It was a case of local thunderstorms on the seventeenth floor of the Corrugated Trust Building. To state it simpler, Old Hickory was runnin' a neck temperature of 210 or so, and there was no tellin' what minute he might fuse a collar-button or blow out a cylinder-head.
The trouble seemed to be that one of his pet schemes was in danger of being ditched. Some kind of an electric power distributin' stunt it is, one that he'd doped out durin' a Western trip last summer; just a little by-play with a few hundred square miles of real estate, includin' the buildin' of twenty or thirty miles of trolley and plantin' a few factories here and there.
But now here's Ballinger, our Western manager, in on the carpet, tryin' to explain why it can't be done. He's been at it for two hours, helped out by a big consultin' engineer and the chief attorney of our Chicago branch. They've waved blue-print maps, submitted reports of experts, and put in all kinds of evidence to show that the scheme has either got to be revised radical or else chucked.
"Very sorry, Mr. Ellins," says Ballinger, "but we have done our best."
"Bah!" snaps Old Hickory. "It's all waste land, isn't it? Of course he'll sell. Who is he, anyway?"
"His name," says Ballinger, pawin' over some letters, "is T. Waldo Pettigrew. Lives in New York, I believe; at least, his attorneys are here. And this is all we have been able to get out of them—a flat no." And he slides an envelope across the mahogany table.
"But what's his reason?" demands Old Hickory. "Why? That's what I want to know."
Ballinger shrugs his shoulders. "I don't pretend," says he, "to understand the average New Yorker."
"Hah!" snorts Mr. Ellins. "Once more that old alibi of the limber-spined; that hoary fiction of the ten-cent magazine and the two-dollar drama. Average New Yorker! Listen, Ballinger. There's no such thing. We're just as different, and just as much alike, as anybody else. In other words, we're human. And this Pettigrew person you seem to think such a mysterious and peculiar individual—well, what about him? Who and what is he?"
"According to the deeds," says Ballinger, "he is the son of Thomas J. and Mary Ann Pettigrew, both deceased. His attorneys are Mott, Drew & Mott. They write that their client absolutely refuses to sell any land anywhere. They have written that three times. They have declined to discuss any proposition. And there you are."
"You mean," sneers Old Hickory, "that there you are."
"If you can suggest anything further," begins Ballinger, "we shall be glad to—"
"I know," breaks in Old Hickory, "you'd be glad to fritter away another six months and let those International Power people jump in ahead of us. No, thanks. I mean to see if I can't get a little action now. Robert, who have we out there in the office who's not especially busy? Oh, yes, Torchy. I say, young man! You—Torchy!"
"Calling me, sir?" says I, slidin' out of my chair and into the next room prompt.
Old Hickory nods.
"Find that man Pettigrew," says he, tossin' over the letter. "He owns some land we need. There's a map of it, also a memorandum of what we're willing to pay. Report to-morrow."
"Yes, sir," says I. "Want me to close the deal by noon?"
Maybe they didn't catch the flicker under them bushy eyebrows. But I did, and I knew he was goin' to back my bluff.
"Any time before five will do," says he. "Wait! You'd better take a check with you."
If we was lookin' to get any gasps out of that bunch, we had another guess comin'. They knew Old Hickory's fondness for tradin' on his reputation, and that he didn't always pull it off. The engineer humps his eyebrows sarcastic, while Ballinger and the lawyer swaps a quiet smile.
"Then perhaps we had best stay over and take the deeds back with us," says Ballinger.
"Do," snaps Old Hickory. "You can improve the time hunting for your average New Yorker. Here you are, Torchy."
Say, he's a game old sport, Mr. Ellins. He plays a hundred-to-one shot like he was puttin' money on a favorite. And he waves me on my way with never a wink of them keen eyes.
"Gee!" thinks I. "Billed for a masked marvel act, ain't I? Well, that bein' the case, this is where I get next to Pettigrew or tear something loose."
Didn't need any seventh-son work to locate him. The 'phone book shows he lives on Madison Avenue. Seemed simple enough. But this was no time to risk bein' barred out by a cold-eyed butler. You can't breeze into them old brownstone fronts on your nerve. What I needed was credentials. The last place I'd be likely to get 'em would be Mott, Drew & Mott's, so I goes there first. No, I didn't hypnotize anybody. I simply wrote out an application for a job on the firm's stationery, and as they was generous with it I dashes off another note which I tucks in my pocket. Nothing sleuthy required. Why, say, I could have walked out with the letter file and the safe combination if I'd wanted to.
So when I rings the bell up at Mr. Pettigrew's I has something besides hot air to shove at Perkins. He qualifies in the old fam'ly servant class right off, for as soon as he lamps the name printed on the envelope corner he swings the door wide open, and inside of two minutes I'm bein' announced impressive in the library at the back: "From your attorneys, sir." Which as far as it goes is showin' some speed, eh?
Yea-uh! That's the way I felt about it. All I asked was to be put next to this Pettigrew party. Not that I had any special spell to work off on him; but, as Old Hickory said, he must be human, and if he was, why— Well, about then I begun to get the full effect of this weird, double-barreled stare.
Now, I don't mind takin' the once-over from a single pair of shell-rimmed goggles; but to find yourself bein' inspected through two sets of barn windows—honest, it seemed like the room was full of spectacles. I glanced hasty from one to the other of these solemn-lookin' parties ranged behind the book barricade, and then takes a chance that the one with the sharp nose and the dust-colored hair is T. Waldo.
"Mr. Pettigrew?" says I, smilin' friendly and winnin'.
"Not at all," says he, a bit pettish.
"Oh, yes," says I, turnin' to the broken-nosed one with the wavy black pompadour effect. "Of course."
He's some younger than the other, in the late twenties, I should judge, and has sort of a stern, haughty stare.
"Why of course?" he demands.
"Eh?" says I. "Why—er—well, you've got my note, ain't you, there in your hand?"
"Ah!" says he. "Rather a clever deduction; eh, Tidman?"
"I shouldn't say so," croaks the other. "Quite obvious, in fact. If it wasn't me it must be you."
"Oh, but you're such a deucedly keen chap," protests Waldo. Then he swings back to me. "From my attorneys?"
"Just came from there," says I.
"Odd," says he. "I don't remember having seen you before."
"That's right," says I. "You see, Mr. Pettigrew, I'm really representin' the Corrugated Trust and—"
"Don't know it at all," breaks in Waldo.
"That's why I'm here," says I. "Now, here's our proposition."
And say, before he can get his breath or duck under the table, I've spread out the blue-prints and am shootin' the prospectus stuff into him at the rate of two hundred words to the minute.
Yes, I must admit I was feedin' him a classy spiel, and I was just throwin' the gears into high-high for a straightaway spurt when all of a sudden I gets the hunch I ain't makin' half the hit I hoped I was. It's no false alarm, either. T. Waldo's gaze is gettin' sterner every minute, and he seems to be stiffenin' from the neck down.
"I say," he breaks in, "are—are you trying to sell me something?"
"Me?" says I. "Gosh, no! I hadn't quite got to that part, but my idea is to give you a chance to unload something on us. This Apache Creek land of yours."
"Really," says Waldo, "I don't follow you at all. My land?"
"Sure!" says I. "All this shaded pink. That's yours, you know. And as it lays now it's about as useful as an observation car in the subway. But if you'll swap it for preferred stock in our power company—"
"No," says he, crisp and snappy. "I owned some mining stock once, and it was a fearful nuisance. Every few months they wanted me to pay something on it, until I finally had to burn the stuff up."
"That's one way of gettin' rid of bum shares," says I. "But look; this is no flimflam gold mine. This is sure-fire shookum—a sound business proposition backed by one of the—"
"Pardon me," says T. Waldo, glarin' annoyed through the big panes, "but I don't care to have shares in anything."
"Oh, very well," says I. "We'll settle on a cash basis, then. Now, you've got no use for that tract. We have. Course, we can get other land just as good, but yours is the handiest. If you've ever tried to wish it onto anyone, you know you couldn't get a dollar an acre. We'll give you five."
"Please go away," says he.
"Make it six," says I. "Now, that tract measures up about—"
"Tidman," cuts in Mr. Pettigrew, "could you manage to make this young man understand that I don't care to be bothered with such rot?"
Tidman didn't have a chance.
"Excuse me," says I, flashin' Old Hickory's ten thousand dollar check, "but if there's anything overripe about that, just let me know. That's real money, that is. If you want it certified I'll—"
"Stop," says T. Waldo, holdin' up his hand like I was the cross-town traffic. "You must not go on with this silly business chatter. I am not in the least interested. Besides, you are interrupting my tutoring period."
"Your which?" says I, gawpin'.
"Mr. Tidman," he goes on, "is my private tutor. He helps me to study from ten to two every day."
"Gee!" says I. "Ain't you a little late gettin' into college?"
Waldo sighs weary.
"If I must explain," says he, "I prefer to continue improving my mind rather than idle away my days. I've never been to college or to any sort of school. I've been tutored at home ever since I can remember. I did give it up for a time shortly after the death of my father. I thought that the management of the estate would keep me occupied. But I have no taste for business—none at all. And I found that by leaving my father's investments precisely as they came to me my affairs could be simplified. But one must do something. So I engaged Mr. Tidman. What if I am nearly thirty? Is that any reason why I should give up being tutored? There is so much to learn! And to-day's period is especially interesting. We were just about getting to Thorwald the Bitter."
"Did you say Biter or Batter?" says I.
"I said Thorwald the Bitter," repeats Pettigrew. "One of the old Norse Vikings, you know."
"Go on, shoot it," says I. "What's the joke?"
"But there's no joke about it," he insists. "Surely you have heard of the Norse Vikings?"
"Not yet," says I. "I got my ear stretched, though."
"Fancy!" remarks T. Waldo, turnin' to Tidman.
Tidman stares at me disgusted, then hunches his shoulders and grunts, "Oh, well!"
"And now," says Pettigrew, "it's nearly time for Epictetus."
Sounded something like lunch to me, but I wasn't takin' any hints. I'd discovered several things that Waldo didn't care for, money being among 'em, and now I was tryin' to get a line on what he did like. So I was all for stickin' around.
"Possibly," suggests Tidman, smilin' sarcastic, "our young friend is an admirer of Epictetus."
"I ain't seen many of the big games this year," says I. "What league is he in?"
"Epictetus," says Waldo, breakin' it to me as gentle as he can, "was a Greek philosopher. We are reading his 'Discourses.'"
"Oh!" says I. "Not so close, was I? Now, what was his line of dope—something like the Dooley stuff?"
Waldo and Tidman swaps grins, sort of sly and sheepish, like they wasn't used to indulgin' in such frivolity. They seemed to enjoy it, though, and the first thing I know I'm bein' put through a sort of highbrow third degree, the object being to show up what an empty loft I wear my pink thatch on.
Course, they didn't have to dig very deep into back-number hist'ry or B. C. best sellers to prove their case, and when an extra chuckle was needed I admit I played up my part for all it was worth. Honest, they develops into a pair of reg'lar cut-ups, and seems to be havin' the time of their lives discoverin' that I thought Cleopatra must be one of the Russian ballet and Francis Bacon a new movie star.
"And yet," says Waldo, inspectin' me curious, "your employers intrust you with a ten thousand dollar check."
"They've never got onto me, the way you have," says I.
"As I have always contended," puts in Tidman, "the commercial mind is much over-rated. Its intelligence begins with the dollar sign and ends with a percentage fraction. In England, now, we—"
"Well, Peters?" breaks in T. Waldo, glancin' annoyed towards the double doors, where the butler is teeterin' back and forth on his toes.
"If you please, sir," says Peters, registerin' deep agitation, "might I have a word with you in—er—in private, sir?"
"Nonsense, Peters," says Waldo. "Don't be mysterious about silly housekeeping trifles. What is it? Come, speak up, man."
"As you like, sir," goes on Peters. "It—it's about the laundress, sir. She's sitting on a man in the basement, sir."
"Wha-a-at?" gasps Waldo.
Tidman takes it out by droppin' a book.
"A dangerous character, we think, sir," says the butler—"most likely one of a gang of burglars. Mrs. Flynn found him lurking in the coal-bin on account of his having sneezed, sir. Then she grappled him, sir."
"Oh, dear!" groans Tidman, his face goin' putty-colored.
"The deuce!" says Waldo. "And you say the laundress has him—er—"
"Quite secure, sir," says Peters. "Both hands in his hair and she sitting on his chest, sir."
"But—but this can't go on indefinitely," says Waldo. "I suppose something ought to be done about it."
"I should suggest sending for the police, sir," says Peters.
"Bother!" says Waldo. "That means my going to police court, and having the thing in the papers, and— Why, Tidman, what's the matter?"
The tutor sure was takin' it hard. His thin, bony fingers are clutchin' the chair arm desperate, clammy drops are startin' out on his brow, and his narrow-set eyes are starin' at Peters.
"She's such a heavy female—Mrs. Flynn," groans Tidman. "Right on his chest, too!"
"Better that than having him wake us up in the middle of the night flourishing firearms and demanding valuables," says Waldo.
"Ugh! Burglars. How—how silly of them to come here! It's so disturbing, and I do dread having the police in. I wish you wouldn't look so ghastly over it, Tidman. Come, suggest something."
But Tidman don't seem to be a good suggester. "Both hands in his hair. Oh!" he mutters.
"It's not your hair," sputters Waldo. "And saying idiotic things like that doesn't help. Not a bit. Must I call the police, or what?"
"The police!" whispers Tidman, hoarse and husky.
"But what else can I do?" demands Waldo. Then he turns to me. "I say, can you think of anything?"
"Seems to me I'd have a look at the gent first," says I. "Mistakes sometimes happen, you know, in the best regulated basements. Might be just a man takin' the meters, or a plumber, or something like that."
"By George, that's so!" says T. Waldo, chirkin' up. "But—er—must I go down there? Suppose he should be a burglar, after all?"
"We'd be three to one, not countin' Mrs. Flynn," says I.
"Would you help, really?" he asks eager. "You see, I'm not very strong. And Tidman—well, you can't count much on him. Besides, how does one know a burglar by sight?"
"They don't wear uniforms, that's a fact," says I; "but I might ask him what he was doin' down there and call for proof. Then, if he was only takin' the meter, why—"
"Of course," says Waldo. "We will—er—you'll do that for me, will you not? Come along, Tidman. You too, Peters. We'll just find out who the fellow is."
I must say, it's kind of a draggy rush line they formed, Tidman havin' to be almost pushed, and Peters keepin' well in the rear. I finds myself leadin' the assault, with Waldo a bad second, but tellin' me which turns to make and urgin' Tidman to follow close.
Sure enough, though, there on the laundry floor we discovers the victorious Mrs. Flynn, a wide, husky party, with something flattened underneath. About all that's visible is a pair of run-over shoes and part of a coat sleeve that's been ripped off. She seems glad to see us.
"Thanks be!" says she, sighin' grateful. "It's faint and wake I am strugglin' with this murderous little shrimp. Ah, squirm, will ye! There's men to handle ye now, and the coppers'll soon be here. Will ye take charge of him, Mr. Pettigrew?"
"No, no! Please, Mrs. Flynn!" protests Waldo. "You are doing excellently. Don't let him up just yet."
"O-o-o-o!" moans the flattened gent. "My poor back!"
"If you could ease up a bit, so we might get a look at him," I suggests. "We want to see if he's really a burglar."
"He's that, all right," says Mrs. Flynn. "Didn't I catch him red-handed prowlin' about? But if ye want to see what his ugly mug looks like, ye may. There! Sit ye up and face the gintlemen!"
She's a shifty party with her hands and feet, for with a couple of body twists Mrs. Flynn is on her knees behind him with his arms pinned to the small of his back.
"There, thief of the wor-ruld!" says she. "Tell 'em whatever you came to steal."
"Go on," says I. "Mind the lady."
"I—I'm no thief; really, gentlemen," says he. "You can see that, I trust."
"Sure!" says I. "Just mistook the basement for the drawin'-room, didn't you? And you was about to leave cards on the fam'ly. What name did you say?"
"I—I'd rather not give my name," says he, hangin' his head.
"It's being done in the best circles," says I. "These calls incog. are gettin' to be bad form. Isn't that right, Mr. Pettigrew?"
"If he is a gas man or a plumber," says Waldo, "why doesn't he say so at once?"
"There's your cue," says I. "Now come across with the alibi."
"I—I can't explain just how I happen to be here," says the gent, "but—but there are those who can."
"Eh?" says I. "Oh-ho!"
It was only a quick glance he shot over, but I caught who it was aimed at. Also, I noticed the effect. And just like that I had a swift hunch how all this ground-floor mix-up might be worked in useful.
"Mr. Pettigrew," says I, "suppose I could Sherlock Holmes this laundry mystery without callin' in the cops?"
"Oh, I should be so grateful!" says T. Waldo.
"That ain't the answer," says I. "Would it make you feel different about sellin' that land?"
"Oh, I say, you know!" protests T. Waldo, startin' to stiffen up.
For a two-by-four he lugs around a lot of cranky whims, and it looked like this was one of his pets. There's quite a mulish streak in him, too.
"All right," says I, startin' towards the basement stairs. "Settle it your own way."
"But, really, I—I don't know what to do," says Waldo. "I—I'm all upset. Of course, if you insist on the land—"
"That's talkin'!" says I. "My guess is that it won't take long. Suppose you and Peters go back upstairs. You can leave Tidman, though."
"You—you're sure it is safe?" asks Waldo.
"Look at that grip of Mrs. Flynn's," says I.
After one skittish glance, Waldo does a quick exit. At that, though, Peters beat him to it.
"Tidman," says I, when they're gone, "we'll step out towards the back a ways and consult. Hold him a minute longer, Mrs. Flynn."
"I—I don't see why I should be dragged into this," whines Tidman, as I leads him towards the rear.
"Never mind," says I. "We're goin' to clear this all up right away. Now, who is he, Tidman? Black-sheep brother, or what?"
Got a jump out of him, that jab did. But he recovers quick.
"Why, he's no relative at all," says Tidman. "I assure you that I never saw the—"
"Naughty, naughty!" says I. "Didn't I spot that peaked beak of his, just like yours? That's a fam'ly nose, that is."
"Cousin," admits Tidman, turnin' sulky.
"And sort of a blot on the escutcheon?" I goes on.
Tidman nods.
"Booze or dope?" I asks.
"Both, I think," says Tidman. "He—he has almost ruined my career."
"Pulls the Black Hand stuff on you, eh?" says I.
Tidman groans.
"I lost two positions because of him," says he. "It is only when he gets desperate that he hunts me up. I hadn't seen him for over two years until this morning. I'd been out for a walk, and he must have followed me. We were in the front vestibule, and he was begging, as usual,—threatening, too,—when I saw Mr. Pettigrew coming in. So I hurried Ralph through the hall and downstairs. I thought he could stay there until I was through tutoring; then I could give him something and send him off. But that Mrs. Flynn—"
"She's a swell short-stop," says I. "Doin' extra duty, too. Got a couple of fives on you?"
"Why, ye-e-es," says Tidman; "but what—"
"You're goin' to reward her for sittin' on Cousin Ralph so long," says I. "Give her one of the fives. You can slip the other to him as we shoo him through the back door. Now, let's go relieve Mrs. Flynn."
From the rough way we collared Ralph and led him off, she must have thought we was headin' him straight for Sing Sing. Anyway, that five-spot kept her mind busy.
Our remarks to Ralph were short but meaty. "You see the bally muss you got me into, I hope," says Tidman.
"And just remember," I adds, "when the fit strikes you to call again, that Mrs. Flynn is always on hand."
"She's a female hyena, that woman," says Cousin Ralph, rubbin' his back between groans. "I—I wouldn't get within a mile of her again for a fortune."
Couldn't have been more'n ten minutes before the three of us—Waldo, Tidman, and me—was all grouped in the lib'ry again, just as though nothing had happened.
"My hunch was right," says I. "He wasn't a burglar. Ask Tidman."
Tidman backs me up hearty.
"Then who the deuce was he," demands Waldo, "and what was he—"
"Now, say!" says I. "You've been let out, ain't you? He's gone; no police, no court proceedin's, no scandal in the servants' quarters. Ain't that enough?"
"You're quite right," says Waldo. "And we still have time for that chapter of—"
"So you have," says I; "only you got to ditch this Toothpicketus work until you sign an order to your lawyers about sellin' that land. Here, lemme draft it off for you. Twelve words. Likely they'll want an O. K. on the 'phone, too; but you won't mind that. Now your signature. Thanks. And say, any time you and Tidman need a crude commercial mind to help you out, just send for me."
Uh-huh! By three o'clock next day we owned the whole of that Apache Creek tract and had the goods to shove at Ballinger.
Was it a smear? It was—a smear plus. Tickled? Why, Old Hickory came so near smilin' I was afraid that armor-plate face of his was goin' to crack.
But say, don't tell the National Real Estaters' League about that commission check he slipped me. I might lose my amateur standin'.
Next time I'll pay attention. For Vee must have mentioned how this Cousin Myra of hers was comin'. Yes, I remember now. Said something about her being an old-maid niece of Auntie's who was due to drift in from Bermuda or California or somewhere, and that she might stay over a few days.
But it was no solemn warning as it had a right to be. So, by the time I gets this sudden hunch the other night about runnin' up for a little unlisted chat with Vee, I must have forgotten. Not one of my regular evenin's, you understand, nor any special date: I was just takin' a chance. And when the maid tells me Miss Vee and Auntie have gone out for an after-dinner stroll on the Drive, I chucks my new felt-rim straw on the hall table and remarks careless that, as Auntie ain't likely to do any Marathon before bedtime, I guess I'll wait.
Helma grins. "Mees Burr, she in bookrary, yes," says she.
"Oh!" says I. "The cousin? That'll be all the better. Good chance for me to be gettin' in right with her. Tell her what to expect, Helma."
That's the sort of social plunger I am—regular drawing-room daredevil, facin' all comers, passin' out the improvised stuff to strangers, and backin' myself strong for any common indoor event. That is, I was until about 8:13 that evenin'. Then I got in range of them quick-firin' dart throwers belongin' to Miss Myra Burr.
Say, there's some people that shouldn't be allowed at large without blinders on. Myra's one. Her eyes are the stabby kind, worse than long hatpins. Honest, after one glance I felt like I was bein' held up on a fork.
"Ouch!" says I, under my breath. But she must have heard.
"I beg pardon," says she. "Did you say something?"
"Side remark to my elbow," says I. "Must have caught the decreasing as I came through. Excuse it."
"Oh!" says she. "You are the young man who dances such constant attendance on Verona, are you?"
"That's a swell way of puttin' it," says I. "And I suppose you're the—er—"
"I am Miss Burr," says she. "Verona is my cousin."
"Well, well!" says I. "Think of that!"
"Please don't reflect on it too hard," says she, "if you find the fact unpleasant."
"Why—er—" I begins, "I only meant—ah— Don't let me crash in on your readin', though."
Her thin lips flatten into a straight line—the best imitation of a smile she can work up, I expect—and she turns down a leaf in her magazine. Then she shifts sudden to another chair, where she has me under the electrolier, facin' her, and I knows that I'm let in for something. I could almost hear the clerk callin', "Hats off in the courtroom."
Odd, ain't it, how you can get sensations like that just from a look or two? And with dimmers on them lamps of hers Myra wouldn't have scared anybody. Course, her nose does have sort of a thin edge to it, and her narrow mouth and pointed chin sort of hints at a barbed-wire disposition; but nothing real dangerous.
Still, Myra ain't one you'd snuggle up to casual, or expect to do any hand-holdin' with. She ain't costumed for the part, for one thing. No, hardly. Her idea of an evenin' gown seems to be to kick off her ridin'-boots and pin on a skirt. She still sticks to the white neck-stock; and, the way her hair is parted in the middle and drawn back tight over her ears, she's all fixed to weather a gale. Yes, Myra has all the points of a plain, common-sense female party just taggin' thirty-five good-by.
Not that I puts any of them comments on the record, or works 'em in as repartee. Nothing like that. I may look foolish, but there are times when I know enough not to rock the boat. Besides, this was Myra's turn at the bat; and, believe me, she's no bush-leaguer.
"H-m-m-m!" says she, givin' me the up-and-down inventory. "No wonder you're called Torchy. One seldom sees hair quite so vivid."
"I know," says I. "No use tryin' to play it for old rose, is there? All I'm touchy about is havin' it called red."
"For goodness' sake!" says she. "What shade would you call it?"
"Why," says I, "I think it sounds more refined to speak of it as pink plus."
But Myra seems to be josh-proof.
"That, I presume," says she, "is a specimen of what Aunt Cornelia refers to as your unquenchable impertinence."
"Oh!" says I. "If you've been gettin' Auntie's opinion of me—"
"I have," says Myra; "and, as a near relative of Verona's, I trust you'll pardon me if I seem a bit critical on my own part."
"Don't mind me at all," says I. "You don't like the way I talk or the color of my hair. Go on."
She ain't one to be led anywhere, though.
"I understand," says Myra, "that you come here two or three evenings a week."
"That's about the schedule," says I.
"And just why?" demands Myra.
"It's more or less of a secret," says I; "but there's always a chance, you know, of my havin' a cozy little fam'ly chat like this. And when that don't happen—well, then I can talk with Vee."
Miss Burr's mouth puckers until it looks like a slit in a lemon.
"To be perfectly frank," says she, "I think it unutterably silly of Aunt Cornelia to allow it."
"I can see where you're goin' to be a great help," says I. "Stayin' some time, are you?"
"That depends," says Myra—and the way she snaps at me is almost assault with intent to maim. "I suppose," she goes on, "that you and Verona are quite as insufferable as young people usually are. Tell me; do you sit in corners and giggle?"
"Not as a rule," says I, "but it looks like we would."
"At me, I presume?" says Myra. "Very well; I accept the challenge."
And say, she's no prune-fed pacifist, Cousin Myra. Course, she don't swing the hammer quite so open when the folks get back, for Vee ain't one you can walk on with hobnails and get away with it. I guess Myra suspicioned that. But, when it comes to sly jabs and spicy little side remarks shot in casual, Miss Burr lives up to her last name.
"Oh, yes!" says she, when they tries to introduce us reg'lar. "We have become well acquainted—very."
"How nice!" says Vee, sort of innocent.
"I am glad you think so," says Myra.
And for the rest of the evenin' she confines her remarks to Auntie, cuttin' loose with the sarcasm at every openin' and now and then tossin' an explosive gas bomb at us over Auntie's shoulder. Nothing anyone could grab up and hurl back at her, you know. It's all shootin' from ambush. Some keen tongue she has, take it from me. At 9:30 I backed out under fire, leavin' Vee with her ears pinked up and a smolderin' glow in them gray eyes of hers.
If it hadn't been for puttin' myself in the quitter class I'd laid off Sunday night. But I just couldn't do that. So we stands another siege. No use tryin' to describe it. Cousin Myra's tactics are too sleuthy. Just one jab after another, with them darnin'-needle eyes addin' the fine touches.
But this time Vee only smiles back at her and never answers once. Why, even Auntie takes up a couple of Myra's little slams and debates the point with her enthusiastic. Nothing from Vee, though. I don't understand it a bit until it's all over, and Vee follows me out into the hall and helps me find my hat. Quite careless, she shuts the door behind us.
"Whew!" says I. "Some grouch, Cousin Myra! What is it—shootin' pains in the disposition?"
Vee snickers. "Did you mind very much, Torchy?" she asks.
"Me?" says I. "Oh, I was brought up on roasts—never knew much else. But, I must say, I was gettin' a bit hot on your account."
"Don't," says she. "You see, I know all about Cousin Myra—why she's like that, I mean."
"On a diet of mixed pickles and sour milk, is she?" says I—"or what?"
No, it wasn't anything so simple as that. It was a case of a romance that got ditched. Seems that Myra'd been engaged once. No idle seashore snap runnin' from Fourth of July to Labor Day, but a long-winded, year-to-year affair. The party of the second part was one Hinckley, a young highbrow who knew so much that it took the college faculty a long time to discover that he was worth more'n an assistant bartender and almost as much as a fourth-rate movie actor. Then, too, Myra's father had something lingerin' the matter with him, and wouldn't let anybody manage him but her. Hymen hobbled by both hind feet, as you might say.
They was keepin' at it well, though, each bearin' up patient and waitin' for the happy day, when Myra's younger sister came home from boardin'-school and begun her campaign by practisin' on the Professor, just because he happened to be handy. She was a sweet young thing with cheek dimples and a trilly laugh, and—well, you can guess the rest. Only, when little sister has made a complete hash of things, she skips merrily off and marries a prominent 'varsity quarter-back who has water on the knee and the promise of a nine-dollar-a-week job in uncle's stove works.
Course, Myra really should have made it up when Professor Hinckley finally does come crabbin' around with another ring and a sad-eyed alibi. But she wouldn't—not her. Besides, father had begun takin' mud baths and experimentin' with climates.
So for eight or ten years she went driftin' around here and there, battlin' with room clerks and head waiters, hirin' and firin' nurses, packin' trunks every month or so, and generally enjoyin' the life of a health hunter, with her punctured romance trailin' further and further behind her. Even after father had his final spell and the last doctor's bill was paid off, Myra kept on knockin' around, claimin' there wouldn't be any fun makin' a home just for herself. Why not? Her income was big enough, so she didn't have to worry about rates. All she asked was a room and bath somewhere, and when the season changed she moved on. She'd got so she could tell you the bad points about every high-priced resort hotel from Catalina to Bar Harbor, and she knew so many veranda bores by sight that she could never shake all of 'em for more'n a day or so at a time.
"No wonder she's grown waspy, living a life like that," says Vee.
"Ain't there any way of our duckin' this continuous stingfest, though?" says I.
"There is something I'd like to try," says Vee, "if you'll promise to help."
"If it's a plan to put anything over on Miss Burr," says I, "you can count on me."
"Suppose it sounds silly?" says Vee.
"Comin' from you," says I, "it couldn't."
"Blarney!" says Vee. "But you've said you'd help, so listen; we'll give a Myra day."
"A which?" says I.
"Come here while I whisper," says she.
I expect that's why it don't sound more'n half nutty, too, delivered that way. For with Vee's chin on my shoulder, and some of that silky straw-colored hair brushin' my face, and a slim, smooth arm hooked chummy through one of mine—well, say; she could make a tabulated bank statement listen like one of Grantland Rice's baseball lyrics. Do I fall for her proposition? It's almost a jump.
"All right," says I. "Not that I can figure how it's goin' to work out, but if that's your idea of throwin' the switch on her, I'm right behind you. Just give me the proper cues, that's all."
"Wait until I hear from my telegram," says Vee. "I'll let you know."
I didn't get the word until Tuesday afternoon, when she 'phones down.
"He's coming," says Vee. "Isn't he the dear, though? So we'll make it to-morrow. Everything you can possibly think of, remember."
As a starter I'd spotted the elevator-boy up at Auntie's. Andrew Zink is his full name, and he's a straight-haired smoke from the West Indies. We'd exchanged a few confidential comments on Miss Burr, and I'd discovered she was just about as popular with him as she was with the rest of us.
"But for to-morrow, Andy," says I, slippin' him a whole half dollar, "we're goin' to forget it. See? It'll be, 'Oh, yes, Miss Burr.' and 'Certainly, Miss Burr,' all day long, not omitting the little posie you're goin' to offer her first thing' in the mornin'."
Andy tucks away the half and grins.
"Very well, sir," says he. "It'll be quite a lark, sir."
Next I fixed it up with Mike, the doorman. He'd had a little run-in with Myra about not gettin' a taxi quite quick enough for her, so I had to double the ante and explain how this was a scheme Vee was workin'.
"Sure!" says he. "Anything Miss Verona says goes with me. I'll do my best."
The hard part came, though, when I has to invite Myra to this little dinner-party I'm supposed to be givin'. Course, it's Auntie's blow, but she's been primed by Vee to insist that I do the honors. First off, I was goin' to run up durin' lunch hour and pass it to Cousin Myra in person; but about eleven o'clock I decides it would be safer to use the 'phone.
"Oh!" says she. "I am to be utilized as a chaperon, am I?"
"Couldn't think of anybody who'd do it better," says I; "but, as a matter of fact, that ain't the idea. Auntie's going, you see, and I thought maybe I could induce you to come along, too."
"But I detest hotel dinners," says she.
"Ah, come on! Be a sport!" says I. "Lemme show you what I can pick from the menu. For one item, there'll betripe à la mode de Caen."
"Then I'll come," says Myra. "But how on earth, young man, did you know that—"
"Just wait!" says I. "You got a lot of guessin' besides that. I'll call for you at seven sharp."
So I spent most of my noon hour rustlin' through florist shops to get the particular kind of red roses I'd been tipped off to find. I located 'em, though, and bought up the whole stock, sendin' part to the house and luggin' the rest to the head waiter. While I was at the hotel, too, I got next to the orchestra leader and gave him the names of some pieces he was to spring durin' dinner.
After all, though, it was Auntie who turned the cleverest trick. She'd got real enthusiastic by Wednesday mornin', and what does she do but dash down to the Maison Félice, pick out a two-hundred-dollar evenin' gown, and have it sent up with a fitter. Vee says Myra simply wouldn't open the box for half an hour; but then she softened up, and after she'd been buckled into this pink creation with the rosebud shoulder straps she consents to take one squint at the glass. Then it develops that Myra is still human. From that to allowin' a hairdresser to be called in was only a step, which explains the whole miracle of how Myra blossomed out.
And say, for a late bloomin' it was a wonder. Honest, when I gets my first glimpse of her standin' under the hall light with Hilda holdin' her opera wrap, I lets out a gurgle. Had I wandered into the wrong apartment? Was I disturbin' some leadin' lady just goin' on for the first act? No, there was Cousin Myra's thin nose and pointed chin. But, with her hair loosened up and her cheeks tinted a bit from excitement, she looks like a different party. Almost stunnin', you know.
Vee nudges me to quit the gawp act.
"Gosh!" I whispers. "Who'd have thought it?"
"S-s-s-sh!" says Vee. "We don't want her to suspect a thing."
I don't know whether she did or not, but when we're towed into the dinin'-room she spots the table decorations right off, and whirls on me.
"Here's plotting, young man," says she. "But if you will tell me how you discovered I was so fond of Louis Philippe roses I'll forgive you."
"Looks like I was a good guesser, don't it?" says I.
"You're good at something, anyway," says Cousin Myra; "but—but why five places?"
She's noticed the extra plate and is glancin' around inquirin'.
"Oh!" says I, offhand, "odd numbers for luck, so I took a chance on askin' in an old friend of yours. He ought to be in the cloak-room by now. I'll go fetch him."
You should have seen the look on her face, too, when I shows up with Professor Hinckley. He's a perfectly good highbrow, understand—pointed face whiskers, shaggy forelock, wide black ribbon on his eyeglasses, and all—sort of a mild-eyed, modest appearin' gent, but kind of distinguished-lookin', at that. And you'd never guess how nervous he really was.
"Well, Myra?"' says he, beamin' friendly through his glasses.
"Lester!" she gasps.
They didn't exactly go to a clinch, but they shook hands so long the waiter had to slide the caviar canape between 'em, and even after we got 'em to sit down they couldn't seem to break off gazin' at each other. As a fond reunion it was a success from the first tap of the bell. They went to it strong.
As for the Profess., he seemed to be knocked clear off his pins. Honest, I don't believe he knew whether he was eatin' dinner or steerin' an airship. I caught him once tryin' to butter an olive with a bread stick, and he sopped up a pink cocktail without even lookin' at it. The same thing happened to the one Vee pushed over near his absent-minded hand. And the deeper he got into the dinner the livelier grew the twinkle in them mild eyes of his.
Cousin Myra, too, was mellowin' fast. The first time she let loose with a laugh, I near fell off my chair; but before long I got used to it. Next thing I knew, she was smilin' across at me real roguish, and beatin' time with her finger-tips to the music.
"Ah, ha!" says she. "More of your tricks. I thought the 'Nocturne' was just an accident, but now the 'Blue Danube'—that is your work, young man. Or is it Verona's! Come now, what are you up to, you two over there?"
"Ask Torchy," says Vee, shakin' her head.
"Don't you believe her," says I. "She's the one that planned most of this."
"But what is it?" demands Cousin Myra. "What do you call it?"
"Why," says I, grinnin' more or less foolish, "we're just givin' a Myra day, that's all."
"Splendid!" says she. "And the fact that I don't in the least deserve it makes it seem all the nicer. I suppose your being here, Lester, is part of the plot, too?"
"I hope so," says the Professor.
"Do you know," says Myra, liftin' her glass and glancin' kittenish over the brim at him, "I mean to try to live up to this day. I don't mind saying, though, that for a while it's going to be an awful strain."
"Anyway," says I to Vee, after it's all over and the Professor has finally said good night, "she's got a good start."
"Yes," says Vee, "and perhaps Lester will help some. I didn't quite look for that. It's been fun, though, hasn't it?"
"For an indoor sport," says I, "givin' a Myra day is a lot merrier than it sounds. It beats bein' good to yourself nine up and six to go."