"No; Dave an' his wife prospers along all right. That is, they prospers all but once; that's when Jennie gets jealous."
The Old Cattleman was responding to my question. I was full of an idle interest and disposed to go further into the affairs of Tutt and Tucson Jennie.
"Doc Peets," continued the old gentleman, "allers tells me on the side thar's nothin' in Dave's conduct onbecomin' a fam'ly man that a-way, an' that Jen's simply barkin' at a knot. But, however that is, Dave don't seem to gain no comfort of it at the time. I can see myse'f she gets Dave plumb treed an' out on a limb by them accusations when she makes 'em. He shorely looks guilty; an' yet, while I stands over the play from the first, I can't see where Dave does wrong.
"However, I don't put myse'f for'ard as no good jedge in domestic affairs. Bein' single myse'f that a-way, females is ondoubted what Doc Peets calls a 'theery' with me. But nevertheless, in an onpresoomin', lowly way, I gives it as my meager jedgement, an' I gives it cold, as how a jealous woman is worse than t'rant'lers. She's plumb locoed for one thing; an' thar's no sech thing as organizin' to meet her game. For myse'f, I don't want no transactions with 'em; none whatever.
"This yere domestic uprisin' of Dave's wife breaks on Wolfville as onexpected as a fifth ace in a poker deck; it leaves the camp all spraddled out. Tucson Jennie an' Dave's been wedded goin' on six months. The camp, as I relates, attends the nuptials in a body, an', followin' of the festivities, Tucson Jennie an' Dave tumbles into housekeepin' peaceful as two pups in a basket.
"Wolfville's proud of 'em, an'every time some ign'rant bein' asks about Wolfville an' the social features of the camp, we allers mentions Tutt an' his wife, an' tells how they keeps house, sorter upholsterin' our bluff.
"That's how the deal stands, when one day up jumps this Tucson Jennie, puts on her sunbunnit, an' goes stampedin' down to the U. K. House, an' allows to Missis Rucker that she's done lived with Dave all she aims to, an' has shore pulled her picket pin for good. She puts it up Dave is a base, deceitful sharp that a-way, an' informs Missis Rucker, all mixed up with tears, as how she now desires to go back in the kitchen an' cook, same as when Dave rounds her up for his wife.
"Yere's the whole story, an' while I nurses certain views tharon, I leaves it to you entire to say how much Tucson Jennie is jestified. I knows all about it, for I'm obleeged to be in on the deal from soda to hock.
"It's mighty likely a month before the time Tucson Jennie breaks through Dave's lines this a-way. Dave an' me's due to go over towards the Tres Hermanas about some cattle. Likewise thar's an English outfit allowin' they'll go along some, to see where they've been stackin' in heavy on some ranch lands. They was eager for Dave an' me to trail along with 'em, an' sorter ride herd on' em, an' keep 'em from gettin' mixed up with the scenery—which the same is shorely complicated in the foot-hills of the Tres Hermanas—an' losin' themse'fs a heap.
"'Which you'd better do it, boys,' says Enright. 'S'pose them folks be some trouble. It's a mighty sight better than havin' 'em go p'intin' off alone that a-way. They would shore miss the way if they does; an' the first we-alls knows, these yere Britons would be runnin' cimmaron in the hills, scarin' up things a lot, an' a- stampedin' the cattle plumb off the range. It's easier to go along careful with 'em an' bring'em back.'
"It comes, then, that one mornin' Dave an' me an' these yere aliens lines out for the hills. They've got ponies, an' wagons, an' camp- outfit to that extent a casooal onlooker might think they aims to be away for years.
"As we p'ints out from the O.K. House, where them Britons has been wrastlin' their chuck pendin' the start, Tucson Jennie is thar sayin' 'goodby' to Dave. I notes then she ain't tickled to death none about somethin', but don't deem nothin' speshul of it.
"The Britons is made up of two gents, mebby as old as Enright— brothers is what they be—an' a female who's the daughter of one of 'em. Which thar's nothin' recent about this yere lady, though; an' I reckons she's mighty likely forty years old. I learns later, however, it's this female which Tucson Jennie resents when she says "adios" to Dave.
"It shore strikes me now, when years is passed, as some marv'lous how a han'some, corn-fed female like Tucson Jennie manages to found a fight with Dave over this yere towerist woman. I'm nacherally slow to go decidin' bets ag'in a lady's looks, but whatever Tucson Jennie sees in the appearance of this person which is likely to inviggle Dave is too many for me. I softens the statement a heap when I says she's uglier than a Mexican sheep.
"However, that don't seem to occur to Tucson Jennie; an' Doc Peets— who's the wisest sharp in Arizona—allows to me afterwards as how Tucson Jennie is cuttin' the kyards with herse'f desp'rate to see whether she declar's war at the very time we makes our start. If she does, she turns the low kyard, for she don't say nothin', an' we gets away, an' all is profound peace.
"Four days later we're in camp by a water-hole in the frill of the foot-hills. The Britons has got up a wall tent an' is shorely havin' a high an' lavish time. Dave an' me ain't payin' no attention to 'em speshul, as we don't see how none is needed. Besides, we has some hard ridin' to do lookin' up places for a line of sign camps.
"It's the second day when we notices an outfit of Injuns camped down the valley from us. They's all serene an' peaceful enough; with squaws, papooses, an' dogs; an' ain't thinkin' no more of bein' hostile than we be.
"Of course, no sooner does these yere Britons of ours behold this band of savages than they has to go projectin' round 'em. That's the worst thing about a towerist; he's that loaded with cur'osity, an' that gregar'ous an' amiable, he has to go foolin' 'round every stranger lie tracks up with. In their ign'rance they even gets that roode an' insultin' at times, that I knows 'em who's that regardless an' imp'lite as to up an' ask a rank stranger that a-way to pass'em his gun to look at.
"An' so, as I says, no sooner does them Injuns get near us, than them three blessed foreigners is over after 'em; ropin' at em' with questions an' invadin' of 'em, an' examinin' of 'em like the whole tribe's for sale an' they aims to acquire 'em if figgers is reasonable.
"I never does know what the female towerist says or does to that partic'lar aborigine-nothin' most likely; but it ain't a day when one of them Injuns settles it with himse'f he wants to wed her. The towerists is in ign'rance of the views of this savage, who goes about dealin' his game Injun fashion.
"It's this a-way: Dave an' me trails in one evenin' some weary an' played; it's been a hard ride that day. Which the first thing we lays eyes on at the camp shorely livens us up a lot. Thar, tied to the wagon-wheels, is nine ponies, which the same belongs to the Injuns.
"'Whatever be these y ere broncos doin' yere?' says Dave, for we allows, the first dash outen the box, mebby the Britons makes a purchase.
"One of the towerists tells a long an' delighted story about the gen'rosity of the Injuns.
"'Actooally,' says this towerist,"them gen'rous savages leads up these yere nine ponies an' donates 'em.'
"Dave an' me asks questions; and all thar is to the deal—which it's shore enough to bust Dave's fam'ly before it's over—them Injuns brings up the nine ponies all respectful, an' leaves 'em hobbled out, mebby it's a hundred yards from the Britons, an' rides away. The Britons, deemin' this bluff as in the line of gifts, capers over an' possesses themse'fs of the ponies an' leads 'em in. That's the outside of the store.
"'Well, stranger,' says Dave in reply, takin' of the towerist one side, 'I ain't aimin' to discourage you none, but you-alls has gone an' got all tangled up in your lariat.'
"'What for an ontanglement is it?' asks the towerist.
"'Nothin',' says Dave, sorter breakin' it to him easy, 'nothin', only you've done married your daughter to one of them Injuns.'
"When Dave announces this yere trooth it shore looks like the Briton's goin' to need whiskey to uphold himse'f. But he reorganizes, an' Dave explains that the Injuns, when they trails in with the ponies, is simply shufflin' for a weddin'; they's offerin' what they-alls calls a 'price' for the woman.
"'An' when you-alls leads in the ponies,' says Dave,'that settles it. You agrees to deal right thar. To-morrow, now, this yere buck, whoever he is, will come surgin' in with his relations plumb down to third cousins; an' he expects you'll be dead ready to feed 'em, an' wind up the orgy by passin' over the bride.'
"You can bet them reecitals of Dave's is plenty horrible to the towerist. He allows we must keep it from his daughter; an' then he puts hip whole outfit in Dave's hands, to get 'em safe onto high grounds.
"'Can't we pull our freight in the night?'says the towerist, an' he's shorely anxious.
"'Too much moon,' says Dave; 'an' then, ag'in, the whole Injun outfit's below us in the draw, an' we never gets by once in a thousand times. No,' goes on Dave, 'one shore thing we can't back out nor crawl off. We-alls has to play the hand plumb through:
"Then Dave tells the towerist him an' me talks over this yere weddin' which he done goes into so inadvertent; an' if thar's a chance to save him from becomin' a father-in-law abrupt, we'll play it to win.
"'This yere is the only wagon-track out; says Dave to me, after we pow-wows an hour. 'You go down to them Injuns, an' find the right buck that a-way, an' tell him the squaw's got a buck now. Tell him he's barred. Which at this p'int in your revelations he's due to offer a fight, an' of course you takes him. Tell him at first-drink time to-morrow mornin' he finds me ready to fight for the squaw.'
"'This whole business makes metired, though,' says Dave, a heap disgustad. ' If these eediots had let them Injuns alone-, or even if they disdains the ponies when they was brought up, this yere could be fixed easy. But now it's fight or give up the woman, so you go down, as I says, an' arrange for the dance.'
"Of course thar's no explainin' nothin' to Injuns. You might as well waste time expoundin' to coyotes an' jack-rabbits. All that's left for me to do is trail out after my savage, as Dave says, an' notify him that this weddin' he pro. poses is postponed an' all bets is off.
"I finds him easy enough, an' saws it off on him in Spanish how the game stacks up. But he ain't cheerful about it, an' displays a mighty baleful sperit. Jest as Tutt allows he's out to shoot for the squaw in a minute, an' as thar's no gettin' away from it, I tells him to paint himse'f for war an' come a-runnin'.
"I has to carry a hard face; for we're shorely in for it. Yere we be four days from Wolfville, an' the Injuns—an' I reckons thar's twenty bucks in the outfit-is camped in between us an' he'p.
"This Injun who's after the woman is named Black Dog. The next mornin' Tutt saddles up an' rides off to one side of our camp, mebby it's a quarter of a mile, an' then gets offen his pony an' stands thar. We-alls don't onfold to the towerists the details of the deal, not even to the Injun's father-in-law. The towerist female is that ign'rant of what's going' on, she's pesterin' 'round all onconscious, makin' bakin'-powder biscuit at the time. I looks at her close, an' I wonders even yet what that Black Dog's thinkin' of. But I don't get much time to be disgusted over this Black Dog's taste before he comes p'intin' out from among his people.
"The sun's jest gettin' over the hills to the east, an', as it strikes him, he's shore a fash'nable lookin' Injun. He ain't got nothin' on but a war-bunnit an' a coat of paint. The rest of his trousseau he confines to his Winchester an' belt. He's on his war- pony, an' the bronco's stripped as bare as this Black Dog is; not a strap from muzzle to tail. This bridegroom Injun's tied its mane full of ribbons, an' throws a red blanket across his pony's withers for general effects. Take it all over, he's a nifty-lookin' savage.
"So far as the dooel goes, Dave ain't runnin' no resk. He stands thar on the ground an' keeps his hoss between him an' this yere Black Dog. It's a play which forces the bridegroom's hand, too. He's due, bein' Injun, to go cirelin' Dave an' do his shootin' on the canter.
"An' that's what this weak-minded savage does. He breaks into a lope an' goes sailin' 'round Dave like a hawk. Durin' them exercises he lays over on the shoulder of his hoss an' bangs away from onder its neck with one hand, permiscus.
"This is mere frivolity. Thar ain't no white gent who could shoot none onder sech conditions; an' Injuns can't shoot nohow. They don't savey a hind sight. An', as I remarks, if Dave's hit any, it's goin' to shorely be an accident, an' accidents don't happen none in Arizona; leastwise not with guns.
'Mebby this Black Dog's banged away three times, when Dave, who's been followin' of him, through the sights for thirty seconds, onhooks his rifle, an' the deal comes to a full stop. Dave's shootin' a Sharp's, with a hundred an' twenty grains of powder, an' the way he sends a bullet plumb through that war-pony an' this yere Black Dog, who's hangin' on its off side, don't bother him a bit. The pony an' the Black Dog goes over on their heads.
"Dave rides in, an' brings the blanket an' war-bunnit. Even then, the female towerist, which is the object of the meetin', don't seem informed none of the course of events. The fact is, she never does acquire the rights of it till we-alls is two days back on the return trail.
"Thar's no more bother. Injuns is partic'lar people, that a-way, about etiquette as they saveys it, an' followin' Dave's downin' this Black Dog they ain't makin' a moan or a move. They takes it plenty solemn an' mute, an' goes to layin' out the Black Dog's obsequies without no more notice of us. It's a squar deal; they sees that; an' they ain't filin' no objections. As for our end of the game, we moves out for Wolfville, makin' no idle delays whatever.
"Goin' in, Dave, after thinkin' some, su'gests to me that it's likely to be a heap good story not to tell Tucson Jennie.
"'Females is illogical, that a-way,' says Dave, 'an' I ain't goin' to have time to eddicate Jennie to a proper view of this yere. So I reckons it's goin' to be a crafty play not to tell her.'
"The Britons has been gone two weeks when Tucson Jennie learns the story. Them towerists is plumb weary of Arizona when we trails into Wolfville, an' don't seem to tarry a second before they lines out for Tucson.
"'They jest hits a high place or two,' says Jack Moore, after he hears of them designs of the Black Dog, 'an' they'll be 'way yonder out of the country. I don't reckon none of 'em'll ever come back soon, neither.'
"But it's the towerist woman makes the trouble from start to finish. It's a letter from her which she writes back to Dave, allowin' she'll thank him some more as her preserver, that brings the news to Jennie. Tucson Jennie gets this missive, an' ups an' rifles an' reads it to herse'f a whole lot. It's then Tucson Jennie gives it out cold, Dave is breakin' her heart, an' tharupon prances 'round for her shaker an' goes over to Missis Rucker's.
"The whole camp knows the story in an hour, an' while we-ails sympathizes with Dave of course, no one's blamin' Tucson Jennie. She's a female, an' onresponsible, for one thing; an' then, ag'in Dave's a heap onlikely to stand any condemnations of his wife.
"'She's as good a woman as ever wears a moccasin,' says Dave, while he's recoverin' of his sperits at the Red Light bar.
"An' we-alls allows she shorely is; an' then everybody looks pensive an' sincere that a-way, so's not to harrow Dave none an' make his burdens more.
"'But whatever can I do to fetch her back to camp?' asks Dave, appealin' to Enright mighty wretched. 'I goes plumb locoed if this yere keeps on.'
"'My notion is, we-alls better put Missis Rucker in to play the hand,' says Enright. 'Missis Rucker's a female, an' is shorely due to know what kyards to draw. But this oughter be a lesson to you, Dave, not to go romancin' 'round with strange women no more.'
"'It's a forced play, I tells you,' says Dave. 'Them Injuns has us treed. It's a case of fight or give up that she-towerist, so what was I to do?'
"`Well,' says Enright, some severe,' you might at least have consulted with this yere towerist woman some. But you don't. You simply gets a gun an' goes trackin' 'round in her destinies, an' shootin' up her prospects like you has a personal interest. You don't know but she deplores the deal complete. Peets, an' me, an' Boggs, an' all the rest of us is your friends, an' nacherally partial on your side. We-alls figgers you means well. But what I says is this: It ain't no s'prisin' thing when Tucson Jennie, a- hearin' of them pronounced attentions which you pays this towerist lady, is filled with grief. This shootin' up an Injun, cause he's plannin' to wed this female some, is what I shorely calls pronounced attentions. What do you think yourse'f, Peets?'
"'Why! I readily concedes what Dave says,' remarks Peets. 'Ondoubtedly he acts for the best as he sees it. But jest as you puts it: s'pose Dave ain't hungerin' none for this towerist woman himse'f, the headlong way he goes after this yere Black Dog, settin' of the war-jig the next sun-up, an' all without even sayin' "Let me look at your hand," to this female, jestifies them inferences of yours. Of course I don't say—an' I don't reckon none—Dave thinks of this old-maid maverick once; but, he sees himse'f, ht shore goes to war a heap precipitate an' onconsiderate, an' Tucson Jennie has ondoubted grounds to buck.
"'Which, when you-alls puts it so cl'ar, I thinks so too,' says Dave, who's listenin' to Enright an' Peets a mighty sight dejected. I But I ain't been wedded long—ain't more'n what you might call an amature husband. What you-alls oughter do now is he'p me to round her up. If Tucson Jennie's a bunch of cattle, or a band of ponies as has stampeded, you'd be in the saddle too quick.'
"Missis Rucker shore does all she knows to soften Tucson Jennie. She reminds her how in the old times, when Dave gets his chile con carne at the O. K. House, and the party from the States takes to reprovin' of Missis Rucker about thar bein' nothin' but coffee an' beans to eat, Dave onlimbers his six-shooter an' goes to the front.
"'The grub's dealt down,' says Dave, explainin' to this obnoxious tenderfoot, 'till thar's nothin' left in the box but beans, coffee, an' beans. It's a cat-hop, but it can't be he'ped none.'
"'Cat-hop or no cat-hop,' says this tenderfoot, 'I'm dead ag'in beans; an' you can gamble I ain't out to devour no sech low veg'tables; none whatever.'
"'You jest thinks you don't like beans,' says Dave, an' with that he sorter dictates at the tenderfoot with his gun, an' the tenderfoot thar-upon lays for his frijoles like he's actooally honin' tharfor.
"'Which it all shows Dave's got a good heart,' says Missis Rucker to Tucson Jennie.
"'That's nothin' to do with his makin' love to the British woman,' says Tucson Jennie, grittin' her teeth like she could eat the sights offen a six-shooter.
"'He never makes no love to this yere woman,' says Missis Rucker.
"'When he ketches her flirtin' with that Injun,' demands Tucson Jennie, 'don't Dave shoot him up a lot? What do you-all call makin' love? He never downs no Injuns for me, an' I'm his lawful wife.' An' yere Missis Rucker allows, when she reports to Enright an' Dave an' the rest of the outfit in the Red Light, Tucson Jennie weeps like her heart is shorely broke.
"'Which the pore girl's to be pitied,' says Enright. 'Dave,' he goes on, turnin' to Tutt some fierce, 'you don't deserve no sech devotion as this.'
"'That's whatever,' says Dan Boggs, lookin' red an' truculent, 'this yere Tucson Jennie's a angel.'
"But thar we be, up ag'inst it, an' not a man knows a thing to do to squar' the deal with Dave's wife. We-alls, calls for drinks all 'round, an' sets about an' delib'rates. At last Dave speaks up in a low-sperited way.
"'I reckons she done jumps the game for good,' he says. 'But if she's goin', I wants her to have a layout. If you-alls cares to go over to the New York Store, I allows I'll play in a blue stack or two an' win her out some duds. I wants her to quit the deal ahead.'
"So Dave sets out for the New York Store, an' the rest of us sorter straggles along. Thar's nothin' gay about us. Dave gets a shawl an' a dress; nothin' gaudy; it's a plain red an' yaller. Missis Rucker packs 'em over to Tucson Jennie an' gets that wrapped up in the deal she forgets utter to rustle us our grub.
"Which, it's the onexpeeted as happens in Wolfville same as everywhere else. The minute Tucson Jennie sees the raiment, an' realizes how Dave loves her, that settles it. Her heart melts right thar. She ain't sayin' nothin'; jest ropes onto the dry-goods an' starts sobbin' out for the 'doby where she an' Dave lives at.
"Dave, when he observes this yere from 'cross the street, shakes hands all 'round, but don't trust himse'f with no remarks. He gives our paws a squeeze like he knows he can rely on our friendship an' hunts his way across to Tucson Jennie without a word.
"'It's all right about bein' yoothful an' light, that a-way,' says Enright, after Dave pulls his freight, 'but Tutt oughter remember yereafter, before he goes mixin' himse'f up with sech vain things as towerists an' Injuns an' British, that he's a married man.'"
"Let me try one of them thar seegyars."
It was the pleasant after-dinner hour, and I was on the veranda for a quiet smoke. The Old Cattleman had just thrown down his paper; the half-light of the waning sun was a bit too dim for his eyes of seventy years.
"Whenever I beholds a seegyar," said the old fellow, as he puffed voluminously at the principe I passed over, "I thinks of what that witness says in the murder trial at Socorro.
"'What was you-all doin' in camp yourse'f,' asks the jedge of this yere witness, 'the day of the killin'?'
"'Which,' says the witness, oncrossin' his laigs an' lettin' on he ain't made bashful an' oneasy by so much attentions bein' shown hire, 'which I was a-eatin' of a few sardines, a-drinkin' of a few drinks of whiskey, a-smokin' of a few seegyars, an' a-romancin' 'round.'"
After this abrupt, not to say ambiguous reminiscence, the Old Cattleman puffed contentedly a moment.
"What murder trial was this you speak of?" I asked. "Who had been killed?"
"Now I don't reckon I ever does know who it is gets downed," he replied. "This yere murder trial itse'f is news to me complete. They was waggin' along with it when I trails into Socorro that time, an' I merely sa'nters over to the co't that a-way to hear what's goin' on. The jedge is sorter gettin' in on the play while I'm listenin'.
"'What was the last words of this yere gent who's killed?' asks the jedge of this witness.
"'As nearly as I keeps tabs, jedge,' says the witness, `the dyin' statement of this person is: "Four aces to beat."'
"'Which if deceased had knowed Socorro like I does,' says the jedge, like he's commentin' to himse'f, 'he'd shorely realized that sech remarks is simply sooicidal.'"
Again the Old Cattleman relapsed into silence and the smoke of the principe.
"How did the trial come out?" I queried. "Was the accused found guilty?"
"Which the trial itse'f," he replied, "don't come out. Thar's a passel of the boys who's come into town to see that jestice is done, an' bein' the round-up is goin' for'ard at the time, they nacherally feels hurried an' pressed for leesure. Theyalls oughter be back on the range with their cattle. So the fifth day, when things is loiterin' along at the trial till it looks like the law has hobbles on, an' the word goes round it's goin' to be a week yet before the jury gets action on this miscreant who's bein' tried, the boys becomes plumb aggravated an' wearied out that a-way; an', kickin' in the door of the calaboose, they searches out the felon, swings him to a cottonwood not otherwise engaged, an' the right prevails. Nacherally the trial bogs down right thar."
After another season of silence and smoke, the Old Cattleman struck in again.
"Speakn' of killin's, while I'm the last gent to go fosterin' idees of bloodshed, I'm some discouraged jest now by what I've been readin' in that paper about a dooel between some Eytalians, an' it shorely tries me the way them aliens plays hoss. It's obvious as stars on a cl'ar night, they never means fight a little bit. I abhors dooels, an' cowers from the mere idee. But, after all, business is business, an' when folks fights 'em the objects of the meetin' oughter be blood. But the way these yere European shorthorns fixes it, a gent shorely runs a heap more resk of becomin' a angel abrupt, attendin' of a Texas cake-walk in a purely social way.
"Do they ever fight dooels in the West? Why, yes—some. My mem'ry comes a-canterin' up right now with the details of an encounter I once beholds in Wolfville. Thar ain't no time much throwed away with a dooel in the Southwest. The people's mighty extemporaneous, an' don't go browsin' 'round none sendin' challenges in writin', an' that sort of flapdoodle. When a gent notices the signs a-gettin' about right for him to go on the war-path, he picks out his meat, surges up, an' declar's himse'f. The victim, who is most likely a mighty serious an' experienced person, don't copper the play by makin' vain remarks, but brings his gatlin' into play surprisin'. Next it's bang! bang! bang! mixed up with flashes an' white smoke, an' the dooel is over complete. The gent who still adorns our midst takes a drink on the house, while St. Peter onbars things a lot an' arranges gate an' seat checks with the other in the realms of light. That's all thar is to it. The tide of life ag'in flows onward to the eternal sea, an' nary ripple.
"Oh, this yere Wolfville dooel! `Well, it's this a-way. The day is blazin' hot, an' business layin' prone an' dead—jest blistered to death. A passel of us is sorter pervadin' 'round the dance-hall, it bein' the biggest an' coolest store in camp. A monte game is strugglin' for breath in a feeble, fitful way in the corner, an' some of us is a-watchin'; an' some a-settin' 'round loose a- thinkin'; but all keepin' mum an' still, 'cause it's so hot.
"Jest then some gent on a hoss goes whoopin' up the street a-yellin' an' a-whirlin' the loop of his rope, an' allowin' generally he's havin' a mighty good time.
"'Who's this yere toomultuous man on the hoss?' says Enright, a- regardin' of him in a displeased way from the door.
"'I meets him up the street a minute back,' says Dan Boggs, 'an' he allows he's called "The Man from Red Dog." He says he's took a day off to visit us, an' aims to lay waste the camp some before he goes back.'
"About then the Red Dog man notes old Santa Rosa, who keeps the Mexican baile hall, an' his old woman, Marie, a-fussin' with each other in front of the New York Store. They's locked horns over a drink or somethin', an' is pow-wowin' mighty onamiable.
"'Whatever does this yere Mexican fam'ly mean,' says the Red Dog man, a-surveyin' of 'em plenty scornful, 'a-draggin' of their domestic brawls out yere to offend a sufferin' public for? Whyever don't they stay in their wickeyup an' fight, an' not take to puttin' it all over the American race which ain't in the play none an' don't thirst tharfor? However, I unites an' reeconciles this divided household easy.'
"With this the Red Dog man drops the loop of his lariat 'round the two contestants an' jumps his bronco up the street like it's come outen a gun. Of course Santa Rosa an' Marie goes along on their heads permiscus.
"They goes coastin' along ontil they gets pulled into a mesquite- bush, an' the rope slips offen the saddle, an' thar they be. We-alls goes over from the dance-hall, extricatin' of 'em, an' final they rounds up mighty hapless an' weak, an' can only walk. They shorely lose enough hide to make a pair of leggin's.
"'Which I brings 'em together like twins,' says the Red Dog man, ridin' back for his rope. 'I offers two to one, no limit, they don't fight none whatever for a month.'
"Which, as it shorely looks like he's right, no one takes him. So the Red Dog man leaves his bluff a-hangin' an' goes into the dance- hall, a-givin' of it out cold an' clammy he meditates libatin'.
"'All promenade to the bar,' yells the Red Dog man as he goes in. 'I'm a wolf, an' it's my night to howl. Don't 'rouse me, barkeep, with the sight of merely one bottle; set 'em all up. I'm some fastidious about my fire-water an' likes a chance to select.'
"Well, we-alls takes our inspiration, an' the Red Dog man tucks his onder his belt an' then turns round to Enright.
"'I takes it you're the old he-coon of this yere outfit?' says the Red Dog man, soopercillious-like.
"'Which, if I ain't,' says Enright, 'it's plenty safe as a play to let your wisdom flow this a-way till the he-coon gets yere.'
"'If thar's anythin',' says the Red Dog man, 'I turns from sick, it's voylence an' deevastation. But I hears sech complaints constant of this yere camp of Wolfville, I takes my first idle day to ride over an' line things up. Now yere I be, an' while I regrets it, I finds you-alls is a lawless, onregenerate set, a heap sight worse than roomer. I now takes the notion—for I sees no other trail—that by next drink time I climbs into the saddle, throws my rope 'round this den of sin, an' removes it from the map.'
"'Nacherally,' says Enright, some sarcastic, 'in makin' them schemes you ain't lookin' for no trouble whatever with a band of tarrapins like us.'
"'None whatever,' says the Red Dog man, mighty confident. 'In thirty minutes I distributes this yere hamlet 'round in the landscape same as them Greasers; which feat becomin' hist'ry, I then canters back to Red Dog.'
"'Well,' says Enright, 'it's plenty p'lite to let us know what's comin' this a-way.'
"'Oh! I ain't tellin' you none,' says the Red Dog man, 'I simply lets fly this hint, so any of you-alls as has got bric-a-brac he values speshul, he takes warnin' some an' packs it off all safe.'
"It's about then when Cherokee Hall, who's lookin' on, shoulders in between Enright an' the Red Dog man, mighty positive. Cherokee is a heap sot in his idees, an' I sees right off he's took a notion ag'in the Red Dog man.
"'As you've got a lot of work cut out,' says Cherokee, eyein' the Red Dog man malignant, 's'pose we tips the canteen ag'in.'
"'I shorely goes you,' says the Red Dog man. 'I drinks with friend, an' I drinks with foe; with the pard of my bosom an' the shudderin' victim of my wrath all sim'lar.'
"Cherokee turns out a big drink an' stands a-holdin' of it in his hand. I wants to say right yere, this Cherokee's plenty guileful.
"'You was namin',' says Cherokee, 'some public improvements you aims to make; sech as movin' this yere camp 'round some, I believes?'
"'That's whatever,' says the Red Dog man, 'an' the holycaust I 'nitiates is due to start in fifteen minutes.'
"'I've been figgerin' on you,' says Cherokee, 'an' I gives you the result in strict confidence without holdin' out a kyard. When you- all talks of tearin' up Wolfville, you're a liar an' a hoss-thief, an' you ain't goin' to tear up nothin'.'
"'What's this I hears!' yells the frenzied Red Dog man, reachin' for his gun.
"But he never gets it, for the same second Cherokee spills the glass of whiskey straight in his eyes, an' the next he's anguished an' blind as a mole.
"'I'll fool this yere human simoon up a lot,' says Cherokee, a- hurlin' of the Red Dog man to the floor, face down, while his nine- inch bowie shines in his hand like the sting of a wasp. 'I shore fixes him so he can't get a job clerkin' in a store,' an' grabbin' the Red Dog man's ha'r, which is long as the mane of a pony, he slashes it off close in one motion.
"'Thar's a fringe for your leggin's, Nell,' remarks Cherokee, a- turnin' of the crop over to Faro Nell. 'Now, Doc,' Cherokee goes on to Doc Peets, 'take this yere Red Dog stranger over to the Red Light, fix his eyes all right, an' then tell him, if he thinks he needs blood in this, to take his Winchester an' go north in the middle of the street. In twenty minutes by the watch I steps outen the dance-hall door a-lookin' for him. P'int him to the door all fair an' squar'. I don't aim to play nothin' low on this yere gent. He gets a chance for his ante.'
"Doc Peets sorter accoomilates the Red Dog man, who is cussin' an' carryin' on scand'lous, an' leads him over to the Red Light. In a minute word comes to Cherokee as his eyes is roundin' up all proper, an' that he's makin' war-medicine an' is growin' more hostile constant, an' to heel himse'f. At that Cherokee, mighty ca'm, sends out for Jack Moore's Winchester, which is an 'eight-squar',' latest model.
"'Oh, Cherokee!' says Faro Nell, beginnin' to cry, an' curlin' her arms 'round his neck. 'I'm 'fraid he's goin' to down you. Ain't thar no way to fix it? Can't Dan yere settle with this Red Dog man?'
"'Cert,' says Dan Boggs, 'an' I makes the trip too gleeful. Jest to spar' Nell's feelin's, Cherokee, an' not to interfere with no gent's little game, I takes your hand an' plays it.'
"'Not none,' says Cherokee; 'this is my deal. Don't cry, Nellie,' he adds, smoothin' down her yaller ha'r. 'Folks in my business has to hold themse'fs ready to face any game on the word, an' they never weakens or lays down. An' another thing, little girl; I gets this Red Dog sharp, shore. I'm in the middle of a run of luck; I holds fours twice last night, with a flush an' a full hand out ag'in 'em.'
"Nell at last lets go of Cherokee's neck, an', bein' a female an' timid that a-way, allows she'll go, an' won't stop to see the shootin' none. We applauds the idee, thinkin' she might shake Cherokee some if she stays; an' of course a gent out shootin' for his life needs his nerve.
"Well, the twenty minutes is up; the Red Dog man gets his rifle offen his saddle an' goes down the middle of the street. Turnin' up his big sombrero, he squar's 'round, cocks his gun, an' waits. Then Enright goes out with Cherokee an' stands him in the street about a hundred yards from the Red Dog man. After Cherokee's placed he holds up his hand for attention an' says:
"'When all is ready I stands to one side an' drops my hat. You-alls fires at will.'
"Enright goes over to the side of the street, counts 'one,' 'two,' 'three,' an' drops his hat. Bangety! Bang! Bang! goes the rifles like the roll of a drum. Cherokee can work a Winchester like one of these yere Yankee 'larm-clocks, an' that Red Dog hold-up don't seem none behind.
"About the fifth fire the Red Dog man sorter steps for'ard an' drops his gun; an' after standin' onsteady for a second, he starts to cripplin' down at his knees. At last he comes ahead on his face like a landslide. Thar's two bullets plumb through his lungs, an' when we gets to him the red froth is comin' outen his mouth some plenteous.
"We packs him back into the Red Light an' lays him onto a monte- table. Bimeby he comes to a little an' Peets asks him whatever he thinks he wants.
"'I wants you-alls to take off my moccasins an' pack me into the street,' says the Red Dog man. 'I ain't allowin' for my old mother in Missoury to be told as how I dies in no gin-mill, which she shorely 'bominates of 'em. An' I don't die with no boots on, neither.'
"We-alls packs him back into the street ag'in, an' pulls away at his boots. About the time we gets 'em off he sags back convulsive, an' thar he is as dead as Santa Anna.
"'What sort of a game is this, anyhow?' says Dan Boggs, who, while we stands thar, has been pawin' over the Red Dog man's rifle. 'Looks like this vivacious party's plumb locoed. Yere's his hind-sights wedged up for a thousand yards, an' he's been a-shootin' of cartridges with a hundred an' twenty grains of powder into 'em. Between the sights an' the jump of the powder, he's shootin' plumb over Cherokee an' aimin' straight at him.'
"'Nellie,' says Enright, lookin' remorseful at the girl, who colors up an' begins to cry ag'in, 'did you cold-deck this yere Red Dog sport this a-way?'
"'I'm 'fraid,' sobs Nell, 'he gets Cherokee; so I slides over when you-alls is waitin' an' fixes his gun some.'
"'Which I should shorely concede you did,' says Enright. 'The way that Red Dog gent manip'lates his weepon shows he knows his game; an' except for you a-settin' things up on him, I'm powerful afraid he'd spoiled Cherokee a whole lot.'
"'Well, gents,' goes on Enright, after thinkin' a while, 'I reckons we-alls might as well drink on it. Hist'ry never shows a game yet, an' a woman in it, which is on the squar', an' we meekly b'ars our burdens with the rest.'"
"An' you can't schedoole too much good about him," remarked the Old Cattleman. Here he threw away the remnant of the principe, and, securing his pipe, beat the ashes there-out and carefully reloaded with cut plug. Inevitably the old gentleman must smoke. His tone and air as he made the remark quoted were those of a man whose convictions touching the one discussed were not to be shaken. "No, sir," he continued; "when I looks back'ard down the trail of life, if thar's one gent who aforetime holds forth in Wolfville on whom I reflects with satisfaction, it's this yere Cherokee Hall."
"To judge from his conduct," I said, "in the hard case of the Wilkins girl, as well as his remark as she left on the stage, I should hold him to be a person of sensibilities as well as benevolent impulse."
It was my purpose to coax the old gentleman to further reminiscence.
"Benev'lent!" retorted the old man. "Which I should shore admit it! What he does for this yere young Wilkins female ain't a marker. Thar's the Red Dog man he lets out. Thar's the Stingin' Lizard's nephy; he stakes said yooth from infancy. 'Benev'lent!' says you. This party Cherokee is that benev'lent he'd give away a poker hand. I've done set an' see him give away his hand in a jack-pot for two hundred dollars to some gent 'cross the table who's organizin' to go ag'in him an' can't afford to lose. An' you can onderscore it; a winnin' poker hand, an' him holdin' it, is the last thing a thoroughbred kyard-sharp'll give away. But as I says, I sees this Cherokee do it when the opp'sition is settin' in hard luck an' couldn't stand to lose.
"How would he give his hand away? Throw it in the diskyard an' not play it none; jest nacherally let the gent who's needy that a-way rake in the chips on the low hand. Cherokee mebby does it this fashion so's he don't wound the feelin's of this yere victim of his gen'rosity. Thar's folks who turns sens'tive an' ain't out to take alms none, who's feelin's he spar's that a-way by losin' to 'em at poker what they declines with scorn direct. "'Benev'lent,' is the way you puts it! Son, 'benev'lent' ain't the word. This sport Cherokee Hall ain't nothin' short of char'table.
"Speakin' wide flung an' onrestrained, Cherokee, as I mentions to you before, is the modestest, decentest longhorn as ever shakes his antlers in Arizona. He is slim an' light, an' a ondoubted kyard- sharp from his moccasins up. An' I never knows him to have a peso he don't gamble for. Nothin' common, though; I sees him one night when he sets ca'mly into some four-handed poker, five thousand dollars table stake, an' he's sanguine an' hopeful about landin' on his feet as a Cimmaron sheep. Of course times is plenty flush in them days, an' five thousand don't seem no sech mammoth sum. Trade is eager an' values high; aces-up frequent callin' for five hundred dollars before the draw. Still we ain't none of us makin' cigarettes of no sech roll as five thousand. The days ain't quite so halcyon as all that neither.
"But what I likes speshul in Cherokee Hall is his jedgement. He's every time right. He ain't talkin' much, an' he ain't needin' advice neither, more'n a steer needs a saddle-blanket. But when he concloodes to do things, you can gamble he's got it plenty right.
"One time this Cherokee an' Texas Thompson is comin' in from Tucson on the stage. Besides Cherokee an' Texas, along comes a female, close-herdin' of two young-ones; which them infants might have been t'rant'lers an' every one a heap happier. Sorter as range-boss of the whole out. fit is a lean gent in a black coat. Well, they hops in, an' Cherokee gives 'em the two back seats on account of the female an' the yearlin's.
"'My name is Jones,' says the gent in the black coat, when he gets settled back an' the stage is goin', I an' I'm an exhortin' evangelist. I plucks brands from the burnin'.'
"'I'm powerful glad to know it,' says Texas, who likes talk. 'Them games of chance which has vogue in this yere clime is some various, an' I did think I shorely tests 'em all; but if ever the device you names is open in Wolfville I overlooks the same complete.'
"'Pore, sinkin' soul!' says the black-coat gent to the female; 'he's a-flounderin' in the mire of sin. Don't you know,' he goes on to Texas, 'my perishin' friend, you are bein' swept downward in the river of your own sinful life till your soul will be drowned in the abyss?"
"'Well, no,' says Texas, 'I don't. I allows I'm makin' a mighty dry ford of it.'
"'Lost! lost! lost!' says the black-coat gent, a-leanin' back like he's plumb dejected that a-way an' hopeless. 'It is a stiff-necked gen'ration an' sorely perverse a lot.'
"The stage jolts along two or three miles, an' nothin' more bein' said. The black-coat gent he groans occasionally, which worries Texas; an' the two infants, gettin' restless, comes tumblin' over onto Cherokee an' is searchin' of his pockets for mementoes. Which this is about as refreshin' to Cherokee as bein' burned at the stake. But the mother she leans back an' smiles, an' of course he's plumb he'pless. Finally the black. coat gent p'ints in for another talk.
"'What is your name, my pore worm?' says the black-coat gent, addressin' of Texas; 'an' whatever avocation has you an' your lost companion?'
"I Why,' says Texas, 'this yere's Hall—Cherokee Hall. He turns faro in the Red Light; an',' continues Texas, a-lowerin' of his voice, 'he's as squar' a gent as ever counted a deck. Actooally, pard, you might not think it, but all that gent knows about settin' up kyards, or dealin' double, or anv sech sinful scheme, is mere tradition.' "'Brother,' says the female, bristlin' up an' tacklin' the black- coat gent, 'don't talk to them persons no more. Them's gamblers, an' mighty awful men;' an' with that she snatches away the yearlin's like they's contam'nated.
'This is relief to Cherokee, but the young-ones howls like coyotes, an' wants to come back an' finish pillagin' him. But the mother she spanks 'em, an' when Texas is goin' to give 'em some cartridges outen his belt to amoose 'em, she sasses him scand'lous, an' allows she ain't needin' no attentions from him. Then she snorts at Texas an' Cherokee contemptuous. The young-ones keeps on yellin' in a mighty onmelodious way, an' while Cherokee is ca'm an' don't seem like he minds it much, Texas gets some nervous. At last Texas lugs out a bottle, aimin' to compose his feelins', which they's some harrowed by now.
"`Well, I never!' shouts the woman; 'I shorely sees inebriates ere now, but at least they has the decency not to pull a bottle that a- way
before a lady.' "This stampedes Texas complete, an' he throws the whiskey
outen the stage an' don't get no drink. "It's along late in the mornin' when the stage strikes the upper end of Apache Canyon. This yere canyon
is lately reckoned some bad. Nothin' ever happens on the line, but
them is the days when Cochise is cavortin' 'round plenty loose, an' it's mighty possible to stir up Apaches any time a-layin' in the hills
along the trail to Tucson. If they ever gets a notion to stand up the stage, they's shore due to be in this canyon; wherefore Cherokee an' Texas an' Old Monte who's drivin' regards it s'picious. "'Send 'em through on the jump, Monte,' says Cherokee, stickin' out his head. "The six hosses lines out at a ten-mile gait, which rattles things, an' makes the black-coat gent sigh, while the young-ones pours forth some appallin' shrieks. The female gets speshul mad at this, allowin'
they's playin' it low down on her fam'ly. But she takes it out in cuffin' the yearlin's now an' then, jest to keep 'em yellin', an' don't say nothin'. "Which the stage is about half through the canyon, when up on both sides a select assortment of Winchesters begins to bang an' jump permiscus; the same goin' hand-in-hand with whoops of onusual merit. With the first shot Old Monte pours the leather into the team, an' them hosses surges into the collars like cyclones. "It's lucky aborigines ain't no shots. They never yet gets the phelosophy of a
hind sight none, an' generally you can't reach their bullets with a ten-foot pole, they's that high above your head. The only thing as
gets hit this time is Texas. About the beginnin', a little cloud of dust flies outen the shoulder of his coat, his face turns pale, an' Cherokee knows he's creased. "'Did they get you, Old Man?' says Cherokee, some anxious. "'No,' says Texas, tryin' to brace himse'f. 'I'll be
on velvet ag'in in a second. I now longs, however, for that whiskey I hurls overboard so graceful.' "The Apaches comes tumblin' down onto the trail an' gives chase, a-shootin' an' a-yellin' a heap zealous. As they's on foot, an' as Old Monte is makin' fifteen miles an hour by now, they merely manages to hold their own in the race, about forty yards to the r'ar.
"This don't go on long when Cherokee, after thinkin', says to Texas, 'This yere is the way I figgers it, If we-alls keeps on, them Injuns is that fervent they runs in on us at the ford. With half luck they's due to down either a hoss or Monte—mebby both; in which event the stage shorely stops, an' it's a fight. This bein' troo, an' as I'm 'lected for war anyhow, I'm goin' to caper out right yere, an' pull on the baile myse'f. This'll stop the chase, an' between us, pard, it's about the last chance in the box this pore female an' her offsprings has. An' I plays it for 'em, win or lose.'
"'Them's my motives; says Texas, tryin' to pull himse'f together. 'Shall we take this he-shorthorn along?' An' he p'ints where them four tenderfoots is mixed up together in the back of the stage.
"'He wouldn't be worth a white chip,' says Cherokee, 'an' you-all is too hard hit to go, Texas, yourse'f. So take my regards to Enright an' the boys, an' smooth this all you know for Faro Nell. I makes the trip alone.'
"'Not much,' says Texas. 'My stack goes to the center, too.'
"But it don't, though, 'cause Texas has bled more'n he thinks. The first move he makes he tips over in a faint.
"Cherokee picks up his Winchester, an', openin' the door of the stage, jumps plumb free, an' they leaves him thar on the trail.
"'It's mebby an hour later when the stage comes into Wolfville on the lope. Texas is still in a fog, speakin' mental, an' about bled to death; while them exhortin' people is outen their minds entire.
"In no time thar's a dozen of us lined out for Cherokee. Do we locate him? Which I should say we shorely discovers him. Thar's a bullet through his laig, an' thar he is with his back ag'in a rock wall, his Winchester to the front, his eyes glitterin', a-holdin' the canyon. Thar never is no Injun gets by him. Of course they stampedes prompt when they hears us a-comin', so we don't get no fight.
"'I hopes you nails one, Cherokee,' says Enright; 'playin' even on this yere laig they shoots.'
"'I win once, I reckons', says Cherokee, 'over behind that big rock to the left.'
"'Shore enough he's got one Injun spread out; an', comin' along a little, Jack Moore turns up a second.
"'Yere's another,' says Jack, 'which breaks even on the bullet in Texas.'
"'That's right,' says Cherokee, 'I remembers now than is two. The kyards is comin' some Tast, an' I overlooks a bet.'
"We-alls gets Cherokee in all right, an' next day 'round comes the female tenderfoot to see him.
"'I wants to thank my defender,' she says.
"'You ain't onder no obligations, whatever, ma'am', says Cherokee, risin' up a little, while Faro Nell puts another goose-h'ar piller onder him. 'I simply prefers to do my fightin' in the canyon to doin' it at the ford; that's all. It's only a matter of straight business; nothin' more'n a preference I has. Another thing, ma'am; you-all forgives it, seein' I'm a gent onused to childish ways: but when I makes the play you names, I simply seizes on them savages that a-way as an excuse to get loose from them blessed children of your'n a whole lot.'"