The Project Gutenberg eBook ofWar is KindThis ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.Title: War is KindAuthor: Stephen CraneRelease date: February 1, 2006 [eBook #9870]Most recently updated: December 27, 2020Language: EnglishCredits: Produced by an anonymous Project Gutenberg volunteer.*** START OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online atwww.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.
Title: War is KindAuthor: Stephen CraneRelease date: February 1, 2006 [eBook #9870]Most recently updated: December 27, 2020Language: EnglishCredits: Produced by an anonymous Project Gutenberg volunteer.
Title: War is Kind
Author: Stephen Crane
Author: Stephen Crane
Release date: February 1, 2006 [eBook #9870]Most recently updated: December 27, 2020
Language: English
Credits: Produced by an anonymous Project Gutenberg volunteer.
*** START OF THE PROJECT GUTENBERG EBOOK WAR IS KIND ***
WAR IS KINDby Stephen CraneDrawings by Will Bradley
(illustration--stylized corn)
(illustration--maiden with sword, arrows, and doves)
Do not weep, maiden, for war is kind.Because your lover threw wild hands toward the skyAnd the affrighted steed ran on alone,Do not weep.War is kind.Hoarse, booming drums of theregiment,Little souls who thirst for fight,These men were born to drill and die.The unexplained glory files abovethem,Great is the battle-god, great, and hiskingdom—;A field where a thousand corpses lie.Do not weep, babe, for war is kind.Because your father tumbled in the yellowtrenches,Raged at his breast, gulped and died,Do not weep.War is kind.Swift blazing flag of the regiment,Eagle with crest of red and gold,These men were born to drill and die.Point for them the virtue of the slaughter,Make plain to them the excellence of killingAnd a field where a thousand corpseslie.Mother whose heart hung humble as a buttonOn the bright splendid shroud of your son,Do not weep.War is kind.
What says the sea, little shell?“What says the sea?“Long has our brother been silent to us,“Kept his message for the ships,“Awkward ships, stupid ships.”“The sea bids you mourn, O Pines,“Sing low in the moonlight.“He sends tale of the land of doom,“Of place where endless falls“A rain of women's tears,“And men in grey robes—“Men in grey robes—“Chant the unknown pain.”
(illustration--sea and wind)
(illustration--tall vase)
“What says the sea, little shell?“What says the sea?“Long has our brother been silent to us,“Kept is message for the ships,“Puny ships, silly ships.”“The sea bids you teach, O Pines,“Sing low in the moonlight;“Teach the gold of patience,“Cry gospel of gentle hands,“Cry a brotherhood of hearts.“The sea bids you teach, O Pines.”“And where is the reward, little shell?“What says the sea?“Long has our brother been silent to us,“Kept his message for the ships,“Puny ships, silly ships.”
(illustration--birds)
“No word says the sea, O Pines,“No word says the sea.“Long will your brother be silent to you,“Keep his message for the ships,“O puny ships, silly pines.”
To the maidenThe sea was blue meadow,Alive with little froth-peopleSinging.To the sailor, wrecked,The sea was dead grey wallsSuperlative in vacancy,Upon which nevertheless at fateful timeWas writtenThe grim hatred of nature.
(illustration--lyre)
A little ink more or less!It surely can't matter?Even the sky and the opulent sea,The plains and the hills, aloof,Hear the uproar of all these books.But it is only a little ink more or less.What?You define me God with these trinkets?Can my misery meal on an ordered walkingOf surpliced numskulls?And a fanfare of lights?Or even upon the measured pulpitingsOf the familiar false and true?Is this God?Where, then is hell?Show me some bastard mushroomsSprung from a pollution of blood.It is better.Where is God?
“Have you ever made a just man?”“Oh, I have made three,” answeredGod,“But two of them are dead,“And the third—“Listen! Listen!“And you will hear the thud of his defeat.”
I explain the silvered passing of a shipat night,The sweep of each sad lost wave,The dwindling boom of the steel thing's striving,The little cry of a man to a man,A shadow falling across the greyer night,And the sinking of the small star;Then the waste, the far waste of waters,And the soft lashing of black wavesFor long and in loneliness.Remember, thou, O ship of love,Thou leavest a far waste of waters,And the soft lashing of black wavesFor long and in loneliness.
“I have heard the sunset song of thebirches,“A white melody in the silence,“I have seen a quarrel of the pines.“At nightfall“The little grasses have rushed by me“With the wind men.“These things have I lived,” quoth themaniac,“Possessing only eyes and ears.“But you—“You don green spectacles before you look at roses.”
Fast rode the knightWith spurs, hot and reeking,Ever waving an eager sword,“To save my lady!”Fast rode the knight,And leaped from saddle to war.Men of steel flickered and gleamedLike riot of silver lights,And the gold of the knight's good bannerStill waved on a castle wall.. . . . . . .A horse,Blowing, staggering, bloody thing,Forgotten at foot of castle wall.A horseDead at foot of castle wall.
(illustration--dead horse at foot of castle wall)
(illustration--sylized leaf
Forth went the candid manAnd spoke freely to the wind—When he looked about him he was in a farstrange country.Forth went the candid manAnd spoke freely to the stars—Yellow light tore sight from his eye.“My good fool,” said a learned bystander,“Your operations are mad.”“You are too candid,” cried the candid man.And when his stick left the head of thelearned bystanderIt was two sticks.
You tell me this is God?I tell you this is a printed list,A burning candle and an ass.
illustration--a candle
On the desertA silence from the moon's deepestvalley.Fire rays fall athwart the robesOf hooded men, squat and dumb.Before them, a womanMoves to the blowing of shrill whistlesAnd distant thunder of drums,While mystic things, sinuous, dull withterrible color,Sleepily fondle her bodyOr move at her will, swishing stealthily overthe sand.The snakes whisper softly;The whispering, whispering snakes,Dreaming and swaying and staring,But always whispering, softly whispering.The wind streams from the lone reachesOf Arabia, solemn with night,And the wild fire makes shimmer of bloodOver the robes of the hooded menSquat and dumb.
(illustration--a woman)
(illustration--stylized leaf)
Bands of moving bronze, emerald, yellow,Circle the throat and arms of her,And over the sands serpents move warilySlow, menacing and submissive,Swinging to the whistles and drums,The whispering, whispering snakes,Dreaming and swaying and staring,But always whispering, softly whispering.The dignity of the accursed;The glory of slavery, despair, death,Is in the dance of the whispering snakes.
A newspaper is a collection of half-injusticesWhich, bawled by boys from mile to mile,Spreads its curious opinionTo a million merciful and sneering men,While families cuddle the joys of the firesideWhen spurred by tale of dire lone agony.A newspaper is a courtWhere every one is kindly and unfairly triedBy a squalor of honest men.A newspaper is a marketWhere wisdom sells its freedomAnd melons are crowned by the crowd.A newspaper is a gameWhere his error scores the player victoryWhile another's skill wins death.A newspaper is a symbol;It is fetless life's chronical,A collection of loud talesConcentrating eternal stupidities,That in remote ages lived unhaltered,Roaming through a fenceless world.
The wayfarer,Perceiving the pathway to truth,Was struck with astonishment.It was thickly grown with weeds.“Ha,” he said,“I see that none has passed here“In a long time.”Later he saw that each weedWas a singular knife.“Well,” he mumbled at last,“Doubtless there are other roads.”
A slant of sun on dull brown walls,A forgotten sky of bashful blue.Toward God a mighty hymn,A song of collisions and cries,Rumbling wheels, hoof-beats, bells,Welcomes, farewells, love-calls, final moans,Voices of joy, idiocy, warning, despair,The unknown appeals of brutes,The chanting of flowers,The screams of cut trees,The senseless babble of hens and wise men—A cluttered incoherency that says at thestars;“O God, save us!”
Once a man clambering to the housetopsAppealed to the heavens.With a strong voice he called to the deafspheres;A warrior's shout he raised to the suns.Lo, at last, there was a dot on the clouds,And—at last and at last——God—the sky was filled with armies.
There was a man with tongue of woodWho essayed to sing,And in truth it was lamentable.But there was one who heardThe clip-clapper of this tongue of woodAnd knew what the manWished to sing,And with that the singer was content.
The successful man has thrust himselfThrough the water of the years,Reeking wet with mistakes,—Bloody mistakes;Slimed with victories over the lesser,A figure thankful on the shore of money.Then, with the bones of foolsHe buys silken bannersLimned with his triumphant face;With the skins of wise menHe buys the trivial bows of all.Flesh painted with marrowContributes a coverlet,A coverlet for his contented slumber.In guiltless ignorance, in ignorant guilt,He delivered his secrets to the riven multitude.“Thus I defended: Thus I wrought.”Complacent, smiling,He stands heavily on the dead.Erect on a pillar of skullsHe declaims his trampling of babes;Smirking, fat, dripping,He makes speech in guiltless ignorance,Innocence.
In the nightGrey heavy clouds muffled the valleys,And the peaks looked toward God alone.“O Master that movest the wind with afinger,“Humble, idle, futile peaks are we.“Grant that we may run swiftly acrossthe world“To huddle in worship at Thy feet.”In the morningA noise of men at work came the clear blue miles,And the little black cities were apparent.“O Master that knowest the meaning of raindrops,“Humble, idle, futile peaks are we.“Give voice to us, we pray, O Lord,“That we may sing Thy goodness to the sun.”In the eveningThe far valleys were sprinkled with tiny lights.“O Master,“Thou that knowest the value of kings and birds,“Thou hast made us humble, idle, futile peaks.“Thous only needest eternal patience;“We bow to Thy wisdom, O Lord—“Humble, idle, futile peaks.”In the nightGrey heavy clouds muffles the valleys,And the peaks looked toward God alone.
(illustration--candles)
The chatter of a death-demon from a tree-top.Blood—blood and torn grass—Had marked the rise of his agony—This lone hunter.The grey-green woods impassiveHad watched the threshing of his limbs.A canoe with flashing paddle,A girl with soft searching eyes,A call: “John!”. . . . . . .Come, arise, hunter!Can you not hear?The chatter of a death-demon from a tree-top.
(illustration--burning sticks)
The impact of a dollar upon the heartSmiles warm red light,Sweeping from the hearth rosily upon thewhite table,With the hanging cool velvet shadowsMoving softly upon the door.The impact of a million dollarsIs a crash of flunkys,And yawning emblems of PersiaCheeked against oak, France and a sabre,The outcry of old beautyWhored by pimping merchantsTo submission before wine and chatter.Silly rich peasants stamp the carpets of men,Dead men who dreamed fragrance and lightInto their woof, their lives;The rug of an honest bearUnder the feet of a cryptic slaveWho speaks always of baubles,Forgetting state, multitude, work, and state,Champing and mouthing of hats,Making ratful squeak of hats,Hats.
A man said to the universe:“Sir, I exist!”“However,” replied the universe,“The fact has not created in me“A sense of obligation.”
When the prophet, a complacent fatman,Arrived at the mountain-top,He cried: “Woe to my knowledge!“I intended to see good white lands“And bad black lands,“But the scene is grey.”
There was a land where lived noviolets.A traveller at once demanded: “Why?”The people told him:“Once the violets of this place spoke thus:“’Until some woman freely give her lover“’To another woman“’We will fight in bloody scuffle.’”Sadly the people added:“There are no violets here.”
There was one I met upon the roadWho looked at me with kind eyes.He said: “Show me of your wares.”And I did,Holding forth one,He said: “It is a sin.”Then I held forth another.He said: “It is a sin.”Then I held forth another.He said: “It is a sin.”And so to the end.Always He said: “It is a sin.”At last, I cried out:“But I have non other.”He looked at meWith kinder eyes.“Poor soul,” he said.
Aye, workman, make me a dream,A dream for my love.Cunningly weave sunlight,Breezes, and flowers.Let it be of the cloth of meadows.And—good workman—And let there be a man walking thereon.
(illustration--man walking)
(illustration--stylized leaf)
Each small gleam was a voice,A lantern voice—In little songs of carmine, violet, green, gold.A chorus of colors came over the water;The wondrous leaf-shadow no longer wavered,No pines crooned on the hills,The blue night was elsewhere a silence,When the chorus of colors came over thewater,Little songs of carmine, violet, green, gold.Small glowing pebblesThrown on the dark plane of eveningSing good ballads of GodAnd eternity, with soul's rest.Little priests, little holy fathers,None can doubt the truth of hour hymning.When the marvellous chorus comes over thewater,Songs of carmine, violet, green, gold.
The trees in the garden rained flowers.Children ran there joyously.They gathered the flowersEach to himself.Now there were someWho gathered great heaps—Having opportunity and skill—Until, behold, only chance blossomsRemained for the feeble.Then a little spindling tutorRan importantly to the father, crying:“Pray, come hither!“See this unjust thing in your garden!”But when the father had surveyed,He admonished the tutor:“Not so, small sage!“This thing is just.“For, look you,“Are not they who possess the flowers“Stronger, bolder, shrewder“Than they who have none?“Why should the strong—“The beautiful strong—“Why should they not have the flowers?Upon reflection, the tutor bowed to theground.“My lord,” he said,“The stars are displaced“By this towering wisdom.”
illustration--vase of flowers
INTRIGUE
Thou art my love,And thou art the peace of sundownWhen the blue shadows soothe,And the grasses and the leaves sleepTo the song of the little brooks,Woe is me.Thou art my love,And thou art a strormThat breaks black in the sky,And, sweeping headlong,Drenches and cowers each tree,And at the panting endThere is no soundSave the melancholy cry of a single owl—Woe is me!Thou are my love,And thou art a tinsel thing,And I in my playBroke thee easily,And from the little fragmentsArose my long sorrow—Woe is me.Thou art my love,And thou art a wary violet,Drooping from sun-caresses,Answering mine carelessly—Woe is me.
(illustration--stylized flower)
Thou art my love,And thou art the ashes of other men's love,And I bury my face in these ashes,And I love them—Woe is me.Thou art my love,And thou art the beardOn another man's face—Woe is me.Thou art my love,And thou art a temple,And in this temple is an altar,And on this altar is my heart—Woe is me.Thou art my love,And thou art a wretch.Let these sacred love-lies choke thee,From I am come to where I know your liesas truthAnd you truth as lies—Woe is me.
(illustration--cruel woman)
(illustration--column)
Thou art my love,And thou art a priestess,And in they hand is a bloody dagger,And my doom comes to me surely—Woe is me.Thou art my love,And thou art a skull with ruby eyes,And I love thee—Woe is me.Thou art my love,And I doubt thee.And if peace came with thy murderThen would I murder—Woe is me.
illustration--happy and sad masks
Thou art my love,And thou art death,Aye, thou art deathBlack and yet black,But I love thee,I love thee—Woe, welcome woe, to me.
Love, forgive me if I wish you grief,For in your griefYou huddle to my breast,And for itWould I pay the price of your grief.You walk among menAnd all men do not surrender,And thus I understandThat love reaches his handIn mercy to me.He had your picture in his room,A scurvy traitor picture,And he smiled—Merely a fat complacence of men whoknow fine women—And thus I divided with himA part of my love.Fool, not to know that thy little shoeCan make men weep!—Some men weep.I weep and I gnash,And I love the little shoe,The little, little shoe.God give me medals,God give me loud honors,That I may strut before you, sweetheart,And be worthy of—The love I bear you.
(illustration--sword
Now let me crunch youWith full weight of affrighted love.I doubted you—I doubted you—And in this short doubtingMy love grew like a genieFor my further undoing.Beware of my friends,Be not in speech too civil,For in all courtesyMy weak heart sees spectres,Mists of desireArising from the lips of my chosen;Be not civil.The flower I gave thee onceWas incident to a stride,A detail of a gesture,But search those pale petalsAnd see engraven thereonA record of my intention.
(illustration--vase of flowers)
Ah, God, the way your little finger moved,As you thrust a bare arm backwardAnd made play with your hairAnd a comb, a silly gilt comb—Ah, God—that I should sufferBecause of the way a little finger moved.
Once I saw thee idly rocking—Idly rocking—And chattering girlishly to other girls,Bell-voiced, happy,Careless with the stout heart of unscarredwomanhood,And life to thee was all light melody.I thought of the great storms of love as Iknew it,Torn, miserable, and ashamed of my opensorrow,I thought of the thunders that lived in myhead,And I wish to be an ogre,And hale and haul my beloved to a castle,And make her mourn with my mourning.
Tell me why, behind thee,I see always the shadow of another lover?Is it real,Or is this the thrice damned memory of abetter happiness?Plague on him if he be dead,Plague on him if he be alive—A swinish numskullTo intrude his shadeAlways between me and my peace!
And yet I have seen thee happy with me.I am no foolTo poll stupidly into iron.I have heard your quick breathsAnd seen your arms writhe toward me;At those times—God help us—I was impelled to be a grand knight,And swagger and snap my fingers,And explain my mind finely.Oh, lost sweetheart,I would that I had not been a grand knight.I said: “Sweetheart.”Thou said'st: “Sweetheart.”And we preserved an admirable mimicryWithout heeding the drip of the bloodFrom my heart.
I heard thee laugh,And in this merrimentI defined the measure of my pain;I knew that I was alone,Alone with love,Poor shivering love,And he, little sprite,Came to watch with me,And at midnight,We were like two creatures by a dead camp-fire.
I wonder if sometimes in the dusk,When the brave lights that gild thyeveningsHave not yet been touched with flame,I wonder if sometimes in the duskThou rememberest a time,A time when thou loved meAnd our love was to thee thy all?Is the memory rubbish now?An old gownWorn in an age of other fashions?Woe is me, oh, lost one,For that love is now to meA supernal dream,White, white, white with many suns.
Love met me at noonday,—Reckless imp,To leave his shaded nightsAnd brave the glare,—And I saw him then plainlyFor a bungler,A stupid, simpering, eyeless bungler,Breaking the hearts of brave peopleAs the snivelling idiot-boy cracks his bowl,And I cursed him,Cursed him to and fro, back and forth,Into all the silly mazes of his mind,But in the endHe laughed and pointed to my breast,Where a heart still beat for thee, beloved.
I have seen thy face aflameFor love of me,Thy fair arms go mad,Thy lips tremble and mutter and rave.And—surely—This should leave a man content?Thou lovest not me now,But thou didst love me,And in loving me onceThou gavest me an eternal privilege,For I can think of thee.