Handlying Synne,163*;simplifying of French metrical forms by,82f.Marlowe, blank verse of,221;couplets of,210;Faustus,57*,219f.*;Hero and Leander,181*,190;Jew of Malta,139*;Tamburlaine,219*.Marriage of Wit and Science,255f.*.Mason, W., sonnets of,277.Massinger, blank verse of,230;New Way to Pay Old Debts,229*.Masson, on Milton's tailed sonnet,276.Mayor, J. B.:Chapters on English Metrecited,409;on Browning's blank verse,249;on Ellis's view of accent,4n.;on substitutions of feet,60.Meredith, G.:Phaëthon,339.Metre, its place and function in poetry,413-436.Metrical romances, tail-rime in,84.Meyer, C. F., on rime,123,124.Middleton, blank verse of,228;Changeling,227*.Mill, J. S., on rhythm in poetry,433.Milton:At a Solemn Music,329;blank verse of,232f.;Il Penseroso,166f.*;L'Allegro,38*;Lycidas,99*,142*;Nativity Ode,33*,107*;On his Blindness,275*;On Time,329;Paradise Lost,4*,7*,15*,57*,58*,59*,140*,141*,230f.*;Passion,94;Psalm II.,66*;Psalm VI.,74*;Samson Agonistes,231f.*,323-325*;Sonnet on Piedmont Massacre,141*;sonnets of,276.Minot, L.:Battle of Halidon Hill,96*.Misfortunes of Arthur,219.Mitchell, S. Weir:Psalm of the Waters,36*.Molza, Francesco,216."Monk's Talestanza,"97.Monologue d'outre Tombe,386*.Moody, W. V.:Menagerie,91*;Ode in Time of Hesitation,321-323*.Moore, T.:Believe me, if all those endearing young charms,40*;Down in yon Summervale,121n.*;Go Where Glory Waits Thee,33f.*.Morris, R., on early octosyllabic verse,162.Morris, W.:Earthly Paradise,93f.*,173*;Fair Spring Morning,329;Folk-Mote by the River,159*;Jason,213*.Moulton, R. G., on Browning'sCaliban,32.Mousset, classical metres of,331.Music, its relation to verse,391-396,407n.,413f.,434-436.Must I be Carried to the Skies,262*.Mystery plays, verse of,94f.,112,265.Nash, T., on English hexameters,342;Preface toMenaphon,215.Ne mai no lewed, etc.,109f.*.Newcomer, A. G., on wrenched accent,10.Newman, metre of hisIliadtranslation,262.Norden, on rime,125.Norse verse, influence on Anglo-Saxon,126;stanza in,63.Nutbrowne Maide(ballad),132*.Occleve, rime royal of,94.Octosyllabic couplet,160-173.Ode (The),298-329.Oldham, J.:Satires upon the Jesuits,192*.Onomatopœia,135f.Ormulum,260*.O'shaughnessy, A.:Fountain of Tears,36*.Otfried, verse of,123,124.Ottava rima,98-101;possible source of sonnet,267.Otway:Venice Preserved,235*.Owl and the Nightingale,162*.Pantoum,385-388.Paris, G., on Machault,178.Parnell:Night-Piece on Death,168*.Passerat, J.:Villanelle,377*.Passion of our Lord,254.Pater Noster,161*.Patience,155*.Patmore:Amelia,319n.*;Ode,318*;on the ode,319;Unknown Eros,319.Pauses,16-23;varied to preserve metrical time,404f.Payne, J., virelai of,385.Peacock, T. L.:Misfortunes of Elphin,33*.Pearl, The,109*.Peck, S. M.:Under the Rose,382*.Peele:Arraignment of Paris,218*.Petrarca:Sonnet,271*.Phalæcian verse,331,338.Philips, J.:Cider,238.Phillips, S.:Marpessa,251;Paolo and Francesca,250f.*.Phœnix,153*.Pindaric ode,298,299-307.Pitch-accent, so-called,5f.Pitt, W.,131n.Poe:Lenore,134*;on English hexameter,349;Rationale of Verse,392;Raven,47*.Poema Morale,127*,260.Pope, A.:Essay on Criticism,12*,57*,142*,199f.*;Iliad,200f.*;on verse of Denham and Waller,188;on verse of Dryden,194;rules of verse,201f.;Solitude,27*.Poulter's Measure,255,265f.Pre-Raphaelites,10.Preservation of King Henry VII.,343.Prior:Better Answer,39*.Provençal, lyrical forms of,358,383.Puttenham, G.:Arte of English Poesiecited,8n.,18,94n.,334n.Pyrrhic,49,55,56.Quantity in English,391-406;in English verse,330,332f.,338,354f.,356,357.Quatrains,69-77.Quinque Gaudia,85*.Raleigh, W.:Pilgrim to Pilgrim,35*.Ranchin:Triolet,381*.Read, T. B.:Drifting,88*.Refrain stanzas,78-90.Regulae de Rhythmis,81*.Rhythm, arts of, 413 f.;change of,53-55,61.Rhythmus, meaning of,124.Rich, B.:Don Simonides,219.Rieger, on rime in Anglo-Saxon,126n.Rime,113,121-135;as organizer of stanza,63;broken,131f.;defended by Daniel,336n.;feminine,121,128f.;functions of,122;imperfect,122n.;in Butler'sHudibras,167f.;in drama,196-199;internal,132-135(in ballads,70;in Middle English alexandrines,255;in septenary,259-261);objections to,122f.;origin of,123-125;suspected by classicists,214,232,330;triple,121,128-131.Rime couée,80-86;in French,81;in Latin,80f.Rime royal,93f.;in Chaucer'sBalade,361.Riming Poem(Anglo-Saxon),125f.*.Robert of Gloucester:Chronicle,265.Robertson, J. M., his theories of English verse,24n.,392-394,400,403.Robin Hood(ballad),70*,263*.Roland, Chanson de,113f.*.Romance languages, assonance in,113.Romance metres, regular time-intervals in,12,14n.Rondeau,368,371-376.Rondel,368-371.Rossetti:Ballad of Dead Ladies,362f.*;Blessed Damozel,7*;House of Life,284*,285*;Love's Nocturn,146*;My Sister's Sleep,75*;on Drayton's sonnet,293;Penumbra,135*;Rose Mary,91*;Sister Helen,80*;sonnets of,285;Sunset Wings,89*;To Death(rondeau),374*;Willowwood,9*.Roundel, in Chaucer,369;Swinburne's form of,376.Rowlands, S., verse of,190."Run-on" lines,19(see alsoEnjambement).Russell, T., sonnets of,277.Sackville:Mirror for Magistrates,94.Sackville(andNorton):Gorboduc,217*.Saintsbury, on alexandrine,258f.;on Blair,237;on Dryden's couplet,194f.;on Dryden's dactyls,40;on heroic stanza,73;on Shenstone,35f.;on Thomson,238.Sandys, G., heroic couplets of,189f.,191;influence on Pope's verse,201;Metamorphoses,191*;Paraphrase of Luke,63*.Satire, heroic couplet in,181,182,183,206.Satire on People of Kildare,91*.Scandinavian verse, influence in England,126.Schelling, F. E., on Campion's classical metres,335f.;on influence of Jonson's verse,186;on Raleigh's anapests,35.Schiller, elegiac distich of,346;on rhythm in the drama,433.Schipper, on accent,3;on Anglo-Saxon alliteration,117;on early imitation of classical verse,330f.;on Layamon,119;on the octosyllabic couplet,161;on Poulter's Measure,265;on rime,123-125;on rime in Cynewulf,126n.;on rime royal,94;onRiming Poem,126;on Romance stanza-forms,110f.;on the sonnet,270;on the stanza,62;on tumbling verse,158n.;on types of alexandrine,255;on "unaccented rime,"121n.Schlegel., A. W., on tone-color,137.Schröer, on early blank verse,218.Scollard, C.:Villanelle,380*.Scott, W.:Hunting Song,13*;Lady of the Lake,29*,172*.Scottish Field(ballad),120f.*.Scottish verse, alliteration in,120.Sdruciolla,215.Seaman, O.:Battle of the Bays,329n.*.Septenary,259-264;in drama,218;internal rime in,132;mingled with alexandrine,252,253f.,261,265;unrimed,260,262.Serafino:Strambotti,272.Sestina,383-385.Shakspere:As You Like It,57*;blank verse of,223f.;Henry V.,140*;heroic verse of,184;It was a lover, etc.,9*;Julius Cæsar,58*;King John,20*;Love's Labor's Lost,38*,183f.*;Macbeth,20*;Measure for Measure,20*,222*;Merchant of Venice,57*;Midsummer Night's Dream,26*,31*,139*;Much Ado,215;Phœnix and the Turtle,63*,74*;Rape of Lucrece,93*;Richard II.,20*;Romeo and Juliet,7*,57*;Sonnets,293*,294*;sonnets of,294f.;Tempest,37*,222f.*;Troilus and Cressida,138*;Twelfth Night,51f.*;Two Gentlemen of Verona,221*;Venus and Adonis,92*.Shakspere(andFletcher):Two Noble Kinsmen,85*.Sharp, W., on the sonnet,268n.Shelley:Adonais,105f.*;Alastor,243*;Arethusa,28*;Epipsychidion,210*;Flight of Love,50f.*;heroic verse of,210;Ode to Naples,314f.*;Ode to West Wind,66f.*;Ozymandias,281f.*;Queen Mab,329;Sensitive Plant,69*;sonnets of,282;To a Skylark,34*;use of Spenserian stanza,106;view of verse-form in poetry,422f.Shenstone, heroic stanza of,73;Pastoral Ballad,35*;Schoolmistress,104.Sherman, F. D.:Ballade to Austin Dobson,366f.*.Sidney:Anacreontics,332*;Asclepiadics,331*;Astrophel and Stella,74*,77*,256*,272*,273*,291*;Dorus and Zelmane,340f.*;hexameters of,341;Mopsa,266*;Phaleuciakes,331*;Psalm VIII.,69*;sonnets of,273;Thyrsis and Dorus,65f.*;view of verse-form in poetry,416f.Sievers, on Anglo-Saxon verse,152f.;on stanzaic and stichic verse,63.Sir Fyrumbras,261*.Sir Gawain and the Green Knight,109,155f.*.Skalagrimsson, Egil,126.Skeat, on sources of Chaucer's couplet,178;theory of English verse,394n.Skelton:Colyn Cloute,32*;rime royal of,94.Song of Songs(French version),81*.Sonnet,267-297;bipartite structure of,268,270,280,282,285,286,290,293;English form of,290;Italian form of,270;