Relations with Scott,303,524-5Cooke, Thomas, translator of Hesiod,428Coolness and Refreshment in Nature, preferred in Keats’s imagery,217-18Cooper, George,30Cooper, Sir Astley, and Keats,30,31Copthall Court, possible treasures in,534Cornell,seeConcordance.Cornhill Magazinefor April, 1917,citedon Coleridge’s talk with Keats,347-8& n.Cornish origin of Keats’s father, Fanny Keats on,3Corsair, The(Byron), form used in,108Cotterell, Charles, kindness of, to Keats,496,498,501Cotterell, Miss,488,489,490,495,496,498Country Ballads, Wordsworth’s, Strained simplicity of,121,348Couplet, Closed,versusFree System,95et sqq.Courthope, W. J., judgment of, on Keats,542-3Cowley, Abraham, use of the heroic couplet by,103Crabbe, George, use of the heroic couplet by,108Craven St., City Road, Keats’s home at,3Crewe, Earl of, owner of MS. of theOde to a Nightingale,354n.Cripps, ——, Haydon, and Keats,151Criticism, early 19th centuryAmenities of,137-8Destructive, Jeffrey on,480Personalities in, Scott on,305-6Croker, John Wilson, criticisms by, onEndymion,310-11Tennyson’s and Keats’s Poems,528n.1‘Crown, A, of Ivy,’ sonnet (Hunt), occasion of,56Cupid and Psyche myth, sources of, open to Keats,412Curse, The, of Kehama(Southey),121Curse, The, of Minerva(Byron),60Cybele, passage on, in Sandys’s Ovid’sMetamorphoses, compared with that inEndymion,223-4Cynthia and Endymion story, Keats’s love for,164,166Dancing, country school of, at Ireby, described by Brown, and by Keats,277-8Dante,244Poems ofEagle in,186Influence of, on Keats,400n.1,544,545Keats’s travelling book,272,545Rossetti’s love for,538Sonnet-beginnings used by,92Davideis, The(Cowley), metre of,103Dean St., No. 8, Borough, Keats’s first independent abode,28‘Death of Alcibiades,’ Severn’s picture for competition,503Death and Dying, Keats’s allusions to, in his poems,112,203,336,344Deathbed feelings of a Poet, Keats on, in theEpistle to George Keats,112Decay of Pagan Beauty, Keats’s sonnet on,seeTo Leigh HuntDecameron, influence of, on Keats,seeBoccaccioDecasyllabic Couplet,seeHeroic CoupletDefence of Poesy (Shelley), Miltonian passage in,430&n.Delight, the spirit animating Keats’s poetry,83-4‘Della Cruscan’ school,519‘Dentatus,’ picture by Haydon,60De Quincey, Thomas, as critic,46,430on Keats, and his poetry,213,528and Shelley’s poetry,477Descent, The, of Liberty, A Masque(Hunt),44de Sélincourt, Professor E., Editorial work of, on Keats’s poems,545onEndymion‘Four Elements’ theory,173‘Moon’ passage in,215onEve of St Agnes‘Corbels’ passage in,400n.1onHyperion, the scale of,427Destructiveness of Nature, Keats’s lines on,265de Vere, Aubrey,540Devonshire, Keats’s visit to,260et sqq.; second visit planned,357the Keats of,4,5De Wint, P.,380Dilke, Charles Wentworth, friendship of, with Keats and Brown,141-2,308,321,332-3,346,370,458,465,491,530George Keats exonerated by,530House of,321Letters to, from Keats,371on supporting himself by his pen,373on Tom Keats’s illness,316Literary tastes and work of,141-2,167Editorship of theAthenaeum,530,533Relations of, with the Brawnes,535on James Rice,76Views of, on Keats’s attachment to Fanny Brawne,330n.,331Dilke, Mrs C. W.,321; on the Fairy tales competition,381; on Keats, on his return from Scotland,296Dilke, Sir Charles, Keats collection given by, to Hampstead Public Library,16n.,33n.2Owner of Keats’s Sosibio Vase tracing,416n.Dilke, William,321n.Divine Comedy(Dante), influence of, on Keats,545Dodsley, James, ‘Old Plays’ by, Dilke’s continuation of,142Don Estehan(Llanos),536Don Giovanni, pantomime on, Keats’s criticism on,242Don Juan(Byron),444Keats on,366,496Metre of,445Reference in, to Keats,481, as killed by the Reviews,520Donne, Dr. John, Methods of, with the Heroic Couplet,100Downer, A. C.,The Odes of Keatsby, Urn illustrated in,416n.Dragon-world and its hundred eyes, Keats on,336Dramatic Specimens(Lamb),142Fuller’s words on Fancy, quoted in 388-9‘Draught, A, of Sunshine’ (‘Hence Burgundy,’ &c.) (Keats), lines in, on the Madness of Song,257Drayton, Michael, influence of, on Keats, seen inEndymion,206,216Epistle to Reynolds,21Hyperion,175Sprightly lines by,109n.Two poetic versions by, of the Endymion theme, echoes of, in Keats’s poem,168et sqq.Use by, of Heroic Couplet,97-8Dream, A, after reading Dante’s Episode of Paolo and Francesca, Sonnet (Keats),343Drummond of Hawthornden, William, references of, to Endymion in his sonnets,168Dryden, JohnInfluence of, on Keats, seen inDrear-Nighted December,160Isabella,392Use by, of Heroic Couplet,103‘Duchess of Dunghill,’ Keats on,283Duncan, Admiral,5Durdle Door,492Duverger’s French Grammar owned by Keats,16n.Eagle, the, inEndymionand other poems,186Earthly Paradise, The(Morris),539Eclectic Review, The, Reviews by, of Keats’s poemsLamia,474Poems,132Eden, The, of Imagination(Reynolds),74Edgeworth, Maria, and Hunt,43Edinburgh Magazineon theLamiavolume,474-5Edinburgh Monthly Magazine,see Blackwood’sEdinburgh Review, politics, publisher and rival of,297Critical ferocity in,299Hazlitt in, on Keats as killed by the Reviews,521-2Influence of,316Jeffrey’s article in, onEndymion, and on theLamiavolume,479-80Reynolds’s contributions to,533Edmonton, third home at, of Keats,9,39,113Eglantine Villa, Shanklin,358n.Election of a Poet Laureate(Duke of Buckingham),44Election contest, Keats’s contact with,277,274Elgin, Earl of,231n.; and the Parthenon Marbles,59-60Elgin Marbles, the, Haydon’s defence of the removal of,59-60,460Hunt’s sonnet on,63Keats’s reveries among,416Keats’s sonnets on,66-7Eliot, George, phrase of, on the word Love,549n.Elizabethan Poets and Poetry, Keats’s introduction to,19Influence of, on Keats’s poems,124,168et sqq.,171,206,207,209,223et sqq.,389,442,479Keats’s studies of,430Spirit of, reborn in Keats,171Use in, of the Couplet, Closed and Free Systems,95, illustrations,96et sqq.,207Elizabethan versions of the Endymion story,167et sqq.Ellis, George, and the legend of St. Agnes’ Eve,398n.Elmes, James, and theOde to a Nightingale,354“Enchanted Castle,” by Claude, inspiration of, to Keats,264,291& n.; owner of 265n.Endimion(Gombauld), parallels to, in Keats’s poem,175& n.Endimion(Lyly), edited by Dilke,167; allegory in,168n.Endimion and Phoebe(Drayton),169; echoed by Keats,216Endings of Lines Closed, Keats’s avoidance of,207Double, Keats’s relinquishment of,207End Moor, the toper at,273,277End rime-syllablesChaucerian,94-5Elizabethan,95et sqq.Endymion, the Greek myth of,166& n.Browne’s reference to,167-8& n.in Elizabethan poetry,167et sqq.inSleep and Poetry,123Endymion(Keats),257n.,386,389,467,470Affinities of lines in, with those in other poems,176n.,207et sqq.,236Allegorical strain in,171et sqq.Analysis of,164et sqq.Reason for undertaking,204-5Ascending scale in,181-2Autumnal scene in,161Bailey’s praise, and Keats’s apathy,270Beauties in, mixed with the faults,214et sqq.Begun at Carisbrooke,135,161,176& n.; opening lines of,161, partly written at Oxford,142-3,147; progress of,140,141, Keats’s depression during,150, and letters on to friend whilst writing,150,151,153, study of, helpful to understanding the poem,154Brought to a close at Burford Bridge,158-9,161; last lines of,161-2; copying of, by Keats,244,251; revision and correction of, for press,244; Keats’s letters on to Taylor,260; seen through the press,262Book I.,175Book II.,182Book III.,189Book IV.,197Characters in,166,177et alibiContemporary influences seen in,233et sqq.Date of publication,163Deeper speculative and symbolic meanings of, and of Keats’s other poems, key to,153-4Dramatic promise of,222Elizabethan influence seen in,124,138et sqq.,206-7,223et sqq.English spirit in,391Exordium of, famous line in,176& n.Faults and flaws in,207et sqq.,392,407,411Spiritual,213et sqq.,392Technical,211et sqq.Inseparable from its Beauties,214First title of,73Germs of,57-8,259n.Hunt’s views on,150-1,252-3,312Ideas in,448in Embryo,259n.Ironic power, promise of, in,222as Keats’s test of his own poet-hood,165; his own judgment on the poem,269Long meditated,135Love as treated in,181,183,213,222,549Lyrics in, compared with their sources,224et sqq.Models for, Jeffrey on,479Moods and aims governing the writing of,254New sympathies awakened,188Pioneer work, Keats on,254Poetic melody of,147Poetry of, qualities, affinities and defects of,207et sqq.Preface to,269, modesty of,308Reference in, to the Pymmes brook,10Reviews on,307et sqq.,463,474,477-8,479-80,528& n.I,529,543n.Keats on,314-15Source of the Indian Maiden in Book IV.,33Sources of Inspiration,165et sqq.Study on, by Mrs F. M. Owen,544Subject: Analysis of,164, Keats on,148Symbolism of,172et sqq.,312,411; the Four Elements theory,173-4, error of,175Taylor’s purchase of copyright of,486True meaning of,544Endymion sarcophagus, from Italy, at Woburn,231n.Enfield, Clarke’s school at,7et sqq.; Keats’s attachment to,17et sqq., and lines on,37,113Enfield Chase, beauties of,22Englefield, Sir Henry, and theStory of Rimini,49English character of Keats’s poems, Jeffrey on,480English Heroic Metre, Leigh Hunt’s effort to revive,47-9English Historical Portraits, Show of Keats at,464English Literature, Hunt’s predilections in,47English Poetry, History of, lines on, inSleep and Poetry,118-19English Poets, Keats’s attendance at Hazlitt’s lectures on,244,300English Romance poetry, Rossetti’s love for,538English Spring flowers, Keats’s delight in,497English Writers, Why so fine? Keats on,355-6Enid(Tennyson), a Keats reminiscence in,123Epic poetry, the obvious model for,429Epicurean, The(Moore), model for,186n.Epipsychidion(Shelley), possible echoes in, ofEndymion,240,241Epistle to Charles Cowden Clarke(Keats),37-8,113Epistle to George Felton Mathew(Keats),93,109& n.,110,470Epistle to Henry Reynolds(Drayton), sprightly lines from,109Epistle to Maria Gisborne(Shelley), versification in,241Epistle to my brother George(Keats),37,111-13Epistles(Keats) group of (seethe foregoing), inPoems, metre and form of,93Epithalamion(Spenser), lines in, on Endymion,167; lyric effect in,122Epping Forest,22; reminiscences of in Keats’s poems,90Essays in Criticism, Arnold’s Essay on Keats reprinted in,543n.Essays and Studies(Suddard),157n.Essays and Tales(Sterling), praise in, of Keats,527& n.I,528n.3Ethereal Musings, Keats on,155Eton, famous headmaster of,4n.
Relations with Scott,303,524-5
Relations with Scott,303,524-5
Cooke, Thomas, translator of Hesiod,428
Coolness and Refreshment in Nature, preferred in Keats’s imagery,217-18
Cooper, George,30
Cooper, Sir Astley, and Keats,30,31
Copthall Court, possible treasures in,534
Cornell,seeConcordance.
Cornhill Magazinefor April, 1917,citedon Coleridge’s talk with Keats,347-8& n.
Cornish origin of Keats’s father, Fanny Keats on,3
Corsair, The(Byron), form used in,108
Cotterell, Charles, kindness of, to Keats,496,498,501
Cotterell, Miss,488,489,490,495,496,498
Country Ballads, Wordsworth’s, Strained simplicity of,121,348
Couplet, Closed,versusFree System,95et sqq.
Courthope, W. J., judgment of, on Keats,542-3
Cowley, Abraham, use of the heroic couplet by,103
Crabbe, George, use of the heroic couplet by,108
Craven St., City Road, Keats’s home at,3
Crewe, Earl of, owner of MS. of theOde to a Nightingale,354n.
Cripps, ——, Haydon, and Keats,151
Criticism, early 19th century
Amenities of,137-8Destructive, Jeffrey on,480Personalities in, Scott on,305-6
Amenities of,137-8
Destructive, Jeffrey on,480
Personalities in, Scott on,305-6
Croker, John Wilson, criticisms by, on
Endymion,310-11Tennyson’s and Keats’s Poems,528n.1
Endymion,310-11
Tennyson’s and Keats’s Poems,528n.1
‘Crown, A, of Ivy,’ sonnet (Hunt), occasion of,56
Cupid and Psyche myth, sources of, open to Keats,412
Curse, The, of Kehama(Southey),121
Curse, The, of Minerva(Byron),60
Cybele, passage on, in Sandys’s Ovid’sMetamorphoses, compared with that inEndymion,223-4
Cynthia and Endymion story, Keats’s love for,164,166
Dancing, country school of, at Ireby, described by Brown, and by Keats,277-8
Dante,244
Poems of
Poems of
Eagle in,186Influence of, on Keats,400n.1,544,545Keats’s travelling book,272,545Rossetti’s love for,538
Eagle in,186
Influence of, on Keats,400n.1,544,545
Keats’s travelling book,272,545
Rossetti’s love for,538
Sonnet-beginnings used by,92
Sonnet-beginnings used by,92
Davideis, The(Cowley), metre of,103
Dean St., No. 8, Borough, Keats’s first independent abode,28
‘Death of Alcibiades,’ Severn’s picture for competition,503
Death and Dying, Keats’s allusions to, in his poems,112,203,336,344
Deathbed feelings of a Poet, Keats on, in theEpistle to George Keats,112
Decay of Pagan Beauty, Keats’s sonnet on,seeTo Leigh Hunt
Decameron, influence of, on Keats,seeBoccaccio
Decasyllabic Couplet,seeHeroic Couplet
Defence of Poesy (Shelley), Miltonian passage in,430&n.
Delight, the spirit animating Keats’s poetry,83-4
‘Della Cruscan’ school,519
‘Dentatus,’ picture by Haydon,60
De Quincey, Thomas, as critic,46,430on Keats, and his poetry,213,528and Shelley’s poetry,477
Descent, The, of Liberty, A Masque(Hunt),44
de Sélincourt, Professor E., Editorial work of, on Keats’s poems,545
onEndymion
onEndymion
‘Four Elements’ theory,173‘Moon’ passage in,215
‘Four Elements’ theory,173
‘Moon’ passage in,215
onEve of St Agnes
onEve of St Agnes
‘Corbels’ passage in,400n.1
‘Corbels’ passage in,400n.1
onHyperion, the scale of,427
onHyperion, the scale of,427
Destructiveness of Nature, Keats’s lines on,265
de Vere, Aubrey,540
Devonshire, Keats’s visit to,260et sqq.; second visit planned,357
the Keats of,4,5
the Keats of,4,5
De Wint, P.,380
Dilke, Charles Wentworth, friendship of, with Keats and Brown,141-2,308,321,332-3,346,370,458,465,491,530
George Keats exonerated by,530House of,321Letters to, from Keats,371
George Keats exonerated by,530
House of,321
Letters to, from Keats,371
on supporting himself by his pen,373on Tom Keats’s illness,316
on supporting himself by his pen,373
on Tom Keats’s illness,316
Literary tastes and work of,141-2,167
Literary tastes and work of,141-2,167
Editorship of theAthenaeum,530,533
Editorship of theAthenaeum,530,533
Relations of, with the Brawnes,535on James Rice,76Views of, on Keats’s attachment to Fanny Brawne,330n.,331
Relations of, with the Brawnes,535
on James Rice,76
Views of, on Keats’s attachment to Fanny Brawne,330n.,331
Dilke, Mrs C. W.,321; on the Fairy tales competition,381; on Keats, on his return from Scotland,296
Dilke, Sir Charles, Keats collection given by, to Hampstead Public Library,16n.,33n.2
Owner of Keats’s Sosibio Vase tracing,416n.
Owner of Keats’s Sosibio Vase tracing,416n.
Dilke, William,321n.
Divine Comedy(Dante), influence of, on Keats,545
Dodsley, James, ‘Old Plays’ by, Dilke’s continuation of,142
Don Estehan(Llanos),536
Don Giovanni, pantomime on, Keats’s criticism on,242
Don Juan(Byron),444
Keats on,366,496Metre of,445Reference in, to Keats,481, as killed by the Reviews,520
Keats on,366,496
Metre of,445
Reference in, to Keats,481, as killed by the Reviews,520
Donne, Dr. John, Methods of, with the Heroic Couplet,100
Downer, A. C.,The Odes of Keatsby, Urn illustrated in,416n.
Dragon-world and its hundred eyes, Keats on,336
Dramatic Specimens(Lamb),142Fuller’s words on Fancy, quoted in 388-9
‘Draught, A, of Sunshine’ (‘Hence Burgundy,’ &c.) (Keats), lines in, on the Madness of Song,257
Drayton, Michael, influence of, on Keats, seen in
Endymion,206,216Epistle to Reynolds,21Hyperion,175
Endymion,206,216
Epistle to Reynolds,21
Hyperion,175
Sprightly lines by,109n.Two poetic versions by, of the Endymion theme, echoes of, in Keats’s poem,168et sqq.Use by, of Heroic Couplet,97-8
Sprightly lines by,109n.
Two poetic versions by, of the Endymion theme, echoes of, in Keats’s poem,168et sqq.
Use by, of Heroic Couplet,97-8
Dream, A, after reading Dante’s Episode of Paolo and Francesca, Sonnet (Keats),343
Drummond of Hawthornden, William, references of, to Endymion in his sonnets,168
Dryden, John
Influence of, on Keats, seen in
Influence of, on Keats, seen in
Drear-Nighted December,160Isabella,392
Drear-Nighted December,160
Isabella,392
Use by, of Heroic Couplet,103
Use by, of Heroic Couplet,103
‘Duchess of Dunghill,’ Keats on,283
Duncan, Admiral,5
Durdle Door,492
Duverger’s French Grammar owned by Keats,16n.
Eagle, the, inEndymionand other poems,186
Earthly Paradise, The(Morris),539
Eclectic Review, The, Reviews by, of Keats’s poems
Lamia,474Poems,132
Lamia,474
Poems,132
Eden, The, of Imagination(Reynolds),74
Edgeworth, Maria, and Hunt,43
Edinburgh Magazineon theLamiavolume,474-5
Edinburgh Monthly Magazine,see Blackwood’s
Edinburgh Review, politics, publisher and rival of,297
Critical ferocity in,299Hazlitt in, on Keats as killed by the Reviews,521-2Influence of,316Jeffrey’s article in, onEndymion, and on theLamiavolume,479-80Reynolds’s contributions to,533
Critical ferocity in,299
Hazlitt in, on Keats as killed by the Reviews,521-2
Influence of,316
Jeffrey’s article in, onEndymion, and on theLamiavolume,479-80
Reynolds’s contributions to,533
Edmonton, third home at, of Keats,9,39,113
Eglantine Villa, Shanklin,358n.
Election of a Poet Laureate(Duke of Buckingham),44
Election contest, Keats’s contact with,277,274
Elgin, Earl of,231n.; and the Parthenon Marbles,59-60
Elgin Marbles, the, Haydon’s defence of the removal of,59-60,460
Hunt’s sonnet on,63Keats’s reveries among,416Keats’s sonnets on,66-7
Hunt’s sonnet on,63
Keats’s reveries among,416
Keats’s sonnets on,66-7
Eliot, George, phrase of, on the word Love,549n.
Elizabethan Poets and Poetry, Keats’s introduction to,19
Influence of, on Keats’s poems,124,168et sqq.,171,206,207,209,223et sqq.,389,442,479Keats’s studies of,430Spirit of, reborn in Keats,171Use in, of the Couplet, Closed and Free Systems,95, illustrations,96et sqq.,207
Influence of, on Keats’s poems,124,168et sqq.,171,206,207,209,223et sqq.,389,442,479
Keats’s studies of,430
Spirit of, reborn in Keats,171
Use in, of the Couplet, Closed and Free Systems,95, illustrations,96et sqq.,207
Elizabethan versions of the Endymion story,167et sqq.
Ellis, George, and the legend of St. Agnes’ Eve,398n.
Elmes, James, and theOde to a Nightingale,354
“Enchanted Castle,” by Claude, inspiration of, to Keats,264,291& n.; owner of 265n.
Endimion(Gombauld), parallels to, in Keats’s poem,175& n.
Endimion(Lyly), edited by Dilke,167; allegory in,168n.
Endimion and Phoebe(Drayton),169; echoed by Keats,216
Endings of Lines Closed, Keats’s avoidance of,207Double, Keats’s relinquishment of,207
End Moor, the toper at,273,277
End rime-syllables
Chaucerian,94-5Elizabethan,95et sqq.
Chaucerian,94-5
Elizabethan,95et sqq.
Endymion, the Greek myth of,166& n.
Browne’s reference to,167-8& n.in Elizabethan poetry,167et sqq.inSleep and Poetry,123
Browne’s reference to,167-8& n.
in Elizabethan poetry,167et sqq.
inSleep and Poetry,123
Endymion(Keats),257n.,386,389,467,470
Affinities of lines in, with those in other poems,176n.,207et sqq.,236Allegorical strain in,171et sqq.Analysis of,164et sqq.Reason for undertaking,204-5Ascending scale in,181-2Autumnal scene in,161Bailey’s praise, and Keats’s apathy,270Beauties in, mixed with the faults,214et sqq.Begun at Carisbrooke,135,161,176& n.; opening lines of,161, partly written at Oxford,142-3,147; progress of,140,141, Keats’s depression during,150, and letters on to friend whilst writing,150,151,153, study of, helpful to understanding the poem,154Brought to a close at Burford Bridge,158-9,161; last lines of,161-2; copying of, by Keats,244,251; revision and correction of, for press,244; Keats’s letters on to Taylor,260; seen through the press,262Book I.,175Book II.,182Book III.,189Book IV.,197Characters in,166,177et alibiContemporary influences seen in,233et sqq.Date of publication,163Deeper speculative and symbolic meanings of, and of Keats’s other poems, key to,153-4Dramatic promise of,222Elizabethan influence seen in,124,138et sqq.,206-7,223et sqq.English spirit in,391Exordium of, famous line in,176& n.Faults and flaws in,207et sqq.,392,407,411
Affinities of lines in, with those in other poems,176n.,207et sqq.,236
Allegorical strain in,171et sqq.
Analysis of,164et sqq.Reason for undertaking,204-5
Ascending scale in,181-2
Autumnal scene in,161
Bailey’s praise, and Keats’s apathy,270
Beauties in, mixed with the faults,214et sqq.
Begun at Carisbrooke,135,161,176& n.; opening lines of,161, partly written at Oxford,142-3,147; progress of,140,141, Keats’s depression during,150, and letters on to friend whilst writing,150,151,153, study of, helpful to understanding the poem,154
Brought to a close at Burford Bridge,158-9,161; last lines of,161-2; copying of, by Keats,244,251; revision and correction of, for press,244; Keats’s letters on to Taylor,260; seen through the press,262
Book I.,175
Book II.,182
Book III.,189
Book IV.,197
Characters in,166,177et alibi
Contemporary influences seen in,233et sqq.
Date of publication,163
Deeper speculative and symbolic meanings of, and of Keats’s other poems, key to,153-4
Dramatic promise of,222
Elizabethan influence seen in,124,138et sqq.,206-7,223et sqq.
English spirit in,391
Exordium of, famous line in,176& n.
Faults and flaws in,207et sqq.,392,407,411
Spiritual,213et sqq.,392Technical,211et sqq.Inseparable from its Beauties,214
Spiritual,213et sqq.,392
Technical,211et sqq.
Inseparable from its Beauties,214
First title of,73Germs of,57-8,259n.Hunt’s views on,150-1,252-3,312Ideas in,448in Embryo,259n.Ironic power, promise of, in,222as Keats’s test of his own poet-hood,165; his own judgment on the poem,269Long meditated,135Love as treated in,181,183,213,222,549Lyrics in, compared with their sources,224et sqq.Models for, Jeffrey on,479Moods and aims governing the writing of,254New sympathies awakened,188Pioneer work, Keats on,254Poetic melody of,147Poetry of, qualities, affinities and defects of,207et sqq.Preface to,269, modesty of,308Reference in, to the Pymmes brook,10Reviews on,307et sqq.,463,474,477-8,479-80,528& n.I,529,543n.
First title of,73
Germs of,57-8,259n.
Hunt’s views on,150-1,252-3,312
Ideas in,448in Embryo,259n.
Ironic power, promise of, in,222as Keats’s test of his own poet-hood,165; his own judgment on the poem,269
Long meditated,135
Love as treated in,181,183,213,222,549
Lyrics in, compared with their sources,224et sqq.
Models for, Jeffrey on,479
Moods and aims governing the writing of,254
New sympathies awakened,188
Pioneer work, Keats on,254
Poetic melody of,147
Poetry of, qualities, affinities and defects of,207et sqq.
Preface to,269, modesty of,308
Reference in, to the Pymmes brook,10
Reviews on,307et sqq.,463,474,477-8,479-80,528& n.I,529,543n.
Keats on,314-15
Keats on,314-15
Source of the Indian Maiden in Book IV.,33Sources of Inspiration,165et sqq.Study on, by Mrs F. M. Owen,544Subject: Analysis of,164, Keats on,148Symbolism of,172et sqq.,312,411; the Four Elements theory,173-4, error of,175Taylor’s purchase of copyright of,486True meaning of,544
Source of the Indian Maiden in Book IV.,33
Sources of Inspiration,165et sqq.
Study on, by Mrs F. M. Owen,544
Subject: Analysis of,164, Keats on,148
Symbolism of,172et sqq.,312,411; the Four Elements theory,173-4, error of,175
Taylor’s purchase of copyright of,486
True meaning of,544
Endymion sarcophagus, from Italy, at Woburn,231n.
Enfield, Clarke’s school at,7et sqq.; Keats’s attachment to,17et sqq., and lines on,37,113
Enfield Chase, beauties of,22
Englefield, Sir Henry, and theStory of Rimini,49
English character of Keats’s poems, Jeffrey on,480
English Heroic Metre, Leigh Hunt’s effort to revive,47-9
English Historical Portraits, Show of Keats at,464
English Literature, Hunt’s predilections in,47
English Poetry, History of, lines on, inSleep and Poetry,118-19
English Poets, Keats’s attendance at Hazlitt’s lectures on,244,300
English Romance poetry, Rossetti’s love for,538
English Spring flowers, Keats’s delight in,497
English Writers, Why so fine? Keats on,355-6
Enid(Tennyson), a Keats reminiscence in,123
Epic poetry, the obvious model for,429
Epicurean, The(Moore), model for,186n.
Epipsychidion(Shelley), possible echoes in, ofEndymion,240,241
Epistle to Charles Cowden Clarke(Keats),37-8,113
Epistle to George Felton Mathew(Keats),93,109& n.,110,470
Epistle to Henry Reynolds(Drayton), sprightly lines from,109
Epistle to Maria Gisborne(Shelley), versification in,241
Epistle to my brother George(Keats),37,111-13
Epistles(Keats) group of (seethe foregoing), inPoems, metre and form of,93
Epithalamion(Spenser), lines in, on Endymion,167; lyric effect in,122
Epping Forest,22; reminiscences of in Keats’s poems,90
Essays in Criticism, Arnold’s Essay on Keats reprinted in,543n.
Essays and Studies(Suddard),157n.
Essays and Tales(Sterling), praise in, of Keats,527& n.I,528n.3
Ethereal Musings, Keats on,155
Eton, famous headmaster of,4n.