Devon,261Endymion,167-8& n.British Critic, onEndymion, and on theLamiavolume,474British Institution, pictures seen by Keats at,78,231,464British Museum, art treasures in, Keats’s knowledge of, and inspiration from,66,78,231-2,416Broadmayne, Dorset, the Keatses of,4Brougham, Lord, challenge of, to the Lowthers,272Support given by, to Hunt,43Brown, Charles, attitude of, to George Keats,529,530and Dilke, relations between,381-2,530Fairy tales, satiric, by,381-2,444Friendship of with Keats,141,142,159,535Biographical designs of,529,530Scottish walking tour with Keats,268,271,272et sqq.;Diariesof,cited,273& n.Keats’s life with,320et sqq.Collaboration in writing,295,357,359,364,376,440et sqq.,553-6Keats’s (temporary) indignation against,465Loan by, to Keats,357,373Second tour of in Scotland,462; leading to absence at Keats’s departure for Italy,487,488,491Letters to, from Keats,371et sqq.,464,491-2,500,504-5Satiric verses on, by Keats,345Keats’s poems transcribed by,494n.,496& n.Later life in Italy, and death in New Zealand,522-31on Fanny Brawne and her love for Keats,514; and on her grief at his death,515on the cause of Keats’s illness,516,517,522on the influence of theFaerie Queeneon Keats,20on the Ireby dancing-school,277on Keats’s first sight of Windermere,273-4on Keats’s state of mind and health (Oct. 1819),375et sqq.; on the fatal chill,284; on Keats as invalid,456on the writing of theOde to a Nightingale,353-4& n.Browne, William, of Tavistock, works of (see alsoBritannia’s Pastoral), Keats’s familiarity with,21; as affecting his style,93,109,124Browning, Elizabeth Barrett, tribute of to Keats,539-40Browning, Robert, inspiration derived by from gift of poems of Keats and Shelley,526Rossetti’s enthusiasm for,538Slow sale of hisBells and Pomegranatesseries,528Bulletin and Review of the Keats-Shelley Memorial(Morris),510n.Burford Bridge Inn, Keats’s stay at,152-3,158,162,242Endymionfinished at,158,161-3Burnet’sHistory of his Own Time, influence of, on Keats,14Burney, Fanny,159n.Burns, Robert, an English,seeClareKeats on,282,283-4Burton, Robert (see Anatomy of Melancholy), and the legend of St Agnes’ Eve,396-7Burton-in-Kendal, Keats at,272Byron, LordAllusion to, inHyperion,453Attitude of, toKeats,432,480-1,517,520Hunt,43,47n.,49and the Elgin marbles,60Poems of (see also undernames),49,518Early Influences on, and sources of inspiration,2,268Keats’s appreciation of,31, and sonnet on,91Monetary gains of,82Verse forms used by,108,390Reynolds’s poem dedicated to,74Sovereignty of, as poet,526,537at Shelley’s cremation,521on the effect of the Reviews on Keats,517,520& see315onHyperion,432on Leigh Hunt,47n., and on hisStory of Rimini,49Departure for Italy,522Death of,521Byron’s Collected Works, Prose, on Reynolds in later life,533& n.Calidore(Keats), and itsInduction,34, sentiments, form and metre of,111,122,470Callington, the Keatses of,5Cambridge Students, enthusiasm of forAdonais, and for Keats,520,527,530Campbell, John, of Islay, on the Goylen story,291n.Campbell, Thomas, poet, as editor,473Poems ofHeroic couplet used in,108Jeffrey on,528Hunt on,44Camelford, the Keatses around,5Camperdown, sea fight of, Keats’s uncle in,5Canterbury, effect of on Keats,140Canova, Severn’s introduction to,501Cap and Bells, The; or, The Jealousies(Keats), written with Brown,140,380,470Copying of,376,379Echoes in,87& n.First printed,537Idea inspiring, story, metre, tone, &c.,367,444,447,549Keats’s discontent with,380,381,445& n.Lines on margin of,455Stanzas in, suggestive of Queen Caroline’s arrival,463Carisbrooke,Endymionbegun at,135,161,176n.Carlyle, Thomas, on Hunt, Lamb and Keats,532Caroline, Queen, at Dover,463Caroline poetry, an instance of Keats’s interest in,150Cary’sDante, echoes of, by Keats 400n.1Castle Builder, The(Keats), a fragment,389Castle of Indolence, The(Thomson),28,342‘Cave of Despair,’ Severn’s competition picture,380Cave of Quietude, inEndymion,154Cenci, The(Shelley) gift of by Shelley to Keats,467,485Chaldee MS., the,301-3; Scott on,304Chamberlayne, William, misuse of the Heroic Couplet by,100-1,209n.Champion, The,519; Stage criticisms in, by Keats,242-4Chapman, George,see alsoHomer, Hymn to Apollo, Hymn to Pan, Iliad, OdysseyHeroic couplet used by,98; lines illustrating,99Metre used by, fault in,209Strained rimes of,211Translation of Homer by, as influencing Keats,38et sqq.,124,206,428Character in men of Power, and its absence in men of Genius, Keats on,154Charioteer theme, inSleep and Poetry,117-18,119,198-9Charislyrics (Jonson), metre of,386‘Charmian,’ an East-Indian,318-19,330; Milnes’s error on,535Charles II., Scott’s handling of,45Chartier, Alain, andLa Belle Dame sans Merci,350,469Chatterton, and the Rowley forgeries,106-7; English of, and verse-flow,369; Keats’s admiration for,146-7, and sonnet on,23,91Chaucer, Geoffrey, poems of,186Echoes of, inEve of St Mark,437-8,539Heroic couplet as used in, lines illustrating,93-4Influence on Keats,391Keats’s studies in,341, &see75& n.Landor on,537Morris’ exemplar,539Verse of, as ‘translated’ by Dryden,103-4Cheapside, No. 76, lodging of the Keats brothers,28,134Chichester, Keats at,333Chief of organic numbers(Keats), origin of,257Childe Harold(Byron),21Christabel(Coleridge),121; criticism of, in theEdinburgh Review,299,300; tags from, used by Keats,243Christie, J. H.,310,311; duel of, with Scott, over the ‘Z’ papers,519,526‘Christopher North,’seeWilson‘Christ’s Entry into Jerusalem,’ Haydon’s picture,60,248,250; Keats on,256; private view of, Keats at, various comments; Keats’s head painted in,460-2Christ’s Hospital, Reynolds’s father’s post at,74Church Street, Edmonton, Keats’s home at,9Circe, inEndymion,191et sqq.Clare, John,475& n.Clarendon Press edition of Keats’s poems 1906, frontispiece of,416n.Claret, and Game, Keats on his liking for,340Clark, Sir James, Keats’s doctor in Rome,501,502,503,504,514; kindness of, with his wife, to Keats,506Clarke, Charles Cowden,252,539; Keats’ sonnet on when asleep over Chaucer,75& n.Epistleto (Keats),37-8,113and Hunt, in prison,43-4Relations with Keats,8,12,18,19,20et sqq.,34-5,36,64; introduction by, to Hunt,36, and to Homer’s poems,38et sqq.Keats’s letter to, in Dean St. days,34recollections, on Keats at a bear-baiting,81-2; on Keats’s fight with a butcher boy,343; on Keats at school,13,531-2, and his successes,14; on Keats’s introduction to Leigh Hunt,34-5; on Keats’s power of Self-expression,81; on Keats’s reading Poetry,225-6; on Keats as surgeon’s apprentice,17et sqq., and medical student,28; on Keats’s verse-writing to a given subject,55; on last sight of Keats,342; on the publication ofPoems,130,131on T. Keats senior,6Clarke, John, Keats’s schoolmaster,7,8,17,343Clarke, Mrs. Charles Cowden, on Keats at her father’s house,328Claude, pictures by, inspiring Keats,264,291n.,417Clive Newcome and his friends on the Victorian poets,536-7Closed or Stopped Couplet system, the,95et sqq.Avoidance of, by Keats,207,209n.Croker’s attitude to,311Clowes, Messrs., and Webb,76-7Cockerell, Sydney, on Morris and the changes inLa Belle Dame sans Merci,470‘Cockney School,’ articles on, inBlackwood’s,45,76,137,152,299-300et sqq.,477-8; effect of,313,370,516et sqq.Shelley included in, by Maginn,519Cockneyism, verses by Keats charged with,109n.Colburn’sNew Monthly Magazine,see New MonthlyColeridge, Samuel Taylor, Anatomical studies of,29Critical style of,46Friend of Haydon,62Lack of negative capability in, Keats on,254Lectures by, on Shakespeare,244Poems of,21,121Disuse by, of the older verse form,108,118,119,207Echo of, inEndymion,230Galignani’s edition of,150n.,527Hazlitt’s criticism on,299,300Hunt’s verdict on,44Rossetti’s enthusiasm for,538Political change of view of,45Relations with Wordsworth,45,108,207; strained,245-6on the Poetic revolution,119; on the Reviews and Keats’s death,347; on his walk with Keats (‘There is Death in that hand’),346-8; on Wordsworth’s poems,245-6College St., Westminster, Keats’s stay in,374-5Collins, William, poems of,19‘Come hither, all sweet maidens,’seeOn a Picture of LeanderCommonwealth and Restoration Poets, use of the heroic couplet by, with illustrations,102et sqq.Complete Works of John Keats, edited by H. Buxton Forman, referred to,262,335n.1,392n.,400n.1,459n.,549n.Compound Epithets, Keats’s felicity in,412-13Comus(Milton),19,432; Echoes of, inEndymion,195; Keats’s recitations from,495Concordanceto Keats’s Poems, published by Cornell University,545Constable, Archibald, owner of theEdinburgh Review,297,311-12
Devon,261Endymion,167-8& n.
Devon,261
Endymion,167-8& n.
British Critic, onEndymion, and on theLamiavolume,474
British Institution, pictures seen by Keats at,78,231,464
British Museum, art treasures in, Keats’s knowledge of, and inspiration from,66,78,231-2,416
Broadmayne, Dorset, the Keatses of,4
Brougham, Lord, challenge of, to the Lowthers,272
Support given by, to Hunt,43
Support given by, to Hunt,43
Brown, Charles, attitude of, to George Keats,529,530
and Dilke, relations between,381-2,530Fairy tales, satiric, by,381-2,444Friendship of with Keats,141,142,159,535Biographical designs of,529,530Scottish walking tour with Keats,268,271,272et sqq.;Diariesof,cited,273& n.Keats’s life with,320et sqq.Collaboration in writing,295,357,359,364,376,440et sqq.,553-6Keats’s (temporary) indignation against,465Loan by, to Keats,357,373Second tour of in Scotland,462; leading to absence at Keats’s departure for Italy,487,488,491Letters to, from Keats,371et sqq.,464,491-2,500,504-5Satiric verses on, by Keats,345Keats’s poems transcribed by,494n.,496& n.Later life in Italy, and death in New Zealand,522-31on Fanny Brawne and her love for Keats,514; and on her grief at his death,515on the cause of Keats’s illness,516,517,522on the influence of theFaerie Queeneon Keats,20on the Ireby dancing-school,277on Keats’s first sight of Windermere,273-4on Keats’s state of mind and health (Oct. 1819),375et sqq.; on the fatal chill,284; on Keats as invalid,456on the writing of theOde to a Nightingale,353-4& n.
and Dilke, relations between,381-2,530
Fairy tales, satiric, by,381-2,444
Friendship of with Keats,141,142,159,535
Biographical designs of,529,530
Scottish walking tour with Keats,268,271,272et sqq.;Diariesof,cited,273& n.
Keats’s life with,320et sqq.Collaboration in writing,295,357,359,364,376,440et sqq.,553-6
Keats’s (temporary) indignation against,465
Loan by, to Keats,357,373
Second tour of in Scotland,462; leading to absence at Keats’s departure for Italy,487,488,491
Letters to, from Keats,371et sqq.,464,491-2,500,504-5
Satiric verses on, by Keats,345
Keats’s poems transcribed by,494n.,496& n.
Later life in Italy, and death in New Zealand,522-31
on Fanny Brawne and her love for Keats,514; and on her grief at his death,515
on the cause of Keats’s illness,516,517,522
on the influence of theFaerie Queeneon Keats,20
on the Ireby dancing-school,277
on Keats’s first sight of Windermere,273-4
on Keats’s state of mind and health (Oct. 1819),375et sqq.; on the fatal chill,284; on Keats as invalid,456
on the writing of theOde to a Nightingale,353-4& n.
Browne, William, of Tavistock, works of (see alsoBritannia’s Pastoral), Keats’s familiarity with,21; as affecting his style,93,109,124
Browning, Elizabeth Barrett, tribute of to Keats,539-40
Browning, Robert, inspiration derived by from gift of poems of Keats and Shelley,526
Rossetti’s enthusiasm for,538Slow sale of hisBells and Pomegranatesseries,528
Rossetti’s enthusiasm for,538
Slow sale of hisBells and Pomegranatesseries,528
Bulletin and Review of the Keats-Shelley Memorial(Morris),510n.
Burford Bridge Inn, Keats’s stay at,152-3,158,162,242
Endymionfinished at,158,161-3
Endymionfinished at,158,161-3
Burnet’sHistory of his Own Time, influence of, on Keats,14
Burney, Fanny,159n.
Burns, Robert, an English,seeClare
Keats on,282,283-4
Keats on,282,283-4
Burton, Robert (see Anatomy of Melancholy), and the legend of St Agnes’ Eve,396-7
Burton-in-Kendal, Keats at,272
Byron, Lord
Allusion to, inHyperion,453Attitude of, to
Allusion to, inHyperion,453
Attitude of, to
Keats,432,480-1,517,520Hunt,43,47n.,49
Keats,432,480-1,517,520
Hunt,43,47n.,49
and the Elgin marbles,60Poems of (see also undernames),49,518
and the Elgin marbles,60
Poems of (see also undernames),49,518
Early Influences on, and sources of inspiration,2,268Keats’s appreciation of,31, and sonnet on,91Monetary gains of,82Verse forms used by,108,390
Early Influences on, and sources of inspiration,2,268
Keats’s appreciation of,31, and sonnet on,91
Monetary gains of,82
Verse forms used by,108,390
Reynolds’s poem dedicated to,74Sovereignty of, as poet,526,537at Shelley’s cremation,521on the effect of the Reviews on Keats,517,520& see315onHyperion,432on Leigh Hunt,47n., and on hisStory of Rimini,49Departure for Italy,522Death of,521
Reynolds’s poem dedicated to,74
Sovereignty of, as poet,526,537
at Shelley’s cremation,521
on the effect of the Reviews on Keats,517,520& see315
onHyperion,432
on Leigh Hunt,47n., and on hisStory of Rimini,49
Departure for Italy,522
Death of,521
Byron’s Collected Works, Prose, on Reynolds in later life,533& n.
Calidore(Keats), and itsInduction,34, sentiments, form and metre of,111,122,470
Callington, the Keatses of,5
Cambridge Students, enthusiasm of forAdonais, and for Keats,520,527,530
Campbell, John, of Islay, on the Goylen story,291n.
Campbell, Thomas, poet, as editor,473
Poems of
Poems of
Heroic couplet used in,108Jeffrey on,528Hunt on,44
Heroic couplet used in,108
Jeffrey on,528
Hunt on,44
Camelford, the Keatses around,5
Camperdown, sea fight of, Keats’s uncle in,5
Canterbury, effect of on Keats,140
Canova, Severn’s introduction to,501
Cap and Bells, The; or, The Jealousies(Keats), written with Brown,140,380,470
Copying of,376,379Echoes in,87& n.First printed,537Idea inspiring, story, metre, tone, &c.,367,444,447,549Keats’s discontent with,380,381,445& n.Lines on margin of,455Stanzas in, suggestive of Queen Caroline’s arrival,463
Copying of,376,379
Echoes in,87& n.
First printed,537
Idea inspiring, story, metre, tone, &c.,367,444,447,549
Keats’s discontent with,380,381,445& n.
Lines on margin of,455
Stanzas in, suggestive of Queen Caroline’s arrival,463
Carisbrooke,Endymionbegun at,135,161,176n.
Carlyle, Thomas, on Hunt, Lamb and Keats,532
Caroline, Queen, at Dover,463
Caroline poetry, an instance of Keats’s interest in,150
Cary’sDante, echoes of, by Keats 400n.1
Castle Builder, The(Keats), a fragment,389
Castle of Indolence, The(Thomson),28,342
‘Cave of Despair,’ Severn’s competition picture,380
Cave of Quietude, inEndymion,154
Cenci, The(Shelley) gift of by Shelley to Keats,467,485
Chaldee MS., the,301-3; Scott on,304
Chamberlayne, William, misuse of the Heroic Couplet by,100-1,209n.
Champion, The,519; Stage criticisms in, by Keats,242-4
Chapman, George,see alsoHomer, Hymn to Apollo, Hymn to Pan, Iliad, Odyssey
Heroic couplet used by,98; lines illustrating,99Metre used by, fault in,209Strained rimes of,211Translation of Homer by, as influencing Keats,38et sqq.,124,206,428
Heroic couplet used by,98; lines illustrating,99
Metre used by, fault in,209
Strained rimes of,211
Translation of Homer by, as influencing Keats,38et sqq.,124,206,428
Character in men of Power, and its absence in men of Genius, Keats on,154
Charioteer theme, inSleep and Poetry,117-18,119,198-9
Charislyrics (Jonson), metre of,386
‘Charmian,’ an East-Indian,318-19,330; Milnes’s error on,535
Charles II., Scott’s handling of,45
Chartier, Alain, andLa Belle Dame sans Merci,350,469
Chatterton, and the Rowley forgeries,106-7; English of, and verse-flow,369; Keats’s admiration for,146-7, and sonnet on,23,91
Chaucer, Geoffrey, poems of,186
Echoes of, inEve of St Mark,437-8,539
Echoes of, inEve of St Mark,437-8,539
Heroic couplet as used in, lines illustrating,93-4Influence on Keats,391
Heroic couplet as used in, lines illustrating,93-4
Influence on Keats,391
Keats’s studies in,341, &see75& n.Landor on,537Morris’ exemplar,539Verse of, as ‘translated’ by Dryden,103-4
Keats’s studies in,341, &see75& n.
Landor on,537
Morris’ exemplar,539
Verse of, as ‘translated’ by Dryden,103-4
Cheapside, No. 76, lodging of the Keats brothers,28,134
Chichester, Keats at,333
Chief of organic numbers(Keats), origin of,257
Childe Harold(Byron),21
Christabel(Coleridge),121; criticism of, in theEdinburgh Review,299,300; tags from, used by Keats,243
Christie, J. H.,310,311; duel of, with Scott, over the ‘Z’ papers,519,526
‘Christopher North,’seeWilson
‘Christ’s Entry into Jerusalem,’ Haydon’s picture,60,248,250; Keats on,256; private view of, Keats at, various comments; Keats’s head painted in,460-2
Christ’s Hospital, Reynolds’s father’s post at,74
Church Street, Edmonton, Keats’s home at,9
Circe, inEndymion,191et sqq.
Clare, John,475& n.
Clarendon Press edition of Keats’s poems 1906, frontispiece of,416n.
Claret, and Game, Keats on his liking for,340
Clark, Sir James, Keats’s doctor in Rome,501,502,503,504,514; kindness of, with his wife, to Keats,506
Clarke, Charles Cowden,252,539; Keats’ sonnet on when asleep over Chaucer,75& n.
Epistleto (Keats),37-8,113and Hunt, in prison,43-4Relations with Keats,8,12,18,19,20et sqq.,34-5,36,64; introduction by, to Hunt,36, and to Homer’s poems,38et sqq.
Epistleto (Keats),37-8,113
and Hunt, in prison,43-4
Relations with Keats,8,12,18,19,20et sqq.,34-5,36,64; introduction by, to Hunt,36, and to Homer’s poems,38et sqq.
Keats’s letter to, in Dean St. days,34recollections, on Keats at a bear-baiting,81-2; on Keats’s fight with a butcher boy,343; on Keats at school,13,531-2, and his successes,14; on Keats’s introduction to Leigh Hunt,34-5; on Keats’s power of Self-expression,81; on Keats’s reading Poetry,225-6; on Keats as surgeon’s apprentice,17et sqq., and medical student,28; on Keats’s verse-writing to a given subject,55; on last sight of Keats,342; on the publication ofPoems,130,131
Keats’s letter to, in Dean St. days,34
recollections, on Keats at a bear-baiting,81-2; on Keats’s fight with a butcher boy,343; on Keats at school,13,531-2, and his successes,14; on Keats’s introduction to Leigh Hunt,34-5; on Keats’s power of Self-expression,81; on Keats’s reading Poetry,225-6; on Keats as surgeon’s apprentice,17et sqq., and medical student,28; on Keats’s verse-writing to a given subject,55; on last sight of Keats,342; on the publication ofPoems,130,131
on T. Keats senior,6
on T. Keats senior,6
Clarke, John, Keats’s schoolmaster,7,8,17,343
Clarke, Mrs. Charles Cowden, on Keats at her father’s house,328
Claude, pictures by, inspiring Keats,264,291n.,417
Clive Newcome and his friends on the Victorian poets,536-7
Closed or Stopped Couplet system, the,95et sqq.
Avoidance of, by Keats,207,209n.Croker’s attitude to,311
Avoidance of, by Keats,207,209n.
Croker’s attitude to,311
Clowes, Messrs., and Webb,76-7
Cockerell, Sydney, on Morris and the changes inLa Belle Dame sans Merci,470
‘Cockney School,’ articles on, inBlackwood’s,45,76,137,152,299-300et sqq.,477-8; effect of,313,370,516et sqq.
Shelley included in, by Maginn,519
Shelley included in, by Maginn,519
Cockneyism, verses by Keats charged with,109n.
Colburn’sNew Monthly Magazine,see New Monthly
Coleridge, Samuel Taylor, Anatomical studies of,29
Critical style of,46Friend of Haydon,62Lack of negative capability in, Keats on,254Lectures by, on Shakespeare,244Poems of,21,121
Critical style of,46
Friend of Haydon,62
Lack of negative capability in, Keats on,254
Lectures by, on Shakespeare,244
Poems of,21,121
Disuse by, of the older verse form,108,118,119,207Echo of, inEndymion,230Galignani’s edition of,150n.,527Hazlitt’s criticism on,299,300Hunt’s verdict on,44Rossetti’s enthusiasm for,538
Disuse by, of the older verse form,108,118,119,207
Echo of, inEndymion,230
Galignani’s edition of,150n.,527
Hazlitt’s criticism on,299,300
Hunt’s verdict on,44
Rossetti’s enthusiasm for,538
Political change of view of,45Relations with Wordsworth,45,108,207; strained,245-6on the Poetic revolution,119; on the Reviews and Keats’s death,347; on his walk with Keats (‘There is Death in that hand’),346-8; on Wordsworth’s poems,245-6
Political change of view of,45
Relations with Wordsworth,45,108,207; strained,245-6
on the Poetic revolution,119; on the Reviews and Keats’s death,347; on his walk with Keats (‘There is Death in that hand’),346-8; on Wordsworth’s poems,245-6
College St., Westminster, Keats’s stay in,374-5
Collins, William, poems of,19
‘Come hither, all sweet maidens,’seeOn a Picture of Leander
Commonwealth and Restoration Poets, use of the heroic couplet by, with illustrations,102et sqq.
Complete Works of John Keats, edited by H. Buxton Forman, referred to,262,335n.1,392n.,400n.1,459n.,549n.
Compound Epithets, Keats’s felicity in,412-13
Comus(Milton),19,432; Echoes of, inEndymion,195; Keats’s recitations from,495
Concordanceto Keats’s Poems, published by Cornell University,545
Constable, Archibald, owner of theEdinburgh Review,297,311-12