THE ALDER-TREE.

[Alnus.[A]Nat. Ord.—Amentiferæ; Linn.—Monœc. Tetra.]

[A]Generic characters.Scales of the barren catkins, 3-lobed, 3-flowered. Perianth 4-cleft. Scales of the fertile catkin ovate, 2-flowered, coriaceous, persistent. Styles 2, parallel, setiform, deciduous; stigma simple. Fruit a nut, ovate, 2-celled. Kernel solitary, ovate, acute. Name, Celtic, fromal, andlan, a river bank.

TheCommon Alder (A. glutinosa), is the most aquatic of European trees. It grows to the height of fifty or sixty feet, in favourable situations by the sides of streams, and is a somewhat picturesque tree in its ramification as well as its foliage. Itis nearly related, in nature rather than in form, to the willow tribe; it is more picturesque than the latter, and perhaps the most so of any of the aquatic species, except the weeping willow. Gilpin says, that if we would see the Alder in perfection, we must follow the banks of the Mole, in Surrey, through the sweet vales of Dorking and Mickleham, into the groves of Esher. The Mole, indeed, is far from being a beautiful river; it is a silent and sluggish stream: but what beauty it has it owes greatly to the Alder, which everywhere fringes its meadows, and in many places forms very pleasing scenes; especially in the vale between Box Hill and the high grounds of Norbury Park. Spenser probably once reposed under the shade of these trees, as he mentions them in his "Colin Clout's come home again."

One day, quoth he, I sate, as was my trade,Under the foot of Mole, that mountain hore,Keeping my sheep among the cooly shadeOf the green Alders on the Mulla shore.

Some of the largest Alders in England grow in the Bishop of Durham's park, at Bishop Auckland. In speaking of these, Gilpin remarks, that "the generality of trees acquire picturesque beauty by age; but it is not often that they are suffered to attain this picturesque period. Some use is commonly found for them long before that time. The oak falls for the greater purposes of man, and the Alder is ready to supply a variety of his smaller wants. An old tree, therefore, of any kind is a curiosity; and even an Alder, such as those atBishop Auckland, when dignified by age, makes a respectable figure."

Specific character of A. glutinosa. Common Alder.Leaves roundish, cuneate, waved, serrate, glutinous, downy at the branching of the veins beneath. A moderately-sized tree, with rugged bark, and crooked, spreading, smooth branches: barren catkins long, pendulous; fertile ones short, oval. Flowers in March.

The Alder grows naturally in Europe from Laplandto Gibraltar, in Asia from the White Sea to Mount Caucasus, and in the north of Africa, as well as being indigenous in England. The flowers bloom in March and April; they have no gay tints or beauty to recommend them, and consequently afford pleasure only to the botanist or the curious observer of nature. The leaves begin to open about the 7th of April, and when fully expanded are of a deep dull green. The bark being smooth and of a purplish hue, the tree has an agreeable effect among others in all kinds of plantations of the watery tribe.

The Alder must have grown to a great size in days of yore; for Virgil speaks of vessels made of this material:

When hollow Alders first the waters tried.

And again:

And down the rapid Po light Alders glide.

Ovid also tells us that

Trees rudely hollowed did the waves sustain,Ere ships in triumph ploughed the watery main.

Abroad this tree is raised from seed, which is decidedly the best mode, and secures the finest specimens; though in this country they are generally propagated by layers or truncheons. The best time for planting the latter, is in February or March; the truncheons being sharpened at the end, the ground should be loosened by thrusting an iron crow into it, to prevent the bark from beingtorn off; and they should be planted at the least two feet deep. When cultivated by layers, the planting should take place in October, and they will then be ready to transplant in twelve months' time.

The Alder is usually planted as coppice-wood, to be cut down every five or six years, for conversion into charcoal, which is preferred in making gunpowder. The bark on the young wood is powerfully astringent, and is employed by tanners; and the young shoots are used for dyeing red, brown, and yellow; and in combination with copperas, to dye black. It is greatly cultivated in Flanders and Holland for piles, for which purpose it is invaluable, as when constantly under water, or in moist and boggy situations, it becomes hardened, black as ebony, and will last for ages. On this account it is also very serviceable in strengthening the embankments of rivers or canals; and while the roots and trunks are preventing the encroachment of the stream, they throw out branches which may be cut for poles every fifth or sixth year, especially if pruned of superfluous shoots in the spring.

As Alders in the spring, their boles extend,And heave so fiercely that the bark they rend.Virgil,ecl.x.

Vitruvius informs us, that the morasses about Ravenna were piled with this timber to build upon; and Evelyn says that it was used in the foundations of Ponte Rialto, over the Grand Canal at Venice. The wood is also valuable for various domestic purposes.

Besides the common Alder there are introduced at least six other species:—

1.A. Glutinosa, already described.

2.Emarginata, leaves nearly round, wedge-shaped, and edged with green.

3.Laciniata, leaves oblong and pinnatifid, with the lobes acute.

4.Quercifolia, leaves sinuated, with the lobes obtuse.

5.Oxyacanthœfolia, leaves sinuated and lobed; smaller than those of the preceding variety, and somewhat resembling the common hawthorn.

6.Macrocarpa, leaves and fruit larger than those of the species.

7.Foliis variegatis, leaves variegated.

[Fraxinus.[B]Nat. Ord.—Oleaceæ; Linn.—Dian. Monog.]

[B]Generic characters.Calyx none, or deeply 4-cleft. Corolla none, or of 4 petals. Perianth single, or none. Fruit a 2-celled, 2-seeded capsule, flattened and foliaceous at the extremity (asamara). Name fromφραξις, separation, on account of the ease with which the wood may be split.

TheCommon Ash (F. excelsior), is one of the noblest of our forest-trees, and generally carries its principal stem higher than the oak, rising in an easy flowing line. Its chief beauty, however, consistsin the lightness of its whole appearance. Its branches at first keep close to the trunk, and form acute angles with it; but as they begin to lengthen, they commonly take an easy sweep; and the looseness of the leaves corresponding with the lightness of the spray, the whole forms an elegant depending foliage. Nothing can have a better effect than an old Ash hanging from the corner of a wood, and bringing off the heaviness of the other foliage with its loose pendent branches. And yet in some soils, the Ash loses much of its beauty in the decline of age. The foliage becomes rare and meagre; and its branches, instead of hanging loosely, start away in disagreeable forms; thus the Ash often loses that grandeur and beauty in old age, which the generality of trees, and particularly the oak, preserve till a late period of their existence.

The Ash also falls under the displeasure of the picturesque eye on another account, that is, from its leaf being much tenderer than that of the oak, it sooner receives impressions from the winds and frosts. Instead, therefore, of contributing its tint in the wane of the year among the many-coloured offspring of the woods, it shrinks from the blast, drops its leaf, and in each scene where it predominates, leaves wide blanks of desolated boughs, amidst foliage yet fresh and verdant. Before its decay, we sometimes see its leaf tinged with a fine yellow, well contrasted with the neighbouring greens. But this is one of Nature's casual beauties. Much oftener its leaf decays in a dark, muddy, unpleasing tint. And yet, sometimes,notwithstanding this early loss of its foliage, we see the Ash, in a sheltered situation, when the rains have been abundant and the season mild, retain its light pleasant green, when the oak and the elm, in its neighbourhood, have put on their autumnal attire. The leaves of the common Ash were used as fodder for cattle by the Romans, who esteemed them better for that purpose than those of any other tree: and in this country, in various districts, they were used in the same manner.

The common Ash is indigenous to northern and central Europe, to the north of Africa, and to Japan. The Romans, it is said, named itFraxinus, quia facile frangitur, to express the fragile nature of the wood, as the boughs of it are easily broken. It is supposed that the name of Ash has been given to this tree, because the bark of the trunk and branches is of the colour of wood ashes. Some, however, affirm that the word is derived from the SaxonÆsc, a pike.

It is recorded in the fables of the ancients, that Love first made his arrows of this wood. The disciples of Mars used ashen poles for lances:

A lance of tough ground Ash the Trojan threw,Rough in the rind and knotted as it grew.Æneid.

Virgil says that the spears of the Amazons were formed of this wood, and Homer sings the mighty ashen spear of Achilles:

The noble Ash rewards the planter's toil;Noble, since great Achilles from her sideTook the dire spear by which brave Hector died.Rapin.

It is said, in the Edda, that the Ash was held in high veneration, and that man was formed from its wood. Hesiod, in like manner, deduces his brazen race of men from the Ash.

The warlike Ash, that reeks with human blood.

There are many remarkable Ash-trees in various parts of the country. One at Woburn Abbey measures at the ground twenty-three feet in circumference; at twelve inches from the ground, it is twenty feet; and fifteen feet three inches at three feet from the ground. It is ninety feet high, and the ground overshadowed by its branches is one hundred and thirteen feet in diameter. The trunk of another, near Kennety Church, in King's County, is twenty-one feet ten inches in circumference, and seventeen feet high, before the branches break out, which are of enormous bulk. There formerly stood in the church-yard of Kilmalie, in Lochaber, an Ash that was considered the largest and most remarkable tree in the Highlands. Lochiel and his numerous kindred and clan held it in great veneration for generations, which is supposed to have hastened its destruction; it being burnt to the ground by the brutal soldiery in 1746. In one direction its diameter was seventeen feet three inches, and the cross diameter twenty-one feet; its circumference at the ground was fifty-eight feet!

Specific characters of F. excelsior. Common Ash.Leaves pinnate, with lanceolate, serrated leaflets: flowers destitute of calyx and corolla. In old trees, the lower branches, after bending downwards, curve upwards at their extremities. Flowers, in loose panicles: anthers large, purple: capsules with a flat leaf-like termination, generally of two cells, each containing a flat oblong seed. This beautiful tree assumes its foliage later than any of our trees, and loses it early. Avarietyoccurs with simple leaves, and another with pendulous branches. Flowers in April and May; grows in natural woods in many parts of Scotland.

Trees raised from the keys of the Ash are decidedly the best. The "keys," or tongues, should be gathered from a young thriving tree when they begin to fall (which is about the end of October),laid to dry, and then sown any time betwixt that and Christmas. They will remain a full year in the ground before they appear; it is therefore necessary to fence them in, and wait patiently. The Ash will grow exceedingly well upon almost any soil, and indeed is frequently met with in ruined walls and rocks, insinuating its roots into the crevices of decaying buildings, covering the surface with verdure, while it is instrumental in destroying that which yields it support. Its winged capsules are supposed to be deposited in those places by the wind.

The Ash asks not a depth of fruitful mould,But, like frugality, on little meansIt thrives, and high o'er creviced ruins spreadsIts ample shade, or in the naked rock,That nods in air, with graceful limbs depends.Bidlake.

Southey, inDon Roderick, speaks of the Ash:

—amid the brook,Gray as the stone to which it clung, half root,Half trunk, the young Ash rises from the rock,And there its parent lifts its lofty head,And spreads its graceful boughs; the passing windWith twinkling motion lifts the silent leaves,And shakes its rattling tufts.

The roots of the Ash are remarkably beautiful, and often finely veined, and will take a good polish. There are also certain knotty excrescences in the Ash, called thebrusca, andmollusca, which, when cut and polished, are very beautiful. Dr. Plot, in hisHistory of Oxfordshirementions a dining-tablemade of them, which represented the exact figure of a fish.

With the exception of that of the oak, the timber of the Ash serves for the greatest variety of uses of any tree in the forest. It is excellent for ploughs.

Tough, bending Ash,Gives to the humble swain his useful plough,And for the peer his prouder chariot builds.Dodsley.

It is also used for axle-trees, wheel-rings, harrows; and also makes good oars, blocks for pulleys, &c. It is of the utmost value to the husbandman for carts, ladders, &c., and the branches are very serviceable for fuel, either fresh or dry. The most profitable age for felling the Ash, appears to be from eighty to one hundred years. It will continue pushing from stools or from pollards, for above one hundred years.

Though a handsome tree, it ought by no means to be planted for ornament in places designed to be kept neat, because the leaves fall off, with their long stalks, very early in the autumn, and by their litter destroy the beauty of such places; yet, however unfit for planting near gravel-walks, or pleasure-grounds, it is very suitable for woods, to form clumps in large parks, or to be set out as standards. It should never be planted on tillage land, as the dripping of the leaves injures the corn, and the roots tend to draw away all nourishment from the ground. Neither should it be planted near pasture ground; for if the kine eat the leaves or shoots, the butter will become rank, and of little value.

There are many varieties of the common Ash, but that with pendulous branches is probably the best known: it is called the Weeping Ash, and is of a heavy and somewhat unnatural appearance, yet it is very generally admired.

The foliage of the Ash-tree becomes of a brown colour in October.

Like leaves on trees the race of man is found—Now green in youth, now withering on the ground;Another race the following spring supplies,They fall successive, and successive rise:So generations in their course decay,So flourish these, when those are past away.Pope.

There are numerous species of the Ash, but these are so rarely to be met with in this country, that it is not necessary to particularize any of them.

[Fagus.[C]Nat. Ord.—Amentiferæ; Linn.—Monœc. Poly.]

[C]Generic characters. Barrenflowers in a roundish catkin. Perianth campanulate, divided into 5 or 6 segments. Stamens 8 to 15.Fertileflowers, 2 together, within a 4-lobed prickly involucre. Stigma 3. Ovaries 3-cornered and 3-celled. Nut by abortion 1 or 2-seeded. Named fromφαγω, to eat.

TheCommon Beech (F. sylvática), is supposed to be indigenous to England, but not to Scotland or Ireland. According to Evelyn, it is a beautiful as well as valuable tree, growing generally to a greater stature than the Ash: though Gilpin observes, that it does not deserve to be rankedamong timber-trees; its wood being of a soft, spongy nature, sappy, and alluring to the worm. Neither will Gilpin allow that, in point of picturesque beauty, it should rank much higher than in point of utility. Its skeleton, compared with that of the oak, the ash, or the elm, he says, is very deficient; yet its trunk is often highly picturesque, being frequently studded with bold knobs and projections, and having sometimes a sort of irregular fluting about it, which is very characteristic. It has another peculiarity, also, which is somewhat pleasing—that of a number of stems arising from the root. The bark, too, wears often a pleasant hue. It is naturally of a dingy olive; but it is always overspread, in patches, with a variety of mosses and lichens, which are commonly of a lighter tint in the upper parts, and of a deep velvet green towards the root. Its smoothness, also, contrasts agreeably with these rougher appendages. No bark tempts the lover so much to make it the depository of his mistress's name. In days of yore, it seems to have commonly served as the lover's tablet. In Dryden's translation of Virgil'sEclogues, we find the following:—

Or shall I rather the sad verse repeat,Which on the Beech's bark I lately writ—I writ, and sang betwixt.

There seems to have been connected with this custom the curious idea, that as the tree increased in growth, so would the words, and also the hopes expressed thereon:

The rind of every plant her name shall know,And as the rind extends the love shall grow.

Our own Thomson, too, narrates that Musidora carved, on the soft bark of a Beech-tree, the confession of her attachment to Damon:

At length, a tender calm,Hushed, by degrees, the tumult of her soul;And on the spreading Beech, that o'er the streamIncumbent hung, she, with the sylvan penOf rural lovers, this confession carved,Which soon her Damon kissed with weeping joy.

The branches of the Beech are fantastically wreathed and disproportioned, twining awkwardly among one another, and running often into long unvaried lines, without any of that strength and firmness which we admire in the oak, or of that easy simplicity which pleases in the ash: in short, we rarely see a Beech well ramified. In full leaf, it is unequally pleasing; it has the appearance of an overgrown bush. Virgil, indeed, was right in choosing the Beech for its shade. No tree forms so complete a roof. If you wish either for shade or shelter, you will find it best

Beneath the shade which Beechen boughs diffuse.

Its bushiness imparts a great heaviness to the tree, which is always a deformity:

A gloomy grove of Beech.

Sometimes a light branch issues from a heavy mass; and though these are often beautiful in themselves, they are seldom in harmony with the tree. They distinguish, however, its character, which will be best seen by comparing it with the elm. The latterhas a rounder, the former a more pointed foliage; but the elm is always in harmony with itself. Gilpin can see few beauties in the Beech; but, in conclusion, he admits that it sometimes has its beauty, and often its use. In distance, it preserves the depth of the forest, and, even on the spot, in contrast, it is frequently a choice accompaniment. In the corner of a landscape, too, when a thick heavy tree is wanted, or a part of one, at least, which is often necessary, nothing answers the purpose like the Beech.

If we would really appreciate the beauty of this tree, we should walk in a wood of them. In its juvenility, contrary to the generality of trees, the Beech is decidedly the most pleasing, not having acquired that heaviness which Gilpin so loudly complains of. A light, airy young Beech, with its spiry branches hanging in easy forms, is generally beautiful. And, occasionally, the forest Beech, in a dry hungry soil, preserves the lightness of youth in the maturity of age.

We must, however, mention its autumnal hues, which are often beautiful. Sometimes it is dressed in modest brown, but commonly in glowing orange; and in both dresses its harmony with the grove is pleasing. About the end of September, when the leaf begins to change, it makes a happy contrast with the oak, whose foliage is yet verdant. Some of the finest oppositions of tint which, perhaps, the forest can furnish, arise from the union of oak and Beech. We often see a wonderful effect from this combination; and yet, accommodating as itsleaf is in landscape, on handling, it feels as if it were fabricated with metallic rigour.

Specific character. F. sylvática. Common Beech.Leaves ovate, indistinctly serrate, smooth, ciliate. A large tree, varying from 60 to 100 feet in height, with smooth bark and spreading branches. Flowers in April and May; grows in woods, particularly on calcareous soils.

The leaves are of a pleasant green, and manyof them remain on the branches during winter. In France and Switzerland, when dried, they are very commonly used for beds, or, instead of straw, for mattresses. Its fruit consists of "two nuts joined at the base, and covered with an almost globular involucre, which has soft spines on the outside, but within is delicately smooth and silky." Beech mast, as it is called, was formerly used for fattening swine and deer. It affords also a sweet oil, which the poor in France are said to eat most willingly.

—The Beech, of oily nutsProlific.

The Beech abounds especially along the great ridge of chalk-hills which passes from Dorsetshire through Wiltshire, Hampshire, Surrey, Sussex, and Kent; trenching out into Berkshire, Buckinghamshire, and Hertfordshire; and it is also found on the Stroudwater and Cotswold hills in Gloucestershire, and on the banks of the Wye in Herefordshire and Monmouthshire. It is particularly abundant in Buckinghamshire, where it forms extensive forests of great magnificence and beauty. It is seldom found mixed with other trees, even when they are coeval with it in point of age. It is rarely found in soil that is not more or less calcareous; and it most commonly abounds on chalk. The finest trees in England are said to grow in Hampshire; and there is a curious legend respecting those in the forest of St. Leonard, in that county. This forest, which was the abode of St. Leonard, abounds in noble Beech-trees; and thesaint was particularly fond of reposing under their shade; but, when he did so, he was annoyed during the day by vipers, and at night by the singing of the nightingale. Accordingly, he prayed that they might be removed; and such was the efficacy of his prayers, that since his time, in this forest,

"The viper has ne'er been known to sting,Or the nightingale e'er heard to sing."

The wood of this tree, from its softness, is easy of being worked, and is consequently a favourite with the turner. Beechen bowls, curiously carved, were highly prized by the ancient shepherds. Indeed, we learn that their use was almost universal:

Hence, in the world's best years, the humble shedWas happily and fully furnished:Beech made their chests, their beds, and the joined stools;Beech made the board, the platters, and the bowls.

And it is still used for dishes, trays, trenchers, &c. And Dodsley informs us that it was used for the sounding-boards of musical instruments.

—The soft BeechAnd close-grained box employ the turner's wheel;And with a thousand implements supplyMechanic skill.

We cannot willingly conclude this article without introducing Wordsworth's beautiful description of a solitary Beech-tree, which stood within "a stately fir-grove," where he was not loth

To sympathize with vulgar coppice birds,That, for protection from the nipping blast,Thither repaired. A single Beech-tree grewWithin this grove of firs, and in the forkOf that one Beech appeared a thrush's nest:A last year's nest, conspicuously builtAt such small elevation from the ground,As gave sure sign that they who in that houseOf nature and of love had made their home,Amid the fir-trees all the summer long,Dwelt in a tranquil spot.

The principal varieties of the Beech are:—

1.Purpurea, the purple Beech, which has the buds and young shoots of a rose colour; the leaves, when half developed, of a cherry red, and of so dark a purple, when fully matured, as to appear almost black.

2.Foliis variegatis, having the leaves variegated with white and yellow, interspersed with some streaks of red and purple.

3.Pendulata, the weeping Beech, having the branches beautifully pendent.

[Betula.[D]Nat. Ord.—Amentiferæ; Linn.—Monœc. Poly.]

[D]Generic characters.Barrenflowers in a cylindrical catkin with ternate scales. Perianth none. Stamens 10 or 12.Fertileflowers in an oblong catkin, with 3-lobed, 3-flowered scales. Perianth none. Styles 2, filiform. Emit an oblong nut, deciduous, winged, 1-celled. Kernel solitary.

—most beautifulOf forest trees, the lady of the woods.Coleridge.

Thecommon Birch (B. alba) is a native of the colder regions of Europe and Asia, being found from Iceland to Mount Etna; in Siberia, as far asthe Altaic mountains; and also in the Himalayas; but not in Africa. It is known, at first sight, by the silvery whiteness of its bark, the comparative smallness of its leaves, and the lightness and airiness of its whole appearance. It is admirably calculated to diversify the scene, forming a pleasing variety among other trees, either in summer or winter. In summer it is covered over with beautiful small leaves, and the stem being generally marked with brown, yellow, and silvery touches of a peculiarly picturesque character, as they are characteristic objects of imitation for the pencil, forms an agreeable contrast with the dark green hue of the foliage, as it is waved to and fro by every breath of air. Only the stem and larger branches, however, have this varied colouring: the spray is of a deep brown, which is the colour, too, of the larger branches, where the external rind is peeled off. As the tree grows old, its bark becomes rough and furrowed; it loses all its varied tints, and assumes a uniform ferruginous hue.

The Birch is altogether raised from roots or suckers, which, being planted at intervals of four or five feet, in small twigs, will speedily rise to trees, provided the soil suit them, and this cannot well be too barren or spongy; for it will thrive in dry and wet, sandy or stony places, in marshes or bogs.

In ancient times, the Birch, whose timber is almost worthless, according to Evelyn, afforded the Old English warriors arrows, bolts, and shafts; and in modern times, its charcoal forms a principal ingredient in the manufacture of gunpowder. In spring, the Birch abounds in juices, and from these the rustic housewife makes an agreeable and wholesome wine: as Warton sings:

Specific characters of B. alba.Leaves ovate, deltoid, acute, unequally serrate, nearly smooth. A moderately-sized tree, seldom exceeding fifty feet in height, with a trunk of from twelve to eighteen inches in diameter, with a white outer bark, peeling transversely, the twigs very slender, and more or less drooping. Flowers in April and May; grows abundantly in extensive natural woods in various parts of the country, particularly in the Highlands of Scotland.

And though she boasts no charm divine,Yet she can carve, and make Birch wine.

Pomona's bard says, also, that

—Even afflictive Birch,Cursed by unlettered idle youth, distilsA limpid current from her wounded bark,Profuse of nursing sap.

We are informed that a Birch-tree has been known to yield, in the course of the season, a quantity of sap equal to its own weight. It is obtained by inserting, in the early part of spring, a fosset made of an elder stick, with the pith taken out; and setting vessels, or hanging bladders, to receive the liquor. The sooner it is boiled the better; so that, in order to procure a sufficient quantity in a short time, a number of trees should be bored on the same day, and two or three fossets inserted in each of the larger trees. Sugar is now commonly used to sweeten it, in the proportion of from two to four pounds to each gallon of liquor. This is allowed to simmer so long as any scum rises, which must be cleared as fast as it appears. It is then poured into a tub to cool, after which it is turned into a cask, and bunged up when it has done working; and is ready to be drunk when a year old.

As before remarked, the timber of the Birch isof little value; though in the Highlands, where pine is not to be had, it is used for all purposes. Its stems form the rafters of cabins; "wattles of the boughs are the walls and the door; and even the chests and boxes are of this rude basket-work."

Light and strong canoes were formerly made of this timber in Britain, and also in other parts of Europe; and are even now in the northern parts of America. It also makes good fuel; and in Lancashire great quantities of besoms are made for exportation from the slender twigs. The bark is used in Russia and Poland for the covering of houses, instead of slates or tiles; and anciently the inner white cuticle and silken bark were used for writing-paper. Coleridge describes

A curious picture, with a master's hasteSketched on a strip of pinky-silver skinPeeled from the Birchen bark.

There is no part of this tree, however, that is not useful for some purpose or other. Even its leaves are used by the Finland women, in forming a soft elastic couch for the cradle of infancy.

Gilpin particularly notes a beautiful variety of the White Birch,B. pendula, sometimes called the Lady Birch, or the Weeping Birch. Its spray being slenderer and longer than the common sort, forms an elegant pensile foliage, like the weeping willow, and, like it, is put in motion by the smallest breeze. When agitated, it is well adapted to characterize a storm, or to perform any office in landscape which is expected from the weeping willow. This is agreeably described in Wilson's Isle of Palms:

—on the green slopeOf a romantic glade we sate us down,Amid the fragrance of the yellow broom,While o'er our heads the Weeping Birch-tree streamedIts branches, arching like a fountain shower.

"A Weeping Birch, at Balloghie, in the parish of Birse, in Aberdeenshire, in 1792, measured five feet in circumference; but it carried nearly this degree of thickness, with a clear stem, up to the height of about fifty feet, and it was judged to be about one hundred feet high."

[Cedrus Libani.Nat. Ord.—Coniferæ; Linn.—Pinus C. Monœc. Monand.]

On high the CedarStoops, like a monarch to his people bending,And casts his sweets around him.Barry Cornwall.

TheCedar of Lebanon is a majestic evergreen tree, generally from fifty to eighty feet in height, extending wide its boughs and branches; and its sturdy arms grow in time so weighty, as frequently to bend the very stem and main shaft. Phillips observes, that "this noble tree has a dignity and a general striking character of growth so peculiar to itself, that no other tree can possibly be mistakenfor it. It is instantly recognized by its wide-extending branches, that incline their extremities downwards, exhibiting a most beautiful upper surface, like so many verdant banks, which, when agitated by the wind, play in the most graceful manner, forming one of the most elegant, as well as one of the most noble, objects of the vegetable kingdom."

The Cedar of Lebanon was formerly supposed to grow nowhere but on that mountain; but it was discovered, in 1832, on several mountains of the same group, and the probability is, that it extends over the whole of the Tauri mountains. It has also been discovered on the Atlas range of northern Africa.

It is generally spoken of as a lofty tree. Milton, in speaking of it, says,

Insuperable height of loftiest shade.

And Rowe, in his Lucan, alludes to the "tall Cedar's head;" and Spenser speaks of the "Cedar tall;" and Churchill sings,

The Cedar, whose top mates the highest cloud.

Notwithstanding these poetical authorities for the loftiness of the Cedar, we are assured by Evelyn, and others, that it is not lofty, but is rather remarkable for its wide-spreading branches. In Prior's Solomon, we read of

The spreading Cedar that an age had stood,Supreme of trees, and mistress of the wood,Cut down and carved, my shining roof adorns,And Lebanon his ruined honour mourns.

Mason describes it as far-spreading:

—Cedars here,Coeval with the sky-crowned mountain's self,Spread wide their giant arms.

The prophet Ezekiel has given us the fullest description of the Cedar: "Behold the Assyrian was a Cedar in Lebanon, with fair branches, and with a shadowing shroud, and of a high stature; and his top was among the thick boughs. His boughs were multiplied, and his branches became long. The fir-trees were not like his boughs, nor the chestnut-trees like his branches, nor any tree in the garden of God like unto him in beauty."

In this description, two of the principal characteristics of the Cedar are marked.

The first is, the multiplicity and length of his branches. Few trees divide so many fair branches from the main stem, or spread over so large a compass of ground. His boughs are multiplied, as Ezekiel says, and his branches become long, which David calls spreading abroad.

The second characteristic is his shadowing shroud. No tree in the forest is more remarkable than the Cedar for its close-woven leafy canopy. Ezekiel's Cedar is marked as a tree of full and perfect growth, from the circumstance of its top being among the thick boughs. Almost every young tree, and particularly every young Cedar, has what is called a leading branch or two, which continue spiring above the rest till the tree has attained its full size; then the tree becomes, in the languageof the nurseryman, clump-headed: but, in the language of eastern sublimity its top is among the thick boughs; that is, no distinction of any spiry head, or leading branch, appears; the head and the branches are all mixed together. This is generally, in all trees, the state in which they are most perfect and most beautiful. Such is the grandeur and form of the Cedar of Lebanon. Its mantling foliage, or shadowing shroud, as Ezekiel calls it, is its greatest beauty, which arises from the horizontal growth of its branches forming a kind of sweeping, irregular penthouse. And when to the idea of beauty that of strength is added, by the pyramidal form of the stem, and the robustness of the limbs, the tree is complete in all its beauty and majesty. In these climates, indeed, we cannot expect to see the Cedar in such perfection. The forest of Lebanon is, perhaps, the only part of the world where its growth is perfect; yet we may, in some degree, conceive its beauty and majesty, from the paltry resemblances of it at this distance from its native soil. In its youth, it is often with us a vigorous thriving plant; and if the leading branch is not bound to a pole (as many people deform their Cedars), but left to take its natural course, and guide the stem after it in some irregular waving line, it is often an object of great beauty. But, in its maturer age, the beauty of the English Cedar is generally gone; it becomes shrivelled, deformed, and stunted; its body increases, but its limbs shrink and wither. Thus it never gives us its two leading qualities together.In its youth, we have some idea of its beauty, without its strength; and in its advanced age, we have some idea of its strength, without its beauty. The imagination, therefore, by joining together the two different periods of its age in this climate, may form some conception of the grandeur of the Cedar in its own climate, where its strength and beauty are united.

(Leaves, Cone and Seeds of Cedar of Lebanon)

The following particular botanical description of this celebrated tree, is given by Loudon in hisArboretum:—

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