AAction,3,4,30,134-141,313,314.Adrift,294.Adventure,305.After Fifty Years,360.Albright, Evelyn May,74,87,90.Ambrosio Company,360.American Company,92,268,290.Animals,278,279.Annie Crawls Upstairs,358-360.Artcraft,79.BBackgrounds,201.Balzac,348.Barrett, Charles Raymond,28,74.Bells, The,317-320.Biograph,153,155,156,201.Blue Book, The,355.Bookman, The,356.Bottle Imp, The,361.Brewster, Eugene V.,264,265.Brickdust Row,363,365.Bringing Up Father,343.Browning, Robert,358-360.Burlesque,325,326.Bush, W. Stephen,282,283.Bust, The,17,18,163-166.Byrne Brothers,326.CCabanne, William Christy,252.Camera,18.Cameraman,18.Camera tricks,181-185.Cask of Amontillado, The,348-350.Cast,18,31,32,37,109-130,370.Censorship,282-289,341.Center of interest,141-143.Changes of scene,144-161.Characters,18,109-130,140,142,315,316,337,338.Child actors,279,288.Class Reunion, The,353.Cleopatsy,342.Climax,26,194.Close-up,18,166-176.Coffey, Robert E.,297.Cohan, George,289.Collins, Wilkie,305.ComedyPhotoplays,2,83,84,324-346.Coming Nation, The,292,293.Complication,89.Conciseness,198,199.Continuity: See "Scenario."Cooper, Frederick Taber,356.Cooper-Hewitt lights,247.Cord of Life, The,155,156.Costume plays,280.Count of Monte Cristo, The,189,190.Cowell, Harry,75,77.Crime in photoplays,284,285.Cut-back,19,152-157.Cut-in,19,158-161,233-237.Cutting,19.DDaphne and the Pirates,253.Denouement,89.Devil Stone, The,236,237,321.Dialogue,3,200,201.Diaphragm,19,20.Diaphragming-in and -out: See "Fade-in," and "Fade-out."Dickens, Charles,185-187.Director,20,115,116,212-214.Doing a picture,20.Double exposure,20,185-188.Doyle, A. Conan,348-351,354.Dramatic Mirror, The,140,263,357.Dramatic photoplay, The,2.Dreams,176-181.Drew, John,333.Drew, Mr. and Mrs. Sidney,329,333-335.Dual-character films,185-188.Duchess at Prayer, The,348.Dumas, Alexander,189.EEagle's Eye, The,181-183,196,274.Edison,3,78,111,172,275,297,358-360.Editing a Motion Picture,227.Editor,20,84,85.Educational films,2,3."Edwards, John Milton,"82.Eight Bells,326.Episode,194.Essanay,77.Everybody's Girl,363-407.Expense of production,268-281.Exteriors,20,248,249.Extras,21.Extravaganza,326.FFade in,21.Fade out,21.Fairbanks, Douglas,2,102."Faked" scenes,269-272.Famous Players,189,190.Farce,2,324,325.Farnum, William,186.Feature photoplays,24,188-193.Fiction Factory, The,82.Fiction writing an aid to photoplay writing,5-16.Figaro, Paris,308,309.Fildew, William E.,252,253.Film,21,22.Fine Arts,253.Fisher, "Bud,"343.Footage,22.Fox,186-188.Frame,22.Frohman, Daniel,304.GGoldwyn,85.Grande Bretêche, La,348.Green, Anna Katherine,138.Griffith, D.W.,153,157,167,226,336.HHackneyed themes,296-300.Halévy, Ludovic,307.Hamlet,325,326.Harrison, Louis Reeves,91,293.Hazard, Floyd Hamilton,304,322.Hazlitt, William,338.Heart-interest,293,305.Hearts of the World,157."Henry, O.,"201,351,352,363.Hoadley, C.B.,132,149.Hoagland, Herbert Case,134,138,301,322,356.Hoffman, Arthur S.,305,306.How to Write a Photoplay,134,301,356.Human interest,305,306.Humor: See "Comedy."IIdea,22.In the Country God Forgot,82.Incendiary Foreman, The,273.Insert,22,157-161,218-244.Interest centralized,141-143.Interpose,22,387.Intolerance,167,168.Irving, Sir Henry,317.Irwin, May,325.JJacobs, W.W.,355.Johnson, Samuel,415.KKaiser, The,127.Kalem,132.Katterjohn, Monte M.,302.Keenan, Frank,320.Keystone Comedy,329.LLang, Phil,132,133.Leaders,4,22,157-161,218-244.Leavenworth Case, The,138.Letters,237-242.Lighting,247-249,280,281.Little Stone God, The,355.Location,22,23,166.Lubin,78.MMacbeth,282,318.MacGrath, Harold,301,302.McManus, George,343.Magazine Maker, The,75,77.Manuscript record,415.Marketing the photoplay,408-415.Mask,161-163.Maude, Cyril,333.Maupassant, Guy de,351.Memories,176-181.Merwin, Bannister,172-175,192,197,297.Metro,333.Monkey's Paw, The,355.Moore, John Robert,361,362.Mortmain,184,185.Motion Picture Classic,263.Motion Picture Magazine,263,264.Motion Picture News,263,336.Motion Picture Story, The,242.Motivation,88.Motography,263.Moving Picture Stories,15,264.Moving Picture World, The,29,91,103,120-122,132,133,174,227,231,252,253,263,282,283,286,293,332,334,335.Multiple reel,23,24.Murders in the Rue Morgue, The,361.Mutt and Jeff,343.NNames,120-126.Necklace, The,351.Negative,23.Nehls, R.R.,92,268,270,290,291.Nestor,34.New Catacomb, The,348-350,354.OObjectionable subjects,282-303.Old Musician, The,129.Oppenheim, James,358-360.Originality,260-262,347-362.Outdoor scenes,20,248,249.Over-condensation,199,223-225.PPadding,189."Panorams,"168,235.Paramount,127,236,321.Part,24.Pathé,273,319,322,342.Phillips, Henry Albert,87.Photographing,208-210.Photoplay:construction of, defined,1-4;kinds of,2;terms,17-28.Photoplay Author, The: SeeThe Writer's Monthly.Photoplay Magazine,286,288.Pickford, Mary,168.Picture-Play Magazine,263.Pierre of the North,129.Pippa Passes,358-360.Plagiarism,350-357.Plot,7,8,16,23,30,87-95,136,255-266.Plot of the Short Story, The,23,87.Poe, Edgar Allan,348-350,361,362.Positive,23.Powell, A. Van Buren,363-407.Prevost, Marcel,308.Pribyl, John F.,283-285.Print,23.RRed Cross,3,300.Reel,24.Reeve, Arthur B.,193.Reformation of Calliope, The,352.Register,24,25.Rehearsals,249,250.Release,25.SSargent, Epes Winthrop,29,77,103,107,120-122,156,157,165,172,175,228,242,250,290,305,332.Scenario,19,25,29,32,37-54,131-203,371-407.Scene,25,144-161,204-217,231.Scene-plot,25,32,33,204-217.Script,25,26;its component parts,29-33;mechanical preparation of,55-71.Seitz, George B.,194.Selig,2,78,129,189,190,283-285.Sequence in the action,135-137.Serials,26,193.Set,26,204-217.Setting,26,166,204-217.Short Story, The,74,87,90.Short-Story Writing,28.Situation,26,27.Split reel: See "Reel."Stage,27,245-254.Stock people,27.Stop-camera work,176-181.Story, Walter,283-285.Strand Magazine,352,354.Stringer, Arthur,184,185.Struggle,89.Studio,27.Subject,28.Sub-title: See "Leader."Sullivan, C. Gardner,127.Sun, New York,304.Sun, Sand and Solitude,82.Superba,326.Super-imposure: See "Double exposure."Suspense,137-140,157,195.Swell Miss Fitzwell, The,325.Synopsis,31,35-37,87-109,365-370.TTale of Two Cities, A,185-187.Technique of the Photoplay, The,165,242.Thanhouser,272.Themes, desirable,304-323;undesirable,282-303.Thirteenth Man, The,353.Thomas, A.W.,288.Three Friends,153,201.Tinting,28.Title,28,72-86.Tremayne, W.A.,129.Triangle,79,127.Trite themes,296-300.Typewriting,59-70.UUniversal,34,127,297.VVerne, Jules,311.Visions,28,176-181.Visualization,132,133.Vitagraph,106,107,129,171,172,184,185,277,278,297,302,350,363.WWasted Sacrifice, A,106,107,277,278,302.Weber, Lois,231.Wells, Elmer N.,129.Wharton,181-183,196,274.Wharton, Edith,348.Without Reward,34-54,208-212.Woods, Frank E.,226,227,357.Wright, William Lord,242,243.Writers of photoplays,Previous training of,5-16.Writer'sMonthly, The,98,107,132,149,264.Writing for the Magazines,338-341.Writing the Short-Story,23,77,87,357.