influence of, on lyrical forms of17th century,90;La Corona,275;Satires,183*.Douglas, G.:Palace of Honour,101*,133*.Dowden, on Shakspere's verse,184.Drama, rime in,184;verse of, characteristic,395.Drayton:Agincourt,86*;Amouret Anacreontic,26*;Idea,273,293;Love's Farewell,292*;Polyolbion,256f.*.Drummond, W.:Sonnet,274*.Dryden:Absalom and Achitophel,56f.*,193f.*;Alexander's Feast,310;All for Love,196,234*;Annus Mirabilis,72*;blank verse of,234f.;Conquest of Granada,196;Evening's Love,40*;heroic couplet of,194f.;his introduction of rimed dramatic verse,196-199;Indian Queen,196;Marriage à la Mode,195f.*,234*;Ode for St. Cecilia's Day, imitated by Young,88;Ode on Mistress Killigrew,309f.*;odes of,310;on heroic stanza,72;on verse of Denham and Waller,188;on verse of Donne,183;Song for St. Cecilia's Day,52f.*,142*.Du Bartas:La Première Semaine,18*.Dunbar:Lament for the Makaris,78*;rime royal of,94;Tua Mariit Wemen,119f.*.Edwards, T., sonnets of,277.Elegiacs (hexameter and pentameter),346,355f.Eleven Pains of Hell,161.Eliot, George:Spanish Gypsy,28*,37*,114*.Elision,59f.Ellis, A. J., on degrees of accent,3,4n.Ellis, R.:Attis,339*;Hymenæus of Catullus,339*;on classical metres,339."End-stopped" lines,19,187-190.Enjambement,19:avoidance of in heroic verse,187,202;in Chaucer,177;in couplets of the romantic poets,208-212;in Milton,233;in Shakspere's verse,223.Etheredge:Comical Revenge,196.Fair Helen(ballad),9*,79*.Farmer's Complaint,14.Feet, as measures of verse,24;combinations and substitutions of,49;names of,24,55f.,408f.Feminine ending,25,33;in Elizabethan blank verse,226-228.Feminine rime,121,128f.Fitzgerald:Rubáiyát,77*.Five-stress verse,174-251;early examples of,175;introduced by Chaucer,177.Fletcher, G.:Lycia,273.Fletcher, J., blank verse of,226-228;couplets of,210;Faithful Shepherdess,184f.*;Valentinian,225*.Fletcher, J.(andShakspere):Two Noble Kinsmen,85*.Fletcher, J. B., on Spenser,17.Fletcher, P.:Piscatory Eclogues,107*.Foot, significance of the term,24,393-395,406-408.Fortunae rota volvitur,259*.Four-stress verse,151-173.French alexandrine, relation to English,252f.French influence, on stanza forms,63,82f.,110.French lyrical forms, imitation of,358-385.French verse, decasyllabic,177f.;influence on heroic couplet,187,190;perfect rime in,121n.;regular cesura in,17,18;influence on octosyllabic couplet,154,160f.,163n.French words, accent of,11.Frere, J. H.:Monks and the Giants,100*.Froissart,358.Galliambic verse,339.Gammer Gurton's Needle,133*,157*.Gascoigne:Notes of Instructioncited,17,94n.,265,291n.;Steel Glass,18*,218.Gascoigne(andKinwelmarshe):Jocasta,218.Gay, J.:Fables,168f.*.Genesis and Exodus,162*.German hexameters, influence of,345,349.Germanic verse, alliteration in,116f.;avoidance of syllable-counting in,151;irregular time-intervals in,12.Glover:Leonidas,238.Godric (St.):Sainte Marie,126*;verse of,161.God Ureisun,118*.Goethe, hexameters of,345,349;his view of metre in the drama,418n.Goldsmith:Deserted Village,204*;Essay on Versification,336;on blank verse,205;Retaliation,39*.Gollancz, I., on the stanza ofThe Pearl,109.Goodell, T. G.:Quantity in English Verse,406.Gosse, E.:After Anyte of Tegea,370*;Ballad of Dead Cities,364*;on Cowleyan ode,309;on decadent blank verse,230;on Dryden's blank verse,235;on heroic stanza,73;on ode,298;on rime in the drama,197;on sonnet of Walsh,277;on verse of Denham,192;on verse of Goldsmith,204;on verse of Oldham,193;on verse of Parnell,168;on verse of Swift,170;on verse of Waller and contemporaries,189,190,191n.;Praise of Dionysus,368;Sestina,384f.*;Villanelle,379f.*.Gower, ballades of,362;Confessio Amantis,165*;couplets of,166.Grace of God,71*.Graunson, French ballades of,362.Gray:Bard,307;Elegy in a Churchyard,72*;on verse of Dryden,194;Progress of Poesy,306f.*;Sonnet on West,295f.*.Greek ode, imitated in English,300,323-328.Greene:Morando,219.Grein, on Riming Poem,126n.Grimald:Death of Zoroas,218.Grimm, on rime,124.Guest, on Poulter's Measure,265;on significance of sounds,136.Gummere, F. B., on early English five-stress verse,180;on rhythm in poetry,433-436.GURNEY, E., on Browning's rimes,129f.;on the function of metre in poetry,427-429.Hall, J.:Virgidemiarum,182*,343*.Hammond, J.:Love Elegies,73.Harvey, G., influence on imitation of classical metres,332f.Havelok the Dane,164*.Hawes, rime royal of,94.Hawtrey, hexameter of,351,352*,354.Hazlitt, W., on verse-form in poetry,423-425.Hegel, on metre in poetry,427.Heliand,124.Henley, W. E.:Easy is the Triolet,381*;Villanelle,378f.*;Ways of Death,370f.*;What is to Come,375*.Herbert, G.:Gifts of God,90*;Sonnet on Sin,295*.Herder, on rime,123.Herenc:Doctrinal,252.Herford, on verse of Leigh Hunt,208.Heroic couplet (see Decasyllabic couplet).Heroic stanza,71-73.Herrick:His Poetry his Pillar,27*;His Recantation,26*;Thanksgiving to God,90*;To Julia,64*;To the Lark,26*;Upon his Departure,25*.Hexameter (dactylic),340-356.Hildebrandlied,124,152.Hill, A.:Praise of Blank Verse,239n.*.Hobbes:Homer,73.Holmes, O. W.:Chambered Nautilus,108*;on heroic couplet,203n.Homœoteleuton, relation to rime,125.Hood, T.:Bridge of Sighs,30*,130*.Horace, stanza of, imitated,77.Horatian ode,298.Hudibrastic couplet,167.Hugo, V., pantoums of,386.Hunt, L., on Coleridge's verse,16n.;on sonnets of Bowles,278;on sonnets of Drummond,274;on verse-form in poetry,425f.;Story of Rimini,207f.*;The Fish to the Man,283*;Wealth and Womanhood,266*.Hymn to the Virgin("Blessed beo thu"),260*;("Of on that is"),87*.Hypermetrical syllables,58-60.Iambic verse, one-stress,25;two-stress,26f.;three-stress,32f.;four-stress,160-173;five-stress,174-251;six-stress,252-258;seven-stress,44f.,260-264;eight-stress,46.Iambus,24;substituted for trisyllabic foot,60.Inclusive rime,74-76.Ingelow, J.:Give us Love and Give us Peace,49*.In Memoriamstanza,76.Inversion of accent,7,8,55,56,57f.Italian sonnet,267-271.Italian verse, influence on Chaucer,178f.;rimes in,130;terza rimaderived from,65.James I.(of England):Reulis and Cauteliscited,94n.,120,157n.James I.(of Scotland):King's Quhair,93*.Jesu for thi muchele miht,111*.Johnson, S.:London,205;on blank verse,205;on Cowleyan ode,308f.;on Dryden's Killigrew Ode,310;on tone-color,137;on verse-form in poetry,417;Vanity of Human Wishes,205.Jonson, B.:Elegy,74*;Epigrams,185*;Epitaph,92*;Epitaph on Salathiel Pavey,71*;Fit of Rhyme against Rhyme,123;influence on classical school of verse,186;Pindaric Ode,299f.*;Sad Shepherd,225;Sejanus,224*.Judas,254.Kawczynski, on alliteration,117;on origin of alexandrine,252.Keats:Chapman's Homer,282;Endymion,209*;Eve of St. Agnes,105*;Grasshopper and Cricket,282*;Hyperion,242*;Isabella,100*;Lamia,8*;Mermaid Tavern,38*;Ode to Psyche,143*;Sonnets of,282;Sonnet to Haydon,22*.Kent, A. J., on verse of Leigh Hunt,208f.King Horn,154*.Kingsley, C.:Andromeda,354*.Kipling, R.:Last Chantey,21f.*;Mulholland's Contract,65*;Song of the English,49*;Wolcott Balestier,44f.*.Kittredge, G. L., on French decasyllabic couplet,178.Lachmann, on Anglo-Saxon verse,151f.Landor:Children Playing in a Churchyard,64*;English Hexameters,353*;on Milton's sonnets,276.Lang, A.:Ballade of Primitive Man,365f.*;Ballades of Blue China,363,365,366;on Pope,202f.Langland:Piers Plowman,119*.Langtoft, P. de, Chronicle of,82.Lanier, S.:Ballad of Trees and the Master,131*;his theory of English verse,391-393,400;Science of English Versecited,21,49.Larminie, W., on assonance,115;on quantity in English,399;on rime,123.Latinseptenarius,259;relation to ballad metre,264.Latin verse, influence on octosyllabic couplet,160f.;influence on stanza,63;rime in,124f.;used with Anglo-Saxon,153.Layamon:Brut,118*,127*;verse of,119.Lays, four-stress couplet in,164f.Le Gallienne, R., irregular verse of, burlesqued,329n.Legend-Cycle,255.Legouis, E., on Spenser's verse,17.Lenten ys come,111*.Lentzner, on the sonnet,268,286,287.Leonine rime,132.Lewis, C. M., on octosyllabic couplet,160f.;on sources of Chaucer's verse,179.Liddell, M., his theories of English verse,394f.,401n.,407.Lindsay, D.:Satyre of the Three Estates,85*.Little Soth Sermun,261.Lloyd, R.,verses against blank verse,239n.*.Lodge:Phyllis,273.Lok, sonnets of,273.Longfellow:Evangeline,348*;Golden Legend,48*,51*;hexameters of,348f.,355;Hiawatha,37*,408;Maidenhood,64*;Saga of King Olaf,30f.*;Sonnets on Divina Commedia,289*.Love in Idleness, pantoum from,386-388*.Lowell:Commemoration Ode,317*;on Gray'sProgress of Poesy,307;on Spenserian stanza,103.Luick, on revival of alliterative verse,156.Lutel wot hit anymon,174f.*.Lydgate, rime royal of,94.Lyly:Woman in the Moon,219.Lyrical verse characteristic,395.Lyrics, complex measures of early English,110f.Macaulay, G. C., on verse of Fletcher,227n.Macdonald, G.:Triolet,383*.Machault,178,358.Malaysian verse, pantoum derived from,386.Malherbe, influence on heroic verse,187.Manning, R.:Chronicle,82*,254*;