PREFACE.
I do not know that any work on Female Artists—either grouping them or giving a general history of their productions—has ever been published, except the little volume issued in Berlin by Ernst Guhl, entitled “Die Frauen in die Kunstgeschichte.” In that work the survey is closed with the eighteenth century, and female poets are included with painters, sculptors, and engravers in the category of artists. Finding Professor Guhl’s sketches of the condition of art in successive ages entirely correct, I have made use of these and the facts he has collected, adding details omitted by him, especially in the personal history of prominent women devoted to the brush and the chisel. Authorities, too numerous to mention, in French, Italian, German, and English, have been carefully consulted. I am indebted particularly to the works of Vasari, Descampes, and Fiorillo. The biographies of Mdlles. Bonheur, Fauveau, and Hosmer are taken, with a little condensing and shaping, from late numbers of that excellent periodical, “The Englishwoman’s Journal.” The sketches of many living artists were prepared from materials furnished by themselves or their friends.
It is manifestly impossible, in a work of this kind, to include even the names of all the women artists who are worthy of remembrance. Among those of the present day are many who have not yet had sufficient experience to do justice to their own powers, and any criticism of their productions would be premature and unfair.
No attempt has been made in the following pages to give elaborate critiques or a connected history of art. The aim has been simply to show what woman has done, with the general conditions favorable or unfavorable to her efforts, and to give such impressions of the character of each prominent artist as may be derived from a faithful record of her personal experiences. More may be learned by a view of the early struggles and trials, the persevering industry and the well-earned triumphs of the gifted, than by the most erudite or fine-spun disquisition. Should the perusal of my book inspire with courage and resolution any woman who aspires to overcome difficulties in the achievement of honorable independence, or should it lead to a higher general respect for the powers of women and their destined position in the realm of Art, my object will be accomplished.
E. F. E.