“I am making a little excursion from the Engadine, my dearest of all dear friends. Two charming fellow-travelers take care of me; and we may perhaps get as far as the Lake of Como.
“My sister (already much improved in health) remains at St. Moritz with the old governess. The moment I know what exact course we are going to take, I shall write to Julia to forward any letters which arrive in my absence. My life, in this earthly paradise, will be only complete when I hear from my darling Emily.
“In the meantime, we are staying for the night at some interesting place, the name of which I have unaccountably forgotten; and here I am in my room, writing to you at last—dying to know if Sir Jervis has yet thrown himself at your feet, and offered to make you Lady Redwood with magnificent settlements.
“But you are waiting to hear who my new friends are. My dear, one of them is, next to yourself, the most delightful creature in existence. Society knows her as Lady Janeaway. I love her already, by her Christian name; she is my friend Doris. And she reciprocates my sentiments.
“You will now understand that union of sympathies made us acquainted with each other.
“If there is anything in me to be proud of, I think it must be my admirable appetite. And, if I have a passion, the name of it is Pastry. Here again, Lady Doris reciprocates my sentiments. We sit next to each other at thetable d’hote.
“Good heavens, I have forgotten her husband! They have been married rather more than a month. Did I tell you that she is just two years older than I am?
“I declare I am forgetting him again! He is Lord Janeaway. Such a quiet modest man, and so easily amused. He carries with him everywhere a dirty little tin case, with air holes in the cover. He goes softly poking about among bushes and brambles, and under rocks, and behind old wooden houses. When he has caught some hideous insect that makes one shudder, he blushes with pleasure, and looks at his wife and me, and says, with the prettiest lisp: ‘This is what I call enjoying the day.’ To see the manner in which he obeys Her is, between ourselves, to feel proud of being a woman.
“Where was I? Oh, at thetable d’hote.
“Never, Emily—I say it with a solemn sense of the claims of truth—never have I eaten such an infamous, abominable, maddeningly bad dinner, as the dinner they gave us on our first day at the hotel. I ask you if I am not patient; I appeal to your own recollection of occasions when I have exhibited extraordinary self-control. My dear, I held out until they brought the pastry round. I took one bite, and committed the most shocking offense against good manners at table that you can imagine. My handkerchief, my poor innocent handkerchief, received the horrid—please suppose the rest. My hair stands on end, when I think of it. Our neighbors at the table saw me. The coarse men laughed. The sweet young bride, sincerely feeling for me, said, ‘Will you allow me to shake hands? I did exactly what you have done the day before yesterday.’ Such was the beginning of my friendship with Lady Doris Janeaway.
“We are two resolute women—I mean thatsheis resolute, and that I follow her—and we have asserted our right of dining to our own satisfaction, by means of an interview with the chief cook.
“This interesting person is an ex-Zouave in the French army. Instead of making excuses, he confessed that the barbarous tastes of the English and American visitors had so discouraged him, that he had lost all pride and pleasure in the exercise of his art. As an example of what he meant, he mentioned his experience of two young Englishmen who could speak no foreign language. The waiters reported that they objected to their breakfasts, and especially to the eggs. Thereupon (to translate the Frenchman’s own way of putting it) he exhausted himself in exquisite preparations of eggs.Eggs a la tripe, au gratin, a l’Aurore, a la Dauphine, a la Poulette, a la Tartare, a la Venitienne, a la Bordelaise, and so on, and so on. Still the two young gentlemen were not satisfied. The ex-Zouave, infuriated; wounded in his honor, disgraced as a professor, insisted on an explanation. What, in heaven’s name,didthey want for breakfast? They wanted boiled eggs; and a fish which they called aBloaterre. It was impossible, he said, to express his contempt for the English idea of a breakfast, in the presence of ladies. You know how a cat expresses herself in the presence of a dog—and you will understand the allusion. Oh, Emily, what dinners we have had, in our own room, since we spoke to that noble cook!
“Have I any more news to send you? Are you interested, my dear, in eloquent young clergymen?
“On our first appearance at the public table we noticed a remarkable air of depression among the ladies. Had some adventurous gentleman tried to climb a mountain, and failed? Had disastrous political news arrived from England; a defeat of the Conservatives, for instance? Had a revolution in the fashions broken out in Paris, and had all our best dresses become of no earthly value to us? I applied for information to the only lady present who shone on the company with a cheerful face—my friend Doris, of course. “‘What day was yesterday?’ she asked.
“‘Sunday,’ I answered.
“‘Of all melancholy Sundays,’ she continued, the most melancholy in the calendar. Mr. Miles Mirabel preached his farewell sermon, in our temporary chapel upstairs.’
“‘And you have not recovered it yet?’
“‘We are all heart-broken, Miss Wyvil.’
“This naturally interested me. I asked what sort of sermons Mr. Mirabel preached. Lady Janeaway said: ‘Come up to our room after dinner. The subject is too distressing to be discussed in public.’
“She began by making me personally acquainted with the reverend gentleman—that is to say, she showed me the photographic portraits of him. They were two in number. One only presented his face. The other exhibited him at full length, adorned in his surplice. Every lady in the congregation had received the two photographs as a farewell present. ‘My portraits,’ Lady Doris remarked, ‘are the only complete specimens. The others have been irretrievably ruined by tears.’
“You will now expect a personal description of this fascinating man. What the photographs failed to tell me, my friend was so kind as to complete from the resources of her own experience. Here is the result presented to the best of my ability.
“He is young—not yet thirty years of age. His complexion is fair; his features are delicate, his eyes are clear blue. He has pretty hands, and rings prettier still. And such a voice, and such manners! You will say there are plenty of pet parsons who answer to this description. Wait a little—I have kept his chief distinction till the last. His beautiful light hair flows in profusion over his shoulders; and his glossy beard waves, at apostolic length, down to the lower buttons of his waistcoat.
“What do you think of the Reverend Miles Mirabel now?
“The life and adventures of our charming young clergyman, bear eloquent testimony to the saintly patience of his disposition, under trials which would have overwhelmed an ordinary man. (Lady Doris, please notice, quotes in this place the language of his admirers; and I report Lady Doris.)
“He has been clerk in a lawyer’s office—unjustly dismissed. He has given readings from Shakespeare—infamously neglected. He has been secretary to a promenade concert company—deceived by a penniless manager. He has been employed in negotiations for making foreign railways—repudiated by an unprincipled Government. He has been translator to a publishing house—declared incapable by envious newspapers and reviews. He has taken refuge in dramatic criticism—dismissed by a corrupt editor. Through all these means of purification for the priestly career, he passed at last into the one sphere that was worthy of him: he entered the Church, under the protection of influential friends. Oh, happy change! From that moment his labors have been blessed. Twice already he has been presented with silver tea-pots filled with sovereigns. Go where he may, precious sympathies environ him; and domestic affection places his knife and fork at innumerable family tables. After a continental career, which will leave undying recollections, he is now recalled to England—at the suggestion of a person of distinction in the Church, who prefers a mild climate. It will now be his valued privilege to represent an absent rector in a country living; remote from cities, secluded in pastoral solitude, among simple breeders of sheep. May the shepherd prove worthy of the flock!
“Here again, my dear, I must give the merit where the merit is due. This memoir of Mr. Mirabel is not of my writing. It formed part of his farewell sermon, preserved in the memory of Lady Doris—and it shows (once more in the language of his admirers) that the truest humility may be found in the character of the most gifted man.
“Let me only add, that you will have opportunities of seeing and hearing this popular preacher, when circumstances permit him to address congregations in the large towns. I am at the end of my news; and I begin to feel—after this long, long letter—that it is time to go to bed. Need I say that I have often spoken of you to Doris, and that she entreats you to be her friend as well as mine, when we meet again in England?
“Good-by, darling, for the present. With fondest love,
“Your CECILIA.”
“P.S.—I have formed a new habit. In case of feeling hungry in the night, I keep a box of chocolate under the pillow. You have no idea what a comfort it is. If I ever meet with the man who fulfills my ideal, I shall make it a condition of the marriage settlement, that I am to have chocolate under the pillow.”
Without a care to trouble her; abroad or at home, finding inexhaustible varieties of amusement; seeing new places, making new acquaintances—what a disheartening contrast did Cecilia’s happy life present to the life of her friend! Who, in Emily’s position, could have read that joyously-written letter from Switzerland, and not have lost heart and faith, for the moment at least, as the inevitable result?
A buoyant temperament is of all moral qualities the most precious, in this respect; it is the one force in us—when virtuous resolution proves insufficient—which resists by instinct the stealthy approaches of despair. “I shall only cry,” Emily thought, “if I stay at home; better go out.”
Observant persons, accustomed to frequent the London parks, can hardly have failed to notice the number of solitary strangers sadly endeavoring to vary their lives by taking a walk. They linger about the flower-beds; they sit for hours on the benches; they look with patient curiosity at other people who have companions; they notice ladies on horseback and children at play, with submissive interest; some of the men find company in a pipe, without appearing to enjoy it; some of the women find a substitute for dinner, in little dry biscuits wrapped in crumpled scraps of paper; they are not sociable; they are hardly ever seen to make acquaintance with each other; perhaps they are shame-faced, or proud, or sullen; perhaps they despair of others, being accustomed to despair of themselves; perhaps they have their reasons for never venturing to encounter curiosity, or their vices which dread detection, or their virtues which suffer hardship with the resignation that is sufficient for itself. The one thing certain is, that these unfortunate people resist discovery. We know that they are strangers in London—and we know no more.
And Emily was one of them.
Among the other forlorn wanderers in the Parks, there appeared latterly a trim little figure in black (with the face protected from notice behind a crape veil), which was beginning to be familiar, day after day, to nursemaids and children, and to rouse curiosity among harmless solitaries meditating on benches, and idle vagabonds strolling over the grass. The woman-servant, whom the considerate doctor had provided, was the one person in Emily’s absence left to take care of the house. There was no other creature who could be a companion to the friendless girl. Mrs. Ellmother had never shown herself again since the funeral. Mrs. Mosey could not forget that she had been (no matter how politely) requested to withdraw. To whom could Emily say, “Let us go out for a walk?” She had communicated the news of her aunt’s death to Miss Ladd, at Brighton; and had heard from Francine. The worthy schoolmistress had written to her with the truest kindness. “Choose your own time, my poor child, and come and stay with me at Brighton; the sooner the better.” Emily shrank—not from accepting the invitation—but from encountering Francine. The hard West Indian heiress looked harder than ever with a pen in her hand. Her letter announced that she was “getting on wretchedly with her studies (which she hated); she found the masters appointed to instruct her ugly and disagreeable (and loathed the sight of them); she had taken a dislike to Miss Ladd (and time only confirmed that unfavorable impression); Brighton was always the same; the sea was always the same; the drives were always the same. Francine felt a presentiment that she should do something desperate, unless Emily joined her, and made Brighton endurable behind the horrid schoolmistress’s back.” Solitude in London was a privilege and a pleasure, viewed as the alternative to such companionship as this.
Emily wrote gratefully to Miss Ladd, and asked to be excused.
Other days had passed drearily since that time; but the one day that had brought with it Cecilia’s letter set past happiness and present sorrow together so vividly and so cruelly that Emily’s courage sank. She had forced back the tears, in her lonely home; she had gone out to seek consolation and encouragement under the sunny sky—to find comfort for her sore heart in the radiant summer beauty of flowers and grass, in the sweet breathing of the air, in the happy heavenward soaring of the birds. No! Mother Nature is stepmother to the sick at heart. Soon, too soon, she could hardly see where she went. Again and again she resolutely cleared her eyes, under the shelter of her veil, when passing strangers noticed her; and again and again the tears found their way back. Oh, if the girls at the school were to see her now—the girls who used to say in their moments of sadness, “Let us go to Emily and be cheered”—would they know her again? She sat down to rest and recover herself on the nearest bench. It was unoccupied. No passing footsteps were audible on the remote path to which she had strayed. Solitude at home! Solitude in the Park! Where was Cecilia at that moment? In Italy, among the lakes and mountains, happy in the company of her light-hearted friend.
The lonely interval passed, and persons came near. Two sisters, girls like herself, stopped to rest on the bench.
They were full of their own interests; they hardly looked at the stranger in mourning garments. The younger sister was to be married, and the elder was to be bridesmaid. They talked of their dresses and their presents; they compared the dashing bridegroom of one with the timid lover of the other; they laughed over their own small sallies of wit, over their joyous dreams of the future, over their opinions of the guests invited to the wedding. Too joyfully restless to remain inactive any longer, they jumped up again from the seat. One of them said, “Polly, I’m too happy!” and danced as she walked away. The other cried, “Sally, for shame!” and laughed, as if she had hit on the most irresistible joke that ever was made.
Emily rose and went home.
By some mysterious influence which she was unable to trace, the boisterous merriment of the two girls had roused in her a sense of revolt against the life that she was leading. Change, speedy change, to some occupation that would force her to exert herself, presented the one promise of brighter days that she could see. To feel this was to be inevitably reminded of Sir Jervis Redwood. Here was a man, who had never seen her, transformed by the incomprehensible operation of Chance into the friend of whom she stood in need—the friend who pointed the way to a new world of action, the busy world of readers in the library of the Museum.
Early in the new week, Emily had accepted Sir Jervis’s proposal, and had so interested the bookseller to whom she had been directed to apply, that he took it on himself to modify the arbitrary instructions of his employer.
“The old gentleman has no mercy on himself, and no mercy on others,” he explained, “where his literary labors are concerned. You must spare yourself, Miss Emily. It is not only absurd, it’s cruel, to expect you to ransack old newspapers for discoveries in Yucatan, from the time when Stephens published his ‘Travels in Central America’—nearly forty years since! Begin with back numbers published within a few years—say five years from the present date—and let us see what your search over that interval will bring forth.”
Accepting this friendly advice, Emily began with the newspaper-volume dating from New Year’s Day, 1876.
The first hour of her search strengthened the sincere sense of gratitude with which she remembered the bookseller’s kindness. To keep her attention steadily fixed on the one subject that interested her employer, and to resist the temptation to read those miscellaneous items of news which especially interest women, put her patience and resolution to a merciless test. Happily for herself, her neighbors on either side were no idlers. To see them so absorbed over their work that they never once looked at her, after the first moment when she took her place between them, was to find exactly the example of which she stood most in need. As the hours wore on, she pursued her weary way, down one column and up another, resigned at least (if not quite reconciled yet) to her task. Her labors ended, for the day, with such encouragement as she might derive from the conviction of having, thus far, honestly pursued a useless search.
News was waiting for her when she reached home, which raised her sinking spirits.
On leaving the cottage that morning she had given certain instructions, relating to the modest stranger who had taken charge of her correspondence—in case of his paying a second visit, during her absence at the Museum. The first words spoken by the servant, on opening the door, informed her that the unknown gentleman had called again. This time he had boldly left his card. There was the welcome name that she had expected to see—Alban Morris.
Having looked at the card, Emily put her first question to the servant.
“Did you tell Mr. Morris what your orders were?” she asked.
“Yes, miss; I said I was to have shown him in, if you had been at home. Perhaps I did wrong; I told him what you told me when you went out this morning—I said you had gone to read at the Museum.”
“What makes you think you did wrong?”
“Well, miss, he didn’t say anything, but he looked upset.”
“Do you mean that he looked angry?”
The servant shook her head. “Not exactly angry—puzzled and put out.”
“Did he leave any message?”
“He said he would call later, if you would be so good as to receive him.”
In half an hour more, Alban and Emily were together again. The light fell full on her face as she rose to receive him.
“Oh, how you have suffered!”
The words escaped him before he could restrain himself. He looked at her with the tender sympathy, so precious to women, which she had not seen in the face of any human creature since the loss of her aunt. Even the good doctor’s efforts to console her had been efforts of professional routine—the inevitable result of his life-long familiarity with sorrow and death. While Alban’s eyes rested on her, Emily felt her tears rising. In the fear that he might misinterpret her reception of him, she made an effort to speak with some appearance of composure.
“I lead a lonely life,” she said; “and I can well understand that my face shows it. You are one of my very few friends, Mr. Morris”—the tears rose again; it discouraged her to see him standing irresolute, with his hat in his hand, fearful of intruding on her. “Indeed, indeed, you are welcome,” she said, very earnestly.
In those sad days her heart was easily touched. She gave him her hand for the second time. He held it gently for a moment. Every day since they had parted she had been in his thoughts; she had become dearer to him than ever. He was too deeply affected to trust himself to answer. That silence pleaded for him as nothing had pleaded for him yet. In her secret self she remembered with wonder how she had received his confession in the school garden. It was a little hard on him, surely, to have forbidden him even to hope.
Conscious of her own weakness—even while giving way to it—she felt the necessity of turning his attention from herself. In some confusion, she pointed to a chair at her side, and spoke of his first visit, when he had left her letters at the door. Having confided to him all that she had discovered, and all that she had guessed, on that occasion, it was by an easy transition that she alluded next to the motive for his journey to the North.
“I thought it might be suspicion of Mrs. Rook,” she said. “Was I mistaken?”
“No; you were right.”
“They were serious suspicions, I suppose?”
“Certainly! I should not otherwise have devoted my holiday-time to clearing them up.”
“May I know what they were?”
“I am sorry to disappoint you,” he began.
“But you would rather not answer my question,” she interposed.
“I would rather hear you tell me if you have made any other guess.”
“One more, Mr. Morris. I guessed that you had become acquainted with Sir Jervis Redwood.”
“For the second time, Miss Emily, you have arrived at a sound conclusion. My one hope of finding opportunities for observing Sir Jervis’s housekeeper depended on my chance of gaining admission to Sir Jervis’s house.”
“How did you succeed? Perhaps you provided yourself with a letter of introduction?”
“I knew nobody who could introduce me,” Alban replied. “As the event proved, a letter would have been needless. Sir Jervis introduced himself—and, more wonderful still, he invited me to his house at our first interview.”
“Sir Jervis introduced himself?” Emily repeated, in amazement. “From Cecilia’s description of him, I should have thought he was the last person in the world to do that!”
Alban smiled. “And you would like to know how it happened?” he suggested.
“The very favor I was going to ask of you,” she replied.
Instead of at once complying with her wishes, he paused—hesitated—and made a strange request. “Will you forgive my rudeness, if I ask leave to walk up and down the room while I talk? I am a restless man. Walking up and down helps me to express myself freely.”
Her face brightened for the first time. “How like You that is!” she exclaimed.
Alban looked at her with surprise and delight. She had betrayed an interest in studying his character, which he appreciated at its full value. “I should never have dared to hope,” he said, “that you knew me so well already.”
“You are forgetting your story,” she reminded him.
He moved to the opposite side of the room, where there were fewer impediments in the shape of furniture. With his head down, and his hands crossed behind him, he paced to and fro. Habit made him express himself in his usual quaint way—but he became embarrassed as he went on. Was he disturbed by his recollections? or by the fear of taking Emily into his confidence too freely?
“Different people have different ways of telling a story,” he said. “Mine is the methodical way—I begin at the beginning. We will start, if you please, in the railway—we will proceed in a one-horse chaise—and we will stop at a village, situated in a hole. It was the nearest place to Sir Jervis’s house, and it was therefore my destination. I picked out the biggest of the cottages—I mean the huts—and asked the woman at the door if she had a bed to let. She evidently thought me either mad or drunk. I wasted no time in persuasion; the right person to plead my cause was asleep in her arms. I began by admiring the baby; and I ended by taking the baby’s portrait. From that moment I became a member of the family—the member who had his own way. Besides the room occupied by the husband and wife, there was a sort of kennel in which the husband’s brother slept. He was dismissed (with five shillings of mine to comfort him) to find shelter somewhere else; and I was promoted to the vacant place. It is my misfortune to be tall. When I went to bed, I slept with my head on the pillow, and my feet out of the window. Very cool and pleasant in summer weather. The next morning, I set my trap for Sir Jervis.”
“Your trap?” Emily repeated, wondering what he meant.
“I went out to sketch from Nature,” Alban continued. “Can anybody (with or without a title, I don’t care), living in a lonely country house, see a stranger hard at work with a color-box and brushes, and not stop to look at what he is doing? Three days passed, and nothing happened. I was quite patient; the grand open country all round me offered lessons of inestimable value in what we call aerial perspective. On the fourth day, I was absorbed over the hardest of all hard tasks in landscape art, studying the clouds straight from Nature. The magnificent moorland silence was suddenly profaned by a man’s voice, speaking (or rather croaking) behind me. ‘The worst curse of human life,’ the voice said, ‘is the detestable necessity of taking exercise. I hate losing my time; I hate fine scenery; I hate fresh air; I hate a pony. Go on, you brute!’ Being too deeply engaged with the clouds to look round, I had supposed this pretty speech to be addressed to some second person. Nothing of the sort; the croaking voice had a habit of speaking to itself. In a minute more, there came within my range of view a solitary old man, mounted on a rough pony.”
“Was it Sir Jervis?”
Alban hesitated.
“It looked more like the popular notion of the devil,” he said.
“Oh, Mr. Morris!”
“I give you my first impression, Miss Emily, for what it is worth. He had his high-peaked hat in his hand, to keep his head cool. His wiry iron-gray hair looked like hair standing on end; his bushy eyebrows curled upward toward his narrow temples; his horrid old globular eyes stared with a wicked brightness; his pointed beard hid his chin; he was covered from his throat to his ankles in a loose black garment, something between a coat and a cloak; and, to complete him, he had a club foot. I don’t doubt that Sir Jervis Redwood is the earthly alias which he finds convenient—but I stick to that first impression which appeared to surprise you. ‘Ha! an artist; you seem to be the sort of man I want!’ In those terms he introduced himself. Observe, if you please, that my trap caught him the moment he came my way. Who wouldn’t be an artist?”
“Did he take a liking to you?” Emily inquired.
“Not he! I don’t believe he ever took a liking to anybody in his life.”
“Then how did you get your invitation to his house?”
“That’s the amusing part of it, Miss Emily. Give me a little breathing time, and you shall hear.”
“I got invited to Sir Jervis’s house,” Alban resumed, “by treating the old savage as unceremoniously as he had treated me. ‘That’s an idle trade of yours,’ he said, looking at my sketch. ‘Other ignorant people have made the same remark,’ I answered. He rode away, as if he was not used to be spoken to in that manner, and then thought better of it, and came back. ‘Do you understand wood engraving?’ he asked. ‘Yes.’ ‘And etching?’ ‘I have practiced etching myself.’ ‘Are you a Royal Academician?’ ‘I’m a drawing-master at a ladies’ school.’ ‘Whose school?’ ‘Miss Ladd’s.’ ‘Damn it, you know the girl who ought to have been my secretary.’ I am not quite sure whether you will take it as a compliment—Sir Jervis appeared to view you in the light of a reference to my respectability. At any rate, he went on with his questions. ‘How long do you stop in these parts?’ ‘I haven’t made up my mind.’ ‘Look here; I want to consult you—are you listening?’ ‘No; I’m sketching.’ He burst into a horrid scream. I asked if he felt himself taken ill. ‘Ill?’ he said—‘I’m laughing.’ It was a diabolical laugh, in one syllable—not ‘ha! ha! ha!’ only ‘ha!’—and it made him look wonderfully like that eminent person, whom I persist in thinking he resembles. ‘You’re an impudent dog,’ he said; ‘where are you living?’ He was so delighted when he heard of my uncomfortable position in the kennel-bedroom, that he offered his hospitality on the spot. ‘I can’t go to you in such a pigstye as that,’ he said; ‘you must come to me. What’s your name?’ ‘Alban Morris; what’s yours?’ ‘Jervis Redwood. Pack up your traps when you’ve done your job, and come and try my kennel. There it is, in a corner of your drawing, and devilish like, too.’ I packed up my traps, and I tried his kennel. And now you have had enough of Sir Jervis Redwood.”
“Not half enough!” Emily answered. “Your story leaves off just at the interesting moment. I want you to take me to Sir Jervis’s house.”
“And I want you, Miss Emily, to take me to the British Museum. Don’t let me startle you! When I called here earlier in the day, I was told that you had gone to the reading-room. Is your reading a secret?”
His manner, when he made that reply, suggested to Emily that there was some foregone conclusion in his mind, which he was putting to the test. She answered without alluding to the impression which he had produced on her.
“My reading is no secret. I am only consulting old newspapers.”
He repeated the last words to himself. “Old newspapers?” he said—as if he was not quite sure of having rightly understood her.
She tried to help him by a more definite reply.
“I am looking through old newspapers,” she resumed, “beginning with the year eighteen hundred and seventy-six.”
“And going back from that time,” he asked eagerly; “to earlier dates still?”
“No—just the contrary—advancing from ‘seventy-six’ to the present time.”
He suddenly turned pale—and tried to hide his face from her by looking out of the window. For a moment, his agitation deprived him of his presence of mind. In that moment, she saw that she had alarmed him.
“What have I said to frighten you?” she asked.
He tried to assume a tone of commonplace gallantry. “There are limits even to your power over me,” he replied. “Whatever else you may do, you can never frighten me. Are you searching those old newspapers with any particular object in view?”
“Yes.”
“May I know what it is?”
“May I know why I frightened you?”
He began to walk up and down the room again—then checked himself abruptly, and appealed to her mercy.
“Don’t be hard on me,” he pleaded. “I am so fond of you—oh, forgive me! I only mean that it distresses me to have any concealments from you. If I could open my whole heart at this moment, I should be a happier man.”
She understood him and believed him. “My curiosity shall never embarrass you again,” she answered warmly. “I won’t even remember that I wanted to hear how you got on in Sir Jervis’s house.”
His gratitude seized the opportunity of taking her harmlessly into his confidence. “As Sir Jervis’s guest,” he said, “my experience is at your service. Only tell me how I can interest you.”
She replied, with some hesitation, “I should like to know what happened when you first saw Mrs. Rook.” To her surprise and relief, he at once complied with her wishes.
“We met,” he said, “on the evening when I first entered the house. Sir Jervis took me into the dining-room—and there sat Miss Redwood, with a large black cat on her lap. Older than her brother, taller than her brother, leaner than her brother—with strange stony eyes, and a skin like parchment—she looked (if I may speak in contradictions) like a living corpse. I was presented, and the corpse revived. The last lingering relics of former good breeding showed themselves faintly in her brow and in her smile. You will hear more of Miss Redwood presently. In the meanwhile, Sir Jervis made me reward his hospitality by professional advice. He wished me to decide whether the artists whom he had employed to illustrate his wonderful book had cheated him by overcharges and bad work—and Mrs. Rook was sent to fetch the engravings from his study upstairs. You remember her petrified appearance, when she first read the inscription on your locket? The same result followed when she found herself face to face with me. I saluted her civilly—she was deaf and blind to my politeness. Her master snatched the illustrations out of her hand, and told her to leave the room. She stood stockstill, staring helplessly. Sir Jervis looked round at his sister; and I followed his example. Miss Redwood was observing the housekeeper too attentively to notice anything else; her brother was obliged to speak to her. ‘Try Rook with the bell,’ he said. Miss Redwood took a fine old bronze hand-bell from the table at her side, and rang it. At the shrill silvery sound of the bell, Mrs. Rook put her hand to her head as if the ringing had hurt her—turned instantly, and left us. ‘Nobody can manage Rook but my sister,’ Sir Jervis explained; ‘Rook is crazy.’ Miss Redwood differed with him. ‘No!’ she said. Only one word, but there were volumes of contradiction in it. Sir Jervis looked at me slyly; meaning, perhaps, that he thought his sister crazy too. The dinner was brought in at the same moment, and my attention was diverted to Mrs. Rook’s husband.”
“What was he like?” Emily asked.
“I really can’t tell you; he was one of those essentially commonplace persons, whom one never looks at a second time. His dress was shabby, his head was bald, and his hands shook when he waited on us at table—and that is all I remember. Sir Jervis and I feasted on salt fish, mutton, and beer. Miss Redwood had cold broth, with a wine-glass full of rum poured into it by Mr. Rook. ‘She’s got no stomach,’ her brother informed me; ‘hot things come up again ten minutes after they have gone down her throat; she lives on that beastly mixture, and calls it broth-grog!’ Miss Redwood sipped her elixir of life, and occasionally looked at me with an appearance of interest which I was at a loss to understand. Dinner being over, she rang her antique bell. The shabby old man-servant answered her call. ‘Where’s your wife?’ she inquired. ‘Ill, miss.’ She took Mr. Rook’s arm to go out, and stopped as she passed me. ‘Come to my room, if you please, sir, to-morrow at two o’clock,’ she said. Sir Jervis explained again: ‘She’s all to pieces in the morning’ (he invariably called his sister ‘She’); ‘and gets patched up toward the middle of the day. Death has forgotten her, that’s about the truth of it.’ He lighted his pipe and pondered over the hieroglyphics found among the ruined cities of Yucatan; I lighted my pipe, and read the only book I could find in the dining-room—a dreadful record of shipwrecks and disasters at sea. When the room was full of tobacco-smoke we fell asleep in our chairs—and when we awoke again we got up and went to bed. There is the true story of my first evening at Redwood Hall.”
Emily begged him to go on. “You have interested me in Miss Redwood,” she said. “You kept your appointment, of course?”
“I kept my appointment in no very pleasant humor. Encouraged by my favorable report of the illustrations which he had submitted to my judgment, Sir Jervis proposed to make me useful to him in a new capacity. ‘You have nothing particular to do,’ he said, ‘suppose you clean my pictures?’ I gave him one of my black looks, and made no other reply. My interview with his sister tried my powers of self-command in another way. Miss Redwood declared her purpose in sending for me the moment I entered the room. Without any preliminary remarks—speaking slowly and emphatically, in a wonderfully strong voice for a woman of her age—she said, ‘I have a favor to ask of you, sir. I want you to tell me what Mrs. Rook has done.’ I was so staggered that I stared at her like a fool. She went on: ‘I suspected Mrs. Rook, sir, of having guilty remembrances on her conscience before she had been a week in our service.’ Can you imagine my astonishment when I heard that Miss Redwood’s view of Mrs. Rook was my view? Finding that I still said nothing, the old lady entered into details: ‘We arranged, sir,’ (she persisted in calling me ‘sir,’ with the formal politeness of the old school)—‘we arranged, sir, that Mrs. Rook and her husband should occupy the bedroom next to mine, so that I might have her near me in case of my being taken ill in the night. She looked at the door between the two rooms—suspicious! She asked if there was any objection to her changing to another room—suspicious! suspicious! Pray take a seat, sir, and tell me which Mrs. Rook is guilty of—theft or murder?’”
“What a dreadful old woman!” Emily exclaimed. “How did you answer her?”
“I told her, with perfect truth, that I knew nothing of Mrs. Rook’s secrets. Miss Redwood’s humor took a satirical turn. ‘Allow me to ask, sir, whether your eyes were shut, when our housekeeper found herself unexpectedly in your presence?’ I referred the old lady to her brother’s opinion. ‘Sir Jervis believes Mrs. Rook to be crazy,’ I reminded her. ‘Do you refuse to trust me, sir?’ ‘I have no information to give you, madam.’ She waved her skinny old hand in the direction of the door. I made my bow, and retired. She called me back. ‘Old women used to be prophets, sir, in the bygone time,’ she said. ‘I will venture on a prediction. You will be the means of depriving us of the services of Mr. and Mrs. Rook. If you will be so good as to stay here a day or two longer you will hear that those two people have given us notice to quit. It will be her doing, mind—he is a mere cypher. I wish you good-morning.’ Will you believe me, when I tell you that the prophecy was fulfilled?”
“Do you mean that they actually left the house?”
“They would certainly have left the house,” Alban answered, “if Sir Jervis had not insisted on receiving the customary month’s warning. He asserted his resolution by locking up the old husband in the pantry. His sister’s suspicions never entered his head; the housekeeper’s conduct (he said) simply proved that she was, what he had always considered her to be, crazy. ‘A capital servant, in spite of that drawback,’ he remarked; ‘and you will see, I shall bring her to her senses.’ The impression produced on me was naturally of a very different kind. While I was still uncertain how to entrap Mrs. Rook into confirming my suspicions, she herself had saved me the trouble. She had placed her own guilty interpretation on my appearance in the house—I had driven her away!”
Emily remained true to her resolution not to let her curiosity embarrass Alban again. But the unexpressed question was in her thoughts—“Of what guilt does he suspect Mrs. Rook? And, when he first felt his suspicions, was my father in his mind?”
Alban proceeded.
“I had only to consider next, whether I could hope to make any further discoveries, if I continued to be Sir Jervis’s guest. The object of my journey had been gained; and I had no desire to be employed as picture-cleaner. Miss Redwood assisted me in arriving at a decision. I was sent for to speak to her again. The success of her prophecy had raised her spirits. She asked, with ironical humility, if I proposed to honor them by still remaining their guest, after the disturbance that I had provoked. I answered that I proposed to leave by the first train the next morning. ‘Will it be convenient for you to travel to some place at a good distance from this part of the world?’ she asked. I had my own reasons for going to London, and said so. ‘Will you mention that to my brother this evening, just before we sit down to dinner?’ she continued. ‘And will you tell him plainly that you have no intention of returning to the North? I shall make use of Mrs. Rook’s arm, as usual, to help me downstairs—and I will take care that she hears what you say. Without venturing on another prophecy, I will only hint to you that I have my own idea of what will happen; and I should like you to see for yourself, sir, whether my anticipations are realized.’ Need I tell you that this strange old woman proved to be right once more? Mr. Rook was released; Mrs. Rook made humble apologies, and laid the whole blame on her husband’s temper: and Sir Jervis bade me remark that his method had succeeded in bringing the housekeeper to her senses. Such were the results produced by the announcement of my departure for London—purposely made in Mrs. Rook’s hearing. Do you agree with me, that my journey to Northumberland has not been taken in vain?”
Once more, Emily felt the necessity of controlling herself.
Alban had said that he had “reasons of his own for going to London.” Could she venture to ask him what those reasons were? She could only persist in restraining her curiosity, and conclude that he would have mentioned his motive, if it had been (as she had at one time supposed) connected with herself. It was a wise decision. No earthly consideration would have induced Alban to answer her, if she had put the question to him.
All doubt of the correctness of his own first impression was now at an end; he was convinced that Mrs. Rook had been an accomplice in the crime committed, in 1877, at the village inn. His object in traveling to London was to consult the newspaper narrative of the murder. He, too, had been one of the readers at the Museum—had examined the back numbers of the newspaper—and had arrived at the conclusion that Emily’s father had been the victim of the crime. Unless he found means to prevent it, her course of reading would take her from the year 1876 to the year 1877, and under that date, she would see the fatal report, heading the top of a column, and printed in conspicuous type.
In the meanwhile Emily had broken the silence, before it could lead to embarrassing results, by asking if Alban had seen Mrs. Rook again, on the morning when he left Sir Jervis’s house.
“There was nothing to be gained by seeing her,” Alban replied. “Now that she and her husband had decided to remain at Redwood Hall, I knew where to find her in case of necessity. As it happened I saw nobody, on the morning of my departure, but Sir Jervis himself. He still held to his idea of having his pictures cleaned for nothing. ‘If you can’t do it yourself,’ he said, ‘couldn’t you teach my secretary?’ He described the lady whom he had engaged in your place as a ‘nasty middle-aged woman with a perpetual cold in her head.’ At the same time (he remarked) he was a friend to the women, ‘because he got them cheap.’ I declined to teach the unfortunate secretary the art of picture-cleaning. Finding me determined, Sir Jervis was quite ready to say good-by. But he made use of me to the last. He employed me as postman and saved a stamp. The letter addressed to you arrived at breakfast-time. Sir Jervis said, ‘You are going to London; suppose you take it with you?’”
“Did he tell you that there was a letter of his own inclosed in the envelope?”
“No. When he gave me the envelope it was already sealed.”
Emily at once handed to him Sir Jervis’s letter. “That will tell you who employs me at the Museum, and what my work is,” she said.
He looked through the letter, and at once offered—eagerly offered—to help her.
“I have been a student in the reading-room at intervals, for years past,” he said. “Let me assist you, and I shall have something to do in my holiday time.” He was so anxious to be of use that he interrupted her before she could thank him. “Let us take alternate years,” he suggested. “Did you not tell me you were searching the newspapers published in eighteen hundred and seventy-six?”
“Yes.”
“Very well. I will take the next year. You will take the year after. And so on.”
“You are very kind,” she answered—“but I should like to propose an improvement on your plan.”
“What improvement?” he asked, rather sharply.
“If you will leave the five years, from ‘seventy-six to ‘eighty-one, entirely to me,” she resumed, “and take the next five years, reckoningbackwardfrom ‘seventy-six, you will help me to better purpose. Sir Jervis expects me to look for reports of Central American Explorations, through the newspapers of the last forty years; and I have taken the liberty of limiting the heavy task imposed on me. When I report my progress to my employer, I should like to say that I have got through ten years of the examination, instead of five. Do you see any objection to the arrangement I propose?”
He proved to be obstinate—incomprehensibly obstinate.
“Let us try my plan to begin with,” he insisted. “While you are looking through ‘seventy-six, let me be at work on ‘seventy-seven. If you still prefer your own arrangement, after that, I will follow your suggestion with pleasure. Is it agreed?”
Her acute perception—enlightened by his tone as wall as by his words—detected something under the surface already.
“It isn’t agreed until I understand you a little better,” she quietly replied. “I fancy you have some object of your own in view.”
She spoke with her usual directness of look and manner. He was evidently disconcerted. “What makes you think so?” he asked.
“My own experience of myself makes me think so,” she answered. “IfIhad some object to gain, I should persist in carrying it out—like you.”
“Does that mean, Miss Emily, that you refuse to give way?”
“No, Mr. Morris. I have made myself disagreeable, but I know when to stop. I trust you—and submit.”
If he had been less deeply interested in the accomplishment of his merciful design, he might have viewed Emily’s sudden submission with some distrust. As it was, his eagerness to prevent her from discovering the narrative of the murder hurried him into an act of indiscretion. He made an excuse to leave her immediately, in the fear that she might change her mind.
“I have inexcusably prolonged my visit,” he said. “If I presume on your kindness in this way, how can I hope that you will receive me again? We meet to-morrow in the reading-room.”
He hastened away, as if he was afraid to let her say a word in reply.
Emily reflected.
“Is there something he doesn’t want me to see, in the news of the year ‘seventy-seven?” The one explanation which suggested itself to her mind assumed that form of expression—and the one method of satisfying her curiosity that seemed likely to succeed, was to search the volume which Alban had reserved for his own reading.
For two days they pursued their task together, seated at opposite desks. On the third day Emily was absent.
Was she ill?
She was at the library in the City, consulting the file ofThe Timesfor the year 1877.