FOOTNOTE:

“‘The coal-black horses rise—they rise,O mother, mother!’ low she cries—Persephone—Persephone!‘O light, light, light!’ she cries, ‘farewell;The coal-black horses wait for me.O shade of shades, where I must dwell,Demeter, mother, far from thee!’”[5]

In cold, strong arms Pluto seized her—in that mighty grasp that will not be denied, and Proserpine wept childish tears as she shivered at his icy touch, and sobbed because she had dropped the flowers she had picked, and had never picked the flower she most desired. While still she saw the fair light of day, the little oddly-shaped rocky hills, the vineyards and olive groves and flowery meadows of Sicily, she did not lose hope. Surely the King of Terrors could not steal one so young, so happy, and so fair. She had only tasted the joy of living, and fain she would drink deeper in the coming years. Her mother must surely save her—her mother who had never yet failed her—her mother, and the gods.

But ruthless as the mower whose scythe cuts down the seeded grass and the half-opened flower and lays them in swathes on the meadow, Pluto drove on. His iron-coloured reins were loose on the black manes of his horses, and he urged them forward by name till the froth flew from their mouths like the foam that the furious surf of the sea drives before it in a storm. Across the bay and along the bank of the river Anapus they galloped, until, at the river head, they came to the pool of Cyane. He smote the water with his trident, and downward into the blackness of darkness his horses passed, and Proserpine knew no more the pleasant light of day.

“What ails her that she comes not home?Demeter seeks her far and wide,And gloomy-browed doth ceaseless roamFrom many a morn till eventide.‘My life, immortal though it be,Is nought,’ she cries, ‘for want of thee,Persephone—Persephone!’”

So, to the great Earth Mother came the pangs that have drawn tears of blood from many a mortal mother’s heart for a child borne off to the Shades.

“‘My life is nought for want of thee,—Persephone! Persephone!’” ...

The cry is borne down through the ages, to echo and re-echo so long as mothers love and Death is still unchained.

Over land and sea, from where Dawn, the rosy-fingered, rises in the East, to where Apollo cools the fiery wheels of his chariot in the waters of far western seas, the goddess sought her daughter. With a black robe over her head and carrying a flaming torch in either hand, for nine dreary days she sought her loved one. And yet, for nine more weary days and nine sleepless nights the goddess, racked by human sorrow, sat in hopeless misery. The hot sun beat upon her by day. By night the silver rays from Diana’s car smote her more gently, and the dew drenched her hair and her black garments and mingled with the saltness of her bitter tears. At the grey dawning of the tenth day her elder daughter, Hecate, stood beside her. Queen of ghosts and shades was she, and to her all dark places of the earth were known.

“Let us go to the Sun God,” said Hecate. “Surelyhe hath seen the god who stole away the little Proserpine. Soon his chariot will drive across the heavens. Come, let us ask him to guide us to the place where she is hidden.”

Thus did they come to the chariot of the glorious Apollo, and standing by the heads of his horses like two grey clouds that bar the passage of the sun, they begged him to tell them the name of him who had stolen fair Proserpine.

“No less a thief was he,” said Apollo, “than Pluto, King of Darkness and robber of Life itself. Mourn not, Demeter. Thy daughter is safe in his keeping. The little nymph who played in the meadows is now Queen of the Shades. Nor does Pluto love her vainly. She is now in love with Death.”

No comfort did the words of the Sun God bring to the longing soul of Demeter. And her wounded heart grew bitter. Because she suffered, others must suffer as well. Because she mourned, all the world must mourn. The fragrant flowers spoke to her only of Persephone, the purple grapes reminded her of a vintage when the white fingers of her child had plucked the fruit. The waving golden grain told her that Persephone was as an ear of wheat that is reaped before its time.

Then upon the earth did there come dearth and drought and barrenness.

“The wheatWas blighted in the ear, the purple grapesBlushed no more on the vines, and all the godsWere sorrowful ...”

Lewis Morris.

Gods and men alike suffered from the sorrow of Demeter. To her, in pity for the barren earth, Zeus sent an embassy, but in vain it came. Merciless was the great Earth Mother, who had been robbed of what she held most dear.

“Give me back my child!” she said. “Gladly I watch the sufferings of men, for no sorrow is as my sorrow. Give me back my child, and the earth shall grow fertile once more.”

Unwillingly Zeus granted the request of Demeter.

“She shall come back,” he said at last, “and with thee dwell on earth forever. Yet only on one condition do I grant thy fond request. Persephone must eat no food through all the time of her sojourn in the realm of Pluto, else must thy beseeching be all in vain.”

Then did Demeter gladly leave Olympus and hasten down to the darkness of the shadowy land that once again she might hold, in her strong mother’s arms, her who had once been her little clinging child.

But in the dark kingdom of Pluto a strange thing had happened. No longer had the pale-faced god, with dark locks, and eyes like the sunless pools of a mountain stream, any terrors for Proserpine. He was strong, and cruel had she thought him, yet now she knew that the touch of his strong, cold hands was a touch of infinite tenderness. When, knowing the fiat of the ruler of Olympus, Pluto gave to his stolen bride a pomegranate, red in heart as the heart of a man, she had taken it from his hand, and, because he willed it, had eaten of the sweet seeds. Then, in truth, it was too late forDemeter to save her child. She “had eaten of Love’s seed” and “changed into another.”

“He takes the cleft pomegranate seeds:‘Love, eat with me this parting day;’Then bids them fetch the coal-black steeds—‘Demeter’s daughter, wouldst away?’The gates of Hades set her free;‘She will return full soon,’ saith he—‘My wife, my wife Persephone.’”

Ingelow.

Dark, dark was the kingdom of Pluto. Its rivers never mirrored a sunbeam, and ever moaned low as an earthly river moans before a coming flood, and the feet that trod the gloomy Cocytus valley were the feet of those who never again would tread on the soft grass and flowers of an earthly meadow. Yet when Demeter had braved all the shadows of Hades, only in part was her end accomplished. In part only was Proserpine now her child, for while half her heart was in the sunshine, rejoicing in the beauties of earth, the other half was with the god who had taken her down to the Land of Darkness and there had won her for his own. Back to the flowery island of Sicily her mother brought her, and the peach trees and the almonds blossomed snowily as she passed. The olives decked themselves with their soft grey leaves, the corn sprang up, green and lush and strong. The lemon and orange groves grew golden with luscious fruit, and all the land was carpeted with flowers. For six months of the year she stayed, and gods and men rejoiced at the bringing back of Proserpine. For six months she left her green and pleasant land for the dark kingdom of him whom she loved, and throughthose months the trees were bare, and the earth chill and brown, and under the earth the flowers hid themselves in fear and awaited the return of the fair daughter of Demeter.

And evermore has she come and gone, and seedtime and harvest have never failed, and the cold, sleeping world has awaked and rejoiced, and heralded with the song of birds, and the bursting of green buds and the blooming of flowers, the resurrection from the dead—the coming of spring.

“Time calls, and ChangeCommands both men and gods, and speeds us onWe know not whither; but the old earth smilesSpring after spring, and the seed bursts againOut of its prison mould, and the dead livesRenew themselves, and rise aloft and soarAnd are transformed, clothing themselves with change,Till the last change be done.”

Lewis Morris.

FOOTNOTE:[5]Jean Ingelow.

[5]Jean Ingelow.

Through the tropic nights their sonorous, bell-like booming can be heard coming up from the marshes, and when they are unseen, the song of the bull-frogs would suggest creatures full of solemn dignity. The croak of their lesser brethren is less impressive, yet there is no escape from it on those evenings when the dragon-flies’ iridescent wings are folded in sleep, and the birds in the branches are still, when the lilies on the pond have closed their golden hearts, and even the late-feeding trout have ceased to plop and to make eddies in the quiet water. “Krroak! krroak! krroak!” they go—“krroak! krroak! krroak!”

It is unceasing, unending. It goes on like the whirr of the wheels of a great clock that can never run down—a melancholy complaint against the hardships of destiny—a raucous protest against things as they are.

This is the story of the frogs that have helped to point the gibes of Aristophanes, the morals of Æsop, and which have always been, more or less, regarded as the low comedians of the animal world.

Latona, or Leto, was the goddess of dark nights, and upon her the mighty Zeus bestowed the doubtful favour of his errant love. Great was the wrath of Hera, his queen, when she found that she was no longer thedearest wife of her omnipotent lord, and with furious upbraidings she banished her rival to earth. And when Latona had reached the place of her exile she found that the vengeful goddess had sworn that she would place her everlasting ban upon anyone, mortal or immortal, who dared to show any kindness or pity to her whose only fault had been that Zeus loved her. From place to place she wandered, an outcast even among men, until, at length, she came to Lycia.

One evening, as the darkness of which she was goddess had just begun to fall, she reached a green and pleasant valley. The soft, cool grass was a delight to her tired feet, and when she saw the silvery gleam of water she rejoiced, for her throat was parched and her lips dry and she was very weary. By the side of this still pond, where the lilies floated, there grew lithe grey willows and fresh green osiers, and these were being cut by a crowd of chattering rustics.

Humbly, for many a rude word and harsh rebuff had the dictum of Hera brought her during her wanderings, Latona went to the edge of the pond, and, kneeling down, was most thankfully about to drink, when the peasants espied her. Roughly and rudely they told her to begone, nor dare to drink unbidden of the clear water beside which their willows grew. Very pitifully Latona looked up in their churlish faces, and her eyes were as the eyes of a doe that the hunters have pressed very hard.

“Surely, good people,” she said, and her voice was sad and low, “water is free to all. Very far have Itravelled, and I am aweary almost to death. Only grant that I dip my lips in the water for one deep draught. Of thy pity grant me this boon, for I perish of thirst.”

Harsh and coarse were the mocking voices that made answer. Coarser still were the jests that they made. Then one, bolder than his fellows, spurned her kneeling figure with his foot, while another brushed before her and stepping into the pond, defiled its clarity by churning up the mud that lay below with his great splay feet.

Loudly the peasants laughed at this merry jest, and they quickly followed his lead, as brainless sheep will follow the one that scrambles through a gap. Soon they were all joyously stamping and dancing in what had so lately been a pellucid pool. The water-lilies and blue forget-me-nots were trodden down, the fish that had their homes under the mossy stones in terror fled away. Only the mud came up, filthy, defiling, and the rustics laughed in loud and foolish laughter to see the havoc they had wrought.

The goddess Latona rose from her knees. No longer did she seem a mere woman, very weary, hungry and athirst, travelled over far. In their surprised eyes she grew to a stature that was as that of the deathless gods. And her eyes were dark as an angry sea at even.

“Shameless ones!” she said, in a voice as the voice of a storm that sweeps destroyingly over forest and mountain. “Ah! shameless ones! Is it thus that thou wouldst defy one who has dwelt on Olympus? Behold from henceforth shalt thou have thy dwellingin the mud of the green-scummed pools, thy homes in the water that thy flat feet have defiled.”

As she spoke, a change, strange and terrible, passed over the forms of the trampling peasants. Their stature shrank. They grew squat and fat. Their hands and feet were webbed, and their grinning mouths became great, sad, gaping openings by which to swallow worms and flies. Green and yellow and brown were their skins, and when they would fain have cried aloud for mercy, from their throats there would come only the “Krroak! krroak! krroak!” that we know so well.

And when, that night, the goddess of darkness was wrapped in peace in the black, silver star bespangled robe that none could take from her, there arose from the pond over which the grey willows hung, weeping, the clamour of a great lamentation. Yet no piteous words were there, only the incessant, harsh complaint of the frogs that we hear in the marshes.

From that time the world went well with Latona. Down to the seashore she came, and when she held out her arms in longing appeal to the Ægean islands that lay like purple flowers strewn, far apart, on a soft carpet of limpid blue, Zeus heard her prayer. He asked Poseidon to send a dolphin to carry the woman he loved to the floating island of Delos, and when she had been borne there in safety, he chained the island with chains of adamant to the golden-sanded floor of the sea.

And on this sanctuary there were born to Latona twin children, thereafter to be amongst the most famedof the deathless gods—the god and goddess, Apollo and Diana.

“... Those hinds that were transformed to frogsRailed at Latona’s twin-born progeny,Which after held the sun and moon in fee.”

Milton.

Yet are there times, as we look at the squat, bronze bodies of the frogs—green-bronze, dark brown spotted, and all flecked with gold, the turned-down corners of their wistful mouths, their very exquisite black velvety eyes with golden rims—when the piteous croaks that come forth from their throats of pale daffodil colour do indeed awake a sympathy with their appeal against the inexorable decrees of destiny.

“We did not know! We did not understand! Pity us! Ah, pity us!Krroak! krroak! krroak!”

In the solitudes of the hills we find her, and yet we may come on her unawares in the din of a noisy city. She will answer us where the waves are lashing themselves against the rugged cliffs of our own British coast, or we may find her where the great yellow pillars of fallen temples lie hot in the sun close to the vivid blue water of the African sea. At nightfall, on the lonely northern moors, she mimics the cry of a wailing bird that calls for its mate, but it is she who prolongs the roll of the great organ in a vast cathedral, she who repeats the rattle and crack and boom of the guns, no matter in what land the war may be raging. In the desolate Australian bush she makes the crash of the falling limb of a dead gum tree go on and on, and tortures the human being who is lost, hopelessly lost, and facing a cruel death, by repeating his despairing calls for help. Through the night, in old country-houses, she sports at will and gives new life to sad old tales of the restless dead who restlessly walk. But she echoes the children’s voices as they play by the seashore or pick primroses in the woods in spring, and when they greet her with laughter, she laughs in merry response. They may fear her when the sun has gone down, and when they are left all alone they begin to dread her mockery. Yet the nymph whosought for love and failed to gain what she sought must surely find some comfort on those bright days of summer and of spring when she gives the little children happiness and they give her their love.

When all the world was young, and nymphs and fauns and dryads dwelt in the forests, there was no nymph more lovely and more gay than she whose name was Echo. Diana would smile on her for her fleetness of foot when she followed her in the chase, and those whom she met in the leafy pathways of the dim, green woods, would pass on smiling at the remembrance of her merry chatter and her tricksy humour.

It was an evil day for Echo when she crossed the path of Hera, queen of the gods. The jealous goddess sought her errant husband, who was amusing himself with some nymphs, and Echo, full of mischievous glee, kept her in talk until the nymphs had fled to safety. Hera was furious indeed when she found out that a frolicsome nymph had dared to play on her such a trick, and ruthlessly she spoke fair Echo’s doom.

“Henceforth,” she said, “the tongue with which thou hast cheated me shall be in bonds. No longer wilt thou have the power to speak in greeting. To the tongues of others shall thy tongue be slave, and from this day until time shall cease thou shalt speak only to repeat the last words that have fallen on thine ears.”

A maimed nymph indeed was Echo then, yet whole in all that matters most, in that her merry heart was still her own. But only for a little while did this endure.

Narcissus, the beautiful son of a nymph and a rivergod, was hunting in a lonely forest one day when Echo saw him pass. To her he seemed more fair than god or man, and once she had seen him she knew that she must gain his love or die. From that day on, she haunted him like his shadow, gliding from tree to tree, nestling down amongst thick fern and undergrowth, motionless as one who stalks a wild thing, watching him afar off while he rested, gladdening her eyes with his beauty. So did she feed her hungering heart, and sought to find contentment by looking on his face each day.

To her at length came a perfect moment when Narcissus was separated from his companions in the chase and, stopping suddenly where the evening sun chequered the pathway of the forest with black and gold, heard the nymph’s soft footfall on the rustling leaves.

“Who’s here?” he called.

“Here!” answered Echo.

Narcissus, peering amongst the trees’ long shadows and seeing no one, called “Come!”

And “Come!” called the glad voice of Echo, while the nymph, with fast-beating heart, felt that her day of happiness had come indeed.

“Why do you shun me?” then called Narcissus.

“Why do you shun me?” Echo repeated.

“Let us join one another,” said the lad, and the simple words seemed turned into song when Echo said them over.

“Let us join one another!” she said, and not Eos herself, as with rosy fingers she turns aside the dark clouds of night, could be fairer than was the nymph asshe pushed aside the leaves of the trackless wood, and ran forward with white arms outstretched to him who was lord of her life.

SHE HAUNTED HIM LIKE HIS SHADOW

With cold eyes and colder heart the one she loved beheld her.

“Away!” he cried, shrinking back as if from something that he hated. “Away!I would rather die than that you should have me!”

“Have me!” cried Echo pitifully, but she pled in vain. Narcissus had no love to give her, and his scorn filled her with shame. Thenceforth in the forest revels she never more was seen, and the nymphs danced gaily as ever, with never a care for her who had faded and gone away as completely as though she were a blossom in the passing of spring. In the solitude of mountain cliffs and caves and rocky places, and in the loneliest depths of the forest, Echo hid her grief, and when the winds blew through the dark branches of the trees at night, moaning and sighing, they could hear far below them the voice of Echo repeating their lamentations. For her, long nights followed hopeless days, and nights and days only told her that her love was all in vain. Then came a night when the winds no longer saw the figure of the nymph, white and frail as a broken flower, crouching close to the rocks they passed over. Grief had slain the body of Echo. Only her voice was left to repeat their mocking laughter, their wistful sighs—only her voice that lives on still though all the old gods are gone, and but few there are who know her story.

Heartwhole and happy, Narcissus, slayer of happiness,went on his way, and other nymphs besides fair Echo suffered from loving him in vain. One nymph, less gentle than Echo, poured the tale of her love that was scorned into the sympathetic ears of the goddess of Love, and implored her to punish Narcissus.

Hot and tired from the chase, Narcissus sought one day a lonely pool in the woods, there to rest and to quench his thirst.

“In some delicious ramble, he had foundA little space, with boughs all woven round;And in the midst of all, a clearer poolThan e’er reflected in its pleasant coolThe blue sky here, and there, serenely peepingThrough tendril wreaths fantastically creeping.”

As he stooped down to drink, a face looked at his through the crystal clear water, and a pair of beautiful eyes met his own. His surprise and joy at the sight of what he felt sure must be the most beautiful creature on earth, was evidently shared by the nymph of the pool, who gazed fearlessly up at him.

Round her head she had a nimbus of curls than which that of Adonis—nay, of the sun-god himself, was not more perfect, while her eyes were like the brown pools of water in a rippling mountain stream, flecked with sunshine, yet with depths untold. When Narcissus smiled at her in rapture, her red lips also parted in a smile. He stretched out his arms towards her, and her arms were stretched to him. Almost trembling in his delight, he slowly stooped to kiss her. Nearer she drew to him, nearer still, but when his mouth would havegiven itself to that other mouth that was formed like the bow of Eros—a thing to slay hearts—only the chilly water of the pool touched his lips, and the thing of his delight vanished away. In passionate disappointment Narcissus waited for her to return, and as soon as the water of the pool grew still, once more he saw her exquisite face gazing wistfully up into his. Passionately he pled with the beautiful creature—spoke of his love—besought her to have pity on him, but although the face in the pool reflected his every look of adoration and of longing, time and again he vainly tried to clasp in his arms what was but the mirrored likeness of himself.

In full measure had the avenging goddess meted out to Narcissus the restless longing of unsatisfied love. By day and by night he haunted the forest pool, and ere long the face that looked back at his was pale as a lily in the dawn. When the moonbeams came straying down through the branches and all the night was still, they found him kneeling by the pool, and the white face that the water mirrored had the eyes of one of the things of the woods to which a huntsman has given a mortal wound. Mortally wounded he truly was, slain, like many another since his day, by a hopeless love for what was in truth but an image, and that an image of his own creation. Even when his shade passed across the dark Stygian river, it stooped over the side of the boat that it might try to catch a glimpse of the beloved one in the inky waters.

Echo and the other nymphs were avenged, yet when they looked on the beautiful dead Narcissus, they werefilled with sorrow, and when they filled the air with their lamentations, most piteously did the voice of Echo repeat each mournful cry. Even the gods were pitiful, and when the nymphs would have burned the body on a funeral pyre which their own fair hands had built for him, they sought it in vain. For the Olympians had turned Narcissus into a white flower, the flower that still bears his name and keeps his memory sweet.

“A lonely flower he spied,A meek and forlorn flower, with naught of pride,Drooping its beauty o’er the watery clearness,To woo its own sad image into nearness;Deaf to light Zephyrus it would not move,But still would seem to droop, to pine, to love.”

Keats.

Fourteen years only have passed since our twentieth century began. In those fourteen years how many a father’s and mother’s heart has bled for the death of gallant sons, greatly-promising, greatly-daring, who have sought to rule the skies? With wings not well enough tried, they have soared dauntlessly aloft, only to add more names to the tragic list of those whose lives have been sacrificed in order that the groping hands of science may become sure, so that in time the sons of men may sail through the heavens as fearlessly as their fathers sailed through the seas.

High overhead we watch the monoplane, the great, swooping thing, like a monster black-winged bird, and our minds travel back to the story of Icarus, who died so many years ago that there are those who say that his story is but a foolish fable, an idle myth.

Dædalus, grandson of a king of Athens, was the greatest artificer of his day. Not only as an architect was he great, but as a sculptor he had the creative power, not only to make men and women and animals that looked alive, but to cause them to move and to be, to all appearances, endowed with life. To him the artificers who followed him owed the invention of the axe, the wedge, the wimble, and the carpenter’s level,and his restless mind was ever busy with new inventions. To his nephew, Talus, or Perdrix, he taught all that he himself knew of all the mechanical arts. Soon it seemed that the nephew, though he might not excel his uncle, equalled Dædalus in his inventive power. As he walked by the seashore, the lad picked up the spine of a fish, and, having pondered its possibilities, he took it home, imitated it in iron, and so invented the saw. A still greater invention followed this. While those who had always thought that there could be none greater than Dædalus were still acclaiming the lad, there came to him the idea of putting two pieces of iron together, connecting them at one end with a rivet, and sharpening both ends, and a pair of compasses was made. Louder still were the acclamations of the people. Surely greater than Dædalus was here. Too much was this for the artist’s jealous spirit.

One day they stood together on the top of the Acropolis, and Dædalus, murder that comes from jealousy in his heart, threw his nephew down. Down, down he fell, knowing well that he was going to meet a cruel death, but Pallas Athené, protectress of all clever craftsmen, came to his rescue. By her Perdrix was turned into the bird that still bears his name, and Dædalus beheld Perdrix, the partridge, rapidly winging his way to the far-off fields. Since then, no partridge has ever built or roosted in a high place, but has nestled in the hedge-roots and amongst the standing corn, and as we mark it we can see that its flight is always low.

For his crime Dædalus was banished from Athens, and in the court of Minos, king of Crete, he founda refuge. He put all his mighty powers at the service of Minos, and for him designed an intricate labyrinth which, like the river Meander, had neither beginning nor ending, but ever returned on itself in hopeless intricacy. Soon he stood high in the favour of the king, but, ever greedy for power, he incurred, by one of his daring inventions, the wrath of Minos. The angry monarch threw him into prison, and imprisoned along with him his son, Icarus. But prison bars and locks did not exist that were strong enough to baffle this master craftsman, and from the tower in which they were shut, Dædalus and his son were not long in making their escape. To escape from Crete was a less easy matter. There were many places in that wild island where it was easy for the father and son to hide, but the subjects of Minos were mostly mariners, and Dædalus knew well that all along the shore they kept watch lest he should make him a boat, hoist on it one of the sails of which he was part inventor, and speed away to safety like a sea-bird driven before the gale. Then did there come to Dædalus, the pioneer of inventions, the great idea that by his skill he might make a way for himself and his son through another element than water. And he laughed aloud in his hiding place amongst the cypresses on the hillside at the thought of how he would baffle the simple sailormen who watched each creek and beach down on the shore. Mockingly, too, did he think of King Minos, who had dared to pit his power against the wits and skill of Dædalus, the mighty craftsman.

Many a Cretan bird was sacrificed before the taskwhich the inventor had set himself was accomplished. In a shady forest on the mountains he fashioned light wooden frames and decked them with feathers, until at length they looked like the pinions of a great eagle, or of a swan that flaps its majestic way from lake to river. Each feather was bound on with wax, and the mechanism of the wings was so perfect a reproduction of that of the wings from which the feathers had been plucked, that on the first day that he fastened them to his back and spread them out, Dædalus found that he could fly even as the bird flew. Two pairs he made; having tested one pair, a second pair was made for Icarus, and, circling round him like a mother bird that teaches her nestlings how to fly, Dædalus, his heart big with the pride of invention, showed Icarus how he might best soar upwards to the sun or dive down to the blue sea far below, and how he might conquer the winds and the air currents of the sky and make them his servants.

That was a joyous day for father and son, for the father had never before drunk deeper of the intoxicating wine of the gods—Success—and for the lad it was all pure joy. Never before had he known freedom and power so utterly glorious. As a little child he had watched the birds fly far away over the blue hills to where the sun was setting, and had longed for wings that he might follow them in their flight. At times, in his dreams, he had known the power, and in his dreaming fancy had risen from the cumbering earth and soared high above the trees and fields on strong pinions that bore him away to the fair land of heart’s desire—to the Islands of the Blessed. But when Sleepleft him and the dreams silently slipped out before the coming of the light of day, and the boy sprang from his couch and eagerly spread his arms as, in his dreams, he had done, he could no longer fly. Disappointment and unsatisfied longing ever came with his waking hours. Now all that had come to an end, and Dædalus was glad and proud as well to watch his son’s joy and his fearless daring. One word of counsel only did he give him.

“Beware, dear son of my heart,” he said, “lest in thy new-found power thou seekest to soar even to the gates of Olympus. For as surely as the scorching rays from the burnished wheels of the chariot of Apollo smite thy wings, the wax that binds on thy feathers will melt, and then will come upon thee and on me woe unutterable.”

In his dreams that night Icarus flew, and when he awoke, fearing to find only the haunting remembrance of a dream, he found his father standing by the side of his bed of soft leaves under the shadowy cypresses, ready to bind on his willing shoulders the great pinions that he had made.

Gentle Dawn, the rosy-fingered, was slowly making her way up from the East when Dædalus and Icarus began their flight. Slowly they went at first, and the goat-herds who tended their flocks on the slopes of Mount Ida looked up in fear when they saw the dark shadows of their wings and marked the monster birds making their way out to sea. From the river beds the waterfowl arose from the reeds, and with great outcry flew with all their swiftness to escape them. And down by the seashore the mariners’ hearts sankwithin them as they watched, believing that a sight so strange must be a portent of disaster. Homewards they went in haste to offer sacrifices on the altars of Poseidon, ruler of the deep.

Samos and Delos were passed on the left and Lebynthos on the right, long ere the sun-god had started on his daily course, and as the mighty wings of Icarus cleft the cold air, the boy’s slim body grew chilled, and he longed for the sun’s rays to turn the waters of the Ægean Sea over which he flew from green-grey into limpid sapphire and emerald and burning gold. Towards Sicily he and his father bent their course, and when they saw the beautiful island afar off lying like a gem in the sea, Apollo made the waves in which it lay, for it a fitting setting. With a cry of joy Icarus marked the sun’s rays paint the chill water, and Apollo looked down at the great white-winged bird, a snowy swan with the face and form of a beautiful boy, who sped exulting onwards, while a clumsier thing, with wings of darker hue, followed less quickly, in the same line of flight. As the god looked, the warmth that radiated from his chariot touched the icy limbs of Icarus as with the caressing touch of gentle, life-giving hands. Not long before, his flight had lagged a little, but now it seemed as if new life was his. Like a bird that wheels and soars and dives as if for lightness of heart, so did Icarus, until each feather of his plumage had a sheen of silver and of gold. Down, down, he darted, so near the water that almost the white-tipped waves caught at his wings as he skimmed over them. Then up, up, up he soared, ever higher, higher still, and when he sawthe radiant sun-god smiling down on him, the warning of Dædalus was forgotten. As he had excelled other lads in foot races, now did Icarus wish to excel the birds themselves. Dædalus he left far behind, and still upwards he mounted. So strong he felt, so fearless was he, that to him it seemed that he could storm Olympus, that he could call to Apollo as he swept past him in his flight, and dare him to race for a wager from the Ægean Sea to where the sun-god’s horses took their nightly rest by the trackless seas of the unknown West.

In terror his father watched him, and as he called to him in a voice of anguished warning that was drowned by the whistling rush of the air currents through the wings of Icarus and the moist whisper of the clouds as through them he cleft a way for himself, there befell the dreaded thing. It seemed as though the strong wings had begun to lose their power. Like a wounded bird Icarus fluttered, lunged sidewise from the straight, clean line of his flight, recovered himself, and fluttered again. And then, like the bird into whose soft breast the sure hand of a mighty archer has driven an arrow, downwards he fell, turning over and yet turning again, downwards, ever downwards, until he fell with a plunge into the sea that still was radiant in shining emerald and translucent blue.

Then did the car of Apollo drive on. His rays had slain one who was too greatly daring, and now they fondled the little white feathers that had fallen from the broken wings and floated on the water like the petals of a torn flower.

On the dead, still face of Icarus they shone, and theyspangled as if with diamonds the wet plumage that still, widespread, bore him up on the waves.

Stricken at heart was Dædalus, but there was no time to lament his son’s untimely end, for even now the black-prowed ships of Minos might be in pursuit. Onward he flew to safety, and in Sicily built a temple to Apollo, and there hung up his wings as a propitiatory offering to the god who had slain his son.

And when grey night came down on that part of the sea that bears the name of Icarus to this day, still there floated the body of the boy whose dreams had come true. For only a little while had he known the exquisite realisation of dreamed-of potentialities, for only a few hours tasted the sweetness of perfect pleasure, and then, by an over-daring flight, had lost it all for ever.

The sorrowing Nereids sang a dirge over him as he was swayed gently hither and thither by the tide, and when the silver stars came out from the dark firmament of heaven and were reflected in the blackness of the sea at night, it was as though a velvet pall, silver-decked in his honour, was spread around the slim white body with its outstretched snowy wings.

So much had he dared—so little accomplished.

Is it not the oft-told tale of those who have followed Icarus? Yet who can say that gallant youth has lived in vain when, as Icarus did, he has breasted the very skies, has flown with fearless heart and soul to the provinces of the deathless gods?—when, even for the space of a few of the heart-beats of Time, he has tasted supreme power—the ecstasy of illimitable happiness?

The sunbeams are basking on the high walls of the old garden—smiling on the fruit that grows red and golden in their warmth. The bees are humming round the bed of purple heliotrope, and drowsily murmuring in the shelter of the soft petals of the blush roses whose sweetness brings back the fragrance of days that are gone. On the old grey sundial the white-winged pigeons sleepily croon as they preen their snowy plumage, and the Madonna lilies hang their heads like a procession of white-robed nuns who dare not look up from telling their beads until the triumphal procession of an all-conquering warrior has gone by. What can they think of that long line of tall yellow flowers by the garden wall, who turn their faces sunwards with an arrogant assurance, and give stare for stare to golden-haired Apollo as he drives his blazing car triumphant through the high heavens?

“Sunflowers” is the name by which we know those flamboyant blossoms which somehow fail so wholly to suggest the story of Clytie, the nymph whose destruction came from a faithful, unrequited love. She was a water-nymph, a timid, gentle being who frequented lonely streams, and bathed where the blue dragon-flies dart across the white water-lilies in pellucid lakes. In the shade of the tall poplar trees and the silverywillows she took her midday rest, and feared the hours when the flowers drooped their heads and the rippling water lost its coolness before the fierce glare of the sun.

But there came a day when, into the dark pool by which she sat, Apollo the Conqueror looked down and mirrored his face. And nevermore did she hide from the golden-haired god who, from the moment when she had seen in the water the picture of his radiant beauty, became the lord and master of her heart and soul. All night she awaited his coming, and the Dawn saw her looking eastward for the first golden gleams from the wheels of his chariot. All day she followed him with her longing gaze, nor did she ever cease to feast her eyes upon his beauty until the last reflection of his radiance had faded from the western sky.

Such devotion might have touched the heart of the sun-god, but he had no wish to own a love for which he had not sought. The nymph’s adoration irked him, nor did pity come as Love’s pale substitute when he marked how, day by day, her face grew whiter and more white, and her lovely form wasted away. For nine days, without food or drink, she kept her shamed vigil. Only one word of love did she crave. Unexacting in the humility of her devotion, she would gratefully have nourished her hungry heart upon one kindly glance. But Apollo, full of scorn and anger, lashed up his fiery steeds as he each day drove past her, nor deigned for her a glance more gentle than that which he threw on the satyrs as they hid in the dense green foliage of the shadowy woods.

Half-mocking, Diana said, “In truth the fair nymph who throws her heart’s treasures at the feet of my golden-locked brother that he may trample on them, is coming to look like a faded flower!” And, as she spoke, the hearts of the other immortal dwellers in Olympus were stirred with pity.

“A flower she shall be!” they said, “and for all time shall she live, in life that is renewed each year when the earth stirs with the quickening of spring. The long summer days shall she spend forever in fearless worship of the god of her love!”

And, as they willed, the nymph passed out of her human form, and took the form of a flower, and evermore—the emblem of constancy—does she gaze with fearless ardour on the face of her love.

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