FOOTNOTE:

DARKNESS FELL ON THE EYES OF HYACINTHUS

And still, when winter is ended, and the song of birds tell us of the promise of spring, if we go to the woods, we find traces of the vow of the sun-god. The trees are budding in buds of rosy hue, the willow branches are decked with silvery catkins powdered with gold. The larches, like slender dryads, wear a feathery garb of tender green, and under the trees of the woods the primroses look up, like fallen stars. Along the woodland path we go, treading on fragrant pine-needles andon the beech leaves of last year that have not yet lost their radiant amber. And, at a turn of the way, the sun-god suddenly shines through the great dark branches of the giants of the forest, and before us lies a patch of exquisite blue, as though a god had robbed the sky and torn from it a precious fragment that seems alive and moving, between the sun and the shadow.

And, as we look, the sun caresses it, and the South Wind gently moves the little bell-shaped flowers of the wild hyacinth as it softly sweeps across them. So does Hyacinthus live on; so do Apollo and Zephyrus still love and mourn their friend.

FOOTNOTE:[4]Legend says that on the petals of the hyacinth Apollo transcribed the letters “Aì,”—“Alas!”

[4]Legend says that on the petals of the hyacinth Apollo transcribed the letters “Aì,”—“Alas!”

In the plays of Shakespeare we have three distinct divisions—three separate volumes. One deals with Tragedy, another with Comedy, a third with History; and a mistake made by the young in their aspect of life is that they do the same thing, and keep tragedy and comedy severely apart, relegating them to separate volumes that, so they think, have nothing to do with each other. But those who have passed many milestones on the road know that “History” is the only right label for the Book of Life’s many parts, and that the actors in the great play are in truth tragic comedians.

This is the story of Midas, one of the chief tragic comedians of mythology.

Once upon a time the kingdom of Phrygia lacked a king, and in much perplexity, the people sought help from an oracle. The answer was very definite:

“The first man who enters your city riding in a car shall be your king.”

That day there came slowly jogging into the city in their heavy, wooden-wheeled wain, the peasant Gordias and his wife and son, whose destination was the marketplace, and whose business was to sell the produce of their little farm and vineyard—fowls, a goat or two, and acouple of skinsful of strong, purple-red wine. An eager crowd awaited their entry, and a loud shout of welcome greeted them. And their eyes grew round and their mouths fell open in amaze when they were hailed as King and Queen and Prince of Phrygia.

The gods had indeed bestowed upon Gordias, the low-born peasant, a surprising gift, but he showed his gratitude by dedicating his wagon to the deity of the oracle and tying it up in its place with the wiliest knot that his simple wisdom knew, pulled as tight as his brawny arms and strong rough hands could pull. Nor could anyone untie the famous Gordian knot, and therefore become, as the oracle promised, lord of all Asia, until centuries had passed, and Alexander the Great came to Phrygia and sliced through the knot with his all-conquering sword.

In time Midas, the son of Gordias, came to inherit the throne and crown of Phrygia. Like many another not born and bred to the purple, his honours sat heavily upon him. From the day that his father’s wain had entered the city amidst the acclamations of the people, he had learned the value of power, and therefore, from his boyhood onward, power, always more power, was what he coveted. Also his peasant father had taught him that gold could buy power, and so Midas ever longed for more gold, that could buy him a place in the world that no descendant of a long race of kings should be able to contest. And from Olympus the gods looked down and smiled, and vowed that Midas should have the chance of realising his heart’s desire.

Therefore one day when he and his court were sittingin the solemn state that Midas required, there rode into their midst, tipsily swaying on the back of a gentle full-fed old grey ass, ivy-crowned, jovial and foolish, the satyr Silenus, guardian of the young god Bacchus.

With all the deference due to the friend of a god Midas treated this disreputable old pedagogue, and for ten days and nights on end he feasted him royally. On the eleventh day Bacchus came in search of his preceptor, and in deep gratitude bade Midas demand of him what he would, because he had done Silenus honour when to dishonour him lay in his power.

Not even for a moment did Midas ponder.

“I would have gold,” he said hastily—“much gold. I would have that touch by which all common and valueless things become golden treasures.”

And Bacchus, knowing that here spoke the son of peasants who many times had gone empty to bed after a day of toilful striving on the rocky uplands of Phrygia, looked a little sadly in the eager face of Midas, and answered: “Be it as thou wilt. Thine shall be the golden touch.”

Then Bacchus and Silenus went away, a rout of singing revellers at their heels, and Midas quickly put to proof the words of Bacchus.

An olive tree grew near where he stood, and from it he picked a little twig decked with leaves of softest grey, and lo, it grew heavy as he held it, and glittered like a piece of his crown. He stooped to touch the green turf on which some fragrant violets grew, and turf grew into cloth of gold, and violets lost their fragrance andbecame hard, solid, golden things. He touched an apple whose cheek grew rosy in the sun, and at once it became like the golden fruit in the Garden of the Hesperides. The stone pillars of his palace as he brushed past them on entering, blazed like a sunset sky. The gods had not deceived him. Midas had the Golden Touch. Joyously he strode into the palace and commanded a feast to be prepared—a feast worthy of an occasion so magnificent.

But when Midas, with the healthy appetite of the peasant-born, would have eaten largely of the savoury food that his cooks prepared, he found that his teeth only touched roast kid to turn it into a slab of gold, that garlic lost its flavour and became gritty as he chewed, that rice turned into golden grains, and curdled milk became a dower fit for a princess, entirely unnegotiable for the digestion of man. Baffled and miserable, Midas seized his cup of wine, but the red wine had become one with the golden vessel that held it; nor could he quench his thirst, for even the limpid water from the fountain was melted gold when it touched his dry lips. Only for a very few days was Midas able to bear the affliction of his wealth. There was nothing now for him to live for. He could buy the whole earth if he pleased, but even children shrank in terror from his touch, and hungry and thirsty and sick at heart he wearily dragged along his weighty robes of gold. Gold was power, he knew well, yet of what worth was gold while he starved? Gold could not buy him life and health and happiness.

In despair, at length he cried to the god who had given him the gift that he hated.

“Save me, O Bacchus!” he said. “A witless one am I, and the folly of my desire has been my undoing. Take away from me the accursed Golden Touch, and faithfully and well shall I serve thee forever.”

Then Bacchus, very pitiful for him, told Midas to go to Sardis, the chief city of his worshippers, and to trace to its source the river upon which it was built. And in that pool, when he found it, he was to plunge his head, and so he would, for evermore, be freed from the Golden Touch.

It was a long journey that Midas then took, and a weary and a starving man was he when at length he reached the spring where the river Pactolus had its source. He crawled forward, and timidly plunged in his head and shoulders. Almost he expected to feel the harsh grit of golden water, but instead there was the joy he had known as a peasant boy when he laved his face and drank at a cool spring when his day’s toil was ended. And when he raised his face from the pool, he knew that his hateful power had passed from him, but under the water he saw grains of gold glittering in the sand, and from that time forth the river Pactolus was noted for its gold.

One lesson the peasant king had learnt by paying in suffering for a mistake, but there was yet more suffering in store for the tragic comedian.

He had now no wish for golden riches, nor even for power. He wished to lead the simple life and to listen to the pipings of Pan along with the goat-herds on the mountains or the wild creatures in the woods. Thusit befell that he was present one day at a contest between Pan and Apollo himself. It was a day of merry-making for nymphs and fauns and dryads, and all those who lived in the lonely solitudes of Phrygia came to listen to the music of the god who ruled them. For as Pan sat in the shade of a forest one night and piped on his reeds until the very shadows danced, and the water of the stream by which he sat leapt high over the mossy stones it passed, and laughed aloud in its glee, the god had so gloried in his own power that he cried:

“Who speaks of Apollo and his lyre? Some of the gods may be well pleased with his music, and mayhap a bloodless man or two. But my music strikes to the heart of the earth itself. It stirs with rapture the very sap of the trees, and awakes to life and joy the innermost soul of all things mortal.”

Apollo heard his boast, and heard it angrily.

“Oh, thou whose soul is the soul of the untilled ground!” he said, “wouldst thou place thy music, that is like the wind in the reeds, beside my music, which is as the music of the spheres?”

And Pan, splashing with his goat’s feet amongst the water-lilies of the stream on the bank of which he sat, laughed loudly and cried:

“Yea, would I, Apollo! Willingly would I play thee a match—thou on thy golden lyre—I on my reeds from the river.”

Thus did it come to pass that Apollo and Pan matched against each other their music, and King Midas was one of the judges.

First of all Pan took his fragile reeds, and as he played, the leaves on the trees shivered, and the sleeping lilies raised their heads, and the birds ceased their song to listen and then flew straight to their mates. And all the beauty of the world grew more beautiful, and all its terror grew yet more grim, and still Pan piped on, and laughed to see the nymphs and the fauns first dance in joyousness and then tremble in fear, and the buds to blossom, and the stags to bellow in their lordship of the hills. When he ceased, it was as though a tensely-drawn string had broken, and all the earth lay breathless and mute. And Pan turned proudly to the golden-haired god who had listened as he had spoken through the hearts of reeds to the hearts of men.

“Canst, then, make music like unto my music, Apollo?” he said.

Then Apollo, his purple robes barely hiding the perfection of his limbs, a wreath of laurel crowning his yellow curls, looked down at Pan from his godlike height and smiled in silence. For a moment his hand silently played over the golden strings of his lyre, and then his finger-tips gently touched them. And every creature there who had a soul, felt that that soul had wings, and the wings sped them straight to Olympus. Far away from all earth-bound creatures they flew, and dwelt in magnificent serenity amongst the Immortals. No longer was there strife, or any dispeace. No more was there fierce warring between the actual and the unknown. The green fields and thick woods hadfaded into nothingness, and their creatures, and the fair nymphs and dryads, and the wild fauns and centaurs longed and fought no more, and man had ceased to desire the impossible. Throbbing nature and passionately desiring life faded into dust before the melody that Apollo called forth, and when his strings had ceased to quiver and only the faintly remembered echo of his music remained, it was as though the earth had passed away and all things had become new.

For the space of many seconds all was silence.

Then, in low voice, Apollo asked:

“Ye who listen—who is the victor?”

And earth and sea and sky, and all the creatures of earth and sky, and of the deep, replied as one:

“The victory is thine, Divine Apollo.”

Yet was there one dissentient voice.

Midas, sorely puzzled, utterly un-understanding, was relieved when the music of Apollo ceased. “If only Pan would play again,” he murmured to himself. “I wish to live, and Pan’s music gives me life. I love the woolly vine-buds and the fragrant pine-leaves, and the scent of the violets in the spring. The smell of the fresh-ploughed earth is dear to me, the breath of the kine that have grazed in the meadows of wild parsley and of asphodel. I want to drink red wine and to eat and love and fight and work and be joyous and sad, fierce and strong, and very weary, and to sleep the dead sleep of men who live only as weak mortals do.”

Therefore he raised his voice, and called very loud: “Pan’s music is sweeter and truer and greater than themusic of Apollo. Pan is the victor, and I, King Midas, give him the victor’s crown!”

With scorn ineffable the sun-god turned upon Midas, his peasant’s face transfigured by his proud decision. For a little he gazed at him in silence, and his look might have turned a sunbeam to an icicle.

Then he spoke:

“The ears of an ass have heard my music,” he said. “Henceforth shall Midas have ass’s ears.”

And when Midas, in terror, clapped his hands to his crisp black hair, he found growing far beyond it, the long, pointed ears of an ass. Perhaps what hurt him most, as he fled away, was the shout of merriment that came from Pan. And fauns and nymphs and satyrs echoed that shout most joyously.

Willingly would he have hidden in the woods, but there he found no hiding-place. The trees and shrubs and flowering things seemed to shake in cruel mockery. Back to his court he went and sent for the court hairdresser, that he might bribe him to devise a covering for these long, peaked, hairy symbols of his folly. Gladly the hairdresser accepted many and many oboli, many and many golden gifts, and all Phrygia wondered, while it copied, the strange headdress of the king.

But although much gold had bought his silence, the court barber was unquiet of heart. All day and all through the night he was tormented by his weighty secret. And then, at length, silence was to him a torture too great to be borne; he sought a lonely place, there dug a deep hole, and, kneeling by it, softlywhispered to the damp earth: “King Midas has ass’s ears.”

Greatly relieved, he hastened home, and was well content until, on the spot where his secret lay buried, rushes grew up. And when the winds blew through them, the rushes whispered for all those who passed by to hear: “King Midas has ass’s ears! King Midas has ass’s ears!” Those who listen very carefully to what the green rushes in marshy places whisper as the wind passes through them, may hear the same thing to this day. And those who hear the whisper of the rushes may, perhaps, give a pitying thought to Midas—the tragic comedian of mythology.

“St. Martin’s summer, halcyon days.”

King Henry VI, i. 2, 131.

“Halcyon days”—how often is the expression made use of, how seldom do its users realise from whence they have borrowed it.

“These were halcyon days,” says the old man, and his memory wanders back to a time when for him

“All the world is young, lad,And all the trees are green;And every goose a swan, lad,And every lass a queen.”

Yet the story of Halcyone is one best to be understood by the heavy-hearted woman who wanders along the bleak sea-beach and strains her weary eyes for the brown sail of the fishing-boat that will never more return.

Over the kingdom of Thessaly, in the days of long ago, there reigned a king whose name was Ceyx, son of Hesperus, the Day Star, and almost as radiant in grace and beauty as was his father. His wife was the fair Halcyone, daughter of Æolus, ruler of the winds, and most perfectly did this king and queen love one another. Their happiness was unmarred until there came a day when Ceyx had to mourn for the loss of a brother. Following close on the heels of this disaster came direfulprodigies which led Ceyx to fear that in some way he must have incurred the hostility of the gods. To him there was no way in which to discover wherein lay his fault, and to make atonement for it, but by going to consult the oracle of Apollo at Claros, in Ionia. When he told Halcyone what he must do, she knew well that she must not try to turn him from his solemn purpose, yet there hung over her heart a black shadow of fear and of evil foreboding that no loving words of assurance could drive away. Most piteously she begged him to take her with him, but the king knew too well the dangers of the treacherous Ægean Sea to risk on it the life of the woman that he loved so well.

“I promise,” he said, “by the rays of my Father the Day Star, that if fate permits I will return before the moon shall have twice rounded her orb.”

Down by the shore the sailors of King Ceyx awaited his coming, and when with passionately tender love he and Halcyone had taken farewell of each other, the rowers sat down on the benches and dipped their long oars into the water.

With rhythmic swing they drove the great ship over the grey sea, while Ceyx stood on deck and gazed back at his wife until his eyes could no longer distinguish her from the rocks on the shore, nor could she any longer see the white sails of the ship as it crested the restless waves. Heavier still was her heart when she turned away from the shore, and yet more heavy it grew as the day wore on and dark night descended. For the air was full of the clamorous wailings of the fierce winds whosejoy it is to lash the waves into rage and to strew with dead men and broken timber the angry, surf-beaten shore.

“My King,” she sighed to herself. “My King! my Own!” And through the weary hours she prayed to the gods to bring him safely back to her, and many times she offered fragrant incense to Juno, protectress of women, that she might have pity on a woman whose husband and true lover was out in the storm, a plaything for ruthless winds and waves.

A helpless plaything was the king of Thessaly. Long ere the dim evening light had made of the shore of his own land a faint, grey line, the white-maned horses of Poseidon, king of the seas, began to rear their heads, and as night fell, a black curtain, blotting out every landmark, and all home-like things, the East Wind rushed across the Ægean Sea, smiting the sea-horses into madness, seizing the sails with cruel grasp and casting them in tatters before it, snapping the mast as though it were but a dry reed by the river. Before so mighty a tempest no oars could be of any avail, and for a little time only the winds and waves gambolled like a half-sated wolf-pack over their helpless prey. With hungry roar the great weight of black water stove in the deck and swept the sailors out of the ship to choke them in its icy depths; and ever it would lift the wounded thing high up on its foaming white crests, as though to toss it to the dark sky, and ever again would suck it down into the blackness, while the shrieking winds drove it onward with howling taunts and mocking laughter. While life stayed in him, Ceyxthought only of Halcyone. He had no fear, only the fear of the grief his death must bring to her who loved him as he loved her, his peerless queen, his Halcyone. His prayers to the gods were prayers for her. For himself he asked one thing only—that the waves might bear his body to her sight, so that her gentle hands might lay him in his tomb. With shout of triumph that they had slain a king, winds and waves seized him even as he prayed, and the Day Star that was hidden behind the black pall of the sky knew that his son, a brave king and a faithful lover, had gone down to the Shades.

When Dawn, the rosy-fingered, had come to Thessaly, Halcyone, white-faced and tired-eyed, anxiously watched the sea, that still was tossing in half-savage mood. Eagerly she gazed at the place where last the white sail had been seen. Was it not possible that Ceyx, having weathered the gale, might for the present have foregone his voyage to Ionia, and was returning to her to bring peace to her heart? But the sea-beach was strewn with wrack and the winds still blew bits of tattered surf along the shore, and for her there was only the heavy labour of waiting, of waiting and of watching for the ship that never came. The incense from her altars blew out, in heavy sweetness, to meet the bitter-sweet tang of the seaweed that was carried in by the tide, for Halcyone prayed on, fearful, yet hoping that her prayers might still keep safe her man—her king—her lover. She busied herself in laying out the garments he would wear on his return, and in choosing the clothes in which she might be fairest in his eyes. This robe, as blue as the sky inspring—silver-bordered, as the sea in kind mood is bordered with a feathery silver fringe. She could recall just how Ceyx looked when first he saw her wear it. She could hear his very tones as he told her that of all queens she was the peeress, of all women the most beautiful, of all wives the most dear. Almost she forgot the horrors of the night, so certain did it seem that his dear voice must soon again tell her the words that have been love’s litany since ever time began.

In the ears of Juno those petitions for him whose dead body was even then being tossed hither and thither by the restless waves, his murderers, came at last to be more than even she could bear. She gave command to her handmaiden Iris to go to the palace of Somnus, god of Sleep and brother of Death, and to bid him send to Halcyone a vision, in the form of Ceyx, to tell her that all her weary waiting was in vain.

In a valley among the black Cimmerian mountains the death-god Somnus had his abode. In her rainbow-hued robes, Iris darted through the sky at her mistress’s bidding, tingeing, as she sped through them, the clouds that she passed. It was a silent valley that she reached at last. Here the sun never came, nor was there ever any sound to break the silence. From the ground the noiseless grey clouds, whose work it is to hide the sun and moon, rose softly and rolled away up to the mountain tops and down to the lowest valleys, to work the will of the gods. All around the cave lurked the long dark shadows that bring fear to the heart of children, and that, at nightfall, hasten the steps of the timidwayfarer. No noise was there, but from far down the valley there came a murmur so faint and so infinitely soothing that it was less a sound than of a lullaby remembered in dreams. For past the valley of Sleep flow the waters of Lethe, the river of Forgetfulness. Close up to the door of the cave where dwelt the twin brothers, Sleep and Death, blood-red poppies grew, and at the door itself stood shadowy forms, their fingers on their lips, enjoining silence on all those who would enter in, amaranth-crowned, and softly waving sheaves of poppies that bring dreams from which there is no awakening. There was there no gate with hinges to creak or bars to clang, and into the stilly darkness Iris walked unhindered. From outer cave to inner cave she went, and each cave she left behind was less dark than the one that she entered. In the innermost room of all, on an ebony couch draped with sable curtains, the god of sleep lay drowsing. His garments were black, strewn with golden stars. A wreath of half-opened poppies crowned his sleepy head, and he leaned on the strong shoulder of Morpheus, his favourite son. All round his bed hovered pleasant dreams, gently stooping over him to whisper their messages, like a field of wheat swayed by the breeze, or willows that bow their silver heads and murmur to each other the secrets that no one ever knows. Brushing the idle dreams aside, as a ray of sunshine brushes away the grey wisps of mist that hang to the hillside, Iris walked up to the couch where Somnus lay. The light from her rainbow-hued robe lit up the darkness of the cave, yet Somnus lazily only half-opened his eyes,moved his head so that it rested more easily, and in a sleepy voice asked of her what might be her errand. “Somnus,” she said, “gentlest of gods, tranquilliser of minds and soother of careworn hearts, Juno sends you her commands that you despatch a dream to Halcyone in the city of Trachine, representing her lost husband and all the events of the wreck.”

Her message delivered, Iris hastened away, for it seemed to her that already her eyelids grew heavy, and that there were creeping upon her limbs, throwing silver dust in her eyes, lulling into peaceful slumber her mind, those sprites born of the blood-red poppies that bring to weary mortals rest and sweet forgetfulness.

Only rousing himself sufficiently to give his orders, Somnus entrusted to Morpheus the task imposed upon him by Juno, and then, with a yawn, turned over on his downy pillow, and gave himself up to exquisite slumber.

When he had winged his way to Trachine, Morpheus took upon himself the form of Ceyx and sought the room where Halcyone slept. She had watched the far horizon many hours that day. For many an hour had she vainly burned incense to the gods. Tired in heart and soul, in body and in mind, she laid herself down on her couch at last, hoping for the gift of sleep. Not long had she slept, in the dead-still sleep that weariness and a stricken heart bring with them, when Morpheus came and stood by her side. He was only a dream, yet his face was the face of Ceyx. Not the radiant, beautiful son of the Day Star was the Ceyx who stood by her now and gazed on her with piteous, pitying deadeyes. His clothing dripped sea-water; in his hair was tangled the weed of the sea, uprooted by the storm. Pale, pale was his face, and his white hands gripped the stones and sand that had failed him in his dying agony.

Halcyone whimpered in her sleep as she looked on him, and Morpheus stooped over her and spoke the words that he had been told to say.

“I am thy husband, Ceyx, Halcyone. No more do prayers and the blue-curling smoke of incense avail me. Dead am I, slain by the storm and the waves. On my dead, white face the skies look down and the restless sea tosses my chill body that still seeks thee, seeking a haven in thy dear arms, seeking rest on thy warm, loving heart.”

With a cry Halcyone started up, but Morpheus had fled, and there were no wet footprints nor drops of sea-water on the floor, marking, as she had hoped, the way that her lord had taken. Not again did Sleep visit her that night.

A grey, cold morning dawned and found her on the seashore. As ever, her eyes sought the far horizon, but no white sail, a messenger of hope, was there to greet her. Yet surely she saw something—a black speck, like a ship driven on by the long oars of mariners who knew well the path to home through the watery ways. From far away in the grey it hasted towards her, and then there came to Halcyone the knowledge that no ship was this thing, but a lifeless body, swept onwards by the hurrying waves. Nearer and nearer it came, until at length she could recognise the form of this flotsam and jetsam of the sea. With heart that brokeas she uttered the words, she stretched out her arms and cried aloud: “O Ceyx! my Beloved! is it thus that thou returnest to me?”

To break the fierce assaults of sea and of storm there had been built out from the shore a mole, and on to this barrier leapt the distraught Halcyone. She ran along it, and when the dead, white body of the man she loved was still out of reach, she prayed her last prayer—a wordless prayer of anguish to the gods.

“Only let me get near him,” she breathed. “Grant only that I nestle close against his dear breast. Let me show him that, living or dead, I am his, and he mine forever.”

And to Halcyone a great miracle was then vouchsafed, for from out of her snowy shoulders grew snow-white pinions, and with them she skimmed over the waves until she reached the rigid body of Ceyx, drifting, a helpless burden for the conquering waves, in with the swift-flowing tide. As she flew, she uttered cries of love and of longing, but only strange raucous cries came from the throat that had once only made music. And when she reached the body of Ceyx and would fain have kissed his marble lips, Halcyone found that no longer were her own lips like the petals of a fair red rose warmed by the sun. For the gods had heard her prayer, and her horny beak seemed to the watchers on the shore to be fiercely tearing at the face of him who had been king of Thessaly.

A GREY COLD MORNING FOUND HER ON THE SEASHORE

Yet the gods were not merciless—or, perhaps, the love of Halcyone was an all-conquering love. For asthe soul of Halcyone had passed into the body of a white-winged sea-bird, so also passed the soul of her husband the king. And for evermore Halcyone and her mate, known as the Halcyon birds, defied the storm and tempest, and proudly breasted, side by side, the angriest waves of the raging seas.

To them, too, did the gods grant a boon: that, for seven days before the shortest day of the year, and for seven days after it, there should reign over the sea a great calm in which Halcyone, in her floating nest, should hatch her young. And to those days of calm and sunshine, the name of the Halcyon Days was given.

And still, as a storm approaches, the white-winged birds come flying inland with shrill cries of warning to the mariners whose ships they pass in their flight.

“Ceyx!” they cry. “Remember Ceyx!”

And hastily the fishermen fill their sails, and the smacks drive homeward to the haven where the blue smoke curls upwards from the chimneys of their homesteads, and where the red poppies are nodding sleepily amongst the yellow corn.

Note.—The kingfisher is commonly known as the real “Halcyon” bird. Of it Socrates says: “The bird is not great, but it has received great honour from the gods because of its lovingness; for while it is making its nest, all the world has the happy days which it calls halcyonidæ, excelling all others in their calmness.”

“... Every sound is sweet;Myriads of rivers hurrying thro’ the lawn,The moan of doves in immemorial elms,And murmuring of innumerable bees.”

Tennyson.

In the fragrance of the blossom of the limes the bees are gleaning a luscious harvest. Their busy humming sounds like the surf on a reef heard from very far away, and would almost lull to sleep those who lazily, drowsily spend the sunny summer afternoon in the shadow of the trees. That line of bee-hives by the sweet-pea hedge shows where they store their treasure that men may rob them of it, but out on the uplands where the heather is purple, the wild bees hum in and out of the honey-laden bells and carry home their spoils to their own free fastnesses, from which none can drive them unless there comes a foray against them from the brown men of the moors.

How many of us who watch their ardent labours know the story of Aristæus—he who first brought the art of bee-keeping to perfection in his own dear land of Greece, and whose followers are those men in veils of blue and green, that motley throng who beat fire-irons and create a hideous clamour in order that the queen bee and her excited followers may be checked in theirperilous voyagings and beguiled to swarm in the sanctuary of a hive.

Aristæus was a shepherd, the son of Cyrene, a water nymph, and to him there had come one day, as he listened to the wild bees humming amongst the wild thyme, the great thought that he might conquer these busy workers and make their toil his gain. He knew that hollow trees or a hole in a rock were used as the storage houses of their treasure, and so the wily shepherd lad provided for them the homes he knew that they would covet, and near them placed all the food that they most desired. Soon Aristæus became noted as a tamer of bees, and even in Olympus they spoke of his honey as a thing that was food for the gods. All might have gone well with Aristæus had there not come for him the fateful day when he saw the beautiful Eurydice and to her lost his heart. She fled before the fiery protestations of his love, and trod upon the serpent whose bite brought her down to the Shades. The gods were angry with Aristæus, and as punishment they slew his bees. His hives stood empty and silent, and no more did “the murmuring of innumerable bees” drowse the ears of the herds who watched their flocks cropping the red clover and the asphodel of the meadows.

Underneath the swift-flowing water of a deep river, the nymph who was the mother of Aristæus sat on her throne. Fishes darted round her white feet, and beside her sat her attendants, spinning the fine strong green cords that twine themselves round the throats of those who perish when their arms can no longer fight againstthe force of the rushing current. A nymph sang as she worked, an old, old song, that told one of the old, old tales of man’s weakness and the power of the creatures of water, but above her song those who listened heard a man’s voice, calling loudly and pitifully.

The voice was that of Aristæus, calling aloud for his mother. Then his mother gave command, and the waters of the river rolled asunder and let Aristæus pass down far below to where the fountains of the great rivers lie. A mighty roar of many waters dinned in his ears as the rivers started on the race that was to bring them all at last to their restless haven, the Ocean. To Cyrene he came at length, and to her told his sorrowful tale:

“To men who live their little lives and work and die as I myself—though son of a nymph and of a god—must do,” he said, “I have brought two great gifts, oh my mother. I have taught them that from the grey olives they can reap a priceless harvest, and from me they have learned that the little brown bees that hum in and out of the flowers may be made slaves that bring to them the sweetest riches of which Nature may be robbed.”

“This do I already know, my son,” said Cyrene, and smiled upon Aristæus.

“Yet dost thou not know,” said Aristæus, “the doom that has overtaken my army of busy workers. No longer does there come from my city of bees the boom of many wings and many busy little feet as they fly, swift and strong, hither and thither, to bring backto the hives their honeyed treasure. The comb is empty. The bees are all dead—or, if not dead, they have forsaken me forever.”

Then spoke Cyrene. “Hast heard, my son,” she said, “of Proteus? It is he who herds the flocks of the boundless sea. On days when the South Wind and the North Wind wrestle together, and when the Wind from the East smites the West Wind in shame before him, thou mayst see him raise his snowy head and long white beard above the grey-green waves of the sea, and lash the white-maned, unbridled, fierce sea-horses into fury before him. Proteus only—none but Proteus—can tell thee by what art thou canst win thy bees back once more.”

Then Aristæus with eagerness questioned his mother how he might find Proteus and gain from him the knowledge that he sought, and Cyrene answered: “No matter how piteously thou dost entreat him, never, save by force, wilt thou gain his secret from Proteus. Only if thou canst chain him by guile as he sleeps and hold fast the chains, undaunted by the shapes into which he has the power to change himself, wilt thou win his knowledge from him.”

Then Cyrene sprinkled her son with the nectar of the deathless gods, and in his heart there was born a noble courage and through him a new life seemed to run.

“Lead me now to Proteus, oh my mother!” he said, and Cyrene left her throne and led him to the cave where Proteus, herdsman of the seas, had his dwelling. Behind the seaweed-covered rocks Aristæusconcealed himself, while the nymph used the fleecy clouds for her covering. And when Apollo drove his chariot across the high heavens at noon, and all land and all sea were hot as molten gold, Proteus with his flocks returned to the shade of his great cave by the sobbing sea, and on its sandy floor he stretched himself, and soon lay, his limbs all lax and restful, in the exquisite joy of a dreamless sleep. From behind the rocks Aristæus watched him, and when, at length, he saw that Proteus slept too soundly to wake gently he stepped forward, and on the sleep-drowsed limbs of Proteus fixed the fetters that made him his captive. Then, in joy and pride at having been the undoing of the shepherd of the seas, Aristæus shouted aloud. And Proteus, awaking, swiftly turned himself into a wild boar with white tusks that lusted to thrust themselves into the thighs of Aristæus. But Aristæus, unflinching, kept his firm hold of the chain. Next did he become a tiger, tawny and velvet black, and fierce to devour. And still Aristæus held the chain, and never let his eye fall before the glare of the beast that sought to devour him. A scaly dragon came next, breathing out flames, and yet Aristæus held him. Then came a lion, its yellow pelt scented with the lust of killing, and while Aristæus yet strove against him there came to terrify his listening ears the sound of fire that lapped up and thirstily devoured all things that would stand against it. And ere the crackle of the flames and their great sigh of fierce desire had ceased, there came in his ears the sound of many waters, the booming rush of an angry river in furious flood, theirresistible command of the almighty waves of the sea. Yet still Aristæus held the chains, and at last Proteus took his own shape again, and with a sigh like the sigh of winds and waves on the desolate places where ships become wrecks, and men perish and there is never a human soul to save or to pity them, he spoke to Aristæus.

“Puny one!” he said, “and puny are thy wishes! Because thou didst by thy foolish wooing send the beautiful Eurydice swiftly down to the Shades and break the heart of Orpheus, whose music is the music of the Immortals, the bees that thou hast treasured have left their hives empty and silent. So little are the bees! so great, O Aristæus, the bliss or woe of Orpheus and Eurydice! Yet, because by guile thou hast won the power to gain from me the knowledge that thou dost seek, hearken to me now, Aristæus! Four bulls must thou find—four cows of equal beauty. Then must thou build in a leafy grove four altars, and to Orpheus and Eurydice pay such funeral honours as may allay their resentment. At the end of nine days, when thou hast fulfilled thy pious task, return and see what the gods have sent thee.”

“This will I do most faithfully, O Proteus,” said Aristæus, and gravely loosened the chains and returned to where his mother awaited him, and thence travelled to his own sunny land of Greece.

Most faithfully, as he had said, did Aristæus perform his vow. And when, on the ninth day, he returned to the grove of sacrifice, a sound greeted him which made his heart stop and then go on beating and throbbing asthe heart of a man who has striven valiantly in a great fight and to whom the battle is assured.

For, from the carcase of one of the animals offered for sacrifice, and whose clean white bones now gleamed in the rays of the sun that forced its way through the thick shade of the grove of grey olives, there came the “murmuring of innumerable bees.”

“Out of the eater came forth meat, out of the strong came forth sweetness.”

And Aristæus, a Samson of the old Greek days, rejoiced exceedingly, knowing that his thoughtless sin was pardoned, and that for evermore to him belonged the pride of giving to all men the power of taming bees, the glory of mastering the little brown creatures that pillage from the fragrant, bright-hued flowers their most precious treasure.

“Sacred Goddess, Mother Earth,Thou from whose immortal bosom,Gods, and men, and beasts have birth,Leaf and blade, and bud and blossom,Breathe thine influence most divineOn thine own child, Proserpine.If with mists of evening dewThou dost nourish those young flowersTill they grow, in scent and hue,Fairest children of the hours,Breathe thine influence most divineOn thine own child, Proserpine.”

If with mists of evening dewThou dost nourish those young flowersTill they grow, in scent and hue,Fairest children of the hours,Breathe thine influence most divineOn thine own child, Proserpine.”

Shelley.

The story of Persephone—of Proserpine—is a story of spring. When the sun is warming the bare brown earth, and the pale primroses look up through the snowy blackthorns at a kind, blue sky, almost can we hear the soft wind murmur a name as it gently sways the daffodils and breathes through the honey sweetness of the gold-powdered catkins on the grey willows by the river—“Persephone! Persephone!”

Now once there was a time when there was no spring, neither summer nor autumn, nor chilly winter with its black frosts and cruel gales and brief, dark days. Always was there sunshine and warmth, ever were there flowers and corn and fruit, and nowhere did the flowersgrow with more dazzling colours and more fragrant perfume than in the fair garden of Sicily.

To Demeter, the Earth Mother, was born a daughter more fair than any flower that grew, and ever more dear to her became her child, the lovely Proserpine. By the blue sea, in the Sicilian meadows, Proserpine and the fair nymphs who were her companions spent their happy days. Too short were the days for all their joy, and Demeter made the earth yet fairer than it was that she might bring more gladness to her daughter Proserpine. Each day the blossoms that the nymphs twined into garlands grew more perfect in form and in hue, but from the anemones of royal purple and crimson, and the riotous red of geraniums, Proserpine turned one morning with a cry of gladness, for there stood before her beside a little stream, on one erect, slim stem, a wonderful narcissus, with a hundred blossoms. Her eager hand was stretched out to pluck it, when a sudden black cloud overshadowed the land, and the nymphs, with shrieks of fear, fled swiftly away. And as the cloud descended, there was heard a terrible sound, as of the rushing of many waters or the roll of the heavy wheels of the chariot of one who comes to slay. Then was the earth cleft open, and from it there arose the four coal-black horses of Pluto, neighing aloud in their eagerness, while the dark-browed god urged them on, standing erect in his car of gold.

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