FOREST OF FONTAINEBLEAU.
Fontainebleau is one of the most ancient palaces of France; it is a labyrinth of galleries, salons, amphitheatres, secret chambers, and fantastic balconies. To traverse the palace is a journey. Like all the oldFrench palaces, it is surrounded with gardens, parks, and has its wood or forest. Indeed, the town of Fontainebleau is situated in a forest, which covers an extent of sixty-four miles.
A stag and doe are visible between the trees
IN THE WOOD AT FONTAINEBLEAU.
“Artists, poets, romancers, and lovers,” says a writer, “have from time immemorial made the forest of Fontainebleau the empire of their dreams. You ought to see it in the morning, when the bird sings,when the sun shines, ... when all these stones, heaped beneath those aged trees, take a thousand fantastic forms, and give to it the appearance of the plain on which the Titans fought against Heaven. Oh, what terrible and touching histories, stories of hunting and of love, of treason and vengeance, this forest has covered with its shadow!”
St. Louis loved this forest, and Napoleon signed his abdication at Fontainebleau.
Master Lewis had allowed the boys to have a day to themselves in each of the principal places where they had stopped. If one of them wished to make an excursion on that day to some neighboring place, the good teacher made some careful arrangement for that one to do so. He was very careful about all matters of this kind, without really seeming to distrust the boys’ judgment in their efforts to look out for themselves. A coach-driver, a traveller, a valet-de-place, or some person was usually employed to have an eye on the member of the Class who was allowed to make a tour to a strange place alone.
The boys, with the exception of Tommy Toby, were given a day to go where they liked in Paris. Master Lewis did not dare to allow Tommy this privilege, after his misadventure in England.
The Wynns visited the Palace of the Institute; Frank Gray, the Grand Opera House.
“I would like to go to the river this morning,” said Tommy, “and sail on the —— queer boats there.”
“The flies, or water-omnibuses?” said Master Lewis. “I will go with you.”
Tommy looked surprised and hardly seemed pleased, not that he did not generally like Master Lewis’s company, but because it looked to him like a restraint upon his freedom.
But the good teacher took his hat and cane, and Tommy did not express any displeasure in words. The two went to a splendid stone bridge called the Pont d’Jena, over the Seine.
Compared with the Mississippi, the Ohio, or the St. Lawrence, theSeine is but a small stream. The river is lined with solid stone-work on each side, and its banks are shaded with trees. It is filled with queer crafts, and a multitude of families live on the barges that convey wood, coal, and certain kinds of merchandise from place to place.
As Master Lewis and Tommy were standing on the bridge, watching the sloops as they lowered their masts to pass under, an astonishing sight met Tommy’s eyes.
It was a great boat, like a steamer, but without screw or paddles, swiftly passing up the river by means of a chain which rose out of the water at the bows, ran along the deck, turned around wheels which seemed to be worked by an engine, and then slipped overboard at the stern.
“How far can that boat go on in that way?” asked Tommy.
“The chain by which the boat is carried forward,” said Master Lewis, “isone hundred miles long.”
Master Lewis and Tommy passed some hours among the queer crafts on the river, taking passages here and there on the flies or water-omnibuses.
“Were you afraid to trust me alone this morning?” asked Tommy, on their return.
“Well, yes.”
“Did you think I could not speak French well enough to go out alone?”
“Your French might not be very well understood here.”
“I think I can talk simple French, such as servants could understand very well.”
In the afternoon, being somewhat alone, Tommy thought he would explore the hotel, which was something of a town in itself. He descended from his apartment on the third floor, with the intention of going to the courtyard. But he could not find the place which had so attracted him from his window. He tried to go back, but lost the way even to his apartment. He descended again, but failed to find anyplace he remembered to have seen before. It was all as grand as a palace, but as puzzling as a labyrinth he had seen in the grounds of Hampton Court Palace.
He said to one after another of the very polite people he chanced to meet,—
“Please, sir [or madam], do you speak English?”
He received only smiles of good-will, and courteous shakes of the head, in answer to all inquiries.
Tommy remembered his French lessons. Happy thought! He accosted a servant, whose knowledge of the language he fancied might be as simple as his own:—
“Pardon, Monsieur, voulez-vous avez la bonté de m’indiquer un valet-de-place?”
“Je ne comprends pas,” said he.
“Je ne comprends pas,” said Tommy. “Je ne puis pas trouver ma chambre,” pointing upward. “Voulez-vous m’indiquer quelqu’un qui parle l’Anglais?”
“Je ne comprends pas.”
“Ne comprenez-vous Français?” said Tommy.
The man’s face wore a willing, but very puzzled expression.
Just then a girl with a happy face came out of one of the rooms.
“Do you speak”——
“Why, yes, of course I speak. I am very glad to meet you here. How pleasant!”
Tommy tries to communicate with the man
“JE NE COMPRENDS PAS.”
It was Agnes, the young lady who had made herself so agreeable on the steamer.
The next morning, after a chat with Agnes, Master Lewis said to Tommy,—
“I think I will let you take a day to go where you like.”
“Will you not let me go with you?” asked Agnes. “It is a fête day, or some kind of Church festival, and I would like to go to that lovely church of St. Eustache, where they have the finest organ and sweetest chanting in the world. I know you will like it. It took a hundred years to build the church. It is all just like fairy-land.”
As Agnes had been reading the comedies of Molière, the French Shakspeare, she induced Tommy to attend her to the old Théâtre Français, which was under the direction of the great dramatist for many years, and where he was stricken down by death in the middle of a play. It was not open for an exhibition at the hour of the visit, but a courteous Frenchman took them through it, and related to Agnes some pleasing anecdotes of Molière.
The Class took many delightful walks along the clean streets and charming boulevards, visiting churches, public buildings, statues, and paintings. In one of the visits to a church Tommy was much amused by a priest who, as the people were going out after some superb music, pretended to be praying, but who, amid the noise and confusion, was only making contortions of his face. Tommy went through the priest’s performance in dumb show when he returned to the hotel, for the amusement of Agnes, but was checked by Master Lewis when he attempted a similar imitation in one of the public rooms, lest some one might mistake it for a want of reverence for sacred things.
The priest pretending to pray
In one of these walks they were shown a place where a French boy did a noble act at the end of the last war.
An order had been issued to shoot all persons found with arms in their hands in the streets. A captain with his company on duty came upon a French boy with a musket.
“I must order your execution,” he said.
“Let me return a watch I have borrowed,” said the boy.
“When will you return?”
“At once, upon my word.”
The boy went away, and the captain never expected to see him again. But he presently came back, and taking a heroic attitude said,—
“I am ready. Fire!”
He was pardoned.
“The young French people,” said Master Lewis, “are very patriotic. History abounds with noble acts of French boys. I will relate an incident or two to the point:—
“Joseph Barra lived in the interior of France at the beginning of the French Revolution. He was a generous-hearted boy, who loved truth, his mother, and his country. He was a Republican at heart; a boy of his impulses could have been nothing else.
“Wishing to serve his country in the great struggle for liberty, he entered the Republican army at the age of twelve, as a drummer boy. His whole soul entered into the cause; he was ready to endure any hardship and to make any sacrifice, that the country he loved might be free. He allowed himself no luxuries, but he sent the whole of his pay as a musician to his mother.
“His regiment was ordered to La Vendée to encounter a body of Royalists. One day he found himself cut off from the troops, and surrounded by a party of Royalists. Twenty bayonets were pointed towards his breast. He stood, calm and unflinching, before the glittering steel.
“‘Shout,’ cried the leader of the Royalists, ‘shout, “Long live Louis XVII!” or die!’
“The twenty bayonets were pushed forward within an inch of his body.
“He bent upon his captors a steady eye, kindling with the lofty purpose of his soul. He took off his hat. He gazed for a moment onthe blue sky and the green earth. Then, waving his hand aloft, he exclaimed, ‘Vive la République!’
“The twenty bayonets did their cruel work, and the boy died, a martyr to his convictions of right and of liberty.
“Joseph Agricole Vialla, a boy thirteen years of age, connected himself with a party of French Republican soldiers stationed on the Danube. One day an army of insurgent Royalists were discovered on the opposite side of the river, attempting to cross over on a pontoon. The only safety for the Republican soldiers was to cut the cables that held the bridge to the shore. Whoever should attempt to do this would fall within range of the Royalists’ guns, and would be exposed to what seemed to be certain destruction.
“Who would volunteer?
“Every soldier hesitated. The boy Vialla seized an axe, and ran to the bank of the stream. He began to cut the cables amid frequent volleys of shot from the other side, when a ball entered his breast. He fell, but raising himself for a moment, exclaimed,—
“‘I die, but I die for my fatherland!’
“In theChant du Départ—an old French revolutionary song, once almost as famous as theMarseillaise—the deeds of these boy-heroes are celebrated in the following strain:—
“‘O Barra! Vialla! we envy your glory.Still victors, though breathless ye lie.A coward lives not, though with age he is hoary;Who fall for the people ne’er die.“‘Brave boys, we would rival your deed-roll,’Twill guard us ’gainst tyranny then;Republicans all swell the bead-roll,While slaves are but infants ’mong men.“‘The Republic awakes in her splendor,She calls us to win, not to fly!A Frenchman should live to defend her,For her should he manfully die!’”
“‘O Barra! Vialla! we envy your glory.Still victors, though breathless ye lie.A coward lives not, though with age he is hoary;Who fall for the people ne’er die.
“‘Brave boys, we would rival your deed-roll,’Twill guard us ’gainst tyranny then;Republicans all swell the bead-roll,While slaves are but infants ’mong men.
“‘The Republic awakes in her splendor,She calls us to win, not to fly!A Frenchman should live to defend her,For her should he manfully die!’”
Wyllys Wynn seemed much impressed by these incidents of youthful heroism. He sometimes wrote poems, and on his return to the hotel he related the incident of the boy and the watch in these lines, which he read in one of the parlors to Agnes.
The rush of men, the clash of arms,The morning stillness broke,And followed fast the fresh alarms,The clouds of battle-smoke.The Seine still bore a lurid light,As down its ripples run,Where late had shone the fires at night,The rosy rifts of sun.“Shoot every man,” the captain cried,“That dares our way oppose!”Like water ran the crimson tide,Like clouds the smoke arose.They forward rushed, the streets they cleared,—But ere the work was done,Before the troop a boy appeared,And bore the boy a gun.“Thou too shalt die,” the captain said.The boy stopped calmly there,And sweet and low the music playedAmid the silenced air.“Hold!” cried the boy; “a moment wait.For, ere I meet my end,I would return this watch, that lateI borrowed of my friend.”“Return a watch?” The captain frowned.“Your meaning I discern;Such honest lads are seldom found:And when wouldyoureturn?”“At once!” the hero makes reply;“As soon as e’er I can;Iwillreturn, and I will dieAs nobly as a man!”“Well, go!” The lordly bugle blew,And said the man, with joy,“Right glad am I to lose him, too,I would not harm the boy.”Some moments passed; the deadly rainFell thickly through the air;The smoke arose, and, lo! againThe boy stood calmly there.The muskets ceased, the smoke-wreath passedO’er sunlit dome and spire,—“Here, captain, I have come at last,And I am ready. Fire!”As marble grew the captain’s cheek,He could not speak the word.The shout ofVive la République!Adown the ranks was heard.The bugle blew a note of joy,“Advance!” the captain cried,—They marched, and left the happy boyThe colonnade beside.We sing Vialla’s sweet romance,Of Barra’s death we read,But few among the boys of FranceE’er did a nobler deed.The palace burns, the columns fall,The works of art decay,But deeds like these the good recallWhen empires pass away.
The rush of men, the clash of arms,The morning stillness broke,And followed fast the fresh alarms,The clouds of battle-smoke.
The Seine still bore a lurid light,As down its ripples run,Where late had shone the fires at night,The rosy rifts of sun.
“Shoot every man,” the captain cried,“That dares our way oppose!”Like water ran the crimson tide,Like clouds the smoke arose.
They forward rushed, the streets they cleared,—But ere the work was done,Before the troop a boy appeared,And bore the boy a gun.
“Thou too shalt die,” the captain said.The boy stopped calmly there,And sweet and low the music playedAmid the silenced air.
“Hold!” cried the boy; “a moment wait.For, ere I meet my end,I would return this watch, that lateI borrowed of my friend.”
“Return a watch?” The captain frowned.“Your meaning I discern;Such honest lads are seldom found:And when wouldyoureturn?”
“At once!” the hero makes reply;“As soon as e’er I can;Iwillreturn, and I will dieAs nobly as a man!”
“Well, go!” The lordly bugle blew,And said the man, with joy,“Right glad am I to lose him, too,I would not harm the boy.”
Some moments passed; the deadly rainFell thickly through the air;The smoke arose, and, lo! againThe boy stood calmly there.
The muskets ceased, the smoke-wreath passedO’er sunlit dome and spire,—“Here, captain, I have come at last,And I am ready. Fire!”
As marble grew the captain’s cheek,He could not speak the word.The shout ofVive la République!Adown the ranks was heard.
The bugle blew a note of joy,“Advance!” the captain cried,—They marched, and left the happy boyThe colonnade beside.
We sing Vialla’s sweet romance,Of Barra’s death we read,But few among the boys of FranceE’er did a nobler deed.
The palace burns, the columns fall,The works of art decay,But deeds like these the good recallWhen empires pass away.
Avranches.—Riding on Diligences.—Mont St. Michel.—Chateaubriand.—Madame de Sévigné.—Brittany.—Breton Stories.—Story of the Old Woman’s Cow.—Story of the Wonderful Sack.—Nantes.—Scenes of the Revolution at Nantes.—Fénelon and Louis XV.
Avranches.—Riding on Diligences.—Mont St. Michel.—Chateaubriand.—Madame de Sévigné.—Brittany.—Breton Stories.—Story of the Old Woman’s Cow.—Story of the Wonderful Sack.—Nantes.—Scenes of the Revolution at Nantes.—Fénelon and Louis XV.
THE Class went by rail from Paris to the bright Norman district of Calvados, visiting Caen and Bayeux, whose attractions have been briefly sketched in the letter of George Howe to Master Lewis. The next journey was to Avranches, or the “Village of the Cliff,” by the way of Falaise, the residence of Duke Robert, father of William the Conqueror, and to the quaint town of Vire, famous for its cleanly, industrious inhabitants its grand old hills buried in woods, its great wayside trees, and its ancient clock-tower.
CLOCK TOWER AT VIRE.
The Class met few people onthis journey. The cantonniers were evidently busy with their own simple industries. Once or twice the boys saw gentlemen, whom Master Lewis said were curés, at work in cool, green gardens; and often they met the pretty sight of women and girls at work in the fields. The cottages were thatched, and some were moss-grown, and all the canton wore the appearance of simple contentment, virtue, and thrift.
Avranches is a favorite summer resort for English tourists, owing to the beauty of its situation, its health-giving air, and the ease and cheapness with which one may live.
The journey from Caen, along the bowery Norman highways, was made in diligences. The boys seemed to brim over with pleasure at the prospect of a ride in a diligence.
“There is one place where contentment and happiness may surely be found,” said Tommy Toby, one day.
“Where?” asked Master Lewis.
“On the top of a diligence.”
“Are you sure?”
“Yes, sure.”
The next day the Class was overtaken, while travelling in the French coach, by a pouring rain. Tommy, as usual, was on the seat with the driver. He became very impatient, saying, every few minutes, “I wish it would stop raining, I wish—” this, that, and the other thing.
“Tommy,” said Master Lewis, from within the coach, “are yousure?”
After a time the sunlight overspread the landscape, making the watery leaves shine like the multitudinous wavelets of the sea.
Tommy’s merry voice was heard again, talking bad French.
“Contentment and happiness,” said Master Lewis to Frank, “have evidently returned again.”
From Avranches the Class visited that wonderful castle, church, and village of the sea, Mont St. Michel.
The journey from the mainland was by a tramway across the Grève, or sands, at low tide. At neap tides the Mount is not surrounded by water at any time, but at spring tides it is washed by the sea twice a day, and sometimes seems like a partly sunken hill in the sea. The fortress is girt about the base with feudal walls and towers colored by the sea; above these rises a little town, the houses being set on broken ledges of rock; above the town stand the fortifications, and a church and its tower crown all. It is one of the most curious places in the world.
Pagan priests here worshipped the god of high places; monks succeeded them; Henry II held court here, then it became a place to which saints made yearly pilgrimages. The Revolution drove out the monks, and turned it into a prison. In an iron cage called the Cage of St. Michel, a torturous contrivance, state prisoners used to be confined.
The Class next went to St. Malo, by the way of Dol; a breezy journey, with the sea in view.
“St. Malo,” said Master Lewis, “was the birthplace of Chateaubriand, who visited our country after the American Revolution, and in 1801 wrote an Indian romance, ‘Atala,’ a prose Hiawatha, if I may so call it, which charmed all Europe. He published a political work on America, which had great influence in France. He was in early life a sceptic, but the memory of a good mother made him a Christian, and he published a book on religion which arrested the infidel tendencies of the times. Louis XVIII. declared that one of his pamphlets was worth an army of one hundred thousand men. He was one of the most brilliant writers France ever produced. You should read on your return ‘Atala’ in French. You will find an edition, I think, illustrated by Doré, in which the pictures will compel you to read the story.”
“I have read ‘Atala,’” said Frank.
“Would you like to visit Chateaubriand’s birthplace with me?” asked Master Lewis.
Frank was very desirous to see the place at once, and Master Lewis and he went to the house, now a hotel, immediately on their arrival in the town. From the windows of the house could be seen the tomb of Chateaubriand, which is on a little island in the harbor.
When Master Lewis returned to the hotel he was alone.
“Where is Frank?” asked Tommy.
“He is to spend the night in Chateaubriand’s room,” said Master Lewis. “Visitors at St. Malo are allowed to sleep there on paying a small sum.”
“Is Chateaubriand living yet?” asked Tommy. “I thought you said he came to our country after the Revolution.”
“No, he died many years ago. Frank and I have just been looking from the windows of his birthplace at his tomb on one of the little islands.”
“But Frank is not going to stay all night in the room of one that is dead! What good will that do?”
“It is the respect that appreciation pays to genius,” said Master Lewis.
Ernest Wynn wished to spend the night with Frank, and received Master Lewis’s permission.
“Why, Ernest!” said Tommy, “I thought you had more sense. I am glad I am not literary. This is the strangest thing I have met with yet.”
Chateaubriand’s birthplace is the Hotel de France. His room is among those offered to visitors, at a little extra cost. Master Lewis had stopped at the hotel during a previous tour.
If Tommy was surprised at the “respect appreciation pays to genius,” in the incident of sleeping in Chateaubriand’s room, he was more so by a conversation which took place next day, when Master Lewis made his plans for the last zigzag journeys.
“The last place we will visit,” he said, “is Nantes. We will go by rail to Rennes, and by diligences the rest of the way, which will affordyou a fine view of Brittany. At Rennes, we will make, if you like, a détour to Vitré.”
“What shall we see there?” asked Tommy.
“The residence of Madame de Sévigné.”
“Issheliving?” asked Tommy.
“Oh, no.”
“What did she do?”
“She wrote letters to her daughter,” said Frank.
“Who was her daughter?”
“The prettiest girl in France.”
“Issheliving?”
“Oh, no,” said Frank, impatiently. “Why, did you never hear of the Letters of Madame de Sévigné?”
“I never did. Are her letters there?”
“No.”
“What is?”
“The room where she wrote them,” said Master Lewis.
“They must be very wonderful letters, I should think,” said Tommy, “to make a traveller take all that trouble.”
“They are,” said Master Lewis. “Lord Macaulay says, ‘Among modern works I only know two perfect ones; they are Pascal’s Provincial Letters, and the Letters of Madame de Sévigné.’”
The Class was now in Brittany, a province old and poor, whose very charm is its simplicity and quaintness. Normandy smiles; Brittany wears a sombre aspect everywhere. Normandy is a bed of flowers; Brittany seems to be a bed of stone. Here and there may be seen a church buried in greenery, but the landscape is one of heath, fern, and broom.
The people are as peculiar as the country. Their costumes are odd, some of them even wear goat-skins. Many of them lead a sea-faring life; it is the Bretons who chiefly man the French navy.
They cling to old legends and superstitions with great fondness;the wild country abounds with wonder-stories. Nearly all of these stories are striking from their very improbability. They relate to an imaginary period when the Apostles travelled in Brittany, or to men and women who were transformed during some part of their lives into animals, especially into wolves. The story-telling beggars furnish much of the fiction to the unread people.
Those legends which are the chief favorites are undoubtedly very old. The Class listened to several of them at their hotel at St. Malo. Some of them begin in a way that at once arrests attention; as the following story of the
When St. Peter and St. John were visiting the poor in Brittany they stopped one day to rest at a farm-house among the trees, where they met a little old woman who kindly brought them a pitcher of cool water.
After the saints had drunk, the old woman told them the story of her hard life. She had seen better days, she said; her husband had once owned a cow, but he had lost it, and he now was only a laborer on the place.
“Let me take the stick in your hand,” said St. Peter.
The saint struck the stick on the ground, and up came a fine cow with udders full of milk.
“Holy Virgin!” said the woman. “What made that cow come up from the ground?”
“The grace of God,” said St. Peter.
When the saints had gone, the old woman wondered whether, if she were to strike with the stick on the ground, another cow would appear.
She struck the ground as she had seen St. Peter do, when up came an enormous wolf and killed the cow.
The old woman ran after the saints and told her alarming story.
“You should have been content,” said St. Peter, “with the cow the Lord gave you. It shall be restored to you.”
She turned back, and found the cow at the door, lowing to be milked.
Another story, which greatly pleased Tommy is
St. Christopher was a ferry-man. He dwelt in Brittany, at Dol. One day the Lord came to Dol, and wished to cross the river with the twelve Apostles.
St. Christopher, instead of using a ferry-boat, carried the travellers who came to him across the river on his broad shoulders.
When he had thus taken over the Lord and his Apostles, he claimed his reward.
“What will you have?” asked the Lord.
“Ask for Paradise,” said St. Peter.
“No,” said St. Christopher; “I ask that whatsoever I may desire may at all times be put into my sack.”
“You shall have your wish; but never desire money.”
One day the Evil One came to St. Christopher, and tempted him to wish for money.
They fell to fighting, and the fight lasted two whole days; but, just as the Evil One seemed about to overcome the saint, the latter said:—
“In the name of the Lord, get into my sack.”
In a moment the Evil One was in the sack, and St. Christopher tied the string, and took him to a blacksmith, and requested the use of a hammer.
Then St. Christopher and the smith hammered the Evil One as thin as a penny.
“I own I ambeaten,” said a voice from the sack. “Now let me out.”
“On one condition,” said the saint.
“Name it.”
“That you will never trouble me again.”
“I promise.”
The ferry-man now began to lead a life of charity. He never thought of himself, but lived wholly for others; and every one loved him, and all that were in distress came to him for comfort.
One day he died, full of years, and, taking with him his wonderful sack, he started for the gates of Paradise.
St. Peter opened the gate. But when he saw that the new-comer was St. Christopher, who had slighted his counsel, he refused to admit him.
The Celestial City, blazing in splendor, stood on the top of a high mountain; the sound of music and the odors of flowers came through the gate as it was opened, and the saint with a heavy heart turned away from all the ravishing beauty, and, hardly knowing what he did, went down the mountain, until he came to the gate of the region where bad souls dwell.
A youth at the gate said to him,—
“Come in.”
The gate opened, and the Evil One saw him.
“Shut the gate! shut the gate!” said the Evil One to the youth.
Far, far away the Holy City beamed with ineffable brightness, and up the hill again with a still heavy heart went St. Christopher.
“If I could only get my sack inside the gate, I could wish myself into it; and once inside the gate I could never be turned out.”
He came up to the gate again, and called for St. Peter.
The saint opened the gate a little.
“I pray you in charity,” said St. Christopher, “let me listen to the music.”
A man on horseback reads out the revokation
REVOKING THE EDICT OF NANTES.
The gate was set a little more ajar. Immediately St. Christopher threw into the celestial place the wonderful sack; he wished, and in amoment he was in the sack himself,—and he has remained in the region of light, music, flowers, and happiness ever since.
The Class went by rail to Rennes, one of the old capitals of Brittany. It was hardly interesting to them, but a pleasant ride took them to Vitré, where the boys visited the residence of Madame de Sévigné.
Nantes, the ancient residence of the Dukes of Brittany, is situated on the river Loire, about forty miles from the sea. It is one of the largest and most beautiful of the provincial towns of France. In the old castle Henry IV. signed the Edict of Nantes, giving freedom of worship to the Protestants in France.
This famous Edict was published April 13, 1598. The Reformers, or Huguenots, had at this time seven hundred and sixty churches. It was revoked by Louis XIV. in 1685, under the influence of his prelates, who persuaded him thus to seek expiation for his sins. The result of the act was that four hundred thousand Protestants, who were among the most industrious, intelligent, and useful people of France, left the country rather than to give up their religion. They took refuge in Great Britain, Holland, Prussia, Switzerland, and America. From them these countries learned some of the finest French arts.
The Revocation of the Edict of Nantes was one of the many acts of injustice that opened the way for the French Revolution, by destroying public virtue.
Some of the most terrible scenes of the Revolution were enacted at Nantes.
One of the first visits made by the Class at Nantes was to the old warehouse, called the Salorges, built as an entrepot for colonial merchandize, which is associated with the inhuman murders of the Revolution. Here the monster Carrier caused men and women to be tied together and hurled into the Loire, making an exhibition of the cruelty which was known as Republican Marriages. It was in front of theSalorges that executions by water, called Noyades, were performed. Boats loaded with from twenty to forty victims were towed into the middle of the river, and were sunk by means of trap-doors in their sides, which were opened by cords communicating with the shore. If any of these wretched people attempted to escape by swimming, they were shot. As many as six hundred human beings perished in this way in a single day. The whole number of persons thus destroyed reached many thousands. Women and children were drowned as well as men. The river became so full of bodies that the air was made pestilent.
This was during the dark days of the Reign of Terror, when Marat and Robespierre ruled France. Besides the victims of the Noyades were those who perished in other merciless ways. Five hundred children were shot in a single day, and were buried in trenches that had been prepared for the purpose.
“I do not wonder that Charlotte Corday, who killed Marat, should have been regarded as a heroine,” said Frank Gray. “I cannot understand how Frenchmen, who seem to be the most polite, obliging, kind-hearted, people in the world, could have been led to do the bloody deeds of the Reign of Terror.”
“That is because you have read history too much without thought. In reading history always go back to the causes of things. Read backward as well as forward. All the great palaces in France you have seen were built by the money of an overtaxed people who had no political rights. They were the glittering abodes of immorality. Again and again France was governed by wicked women who became favorites of the king. The Huguenots, who were the sincerely religious people of France, were compelled to leave the nation. Think of it,—four hundred thousand people going away from their native country at the unrestrained edict of one bad man. Do you wonder the people of France desired a Constitution for their protection? The nobler orders of the Catholic Church, the Jansenists and Port Royalists as theywere called, were also suppressed. The Church became immoral, tyrannical, and almost wholly corrupt, an enemy to the rights of the people. The reaction against such a church, which violated all the precepts of the Gospel, was infidelity.
The young Duke listens to his teacher
FÉNELON AND THE DUKE OF BURGUNDY.
“During the whole of the reign of Louis XV. the cloud of Revolution was gathering. Louis saw it, but he was so given over to sensuality that it little troubled him. ‘These things will last as long as I shall,’ he said. ‘Après nous le déluge’ (after us the deluge). He was wholly governed, and the nation ruled, by Madame de Pompadour, a corrupt and worthless woman, who made and dismissed ministers of State and cardinals, declared war and dictated terms of peace. She declared that even her lap-dog was weary of the fawnings of nobles. Are you surprised that Frenchmen should rise against such a state of things as this?”
“Was not Louis XV. educated by Fénelon, who wroteTélémaque, the French text-book we have been studying?” asked Frank.
“Yes, the most corrupt king of France was educated by the purest and most lovable man of genius that the times produced. The king was a wilful child, but it was thought that Fénelon had quite changed his character by his religious influence. He was subject to what were called ‘mad fits.’ I might tell you some pleasant stories of this period of his life. One day, when Fénelon had reproved him for some grave fault, he said,—
“‘I know what I am, and I know also what you are.’
“Fénelon’s prudent conduct quite won back the affection of the child.
“‘I will leave the Duke of Burgundy [his title] behind the door when I am with you,’ he used to say, ‘and I will be only little Louis.’
“Fénelon turned the boy’s mind to piety, and for a time influenced him by it. ‘All his mad fits and spites,’ he said of his pupil, ‘yielded to the name of God.’
“But Fénelon, like all good and pure men of the time, wascondemned by the court and the Church.Télémaque, written to train the mind of the young prince in the principles of virtue, caused him to lose favor with the court, and he spent the last years of his life in virtual exile.
The exterior of the cathedral
THE CATHEDRAL AT NANTES.
A full-length portrait of the young king
LOUIS XV.
“Aside from Fénelon’s influence the prince had much to make himvain. He was once ill, and on his recovery all Paris was filled with rejoicing. An immense crowd gathered around the palace on the eve of St. Louis’s Day in honor of the convalescence. As the boy-king stood on the balcony of the palace on the occasion, Marshal Villeroy said to him,—
“‘Look at all this company of people: all are yours; they all belong to you; you are their master.’
“Think of a boy’s being told that the people of Paris belonged to him!
“I can wonder at the Reign of Terror, but I cannot be surprised at the Revolution when I view the history of France for the century that preceded it. It is rather a matter of surprise that an enlightened people should have submitted to tyranny so long.”
Nantes is the Paris of the Loire. Its streets, boulevards, public squares, the forest of masts in the river, and the trees that line its banks, all seem a copy of the bright and gay French capital. Its old cathedral is a queer-looking building, with towers scarcely higher than its roof; but it contains a most beautiful tomb which was erected in memory of Francis II. last Duke of Bretagne. It is adorned with figures of angels, the twelve Apostles, St. Louis, and Charlemagne.
One of the most interesting excursions made by the Class from Nantes was to the ruin of the old castle of
There existed, many centuries ago, a ferocious, cruel old lord, whose treatment of his wives and ogre-like tyranny to all around him, gave origin to the thrilling story of Blue-beard; indeed, the story was so nearly true that this old lord was actually called “Blue-beard” by his neighbors, so blue-black was his long and stubby beard.
He lived in the old days when barons were fierce and despotic, and shut their wives and daughters up in dark dungeons or high castlecasements, and thought little more of ordering a score of peasants off to instant execution than of eating their breakfasts.
He was a rich old fellow, and had several castles scattered about the country, whither princes and dukes used to go and visit him, and share in his hunting-parties in the wildwoods.
His castles were situated in the province of Brittany, and his real name was one which is still to be found in these secluded regions,—the Sieur Duval. The lapse of time has caused all his fine castles wholly to disappear, with one exception, and it is that which I am about to describe to you.
Sieur Duval had his favorite residence on the banks of a lovely little river, about two miles from Nantes. Here he was near town, and might ride in on one of his high-tempered chargers whenever he listed, to join the revels of the dukes, or go wife-hunting.
It was at this castle that his cruelties to his unhappy spouses are supposed to have occurred; and it was from Nantes that the brother of his last wife is said to have ridden in hot haste to rescue his wretched sister and make an end of the odious old tyrant.
Taking a row-boat by the high, old bridge which, just on the outskirts of Nantes, spans the river Erdre, you find yourself at first on a broad sheet of water, with quaint, whitewashed stone-houses and huts, their roofs covered with red brick tiles, and occasionally more handsome mansions with lawns and gardens extending to the river-bank. Here you may perhaps observe a row of curious flat-boats with roofs, but open on all sides, lining both banks of the stream. In these are a number of hard-featured, dark-skinned women of all ages, washing clothes. They lean over the boat-sides, and scrub the shirts and handkerchiefs in the water, then withdraw them, lay them smoothly on some flat boards, like a table, and taking a flat hammer pound upon them.
Presently you get past these, if you row vigorously, and come to pretty bends in the river, and find yourself beyond the thickly-settledpart, amidst pleasant rural fields, with some wealthy merchant’s mansion raising its towers above the green trees.
After a while you approach a bright little village, all of whose houses form a single street just along the banks of the river. Here you disembark and pass along the village street, across a rickety bridge which spans a little inlet from the stream, and so out into the country, and through paths in the woods thickly grown with brush and wildflowers.
Presently, soon after you have got out of sight of the village, you ascend a gentle hill, and suddenly come upon an old, old house, with its wooden ribs appearing, crossing each other, through the stone walls, and a roof that looks as if about to fall in upon the people who inhabit it.
Just beyond this, deeply imbedded in shrubs, brush, thickly-grown ivies and other vines, and moss, is all that is left of Blue-beard’s castle.
The walls are still there, dividing the apartments. You can imagine the rooms and the tower which arose above the tall trees that here cluster on the river bank. And you may fancy, as you stand among the beautiful ruins, that you are on the very spot where the room used to be which Blue-beard forbade his last wife to enter.
Here is the portal, now crumbled and almost covered with moss and ivy, where the old tyrant came in and out; there the wall where the last of his poor victims sat, looking out and straining her eyes to see her brother coming; beyond, the spot where Blue-beard was struck down, and received his deserts. It seems too beautiful a place for so remorseless an ogre; and as one looks out upon the lovely scenes where the tearful spouses mourned their lot, one cannot help thinking how happy they might have been in such a charming retreat, had they enjoyed it with loving husbands and happy homes.