SOPHIA IVANOVNA, as I afterwards came to know her, was one of those rare, young-old women who are born for family life, but to whom that happiness has been denied by fate. Consequently all that store of their love which should have been poured out upon a husband and children becomes pent up in their hearts, until they suddenly decide to let it overflow upon a few chosen individuals. Yet so inexhaustible is that store of old maids’ love that, despite the number of individuals so selected, there still remains an abundant surplus of affection which they lavish upon all by whom they are surrounded—upon all, good or bad, whom they may chance to meet in their daily life.
Of love there are three kinds—love of beauty, the love which denies itself, and practical love.
Of the desire of a young man for a young woman, as well as of the reverse instance, I am not now speaking, for of such tendresses I am wary, seeing that I have been too unhappy in my life to have been able ever to see in such affection a single spark of truth, but rather a lying pretence in which sensuality, connubial relations, money, and the wish to bind hands or to unloose them have rendered feeling such a complex affair as to defy analysis. Rather am I speaking of that love for a human being which, according to the spiritual strength of its possessor, concentrates itself either upon a single individual, upon a few, or upon many—of love for a mother, a father, a brother, little children, a friend, a compatriot—of love, in short, for one’s neighbour.
Love of beauty consists in a love of the sense of beauty and of its expression. People who thus love conceive the object of their affection to be desirable only in so far as it arouses in them that pleasurable sensation of which the consciousness and the expression soothes the senses. They change the object of their love frequently, since their principal aim consists in ensuring that the voluptuous feeling of their adoration shall be constantly titillated. To preserve in themselves this sensuous condition, they talk unceasingly, and in the most elegant terms, on the subject of the love which they feel, not only for its immediate object, but also for objects upon which it does not touch at all. This country of ours contains many such individuals—individuals of that well-known class who, cultivating “the beautiful,” not only discourse of their cult to all and sundry, but speak of it pre-eminently in FRENCH. It may seem a strange and ridiculous thing to say, but I am convinced that among us we have had in the past, and still have, a large section of society—notably women—whose love for their friends, husbands, or children would expire to-morrow if they were debarred from dilating upon it in the tongue of France!
Love of the second kind—renunciatory love—consists in a yearning to undergo self-sacrifice for the object beloved, regardless of any consideration whether such self-sacrifice will benefit or injure the object in question. “There is no evil which I would not endure to show both the world and him or her whom I adore my devotion.” There we have the formula of this kind of love. People who thus love never look for reciprocity of affection, since it is a finer thing to sacrifice yourself for one who does not comprehend you. Also, they are always painfully eager to exaggerate the merits of their sacrifice; usually constant in their love, for the reason that they would find it hard to forego the kudos of the deprivations which they endure for the object beloved; always ready to die, to prove to him or to her the entirety of their devotion; but sparing of such small daily proofs of their love as call for no special effort of self-immolation. They do not much care whether you eat well, sleep well, keep your spirits up, or enjoy good health, nor do they ever do anything to obtain for you those blessings if they have it in their power; but, should you be confronting a bullet, or have fallen into the water, or stand in danger of being burnt, or have had your heart broken in a love affair—well, for all these things they are prepared if the occasion should arise. Moreover, people addicted to love of such a self-sacrificing order are invariably proud of their love, exacting, jealous, distrustful, and—strange to tell—anxious that the object of their adoration should incur perils (so that they may save it from calamity, and console it thereafter) and even be vicious (so that they may purge it of its vice).
Suppose, now, that you are living in the country with a wife who loves you in this self-sacrificing manner. You may be healthy and contented, and have occupations which interest you, while, on the other hand, your wife may be too weak to superintend the household work (which, in consequence, will be left to the servants), or to look after the children (who, in consequence, will be left to the nurses), or to put her heart into any work whatsoever: and all because she loves nobody and nothing but yourself. She may be patently ill, yet she will say not a word to you about it, for fear of distressing you. She may be patently ennuyee, yet for your sake she will be prepared to be so for the rest of her life. She may be patently depressed because you stick so persistently to your occupations (whether sport, books, farming, state service, or anything else) and see clearly that they are doing you harm; yet, for all that, she will keep silence, and suffer it to be so. Yet, should you but fall sick—and, despite her own ailments and your prayers that she will not distress herself in vain, your loving wife will remain sitting inseparably by your bedside. Every moment you will feel her sympathetic gaze resting upon you and, as it were, saying: “There! I told you so, but it is all one to me, and I shall not leave you.” In the morning you maybe a little better, and move into another room. The room, however, will be insufficiently warmed or set in order; the soup which alone you feel you could eat will not have been cooked; nor will any medicine have been sent for. Yet, though worn out with night watching, your loving wife will continue to regard you with an expression of sympathy, to walk about on tiptoe, and to whisper unaccustomed and obscure orders to the servants. You may wish to be read to—and your loving wife will tell you with a sigh that she feels sure you will be unable to hear her reading, and only grow angry at her awkwardness in doing it; wherefore you had better not be read to at all. You may wish to walk about the room—and she will tell you that it would be far better for you not to do so. You may wish to talk with some friends who have called—and she will tell you that talking is not good for you. At nightfall the fever may come upon you again, and you may wish to be left alone whereupon your loving wife, though wasted, pale, and full of yawns, will go on sitting in a chair opposite you, as dusk falls, until her very slightest movement, her very slightest sound, rouses you to feelings of anger and impatience. You may have a servant who has lived with you for twenty years, and to whom you are attached, and who would tend you well and to your satisfaction during the night, for the reason that he has been asleep all day and is, moreover, paid a salary for his services; yet your wife will not suffer him to wait upon you. No; everything she must do herself with her weak, unaccustomed fingers (of which you follow the movements with suppressed irritation as those pale members do their best to uncork a medicine bottle, to snuff a candle, to pour out physic, or to touch you in a squeamish sort of way). If you are an impatient, hasty sort of man, and beg of her to leave the room, you will hear by the vexed, distressed sounds which come from her that she is humbly sobbing and weeping behind the door, and whispering foolishness of some kind to the servant. Finally if you do not die, your loving wife—who has not slept during the whole three weeks of your illness (a fact of which she will constantly remind you)—will fall ill in her turn, waste away, suffer much, and become even more incapable of any useful pursuit than she was before; while by the time that you have regained your normal state of health she will express to you her self-sacrificing affection only by shedding around you a kind of benignant dullness which involuntarily communicates itself both to yourself and to every one else in your vicinity.
The third kind of love—practical love—consists of a yearning to satisfy every need, every desire, every caprice, nay, every vice, of the being beloved. People who love thus always love their life long, since, the more they love, the more they get to know the object beloved, and the easier they find the task of loving it—that is to say, of satisfying its desires. Their love seldom finds expression in words, but if it does so, it expresses itself neither with assurance nor beauty, but rather in a shamefaced, awkward manner, since people of this kind invariably have misgivings that they are loving unworthily. People of this kind love even the faults of their adored one, for the reason that those faults afford them the power of constantly satisfying new desires. They look for their affection to be returned, and even deceive themselves into believing that it is returned, and are happy accordingly: yet in the reverse case they will still continue to desire happiness for their beloved one, and try by every means in their power—whether moral or material, great or small—to provide it.
Such practical love it was—love for her nephew, for her niece, for her sister, for Lubov Sergievna, and even for myself, because I loved Dimitri—that shone in the eyes, as well as in the every word and movement, of Sophia Ivanovna.
Only long afterwards did I learn to value her at her true worth. Yet even now the question occurred to me: “What has made Dimitri—who throughout has tried to understand love differently to other young fellows, and has always had before his eyes the gentle, loving Sophia Ivanovna—suddenly fall so deeply in love with the incomprehensible Lubov Sergievna, and declare that in his aunt he can only find good QUALITIES? Verily it is a true saying that ‘a prophet hath no honour in his own country.’ One of two things: either every man has in him more of bad than of good, or every man is more receptive to bad than to good. Lubov Sergievna he has not known for long, whereas his aunt’s love he has known since the day of his birth.”
WHEN I returned to the verandah, I found that they were not talking of me at all, as I had anticipated. On the contrary, Varenika had laid aside the book, and was engaged in a heated dispute with Dimitri, who, for his part, was walking up and down the verandah, and frowningly adjusting his neck in his collar as he did so. The subject of the quarrel seemed to be Ivan Yakovlevitch and superstition, but it was too animated a difference for its underlying cause not to be something which concerned the family much more nearly. Although the Princess and Lubov Sergievna were sitting by in silence, they were following every word, and evidently tempted at times to take part in the dispute; yet always, just when they were about to speak, they checked themselves, and left the field clear for the two principles, Dimitri and Varenika. On my entry, the latter glanced at me with such an indifferent air that I could see she was wholly absorbed in the quarrel and did not care whether she spoke in my presence or not. The Princess too looked the same, and was clearly on Varenika’s side, while Dimitri began, if anything, to raise his voice still more when I appeared, and Lubov Sergievna, for her part, observed to no one in particular: “Old people are quite right when they say, ‘Si jeunesse savait, si vieillesse pouvait.’”
Nevertheless this quotation did not check the dispute, though it somehow gave me the impression that the side represented by the speaker and her friend was in the wrong. Although it was a little awkward for me to be present at a petty family difference, the fact that the true relations of the family revealed themselves during its progress, and that my presence did nothing to hinder that revelation, afforded me considerable gratification.
How often it happens that for years one sees a family cover themselves over with a conventional cloak of decorum, and preserve the real relations of its members a secret from every eye! How often, too, have I remarked that, the more impenetrable (and therefore the more decorous) is the cloak, the harsher are the relations which it conceals! Yet, once let some unexpected question—often a most trivial one (the colour of a woman’s hair, a visit, a man’s horses, and so forth)—arise in that family circle, and without any visible cause there will also arise an ever-growing difference, until in time the cloak of decorum becomes unequal to confining the quarrel within due bounds, and, to the dismay of the disputants and the astonishment of the auditors, the real and ill-adjusted relations of the family are laid bare, and the cloak, now useless for concealment, is bandied from hand to hand among the contending factions until it serves only to remind one of the years during which it successfully deceived one’s perceptions. Sometimes to strike one’s head violently against a ceiling hurts one less than just to graze some spot which has been hurt and bruised before: and in almost every family there exists some such raw and tender spot. In the Nechludoff family that spot was Dimitri’s extraordinary affection for Lubov Sergievna, which aroused in the mother and sister, if not a jealous feeling, at all events a sense of hurt family pride. This was the grave significance which underlay, for all those present, the seeming dispute about Ivan Yakovlevitch and superstition.
“In anything that other people deride and despise you invariably profess to see something extraordinarily good!” Varenika was saying in her clear voice, as she articulated each syllable with careful precision.
“Indeed?” retorted Dimitri with an impatient toss of his head. “Now, in the first place, only a most unthinking person could ever speak of DESPISING such a remarkable man as Ivan Yakovlevitch, while, in the second place, it is YOU who invariably profess to see nothing good in what confronts you.”
Meanwhile Sophia Ivanovna kept looking anxiously at us as she turned first to her nephew, and then to her niece, and then to myself. Twice she opened her mouth as though to say what was in her mind and drew a deep sigh.
“Varia, PLEASE go on reading,” she said at length, at the same time handing her niece the book, and patting her hand kindly. “I wish to know whether he ever found HER again” (as a matter of fact, the novel in question contained not a word about any one finding any one else). “And, Mitia dear,” she added to her nephew, despite the glum looks which he was throwing at her for having interrupted the logical thread of his deductions, “you had better let me poultice your cheek, or your teeth will begin to ache again.”
After that the reading was resumed. Yet the quarrel had in no way dispelled the calm atmosphere of family and intellectual harmony which enveloped this circle of ladies.
Clearly deriving its inspiration and character from the Princess Maria Ivanovna, it was a circle which, for me, had a wholly novel and attractive character of logicalness mingled with simplicity and refinement. That character I could discern in the daintiness, good taste, and solidity of everything about me, whether the handbell, the binding of the book, the settee, or the table. Likewise, I divined it in the upright, well-corseted pose of the Princess, in her pendant curls of grey hair, in the manner in which she had, at our first introduction, called me plain “Nicolas” and “he,” in the occupations of the ladies (the reading and the sewing of garments), and in the unusual whiteness of their hands. Those hands, en passant, showed a family feature common to all—namely, the feature that the flesh of the palm on the outer side was rosy in colour, and divided by a sharp, straight line from the pure whiteness of the upper portion of the hand. Still more was the character of this feminine circle expressed in the manner in which the three ladies spoke Russian and French—spoke them, that is to say, with perfect articulation of syllables and pedantic accuracy of substantives and prepositions. All this, and more especially the fact that the ladies treated me as simply and as seriously as a real grown-up—telling me their opinions, and listening to my own (a thing to which I was so little accustomed that, for all my glittering buttons and blue facings, I was in constant fear of being told: “Surely you do not think that we are talking SERIOUSLY to you? Go away and learn something”)—all this, I say, caused me to feel an entire absence of restraint in this society. I ventured at times to rise, to move about, and to talk boldly to each of the ladies except Varenika (whom I always felt it was unbecoming, or even forbidden, for me to address unless she first spoke to me).
As I listened to her clear, pleasant voice reading aloud, I kept glancing from her to the path of the flower-garden, where the rain-spots were making small dark circles in the sand, and thence to the lime-trees, upon the leaves of which the rain was pattering down in large detached drops shed from the pale, shimmering edge of the livid blue cloud which hung suspended over us. Then I would glance at her again, and then at the last purple rays of the setting sun where they were throwing the dense clusters of old, rain-washed birches into brilliant relief. Yet again my eyes would return to Varenika, and, each time that they did so, it struck me afresh that she was not nearly so plain as at first I had thought her.
“How I wish that I wasn’t in love already!” I reflected, “or that Sonetchka was Varenika! How nice it would be if suddenly I could become a member of this family, and have the three ladies for my mother, aunt, and wife respectively!” All the time that these thoughts kept passing through my head I kept attentively regarding Varenika as she read, until somehow I felt as though I were magnetising her, and that presently she must look at me. Sure enough, at length she raised her head, threw me a glance, and, meeting my eyes, turned away.
“The rain does not seem to stop,” she remarked.
Suddenly a new feeling came over me. I began to feel as though everything now happening to me was a repetition of some similar occurrence before—as though on some previous occasion a shower of rain had begun to fall, and the sun had set behind birch-trees, and I had been looking at her, and she had been reading aloud, and I had magnetised her, and she had looked up at me. Yes, all this I seemed to recall as though it had happened once before.
“Surely she is not—SHE?” was my thought. “Surely IT is not beginning?” However, I soon decided that Varenika was not the “SHE” referred to, and that “it” was not “beginning.” “In the first place,” I said to myself, “Varenika is not at all BEAUTIFUL. She is just an ordinary girl whose acquaintance I have made in the ordinary way, whereas the she whom I shall meet somewhere and some day and in some not ordinary way will be anything but ordinary. This family pleases me so much only because hitherto I have never seen anybody. Such things will always be happening in the future, and I shall see many more such families during my life.”
AT tea time the reading came to an end, and the ladies began to talk among themselves of persons and things unknown to me. This I conceived them to be doing on purpose to make me conscious (for all their kind demeanour) of the difference which years and position in the world had set between them and myself. In general discussions, however, in which I could take part I sought to atone for my late silence by exhibiting that extraordinary cleverness and originality to which I felt compelled by my University uniform. For instance, when the conversation turned upon country houses, I said that Prince Ivan Ivanovitch had a villa near Moscow which people came to see even from London and Paris, and that it contained balustrading which had cost 380,000 roubles. Likewise, I remarked that the Prince was a very near relation of mine, and that, when lunching with him the same day, he had invited me to go and spend the entire summer with him at that villa, but that I had declined, since I knew the villa well, and had stayed in it more than once, and that all those balustradings and bridges did not interest me, since I could not bear ornamental work, especially in the country, where I liked everything to be wholly countrified. After delivering myself of this extraordinary and complicated romance, I grew confused, and blushed so much that every one must have seen that I was lying. Both Varenika, who was handing me a cup of tea, and Sophia Ivanovna, who had been gazing at me throughout, turned their heads away, and began to talk of something else with an expression which I afterwards learnt that good-natured people assume when a very young man has told them a manifest string of lies—an expression which says, “Yes, we know he is lying, and why he is doing it, the poor young fellow!”
What I had said about Prince Ivan Ivanovitch having a country villa, I had related simply because I could find no other pretext for mentioning both my relationship to the Prince and the fact that I had been to luncheon with him that day; yet why I had said all I had about the balustrading costing 380,000 roubles, and about my having several times visited the Prince at that villa (I had never once been there—more especially since the Prince possessed no residences save in Moscow and Naples, as the Nechludoffs very well knew), I could not possibly tell you. Neither in childhood nor in adolescence nor in riper years did I ever remark in myself the vice of falsehood—on the contrary, I was, if anything, too outspoken and truthful. Yet, during this first stage of my manhood, I often found myself seized with a strange and unreasonable tendency to lie in the most desperate fashion. I say advisedly “in the most desperate fashion,” for the reason that I lied in matters in which it was the easiest thing in the world to detect me. On the whole I think that a vain-glorious desire to appear different from what I was, combined with an impossible hope that the lie would never be found out, was the chief cause of this extraordinary impulse.
After tea, since the rain had stopped and the after-glow of sunset was calm and clear, the Princess proposed that we should go and stroll in the lower garden, and admire her favourite spots there. Following my rule to be always original, and conceiving that clever people like myself and the Princess must surely be above the banalities of politeness, I replied that I could not bear a walk with no object in view, and that, if I DID walk, I liked to walk alone. I had no idea that this speech was simply rude; all I thought was that, even as nothing could be more futile than empty compliments, so nothing could be more pleasing and original than a little frank brusquerie. However, though much pleased with my answer, I set out with the rest of the company.
The Princess’s favourite spot of all was at the very bottom of the lower garden, where a little bridge spanned a narrow piece of swamp. The view there was very restricted, yet very intimate and pleasing. We are so accustomed to confound art with nature that, often enough, phenomena of nature which are never to be met with in pictures seem to us unreal, and give us the impression that nature is unnatural, or vice versa; whereas phenomena of nature which occur with too much frequency in pictures seem to us hackneyed, and views which are to be met with in real life, but which appear to us too penetrated with a single idea or a single sentiment, seem to us arabesques. The view from the Princess’s favourite spot was as follows. On the further side of a small lake, over-grown with weeds round its edges, rose a steep ascent covered with bushes and with huge old trees of many shades of green, while, overhanging the lake at the foot of the ascent, stood an ancient birch tree which, though partly supported by stout roots implanted in the marshy bank of the lake, rested its crown upon a tall, straight poplar, and dangled its curved branches over the smooth surface of the pond—both branches and the surrounding greenery being reflected therein as in a mirror.
“How lovely!” said the Princess with a nod of her head, and addressing no one in particular.
“Yes, marvellous!” I replied in my desire to show that had an opinion of my own on every subject. “Yet somehow it all looks to me so terribly like a scheme of decoration.”
The Princess went on gazing at the scene as though she had not heard me, and turning to her sister and Lubov Sergievna at intervals, in order to point out to them its details—especially a curved, pendent bough, with its reflection in the water, which particularly pleased her. Sophia Ivanovna observed to me that it was all very beautiful, and that she and her sister would sometimes spend hours together at this spot; yet it was clear that her remarks were meant merely to please the Princess. I have noticed that people who are gifted with the faculty of loving are seldom receptive to the beauties of nature. Lubov Sergievna also seemed enraptured, and asked (among other things), “How does that birch tree manage to support itself? Has it stood there long?” Yet the next moment she became absorbed in contemplation of her little dog Susetka, which, with its stumpy paws pattering to and fro upon the bridge in a mincing fashion, seemed to say by the expression of its face that this was the first time it had ever found itself out of doors. As for Dimitri, he fell to discoursing very logically to his mother on the subject of how no view can be beautiful of which the horizon is limited. Varenika alone said nothing. Glancing at her, I saw that she was leaning over the parapet of the bridge, her profile turned towards me, and gazing straight in front of her. Something seemed to be interesting her deeply, or even affecting her, since it was clear that she was oblivious to her surroundings, and thinking neither of herself nor of the fact that any one might be regarding her. In the expression of her large eyes there was nothing but wrapt attention and quiet, concentrated thought, while her whole attitude seemed so unconstrained and, for all her shortness, so dignified that once more some recollection or another touched me and once more I asked myself, “Is IT, then, beginning?” Yet again I assured myself that I was already in love with Sonetchka, and that Varenika was only an ordinary girl, the sister of my friend. Though she pleased me at that moment, I somehow felt a vague desire to show her, by word or deed, some small unfriendliness.
“I tell you what, Dimitri,” I said to my friend as I moved nearer to Varenika, so that she might overhear what I was going to say, “it seems to me that, even if there had been no mosquitos here, there would have been nothing to commend this spot; whereas “—and here I slapped my cheek, and in very truth annihilated one of those insects—“it is simply awful.”
“Then you do not care for nature?” said Varenika without turning her head.
“I think it a foolish, futile pursuit,” I replied, well satisfied that I had said something to annoy her, as well as something original. Varenika only raised her eyebrows a little, with an expression of pity, and went on gazing in front of her as calmly as before.
I felt vexed with her. Yet, for all that, the rusty, paint-blistered parapet on which she was leaning, the way in which the dark waters of the pond reflected the drooping branch of the overhanging birch tree (it almost seemed to me as though branch and its reflection met), the rising odour of the swamp, the feeling of crushed mosquito on my cheek, and her absorbed look and statuesque pose—many times afterwards did these things recur with unexpected vividness to my recollection.
WHEN we returned to the house from our stroll, Varenika declined to sing as she usually did in the evenings, and I was conceited enough to attribute this to my doing, in the belief that its reason lay in what I had said on the bridge. The Nechludoffs never had supper, and went to bed early, while to-night, since Dimitri had the toothache (as Sophia Ivanovna had foretold), he departed with me to his room even earlier than usual. Feeling that I had done all that was required of me by my blue collar and gilt buttons, and that every one was very pleased with me, I was in a gratified, complacent mood, while Dimitri, on the other hand, was rendered by his quarrel with his sister and the toothache both taciturn and gloomy. He sat down at the table, got out a couple of notebooks—a diary and the copy-book in which it was his custom every evening to inscribe the tasks performed by or awaiting him—and, continually frowning and touching his cheek with his hand, continued writing for a while.
“Oh, DO leave me alone!” he cried to the maid whom Sophia Ivanovna sent to ask him whether his teeth were still hurting him, and whether he would not like to have a poultice made. Then, saying that my bed would soon be ready for me and that he would be back presently, he departed to Lubov Sergievna’s room.
“What a pity that Varenika is not good-looking and, in general, Sonetchka!” I reflected when I found myself alone. “How nice it would be if, after I have left the University, I could go to her and offer her my hand! I would say to her, ‘Princess, though no longer young, and therefore unable to love passionately, I will cherish you as a dear sister. And you,’ I would continue to her mother, ‘I greatly respect; and you, Sophia Ivanovna, I value highly. Therefore say to me, Varenika (since I ask you to be my wife), just the simple and direct word YES.’ And she would give me her hand, and I should press it, and say, ‘Mine is a love which depends not upon words, but upon deeds.’ And suppose,” next came into my head, “that Dimitri should suddenly fall in love with Lubotshka (as Lubotshka has already done with him), and should desire to marry her? Then either one or the other of us would have to resign all thought of marriage. Well, it would be splendid, for in that case I should act thus. As soon as I had noticed how things were, I should make no remark, but go to Dimitri and say, ‘It is no use, my friend, for you and I to conceal our feelings from one another. You know that my love for your sister will terminate only with my life. Yet I know all; and though you have deprived me of all hope, and have rendered me an unhappy man, so that Nicolas Irtenieff will have to bewail his misery for the rest of his existence, yet do you take my sister,’ and I should lay his hand in Lubotshka’s. Then he would say to me, ‘No, not for all the world!’ and I should reply, ‘Prince Nechludoff, it is in vain for you to attempt to outdo me in nobility. Not in the whole world does there exist a more magnanimous being than Nicolas Irtenieff.’ Then I should salute him and depart. In tears Dimitri and Lubotshka would pursue me, and entreat me to accept their sacrifice, and I should consent to do so, and, perhaps, be happy ever afterwards—if only I were in love with Varenika.” These fancies tickled my imagination so pleasantly that I felt as though I should like to communicate them to my friend; yet, despite our mutual vow of frankness, I also felt as though I had not the physical energy to do so.
Dimitri returned from Lubov Sergievna’s room with some toothache capsules which she had given him, yet in even greater pain, and therefore in even greater depression, than before. Evidently no bedroom had yet been prepared for me, for presently the boy who acted as Dimitri’s valet arrived to ask him where I was to sleep.
“Oh, go to the devil!” cried Dimitri, stamping his foot. “Vasika, Vasika, Vasika!” he went on, the instant that the boy had left the room, with a gradual raising of his voice at each repetition. “Vasika, lay me out a bed on the floor.”
“No, let ME sleep on the floor,” I objected.
“Well, it is all one. Lie anywhere you like,” continued Dimitri in the same angry tone. “Vasika, why don’t you go and do what I tell you?”
Evidently Vasika did not understand what was demanded of him, for he remained where he was.
“What is the matter with you? Go and lay the bed, Vasika, I tell you!” shouted Dimitri, suddenly bursting into a sort of frenzy; yet Vasika still did not understand, but, blushing hotly, stood motionless.
“So you are determined to drive me mad, are you?”—and leaping from his chair and rushing upon the boy, Dimitri struck him on the head with the whole weight of his fist, until the boy rushed headlong from the room. Halting in the doorway, Dimitri glanced at me, and the expression of fury and pain which had sat for a moment on his countenance suddenly gave place to such a boyish, kindly, affectionate, yet ashamed, expression that I felt sorry for him, and reconsidered my intention of leaving him to himself. He said nothing, but for a long time paced the room in silence, occasionally glancing at me with the same deprecatory expression as before. Then he took his notebook from the table, wrote something in it, took off his jacket and folded it carefully, and, stepping into the corner where the ikon hung, knelt down and began to say his prayers, with his large white hands folded upon his breast. So long did he pray that Vasika had time to bring a mattress and spread it, under my whispered directions, on the floor. Indeed, I had undressed and laid myself down upon the mattress before Dimitri had finished. As I contemplated his slightly rounded back and the soles of his feet (which somehow seemed to stick out in my direction in a sort of repentant fashion whenever he made his obeisances), I felt that I liked him more than ever, and debated within myself whether or not I should tell him all I had been fancying concerning our respective sisters. When he had finished his prayers, he lay down upon the bed near me, and, propping himself upon his elbow, looked at me in silence, with a kindly, yet abashed, expression. Evidently he found it difficult to do this, yet meant thus to punish himself. Then I smiled and returned his gaze, and he smiled back at me.
“Why do you not tell me that my conduct has been abominable?” he said. “You have been thinking so, have you not?”
“Yes,” I replied; and although it was something quite different which had been in my mind, it now seemed to me that that was what I had been thinking. “Yes, it was not right of you, nor should I have expected it of you.” It pleased me particularly at that moment to call him by the familiar second person singular. “But how are your teeth now?” I added.
“Oh, much better. Nicolinka, my friend,” he went on, and so feelingly that it sounded as though tears were standing in his eyes, “I know and feel that I am bad, but God sees how I try to be better, and how I entreat Him to make me so. Yet what am I to do with such an unfortunate, horrible nature as mine? What am I to do with it? I try to keep myself in hand and to rule myself, but suddenly it becomes impossible for me to do so—at all events, impossible for me to do so unaided. I need the help and support of some one. Now, there is Lubov Sergievna; SHE understands me, and could help me in this, and I know by my notebook that I have greatly improved in this respect during the past year. Ah, my dear Nicolinka”—he spoke with the most unusual and unwonted tenderness, and in a tone which had grown calmer now that he had made his confession—“how much the influence of a woman like Lubov could do for me! Think how good it would be for me if I could have a friend like her to live with when I have become independent! With her I should be another man.”
And upon that Dimitri began to unfold to me his plans for marriage, for a life in the country, and for continual self-discipline.
“Yes, I will live in the country,” he said, “and you shall come to see me when you have married Sonetchka. Our children shall play together. All this may seem to you stupid and ridiculous, yet it may very well come to pass.”
“Yes, it very well may” I replied with a smile, yet thinking how much nicer it would be if I married his sister.
“I tell you what,” he went on presently; “you only imagine yourself to be in love with Sonetchka, whereas I can see that it is all rubbish, and that you do not really know what love means.”
I did not protest, for, in truth, I almost agreed with him, and for a while we lay without speaking.
“Probably you have noticed that I have been in my old bad humour today, and have had a nasty quarrel with Varia?” he resumed. “I felt bad about it afterwards—more particularly since it occurred in your presence. Although she thinks wrongly on some subjects, she is a splendid girl and very good, as you will soon recognise.”
His quick transition from mention of my love affairs to praise of his sister pleased me extremely, and made me blush, but I nevertheless said nothing more about his sister, and we went on talking of other things.
Thus we chattered until the cocks had crowed twice. In fact, the pale dawn was already looking in at the window when at last Dimitri lay down upon his bed and put out the candle.
“Well, now for sleep,” he said.
“Yes,” I replied, “but—”
“But what?”
“Now nice it is to be alive in the daylight!”
“Yes, it IS a splendid thing!” he replied in a voice which, even in the darkness, enabled me to see the expression of his cheerful, kindly eyes and boyish smile.
Next day Woloda and myself departed in a post-chaise for the country. Turning over various Moscow recollections in my head as we drove along, I suddenly recalled Sonetchka Valakhin—though not until evening, and when we had already covered five stages of the road. “It is a strange thing,” I thought, “that I should be in love, and yet have forgotten all about it. I must start and think about her,” and straightway I proceeded to do so, but only in the way that one thinks when travelling—that is to say, disconnectedly, though vividly. Thus I brought myself to such a condition that, for the first two days after our arrival home, I somehow considered it incumbent upon me always to appear sad and moody in the presence of the household, and especially before Katenka, whom I looked upon as a great connoisseur in matters of this kind, and to whom I threw out a hint of the condition in which my heart was situated. Yet, for all my attempts at dissimulation and assiduous adoption of such signs of love sickness as I had occasionally observed in other people, I only succeeded for two days (and that at intervals, and mostly towards evening) in reminding myself of the fact that I was in love, and finally, when I had settled down into the new rut of country life and pursuits, I forgot about my affection for Sonetchka altogether.
We arrived at Petrovskoe in the night time, and I was then so soundly asleep that I saw nothing of the house as we approached it, nor yet of the avenue of birch trees, nor yet of the household—all of whom had long ago betaken themselves to bed and to slumber. Only old hunchbacked Foka—bare-footed, clad in some sort of a woman’s wadded nightdress, and carrying a candlestick—opened the door to us. As soon as he saw who we were, he trembled all over with joy, kissed us on the shoulders, hurriedly put on his felt slippers, and started to dress himself properly. I passed in a semi-waking condition through the porch and up the steps, but in the hall the lock of the door, the bars and bolts, the crooked boards of the flooring, the chest, the ancient candelabrum (splashed all over with grease as of old), the shadows thrown by the crooked, chill, recently-lighted stump of candle, the perennially dusty, unopened window behind which I remembered sorrel to have grown—all was so familiar, so full of memories, so intimate of aspect, so, as it were, knit together by a single idea, that I suddenly became conscious of a tenderness for this quiet old house. Involuntarily I asked myself, “How have we, the house and I, managed to remain apart so long?” and, hurrying from spot to spot, ran to see if all the other rooms were still the same. Yes, everything was unchanged, except that everything had become smaller and lower, and I myself taller, heavier, and more filled out. Yet, even as I was, the old house received me back into its arms, and aroused in me with every board, every window, every step of the stairs, and every sound the shadows of forms, feelings, and events of the happy but irrevocable past. When we entered our old night nursery, all my childish fears lurked once more in the darkness of the corners and doorway. When we passed into the drawing-room, I could feel the old calm motherly love diffusing itself from every object in the apartment. In the breakfast-room, the noisy, careless merriment of childhood seemed merely to be waiting to wake to life again. In the divannaia (whither Foka first conducted us, and where he had prepared our beds) everything—mirror, screen, old wooden ikon, the lumps on the walls covered with white paper—seemed to speak of suffering and of death and of what would never come back to us again.
We got into bed, and Foka, bidding us good-night, retired.
“It was in this room that Mamma died, was it not?” said Woloda.
I made no reply, but pretended to be asleep. If I had said anything I should have burst into tears. On awaking next morning, I beheld Papa sitting on Woloda’s bed in his dressing gown and slippers and smoking a cigar. Leaping up with a merry hoist of the shoulders, he came over to me, slapped me on the back with his great hand, and presented me his cheek to press my lips to.
“Well done, DIPLOMAT!” he said in his most kindly jesting tone as he looked at me with his small bright eyes. “Woloda tells me you have passed the examinations well for a youngster, and that is a splendid thing. Unless you start and play the fool, I shall have another fine little fellow in you. Thanks, my dear boy. Well, we will have a grand time of it here now, and in the winter, perhaps, we shall move to St. Petersburg. I only wish the hunting was not over yet, or I could have given you some amusement in THAT way. Can you shoot, Woldemar? However, whether there is any game or not, I will take you out some day. Next winter, if God pleases, we will move to St. Petersburg, and you shall meet people, and make friends, for you are now my two young grown-ups. I have been telling Woldemar that you are just starting on your careers, whereas my day is ended. You are old enough now to walk by yourselves, but, whenever you wish to confide in me, pray do so, for I am no longer your nurse, but your friend. At least, I will be your friend and comrade and adviser as much as I can and more than that I cannot do. How does that fall in with your philosophy, eh, Koko? Well or ill, eh?”
Of course I said that it fell in with it entirely, and, indeed, I really thought so. That morning Papa had a particularly winning, bright, and happy expression on his face, and these new relations between us, as of equals and comrades, made me love him all the more.
“Now, tell me,” he went on, “did you call upon all our kinsfolk and the Iwins? Did you see the old man, and what did he say to you? And did you go to Prince Ivan’s?”
We continued talking so long that, before we were fully dressed, the sun had left the window of the divannaia, and Jakoff (the same old man who of yore had twirled his fingers behind his back and always repeated his words) had entered the room and reported to Papa that the carriage was ready.
“Where are you going to?” I asked Papa.
“Oh, I had forgotten all about it!” he replied, with a cough and the usual hoisting of his shoulder. “I promised to go and call upon Epifanova to-day. You remember Epifanova—‘la belle Flamande’—don’t you, who used to come and see your Mamma? They are nice people.” And with a self-conscious shrug of his shoulders (so it appeared to me) Papa left the room.
During our conversation, Lubotshka had more than once come to the door and asked “Can I come in?” but Papa had always shouted to her that she could not do so, since we were not dressed yet.
“What rubbish!” she replied. “Why, I have seen you in your dressing-gown.”
“Never mind; you cannot see your brothers without their inexpressibles,” rejoined Papa. “If they each of them just go to the door, let that be enough for you. Now go. Even for them to SPEAK to you in such a neglige costume is unbecoming.”
“How unbearable you are!” was Lubotshka’s parting retort. “Well, at least hurry up and come down to the drawing-room, for Mimi wants to see them.”
As soon as Papa had left the room, I hastened to array myself in my student’s uniform, and to repair to the drawing-room.
Woloda, on the other hand, was in no hurry, but remained sitting on his bed and talking to Jakoff about the best places to find plover and snipe. As I have said, there was nothing in the world he so much feared as to be suspected of any affection for his father, brother, and sister; so that, to escape any expression of that feeling, he often fell into the other extreme, and affected a coldness which shocked people who did not comprehend its cause. In the hall, I collided with Papa, who was hurrying towards the carriage with short, rapid steps. He had a new and fashionable Moscow greatcoat on, and smelt of scent. On seeing me, he gave a cheerful nod, as much as to say, “Do you remark my splendour?” and once again I was struck with the happy expression of face which I had noted earlier in the morning.
The drawing-room looked the same lofty, bright room as of Yore, with its brown English piano, and its large open windows looking on to the green trees and yellowish-red paths of the garden. After kissing Mimi and Lubotshka, I was approaching Katenka for the same purpose when it suddenly struck me that it might be improper for me to salute her in that fashion. Accordingly I halted, silent and blushing. Katenka, for her part, was quite at her ease as she held out a white hand to me and congratulated me on my passing into the University. The same thing took place when Woloda entered the drawing-room and met Katenka. Indeed, it was something of a problem how, after being brought up together and seeing one another daily, we ought now, after this first separation, to meet again. Katenka had grown better-looking than any of us, yet Woloda seemed not at all confused as, with a slight bow to her, he crossed over to Lubotshka, made a jesting remark to her, and then departed somewhere on some solitary expedition.