Acanthus Foliage,38,263“ Leaf (Greek)264“ “ (Roman)266“ “ (Byzantine)267Romanesque,268Gothic,268Italian Renaissance,279French Renaissance,280Jacobean,280Louis XIV,283Louis XV,284Louis XVI,284Grinling Gibbons,285Adam,286System of the,286Adam, Robert,123Alberti, Leo Battista,76Ancient Pottery,8Animals in Art,331,334“ “ Compound,336Angelo, M.,79Anthemion, The,262Anthemius,45Apathy, Public,8Appliqué,296Appreciation of Design,288Architecture, Egyptian,22Chaldean,25Greek,28Roman,35Byzantine,43Romanesque,49Gothic,59Renaissance, Italian,75“ Florentine,76“ Roman,78“ Venetian,80“ French,85“ in England,88“ Elizabethan,91“ Jacobean,93“ English,102“ Louis XIII,103“ Louis XIV,106“ Louis XV,110“ Later English,113Architectural Drawing,158,363Architectural Features, Abacus, The,173,175,178Arch,20“ Pointed,58“ Decorated,64“ Perpendicular,68“184Arcades,200“ Vaulted,201Architrave,161,164,169,172,211Archivolt, The,186,187Attic, The,208Baluster, The,191Balustrading,193Battlement, The,66Base, The Doric,181“ The Ionic,182“ The Corinthian,183Basement, The,207Buttress, The,59Capital, The Doric,173“ The Ionic,175“ The Corinthian,178Clerestory, The,51,67Column, The,172“ Employment of,194“ Disposition and Spacing of,195Corinthian Order, The,163Cornice,161,164,169,171,209Doric Order, The,161Doors,211Entablature, The Doric,164“ The Ionic,169“ The Corinthian,171Frieze, The,161,164,167,169,171,213,226Impost, The Doric,185“ The Ionic,186“ The Corinthian,187Ionic Order, The,163Keystone, The,187Lintel, The,19Mouldings,61,64,68,97,107“ Profiles,138“ Purpose of,139“ Decoration of,143“ Employment of147Mutule, The,164Order, The,160“ The Doric,161“ The Ionic,163“ The Corinthian,163Pedestal, The, 188Pedestal, The Doric,189“ The Ionic,190“ The Corinthian,190Pediment, The,209Piers,60,184,200,205Pilaster, The,160,199,235Plynth, The,161,181,183,184,188,190,191,193,204,208Rustication,205Subsidiary Order, The,202Superimposed Orders,197,204System of Proportion,159Triforium, The,53,60,67Vault, The,20,36,53“ Treatment of,224Vaulting, Fan,68Volute, The,175Windows,60,213“ Plate Tracery,61“ Tracery of,63,64Art, Interest in,1Definition of,5As an Appeal,5Ethical Side of,14Desire for Novelty in,15Egyptian,23Chaldean,25Greek,33Roman,38Græco-Roman,40Byzantine,45Artistic Phases of Expression,10Aureole, The,340Baluster, The,153,191,246Bank of Ireland,136Base, The Doric,181Base, The Ionic,182“ The Corinthian,183Basement, The,207Battlement, The,66Bazzi Gian Antonio (Sodoma),83Berain, Claude,106“ Jean,106Bernini,80Book Decoration,300Borders,227“ Treatment,233Boule, André Charles,106,109“ Work,298Bramante,78Branching, Types of,273Brunelleschi,76Buttress, The,59Byzantine, Art,45Caduceus, The,342.Cannibalism,336Capital, The,22,50Capital, Doric,173Ionic,175Corinthian,178Carved Work,301Design for,302Ceilings, Jacobean,97Louis XIII,105Louis XIV,108Louis XV,112Treatment of,218Centaur, The,339Chaldean Art,25Chambers, Sir William,136Chambord, Chateau de,86Champleve Enamel,47Chenonceaux, sur Loire,86Chimney-piece, Jacobean,94Chippendale,121Choragic Monument,32Christian Art, Early,46Circle, Symbolic meaning of,340Cipriani,126Clerestory, The,51,67Colour, Symbolism of,345Use of,353Opaque,360Column, The,172Employment of,194Disposition and Spacing of,195Commercial Production,6Intercourse,12Convention,292Accepted,351Cornucopia, The,346Corinthian, Order,163Entablature,171Capital,178Base,184Pedestal,190Impost,187Craft Restriction,256Cressent, Charles,111Cross, The,343Crozier, The,344Crux Ansata,343Customs, Survival of,311Early Burial,322Dance, George,136Decorative, Materials,289Deities, Egyptian,318Deities, Greek and Roman,316Scandinavian,317Pan, 339Delorme, Philibert,87Dentils,146Design, Mental vision in,1Inspired,2Process and material in,2,8Considerations in,3Public demand,3Training in,4Influence in,4,8,12,18Architectural influence in,14Appreciation of,288Structural,363Domes, Byzantine,43Treatment of,224Domestic Conditions,54,72,74Donatello,76Doors, Jacobean,96Proportions and Treatment,211Doric Order,28,161Entablature,164Capital,173Base,181Pedestal,189Impost,185Ecolede Médécine,132Echo,319Egyptian Art,22Enamel, Byzantine,47Endymion,319Enlarging Drawings,360Equipment, Mathematical,365Eurydice,324Evangelists,331Evolute Scroll, The,234,261FarnesePalace,79Fates,318,320Figure Composition,244Filagree Jewellery,258Flowers, in Ornament270Fontainebleau, Palace of,86Forms in the round,245Four Courts, Dublin,136French Renaissance,85Louis XIII,103Louis XIV,106Régence,111Louis XV,110Louis XVI,127Empire,135Frieze, The,226,266Furniture, Egyptian,24Chaldean,27Greek,32Roman,39Middle Age,54Decorated Gothic,66,73Italian Renaissance,84English Renaissance,92Jacobean,98Louis XIII,105Louis XIV,108Louis XV,113English (Dutch Influence)118Queen Anne,120Chippendale,121Lacquered,113,126Painted,126Sheraton,127Louis XVI,133Empire,135Gallo, Antonio San,79Gallo, Giuliano di San,79Gandon, James,136Gems, Symbolism of,345Gibbons, Grinling,114,137,285Gibbs, James,115Giocondo,79Giotto,83Gondouin, Jacques,132Gouthière,133Graces, Christian,329Græco-Roman Art,40Greek Art,28Grimani Palace,80Growth, Consistency in,273HalfFigures in Ornament,278Halo, The,340Hamadryads,339Hampton Court Palace,114Hand, Symbolism of the,341Harpy, The,320,338Hawksmoor, Nicholas,115Hepplewhite,126Heraldry,348Holbein,89Holkham, Norfolk,121Holt, Thomas,91Horse Guards, Whitehall,121Husk Leaf, The,269Impost, Doric,185Ionic,186Corinthian,187Impressionism, Early,10Influence of Material,8,258Political,12,17,71Religious,12,17Commercial,12,17,71Civic, 70Of the Crusades,56Of Fashion,352Inspiration, Belief in,2Intarsia,297Interior treatment, Græco-Roman,39Romanesque Church,51Domestic, Tudor,73Italian Renaissance,83Jacobean,94Louis XIII,104Louis XIV,107Louis, XV,112Wren Period,116Georgian,121Adam,126Louis, XVI,133Walls,216Ceilings,218,221,222Vaults and Domes,224Ionic Order, Greek,32Renaissance,159Proportions of,163Entablature,169Capital,175Base,182Pedestal,190Impost,186Italian Renaissance,75,78,80Jewellery, Filagree,258Jones, Inigo,81,102,137Kauffman, Angelica,126Kent, William,121Lace,297Lacquered Furniture,113,126Lares, Roman,322Leaves, Employment of,275Treatment of,293Lebrun,106Legend,323,333Lepautre,106Limitations, Human,1Lintel, The,19Louvre,80,86Maderno, Carlo,79Madrid, Chateau de,86Magical Qualities, Belief in,325Mainwaring,123Majano, Benedetto da,77Mansart, Jules Hardouin,106Mansion House, London,136Marble, Byzantine use of,47,300Marquetry,298Marot, Daniel,106,109Martyrdom, Symbols of,345Masks,346Mathematical Equipment,365Material in Design,258Mayhew,123Medusa,346Metal Work, Bronze,42Byzantine,47Repoussé,304Cast,306Mounts in Furniture,108,135Methods of Expression,292Micheli, San,80