Des ErdenlebensSchweres Traumbild sinkt, und sinkt, und sinkt.“Das Ideal und das Lebens.”(The Dream Shape of the heavy earthly life sinks, and sinks, andsinks.)
She stood within the chamber, and gazed around her; no signs by which an inquisitor of old could have detected the scholar of the Black Art were visible. No crucibles and caldrons, no brass-bound volumes and ciphered girdles, no skulls and cross-bones. Quietly streamed the broad moonlight through the desolate chamber with its bare, white walls. A few bunches of withered herbs, a few antique vessels of bronze, placed carelessly on a wooden form, were all which that curious gaze could identify with the pursuits of the absent owner. The magic, if it existed, dwelt in the artificer, and the materials, to other hands, were but herbs and bronze. So is it ever with thy works and wonders, O Genius,—Seeker of the Stars! Words themselves are the common property of all men; yet, from words themselves, Thou Architect of Immortalities, pilest up temples that shall outlive the Pyramids, and the very leaf of the Papyrus becomes a Shinar, stately with towers, round which the Deluge of Ages, shall roar in vain!
But in that solitude has the Presence that there had invoked its wonders left no enchantment of its own? It seemed so; for as Viola stood in the chamber, she became sensible that some mysterious change was at work within herself. Her blood coursed rapidly, and with a sensation of delight, through her veins,—she felt as if chains were falling from her limbs, as if cloud after cloud was rolling from her gaze. All the confused thoughts which had moved through her trance settled and centred themselves in one intense desire to see the Absent One,—to be with him. The monads that make up space and air seemed charged with a spiritual attraction,—to become a medium through which her spirit could pass from its clay, and confer with the spirit to which the unutterable desire compelled it. A faintness seized her; she tottered to the seat on which the vessels and herbs were placed, and, as she bent down, she saw in one of the vessels a small vase of crystal. By a mechanical and involuntary impulse, her hand seized the vase; she opened it, and the volatile essence it contained sparkled up, and spread through the room a powerful and delicious fragrance. She inhaled the odour, she laved her temples with the liquid, and suddenly her life seemed to spring up from the previous faintness,—to spring, to soar, to float, to dilate upon the wings of a bird. The room vanished from her eyes. Away, away, over lands and seas and space on the rushing desire flies the disprisoned mind!
Upon a stratum, not of this world, stood the world-born shapes of the sons of Science, upon an embryo world, upon a crude, wan, attenuated mass of matter, one of the Nebulae, which the suns of the myriad systems throw off as they roll round the Creator’s throne*, to become themselves new worlds of symmetry and glory,—planets and suns that forever and forever shall in their turn multiply their shining race, and be the fathers of suns and planets yet to come.
(*"Astronomy instructs us that, in the original condition ofthe solar system, the sun was the nucleus of a nebulosity orluminous mass which revolved on its axis, and extended farbeyond the orbits of all the planets,—the planets as yethaving no existence. Its temperature gradually diminished,and, becoming contracted by cooling, the rotation increasedin rapidity, and zones of nebulosity were successivelythrown off, in consequence of the centrifugal forceoverpowering the central attraction. The condensation ofthese separate masses constituted the planets andsatellites. But this view of the conversion of gaseousmatter into planetary bodies is not limited to our ownsystem; it extends to the formation of the innumerable sunsand worlds which are distributed throughout the universe.The sublime discoveries of modern astronomers have shownthat every part of the realms of space abounds in largeexpansions of attenuated matter termed nebulae, which areirregularly reflective of light, of various figures, and indifferent states of condensation, from that of a diffused,luminous mass to suns and planets like our own.”—FromMantell’s eloquent and delightful work, entitled “TheWonders of Geology,” volume i. page 22.)
There, in that enormous solitude of an infant world, which thousands and thousands of years can alone ripen into form, the spirit of Viola beheld the shape of Zanoni, or rather the likeness, the simulacrun, the LEMUR of his shape, not its human and corporeal substance,—as if, like hers, the Intelligence was parted from the Clay,—and as the sun, while it revolves and glows, had cast off into remotest space that nebular image of itself, so the thing of earth, in the action of its more luminous and enduring being, had thrown its likeness into that new-born stranger of the heavens. There stood the phantom,—a phantom Mejnour, by its side. In the gigantic chaos around raved and struggled the kindling elements; water and fire, darkness and light, at war,—vapour and cloud hardening into mountains, and the Breath of Life moving like a steadfast splendour over all.
As the dreamer looked, and shivered, she beheld that even there the two phantoms of humanity were not alone. Dim monster-forms that that disordered chaos alone could engender, the first reptile Colossal race that wreathe and crawl through the earliest stratum of a world labouring into life, coiled in the oozing matter or hovered through the meteorous vapours. But these the two seekers seemed not to heed; their gaze was fixed intent upon an object in the farthest space. With the eyes of the spirit, Viola followed theirs; with a terror far greater than the chaos and its hideous inhabitants produced, she beheld a shadowy likeness of the very room in which her form yet dwelt, its white walls, the moonshine sleeping on its floor, its open casement, with the quiet roofs and domes of Venice looming over the sea that sighed below,—and in that room the ghost-like image of herself! This double phantom—here herself a phantom, gazing there upon a phantom-self—had in it a horror which no words can tell, no length of life forego.
But presently she saw this image of herself rise slowly, leave the room with its noiseless feet: it passes the corridor, it kneels by a cradle! Heaven of Heaven! She beholds her child!—still with its wondrous, child-like beauty and its silent, wakeful eyes. But beside that cradle there sits cowering a mantled, shadowy form,—the more fearful and ghastly from its indistinct and unsubstantial gloom. The walls of that chamber seem to open as the scene of a theatre. A grim dungeon; streets through which pour shadowy crowds; wrath and hatred, and the aspect of demons in their ghastly visages; a place of death; a murderous instrument; a shamble-house of human flesh; herself; her child;—all, all, rapid phantasmagoria, chased each other. Suddenly the phantom-Zanoni turned, it seemed to perceive herself,—her second self. It sprang towards her; her spirit could bear no more. She shrieked, she woke. She found that in truth she had left that dismal chamber; the cradle was before her, the child! all—all as that trance had seen it; and, vanishing into air, even that dark, formless Thing!
“My child! my child! thy mother shall save thee yet!”
Qui? Toi m’abandonner! Ou vas-tu? Non! demeure,Demeure!La Harpe, “Le Comte de Warwick,” Act 3, sc. 5.(Who? THOU abandon me!—where goest thou? No! stay, stay!)
Letter from Viola to Zanoni.
“It has come to this!—I am the first to part! I, the unfaithful one, bid thee farewell forever. When thine eyes fall upon this writing thou wilt know me as one of the dead. For thou that wert, and still art my life,—I am lost to thee! O lover! O husband! O still worshipped and adored! if thou hast ever loved me, if thou canst still pity, seek not to discover the steps that fly thee. If thy charms can detect and tract me, spare me, spare our child! Zanoni, I will rear it to love thee, to call thee father! Zanoni, its young lips shall pray for thee! Ah, spare thy child, for infants are the saints of earth, and their mediation may be heard on high! Shall I tell thee why I part? No; thou, the wisely-terrible, canst divine what the hand trembles to record; and while I shudder at thy power,—while it is thy power I fly (our child upon my bosom),—it comforts me still to think that thy power can read the heart! Thou knowest that it is the faithful mother that writes to thee, it is not the faithless wife! Is there sin in thy knowledge, Zanoni? Sin must have sorrow: and it were sweet—oh, how sweet—to be thy comforter. But the child, the infant, the soul that looks to mine for its shield!—magician, I wrest from thee that soul! Pardon, pardon, if my words wrong thee. See, I fall on my knees to write the rest!
“Why did I never recoil before from thy mysterious lore; why did the very strangeness of thine unearthly life only fascinate me with a delightful fear? Because, if thou wert sorcerer or angel-demon, there was no peril to other but myself: and none to me, for my love was my heavenliest part; and my ignorance in all things, except the art to love thee, repelled every thought that was not bright and glorious as thine image to my eyes. But NOW there is another! Look! why does it watch me thus,—why that never-sleeping, earnest, rebuking gaze? Have thy spells encompassed it already? Hast thou marked it, cruel one, for the terrors of thy unutterable art? Do not madden me,—do not madden me!—unbind the spell!
“Hark! the oars without! They come,—they come, to bear me from thee! I look round, and methinks that I see thee everywhere. Thou speakest to me from every shadow, from every star. There, by the casement, thy lips last pressed mine; there, there by that threshold didst thou turn again, and thy smile seemed so trustingly to confide in me! Zanoni—husband!—I will stay! I cannot part from thee! No, no! I will go to the room where thy dear voice, with its gentle music, assuaged the pangs of travail!—where, heard through the thrilling darkness, it first whispered to my ear, ‘Viola, thou art a mother!’ A mother!—yes, I rise from my knees,—I AM a mother! They come! I am firm; farewell!”
Yes; thus suddenly, thus cruelly, whether in the delirium of blind and unreasoning superstition, or in the resolve of that conviction which springs from duty, the being for whom he had resigned so much of empire and of glory forsook Zanoni. This desertion, never foreseen, never anticipated, was yet but the constant fate that attends those who would place Mind BEYOND the earth, and yet treasure the Heart WITHIN it. Ignorance everlastingly shall recoil from knowledge. But never yet, from nobler and purer motives of self-sacrifice, did human love link itself to another, than did the forsaking wife now abandon the absent. For rightly had she said that it was not the faithless wife, it WAS the faithful mother that fled from all in which her earthly happiness was centred.
As long as the passion and fervour that impelled the act animated her with false fever, she clasped her infant to her breast, and was consoled,—resigned. But what bitter doubt of her own conduct, what icy pang of remorse shot through her heart, when, as they rested for a few hours on the road to Leghorn, she heard the woman who accompanied herself and Glyndon pray for safety to reach her husband’s side, and strength to share the perils that would meet her there! Terrible contrast to her own desertion! She shrunk into the darkness of her own heart,—and then no voice from within consoled her.
Zukunft hast du mir gegeben,Doch du nehmst den Augenblick.“Kassandra.”(Futurity hast thou given to me,—yet takest from me the Moment.)
“Mejnour, behold thy work! Out, out upon our little vanities of wisdom!—out upon our ages of lore and life! To save her from Peril I left her presence, and the Peril has seized her in its grasp!”
“Chide not thy wisdom but thy passions! Abandon thine idle hope of the love of woman. See, for those who would unite the lofty with the lowly, the inevitable curse; thy very nature uncomprehended,—thy sacrifices unguessed. The lowly one views but in the lofty a necromancer or a fiend. Titan, canst thou weep?”
“I know it now, I see it all! It WAS her spirit that stood beside our own, and escaped my airy clasp! O strong desire of motherhood and nature! unveiling all our secrets, piercing space and traversing worlds!—Mejnour, what awful learning lies hid in the ignorance of the heart that loves!”
“The heart,” answered the mystic, coldly; “ay, for five thousand years I have ransacked the mysteries of creation, but I have not yet discovered all the wonders in the heart of the simplest boor!”
“Yet our solemn rites deceived us not; the prophet-shadows, dark with terror and red with blood, still foretold that, even in the dungeon, and before the deathsman, I,—I had the power to save them both!”
“But at some unconjectured and most fatal sacrifice to thyself.”
“To myself! Icy sage, there is no self in love! I go. Nay, alone: I want thee not. I want now no other guide but the human instincts of affection. No cave so dark, no solitude so vast, as to conceal her. Though mine art fail me; though the stars heed me not; though space, with its shining myriads, is again to me but the azure void,—I return but to love and youth and hope! When have they ever failed to triumph and to save!”
Orrida maesta nei fero aspettoTerrore accresce, e piu superbo il rende;Rosseggian gli occhi, e di veneno infettoCome infausta cometa, il guardo splende,Gil involve il mento, e sull ‘irsuto pettoIspida efoita la gran barbe scende;E IN GUISA DE VORAGINE PROFONDASAPRE LA BOCCA A’ATRO SANGUE IMMONDA.(Ger. Lib., Cant. iv. 7.)
A horrible majesty in the fierce aspect increases it terror, andrenders it more superb. Red glow the eyes, and the aspectinfected, like a baleful comet, with envenomed influences,glares around. A vast beard covers the chin—and, rough andthick, descends over the shaggy breast.—And like a profound gulfexpand the jaws, foul with black gore.
Qui suis-je, moi qu’on accuse? Un esclave de la Liberte, unmartyr vivant de la Republique.—“Discours de Robespierre, 8 Thermidor.”(Who am I,—Iwhom they accuse? A slave of Liberty,—a livingmartyr for the Republic.)
It roars,—The River of Hell, whose first outbreak was chanted as the gush of a channel to Elysium. How burst into blossoming hopes fair hearts that had nourished themselves on the diamond dews of the rosy dawn, when Liberty came from the dark ocean, and the arms of decrepit Thraldom—Aurora from the bed of Tithon! Hopes! ye have ripened into fruit, and the fruit is gore and ashes! Beautiful Roland, eloquent Vergniaud, visionary Condorcet, high-hearted Malesherbes!—wits, philosophers, statesmen, patriots, dreamers! behold the millennium for which ye dared and laboured!
I invoke the ghosts! Saturn hath devoured his children (“La Revolution est comme Saturne, elle devorera tous ses enfans.”—Vergniaud.), and lives alone,—I his true name of Moloch!
It is the Reign of Terror, with Robespierre the king. The struggles between the boa and the lion are past: the boa has consumed the lion, and is heavy with the gorge,—Danton has fallen, and Camille Desmoulins. Danton had said before his death, “The poltroon Robespierre,—I alone could have saved him.” From that hour, indeed, the blood of the dead giant clouded the craft of “Maximilien the Incorruptible,” as at last, amidst the din of the roused Convention, it choked his voice. (“Le sang de Danton t’etouffe!” (the blood of Danton chokes thee!) said Garnier de l’Aube, when on the fatal 9th of Thermidor, Robespierre gasped feebly forth, “Pour la derniere fois, President des Assassins, je te demande la parole.” (For the last time, President of Assassins, I demand to speak.)) If, after that last sacrifice, essential, perhaps, to his safety, Robespierre had proclaimed the close of the Reign of Terror, and acted upon the mercy which Danton had begun to preach, he might have lived and died a monarch. But the prisons continued to reek,—the glaive to fall; and Robespierre perceived not that his mobs were glutted to satiety with death, and the strongest excitement a chief could give would be a return from devils into men.
We are transported to a room in the house of Citizen Dupleix, the menuisier, in the month of July, 1794; or, in the calendar of the Revolutionists, it was the Thermidor of the Second Year of the Republic, One and Indivisible! Though the room was small, it was furnished and decorated with a minute and careful effort at elegance and refinement. It seemed, indeed, the desire of the owner to avoid at once what was mean and rude, and what was luxurious and voluptuous. It was a trim, orderly, precise grace that shaped the classic chairs, arranged the ample draperies, sank the frameless mirrors into the wall, placed bust and bronze on their pedestals, and filled up the niches here and there with well-bound books, filed regularly in their appointed ranks. An observer would have said, “This man wishes to imply to you,—I am not rich; I am not ostentatious; I am not luxurious; I am no indolent Sybarite, with couches of down, and pictures that provoke the sense; I am no haughty noble, with spacious halls, and galleries that awe the echo. But so much the greater is my merit if I disdain these excesses of the ease or the pride, since I love the elegant, and have a taste! Others may be simple and honest, from the very coarseness of their habits; if I, with so much refinement and delicacy, am simple and honest,—reflect, and admire me!”
On the walls of this chamber hung many portraits, most of them represented but one face; on the formal pedestals were grouped many busts, most of them sculptured but one head. In that small chamber Egotism sat supreme, and made the Arts its looking-glasses. Erect in a chair, before a large table spread with letters, sat the original of bust and canvas, the owner of the apartment. He was alone, yet he sat erect, formal, stiff, precise, as if in his very home he was not at ease. His dress was in harmony with his posture and his chamber; it affected a neatness of its own,—foreign both to the sumptuous fashions of the deposed nobles, and the filthy ruggedness of the sans-culottes. Frizzled and coiffe, not a hair was out of order, not a speck lodged on the sleek surface of the blue coat, not a wrinkle crumpled the snowy vest, with its under-relief of delicate pink. At the first glance, you might have seen in that face nothing but the ill-favoured features of a sickly countenance; at a second glance, you would have perceived that it had a power, a character of its own. The forehead, though low and compressed, was not without that appearance of thought and intelligence which, it may be observed, that breadth between the eyebrows almost invariably gives; the lips were firm and tightly drawn together, yet ever and anon they trembled, and writhed restlessly. The eyes, sullen and gloomy, were yet piercing, and full of a concentrated vigour that did not seem supported by the thin, feeble frame, or the green lividness of the hues, which told of anxiety and disease.
Such was Maximilien Robespierre; such the chamber over the menuisier’s shop, whence issued the edicts that launched armies on their career of glory, and ordained an artificial conduit to carry off the blood that deluged the metropolis of the most martial people in the globe! Such was the man who had resigned a judicial appointment (the early object of his ambition) rather than violate his philanthropical principles by subscribing to the death of a single fellow-creature; such was the virgin enemy to capital punishments; and such, Butcher-Dictator now, was the man whose pure and rigid manners, whose incorruptible honesty, whose hatred of the excesses that tempt to love and wine, would, had he died five years earlier, have left him the model for prudent fathers and careful citizens to place before their sons. Such was the man who seemed to have no vice, till circumstance, that hotbed, brought forth the two which, in ordinary times, lie ever the deepest and most latent in a man’s heart,—Cowardice and Envy. To one of these sources is to be traced every murder that master-fiend committed. His cowardice was of a peculiar and strange sort; for it was accompanied with the most unscrupulous and determined WILL,—a will that Napoleon reverenced; a will of iron, and yet nerves of aspen. Mentally, he was a hero,—physically, a dastard. When the veriest shadow of danger threatened his person, the frame cowered, but the will swept the danger to the slaughter-house. So there he sat, bolt upright,—his small, lean fingers clenched convulsively; his sullen eyes straining into space, their whites yellowed with streaks of corrupt blood; his ears literally moving to and fro, like the ignobler animals’, to catch every sound,—a Dionysius in his cave; but his posture decorous and collected, and every formal hair in its frizzled place.
“Yes, yes,” he said in a muttered tone, “I hear them; my good Jacobins are at their post on the stairs. Pity they swear so! I have a law against oaths,—the manners of the poor and virtuous people must be reformed. When all is safe, an example or two amongst those good Jacobins would make effect. Faithful fellows, how they love me! Hum!—what an oath was that!—they need not swear so loud,—upon the very staircase, too! It detracts from my reputation. Ha! steps!”
The soliloquist glanced at the opposite mirror, and took up a volume; he seemed absorbed in its contents, as a tall fellow, a bludgeon in his hand, a girdle adorned with pistols round his waist, opened the door, and announced two visitors. The one was a young man, said to resemble Robespierre in person, but of a far more decided and resolute expression of countenance. He entered first, and, looking over the volume in Robespierre’s hand, for the latter seemed still intent on his lecture, exclaimed,—
“What! Rousseau’s Heloise? A love-tale!”
“Dear Payan, it is not the love,—it is the philosophy that charms me. What noble sentiments!—what ardour of virtue! If Jean Jacques had but lived to see this day!”
While the Dictator thus commented on his favourite author, whom in his orations he laboured hard to imitate, the second visitor was wheeled into the room in a chair. This man was also in what, to most, is the prime of life,—namely, about thirty-eight; but he was literally dead in the lower limbs: crippled, paralytic, distorted, he was yet, as the time soon came to tell him,—a Hercules in Crime! But the sweetest of human smiles dwelt upon his lips; a beauty almost angelic characterised his features (“Figure d’ange,” says one of his contemporaries, in describing Couthon. The address, drawn up most probably by Payan (Thermidor 9), after the arrest of Robespierre, thus mentions his crippled colleague: “Couthon, ce citoyen vertueux, QUI N’A QUE LE COEUR ET LA TETE DE VIVANS, mais qui les a brulants de patriotisme” (Couthon, that virtuous citizen, who has but the head and the heart of the living, yet possesses these all on flame with patriotism.)); an inexpressible aspect of kindness, and the resignation of suffering but cheerful benignity, stole into the hearts of those who for the first time beheld him. With the most caressing, silver, flute-like voice, Citizen Couthon saluted the admirer of Jean Jacques.
“Nay,—do not say that it is not the LOVE that attracts thee; it IS the love! but not the gross, sensual attachment of man for woman. No! the sublime affection for the whole human race, and indeed, for all that lives!”
And Citizen Couthon, bending down, fondled the little spaniel that he invariably carried in his bosom, even to the Convention, as a vent for the exuberant sensibilities which overflowed his affectionate heart. (This tenderness for some pet animal was by no means peculiar to Couthon; it seems rather a common fashion with the gentle butchers of the Revolution. M. George Duval informs us (“Souvenirs de la Terreur,” volume iii page 183) that Chaumette had an aviary, to which he devoted his harmless leisure; the murderous Fournier carried on his shoulders a pretty little squirrel, attached by a silver chain; Panis bestowed the superfluity of his affections upon two gold pheasants; and Marat, who would not abate one of the three hundred thousand heads he demanded, REARED DOVES! Apropos of the spaniel of Couthon, Duval gives us an amusing anecdote of Sergent, not one of the least relentless agents of the massacre of September. A lady came to implore his protection for one of her relations confined in the Abbaye. He scarcely deigned to speak to her. As she retired in despair, she trod by accident on the paw of his favourite spaniel. Sergent, turning round, enraged and furious, exclaimed, “MADAM, HAVE YOU NO HUMANITY?”)
“Yes, for all that lives,” repeated Robespierre, tenderly. “Good Couthon,—poor Couthon! Ah, the malice of men!—how we are misrepresented! To be calumniated as the executioners of our colleagues! Ah, it is THAT which pierces the heart! To be an object of terror to the enemies of our country,—THAT is noble; but to be an object of terror to the good, the patriotic, to those one loves and reveres,—THAT is the most terrible of human tortures at least, to a susceptible and honest heart!” (Not to fatigue the reader with annotations, I may here observe that nearly every sentiment ascribed in the text to Robespierre is to be found expressed in his various discourses.)
“How I love to hear him!” ejaculated Couthon.
“Hem!” said Payan, with some impatience. “But now to business!”
“Ah, to business!” said Robespierre, with a sinister glance from his bloodshot eyes.
“The time has come,” said Payan, “when the safety of the Republic demands a complete concentration of its power. These brawlers of the Comite du Salut Public can only destroy; they cannot construct. They hated you, Maximilien, from the moment you attempted to replace anarcy by institutions. How they mock at the festival which proclaimed the acknowledgment of a Supreme Being: they would have no ruler, even in heaven! Your clear and vigorous intellect saw that, having wrecked an old world, it became necessary to shape a new one. The first step towards construction must be to destroy the destroyers. While we deliberate, your enemies act. Better this very night to attack the handful of gensdarmes that guard them, than to confront the battalions they may raise to-morrow.”
“No,” said Robespierre, who recoiled before the determined spirit of Payan; “I have a better and safer plan. This is the 6th of Thermidor; on the 10th—on the 10th, the Convention go in a body to the Fete Decadaire. A mob shall form; the canonniers, the troops of Henriot, the young pupils de l’Ecole de Mars, shall mix in the crowd. Easy, then, to strike the conspirators whom we shall designate to our agents. On the same day, too, Fouquier and Dumas shall not rest; and a sufficient number of ‘the suspect’ to maintain salutary awe, and keep up the revolutionary excitement, shall perish by the glaive of the law. The 10th shall be the great day of action. Payan, of these last culprits, have you prepared a list?”
“It is here,” returned Payan, laconically, presenting a paper.
Robespierre glanced over it rapidly. “Collot d’Herbois!—good! Barrere!—ay, it was Barrere who said, ‘Let us strike: the dead alone never return.’ [‘Frappons! il n’y a que les morts qui ne revient pas.’—Barrere.) Vadier, the savage jester!—good—good! Vadier of the Mountain. He has called me ‘Mahomet!’ Scelerat! blasphemer!”
“Mahomet is coming to the Mountain,” said Couthon, with his silvery accent, as he caressed his spaniel.
“But how is this? I do not see the name of Tallien? Tallien,—I hate that man; that is,” said Robespierre, correcting himself with the hypocrisy or self-deceit which those who formed the council of this phrase-monger exhibited habitually, even among themselves,—“that is, Virtue and our Country hate him! There is no man in the whole Convention who inspires me with the same horror as Tallien. Couthon, I see a thousand Dantons where Tallien sits!”
“Tallien has the only head that belongs to this deformed body,” said Payan, whose ferocity and crime, like those of St. Just, were not unaccompanied by talents of no common order. “Were it not better to draw away the head, to win, to buy him, for the time, and dispose of him better when left alone? He may hate YOU, but he loves MONEY!”
“No,” said Robespierre, writing down the name of Jean Lambert Tallien, with a slow hand that shaped each letter with stern distinctness; “that one head IS MY NECESSITY!”
“I have a SMALL list here,” said Couthon, sweetly,—“a VERY small list. You are dealing with the Mountain; it is necessary to make a few examples in the Plain. These moderates are as straws which follow the wind. They turned against us yesterday in the Convention. A little terror will correct the weathercocks. Poor creatures! I owe them no ill-will; I could weep for them. But before all, la chere patrie!”
The terrible glance of Robespierre devoured the list which the man of sensibility submitted to him. “Ah, these are well chosen; men not of mark enough to be regretted, which is the best policy with the relics of that party; some foreigners too,—yes, THEY have no parents in Paris. These wives and parents are beginning to plead against us. Their complaints demoralise the guillotine!”
“Couthon is right,” said Payan; “MY list contains those whom it will be safer to despatch en masse in the crowd assembled at the Fete. HIS list selects those whom we may prudently consign to the law. Shall it not be signed at once?”
“It IS signed,” said Robespierre, formally replacing his pen upon the inkstand. “Now to more important matters. These deaths will create no excitement; but Collot d’Herbois, Bourdon De l’Oise, Tallien,” the last name Robespierre gasped as he pronounced, “THEY are the heads of parties. This is life or death to us as well as them.”
“Their heads are the footstools to your curule chair,” said Payan, in a half whisper. “There is no danger if we are bold. Judges, juries, all have been your selection. You seize with one hand the army, with the other, the law. Your voice yet commands the people—”
“The poor and virtuous people,” murmured Robespierre.
“And even,” continued Payan, “if our design at the Fete fail us, we must not shrink from the resources still at our command. Reflect! Henriot, the general of the Parisian army, furnishes you with troops to arrest; the Jacobin Club with a public to approve; inexorable Dumas with judges who never acquit. We must be bold!”
“And we ARE bold,” exclaimed Robespierre, with sudden passion, and striking his hand on the table as he rose, with his crest erect, as a serpent in the act to strike. “In seeing the multitude of vices that the revolutionary torrent mingles with civic virtues, I tremble to be sullied in the eyes of posterity by the impure neighbourhood of these perverse men who thrust themselves among the sincere defenders of humanity. What!—they think to divide the country like a booty! I thank them for their hatred to all that is virtuous and worthy! These men,”—and he grasped the list of Payan in his hand,—“these!—not WE—have drawn the line of demarcation between themselves and the lovers of France!”
“True, we must reign alone!” muttered Payan; “in other words, the state needs unity of will;” working, with his strong practical mind, the corollary from the logic of his word-compelling colleague.
“I will go to the Convention,” continued Robespierre. “I have absented myself too long,—lest I might seem to overawe the Republic that I have created. Away with such scruples! I will prepare the people! I will blast the traitors with a look!”
He spoke with the terrible firmness of the orator that had never failed,—of the moral will that marched like a warrior on the cannon. At that instant he was interrupted; a letter was brought to him: he opened it,—his face fell, he shook from limb to limb; it was one of the anonymous warnings by which the hate and revenge of those yet left alive to threaten tortured the death-giver.
“Thou art smeared,” ran the lines, “with the best blood of France. Read thy sentence! I await the hour when the people shall knell thee to the doomsman. If my hope deceive me, if deferred too long,—hearken, read! This hand, which thine eyes shall search in vain to discover, shall pierce thy heart. I see thee every day,—I am with thee every day. At each hour my arm rises against thy breast. Wretch! live yet awhile, though but for few and miserable days—live to think of me; sleep to dream of me! Thy terror and thy thought of me are the heralds of thy doom. Adieu! this day itself I go forth to riot on thy fears!” (See “Papiers inedits trouves chez Robespierre,” etc., volume ii. page 155. (No. lx.))
“Your lists are not full enough!” said the tyrant, with a hollow voice, as the paper dropped from his trembling hand. “Give them to me!—give them to me! Think again, think again! Barrere is right—right! ‘Frappons! il n’y a que les morts qui ne revient pas!’”
La haine, dans ces lieux, n’a qu’un glaive assassin.Elle marche dans l’ombre.La Harpe, “Jeanne de Naples,” Act iv. sc. 1.(Hate, in these regions, has but the sword of the assassin. Shemoves in the shade.)
While such the designs and fears of Maximilien Robespierre, common danger, common hatred, whatever was yet left of mercy or of virtue in the agents of the Revolution, served to unite strange opposites in hostility to the universal death-dealer. There was, indeed, an actual conspiracy at work against him among men little less bespattered than himself with innocent blood. But that conspiracy would have been idle of itself, despite the abilities of Tallien and Barras (the only men whom it comprised, worthy, by foresight and energy, the names of “leaders”). The sure and destroying elements that gathered round the tyrant were Time and Nature; the one, which he no longer suited; the other, which he had outraged and stirred up in the human breast. The most atrocious party of the Revolution, the followers of Hebert, gone to his last account, the butcher-atheists, who, in desecrating heaven and earth, still arrogated inviolable sanctity to themselves, were equally enraged at the execution of their filthy chief, and the proclamation of a Supreme Being. The populace, brutal as it had been, started as from a dream of blood, when their huge idol, Danton, no longer filled the stage of terror, rendering crime popular by that combination of careless frankness and eloquent energy which endears their heroes to the herd. The glaive of the guillotine had turned against THEMSELVES. They had yelled and shouted, and sung and danced, when the venerable age, or the gallant youth, of aristocracy or letters, passed by their streets in the dismal tumbrils; but they shut up their shops, and murmured to each other, when their own order was invaded, and tailors and cobblers, and journeymen and labourers, were huddled off to the embraces of the “Holy Mother Guillotine,” with as little ceremony as if they had been the Montmorencies or the La Tremouilles, the Malesherbes or the Lavoisiers. “At this time,” said Couthon, justly, “Les ombres de Danton, d’Hebert, de Chaumette, se promenent parmi nous!” (The shades of Danton, Hebert, and Chaumette walk amongst us.)
Among those who had shared the doctrines, and who now dreaded the fate of the atheist Hebert, was the painter, Jean Nicot. Mortified and enraged to find that, by the death of his patron, his career was closed; and that, in the zenith of the Revolution for which he had laboured, he was lurking in caves and cellars, more poor, more obscure, more despicable than he had been at the commencement,—not daring to exercise even his art, and fearful every hour that his name would swell the lists of the condemned,—he was naturally one of the bitterest enemies of Robespierre and his government. He held secret meetings with Collot d’Herbois, who was animated by the same spirit; and with the creeping and furtive craft that characterised his abilities, he contrived, undetected, to disseminate tracts and invectives against the Dictator, and to prepare, amidst “the poor and virtuous people,” the train for the grand explosion. But still so firm to the eyes, even of profounder politicians than Jean Nicot, appeared the sullen power of the incorruptible Maximilien; so timorous was the movement against him,—that Nicot, in common with many others, placed his hopes rather in the dagger of the assassin than the revolt of the multitude. But Nicot, though not actually a coward, shrunk himself from braving the fate of the martyr; he had sense enough to see that, though all parties might rejoice in the assassination, all parties would probably concur in beheading the assassin. He had not the virtue to become a Brutus. His object was to inspire a proxy-Brutus; and in the centre of that inflammable population this was no improbable hope.
Amongst those loudest and sternest against the reign of blood; amongst those most disenchanted of the Revolution; amongst those most appalled by its excesses,—was, as might be expected, the Englishman, Clarence Glyndon. The wit and accomplishments, the uncertain virtues that had lighted with fitful gleams the mind of Camille Desmoulins, had fascinated Glyndon more than the qualities of any other agent in the Revolution. And when (for Camille Desmoulins had a heart, which seemed dead or dormant in most of his contemporaries) that vivid child of genius and of error, shocked at the massacre of the Girondins, and repentant of his own efforts against them, began to rouse the serpent malice of Robespierre by new doctrines of mercy and toleration, Glyndon espoused his views with his whole strength and soul. Camille Desmoulins perished, and Glyndon, hopeless at once of his own life and the cause of humanity, from that time sought only the occasion of flight from the devouring Golgotha. He had two lives to heed besides his own; for them he trembled, and for them he schemed and plotted the means of escape. Though Glyndon hated the principles, the party (None were more opposed to the Hebertists than Camille Desmoulins and his friends. It is curious and amusing to see these leaders of the mob, calling the mob “the people” one day, and the “canaille” the next, according as it suits them. “I know,” says Camille, “that they (the Hebertists) have all the canaille with them.”—(Ils ont toute la canaille pour eux.)), and the vices of Nicot, he yet extended to the painter’s penury the means of subsistence; and Jean Nicot, in return, designed to exalt Glyndon to that very immortality of a Brutus from which he modestly recoiled himself. He founded his designs on the physical courage, on the wild and unsettled fancies of the English artist, and on the vehement hate and indignant loathing with which he openly regarded the government of Maximilien.
At the same hour, on the same day in July, in which Robespierre conferred (as we have seen) with his allies, two persons were seated in a small room in one of the streets leading out of the Rue St. Honore; the one, a man, appeared listening impatiently, and with a sullen brow, to his companion, a woman of singular beauty, but with a bold and reckless expression, and her face as she spoke was animated by the passions of a half-savage and vehement nature.
“Englishman,” said the woman, “beware!—you know that, whether in flight or at the place of death, I would brave all to be by your side,—you know THAT! Speak!”
“Well, Fillide; did I ever doubt your fidelity?”
“Doubt it you cannot,—betray it you may. You tell me that in flight you must have a companion besides myself, and that companion is a female. It shall not be!”
“Shall not!”
“It shall not!” repeated Fillide, firmly, and folding her arms across her breast. Before Glyndon could reply, a slight knock at the door was heard, and Nicot opened the latch and entered.
Fillide sank into her chair, and, leaning her face on her hands, appeared unheeding of the intruder and the conversation that ensued.
“I cannot bid thee good-day, Glyndon,” said Nicot, as in his sans-culotte fashion he strode towards the artist, his ragged hat on his head, his hands in his pockets, and the beard of a week’s growth upon his chin,—“I cannot bid thee good-day; for while the tyrant lives, evil is every sun that sheds its beams on France.”
“It is true; what then? We have sown the wind, we must reap the whirlwind.”
“And yet,” said Nicot, apparently not heeding the reply, and as if musingly to himself, “it is strange to think that the butcher is as mortal as the butchered; that his life hangs on as slight a thread; that between the cuticle and the heart there is as short a passage,—that, in short, one blow can free France and redeem mankind!”
Glyndon surveyed the speaker with a careless and haughty scorn, and made no answer.
“And,” proceeded Nicot, “I have sometimes looked round for the man born for this destiny, and whenever I have done so, my steps have led me hither!”
“Should they not rather have led thee to the side of Maximilien Robespierre?” said Glyndon, with a sneer.
“No,” returned Nicot, coldly,—“no; for I am a ‘suspect:’ I could not mix with his train; I could not approach within a hundred yards of his person, but I should be seized; YOU, as yet, are safe. Hear me!”—and his voice became earnest and expressive,—“hear me! There seems danger in this action; there is none. I have been with Collot d’Herbois and Bilaud-Varennes; they will hold him harmless who strikes the blow; the populace would run to thy support; the Convention would hail thee as their deliverer, the—”
“Hold, man! How darest thou couple my name with the act of an assassin? Let the tocsin sound from yonder tower, to a war between Humanity and the Tyrant, and I will not be the last in the field; but liberty never yet acknowledged a defender in a felon.”
There was something so brave and noble in Glyndon’s voice, mien, and manner, as he thus spoke, that Nicot at once was silenced; at once he saw that he had misjudged the man.
“No,” said Fillide, lifting her face from her hands,—“no! your friend has a wiser scheme in preparation; he would leave you wolves to mangle each other. He is right; but—”
“Flight!” exclaimed Nicot; “is it possible? Flight; how?—when?—by what means? All France begirt with spies and guards! Flight! would to Heaven it were in our power!”
“Dost thou, too, desire to escape the blessed Revolution?”
“Desire! Oh!” cried Nicot, suddenly, and, falling down, he clasped Glyndon’s knees,—“oh, save me with thyself! My life is a torture; every moment the guillotine frowns before me. I know that my hours are numbered; I know that the tyrant waits but his time to write my name in his inexorable list; I know that Rene Dumas, the judge who never pardons, has, from the first, resolved upon my death. Oh, Glyndon, by our old friendship, by our common art, by thy loyal English faith and good English heart, let me share thy flight!”
“If thou wilt, so be it.”
“Thanks!—my whole life shall thank thee. But how hast thou prepared the means, the passports, the disguise, the—”
“I will tell thee. Thou knowest C—, of the Convention,—he has power, and he is covetous. ‘Qu’on me meprise, pourvu que je dine’ (Let them despise me, provided that I dine.), said he, when reproached for his avarice.”
“Well?”
“By the help of this sturdy republican, who has friends enough in the Comite, I have obtained the means necessary for flight; I have purchased them. For a consideration I can procure thy passport also.”
“Thy riches, then, are not in assignats?”
“No; I have gold enough for us all.”
And here Glyndon, beckoning Nicot into the next room, first briefly and rapidly detailed to him the plan proposed, and the disguises to be assumed conformably to the passports, and then added, “In return for the service I render thee, grant me one favour, which I think is in thy power. Thou rememberest Viola Pisani?”
“Ah,—remember, yes!—and the lover with whom she fled.”
“And FROM whom she is a fugitive now.”
“Indeed—what!—I understand. Sacre bleu! but you are a lucky fellow, cher confrere.”
“Silence, man! with thy eternal prate of brotherhood and virtue, thou seemest never to believe in one kindly action, or one virtuous thought!”
Nicot bit his lip, and replied sullenly, “Experience is a great undeceiver. Humph! What service can I do thee with regard to the Italian?”
“I have been accessory to her arrival in this city of snares and pitfalls. I cannot leave her alone amidst dangers from which neither innocence nor obscurity is a safeguard. In your blessed Republic, a good and unsuspected citizen, who casts a desire on any woman, maid or wife, has but to say, ‘Be mine, or I denounce you!’ In a word, Viola must share our flight.”
“What so easy? I see your passports provide for her.”
“What so easy? What so difficult? This Fillide—would that I had never seen her!—would that I had never enslaved my soul to my senses! The love of an uneducated, violent, unprincipled woman, opens with a heaven, to merge in a hell! She is jealous as all the Furies; she will not hear of a female companion; and when once she sees the beauty of Viola!—I tremble to think of it. She is capable of any excess in the storm of her passions.”
“Aha, I know what such women are! My wife, Beatrice Sacchini, whom I took from Naples, when I failed with this very Viola, divorced me when my money failed, and, as the mistress of a judge, passes me in her carriage while I crawl through the streets. Plague on her!—but patience, patience! such is the lot of virtue. Would I were Robespierre for a day!”
“Cease these tirades!” exclaimed Glyndon, impatiently; “and to the point. What would you advise?”
“Leave your Fillide behind.”
“Leave her to her own ignorance; leave her unprotected even by the mind; leave her in the Saturnalia of Rape and Murder? No! I have sinned against her once. But come what may, I will not so basely desert one who, with all her errors, trusted her fate to my love.”
“You deserted her at Marseilles.”
“True; but I left her in safety, and I did not then believe her love to be so deep and faithful. I left her gold, and I imagined she would be easily consoled; but since THEN WE HAVE KNOWN DANGER TOGETHER! And now to leave her alone to that danger which she would never have incurred but for devotion to me!—no, that is impossible. A project occurs to me. Canst thou not say that thou hast a sister, a relative, or a benefactress, whom thou wouldst save? Can we not—till we have left France—make Fillide believe that Viola is one in whom THOU only art interested; and whom, for thy sake only, I permit to share in our escape?”
“Ha, well thought of!—certainly!”
“I will then appear to yield to Fillide’s wishes, and resign the project, which she so resents, of saving the innocent object of her frantic jealousy. You, meanwhile, shall yourself entreat Fillide to intercede with me to extend the means of escape to—”
“To a lady (she knows I have no sister) who has aided me in my distress. Yes, I will manage all, never fear. One word more,—what has become of that Zanoni?”
“Talk not of him,—I know not.”
“Does he love this girl still?”
“It would seem so. She is his wife, the mother of his infant, who is with her.”
“Wife!—mother! He loves her. Aha! And why—”
“No questions now. I will go and prepare Viola for the flight; you, meanwhile, return to Fillide.”
“But the address of the Neapolitan? It is necessary I should know, lest Fillide inquire.”
“Rue M— T—, No. 27. Adieu.”
Glyndon seized his hat and hastened from the house.
Nicot, left alone, seemed for a few moments buried in thought. “Oho,” he muttered to himself, “can I not turn all this to my account? Can I not avenge myself on thee, Zanoni, as I have so often sworn,—through thy wife and child? Can I not possess myself of thy gold, thy passports, and thy Fillide, hot Englishman, who wouldst humble me with thy loathed benefits, and who hast chucked me thine alms as to a beggar? And Fillide, I love her: and thy gold, I love THAT more! Puppets, I move your strings!”
He passed slowly into the chamber where Fillide yet sat, with gloomy thought on her brow and tears standing in her dark eyes. She looked up eagerly as the door opened, and turned from the rugged face of Nicot with an impatient movement of disappointment.
“Glyndon,” said the painter, drawing a chair to Fillide’s, “has left me to enliven your solitude, fair Italian. He is not jealous of the ugly Nicot!—ha, ha!—yet Nicot loved thee well once, when his fortunes were more fair. But enough of such past follies.”
“Your friend, then, has left the house. Whither? Ah, you look away; you falter,—you cannot meet my eyes! Speak! I implore, I command thee, speak!”
“Enfant! And what dost thou fear?”
“FEAR!—yes, alas, I fear!” said the Italian; and her whole frame seemed to shrink into itself as she fell once more back into her seat.
Then, after a pause, she tossed the long hair from her eyes, and, starting up abruptly, paced the room with disordered strides. At length she stopped opposite to Nicot, laid her hand on his arm, drew him towards an escritoire, which she unlocked, and, opening a well, pointed to the gold that lay within, and said, “Thou art poor,—thou lovest money; take what thou wilt, but undeceive me. Who is this woman whom thy friend visits,—and does he love her?”
Nicot’s eyes sparkled, and his hands opened and clenched, and clenched and opened, as he gazed upon the coins. But reluctantly resisting the impulse, he said, with an affected bitterness, “Thinkest thou to bribe me?—if so, it cannot be with gold. But what if he does love a rival; what if he betrays thee; what if, wearied by thy jealousies, he designs in his flight to leave thee behind,—would such knowledge make thee happier?”
“Yes!” exclaimed the Italian, fiercely; “yes, for it would be happiness to hate and to be avenged! Oh, thou knowest not how sweet is hatred to those who have really loved!”
“But wilt thou swear, if I reveal to thee the secret, that thou wilt not betray me,—that thou wilt not fall, as women do, into weak tears and fond reproaches, when thy betrayer returns?”
“Tears, reproaches! Revenge hides itself in smiles!”
“Thou art a brave creature!” said Nicot, almost admiringly. “One condition more: thy lover designs to fly with his new love, to leave thee to thy fate; if I prove this to thee, and if I give thee revenge against thy rival, wilt thou fly with me? I love thee!—I will wed thee!”
Fillide’s eyes flashed fire; she looked at him with unutterable disdain, and was silent.
Nicot felt he had gone too far; and with that knowledge of the evil part of our nature which his own heart and association with crime had taught him, he resolved to trust the rest to the passions of the Italian, when raised to the height to which he was prepared to lead them.
“Pardon me,” he said; “my love made me too presumptuous; and yet it is only that love,—my sympathy for thee, beautiful and betrayed, that can induce me to wrong, with my revelations, one whom I have regarded as a brother. I can depend upon thine oath to conceal all from Glyndon?”
“On my oath and my wrongs and my mountain blood!”
“Enough! get thy hat and mantle, and follow me.”
As Fillide left the room, Nicot’s eyes again rested on the gold; it was much,—much more than he had dared to hope for; and as he peered into the well and opened the drawers, he perceived a packet of letters in the well-known hand of Camille Desmoulins. He seized—he opened the packet; his looks brightened as he glanced over a few sentences. “This would give fifty Glyndons to the guillotine!” he muttered, and thrust the packet into his bosom.
O artist!—O haunted one!—O erring genius!—behold the two worst foes,—the False Ideal that knows no God, and the False Love that burns from the corruption of the senses, and takes no lustre from the soul!