largely bald head, by the white brow, the sunburnt cheeks, the long, horizontal moustaches of crinkly bronze hair, by the kindly expression of the man's blue eyes looking into her own. He saw the stony amazement in hers give way to a momentary alarm, which was succeeded by an expression of resignation.
“I am sure she pinched your arm most cruelly,” he murmured, rather disconcerted now at what he had done.
It was a great comfort to hear her say:
“It wouldn't have been the first time. And suppose she did—what are you going to do about it?”
“I don't know,” he said with a faint, remote playfulness in his tone which had not been heard in it lately, and which seemed to catch her ear pleasantly. “I am grieved to say that I don't know. But can I do anything? What would you wish me to do? Pray command me.”
Again, the greatest astonishment became visible in her face; for she now perceived how different he was from the other men in the room. He was as different from them as she was different from the other members of the ladies' orchestra.
“Command you?” she breathed, after a time, in a bewildered tone. “Who are you?” she asked a little louder.
“I am staying in this hotel for a few days. I just dropped in casually here. This outrage—”
“Don't you try to interfere,” she said so earnestly that Heyst asked, in his faintly playful tone:
“Is it your wish that I should leave you?”
“I haven't said that,” the girl answered. “She pinched me because I didn't get down here quick enough—”
“I can't tell you how indignant I am—” said Heyst. “But since you are down here now,” he went on, with the ease of a man of the world speaking to a young lady in a drawing-room, “hadn't we better sit down?”
She obeyed his inviting gesture, and they sat down on the nearest chairs. They looked at each other across a little round table with a surprised, open gaze, self-consciousness growing on them so slowly that it was a long time before they averted their eyes; and very soon they met again, temporarily, only to rebound, as it were. At last they steadied in contact, but by that time, say some fifteen minutes from the moment when they sat down, the “interval” came to an end.
So much for their eyes. As to the conversation, it had been perfectly insignificant because naturally they had nothing to say to each other. Heyst had been interested by the girl's physiognomy. Its expression was neither simple nor yet very clear. It was not distinguished—that could not be expected—but the features had more fineness than those of any other feminine countenance he had ever had the opportunity to observe so closely. There was in it something indefinably audacious and infinitely miserable—because the temperament and the existence of that girl were reflected in it. But her voice! It seduced Heyst by its amazing quality. It was a voice fit to utter the most exquisite things, a voice which would have made silly chatter supportable and the roughest talk fascinating. Heyst drank in its charm as one listens to the tone of some instrument without heeding the tune.
“Do you sing as well as play?” he asked her abruptly.
“Never sang a note in my life,” she said, obviously surprised by the irrelevant question; for they had not been discoursing of sweet sounds. She was clearly unaware of her voice. “I don't remember that I ever had much reason to sing since I was little,” she added.
That inelegant phrase, by the mere vibrating, warm nobility of the sound, found its way into Heyst's heart. His mind, cool, alert, watched it sink there with a sort of vague concern at the absurdity of the occupation, till it rested at the bottom, deep down, where our unexpressed longings lie.
“You are English, of course?” he said.
“What do you think?” she answered in the most charming accents. Then, as if thinking that it was her turn to place a question: “Why do you always smile when you speak?”
It was enough to make anyone look grave, but her good faith was so evident that Heyst recovered himself at once.
“It's my unfortunate manner—” he said with his delicate, polished playfulness. “Is is very objectionable to you?”
She was very serious.
“No. I only noticed it. I haven't come across so many pleasant people as all that, in my life.”
“It's certain that this woman who plays the piano is infinitely more disagreeable than any cannibal I have ever had to do with.”
“I believe you!” She shuddered. “How did you come to have anything to do with cannibals?”
“It would be too long a tale,” said Heyst with a faint smile. Heyst's smiles were rather melancholy, and accorded badly with his great moustaches, under which his mere playfulness lurked as comfortable as a shy bird in its native thicket. “Much too long. How did you get amongst this lot here?”
“Bad luck,” she answered briefly.
“No doubt, no doubt,” Heyst assented with slight nods. Then, still indignant at the pinch which he had divined rather than actually seen inflicted: “I say, couldn't you defend yourself somehow?”
She had risen already. The ladies of the orchestra were slowly regaining their places. Some were already seated, idle stony-eyed, before the music-stands. Heyst was standing up, too.
“They are too many for me,” she said.
These few words came out of the common experience of mankind; yet by virtue of her voice, they thrilled Heyst like a revelation. His feelings were in a state of confusion, but his mind was clear.
“That's bad. But it isn't actual ill-usage that this girl is complaining of,” he thought lucidly after she left him.
That was how it began. How it was that it ended, as we know it did end, is not so easy to state precisely. It is very clear that Heyst was not indifferent, I won't say to the girl, but to the girl's fate. He was the same man who had plunged after the submerged Morrison whom he hardly knew otherwise than by sight and through the usual gossip of the islands. But this was another sort of plunge altogether, and likely to lead to a very different kind of partnership.
Did he reflect at all? Probably. He was sufficiently reflective. But if he did, it was with insufficient knowledge. For there is no evidence that he paused at any time between the date of that evening and the morning of the flight. Truth to say, Heyst was not one of those men who pause much. Those dreamy spectators of the world's agitation are terrible once the desire to act gets hold of them. They lower their heads and charge a wall with an amazing serenity which nothing but an indisciplined imagination can give.
He was not a fool. I suppose he knew—or at least he felt—where this was leading him. But his complete inexperience gave him the necessary audacity. The girl's voice was charming when she spoke to him of her miserable past, in simple terms, with a sort of unconscious cynicism inherent in the truth of the ugly conditions of poverty. And whether because he was humane or because her voice included all the modulations of pathos, cheerfulness, and courage in its compass, it was not disgust that the tale awakened in him, but the sense of an immense sadness.
On a later evening, during the interval between the two parts of the concert, the girl told Heyst about herself. She was almost a child of the streets. Her father was a musician in the orchestras of small theatres. Her mother ran away from him while she was little, and the landladies of various poor lodging-houses had attended casually to her abandoned childhood. It was never positive starvation and absolute rags, but it was the hopeless grip of poverty all the time. It was her father who taught her to play the violin. It seemed that he used to get drunk sometimes, but without pleasure, and only because he was unable to forget his fugitive wife. After he had a paralytic stroke, falling over with a crash in the well of a music-hall orchestra during the performance, she had joined the Zangiacomo company. He was now in a home for incurables.
“And I am here,” she finished, “with no one to care if I make a hole in the water the next chance I get or not.”
Heyst told her that he thought she could do a little better than that, if it was only a question of getting out of the world. She looked at him with special attention, and with a puzzled expression which gave to her face an air of innocence.
This was during one of the “intervals” between the two parts of the concert. She had come down that time without being incited thereto by a pinch from the awful Zangiacomo woman. It is difficult to suppose that she was seduced by the uncovered intellectual forehead and the long reddish moustaches of her new friend. New is not the right word. She had never had a friend before; and the sensation of this friendliness going out to her was exciting by its novelty alone. Besides, any man who did not resemble Schomberg appeared for that very reason attractive. She was afraid of the hotel-keeper, who, in the daytime, taking advantage of the fact that she lived in the hotel itself, and not in the Pavilion with the other “artists” prowled round her, mute, hungry, portentous behind his great beard, or else assailed her in quiet corners and empty passages with deep, mysterious murmurs from behind, which, not withstanding their clear import, sounded horribly insane somehow.
The contrast of Heyst's quiet, polished manner gave her special delight and filled her with admiration. She had never seen anything like that before. If she had, perhaps, known kindness in her life, she had never met the forms of simple courtesy. She was interested by it as a very novel experience, not very intelligible, but distinctly pleasurable.
“I tell you they are too many for me,” she repeated, sometimes recklessly, but more often shaking her head with ominous dejection.
She had, of course, no money at all. The quantities of “black men” all about frightened her. She really had no definite idea where she was on the surface of the globe. The orchestra was generally taken from the steamer to some hotel, and kept shut up there till it was time to go on board another steamer. She could not remember the names she heard.
“How do you call this place again?” she used to ask Heyst.
“Sourabaya,” he would say distinctly, and would watch the discouragement at the outlandish sound coming into her eyes, which were fastened on his face.
He could not defend himself from compassion. He suggested that she might go to the consul, but it was his conscience that dictated this advice, not his conviction. She had never heard of the animal or of its uses. A consul! What was it? Who was he? What could he do? And when she learned that perhaps he could be induced to send her home, her head dropped on her breast.
“What am I to do when I get there?” she murmured with an intonation so just, with an accent so penetrating—the charm of her voice did not fail her even in whispering—that Heyst seemed to see the illusion of human fellowship on earth vanish before the naked truth of her existence, and leave them both face to face in a moral desert as arid as the sands of Sahara, without restful shade, without refreshing water.
She leaned slightly over the little table, the same little table at which they had sat when they first met each other; and with no other memories but of the stones in the streets her childhood had known, in the distress of the incoherent, confused, rudimentary impressions of her travels inspiring her with a vague terror of the world she said rapidly, as one speaks in desperation:
“Youdo something! You are a gentleman. It wasn't I who spoke to you first, was it? I didn't begin, did I? It was you who came along and spoke to me when I was standing over there. What did you want to speak to me for? I don't care what it is, but you must do something.”
Her attitude was fierce and entreating at the same time—clamorous, in fact though her voice had hardly risen above a breath. It was clamorous enough to be noticed. Heyst, on purpose, laughed aloud. She nearly choked with indignation at this brutal heartlessness.
“What did you mean, then, by saying 'command me!'?” she almost hissed.
Something hard in his mirthless stare, and a quiet final “All right,” steadied her.
“I am not rich enough to buy you out,” he went on, speaking with an extraordinary detached grin, “even if it were to be done; but I can always steal you.”
She looked at him profoundly, as though these words had a hidden and very complicated meaning.
“Get away now,” he said rapidly, “and try to smile as you go.”
She obeyed with unexpected readiness; and as she had a set of very good white teeth, the effect of the mechanical, ordered smile was joyous, radiant. It astonished Heyst. No wonder, it flashed through his mind, women can deceive men so completely. The faculty was inherent in them; they seemed to be created with a special aptitude. Here was a smile the origin of which was well known to him; and yet it had conveyed a sensation of warmth, had given him a sort of ardour to live which was very new to his experience.
By this time she was gone from the table, and had joined the other “ladies of the orchestra.” They trooped towards the platform, driven in truculently by the haughty mate of Zangiacomo, who looked as though she were restraining herself with difficulty from punching their backs. Zangiacomo followed, with his great, pendulous dyed beard and short mess-jacket, with an aspect of hang-dog concentration imparted by his drooping head and the uneasiness of his eyes, which were set very close together. He climbed the steps last of all, turned about, displaying his purple beard to the hall, and tapped with his bow. Heyst winced in anticipation of the horrible racket. It burst out immediately unabashed and awful. At the end of the platform the woman at the piano, presenting her cruel profile, her head tilted back, banged the keys without looking at the music.
Heyst could not stand the uproar for more than a minute. He went out, his brain racked by the rhythm of some more or less Hungarian dance music. The forests inhabited by the New Guinea cannibals where he had encountered the most exciting of his earlier futile adventures were silent. And this adventure, not in its execution, perhaps, but in its nature, required even more nerve than anything he had faced before. Walking among the paper lanterns suspended to trees he remembered with regret the gloom and the dead stillness of the forests at the back of Geelvink Bay, perhaps the wildest, the unsafest, the most deadly spot on earth from which the sea can be seen. Oppressed by his thoughts, he sought the obscurity and peace of his bedroom; but they were not complete. The distant sounds of the concert reached his ear, faint indeed, but still disturbing. Neither did he feel very safe in there; for that sentiment depends not on extraneous circumstances but on our inward conviction. He did not attempt to go to sleep; he did not even unbutton the top button of his tunic. He sat in a chair and mused. Formerly, in solitude and in silence, he had been used to think clearly and sometimes even profoundly, seeing life outside the flattering optical delusion of everlasting hope, of conventional self-deceptions, of an ever-expected happiness. But now he was troubled; a light veil seemed to hang before his mental vision; the awakening of a tenderness, indistinct and confused as yet, towards an unknown woman.
Gradually silence, a real silence, had established itself round him. The concert was over; the audience had gone; the concert-hall was dark; and even the Pavilion, where the ladies' orchestra slept after its noisy labours, showed not a gleam of light. Heyst suddenly felt restless in all his limbs, as this reaction from the long immobility would not be denied, he humoured it by passing quietly along the back veranda and out into the grounds at the side of the house, into the black shadows under the trees, where the extinguished paper lanterns were gently swinging their globes like withered fruit.
He paced there to and fro for a long time, a calm, meditative ghost in his white drill-suit, revolving in his head thoughts absolutely novel, disquieting, and seductive; accustoming his mind to the contemplation of his purpose, in order that by being faced steadily it should appear praiseworthy and wise. For the use of reason is to justify the obscure desires that move our conduct, impulses, passions, prejudices, and follies, and also our fears.
He felt that he had engaged himself by a rash promise to an action big with incalculable consequences. And then he asked himself if the girl had understood what he meant. Who could tell? He was assailed by all sorts of doubts. Raising his head, he perceived something white flitting between the trees. It vanished almost at once; but there could be no mistake. He was vexed at being detected roaming like this in the middle of the night. Who could that be? It never occurred to him that perhaps the girl, too, would not be able to sleep. He advanced prudently. Then he saw the white, phantom-like apparition again; and the next moment all his doubts as to the state of her mind were laid at rest, because he felt her clinging to him after the manner of supplicants all the world over. Her whispers were so incoherent that he could not understand anything; but this did not prevent him from being profoundly moved. He had no illusions about her; but his sceptical mind was dominated by the fulness of his heart.
“Calm yourself, calm yourself,” he murmured in her ear, returning her clasp at first mechanically, and afterwards with a growing appreciation of her distressed humanity. The heaving of her breast and the trembling of all her limbs, in the closeness of his embrace, seemed to enter his body, to infect his very heart. While she was growing quieter in his arms, he was becoming more agitated, as if there were only a fixed quantity of violent emotion on this earth. The very night seemed more dumb, more still, and the immobility of the vague, black shapes, surrounding him more perfect.
“It will be all right,” he tried to reassure her, with a tone of conviction, speaking into her ear, and of necessity clasping her more closely than before.
Either the words or the action had a very good effect. He heard a light sigh of relief. She spoke with a calmed ardour.
“Oh, I knew it would be all right from the first time you spoke to me! Yes, indeed, I knew directly you came up to me that evening. I knew it would be all right, if you only cared to make it so; but of course I could not tell if you meant it. 'Command me,' you said. Funny thing for a man like you to say. Did you really mean it? You weren't making fun of me?”
He protested that he had been a serious person all his life.
“I believe you,” she said ardently. He was touched by this declaration. “It's the way you have of speaking as if you were amused with people,” she went on. “But I wasn't deceived. I could see you were angry with that beast of a woman. And you are clever. You spotted something at once. You saw it in my face, eh? It isn't a bad face—say? You'll never be sorry. Listen—I'm not twenty yet. It's the truth, and I can't be so bad looking, or else—I will tell you straight that I have been worried and pestered by fellows like this before. I don't know what comes to them—”
She was speaking hurriedly. She choked, and then exclaimed, with an accent of despair:
“What is it? What's the matter?”
Heyst had removed his arms from her suddenly, and had recoiled a little. “Is it my fault? I didn't even look at them, I tell you straight. Never! Have I looked at you? Tell me. It was you that began it.”
In truth, Heyst had shrunk from the idea of competition with fellows unknown, with Schomberg the hotel-keeper. The vaporous white figure before him swayed pitifully in the darkness. He felt ashamed of his fastidiousness.
“I am afraid we have been detected,” he murmured. “I think I saw somebody on the path between the house and the bushes behind you.”
He had seen no one. It was a compassionate lie, if there ever was one. His compassion was as genuine as his shrinking had been, and in his judgement more honourable.
She didn't turn her head. She was obviously relieved.
“Would it be that brute?” she breathed out, meaning Schomberg, of course. “He's getting too forward with me now. What can you expect? Only this evening, after supper, he—but I slipped away. You don't mind him, do you? Why, I could face him myself now that I know you care for me. A girl can always put up a fight. You believe me? Only it isn't easy to stand up for yourself when you feel there's nothing and nobody at your back. There's nothing so lonely in the world as a girl who has got to look after herself. When I left poor dad in that home—it was in the country, near a village—I came out of the gates with seven shillings and threepence in my old purse, and my railway ticket. I tramped a mile, and got into a train—”
She broke off, and was silent for a moment.
“Don't you throw me over now,” she went on. “If you did, what should I do? I should have to live, to be sure, because I'd be afraid to kill myself, but you would have done a thousand times worse than killing a body. You told me you had been always alone, you had never had a dog even. Well, then, I won't be in anybody's way if I live with you—not even a dog's. And what else did you mean when you came up and looked at me so close?”
“Close? Did I?” he murmured unstirring before her in the profound darkness. “So close as that?”
She had an outbreak of anger and despair in subdued tones.
“Have you forgotten, then? What did you expect to find? I know what sort of girl I am; but all the same I am not the sort that men turn their backs on—and you ought to know it, unless you aren't made like the others. Oh, forgive me! You aren't like the others; you are like no one in the world I ever spoke to. Don't you care for me? Don't you see—?”
What he saw was that, white and spectral, she was putting out her arms to him out of the black shadows like an appealing ghost. He took her hands, and was affected, almost surprised, to find them so warm, so real, so firm, so living in his grasp. He drew her to him, and she dropped her head on his shoulder with a deep-sigh.
“I am dead tired,” she whispered plaintively.
He put his arms around her, and only by the convulsive movements of her body became aware that she was sobbing without a sound. Sustaining her, he lost himself in the profound silence of the night. After a while she became still, and cried quietly. Then, suddenly, as if waking up, she asked:
“You haven't seen any more of that somebody you thought was spying about?”
He started at her quick, sharp whisper, and answered that very likely he had been mistaken.
“If it was anybody at all,” she reflected aloud, “it wouldn't have been anyone but that hotel woman—the landlord's wife.”
“Mrs. Schomberg,” Heyst said, surprised.
“Yes. Another one that can't sleep o' nights. Why? Don't you see why? Because, of course, she sees what's going on. That beast doesn't even try to keep it from her. If she had only the least bit of spirit! She knows how I feel, too, only she's too frightened even to look him in the face, let alone open her mouth. He would tell her to go hang herself.”
For some time Heyst said nothing. A public, active contest with the hotel-keeper was not to be thought of. The idea was horrible. Whispering gently to the girl, he tried to explain to her that as things stood, an open withdrawal from the company would be probably opposed. She listened to his explanation anxiously, from time to time pressing the hand she had sought and got hold of in the dark.
“As I told you, I am not rich enough to buy you out so I shall steal you as soon as I can arrange some means of getting away from here. Meantime it would be fatal to be seen together at night. We mustn't give ourselves away. We had better part at once. I think I was mistaken just now; but if, as you say, that poor Mrs. Schomberg can't sleep of nights, we must be more careful. She would tell the fellow.”
The girl had disengaged herself from his loose hold while he talked, and now stood free of him, but still clasping his hand firmly.
“Oh, no,” she said with perfect assurance. “I tell you she daren't open her mouth to him. And she isn't as silly as she looks. She wouldn't give us away. She knows a trick worth two of that. She'll help—that's what she'll do, if she dares do anything at all.”
“You seem to have a very clear view of the situation,” said Heyst, and received a warm, lingering kiss for this commendation.
He discovered that to part from her was not such an easy matter as he had supposed it would be.
“Upon my word,” he said before they separated, “I don't even know your name.”
“Don't you? They call me Alma. I don't know why. Silly name! Magdalen too. It doesn't matter; you can call me by whatever name you choose. Yes, you give me a name. Think of one you would like the sound of—something quite new. How I should like to forget everything that has gone before, as one forgets a dream that's done with, fright and all! I would try.”
“Would you really?” he asked in a murmur. “But that's not forbidden. I understand that women easily forget whatever in their past diminishes them in their eyes.”
“It's your eyes that I was thinking of, for I'm sure I've never wished to forget anything till you came up to me that night and looked me through and through. I know I'm not much account; but I know how to stand by a man. I stood by father ever since I could understand. He wasn't a bad chap. Now that I can't be of any use to him, I would just as soon forget all that and make a fresh start. But these aren't things that I could talk to you about. What could I ever talk to you about?”
“Don't let it trouble you,” Heyst said. “Your voice is enough. I am in love with it, whatever it says.”
She remained silent for a while, as if rendered breathless by this quiet statement.
“Oh! I wanted to ask you—”
He remembered that she probably did not know his name, and expected the question to be put to him now; but after a moment of hesitation she went on:
“Why was it that you told me to smile this evening in the concert-room there—you remember?”
“I thought we were being observed. A smile is the best of masks. Schomberg was at a table next but one to us, drinking with some Dutch clerks from the town. No doubt he was watching us—watching you, at least. That's why I asked you to smile.”
“Ah, that's why. It never came into my head!”
“And you did it very well, too—very readily, as if you had understood my intention.”
“Readily!” she repeated. “Oh, I was ready enough to smile then. That's the truth. It was the first time for years I may say that I felt disposed to smile. I've not had many chances to smile in my life, I can tell you; especially of late.”
“But you do it most charmingly—in a perfectly fascinating way.”
He paused. She stood still, waiting for more with the stillness of extreme delight, wishing to prolong the sensation.
“It astonished me,” he added. “It went as straight to my heart as though you had smiled for the purpose of dazzling me. I felt as if I had never seen a smile before in my life. I thought of it after I left you. It made me restless.”
“It did all that?” came her voice, unsteady, gentle, and incredulous.
“If you had not smiled as you did, perhaps I should not have come out here tonight,” he said, with his playful earnestness of tone. “It was your triumph.”
He felt her lips touch his lightly, and the next moment she was gone. Her white dress gleamed in the distance, and then the opaque darkness of the house seemed to swallow it. Heyst waited a little before he went the same way, round the corner, up the steps of the veranda, and into his room, where he lay down at last—not to sleep, but to go over in his mind all that had been said at their meeting.
“It's exactly true about that smile,” he thought. There he had spoken the truth to her; and about her voice, too. For the rest—what must be must be.
A great wave of heat passed over him. He turned on his back, flung his arms crosswise on the broad, hard bed, and lay still, open-eyed under the mosquito net, till daylight entered his room, brightened swiftly, and turned to unfailing sunlight. He got up then, went to a small looking-glass hanging on the wall, and stared at himself steadily. It was not a new-born vanity which induced this long survey. He felt so strange that he could not resist the suspicion of his personal appearance having changed during the night. What he saw in the glass, however, was the man he knew before. It was almost a disappointment—a belittling of his recent experience. And then he smiled at his naiveness; for, being over five and thirty years of age, he ought to have known that in most cases the body is the unalterable mask of the soul, which even death itself changes but little, till it is put out of sight where no changes matter any more, either to our friends or to our enemies.
Heyst was not conscious of either friends or of enemies. It was the very essence of his life to be a solitary achievement, accomplished not by hermit-like withdrawal with its silence and immobility, but by a system of restless wandering, by the detachment of an impermanent dweller amongst changing scenes. In this scheme he had perceived the means of passing through life without suffering and almost without a single care in the world—invulnerable because elusive.