381 (return)[ Lit. "to" (ila), as before.]
382 (return)[ i.e. the delay.]
383 (return)[ Lit. "he thanked his mother and thought (or made) much of her goodness (istekthera bi-kheiriha, a common modern expression, signifying simply 'he thanked her') for her toil." Burton, "Then he thanked his parent, showing her how her good work had exceeded her toil and travail "]
384 (return)[ Lit. "Wonder took her at this wonder and the decoration." Burton amplifies, "She wondered at the marvellous sight and the glamour of the scene." Me judice, to put it in the vernacular, she simply wondered what the dickens it was all about.]
385 (return)[ Min wectiha. Burton, "And for some time, O my son, I have suspected." See ante, p. 134. {see FN#378}]
386 (return)[ Lit. "fever seized him of his chagrin."]
387 (return)[ Night DL.]
388 (return)[ Lit. "promised me to" (ila), as before.]
389 (return)[ Eshaa; or, if we take the word as pointed with kesreh (i.e. ishaa), we may read, with Burton, "to pass the rest of the evening," though this expression seems to me hardly in character with the general tone of the MS.]
390 (return)[ Musterah.]
391 (return)[ Sic (el gheir).]
392 (return)[ Night DLI.]
393 (return)[ Min doun khiyaneh i.e. without offering her any affront. Burton, "and he did no villain deed."]
394 (return)[ Galland adds, "et passe dans une garde-robe o—il s'etoit deshabille le soir." Something of the kind appears to have dropped out of the present MS.]
395 (return)[ Night DLII.]
396 (return)[ Lit. "with the eye of anger." Ghedseb (anger) and its synonym ghaits are frequently used in the Nights in this sense; see especially Vol. II. of my translation, p. 234, "she smiled a sad smile," lit. a "smile of anger," (twice) and p. 258, "my anguish redoubled," lit. "I redoubled in anger."]
397 (return)[ Wesikh. Burton, "fulsome."]
398 (return)[ Night DLIII.]
399 (return)[ Diri balek an [la]. Burton, "compose thy thoughts. If, etc." See ante, passim.]
400 (return)[ Sic.]
401 (return)[ Kedhebaka.]
402 (return)[ i.e. that which he derived from such an alliance.]
403 (return)[ Lit. "Wretches" (mesakin).]
404 (return)[ Night DLIV.]
405 (return)[ Inketaet (lit. "she was cut or broken") min el khauf. Burton, "She was freed from her fear of the past."]
406 (return)[ Or "honoured" (azlz)]
407 (return)[ i.e. "in my behaviour to thee."]
408 (return)[ Kema akedu min mehebbetika li. Burton, "even as I claim of thee affection for thy child."]
409 (return)[ Night DLV.]
410 (return)[ Hhashaha min el kidhb; lit. "Except her from lying!" Hhasha (which commonly signifies, "Far be it," "God forbid!") is here used in a somewhat unusual manner. The sense seems to be, "God forbid that the Lady Bedrulbudour should be suspected of lying! "]
411 (return)[ Or "shrunken" (kusziret). Burton, "bursten."]
412 (return)[ Or "honoured" (aziz).]
413 (return)[ Night DLVI.]
414 (return)[ Lit. "how [was] the device therein;" i.e how he should do for an expedient thereanent. Burton, "the device whereby he should manage it."]
415 (return)[ Or "called upon" (nedeh).]
416 (return)[ El ashreh [mubeshshereh understood], "the ten [who were rejoiced with glad tidings]," i.e. ten of Mohammed's companions (Abou Bekr, Omar, Othman, Ali, Telheh, Zubeir, Saad ibn Abi Weccas, Abdurrehman ibn Auf, Abou Ubeideh ibnu'l Jerrah and Said ibn Zeid), to whom (and to whom alone) he is said to have promised certain entrance into Paradise. They are accordingly considered to have pre-eminence over the Prophet's other disciples and are consequently often invoked by the less orthodox Muslims as intercessors with him, much after the fashion of the Quatuordecim Adjutores, the Fourteen Helpers [in time of need], (i.e. Saints Catherine, Margaret, Barbara, Pantaleon, Vitus, Eustace, Blase, Gregory, Nicholas, Erasmus, Giles, George, Leonard and Christopher) of Romish hagiology.]
417 (return)[ i.e the marriage of his son to the Sultan's daughter. Burton, "it having been a rare enjoyment to him that he had fallen upon such high good fortune."]
418 (return)[ Lit. "marriage," i.e. "wedding festivities are out of place." The word (zijeh) here used is a dialectic (Syrian) variant of zewaj, marriage. Burton, "we require no delay,"]
419 (return)[ Lit. "the lord (i.e. he) of the suit or claim" (sahibu 'd dewat).]
420 (return)[ Or "inestimable," lit. "might not be measured by (or appraised at) a price or value." Burton, "far beyond his power to pay the price."]
421 (return)[ Lit. "How is the management or contrivance (tedbir) with thee?" i.e. "canst thou suggest to us any expedient?"]
422 (return)[ Night DLVII.]
423 (return)[ Burton adds, "speaking privily."]
424 (return)[ Or perhaps, "we may with impunity rebut," etc.]
425 (return)[ Gherib, lit. a stranger, an exile, but vulg. by extension, a poor, homeless wretch.]
426 (return)[ i.e Alaeddin's mother.]
427 (return)[ Lit. "that day."]
428 (return)[ Fr. "... l'aimable." Lit. "by a way or means" (bi-terikeh). It may be we should read bi [hatheti'll] terikeh, "by [this] means;" but the rendering in the text seems the more probable one, the Sultan meaning that he would thus get rid of Alaeddin's importunity by practice, without open breach of faith or violence.]
429 (return)[ Night DLVIII.]
430 (return)[ Lit. "Burden thyself (prenez la peine) and rise", (kellifi khatiraki, etc., as before).]
431 (return)[ Here szewani (trays) instead of, as before, szuhoun (dishes).]
432 (return)[ Night DLIX.]
433 (return)[ i.e. "look with open eyes"]
434 (return)[ En nuwwab, i.e. those whose turn it was to be on guard.]
435 (return)[ Need (lit. coin), a vulgar Syrian corruption of neket, customary gift of money or otherwhat to a bride on the marriage-day.]
436 (return)[ The whole of the foregoing passage is so confused that I think it well to add here (l) a literal translation, as I read it: "So the Vizier, yea, indeed, he marvelled at the greatness of that wealth more than the Sultan, but envy was killing him and waxed on him more and more when he saw the Sultan that he was satisfied with (or accepted of) the bride-gift and the dowry; however, it was not possible to him that he should gainsay the truth and should say to the Sultan, 'He is not worthy;' only, he practised with a device upon the Sultan so he should not let him give his daughter the Lady Bedrulbudour to Alaeddin, and this [Footnote was] that he said to him, etc,"—and also (2) the version given by Sir K. F. Burton, who takes a different view of the passage: "Then the Minister (although he marvelled at these riches even more than did the Sultan), whose envy was killing him and growing greater hour by hour, seeing his liege lord satisfied with the moneys and the dower and yet being unable to fight against fact, made answer, 'Tis not worthy of her.' Withal he fell to devising a device against the King, that he might withhold the Lady Badr-al-Budur from Alaeddin, and accordingly he continued, etc."]
437 (return)[ Or "in comparison with her" (ent hhedsretuk istatsemet hatha aleiha). This is an ambiguous passage and should perhaps be read, "Thou magnifiest this (i.e. the gift) over her."]
438 (return)[ Night DLX.]
439 (return)[ Lit. "swiftly, the winds overtook her not."]
440 (return)[ Aksen. Burton, "more suitable to thee."]
441 (return)[ Kethir[an]. Burton, "And right soon (Inshallah!) O my daughter, thou shalt have fuller joy with him."]
442 (return)[ Muebbed. Burton, "alone."]
443 (return)[ Sic (kum),]
444 (return)[ Or "commission" (mishwar).]
445 (return)[ Bekia ma bekia hatha shey aleik, lit. "remaineth what remaineth this is a thing upon (or for) thee." Burton, "Happen whatso may happen; the rest is upon thy shoulders." The first bekia is perhaps used in the common colloquial sense of "then."]
446 (return)[ Shekeraha wa istekthera bi-kheiriha. See ante, p. 155, note 3. Burton, "enhancing her kindly service."]
447 (return)[ Surname of the ancient Kings of Persia, vulg. Chosroes.]
448 (return)[ Night DLXI.]
449 (return)[ Lit. "the."]
450 (return)[ Burton, "the costliest of clothes."]
451 (return)[ Generally that of aloes-wood.]
452 (return)[ Quoth Shehrzad to Shehriyar.]
453 (return)[ Yetsunnuhu; quare a clerical error for yentsuruku ("had seen him" )?]
454 (return)[ i.e. male white slaves (memlouk, whence our "mameluke," sing. for plural memalik).]
455 (return)[ Lit. "and let there be with each slave-girl a suit, etc." Burton "And let every handmaid be robed in raiment that befitteth queens wearing." The twelve suits of clothes to be brought by the slave-girls were of course intended for the wearing of Alaeddin's mother; see post, p. 167. {see FN#457 in text}]
456 (return)[ i.e. the genuine Arabs of the unmixed blood.]
457 (return)[ See ante, p. 166, note 2. {see FN#455}]
458 (return)[ Likai telbesa (tetelebbesa?) hiya. Burton, "she should wear."]
459 (return)[ Sic, the meaning seeming to be that kings' sons were out of comparison with Alaeddin, as who should say (in Cockney parlance) "Don't talk to me about kings' sons."]
460 (return)[ Lit. "upon."]
461 (return)[ El kendil el ajib.]
462 (return)[ Syn. "old and young."]
463 (return)[ Night DLXII.]
464 (return)[ Ictedsa an tesmuha li bi, lit. "decided (or demanded) that thou be bountiful to (or grace) me with;" but icledsa is here used in the colloquial sense of "willed, vouchsafed."]
465 (return)[ i.e. that of his tongue, lit. "its bounds or reach" (kheddahu). Burton, "passing all measure."]
466 (return)[ Lit. "acquired, gotten, come by thee" (khetsitu bika).]
467 (return)[ Night DLXIII.]
468 (return)[ Nuweb (properly naubat).]
469 (return)[ Musica.]
470 (return)[ Acamou el fereh el atsim. Burton, "a mighty fine marriage-feast was dispread in the palace."]
471 (return)[ Muashir.]
472 (return)[ Netser.]
473 (return)[ Lit. "but the behoving on me for her service engageth (or enforceth) me to apply myself hereunto."]
474 (return)[ i.e. at thy disposition.]
475 (return)[ Night DLXIV.]
476 (return)[ Tebakhin. Burton, "kitcheners."]
477 (return)[ Keszr.]
478 (return)[ Wa, but quaere au ("or")?]
479 (return)[ Kushk.]
480 (return)[ The description of the famous upper hall with the four-and-twenty windows is one of the most contused and incoherent parts of the Nights and well-nigh defies the efforts of the translator to define the exact nature of the building described by the various and contradictory passages which refer to it. The following is a literal rendering of the above passage: "An upper chamber (keszr) and (or?) a kiosk (kushk, a word explained by a modern Syrian dictionary as meaning '[a building] like a balcony projecting from the level of the rest of the house,' but by others as an isolated building or pavilion erected on the top of a house, i.e. a keszr, in its classical meaning of 'upper chamber,' in which sense Lane indeed gives it as synonymous with the Turkish koushk, variant kushk,) with four-and-twenty estrades (liwan, a raised recess, generally a square-shaped room, large or small, open on the side facing the main saloon), all of it of emeralds and rubies and other jewels, and one estrade its kiosk was not finished." Later on, when the Sultan visits the enchanted palace for the first time, Alaeddin "brought him to the high kiosk and he looked at the belvedere (teyyareh, a square or round erection on the top of a house, either open at the sides or pierced with windows, =our architectural term 'lantern') and its casements (shebabik, pl. of shubbak, a window formed of grating or lattice-work) and their lattices (she"ri for she"rir, pl. of sheriyyeh, a lattice), all wroughten of emeralds and rubies and other than it of precious jewels." The Sultan "goes round in the kiosk" and seeing "the casement (shubbak), which Alaeddin had purposely left defective, without completion," said to the Vizier, "Knowest thou the reason (or cause) of the lack of completion of this casement and its lattices?" (shearihi, or quaere, "[this] lattice," the copyist having probably omitted by mistake the diacritical points over the final ha). Then he asked Alaeddin, "What is the cause that the lattice of yonder kiosk (kushk) is not complete?" The defective part is soon after referred to, no less than four times, as "the lattice of the kiosk" (sheriyyetu 'l kushk), thus showing that, in the writer's mind, kushk, liwan and shubbak were synonymous terms for the common Arab projecting square-sided window, made of latticework, and I have therefore rendered the three words, when they occur in this sense, by our English "oriel," to whose modern meaning (a window that juts out, so as to form a small apartment), they exactly correspond. Again, in the episode of the Maugrabin's brother, the princess shows the latter (disguised as Fatimeh) "the belvedere (teyyarrh) and the kiosk (kushk) of jewels, the which [was] with (i.e. had) the four-and-twenty portals" (mejouz, apparently a Syrian variant of mejaz, lit. a place of passage, but by extension a porch, a gallery, an opening, here (and here only) used by synecdoche for the oriel itself), and the famous roe's egg is proposed to be suspended from "the dome (cubbeh) of the upper chamber" (el keszr el faucaniyy), thus showing that the latter was crowned with a dome or cupola. It is difficult to extricate the author's exact meaning from the above tangle of confused references; but, as far as can be gathered. in the face of the carelessness with which the text treats kushk as synonymous now with keszr or teyyareh and now with liwan or shubbak, it would seem that what is intended to be described is a lofty hall (or sorer), erected on the roof of the palace, whether round or square we cannot tell, but crowned with a dome or cupola and having four-and-twenty deep projecting windows or oriels, the lattice or trellis-work of which latter was formed (instead of the usual wood) of emeralds, rubies and other jewels, strung, we may suppose, upon rods of gold or other metal I have, at the risk of wearying my reader, treated this point at some length, as well because it is an important one as to show the almost insuperable difficulties that beset the. conscientious translator at well-nigh every page of such works as the "Book of the Thousand Nights and One Night."]
481 (return)[ Night DLXV.]
482 (return)[ The text has imar (an inhabited country), an evident mistake for emair (buildings).]
483 (return)[ Night DLXVI.]
484 (return)[ Atsm sekhahu. Burton. "his dignity was enhanced."]
485 (return)[ Or "imitate" (yetemathelou bihi). Burton, "which are such as are served to the kings."]
486 (return)[ Night DLXVII.]
487 (return)[ Wectu 'l asr, i.e. midway between noon and nightfall.]
488 (return)[ Lit. "was broken" (inkeseret).]
489 (return)[ Burton, "with the jerid," but I find no mention of this in the text. The word used (le'ba, lit. "he played") applies to all kinds of martial exercises; it may also mean simply, "caracoling."]
490 (return)[ See ante, p. 167, note 1. {see FN#456}]
491 (return)[ Or "turns" (adwar).]
492 (return)[ El hemmam a sultaniyy el meshhour. Burton, "the royal Hammam (known as the Sult ni)."]
493 (return)[ Muhliyat. Burton, "sugared drinks."]
494 (return)[ Night DLXVIII.]
495 (return)[ Keszriha. Burton, "her bower in the upper story."]
496 (return)[ Lit. "changed the robes (khila) upon her." For the ceremony of displaying (or unveiling) the bride, see my "Book of the Thousand Nights and One Night," Vol. I. pp. 192 et seq., and "Tales from the Arabic," Vol. III. pp. 189 et seq.]
497 (return)[ Meshghoul.]
498 (return)[ Keszr.]
499 (return)[ Szeraya, properly serayeh.]
500 (return)[ i.e. Alexander the Great; see my "Book of the Thousand Nights and One Night," Vol. V. p. 6, note.]
501 (return)[ Night DLXIX.]
502 (return)[ Henahu.]
503 (return)[ Fetour, the slight meal eaten immediately on rising, answering to the French "premier dejeuner," not the "morning-meal" (gheda), eaten towards noon and answering to the French "dejeuner... la fourchette."]
504 (return)[ Gheda.]
505 (return)[ Tekerrum (inf. of V of kerem), lit. "being liberal to any one." here an idiomatic form of assent expressing condescension on the part of a superior. Such at least is the explanation of the late Prof. Dozy; but I should myself incline to read tukremu (second person sing. aorist passive of IV), i.e. "Thou art accorded [that which thou seekest]."]
506 (return)[ Indhehela.]
507 (return)[ Or "upper hall, gallery." Lit. "kiosk." See ante, p.l75, note 4. {see FN#480}]
508 (return)[ Teyyareh. See ante, l.c. The etymology of this word is probably [caah] teyyareh, "a flying [saloon]."]
509 (return)[ Shebabik, pl. of shubbak; see ante, l.c.]
510 (return)[ Sheari, see ante, l.c.]
511 (return)[ Shubbak.]
512 (return)[ Night DLXX.]
513 (return)[ Lit. "kiosk" (kushk); see ante, p. 175, note 4.{see FN#480}]
514 (return)[ Ma lehiket el muallimin (objective for nom. muallimoun, as usual in this text) an.]
515 (return)[ Yebca lika dhikra. Burton, "So shall thy memory endure."]
516 (return)[ Lit. "kiosk."]
517 (return)[ ? (teba'kh).]
518 (return)[ Or "melodious."]
519 (return)[ El kelb el hhezin.]
520 (return)[ i.e. "might not avail unto."]
521 (return)[ Muhlivat, as before; see ante. p. 183, note 2. {see FN#493}]
522 (return)[ Szeraya.]
523 (return)[ Night DLXXI.]
524 (return)[ Sheriyyetu 'l kushk.]
525 (return)[ Lit. "the lattice of the kiosk which (i.e. the lattice) is lacking or imperfect." The adjective (nakiszeh) is put in the feminine, to agree with "lattice" (sheriyyeh), which is femminine, kiosk (kushk) being masculine.]
526 (return)[ Kushk.]
527 (return)[ She"rihi.]
528 (return)[ Et tewashiyy, a term here used for the first time in the present text, where we generally find the Turkish Aga in this sense.]
529 (return)[ Night DLXXII.]
530 (return)[ Lit. "kiosk" (kushk).]
531 (return)[ Fi szerayyetika.]
532 (return)[ Szeraya.]
533 (return)[ Lit. "that I was not lacking in ableness to complete it."]
534 (return)[ Kushk, here used in sense of "belvedere."]
535 (return)[ Or "upper chamber" (keszr).]
536 (return)[ Kushk. From this passage it would seem as if the belvedere actually projected from the side of the upper story or soler (keszr), instead of being built on the roof, lantern-wise, or being (as would appear from earlier passages) identical with the hall itself, but the whole description is as before remarked. so full of incoherence and confusion of terms that it is impossible to reconcile its inconsistencies.]
537 (return)[ Lit. "a brother resembling thee."]
538 (return)[ Lit. "he increased (or exceeded) in the salaries (or allowances) of the poor and the indigent" (zada fi jewanicki 'l fukera wa 'l mesakin). Jewamek is an Arabicized Persian word, here signifying systematic or regular almsgivings.]
539 (return)[ Kull muddeh.]
540 (return)[ Labu 'l andab, lit. "arrow-play."]
541 (return)[ Night DLXXIII.]
542 (return)[ Szerayeh.]
543 (return)[ Keszr.]
544 (return)[ Burton adds, "and confections."]
545 (return)[ Lit. "he set them down the stablest or skilfullest (mustehhkem) setting down."]
546 (return)[ Hherrem, i.e. arranged them, according to the rules of the geomantic art.]
547 (return)[ Netsera jeyyidan fi. Burton, "He firmly established the sequence of."]
548 (return)[ Technical names of the primary and secondary figures. The following account of the geomantic process, as described by Arabic writers de re magicf, is mainly derived from the Mukeddimat or Prolegomena of Abdurrehman ibn Aboubekr Mohammed (better known as Ibn Khaldoun) to his great work of universal history. Those (says he) who seek to discover hidden things and know the future have invented an art which they call tracing or smiting the sand; to wit, they take paper or sand or flour and trace thereon at hazard four rows of points, which operation, three times repeated (i.e. four times performed), gives sixteen rows. These points they eliminate two by two, all but the last (if the number of the points of a row be odd) or the last two (if it be even) of each row, by which means they obtain sixteen points, single or double. These they divide into four figures, each representing the residual points of four lines, set one under another, and these four figures, which are called the mothers or primaries, they place side by side in one line. From these primaries they extract four fresh figures by confronting each point with the corresponding point in the next figure, and counting for each pair a single or double point, according to one of two rules, i.e. (1) setting down a single point for each single point being on the same line with another point, whether single or double, and a double point for. each pair of double points in line with each other, or (2) reckoning a double point for each pair of like points (single or double), corresponding one with another on the same line' and a single point for each, unlike pair. These new figures (as well as those that follow) are called the daughters or secondaries and are placed beside the primaries, by confrontation with which (i,e, 5 with 1, 6 with 2, 7 with 3 and with 4) four fresh figures are obtained after the same fashion and placed side by side below the first eight. From this second row a thirteenth and fourteenth figure are obtained in the same way (confronting 9 with lo and 1 l with 12) and placed beneath them, as a third row. The two new figures, confronted with each other, in like manner, furnish a fifteenth figure, which, being confronted with the first of the primaries, gives a sixteenth and last figure, completing the series. Then (says our author), the geomant proceeds to examine the sixteen figures thus obtained (each of which has its name and its mansion, corresponding to one of the twelve signs of the zodiac or the four cardinal points, as well as its signification, good or bad, and indicates also, in a special way, a certain part of the elemental world) and to note each figure according to its presage of weal or ill; and so, with the aid of an astrological table giving the explanations of the various signs and combinations, according to the nature of the figure, its aspect, influence and temperament (astrologically considered) and the natural object it indicates, a judgment is formed upon the question for a solution of which the operation was undertaken. I may add that the board or table of sand (tekht reml), so frequently mentioned in the Nights, is a shallow box filled with fine sand, carefully levelled, on which the points of the geomantic operation are made with a style of wood or metal. (The name tekht reml is however now commonly applied to a mere board or tablet of wood on which the necessary dots are made with ink or chalk. ) The following scheme of a geomantic operation will show the application of the above rules. Supposing the first haphazard dotting to produce these sixteen rows of points,