And, indeed, if brain-waves had been in question at all, they ought, without a doubt, to have informed Guy Waring that at the very moment when he was going out to send off his telegram, his brother Cyril was sitting disconsolate, with dark blue lips and swollen eyelids, on the footboard of the railway carriage in the Lavington tunnel. Cyril was worn out with digging by this time, for he had done his best once more to clear away the sand towards the front of the train in the vague hope that he might succeed in letting in a little more air to their narrow prison through the chinks and interstices of the fallen sandstone. Besides, a man in an emergency must do something, if only to justify his claim to manliness—especially when a lady is looking on at his efforts.
So Cyril Waring had toiled and moiled in that deadly atmosphere for some hours in vain, and now sat, wearied out and faint from foul vapours, by Elma’s side on the damp, cold footboard. By this time the air had almost failed them. They gasped for breath, their heads swam vaguely. A terrible weight seemed to oppress their bosoms. Even the lamps in the carriages flickered low and burned blue. The atmosphere of the tunnel, loaded from the very beginning with sulphurous smoke, was now all but exhausted. Death stared them in the face without hope of respite—a ghastly, slow death by gradual stifling.
“You MUST take a little water,” Elma murmured, pouring out the last few drops for him into the tin cup—for Cyril had brought a small bottleful that morning for his painting, as well as a packet of sandwiches for lunch. “You’re dreadfully tired. I can see your lips are parched and dry with digging.”
She was deathly pale herself, and her own eyes were livid, for by this time she had fairly given up all hope of rescue; and, besides, the air in the tunnel was so foul and stupefying, she could hardly speak; indeed, her tongue clung to her palate. But she poured out the last few drops into the cup for Cyril and held them up imploringly, with a gesture of supplication. These two were no strangers to one another now. They had begun to know each other well in those twelve long hours of deadly peril shared in common.
Cyril waved the cup aside with a firm air of dissent.
“No, no,” he said, faintly, “you must drink it yourself. Your need is greater far than mine.”
Elma tried to put it away in turn, but Cyril would not allow her. So she moistened her mouth with those scanty last drops, and turned towards him gratefully.
“There’s no hope left now,” she said, in a very resigned voice. “We must make up our minds to die where we stand. But I thank you, oh, I thank you so much, so earnestly.”
Cyril, for his part, could hardly find breath to speak.
“Thank you,” he gasped out, in one last despairing effort. “Things look very black; but while there’s life there’s hope. They may even still, perhaps, come up with us.”
As he spoke, a sound broke unexpectedly on the silence of their prison. A dull thud seemed to make itself faintly heard from beyond the thick wall of sand that cut them off from the daylight. Cyril stared with surprise. It was a noise like a pick-axe. Stooping hastily down, he laid his ear against the rail beside the shattered carriage.
“They’re digging!” he cried earnestly, finding words in his joy. “They’re digging to reach us! I can hear them! I can hear them!”
Elma glanced up at him with a certain tinge of half-incredulous surprise.
“Yes, they’re digging, of course,” she said quickly. “I knew they’d dig for us, naturally, as soon as they missed us. But how far off are they yet? That’s the real question. Will they reach us in time? Are they near or distant?”
Cyril knelt down on the ground as before, in an agony of suspense, and struck the rail three times distinctly with his walking-stick. Then he put his ear to it and listened, and waited. In less than half a minute three answering knocks rang, dim but unmistakable, along the buried rail. He could even feel the vibration on the iron with his face.
“They hear us! They hear us!” he cried once more, in a tremor of excitement. “I don’t think they’re far off. They’re coming rapidly towards us.”
At the words Elma rose from her seat, still paler than ever, but strangely resolute, and took the stick from his hand with a gesture of despair. She was almost stifled. But she raised it with method. Knocking the rail twice, she bent down her head and listened in turn. Once more two answering knocks rang sharp along the connecting line of metal. Elma shook her head ominously.
“No, no, they’re a very long way off still,” she murmured, in a faltering tone. “I can hear it quite well. They can never reach us!”
She seated herself on a fragment of the broken carriage, and buried her face in her hands once more in silence. Her heart was full. Her head was very heavy. She gasped and struggled. Then a sudden intuition seized her, after her kind. If the rail could carry the sound of a tap, surely it might carry the human voice as well. Inspired with the idea, she rose again and leant forward.
A second time she knocked two quick little taps, ringing sharp on the rail, as if to bespeak attention; then, putting her mouth close to the metals, she shouted aloud along them with all the voice that was left her—
“Hallo, there, do you hear? Come soon, come fast. We’re alive, but choking!”
Quick as lightning an answer rang back as if by magic, along the conducting line of the rail—a strange unexpected answer.
“Break the pipe of the wires,” it said, and then subsided instantly.
Cyril, who was leaning down at her side at the moment with his ear to the rail, couldn’t make out one word of it. But Elma’s sharp senses, now quickened by the crisis, were acute as an Oriental’s and keen as a beagle’s.
“Break the pipe of the wires,” they say, she exclaimed, starting back and pondering. “What on earth can they mean by that? What on earth can they be driving at? ‘Break the pipe of the wires.’ I don’t understand them.”
Hardly had she spoken, when another sharp tap resounded still more clearly along the rail at her feet. She bent down her head once more, and laid her eager ear beside it in terrible suspense. A rough man’s voice—a navvy’s, no doubt, or a fireman’s—came speeding along the metal; and it said in thick accents—
“Do you hear what I say? If you want to breathe freer, break the pipe of the wires, and you’ll get fresh air from outside right through it.”
Cyril this time had caught the words, and jumped up with a sudden air of profound conviction. It was very dark, and the lamps were going out, but he took his fusee-box from his pocket and struck a light hastily. Sure enough, on the left-hand side of the tunnel, half buried in rubbish, an earthenware pipe ran along by the edge near the wall of the archway. Cyril raised his foot and brought his heel down upon it sharply with all the strength and force he had still left in him. The pipe broke short, and Cyril saw within it a number of telegraph wires for the railway service. The tube communicated directly with the air outside. They were saved! They were saved! Air would come through the pipe! He saw it all now! He dimly understood it!
At the self-same moment, another sound of breaking was heard more distinctly at the opposite end, some thirty or forty feet off through the tunnel. Then a voice rang far clearer, as if issuing from the tube, in short, sharp sentences—
“We’ll pump you in air. How many of you are there? Are you all alive? Is any one injured?”
Cyril leant down and shouted back in reply—
“We’re two. Both alive. Not hurt. But sick and half dead with stifling. Send us air as soon as ever you can. And if possible pass us a bottle of water.”
Some minutes elapsed—three long, slow minutes of it—intense anxiety. Elma, now broken down with terror and want of oxygen, fell half fainting forward towards the shattered tube. Cyril held her up in his supporting arms, and watched the pipe eagerly. It seemed an age; but, after a time, he became conscious of a gust of air blowing cold on his face. The keen freshness revived him.
He looked about him and drew a deep breath. Cool air was streaming in through the broken place. Quick as thought, he laid Elma’s mouth as close as he could lay it to the reviving current. Her eyes were closed. After a painful interval, she opened them languidly. Cyril chafed her hands with his, but his chafing seemed to produce very little effect. She lay motionless now with her eyelids half shut, and the whites of her eyes alone showing through them. The close, foul air of that damp and confined spot had worked its worst, and had almost asphyxiated her. Cyril began to fear the slight relief had arrived five minutes too late. And it must still in all probability be some hours at least before they could be actually disentombed from that living vault or restored to the open air of heaven.
As he bent over her and held his breath in speechless suspense, the voice called out again more loudly than ever—
“Look out for the ball in the tube. We’re sending you water!”
Cyril watched the pipe closely and struck another light. In a minute, a big glass marble came rattling through, with a string attached to it.
“Pull the string!” the voice cried; and Cyril pulled with a will. Now and again, the object attached to it struck against some projecting ledge or angle where the pipes overlapped. But at last, with a little humouring, it came through in safety. At the end was a large india-rubber bottle, full of fresh water, and a flask of brandy. The young man seized them both with delight and avidity, and bathed Elma’s temples over and over again with the refreshing spirit. Then he poured a little into the cup, and filling it up with water, held it to her lips with all a woman’s tenderness. Elma gulped the draught down unconsciously, and opened her eyes at once. For a moment she stared about her with a wild stare of surprise.
Then, of a sudden, she recollected where she was, and why, and seizing Cyril’s hand, pressed it long and eagerly.
“If only we can hold out for three hours more,” she cried, with fresh hope returning, “I’m sure they’ll reach us; I’m sure they’ll reach us!”
“There were only two of you, then, in the last carriage?” Guy asked with deep interest, the very next morning, as Cyril, none the worse for his long imprisonment, sat quietly in their joint chambers at Staple Inn, recounting the previous day’s adventures.
“Yes. Only two of us. It was awfully fortunate. And the carriage that was smashed had nobody at all, except in the first compartment, which escaped being buried. So there were no lives lost, by a miracle, you may say. But several of the people in the front part of the train got terribly shaken.”
“And you and the other man were shut up in the tunnel there for fifteen hours at a stretch?” Guy went on reflectively.
“At least fifteen hours,” Cyril echoed, without attempting to correct the slight error of sex, for no man, he thought, is bound to criminate himself, even in a flirtation. “It was two in the morning before they dug us quite out. And my companion by that time was more dead than alive, I can tell you, with watching and terror.”
“Was he, poor fellow?” Guy murmured, with a sympathetic face; for Cyril had always alluded casually to his fellow-traveller in such general terms that Guy was as yet unaware there was a lady in the case. “And is he all right again now, do you know? Have you heard anything more about him?”
But before Cyril could answer there came a knock at the door, and the next moment Mr. Montague Nevitt, without his violin, entered the room in some haste, all agog with excitement. His face was eager and his manner cordial. It was clear he was full of some important tidings.
“Why, Cyril, my dear fellow,” he cried, grasping the painter’s hand with much demonstration of friendly warmth, and wringing it hard two or three times over, “how delighted I am to see you restored to us alive and well once more. This is really too happy. What a marvellous escape! And what a romantic story! All the clubs are buzzing with it. A charming girl! You’ll have to marry her, of course, that’s the necessary climax. You and the young lady are the staple of news, I see, in very big print, in all the evening papers!”
Guy drew back at the words with a little start of surprise. “Young lady!” he cried aghast. “A charming girl, Nevitt! Then the person who was shut up with you for fifteen hours in the tunnel was a girl, Cyril!”
Cyril’s handsome face flushed slightly before his brother’s scrutinizing gaze; but he answered with a certain little ill-concealed embarrassment:
“Oh, I didn’t say so, didn’t I? Well, she WAS a girl then, of course; a certain Miss Clifford. She got in at Chetwood. Her people live somewhere down there near Tilgate. At least, so I gathered from what she told me.”
Nevitt stared hard at the painter’s eyes, which tried, without success, to look unconscious.
“A romance!” he said, slowly, scanning his man with deep interest. “A romance, I can see. Young, rich, and beautiful. My dear Cyril, I only wish I’d had half your luck. What a splendid chance, and what a magnificent introduction! Beauty in distress! A lady in trouble! You console her alone in a tunnel for fifteen hours by yourself at a stretch. Heavens, what a tete-a-tete! Did British propriety ever before allow a man such a glorious opportunity for chivalrous devotion to a lady of family, face, and fortune?”
“Was she pretty?” Guy asked, coming down at once to a more realistic platform.
Cyril hesitated a moment. “Well, yes,” he answered, somewhat curtly, after a short pause. “She’s distinctly good-looking.” And he shut his mouth sharp. But he had said quite enough.
When a man says that of a girl, and nothing more, in an unconcerned voice, as if it didn’t matter twopence to him, you may be perfectly sure in your own mind he’s very deeply and seriously smitten.
“And young?” Guy continued.
“I should say about twenty.”
“And rich beyond the utmost dreams of avarice?” Montague Nevitt put in, with a faintly cynical smile.
“Well, I don’t know about that,” Cyril answered truthfully. “I haven’t the least idea who she is, even. She and I had other things to think about, you may be sure, boxed up there so long in that narrow space, and choking for want of air, than minute investigations into one another’s pedigrees.”
“WE’VE got no pedigree,” Guy interposed, with a bitter smile. “So the less she investigates about that the better.”
“But SHE has, I expect,” Nevitt put in hastily; “and if I were you, Cyril, I’d hunt her up forthwith, while the iron’s hot, and find out all there is to find out about her. Clifford-Clifford? I wonder whether by any chance she’s one of the Devonshire Cliffords, now? For if so, she might really be worth a man’s serious attention. They’re very good business. They bank at our place; and they’re by no means paupers.” For Nevitt was a clerk in the well-known banking firm of Drummond, Coutts, and Barclay, Limited; and being a man who didn’t mean, as he himself said, “to throw himself away on any girl for nothing,” he kept a sharp look-out on the current account of every wealthy client with an only daughter.
Ten minutes later, as the talk ran on, some further light was unexpectedly thrown upon this interesting topic by the entrance of the porter with a letter for Cyril. The painter tore it open, and glanced over it, as Nevitt observed, with evident eagerness. It was short and curt, but in its own way courteous.
“‘Mr. Reginald Clifford, C.M.G., desires to thank Mr. Cyril Waring for his kindness and consideration to Miss Clifford during her temporary incarceration—-’
“Incarceration’s good, isn’t it? How much does he charge a thousand for that sort, I wonder?—
“‘during her temporary incarceration in the Lavington tunnel yesterday. Mrs. and Miss Clifford wish also to express at the same time their deep gratitude to Mr. Waring for his friendly efforts, and trust he has experienced no further ill effects from the unfortunate accident to which he was subjected.
“‘Craighton, Tilgate, Thursday morning.’”
“She MIGHT have written herself,” Cyril murmured half aloud. He was evidently disappointed at this very short measure of correspondence on the subject.
But Montague Nevitt took a more cheerful view. “Oh, Reginald Clifford, of Craighton!” he cried with a smile, his invariable smile. “I know all about HIM. He’s a friend of Colonel Kelmscott’s down at Tilgate Park. C.M.G., indeed! What a ridiculous old peacock. He was administrator of St. Kitts once upon a time, I believe, or was it Nevis or Antigua? I don’t quite recollect, I’m afraid; but anyhow, some comical little speck of a sugary, niggery, West Indian Island; and he was made a Companion of St. Michael and St. George when his term was up, just to keep him quiet, don’t you know, for he wanted a knighthood, and to shelve him from being appointed to a first-class post like Barbados or Trinidad. If it’s Elma Clifford you were shut up with in the tunnel, Cyril, you might do worse, there’s no doubt, and you might do better. She’s an only daughter, and there’s a little money at the back of the family, I expect; but I fancy the Companion of the Fighting Saints lives mainly on his pension, which, of course, is purely personal, and so dies with him.”
Cyril folded up the note without noticing Nevitt’s words and put it in his pocket, somewhat carefully and obtrusively. “Thank you,” he said, in a very quiet tone, “I didn’t ask you about Miss Clifford’s fortune. When I want information on that point I’ll apply for it plainly. But meanwhile I don’t think any lady’s name should be dragged into conversation and bandied about like that, by an absolute stranger.”
“Oh, now you needn’t be huffy,” Nevitt answered, with a still sweeter smile, showing all those pearly teeth of his to the greatest advantage. “I didn’t mean to put your back up, and I’ll tell you what I’ll do for you. I’ll heap coals of fire on your head, you ungrateful man. I’ll return good for evil. You shall have an invitation to Mrs. Holker’s garden party on Saturday week at Chetwood Court, and there you’ll be almost sure to meet the beautiful stranger.”
But at that very moment, at Craighton, Tilgate, Mr. Reginald Clifford, C.M.G., a stiff little withered-up official Briton, half mummified by long exposure to tropical suns, was sitting in his drawing-room with Mrs. Clifford, his wife, and discussing—what subject of all others on earth but the personality of Cyril Waring?
“Well, it was an awkward situation for Elma, of course, I admit,” he was chirping out cheerfully, with his back turned by pure force of habit to the empty grate, and his hands crossed behind him. “I don’t deny it was an awkward situation. Still, there’s no harm done, I hope and trust. Elma’s happily not a fanciful or foolishly susceptible sort of girl. She sees it’s a case for mere ordinary gratitude. And gratitude, in my opinion, towards a person in his position, is sufficiently expressed once for all by letter. There’s no reason on earth she should ever again see or hear any more of him.”
“But girls are so romantic,” Mrs. Clifford put in doubtfully, with an anxious air. She herself was by no means romantic to look at, being, indeed, a person of a certain age, with a plump, matronly figure, and very staid of countenance; yet there was something in her eye, for all that, that recalled at times the vivid keenness of Elma’s, and her cheek had once been as delicate and creamy a brown as her pretty daughter’s. “Girls are so romantic,” Mrs. Clifford repeated once more, in a dreamy way, “and she was evidently impressed by him.”
“Well, I’m glad I made inquiries at once about these two young men, anyhow,” the Companion of St. Michael and St. George responded with fervour, clasping his wizened little hands contentedly over his narrow waistcoat. “It’s a precious odd story, and a doubtful story, and not at all the sort of story one likes one’s girl to be any way mixed up with. For my part, I shall give them a very wide berth indeed in future; and there’s no reason why Elma should ever knock up against them.”
“Who told you they were nobodies?” Mrs. Clifford inquired, drawing a wistful sigh.
“Oh, Tom Clark was at school with them,” the ex-administrator continued, with a very cunning air, “and he knows all about them—has heard the whole circumstances. Very odd, very odd; never met anything so queer in all my life; most mysterious and uncanny. They never had a father; they never had a mother; they never had anybody on earth they could call their own; they dropped from the clouds, as it were, one rainy day, without a friend in the world, plump down into the Charterhouse. There they were well supplied with money, and spent their holidays with a person at Brighton, who wasn’t even supposed to be their lawful guardian. Looks fishy, doesn’t it? Their names are Cyril and Guy Waring—and that’s all they know of themselves. They were educated like gentlemen till they were twenty-one years old; and then they were turned loose upon the world, like a pair of young bears, with a couple of hundred pounds of capital apiece to shift for themselves with. Uncanny, very; I don’t like the look of it. Not at all the sort of people an impressionable girl like our Elma should ever be allowed to see too much of.”
“I don’t think she was very much impressed by him,” Mrs. Clifford said with confidence. “I’ve watched her to see, and I don’t think she’s in love with him. But by to-morrow, Reginald, I shall be able, I’m sure, to tell you for certain.”
The Companion of the Militant Saints glanced rather uneasily across the hearth-rug at his wife. “It’s a marvellous gift, to be sure, this intuition of yours, Louisa,” he said, shaking his head sagely, and swaying himself gently to and fro on the stone kerb of the fender. “I frankly confess, my dear, I don’t quite understand it. And Elma’s got it too, every bit as bad as you have. Runs in the family, I suppose—runs somehow in the family. After living with you now for twenty-two years—yes, twenty-two last April—in every part of the world and every grade of the service, I’m compelled to admit that your intuition in these matters is really remarkable—simply remarkable.”
Mrs. Clifford coloured through her olive-brown skin, exactly like Elma, and rose with a somewhat embarrassed and half-guilty air, avoiding her husband’s eyes as if afraid to meet them.
Elma had gone to bed early, wearied out as she was with her long agony in the tunnel. Mrs. Clifford crept up to her daughter’s room with a silent tread, like some noiseless Oriental, and, putting her ear to the keyhole, listened outside the door in profound suspense for several minutes.
Not a sound from within; not a gentle footfall on the carpeted floor. For a moment she hesitated; then she turned the handle slowly, and, peering before her, peeped into the room. Thank Heaven! no snake signs. Elma lay asleep, with one arm above her head, as peacefully as a child, after her terrible adventure. Her bosom heaved, but slowly and regularly. The mother drew a deep breath, and crept down the stairs with a palpitating heart to the drawing-room again.
“Reginald,” she said, with perfect confidence, relapsing once more at a bound into the ordinary every-day British matron, “there’s no harm done, I’m sure. She doesn’t think of this young man at all. You may dismiss him from your mind at once and for ever. She’s sleeping like a baby.”
“Mrs. Hugh Holker, at home, Saturday, May 29th, 3 to 6.30. Chetwood Court; tennis.”
Cyril Waring read it out with a little thrill of triumph. To be sure, it was by no means certain that Elma would be there; but still, Chetwood Court was well within range of Tilgate town, and Montague Nevitt felt convinced, he said, the Holkers were friends of the Cliffords and the Kelmscotts.
“For my part,” Guy remarked, balancing a fragment of fried sole on his fork as he spoke, “I’m not going all that way down to Chetwood merely to swell Mrs. Holker’s triumph.”
“I wouldn’t if I were you,” Cyril answered, with quiet incisiveness. He hadn’t exactly fallen in love with Elma at first sight, but he was very much interested in her, and it struck him at once that what interested him was likely also to interest his twin brother. And this is just one of those rare cases in life where a man prefers that his interest in a subject should not be shared by any other person.
Before Saturday, the 29th, arrived, however, Guy had so far changed his mind in the matter, that he presented himself duly with Nevitt at Waterloo to catch the same train to Chetwood station that Cyril went down by.
“After all,” he said to Nevitt, as they walked together from the club in Piccadilly, “I may as well see what the girl’s like, anyhow. If she’s got to be my sister-in-law—which seems not unlikely now—I’d better have a look at her beforehand, so to speak, on approbation.”
The Holkers’ grounds were large and well planted, with velvety lawns on the slope of a well-wooded hill overlooking the boundless blue weald of Surrey. Nevitt and the Warings were late to arrive, and found most of the guests already assembled before them.
After a time Guy found himself, to his intense chagrin, told off by his hostess to do the honours to an amiable old lady of high tonnage and great conversational powers, who rattled on uninterruptedly in one silvery stream about everybody on the ground, their histories and their pedigrees. She took the talking so completely off his hands, however, that, after a very few minutes, Guy, who was by nature of a lazy and contemplative disposition, had almost ceased to trouble himself about what she said, interposing “indeeds” and “reallys” with automatic politeness at measured intervals; when suddenly the old lady, coming upon a bench where a mother and daughter were seated in the shade, settled down by their sides in a fervour of welcome, and shook hands with them both effusively in a most demonstrative fashion.
The daughter was pretty—yes, distinctly pretty. She attracted Guy’s attention at once by the piercing keenness of her lustrous dark eyes, and the delicate olive-brown of her transparent complexion. Her expression was merry, but with a strange and attractive undertone, he thought, of some mysterious charm. A more taking girl, indeed, now he came to look close, he hadn’t seen for months. He congratulated himself on his garrulous old lady’s choice of a bench to sit upon, if it helped him to an introduction to the beautiful stranger.
But before he could even be introduced, the pretty girl with the olive-brown complexion had held out her hand to him frankly, and exclaimed in a voice as sunny as her face—
“I don’t need to be told your friend’s name, I’m sure, Mrs. Godfrey. He’s so awfully like him. I should have known him anywhere. Of course, you’re Mr. Waring’s brother, aren’t you?”
Guy smiled, and bowed gracefully; he was always graceful.
“I refuse to be merely MR. WARING’S BROTHER,” he answered, with some amusement, as he took the proffered hand in his own warmly. “If it comes to that, I’m Mr. Waring myself; and Cyril, whom you seem to know already, is only my brother.”
“Ah, but MY Mr. Waring isn’t here to-day, is he?” the olive-brown girl put in, looking around with quite an eager interest at the crowd in the distance. “Naturally, to me, he’s THE Mr. Waring, of course, and you are only MY Mr. Waring’s brother.”
“Elma, my dear, what on earth will Mr. Waring think of you?” her mother put in, with the conventional shocked face of British propriety. “You know,” she went on, turning round quickly to Guy, “we’re all so grateful to your brother for his kindness to our girl in that dreadful accident the other day at Lavington, that we can’t help thinking and talking of him all the time as our Mr. Waring. I’m sorry he isn’t here himself this afternoon to receive our thanks. It would be such a pleasure to all of us to give them to him in person.”
“Oh, he is about, somewhere,” Guy answered carelessly, still keeping his eye fixed hard on the pretty girl. “I’ll fetch him round by-and-by to pay his respects in due form. He’ll be only too glad. And this, I suppose, must be Miss Clifford that I’ve heard so much about.”
As he said those words, a little gleam of pleasure shot through Elma’s eyes. Her painter hadn’t forgotten her, then. He had talked much about her.
“Yes, I knew who you must be the very first moment I saw you,” she answered, blushing; “you’re so much like him in some ways, though not in all.... And he told me that day he had a twin brother.”
“So much like him in some ways,” Guy repeated, much amused. “Why, I wonder you don’t take me for Cyril himself at once. You’re the very first person I ever knew in my life, except a few old and very intimate friends, who could tell at all the difference between us.”
Elma drew back, almost as if shocked and hurt at the bare suggestion.
“Oh, dear no,” she cried quickly, scanning him over at once with those piercing keen eyes of hers; “you’re like him, of course—I don’t deny the likeness—as brothers may be like one another. Your features are the same, and the colour of your hair and eyes, and all that sort of thing; but still, I knew at a glance you weren’t my Mr. Waring. I could never mistake you for him. The expression and the look are so utterly different.”
“You must be a very subtle judge of faces,” the young man answered, still smiling, “if you knew us apart at first sight; for I never before in my life met anybody who’d seen my brother once or twice, and who didn’t take me for him, or him for me, the very first time he saw us apart. But then,” he added, after a short pause, with a quick dart of his eyes, “you were with him in the tunnel for a whole long day; and in that time, of course, you saw a good deal of him.”
Elma blushed again, and Guy noticed in passing that she blushed very prettily.
“And how’s Sardanapalus?” she asked, in a somewhat hurried voice, making an inartistic attempt to change the subject.
“Oh, Sardanapalus is all right,” Guy answered, laughing. “Cyril told me you had made friends with him, and weren’t one bit afraid of him. Most people are so dreadfully frightened of the poor old creature.”
“But he isn’t old,” Elma exclaimed, interrupting him with some warmth. “He’s in the prime of life. He’s so glossy and beautiful. I quite fell in love with him.”
“And who is Sardanapalus?” Mrs. Clifford asked, with a vague maternal sense of discomfort and doubt. “A dog or a monkey?”
“Oh, Sardanapalus, mother—didn’t I tell you about him?” Elma cried enthusiastically. “Why, he’s just lovely and beautiful. He’s such a glorious green and yellow-banded snake; and he coiled around my arm as if he’d always known me.”
Mrs. Clifford drew back with a horror-stricken face, darting across at her daughter the same stealthy sort of look she had given her husband the night after Elma’s adventure.
“A snake!” she repeated, aghast, “a snake! Oh, Elma! Why, you never told me that. And he coiled round your arm. How horrible!”
But Elma wasn’t to be put down by exclamations of horror.
“Why, you’re not afraid of snakes yourself, you know, mother,” she went on, undismayed. “I remember papa saying that when you were at St. Kitts with him you never minded them a bit, but caught them in your hands like an Indian juggler, and treated them as playthings, so I wasn’t afraid either. I suppose it’s hereditary.”
Mrs. Clifford gazed at her fixedly for a few seconds with a very pale face.
“I suppose it is,” she said slowly and stiffly, with an evident effort. “Most things are, in fact, in this world we live in. But I didn’t know YOU at least had inherited it, Elma.”
Just at that moment they were relieved from the temporary embarrassment which the mention of Sardanapalus seemed to have caused the party, by the approach of a tall and very handsome man, who came forward with a smile towards where their group was standing. He was military in bearing, and had dark brown hair, with a white moustache; but he hardly looked more than fifty for all that, as Guy judged at once from his erect carriage and the singular youthfulness of both face and figure. That he was a born aristocrat one could see in every motion of his well-built limbs. His mien had that ineffable air of grace and breeding which sometimes marks the members of our old English families. Very much like Cyril, too, Guy thought to himself, in a flash of intuition; very much like Cyril, the way he raised his hat and then smiled urbanely on Mrs. Clifford and Elma. But it was Cyril grown old and prematurely white, and filled full with the grave haughtiness of an honoured aristocrat.
“Why, here’s Colonel Kelmscott!” Mrs. Clifford exclaimed, with a sigh of relief, not a little set at ease by the timely diversion. “We’re so glad you’ve come, Colonel. And Lady Emily too; she’s over yonder, is she? Ah, well, I’ll look out for her. We heard you were to be here. Oh, how kind of you; thank you. No, Elma’s none the worse for her adventure, thank Heaven! just a little shaken, that’s all, but not otherwise injured. And this gentleman’s the brother of the kind friend who was so good to her in the tunnel. I’m not quite sure of the name. I think it’s—-”
“Guy Waring,” the young man interposed blandly. Hardly any one who looked at Colonel Kelmscott’s eyes could even have perceived the profound surprise this announcement caused him. He bowed without moving a muscle of that military face. Guy himself never noticed the intense emotion the introduction aroused in the distinguished stranger. But Mrs. Clifford and Elma, each scanning him closely with those keen grey eyes of theirs, observed at once that, unmoved as he appeared, a thunderbolt falling at Colonel Kelmscott’s feet could not more thoroughly or completely have stunned him. For a second or two he gazed in the young man’s face uneasily, his colour came and went, his bosom heaved in silence; then he roped his moustache with his trembling fingers, and tried in vain to pump up some harmless remark appropriate to the occasion. But no remark came to him. Mrs. Clifford darted a furtive glance at Elma, and Elma darted back a furtive glance at Mrs. Clifford. Neither said a word, and each let her eyes drop to the ground at once as they met the other’s. But each knew in her heart that something passing strange had astonished Colonel Kelmscott; and each knew, too, that the other had observed it.
Mother and daughter, indeed, needed no spoken words to tell these things plainly to one another. The deep intuition that descended to both was enough to put them in sympathy at once without the need of articulate language.
“Yes, Mr. Guy Waring,” Mrs. Clifford repeated at last, breaking the awkward silence that supervened upon the group. “The brother of Mr. Cyril Waring, who was so kind the other day to my daughter in the tunnel.”
The Colonel started imperceptibly to the naked eye again.
“Oh, indeed,” he said, forcing himself with an effort to speak at last. “I’ve read about it, of course; it was in all the papers.... And—eh—is your brother here, too, this afternoon, Mr. Waring?”
To both Elma and her mother this meeting between Colonel Kelmscott and Guy Waring was full of mystery. For the Kelmscotts, of Tilgate Park, were the oldest county family in all that part of Surrey; and Colonel Kelmscott himself passed as the proudest man of that haughtiest house in Southern England. What, therefore, could have made him give so curious and almost imperceptible a start the moment Guy Waring’s name was mentioned in conversation? Not a word that he said, to be sure, implied to Guy himself the depth of his surprise; but Elma, with her marvellous insight, could see at once, for all that, by the very haze in his eyes, that he was fascinated by Guy’s personality, somewhat as she herself had been fascinated the other day in the train by Sardanapalus. Nay, more; he seemed to wish, with all his heart, to leave the young man’s presence, and yet to be glued to the spot, in spite of himself, by some strange compulsion.
It was with a dreamy, far-away tone in his voice that the Colonel uttered those seemingly simple words, “And is your brother here, too, this afternoon, Mr. Waring?”
“Yes, he’s somewhere about,” Guy answered carelessly. “He’ll turn up by-and-by, no doubt. He’s pretty sure to find out, sooner or later, Miss Clifford’s here, and then he’ll come round this way to speak to her.”
For some time they stood talking in a little group by the bench, Colonel Kelmscott meanwhile thawing by degrees and growing gradually interested in what Guy had to say, while Elma looked on with a devouring curiosity.
“Your brother’s a painter, you say,” the Colonel murmured once under that heavy white moustache of his; “yes, I think I remember. A rising painter. Had a capital landscape in the Grosvenor last year, I recollect, and another in the Academy this spring, if I don’t mistake—skied—skied, unfairly; yet a very pretty thing, too; ‘At the Home of the Curlews.’”
“He’s painting a sweet one now,” Elma put in quickly, “down here, close by, in Chetwood Forest. He told me about it; it must be simply lovely—all fern and mosses, with, oh! such a beautiful big snake in the foreground.”
“I should like to see it,” Colonel Kelmscott said slowly, not without a pang. “If it’s painted in the forest—and by your brother, Mr. Waring—that would give it, to me, a certain personal value.” He paused a moment; then he added, in a little explanatory undertone, “I’m lord of the manor, you know, at Chetwood; and I shoot the forest.”
“Cyril would be delighted to let you see the piece when it’s finished,” Guy answered lightly. “If you’re ever up in town our way—we’ve rooms in Staple Inn. I dare say you know it—that quaint, old-fashioned looking place, with big lattice windows, that overhangs Holborn.”
Colonel Kelmscott started, and drew himself up still taller and stiffer than before.
“I may have some opportunity of seeing it some day in one of the galleries,” he answered coldly, as if not to commit himself. “To tell you the truth, I seldom have time to lounge about in studios. It was merely the coincidence of the picture being painted in Chetwood Forest that made me fancy for a moment I might like to see it. But I’m no connoisseur. Mrs. Clifford, may I take you to get a cup of tea? Tea, I think, is laid out in the tent behind the shrubbery.”
It was said in a tone to dismiss Guy politely; and Guy, taking the hint, accepted it as such, and fell back a pace or two to his garrulous old lady. But before Colonel Kelmscott could walk off Mrs. Clifford and her daughter to the marquee for refreshments, Elma gave a sudden start, and blushed faintly pink through that olive-brown skin of hers.
“Why, there’s MY Mr. Waring!” she exclaimed, in a very pleased tone, holding out her hand, with a delicious smile; and as she said it, Cyril and Montague Nevitt strolled up from behind a great clump of lilacs beside them.
Two pairs of eyes watched those young folks closely as they shook hands once more—Guy’s and Mrs. Clifford’s. Guy observed that a little red spot rose on Cyril’s cheek he had rarely seen there, and that his voice trembled slightly as he said, “How do you do?” to his pretty fellow-traveller of the famous adventure. Mrs. Clifford observed that the faint pink faded out of the olive-brown skin as Elma took Cyril Waring’s hand in hers, and that her face grew pale for three minutes afterwards. And Colonel Kelmscott, looking on with a quietly observant eye, remarked to himself that Cyril Waring was a very creditable young man indeed, as handsome as Guy, and as like as two peas, but if anything perhaps even a trifle more pleasing.
For the rest of that afternoon, they six kept constantly together.
Elma noted that Colonel Kelmscott was evidently ill at ease; a thing most unusual with that proud, self-reliant aristocrat. He held himself, to be sure, as straight and erect as ever, and moved about the grounds with that same haughty air of perfect supremacy, as of one who was monarch of all he surveyed in the county of Surrey. But Elma could see, for all that, that he was absent-minded and self-contained; he answered all questions in a distant, unthinking way; some inner trouble was undoubtedly consuming him. His eyes were all for the two Warings. They glanced nervously right and left every minute in haste, but returned after each excursion straight to Guy and Cyril. The Colonel noted narrowly all they said and did; and Elma was sure he was very much pleased at least with her painter. How could he fail to be, indeed?—for Mr. Waring was charming. Elma wished she could have strolled off with him about the lawn alone, were it only ten paces in front of her mother. But somehow the fates that day were unpropitious. The party held together as by some magnetic bond, and Mrs. Clifford’s eye never for one moment deserted her.
The Colonel glowered. The Colonel was moody. His speech was curt. He occupied himself mainly in listening to Guy and Cyril. A sort of mesmeric influence seemed to draw him towards the two young men.
He drew them out deliberately. Yet the start he had given as either young man came up towards his side was a start, not of mere neutral surprise, but of positive disinclination and regret at the meeting. Nay, even now he was angling hard, with all the skill of a strategist, to keep the Warings out of Lady Emily’s way. But the more he talked to them, the more interested he seemed. It was clear he meant to make the most of this passing chance—and never again, if he could help it, Elma felt certain, to see them.
Once, and once only, Granville Kelmscott, his son, strolled casually up and joined the group by pure chance for a few short minutes. The heir of Tilgate Park was tall and handsome, though less so than his father; and Mrs. Clifford was not wholly indisposed to throw him and Elma together as much as possible. Younger by a full year than the two Warings, Granville Kelmscott was not wholly unlike them in face and manner. As a rule, his father was proud of him, with a passing great pride, as he was proud of every other Kelmscott possession. But to-day, Elma’s keen eye observed that the Colonel’s glance moved quickly in a rapid dart from Cyril and Guy to his son Granville, and back again from his son Granville to Guy and Cyril. What was odder still, the hasty comparison seemed to redound not altogether to Granville’s credit. The Colonel paused, and stifled a sigh as he looked; then, in spite of Mrs. Clifford’s profound attempts to retain the heir by her side, he sent the young man off at a moment’s notice to hunt up Lady Emily. Now why on earth did he want to keep Granville and the Warings apart? Mrs. Clifford and Elina racked their brains in vain; they could make nothing of the mystery.
It was a long afternoon, and Elma enjoyed it, though she never got her tete-a-tete after all with Cyril Waring. Just a rapid look, a dart from the eyes, a faint pressure of her hand at parting—that was all the romance she was able to extract from it, so closely did Mrs. Clifford play her part as chaperon. But as the two young men and Montague Nevitt hurried off at last to catch their train back to town, the Colonel turned to Mrs. Clifford with a sigh of relief.
“Splendid young fellows, those,” he exclaimed, looking after them. “I’m not sorry I met them. Ought to have gone into a cavalry regiment early in life; what fine leaders they’d have made, to be sure, in a dash for the guns or a charge against a battery! But they seem to have done well for themselves in their own way: carved out their own fortunes, each after his fashion. Very plucky young fellows. One of them’s a painter, and one’s a journalist; and both of them are making their mark in their own world. I really admire them.”
And on the way to the station, that moment, Mr. Montague Nevitt, as he lit his cigarette, was saying to Cyril, with an approving smile, “Your Miss Clifford’s pretty.”
“Yes,” Cyril answered drily, “she’s not bad looking. She looked her best to-day. And she’s capital company.”
But Guy broke out unabashed into a sudden burst of speech.
“Not bad looking!” he cried contemptuously. “Is that all you have to say of her? And you a painter, too! Why, she’s beautiful! She’s charming! If Cyril was shut up in a tunnel with HER—-”
He broke off suddenly.
And for the rest of the way home he spoke but seldom. It was all too true. The two Warings were cast in the self-same mould. What attracted one, it was clear, no less surely and certainly attracted the other.
As they went to their separate rooms in Staple Inn that night, Guy paused for a moment, candle in hand, by his door, and looked straight at Cyril.
“You needn’t fear ME,” he said, in a very low tone. “She’s yours. You found her. I wouldn’t be mean enough for a minute to interfere with your find. But I’m not surprised at you. I would do the same myself, if I could have seen her first. I won’t see her again. I couldn’t stand it. She’s too beautiful to see and not to fall in love with.”