HIS DISTINGUISHING GIFT

The Coyote, however, had discovered a new amusement. From that day he simply "laid" for that little dog, and if he found him a hundred yards or so from camp, would chase and race him back in terror to some shelter. At last things got so bad that if we went for a ride even, and Chink followed us, the Coyote would come along, too, and continue his usual amusement.

At first it was funny, and then it became tedious, and at last it was deeply resented by Chink'smaster. A man feels for his dog; he wasn't going to stand still and see his dog abused. He began to grumble vaguely about "If something didn't happen pretty soon, something else would." Just what he meant I didn't ask, but I know that the Coyote disappeared one day, and never was seen or heard of again. I'm not supposed to know any thing about it, but I have my suspicions, although in those days the Coyote was a protected animal.

The scientific name of the Coyote (Canis latrans), literally "Barking Dog," is given for the wonderful yapping chorus with which they seldom fail to announce their presence in the evening, as they gather at a safe distance from the campfire. Those not accustomed to the sound are very ready to think that they are surrounded by a great pack of ravening Wolves, and get a sufficiently satisfactory thrill of mingled emotions at the sound. But the guide will reassure you by saying that that great pack of howling Wolves is nothing more than a harmless little Coyote, perhaps two, singing their customary vesper song, demonstrating their wonderful vocal powers. Their usual music begins with a few growling, gurgling yaps which are rapidly increased in volume and heightened in pitch, untilthey rise into a long squall or scream, which again, as it dies away, breaks up into a succession of yaps and gurgles. Usually one Coyote begins it, and the others join in with something like agreement on the scream.

I believe I never yet camped in the West without hearing this from the near hills when night time had come. Last September I even heard it back of the Mammoth Hot Springs Hotel, and I must say I have learned to love it. It is a wild, thrilling, beautiful song. Our first camp was at Yancey's last summer and just after we had all turned in, the Coyote chorus began, a couple of hundred yards from the camp. My wife sat up and exclaimed, "Isn't it glorious? now I know we are truly back in the West."

The Park authorities are making great efforts to reduce the number of Coyotes because of their destructiveness to the young game, but an animal that is endowed with extraordinary wits, phenomenal speed, unexcelled hardihood, and marvellous fecundity, is not easily downed. I must confess that if by any means they should succeed in exterminating the Coyote in the West, I should feel that I had lost something of very great value. I never fail to get that joyful thrill when the "Medicine Dogs" sing their "Medicine Song"in the dusk, or the equally weird and thrilling chorus with which they greet the dawn; for they have a large repertoire and a remarkable register. The Coyote is indeed the Patti of the Plains.

I am the Coyote that sings each night at dark;It was by gobbling prairie-dogs that I got such a bark.At least a thousand prairie-dogs I fattened on, you see,And every bark they had in them is reproduced in me.Refrain:I can sing to thrill your soul or pierce it like a lance,And all I ask of you to do is give me half a chance.With a yap—yap—yap for the morningAnd a yoop—yoop—yoop for the nightAnd a yow—wow—wow for the rising moonAnd a yah-h-h-h for the campfire light.Yap—yoop—yow—yahhh!I gathered from the howling winds, the frogs and crickets too,And so from each availing fount, my inspiration drew.I warbled till the little birds would quit their native bush.And squat around me on the ground in reverential hush.Refrain:I'm a baritone, soprano, and a bass and tenor, too.I can thrill and slur and frill and whirr and shake you through and through.I'm a Jews' harp—I'm an organ—I'm a fiddle and a flute.Every kind of touching sound is found in the coyoot.Refrain:I'm a whooping howling wilderness, a sort of Malibran.With Lind, Labache and Melba mixed and all combined in one.I'm a grand cathedral organ and a calliope sharp,I'm a gushing, trembling nightingale, a vast Æolian harp.Refrain:I can raise the dead or paint the town, or pierce you like a lanceAnd all I ask of you to do is to give me half a chance.Etc., etc., etc.(Encore verses)Although I am a miracle, I'm not yet recognized.Oh, when the world does waken up how highly I'll be prized.Then managers and vocal stars—and emperors effeteShall fling their crowns, their money bags, their persons, at my feet.Refrain:I'm the voice of all the Wildest West, the Patti of the Plains;I'm a wild Wagnerian opera of diabolic strains;I'm a roaring, ranting orchestra with lunatics be-crammed;I'm a vocalized tornado—I'm the shrieking of the damned.Refrain:

I am the Coyote that sings each night at dark;It was by gobbling prairie-dogs that I got such a bark.At least a thousand prairie-dogs I fattened on, you see,And every bark they had in them is reproduced in me.

Refrain:

I can sing to thrill your soul or pierce it like a lance,And all I ask of you to do is give me half a chance.With a yap—yap—yap for the morningAnd a yoop—yoop—yoop for the nightAnd a yow—wow—wow for the rising moonAnd a yah-h-h-h for the campfire light.Yap—yoop—yow—yahhh!

I gathered from the howling winds, the frogs and crickets too,And so from each availing fount, my inspiration drew.I warbled till the little birds would quit their native bush.And squat around me on the ground in reverential hush.

Refrain:

I'm a baritone, soprano, and a bass and tenor, too.I can thrill and slur and frill and whirr and shake you through and through.I'm a Jews' harp—I'm an organ—I'm a fiddle and a flute.Every kind of touching sound is found in the coyoot.

Refrain:

I'm a whooping howling wilderness, a sort of Malibran.With Lind, Labache and Melba mixed and all combined in one.I'm a grand cathedral organ and a calliope sharp,I'm a gushing, trembling nightingale, a vast Æolian harp.

Refrain:

I can raise the dead or paint the town, or pierce you like a lanceAnd all I ask of you to do is to give me half a chance.Etc., etc., etc.

(Encore verses)

Although I am a miracle, I'm not yet recognized.Oh, when the world does waken up how highly I'll be prized.Then managers and vocal stars—and emperors effeteShall fling their crowns, their money bags, their persons, at my feet.

Refrain:

I'm the voice of all the Wildest West, the Patti of the Plains;I'm a wild Wagnerian opera of diabolic strains;I'm a roaring, ranting orchestra with lunatics be-crammed;I'm a vocalized tornado—I'm the shrieking of the damned.

Refrain:

FOOTNOTES:[A]All rights reserved.

[A]All rights reserved.

[A]All rights reserved.

The common Prairie-dog is typical of the West, more so than the Buffalo is, and its numbers, even now, rival those of the Buffalo in its palmiest days. I never feel that I am truly back on the open range till I hear their call and see the Prairie-dogs once more upon their mounds. As you travel up the Yellowstone Valley from Livingstone to Gardiner you may note in abundance this "dunce of the plains." The "dog-towns" are frequent along the railway, and at each of the many burrows you see from one to six of the inmates. As you come near Gardiner there is a steady rise of the country, and somewhere near the edge of the Park the elevation is such that it imposes one of those mysterious barriers to animal extension which seem to be as impassable as they are invisible. The Prairie-dog range ends near the Park gates. General GeorgeS. Anderson tells me, however, that individuals are occasionally found on the flats along the Gardiner River, but always near the gate, and never elsewhere in the Park. On this basis, then, the Prairie-dog is entered as a Park animal.

It is, of course, a kind of Ground-squirrel. The absurd name "dog" having been given on account of its "bark." This call is a high-pitched "yek-yek-yek-yeeh," uttered as an alarm cry while the creature sits up on the mound by its den, and every time it "yeks" it jerks up its tail. Old timers will tell you that the Prairie-dog's voice is tied to its tail, and prove it by pointing out that one is never raised without the other.

As we have seen, the Coyote looks on the dog-town much as a cow does on a field of turnips or alfalfa—a very proper place, to seek for wholesome, if commonplace, sustenance. But Coyotes are not the only troubles in the life of Yek-yek.

Ancient books and interesting guides will regale the traveller with most acceptable stories about the Prairie-dog, Rattlesnake, and the Burrowing Owl, all living in the same den on a basis of brotherly love and Christian charity; having effected, it would seem, a limited partnership and a most satisfactory division of labour: the Prairie-dog is to dig the hole, the Owl to mount sentry and givewarning of all danger, and the Rattler is to be ready to die at his post as defender of the Prairie-dog's young. This is pleasing if true.

There can be no doubt that at times all three live in the same burrow, and in dens that the hard-working rodent first made. But the simple fact is that the Owl and the Snake merely use the holes abandoned (perhaps under pressure) by the Prairie-dog; and if any two of the three underground worthies happen to meet in the same hole, the fittest survives. I suspect further that the young of each kind are fair game and acceptable, dainty diet to each of the other two.

Farmers consider Prairie-dogs a great nuisance; the damage they do to crops is estimated at millions per annum. The best way to get rid of them, practically the only way, is by putting poison down each and every hole in the town, which medieval Italian mode has become the accepted method in the West.

Poor helpless little Yek-yek, he has no friends; his enemies and his list of burdens increase. The prey of everything that preys, he yet seems incapable of any measure of retaliation. The only visible joy in his life is his daily hasty meal of unsucculent grass, gathered between cautious looks around for any new approaching trouble, and brokenby so many dodges down the narrow hole that his ears are worn off close to his head. Could any simpler, smaller pleasure than his be discovered? Yet he is fat and merry; undoubtedly he enjoys his every day on earth, and is as unwilling as any of us to end the tale. We can explain him only if we credit him with a philosophic power to discover happiness within in spite of all the cold unfriendly world about him.

When the far-off squirrel ancestor of Yek-yek took to the plains for a range, another of the family selected the rocky hills.

He developed bigger claws for the harder digging, redder colour for the red-orange surroundings, and a far louder and longer cry for signalling across the peaks and canyons, and so became the bigger, handsomer, more important creature we call the Mountain Whistler, Yellow Marmot or Orange Woodchuck.

In all of the rugged mountain parts of the Yellowstone one may hear his peculiar, shrill whistle, especially in the warm mornings.

You carefully locate the direction of the note and proceed to climb toward it. You may have an hour's hard work before you sight the orange-breastedWhistler among the tumbled mass of rocks that surround his home, for it is a far-reaching sound, heard half a mile away at times.

Those who know the Groundhog of the East would recognize in the Rock Woodchuck its Western cousin, a little bigger, yellower, and brighter in its colours, living in the rocks and blessed with a whistle that would fill a small boy with envy. Now, lest the critical should object to the combination name of "Rock Woodchuck," it is well to remind them that "Woodchuck" has nothing to do with either "wood" or "chucking," but is our corrupted form of an Indian name "Ot-choeck," which is sometimes written also "We-jack."

In the ridge of broken rocks just back of Yancey's is a colony of the Whistlers; and there as I sat sketching one day, with my camera at hand, one poked his head up near me and gave me the pose that is seen in the photograph.

Among my school fellows was a boy named Waddy who had a mania for collecting odds, ends, curios, bits of brass or china, shiny things, pebbles, fungus, old prints, bones, business cards, carved peach stones, twisted roots, distorted marbles, or freak buttons. Anything odd or glittering was his especialjoy. He had no theory about these things. He did not do anything in particular with them. He found gratification in spreading them out to gloat over, but I think his chief joy was in the collecting. And when some comrade was found possessed of a novelty that stirred his cupidity, the pleasure of planning a campaign to secure possession, the working out of the details, and the glory of success, were more to Waddy than any other form of riches or exploit.

The Pack-rat is the Waddy of the mountains, or Waddy was the Pack-rat of the school. Imagine, if you would picture the Pack-rat, a small creature like a common rat, but with soft fur, a bushy tail, and soulful eyes, living the life of an ordinary rat in the woods, except that it has an extraordinary mania for collecting curios.

There can be little doubt that this began in the nest-building idea, and then, because it was necessary to protect his home, cactus leaves and thorny branches were piled on it. The instinct grew until to-day the nest of a Pack-rat is a mass of rubbish from one to four feet high, and four to eight feet across. I have examined many of these collections. They are usually around the trunks in a clump of low trees, and consist of a small central nest about eight inches across, warm and soft, with a great mass ofsticks and thorns around and over this, leaving a narrow entrance well-guarded by an array of cactus spines; then on top of all, a most wonderful collection of pine cones, shells, pebbles, bones, scraps of paper and tin, and the skulls of other animals. And when the owner can add to these works of art or vertu a brass cartridge, a buckle or a copper rivet, his little bosom is doubtless filled with the same high joy that any great collector might feel on securing a Raphael or a Rembrandt.

I remember finding an old pipe in one Rat museum. Pistol cartridges are eagerly sought after, so are saddle buckles, even if he has to cut them surreptitiously from the saddle of some camper. And when any of these articles are found missing it is usual to seek out the nearest Rat house, and here commonly the stolen goods are discovered shamelessly exposed on top. I remember hearing of a set of false teeth that were lost in camp, but rescued in this very way.

"Pack" is a Western word meaning "carry," and thus the Rat that carries off things is the "Pack-rat." But it has another peculiarity. As though it had a conscience disturbed by pilfering the treasure of another, it often brings back what may beconsidered a fair exchange. Thus a silver-plated spoon may have gone from its associate cup one night, but in that cup you may find a long pine cone or a surplus nail, by which token you may know that a Pack-rat has called and collected. Sometimes this enthusiastic fancier goes off with food, but leaves something in its place; in one case that I heard of, the Rat, either with a sense of humour or a mistaken idea of food values, after having carried off the camp biscuit, had filled the vacant dish with the round pellets known as "Elk sign." But evidently there is a disposition to deal fair; not to steal, but to trade. For this reason the creature is widely known as the "Trade Rat."

Although I have known the Pack-rat for years in the mountains, I never saw one within the strict lines of the Yellowstone sanctuary. But the guides all assure me that they are found and manifest the same disposition here as elsewhere. So that if you should lose sundry bright things around camp, or some morning find your boots stuffed with pebbles, deer sign, or thorns, do not turn peevish or charge the guide with folly; it means, simply, you have been visited by a Mountain Rat, and anyuneatables you miss will doubtless be found in his museum, which will be discovered within a hundred yards—a mass of sticks and rubbish under a tree—with somebright and shiny things on the top where the owner can sit amongst them on sunny days, and gloat till his little black eyes are a-swim, and his small heart filled with holy joy.

Pack-rat nestPack-rat nest

As you cross any of the level, well-grassed prairie regions in the Yellowstone you will see piles of soft earth thrown up in little hillocks, sometimes a score or more of them bunched together. The drivers will tell you that these are molehills, which isn't quite true. For the Mole is a creature unknown in the Park, and the animal that makes these mounds is exceedingly abundant. It is the common Mole-gopher, a gopher related very distantly to the Prairie-dog and Mountain Whistler, but living the underground life of a Mole, though not even in the same order as that interesting miner, for the Mole-gopher is a rodent (OrderRodentia) and the Mole a bug-eater (OrderInsectivora); just as different as Lion and Caribou.

The Mole-gopher is about the size of a rat, but has a short tail and relatively immense forepaws and claws. It is indeed wonderfully developed as a digger.

Examine the mound of earth thrown up. If it is a fair example, it will make fully half a bushel.Next count the mounds that are within a radius of fifty paces; probably all are the work of this Gopher, or rather this pair, for they believe in team play.

Search over the ground carefully, and you will discern that there are scores of ancient mounds flattened by the weather, and traces of hundreds, perhaps, that date from remote years.

Now multiply the size of one mound by the number of mounds, and you will have some idea of the work done by this pair. Finally, remembering that there may be a pair of Gophers for every acre in the Park, estimate the tons of earth moved by one pair and multiply it by the acres in the Park, and you will get an idea of the work done by those energetic rodents as a body, and you will realize how well he has won his Indian name, the "Upheaver."

We are accustomed to talk of upheaval in geology as a frightful upset of all nature, but here before our eyes is going on an upheaval of enormous extent and importance, but so gently and pleasantly done that we enjoy every phase of the process.

The Mole-gopherThe Mole-gopher

Fair Lady Multo Millionaire riding in the dusty stagecoach, comparing as you go the canyons of the Yellowstone with memories of Colorado, Overland, and Stalheim, you, in your winter home, know all about fur as it enters your world with its beauty, its warmth, its price—its gauge of the wearer's pocket. Let me add a segment of the circle to round your knowledge out.

When nature peopled with our four-foot kin the cold north lands, it was necessary to clothe these little brethren of ours in a coat that should be absolutely warm, light, durable, of protective colour, thick in cold weather, thin in warm. Under these conditions she producedfur, with its densely woolly undercoat and its long, soft, shining outer coat, one for warmth, the other for wet and wear. Some northern animals can store up foodin holes or in the fat of their bodies, so need not be out when the intensest cold is on the land. Some have to face the weather all winter, and in these we find the fur of its best quality. Of this class are the Marten and the Northern Fox. They are the finest, warmest, lightest, softest of all furs. But colour is a cardinal point when beauty is considered and where fashion is Queen. So the choicest colours are the soft olive brown with silver hairs, found in the Russian Sable, and the glossy black with silver hairs, found in the true Silver Fox of the North.

What is the Silver Fox? Simply a black freak, a brunette born into a red-headed family. But this does not cast any reflection on the mother or on father's lineage. On the contrary, it means that they had in them an element of exceptional vigour, which resulted in a peculiar intensifying of all pigments, transmuting red into black and carrying with it an unusual vigour of growth and fineness of texture, producing, in short, the world-famed Silver Fox, the lightest, softest, thickest, warmest, and most lustrous of furs, the fur worth many times its weight in gold, and with this single fault, that it does not stand long wear.

V. Red Fox Captive; photo by E. T. SetonV.Red FoxCaptive; photo by E. T. Seton

VI. Foxes quarrelling Captive; photo by E. T. SetonVI.Foxes quarrellingCaptive; photo by E. T. Seton

Cold and exposure are wonderful stimulants of the skin, and so it is not surprising that the real Silver Fox should appear only in very cold climates. Owing to its elevation the Yellowstone Park has the winter climate of northern Canada, and, as might have been predicted, the Silver Fox occurs among the many red-headed or bleached blonde Foxes that abound in the half open country.

You may travel all round the stage route and neither see nor hear a Fox, but travel quietly on foot, or better, camp out, and you will soon discover the crafty one in yellow, or, rather, he will discover you. How? Usually after you have camped for the night and are sitting quietly by the fire before the hour of sleep, a curious squall is heard from the dark hillside or bushes, a squall followed by a bark like that of a toy terrier. Sometimes it keeps on at intervals for five minutes, and sometimes it is answered by a similar noise. This is the bark of a Fox. It differs from the Coyote call in being very short, very squally, much higher pitched, and without any barks in it that would do credit to a fair-sized dog. It is no use to go after him. You won't see him. You should rather sit and enjoy the truly wildwood ring of his music.

In the morning if you look hard in the dust and mud, you may find his tracks, and once in a while you will see his yellow-brown form drifting on the prairie as though wind-blown under sail of that enormous tail. For this is the big-tailed variety of Red Fox.

But if you wish to see the Fox in all his glory you must be here in winter, when the deep snow cutting off all other foods brings all the Fox population about the hotels whose winter keepers daily throw out scraps for which the Foxes, the Magpies, and a dozen other creatures wait and fight.

From a friend, connected with one of the Park hotels during the early '90's, I learned that among the big-tailed pensioners of the inn, there appeared one winter a wonderful Silver Fox; and I heard many rumours about that Fox. I was told that he disappeared, and did not die of sickness, old age, or wild-beast violence; and what I heard I may tell in a different form, only, be it remembered, the names of the persons and places are disguised, as well as the date; and my informant may have brought in details that belonged elsewhere. So that you are free to question much of the account, but the backbone of it is not open to doubt, and some of the guides in the Park can give you details that I do not care to put on paper.

How is it that all mankind has a sneaking sympathy with a poacher? A burglar or a pickpocket has our unmitigated contempt; he clearly is a criminal; but you will notice that the poacher in the story is generally a reckless dare-devil with a large and compensatory amount of good-fellow in his make-up—yes, I almost said, of good citizenship. I suppose, because in addition to the breezy, romantic character of his calling, seasoned with physical danger as well as moral risk, there is away down in human nature a strong feeling that, in spite of man-made laws, the ancient ruling holds that "wild game belongs to no man till some one makes it his property by capture." It may be wrong, it may be right, but I have heard this doctrine voiced by red men and white, as primitive law, once or twice; and have seen it lived up to a thousand times.

Well, Josh Cree was a poacher. This does not mean that every night in every month he went forth with nefarious tricks and tools, to steal the flesh and fur that legally were not his. Far from it. Josh never poached but once. But that's enough; he had crossed the line, and this is how it came about:

As you roll up the Yellowstone from Livingstonto Gardiner you may note a little ranch-house on the west of the track with its log stables, its corral, its irrigation ditch, and its alfalfa patch of morbid green. It is a small affair, for it was founded by the handiwork of one honest man, who with his wife and small boy left Pennsylvania, braved every danger of the plains, and secured this claim in the late '80's. Old man Cree—he was only forty, but every married man is "Old Man" in the West—was ready to work at any honest calling from logging or sluicing to grading and muling. He was strong and steady, his wife was steady and strong. They saved their money, and little by little they got the small ranch-house built and equipped; little by little they added to their stock on the range with the cattle of a neighbour, until there came the happy day when they went to live on their own ranch—father, mother, and fourteen-year-old Josh, with every prospect of making it pay. The spreading of that white tablecloth for the first time was a real religious ceremony, and the hard workers gave thanks to the All-father for His blessing on their every effort.

One year afterward a new event brought joy; there entered happily into their happy house a little girl, and all the prairie smiled about them. Surely their boat was well beyond the breakers.

But right in the sunshine of their joy the trouble cloud arose to block the sky. Old man Cree was missing one day. His son rode long and far on the range for two hard days before he sighted a grazing pony, and down a rocky hollow near, found his father, battered and weak, near death, with a broken leg and a gash in his head.

He could only gasp "Water" as Josh hurried up, and the boy rushed off to fill his hat at the nearest stream.

They had no talk, for the father swooned after drinking, and Josh had to face the situation; but he was Western trained. He stripped himself of all spare clothing, and his father's horse of its saddle blanket; then, straightening out the sick man, he wrapped him in the clothes and blanket, and rode like mad for the nearest ranch-house. The neighbour, a young man, came at once, with a pot to make tea, an axe, and a rope. They found the older Cree conscious but despairing. A fire was made, and hot tea revived him. Then Josh cut two long poles from the nearest timber and made a stretcher, or travois, Indian fashion, the upper ends fast to the saddle of a horse, while the other ends trailed on the ground. Thus by a long, slow journey the wounded man got back. All he had prayed for was to get home. Every invalid is sure that ifonly he can get home all will soon be well. Mother was not yet strong, the baby needed much care, but Josh was a good boy, and the loving best of all was done for the sick one. His leg, set by the army surgeon of Fort Yellowstone, was knit again after a month, but had no power. He had no force; the shock of those two dire days was on him. The second month went by, and still he lay in bed. Poor Josh was the man of the place now, and between duties, indoors and out, he was worn body and soul.

Then it was clear they must have help. So Jack S—— was engaged at the regular wages of $40 a month for outside work, and a year of struggle went by, only to see John Cree in his grave, his cattle nearly all gone, his widow and boy living in a house on which was still $500 of the original mortgage. Josh was a brave boy and growing strong, but unboyishly grave with the weight of care. He sold off the few cattle that were left, and set about keeping the roof over his mother and baby sister by working a truck farm for the market supplied by the summer hotels of the Park, and managed to come out even. He would in time have done well, but he could not get far enough ahead to meet that 10 per cent mortgage already overdue.

The banker was not a hard man, but he was inthe business for the business. He extended the time, and waited for interest again and again, but it only made the principal larger, and it seemed that the last ditch was reached, that it would be best to let the money-man foreclose, though that must mean a wipe-out and would leave the fatherless family homeless.

Winter was coming on, work was scarce, and Josh went to Gardiner to see what he could get in the way of house or wage. He learned of a chance to 'substitute' for the Park mail-carrier, who had sprained his foot. It was an easy drive to Fort Yellowstone, and there he readily agreed, when they asked him, to take the letters and packages and go on farther to the Canyon Hotel. Thus it was that on the 20th day of November 189—, Josh Cree, sixteen years old, tall and ruddy, rode through the snow to the kitchen door of the Canyon Hotel and was welcomed as though he were old Santa Claus himself.

Two Magpies on a tree were among the onlookers. The Park Bears were denned up, but there were other fur-bearers about. High on the wood-pile sat a Yellow Red Fox in a magnificent coat. Another was in front of the house, and the keeper said that as many as a dozen came some days. And sometimes, he said, there also came a wonderfulSilver Fox, a size bigger than the rest, black as coal, with eyes like yellow diamonds, and a silver frosting like little stars on his midnight fur.

"My! but he's a beauty. That skin would buy the best team of mules on the Yellowstone." That was interesting and furnished talk for a while. In the morning when they were rising for their candlelight breakfast, the hotel man glancing from the window exclaimed, "Here he is now!" and Josh peered forth to see in the light of sunrise something he had often heard of, but never before seen, a coal-black Fox, a giant among his kind. How slick and elegant his glossy fur, how slim his legs, and what a monstrous bushy tail; and the other Foxes moved aside as the patrician rushed in impatient haste to seize the food thrown out by the cook.

"Ain't he a beauty?" said the hotel man. "I'll bet that pelt would fetch five hundred."

Oh, why did he say "five hundred," the exact sum, for then it was that the tempter entered into Josh Cree's heart. Five hundred dollars! just the amount of the mortgage. "Who owns wild beasts? The man that kills them," said the tempter, and the thought was a live one in his breast as Josh rode back to Fort Yellowstone.

At Gardiner he received his pay, $6, for threedays' work and, turning it into groceries, set out for the poor home that soon would be lost to him, and as he rode he did some hard and gloomy thinking. On his wrist there hung a wonderful Indian quirt of plaited rawhide and horsehair with beads on the shaft, and a band of Elk teeth on the butt. It was a pet of his, and "good medicine," for a flat piece of elkhorn let in the middle was perforated with a hole, through which the distant landscape was seen much clearer—a well-known law, an ancient trick, but it made the quirt prized as a thing of rare virtue, and Josh had refused good offers for it. Then a figure afoot was seen, and coming nearer, it turned out to be a friend, Jack Day, out a-gunning with a .22 rifle. But game was scarce and Jack was returning to Gardiner empty-handed and disgusted. They stopped for a moment's greeting when Day said: "Huntin's played out now. How'll you swap that quirt for my rifle?" A month before Josh would have scorned the offer. A ten-dollar quirt for a five-dollar rifle, but now he said briefly: "For rifle with cover, tools and ammunition complete, I'll go ye." So the deal was made and in an hour Josh was home. He stabled Grizzle, the last of their saddle stock, and entered.

Love and sorrow dwelt in the widow's home, butthe return of Josh brought its measure of joy. Mother prepared the regular meal of tea, potatoes, and salt pork; there was a time when they had soared as high as canned goods, but those prosperous days were gone. Josh was dandling baby sister on his lap as he told of his trip, and he learned of two things of interest: First, the bank must have its money by February; second, the stable at Gardiner wanted a driver for the Cook City stage. Then the little events moved quickly. His half-formed plan of getting back to the Canyon was now frustrated by the new opening, and, besides this, hope had been dampened by the casual word of one who reported that "that Silver Fox had not been seen since at the Canyon."

Then began long days of dreary driving through the snow, with a noon halt at Yancey's and then three days later the return, in the cold, the biting cold. It was freezing work, but coldest of all was the chill thought at his heart that February 1st would see him homeless.

Small bands of Mountain Sheep he saw at times on the slope of Evarts, and a few Blacktail, and later, when the winter deepened, huge bull Elk were seen along the trail. Sometimes they moved not more than a few paces to let him pass. These were everyday things to him, but in the secondweek of his winter work he got a sudden thrill. He was coming down the long hill back of Yancey's when what should he see there, sitting on its tail, shiny black with yellow eyes like a huge black cat unusually long and sharp in the nose, but a wonderful Silver Fox! Possibly the same as the one he saw at the Canyon, for that one he knew had disappeared and there were not likely to be two in the Park. Yes, it might be the same, and Josh's bosom surged with mingled feelings. Why did he not carry that little gun? Why did he not realize? Were the thoughts that came—$500! A noble chance! broad daylight only twenty-five yards! and gone!

The Fox was still there when Josh drove on. On the next trip he brought the little rifle. He had sawed off the stock so he could hide it easily in his overcoat if need be. No man knew that he carried arms, but the Foxes seemed to know. The Red ones kept afar and the Black one came no more. Day after day he drove and hoped but the Black Fox has cunning measured to his value. He came not, or if he came, was wisely hidden, and so the month went by, till late in the cold Moon of Snow he heard old Yancey, say "There's a Silver Fox bin a-hanging around the stable this last week. Leastwise Dave says he seen him."There were soldiers sitting around that stove, game guardians of the Park, and still more dangerous, a scout, the soldiers' guide, a mountaineer. Josh turned not an inch, he made no sound in response, but his heart gave a jump. Half an hour later he went out to bed his horses for the night, and peering around the stable he saw a couple of shadowy forms that silently shifted until swallowed by the gloom.

Then the soldiers came to bed their horses, and Josh went back to the stove. His big driving coat hung with the little sawed-off rifle in the long pocket. He waited till the soldiers one by one went up the ladder to the general bunk-room. He rose again, got the lantern, lighted it, carried it out behind the lonely stable. The horses were grinding their hay, the stars were faintly lighting the snow. There was no one about as he hung the lantern under the eaves outside so that it could be seen from the open valley, but not from the house.

A faintYap-yah, of a Fox was heard on the piney hillside, as he lay down on the hay in the loft, but there were no signs of life on the snow. He had come to wait all night if need be, and waited. The lantern might allure, it might scare, but it was needed in this gloom, and ittinged the snow with faint yellow light below him. An hour went by, then a big-tailed form came near and made a little bark at the lantern. It looked very dark, but it had a paler patch on the throat. This waiting was freezing work; Josh's teeth were chattering in spite of his overcoat. Another gray form came, then a much larger black one shaped itself on the white. It dashed at the first, which fled, and the second one followed but a little, and then sat down on the snow, gazing at that bright light. When you are sure, you aresosure—Josh knew him now, he was facing the Silver Fox. But the light was dim. Josh's hand trembled as he bared it to lay the back on his lips and suck so as to make a mousey squeak. The effect on the Fox was instant. He glided forward intent as a hunting cat. Again he stood in, oh! such a wonderful pose, still as a statue, frozen like a hiding partridge, unbudging as a lone kid Antelope in May. And Josh raised—yes, he had come for that—he raised that fatal gun. The lantern blazed in the Fox's face at twenty yards; the light was flung back doubled by its shining eyes; it looked perfectly clear. Josh lined the gun, but, strange to tell, the sights so plain were lost at once, and the gun was shaking like a sorghum stalk while the Gopher gnaws its root.

He laid the weapon down with a groan, cursed his own poor trembling hand, and in an instant the wonder Fox was gone.

Poor Josh! He wasn't bad-tongued, but now he used all the evil words he had ever heard, and he was Western bred. Then he reacted on himself. "The Fox might come back!" Suddenly he remembered something. He got out a common sulphur match. He wet it on his lips and rubbed it on the muzzle sight: Then on each side of the notch on the breech sight. He lined it for a tree. Yes! surely! What had been a blur of blackness had now a visible form.

A faint bark on a far hillside might mean a coming or a going Fox. Josh waited five minutes, then again he squeaked on his bare hand. The effect was a surprise when from the shelter of the stable wall ten feet below there leaped the great dark Fox. At fifteen feet it paused. Those yellow orbs were fiery in the light and the rifle sights with the specks of fire were lined. There was a sharp report and the black-robed fur was still and limp in the snow.

Who can tell the crack of a small rifle among the louder cracks of green logs splitting with the fierce frost of a Yellowstone winter's night? Why should travel-worn, storm-worn travellers wakeat each slight, usual sound? Who knows? Who cares?

And afar in Livingston what did the fur dealer care? It was a great prize—or the banker? he got his five hundred, and mother found it easy to accept the Indians' creed: "Who owns wild beasts? The man who kills them."

"I did not know how it would come," she said; "I only knew it would come, for I prayed and believed."

We know that it came when it meant the most. The house was saved. It was the turn in their fortune's tide, and the crucial moment of the change was when those three bright sulphur spots were lined with the living lamps in the head of the Silver Fox. Yes! Josh was a poacher. Just once.


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