Chapter 4

185

Free Will

Only those who have knowledge of Becoming can know what the freedom of the will is. Freedom—that is to will Becoming with all its suffering, voluntarily to go on the way which Fate and the highest Life direct us. Slavery—that is to deny Becoming, to cling to the static, and to be dragged along the stream of change. To be dragged, not to remain stationary; for men by taking thought cannot gain immunity from change. Their will and their desires avail them nothing. For the stream of Becoming is unchangeable in its power. It is Man that changes. When he affirms Becoming, he is enlarged; when he denies it, he is straitened.

186

Tragedy, Life and Love

In the highest Life two qualities are always to be found together, exuberance and suffering. Life is founded on this paradox, which is fundamental; for in the emotion of Love we are most conscious of it. Love is the most joyful and most suffering thing: its plenitude of joy is so great that it can endure gladly the worst griefs. And tragedy is the truest expression in art of Life and of Love; for its characteristic, too, is a Joy triumphing over Fate.

187

Life as Expression

Schopenhauer interpreted life as the expression of a Will to Live. Nietzsche showed with profound truth that beneath this will there was something more fundamental, the Will to Power. Have we here got to the foundation, or shall we find that underlying the Will to Power there is something more fundamental still?Whydo all living things strive for power? Is it, indeed, power that they desire in their striving, power for the sake of power? That which everything by a law of its being searches for isexpression:the Will to Power is merely an outcome of that search. For seeing that the sun of created Life is split up into individuals, related and yet diverse, the expression of one unit is bound to collide with that of another, and the outcome is a conflict. Life, therefore, is essentially something that injures itself, and injures itself the more the more powerful it is; in a word, Life is essentially tragic. Most people, however, live in illusion, knowing nothing of this. The philosophers, and, before them, the priests, were those who perceived that Life was of this nature; but, alas, from the truth they drew the immediate and not the more profound conclusion. They sought, unconscious Hedonists, a palliative for Life, and contemned expression, which they saw was the cause of suffering. These were the creators of that morality which has prevailed to our own day; a morality antagonistic to Life, anti-tragic, negative. All the systems which have been created in this way are colossal panaceas and remedies: they are not fundamental.

There were others, however, who saw as the priests did that Life was tragic, but who at the same time affirmed it. These were the tragic poets. They were more deeply versed in Life than the priests: tragic art is more profound than morality. For morality is based on the belief that man desires above everything else Happiness. But Tragedy has perceived that this is not so. Man will express himself, it proclaims, whatever the outcome, whether it be joy or suffering.

Since then morality has sunk deep into Life, and there is now almost a second instinct in man striving against expression. Consequently there are many existences passed without expression; sometimes even in a resolute struggle against it, as in the case of innumerable religious men and ascetics. To some men it seems that their spirit has been lying frozen and dead within them, until one day an influence touches them, and they feel an imperious desire to express themselves, to create. This influence is nothing else than Love, which is the desire for expression itself. When its rule is recognized and obeyed Life reaches its highest degree of joy and of pain, and becomes creative. This is the state which is glorified by the tragic poets. To those who affirm, it is the highest condition of Life.

188

"Self-Expression"

Self-expression is something infinitely more subtle than the moderns conceive. This man studied to express himself: he investigated his ego, and thereby cut himself off from Life more completely than any anchorite, for the anchorite had at least heaven in addition to himself. This neo-anchorite, however, turned his eyes deliberately inward and strove to find expression for what he discovered there, but for nothing more. Thus he became his own prison. Eventually he turned out an æsthete.

This other man found that his thoughts and desires flew away from him as irrevocably as a flock of wild birds and became lost or strangers. He seemed constrained to express everythingnothimself, everything foreign, remote and as exalted; but in the end he discovered that it was himself he had expressed. "Thy true being," said Nietzsche, "lies not deeply hidden in thee, but an infinite height above thee, or at least above that which thou dost commonly take to be thyself."

189

Life as a Value

Those who say that the belief in Life as a value is not a belief which will arouse the heroic passions and make men die for it, use a form of reasoning, at any rate, which is erroneous. They first confuse the ideal of more complete existence with the more complete existence of an individual, and then demonstrate that this individual will not lay down his life for the sake ofhismore complete existence! But Life as an ideal is just as impersonal as any other ideal, whether it be Justice or Perfection or Renunciation. True, it has not yet become static, but on that account its attraction is only the stronger; it arouses our very love. And men will die for what they love: they will die for Life.

190

Hebbel's Theory of Tragedy

Hebbel's theory of Tragedy is noble and profound. Not in the misdirection of wills does he find the source of the tragic, but in the core of the will itself, in the inexorable expression and collision of wills. This conception raises Tragedy from a mere consequence and punishment of sin to an expression of Life itself, to the most profound and essential expression of Life. And this is just and worthy of Tragedy. For the character of Tragedy is not negative and condemnatory, but deeply affirmative and joyous. How shallow then must be the theories which would deny Tragedy to the good, to those whose wills are highly directed! Tragedy is not a punishment. The more noble man becomes the more tragic he will also become.

191

Tragic Philosophy

The belief, against which Nietzsche declaimed, that Reason brings Happiness has become to the modern man second nature, so that now the notions of Reason and Happiness are indissolubly connected in his mind. Any argument for a tragic view of Life must therefore appear, first of all, unreasonable; for Happiness as an end is the only reason that will be acknowledged. It remains for us to show that Happiness is itself unreasonable, an impossibility, a chimera. There is no Happiness as an end. Reason does not bring Happiness, nor does virtue, nor does asceticism, nor does comfort. Happiness is an accident. And not even a modern can make accidents happen!

To this modern world, with its belief in Happiness, Nietzsche was bound to appear unreasonable, for he brought with him not only a tragic conception of Life, but a tragic philosophy. A tragic philosophy—the marriage of Knowledge and Tragedy: nothing could have seemed more irrational to modern Europe than that!

192

Tragedy and Arguments

Those who desire to restore a tragic conception of Life should not use these arguments: that Happiness is a condition which, if it were possible of realization, would become intolerable, producing its opposite, unhappiness; or that only when the individual renounces Happiness does Happiness become his. These are the statements of a Hedonism once removed. The argument for the tragic view should be founded on considerations altogether irrelevant to Happiness. It should not care enough about Happiness even to disdain it.

193

Morality and Happiness

Philosophers have from the beginning acknowledged that Happiness is not won by seeking for it, but by striving for other things. This, however, has not prevented them from proclaiming Happiness as the goal of Man and as the deliberate object of ethics. Contradiction upon contradiction! If the individual cannot by taking thought capture Happiness, is it conceivable that a community can, or the human race, in toto? To throw a net round this mirage compounded of desire and fancy—surely Reason was itself the most unreasonable thing to attempt that. And, after all, does Man desire Happiness? Tragedy denies it.

194

End or Effect

One may possess all the virtues save Love, and remain unhappy. Love, however, brings Happiness with it as the sun brings light. Is Happiness, then, the end of morality? Or an effect of Love?

195

Superiority

In order to despise enjoyment, one need only be supremely happy or supremely wretched.

196

Beauty and Tragedy

In every beautiful face there is nobility, strength and a touch of sadness—the seal of tragedy is upon it. To make Life beautiful, then, would be to make it tragic? Nay, rather let us say that to make Life tragic is to make it beautiful. Supreme beauty is but the expression in which are comprised in a miracle of unity the sorrow and the joy of Tragedy. For in the most radiant manifestation of Beauty there is a brooding solemnity; in the most sorrowful there is triumph.

197

Experimenting in Life

The aim of the æsthetes was without enduring Tragedy to enjoy Beauty. To that end they devised their creed of experimentation in Life: they wished to know all the joys of the soul and of the senses without inconvenience to themselves. Perceiving that Love and Beauty bring suffering in their train, they decided totake the initiativeagainst them, in other words, to "experience" them. All they experienced, however, was—their experiences. That, indeed, was all they desired: their "experimenting in Life" was escaping from Life. Without the courage to accept Life with the Dionysians or to renounce it with the ascetics, they hit upon the plan of stealing a march upon it. Well, it was certainly not upon Life that they stole a march!

198

Christian and Dionysian

The Christian and the Dionysian are both of them step-children and solutions of Pessimism. A gloomy and realistic view of the world was necessary before either of them could be born. In Christianity Pessimism was translated into symbols. "Original Sin" and "transgression against God"—these were the theological counterparts of the pessimist's "suffering," "the tyranny of the Will." How did Christianity find relief from this fundamental pessimism? By a pathetic illusion in which mankind were transformed into erring children, who, however, were forgiven by an indulgent Father. Here suffering was still an argument against Life, and a palliative was sought and found. The Dionysian, however, affirmed Life in the very tragicality of its aspect, and, by so doing, achieved a victory over it. In short, to the Dionysian Life is a tragedy; to the Christian it is a pathetic tale with a happy ending.

199

History of the Dionysian

In the beginning he possessed innocence: the world appeared to him as beautiful, Man as good, and the future as immeasurable. The great illusion of Rousseau was his—a "natural man" himself, believing in the "natural man," a romanticist, a credulous, not too sincere, "beautiful" soul—a youth with the qualities of youth. But a day came when unwillingly and painfully his soul forced his eyes open and compelled them to look, and he saw without illusion; the cruelty beneath smiling Appearance, the red claw, and conscienceless, inappeasable appetite. Looking at Man he found him a powerless little creature, condemned to a few years in this world, cut off by Death, and even during his life circumscribed by invincible limitation. Nevertheless, this man disdained to hide his head in the sands of illusion; and immediately he became altogether more worthy of respect, more real, almost sublime. A noble resignation to Life now characterized him; the classical writers, especially the Greeks with their naturalistic pessimism, seemed to him the highest thing; and he accepted the theory of Original Sin. All honour to him when he reached, after a painful journey, this spare but real conclusion! All honour to this pessimist who would not deceive himself!

One day, however, the thought came to him, "Even if pain and necessity be the truths of Life! There is something within me which can turn these, also, to account! I can transfigure them. Pain, Struggle, Change—these will no longer enslave me; for these shall be my slaves!" At that moment he became a Dionysian: he had turned the corner of pessimism, and had gained freedom. Original Sin was no longer true for him; for a new truth had dawned in whose light the old was quenched.

From an illusive freedom in the beginning, through bondage to necessity, to a new freedom—the history of the Dionysian. The pessimist is more profound than the "natural man," but the Dionysian is the most profound of all. He burrows deeper than pessimism itself; he grows, the most happy of men, out of the very soil of pessimism.

200

Tragic Affirmation

To feel happy at this moment—is not that to approve of your whole life, of its suffering, conflict, ennui and scepticism no less than its victories and festivals? This moment is what it is by virtue of these experiences; justify it and you justify them. The physical agony which left its mark upon you; the anguish of bereavement and of disillusionment; the cynicism with which you consoled yourself; the years when you lived altogether bereft of hope; your most profound and most petty thoughts and actions; your meanest, bitterest and noblest experiences: all these are unconsciously affirmed in your affirmation of this moment. Let them be affirmed consciously! Or is your soul afraid to go as far as your will? Looking back now with new eyes over your life, you find that precisely what you cannot do is to repent—least of all of your sins and griefs! For to repent is to will Life to be other than Life, and essentially not to affirm.

He who contemplates his life thus, perhaps understands for the first time what is the meaning of Tragedy.

201

Mastery and Tragedy

The desire of Man to subjugate Nature and Fate and obtain mastery over his resources—perhaps it is as well that this is meantime unattainable! For Man's spirit is not yet noble enough for him to use his power aright: he would use it, if he could grasp it now, as a means to Happiness! Our first duty is to fight the idea of Happiness, to make Man tragic. Once Man wills Tragedy, however, the more mastery he acquires the better.

202

The Hidden Faculty

When we speak hopefully of the discovery of still undiscovered faculties in Man, to what do we look forward? In plain terms, how do we expect this faculty to be of use to us? In bringing about Happiness? It is almost a tragedy—it is a tragedy without the nobility—that in our time the most beautiful, heroic and powerful things have to bow their heads and become slaves to this weak and pathetic tyrant, Happiness. Should we then oppose the addition of one more divine power to the imprisoned? Well, a hope consoles us. For the discovery of a new faculty in Man will not make him more happy, but simply more powerful; his self-expression in action will be the more complete; the essential conflict of Life will be magnified; Life will become more tragic. So think well, you votaries of Happiness, before you bring to life another power of the tragic creature, Man. Far better for your ends if you could but succeed in killing some of those he already possesses. But have you not sometimes tried to do that?

203

The Other Side

And yet Man cannot create without Happiness. The soul that lives in shadow becomes unhealthy and sterile: sunshine is after all the great health-bringing and fructifying thing. Happiness does make a man nobler; more ready to generosity and heroism; more careless of enjoyment. Happiness! But what is Happiness? The Happiness that is essential to the best life is a state of the soul: this is doubtless that which Goethe and Heine praised. But the other, the Happiness of the utilitarian, is an effect of calculated action, the reward of a sort of ethical thrift. The first, however, is independent of calculation, and even a little scornful of it; for in its confidence and plenitude it dares to put out on the gloomiest seas. It is not unrelated to Love, this effect of an affirmative attitude to Life. When people praise Happiness, how one desires to believe it is this that they praise.

204

The Two Species

The few have a conception of Life different from that of the many. To the latter still pertain such notions as "do as you would be done by," and so forth. They understand a morality but not the end of morality. The few, however, who understand both the morality and the reason for it, who have a conception of Life more difficult and unyielding, seem to the many cold and a little inhuman. The lives of the latter, on the other hand, appear to the few as a naively happy, narrow and absurd form of existence.

205

Nietzsche

What was Nietzsche, that subtlest of modern riddles? First, a great tragic poet: it was by a divine accident that he was at the same time a profound thinker and the deepest psychologist. But his tragic affirmative was the core of his work, of which thought and analysis were but outgrowths. Without it, his subtlety might have made him another Pascal. The Will to Power, which makes suffering integral in Life; the Order of Rank whereby the bulk of mankind are doomed to slavery; the Superman himself, that most sublime child of Tragedy; and the last affirmation, the Eternal Recurrence: these are the conceptions of a tragic poet. It is, indeed, by virtue of his tragic view of Life that Nietzsche is for us a force of such value. For only by means of it could modern existence, sunk in scepticism, pessimism and the greatest happiness of the greatest number, be re-created.

For the last two centuries Europe has been under the domination of the concept of Happiness as progress. Altruism, the ideology of the greatest happiness of the greatest number, altruism as a means of universalizing Happiness, was preached in the eighteenth century; until after a while it was seen by such clear-sighted observers as Voltaire that men did not obey this imperative of altruism; therefore they were condemned: the moral indignation of the eighteenth century, the century of censoriousness par excellence, was the result. First, an impossible morality was demanded, and for the attainment of an unattainable ideal; then Man was condemned because he failed to comply with it, because he was Man. Thus in the end the ideal of the greatest happiness worked out in pessimism: Life became hideous and, worst of all, immoral, to the utilitarian, when it was seen that altruism and happiness are alike impossible. Schopenhauer is here the heir of Voltaire: the moral condemnation of the one has become in the other a condemnation of Life itself, more profound, more poetical, more logical. Altruism has in Schopenhauer deepened into Pity; for Pity is altruism bereft of the illusion of Happiness.

How was Man to avoid now the almost inevitable bourne of Nihilism? By renouncing altogether Happiness as a value; by restoring a conception of Life in which Happiness was neither a positive nor a negative standard, but something irrelevant, an accident: in short, by setting up a tragic conception of Life. This was the task of Nietzsche: in how far he succeeded how can we yet say?

206

Again

Nietzsche loved not goodness but greatness: the True, theGreatand the Beautiful. Was not this the necessary corollary of his æsthetic evaluation of Life?

207

Sacrifices

"The first of the first fruits of thy land thou shalt bring into the house of the Lord thy God."

Thus spoke the oldest reverence. We should not scoff at this feeling but rather try to understand it; for it is only too rare in our time. What was its meaning to the rulers of Israel? Gratitude, a beautiful, affirmative thing. To enrich Life with our highest gifts, which we freely offer in thanksgiving for what Life has given us,—that should be our form of sacrifice. And we should perform it gladly, with festive, overflowing heart, not with sullen and conscientious face, as if Life were a usurer.

208

Our Poverty

The spiritual poverty of modern life is appalling; and all the more because men are unconscious of it. Prayer was in former times the channel whereby a profound current of spiritual life flowed into the lives of men and enriched them. This source of wealth has now almost ceased, and Man has become less spiritual, more impoverished. We must seek a new form of prayer. Better not live at all than live without reverence and gratitude! Let our sacramental attitude to Life be our form of prayer. Let us no longer desire to live when that has perished.

209

Finis

"To abjure half measures and to live resolutely in the Whole, the Full, the Beautiful."—GOETHE.

"To try to see in all things necessity as beauty."—NIETZSCHE.


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