INDEXAction,226; Shakespeare and,200,206.Adonis,192.Aesthetic theory,300.Affinities,112,113,114.Alexandra,20.Alexandrines,426.Alidor,387,388,403.All's Well,169.Amaranthe,387.Angelica,108,168.Anthony,244,249,258.Anthony and Cleopatra,193,242.Ariosto, Lodovico, as poet of harmony,45;autobiography,27; character of his love,52;character of his poetry,8,9;circumstances, character and associates,18,22;comedies,23; comparisons with other poets,95;content,13,15; epicity,80; eroticism,26;feeling toward the Estes,60,61;harmony which he attains,94; heart of his heart,29;humanism,37; irony,70,75; Italian poems,25;jealousy,53; Latin poems,24,26; love of harmony,48;love of women as his single passion,20; minor works,67;naturalism, objectivism,76,78,79; need of love,30;negative qualities,21; octaves,71,82;pains taken withOrlando Furioso,30;philosophy,48,65; political sentiments,59;principal accent of his art,46; reflection,75;religious outlook,64; satires,27;Shakespeare compared with,145,154,165;style,69; wisdom of life,15.Art, essence,39,40; for art's sake,10,11,12;futile and material,12; in its idea,35,38;musical character,277; of Shakespeare,274.Artist, end or content,35; poet and,41,44.As You Like It,170,198.Astolfo,109.Attila,344.Attila,419.Augustus,343,344,345,366. Baconian hypothesis,131.Balzac, Honoré de,391.Barnadine,265.Beatrice (Dante's),178.Beatrice and Benedick,170.Beauty,39.Bembo, Pietro,359.Bentivoglio, Hercules,20.Bibbivena, Cardinal,190.Biography, details of poets',133; Shakespeare,157.Boiardo, M. M.,95,97,106,112;Orlando Innamorato,105.Boileau-Despréaux, Nicolas,86.Bolingbroke, Henry St. John,207,208.Brandes, G. M. C,126,127,134Brunello,109.Brunetière, Ferdinand,402.Brutus,248,258,317.Burlesque in Shakespeare,198.Caesar, Julius,249.Calandria,190.Caliban,261.Camilla,343,345.Canello, U. A.,7.Canova, Antonio,36.Cantù, Cesare,7.Carducci, Giosnè,7,10,30.Carlyle, Thomas,302.Cassius,249.Castro, Guillen de,339,346,347,380.Casuistry,390.Catherine (Shakespeare's),168.Cervantes, Saavedra Miguel de,95.Characters, Ariosto's,80,82;Corneille's,410.Chasles, Michel,136.Chateaubriand, F. A. R., on Shakespeare,285.Chimène,382.Chivalry, Ariosto and,13,14,15; poets and poems of,95.Cid,339,340,342,348,380,402,414.Cinna,343,344,355,383,402,414.Cinque Canti,88,90.Cinzio, Giraldi,31,41,87.Classicists,35,37.Claudio,264.Cleopatra,242.Coleridge, S. T., on Shakespeare,174,287,297,303,331.Comedies, Ariosto's,23.Comedy of Errors,189.Comedy of love in Shakespeare,163.Comic,214,216; in Corneille,400.Complexity,222.Concepts in Shakespeare,149,151."Confidential air,"69.Conflict,38,39; in Shakespeare,148,155.Constance, Queen,213.Corday, Charlotte,378.Cordelia,230.Coriolanus,212,218.Coriolanus,294.Corneille, Pierre, basis of tragedies,356; characters,410;critic and defenders,337; deliberative will,366,369,389,390,423;eulogy,358; ideal,362; love,350,369,371,387,388,416,417,418;mechanism of his tragedy,390,397; miscellaneous works,386;monotony,428; politics, personages, history,372,373,375,378;practical passionality and its results,393; rational will,349,351;reputation,337; source of inspiration,376; suppression of life,393;where his poetry lies,408,413,425Cosmic poetry,146.Cressida,180.Criticism, office,146,147;see alsoShakespearean criticism.Curiace,411.Cymbeline,196,199,294.Dante,41,151,156,178,324.Davenant, William,123.Death,178,210,242,263,411,412.De Sanctis, Francesco,10,11,13,21,40,41,82,93,96,339,428.Descartes, René,353,377.Desdemona,238,282,308,316,317.Discord,226,227.Don Quixote,189.Dorchain, Auguste,362.Dream,172.Dualism,42; in Shakespeare,155,287,288.Duty,372; inHamlet,248; inMacbeth,225.Emerson, R. W., on Shakespeare,298.Emilia,401,411.Epicity, Ariosto's,80; Shakespeare's,202,204.Eroticism in Ariosto,26.Ethics, Shakespeare's,155.Eurydice,413.Evil, as perversity inOthello,237; inMacbeth,223.Fagnet, Emile,398,410.Falstaff, Sir John,214,309,317.Fate,424; in Shakespeare,155.Fauriel, C. C,346.Faust84.Ferdinand and Miranda,184,261.Ferrara,21,24,62.Ferrara, Duke of,22.Ferrarese Homer,114.Fiordiligi,55,58,91.Fitton, Mary,123,129,152.Florence,25,96.Form and content, in Shakespeare,274.Fragility,258.France, military spirit,378; misunderstanding of Shakespeare,321.French Shakespeare,404.French theatre,359.Friar Laurence,175.Friendship,57.Furnivall, F. J.,304.Gaillard, G. H., on Corneille,341.Galilei, Galileo,80,98.Garfagnana,21.Garofalo, the Ferrarese,53.German criticism of Shakespeare,139,306,323,325.Gerstenberg, H. W. von,320.Gervinus, G. G.,156,307,308,309,323.Gerusalemme6.God in Shakespeare,143,154,162.Goethe, J. W. von,16,85; on Shakespeare,136,149,331.Goneril,231.Good and evil, tragedy of, in Shakespeare,221.Goodness, inKing Lear,230;inMacbeth,229; in Shakespeare,143,162;material world and,235.Greatness,223.Grillparzer, Franz,318.Gundolf (writer on art),353.Hamlet,193,194,248,314,318.Hamlet,248.Hamlet-Litteratur,313.Harmony, Ariosto as poet of,45; Ariosto's attainment,94;concept,34,48; cosmic,39,42; realisation,69.Harrington, Sir John,21.Harris, Frank,129,134,297.Hazlitt, William, on Shakespeare,142,303.Hegel, G. W. F.,13,174,177,355.Heine, Heinrich, on Shakespearean comedy,166.Henry V,209.Henry Fill,259.Héraclius,412.Herder, J. G. von,302.Hero,211.Historical plays, Shakespeare's,202,293;Shakespeare's, personages,211.Historical romance,205.Historicity, in Shakespeare,156,159.History, Corneille and,375,378; Shakespeare and,206.Horace (Corneille's),411.Horace,342,383,402,414.Hotspur,211,218.Humanists,35,37.Humboldt, K. W. von,43.Hugo, Victor,302.Humour,145.Hyacinth,196,199.Iago,236,316,330.Ideals, in Shakespeare,139.Idyll,187.Imagination,291.Improvisation,189.Indulgence, in Shakespeare,260,263.Innamorato,105.Inspiration,112.Irony, Ariosto's,70,75.Isabella, Ariosto's octaves on the name,93.Italy, Shakespeare's indebtedness to,325.Jacobi,427.Jealousy, Ariosto's,53.Jessica and Lorenzo,180.Jew,216,217.Juliet,175.Julius Caesar,248.Jussurand, J. A. A. J., on Shakespeare,285.Justice,393; in Shakespeare,258.King Lear,230,282,286,295,303.Kings,209,307,374,421.Klein, J. L., on Corneille,340.Knightly romance,62.Kreyssig, Friedrich,307,323.La Bruyère, Jean de,351,364.Lanson, Gustave,362,394,425.Laurence, Friar,175.Lemaître, Jules,362,373.Leopardi, Giacomo,312.Leopold Shakespeare,304.Lessing, G. E.,83; on Corneille,338.Liberty,425.Life, in Corneille,50,351,393;love of life in Shakespeare's characters,263;Shakespeare's sense of,141,147.Literary style,305.Literature in Shakespeare's time,188,192.Logic,396.Love,255; Ariosto's love of woman,20; Ariosto's need,30;character of Ariosto's,52; comedy of, in Shakespeare,163;Corneille,350,369,371,387,388,416,417,418;highest,34;Orlando Furiosomatter,55,56.Ludwig, Otto, on Shakespeare,147,275.Lyricism.SeePoetry.Macbeth,310,315.Macbeth,134,135,222,280.Macbeth, Lady,315.Macduff,281,310.Machiavelli, Niccolô,24,60,79,157,373.Maeterlinck, Maurice,321.Malvolio,169.Mandragolaof Machiavelli,24.Manzoni, Alessandro,16,85; on Shakespeare,161.Marfisa,109.Margutte,102.Marino, Giambattista,191,192,194.Marlowe, Christopher,184,191.Material of theOrlando Furioso,50,52,66.Matrimony,53.Mazzini, Giuseppe, on Shakepeare,296.Measure for Measure,197,264,294.Mechanism, Corneille's,390,397.Medoro,58,78,91.Melodrama,399.Menander,165.Mental presumptions, Shakespeare's,152,157,160.Merchant of Venice,180,217,295.Midsummer Night's Dream,171.Miranda,184,261.Mocedades,339,340.Moderation,292.Monotony, in Corneille,428.Montaigne, M. E.,136,157.Monti, Vincenzo,