THEPOPULAR LIBRARY OF ART
Planned expressly for the general public. The Publishers do not hesitate in putting forward volumes on subjects which, even if handled most convincingly before, are worth repeated handling from new points of view, and they trust each volume will prove a fresh and stimulating appreciation of the subject it treats.
Planned expressly for the general public. The Publishers do not hesitate in putting forward volumes on subjects which, even if handled most convincingly before, are worth repeated handling from new points of view, and they trust each volume will prove a fresh and stimulating appreciation of the subject it treats.
Each Volume about 200 pp.Average Number of Illustrations, 45.
ALBRECHT DÜRER.ByLina Eckenstein.ROSSETTI.ByFord Madox Hueffer.REMBRANDT.ByAuguste Bréal.FREDERICK WALKER.ByClementina Black.MILLET.ByRomain Rolland.LEONARDO DA VINCI.ByDr Georg Gronau.GAINSBOROUGH.ByArthur B. Chamberlain.THE FRENCH IMPRESSIONISTS.ByCamille Mauclair.BOTTICELLI.ByJulia Cartwright(MrsAdy).G. F. WATTS.ByG. K. Chesterton.VELAZQUEZ.ByAuguste Bréal.RAPHAEL.ByJulia Cartwright(MrsAdy).HOLBEIN.ByFord Madox Hueffer.THE ENGLISH WATER-COLOUR PAINTERS.ByA. J. Finberg.WATTEAU.ByCamille Mauclair.PERUGINO.ByEdward Hutton.THE PRE-RAPHAELITE BROTHERHOOD.ByFord Madox Hueffer.CRUIKSHANK.ByW. H. Chesson.WHISTLER.ByBernhard Sickert.BLAKE.ByG. K. Chesterton.HOGARTH.ByEdward Garnett.
“A charming series. The pictures serve admirably the best purpose of book-illustration, and help the reader the better to understand the letterpress. Instructive and attractive. They deserve to be widely popular.”
“Of all the little Libraries of Art brought out at popular prices, this promises to be the best. The illustrations are extremely well chosen. The printing throughout is exceptional, and the binding is simple and appropriate.”
“Conducted on other lines than those of the many series of small books on art which the times bring forward so plentifully. In each case a critical essay which contains real criticism. Interesting and stimulating.”
Transcriber’s NoteThe following corrections were made to the text by the transcriber:Page 30, “Mary Woolstonecroft" corrected to “Mary Wollstonecraft”.Page 46, “Erywhon" corrected to “Erewhon”.Page 60, “Leonardo de Vinci" corrected to “Leonardo da Vinci”.Page 70, “rheindeer" corrected to “reindeer”.Page 88, “four of five different poems” corrected to “four or five different poems”.Page 91, “Oh, Mr Cromek, how do you do?” corrected to “Oh, Mr. Cromek, how do you do?”Page 161, “If pure lines existed only on the human mind” corrected to “If pure lines existed only in the human mind”.
Transcriber’s Note
Transcriber’s Note
The following corrections were made to the text by the transcriber:
Page 30, “Mary Woolstonecroft" corrected to “Mary Wollstonecraft”.
Page 46, “Erywhon" corrected to “Erewhon”.
Page 60, “Leonardo de Vinci" corrected to “Leonardo da Vinci”.
Page 70, “rheindeer" corrected to “reindeer”.
Page 88, “four of five different poems” corrected to “four or five different poems”.
Page 91, “Oh, Mr Cromek, how do you do?” corrected to “Oh, Mr. Cromek, how do you do?”
Page 161, “If pure lines existed only on the human mind” corrected to “If pure lines existed only in the human mind”.