Woodhouse at,134Eve of St Agnes, legend of, Jonson on,396Eve, The, of St Agnes(Keats),308,350,406,443; an achievement,386,396; written at Bedhampton,333-4;read to Cowden Clarke,342,343Feast of Fruits in, Miltonic parallel to,401Hunt’s picture from,538Lines in, reminiscent of Wieland’sOberon,87n.Poetic scope and method of,399et sqq.Place of, in English poetry,386,396Publication plans,366Shelley’s delight in,483Some changes made in,367Sources, story, form, beauties, and metre of,396et sqq.,436Eve, The, of St Mark(Keats),140,444,445,470Bridge between Chaucer and Morris,539Date of,334,337,437Incomplete,339Included in Milnes’s Book,537Sent to George Keats,371Subject, metre, form; echoes in, relation of, to the P.R.B., and Keats’s own words on,437-41Evocation, and Exposition, the genius of Keats and of Wordsworth seen in,128-9,234,267-8Ewing, Mr, kindness of, to Keats,506Examiner, The, founded by John Hunt,42,46Edited from prison by Leigh Hunt,44Influence of, on Keats,14Keats’s critique in, on Reynolds’s skit onPeter Bell,348Poems published in, byKeats,35& n.,36,38,54,66-7,73Reynolds,73-4Shelley,73Reynolds’Endymionarticle reissued in,312Shelley’sAlastorpraised in,234on the New Movement in Poetry as shown in ‘Poems,’131-2Excursion, The(Wordsworth),21,128Effect of, on Shelley, and on Keats,233-4Passage in, on Greek Mythology, Keats on,125,146,250Exordium to Book III. ofEndymion,189Fabliaux ou Contes, by Le Grand; Way’s translation of,33& n.1‘Faded the flower,’ lines on Fanny Brawne, date and self-expression in,377-8Faerie Queene(Spenser,q.v.), influence of, on Keats,19-21,31,177,185,428Fairfax, Edward, Italian stanza form used by,390Fairies of the Four Elements(Keats), words for operatic chorus,350,441Faithful Shepherdess(Fletcher), the Endymion passage in,168Influence of, on Keats,168,206,386,479Metre of,386Falmouth district, the name Jennings common in,5‘Fame like a Wayward Girl,’ sonnet (Keats), echoes in,349-50Fancy(Keats),263, date,386-7Metre, form, subject and Inspiration of,327,387-9Published in theLamiavolume,470Fancy, The, a medley (Reynolds),475n.Faust(Goethe), opening chorus of,217Feast of Fruits, inEve of St Agnes, Miltonic parallel to,401Hyperion,450-1,542Feast of the Poets(Hunt), earlier skits on which modelled,44Keats’s allusion to,113Treatment in, of Scott,45,303‘Feel,’ as used in ‘In drear-nighted December,’159n.Fetter Lane, Coleridge’s lectures on Shakespeare in,244Filocolo, Il(Boccaccio), compared withThe Eve of St Agnes,397-8& n.2Finch, Colonel,517Finsbury, earliest home of Keats in,3Fingal’s Cave, Keats on, in prose and verse,292FitzGerald, Edward, admiration of, for Keats,527on the poetry of Keats and Shelley,541Fitzwilliam, Earl, help from, to Keats,486Fladgate firm of solicitors, Reynolds with,533Fletcher, John, Endymion passage by,168Influence seen in Keats’ Poems,386inEndymion,206inSleep and Poetry,125Metre used by,386Faults in,209Floire et Blancheflor, metrical romance on, in relation toIsabella,397-8Florence, Artists and Literati at,522-3,530Milnes’s meeting at, with Brown,530Floure, The, and the Lefe(Pseudo-Chaucer),Echoes of, in Keats’s poems,115,177Keats’s sonnet on,75& n.Flowers, English Spring, Keats’s lines on,446-7Foliage, ‘Laureation’Sonnets published in,307Foot measure of Stanzas,350& n.Forest Scene and Festival, inEndymion,177et sqq.Forman, H. Buxton,Complete Works of John Keatsedited by, references to,544,549n. & see footnotesHelp of, to Señora Llanos (néeKeats),536on the ‘Bright Star’ sonnet,335n.1on the Corbels, inEve of St Agnes,400n.1on an Echo of Dryden by Keats,392n.on Mrs Lindon’s letter on Keats,465n.on a reading in theOde to Fanny,335n.on atendressefelt for Keats,262French literature, the less well-known, Keats’s reading in,175n.Frere, Hookham,49; use by, of theottava rima,390Frere, John, and Coleridge’s meeting with Keats in 1819,347-8Fuller, on Fancy,388-9Galignani’sedition of the Poems of Shelley, Coleridge, and Keats (1829),527‘In Drear-nighted December,’ printed in,159n.‘Gallipots’ article, inBlackwood’s,307-8Galloway, Keats in,279et sqq.Garden of Proserpine(Swinburne), metre of,161Garden of Florence(Reynolds),333Garnett, Richard, on Shelley’s letters and those of Keats,541Gem, The,‘In a Drearnighted December’ printed in,159n.George, Prince-Regent, “baited” inThe Twopenny Post,43George III., poetry of his period,207Gibson, John, the Sculptor, and Severn,503Gifford, William, editor of theQuarterly Review,299Critical ferocity of,137Hazlitt’sLetter to,341Shelley’s letter of remonstrance to (unsent) on the hostile criticism on Keats,482,516-17Gil Blas(Le Sage), and the word ‘Sangrado,’309& n.Gipsies, The(Wordsworth), Keats on,151Gisborne, Mr. & Mrs., and Keats,466-7,516‘Give me a golden pen,’ sonnet (Keats), inPoems,90‘Give me women, wine and snuff,’ couplets (Keats),32Gladstone, Rt Hon. W. E., and Severn,526Glaucus, inEndymion,140; magic robe of, possible source of,170,190et sqq.Gleig, Bishop,306Gleig, Chaplain-general,306,310,341Glencroe and Loch Awe, Keats on,289& n.,290‘Glory and Loveliness have pass’d away,’ sonnet to Leigh Hunt (Keats),83,90‘God of the golden bow,’ inHymn to Apollo(Keats),58Godfrey of Bulloigne(Tasso, trs. Fairfax), metre of,390Godwin, Mary (Mrs Shelley),70Godwin, William, influence of, on Shelley,540Primer of Mythology by,228n.,231on Keats’s poems,41Goethe Circle, at Weimar, Lockhart’s intimacy with,298,309Golden Assof Apuleius, as possible inspiration to Keats,412& n.Golden TreasurySeries edition of Keats’s poems,544Goldsmith’sGreek History, Haydon’s gift of, to Keats,65Gollancz, Prof. Israel,551,553Goylen, ruins and legend of,291Gray, Thomas, poems of,19; influence of, on Keats,23Verse-forms used by,108Great Smith St., the Dilkes in,374‘Great Spirits now on Earth are Sojourning,’ sonnet to Haydon (Keats),65,120; echoes of, inEndymion,120; included inPoems,91Greek History(Goldsmith), given by Haydon to Keats,65Greek Liberation, Byron, and Trelawny,521,522Mythology, the Endymion legend in,166n.Keats’s delight in,2,81,114, and poetical use of,218-19,224et sqq.,264-5,414,418,426; Sources of his knowledge of,14,126,171; his Talk on,78; its Vitality to him,110Revitalization of, in Europe,219-20Religion, and its evolution, Wordsworth on,125-6,220Sculpture,seeElgin MarblesInfluence of, on Keats,231n.,414et sqq.Style in poetry, Keats on,426Green, Joseph Henry,346& n.,347Green, Miss E. M.,A Talk with Coleridge, edited byCornhill Magazine, (April 1917),cited,347-8& n.Guy Mannering(Scott),279Guy’s Hospital, Keats’s student days at,16& n.‘HadI a Man’s fair form,’ sonnet (Keats), included inPoems,89Hadrian, age of, Parthenon sculptures assigned to by the dilettanti,60‘Hadst thou lived in days of old’ (Keats), Valentine for Miss Wylie, metre of,34,269,386Halecret, meaning of,429& n.Hallam, Arthur, and the poems of Shelley and Keats,527Hammond, Thomas, surgeon, Keats’s apprenticeship to,16& n.2,26n.,30Hampstead, Hunt’s home at, Keats’s pleasure at,35-7Keats’s life at,141,244,245et sqq.,322Hampstead Public Library, the Dilke Keats collection at,16n.,33n.Handful of Pleasant Delites(Robinson), Keats’s possible knowledge of,158& n.Happiness, Keats on,154Happy is England, sonnet (Keats),34; included inPoems,89Happy Warrior, The(Wordsworth), form of,108Hare, Julius, Sterling’s letter to, on the Poems of Tennyson & Keats,528Haslam, William, the “oak friend” of Keats,77,141,345,487in love, Keats’s mockery on,371Letters to, from Severn, on Keats’s health in 1820,466; on the voyage to Italy,489et sqq., and Keats’s life there,498et sqq.; on money troubles in Rome,508-9and the Milnes Biography,534on his love for Keats,513-14Haydon, Benjamin,135,347Appearance,62as Artist, Controversialist, Writer,59-62,67Characteristics,59,60et sqq.,532and the Elgin marbles,59-61,63Friends of, and his quarrels with them,62,71,153,254Friendship with Keats, beginning and course of,64et sqq.,135,136,141,255,347Keats’s Sunday Evenings with, and meeting with Wordsworth during,245et sqq.in Great Marlborough St.,150,151Letters from, to Keats, on their friendship,67-8; on Prayer,62,138-9Letters to, from Keats, on dissatisfaction withEndymion,150; on Haydon’s painting,256; on a new Romance in his mind,334Letters to and from Keats, on a Loan,323-4,337-8,339-40,354-5;see also370and theOde to a Nightingale,354Pictures by,60“Christ’s Entry into Jerusalem,” heads of his friends in,60,250,462Exhibition of, Keats at,460Keats’s estimation of,256Pseudo-vegetarianism of,250and Shelley, a heated dessert-talk between,71Sonnets addressed to, byKeats,65,66,67,91,120Reynolds,65Wordsworth,65
Woodhouse at,134
Woodhouse at,134
Eve of St Agnes, legend of, Jonson on,396
Eve, The, of St Agnes(Keats),308,350,406,443; an achievement,386,396; written at Bedhampton,333-4;read to Cowden Clarke,342,343
Feast of Fruits in, Miltonic parallel to,401Hunt’s picture from,538Lines in, reminiscent of Wieland’sOberon,87n.Poetic scope and method of,399et sqq.Place of, in English poetry,386,396Publication plans,366Shelley’s delight in,483Some changes made in,367Sources, story, form, beauties, and metre of,396et sqq.,436
Feast of Fruits in, Miltonic parallel to,401
Hunt’s picture from,538
Lines in, reminiscent of Wieland’sOberon,87n.
Poetic scope and method of,399et sqq.
Place of, in English poetry,386,396
Publication plans,366
Shelley’s delight in,483
Some changes made in,367
Sources, story, form, beauties, and metre of,396et sqq.,436
Eve, The, of St Mark(Keats),140,444,445,470
Bridge between Chaucer and Morris,539Date of,334,337,437Incomplete,339Included in Milnes’s Book,537Sent to George Keats,371Subject, metre, form; echoes in, relation of, to the P.R.B., and Keats’s own words on,437-41
Bridge between Chaucer and Morris,539
Date of,334,337,437
Incomplete,339
Included in Milnes’s Book,537
Sent to George Keats,371
Subject, metre, form; echoes in, relation of, to the P.R.B., and Keats’s own words on,437-41
Evocation, and Exposition, the genius of Keats and of Wordsworth seen in,128-9,234,267-8
Ewing, Mr, kindness of, to Keats,506
Examiner, The, founded by John Hunt,42,46
Edited from prison by Leigh Hunt,44Influence of, on Keats,14Keats’s critique in, on Reynolds’s skit onPeter Bell,348Poems published in, by
Edited from prison by Leigh Hunt,44
Influence of, on Keats,14
Keats’s critique in, on Reynolds’s skit onPeter Bell,348
Poems published in, by
Keats,35& n.,36,38,54,66-7,73Reynolds,73-4Shelley,73
Keats,35& n.,36,38,54,66-7,73
Reynolds,73-4
Shelley,73
Reynolds’Endymionarticle reissued in,312Shelley’sAlastorpraised in,234on the New Movement in Poetry as shown in ‘Poems,’131-2
Reynolds’Endymionarticle reissued in,312
Shelley’sAlastorpraised in,234
on the New Movement in Poetry as shown in ‘Poems,’131-2
Excursion, The(Wordsworth),21,128
Effect of, on Shelley, and on Keats,233-4Passage in, on Greek Mythology, Keats on,125,146,250
Effect of, on Shelley, and on Keats,233-4
Passage in, on Greek Mythology, Keats on,125,146,250
Exordium to Book III. ofEndymion,189
Fabliaux ou Contes, by Le Grand; Way’s translation of,33& n.1
‘Faded the flower,’ lines on Fanny Brawne, date and self-expression in,377-8
Faerie Queene(Spenser,q.v.), influence of, on Keats,19-21,31,177,185,428
Fairfax, Edward, Italian stanza form used by,390
Fairies of the Four Elements(Keats), words for operatic chorus,350,441
Faithful Shepherdess(Fletcher), the Endymion passage in,168
Influence of, on Keats,168,206,386,479Metre of,386
Influence of, on Keats,168,206,386,479
Metre of,386
Falmouth district, the name Jennings common in,5
‘Fame like a Wayward Girl,’ sonnet (Keats), echoes in,349-50
Fancy(Keats),263, date,386-7
Metre, form, subject and Inspiration of,327,387-9Published in theLamiavolume,470
Metre, form, subject and Inspiration of,327,387-9
Published in theLamiavolume,470
Fancy, The, a medley (Reynolds),475n.
Faust(Goethe), opening chorus of,217
Feast of Fruits, in
Eve of St Agnes, Miltonic parallel to,401Hyperion,450-1,542
Eve of St Agnes, Miltonic parallel to,401
Hyperion,450-1,542
Feast of the Poets(Hunt), earlier skits on which modelled,44
Keats’s allusion to,113Treatment in, of Scott,45,303
Keats’s allusion to,113
Treatment in, of Scott,45,303
‘Feel,’ as used in ‘In drear-nighted December,’159n.
Fetter Lane, Coleridge’s lectures on Shakespeare in,244
Filocolo, Il(Boccaccio), compared withThe Eve of St Agnes,397-8& n.2
Finch, Colonel,517
Finsbury, earliest home of Keats in,3
Fingal’s Cave, Keats on, in prose and verse,292
FitzGerald, Edward, admiration of, for Keats,527on the poetry of Keats and Shelley,541
Fitzwilliam, Earl, help from, to Keats,486
Fladgate firm of solicitors, Reynolds with,533
Fletcher, John, Endymion passage by,168
Influence seen in Keats’ Poems,386
Influence seen in Keats’ Poems,386
inEndymion,206inSleep and Poetry,125
inEndymion,206
inSleep and Poetry,125
Metre used by,386
Metre used by,386
Faults in,209
Faults in,209
Floire et Blancheflor, metrical romance on, in relation toIsabella,397-8
Florence, Artists and Literati at,522-3,530
Milnes’s meeting at, with Brown,530
Milnes’s meeting at, with Brown,530
Floure, The, and the Lefe(Pseudo-Chaucer),
Echoes of, in Keats’s poems,115,177Keats’s sonnet on,75& n.
Echoes of, in Keats’s poems,115,177
Keats’s sonnet on,75& n.
Flowers, English Spring, Keats’s lines on,446-7
Foliage, ‘Laureation’Sonnets published in,307
Foot measure of Stanzas,350& n.
Forest Scene and Festival, inEndymion,177et sqq.
Forman, H. Buxton,Complete Works of John Keatsedited by, references to,544,549n. & see footnotes
Help of, to Señora Llanos (néeKeats),536on the ‘Bright Star’ sonnet,335n.1on the Corbels, inEve of St Agnes,400n.1on an Echo of Dryden by Keats,392n.on Mrs Lindon’s letter on Keats,465n.on a reading in theOde to Fanny,335n.on atendressefelt for Keats,262
Help of, to Señora Llanos (néeKeats),536
on the ‘Bright Star’ sonnet,335n.1
on the Corbels, inEve of St Agnes,400n.1
on an Echo of Dryden by Keats,392n.
on Mrs Lindon’s letter on Keats,465n.
on a reading in theOde to Fanny,335n.
on atendressefelt for Keats,262
French literature, the less well-known, Keats’s reading in,175n.
Frere, Hookham,49; use by, of theottava rima,390
Frere, John, and Coleridge’s meeting with Keats in 1819,347-8
Fuller, on Fancy,388-9
Galignani’sedition of the Poems of Shelley, Coleridge, and Keats (1829),527
‘In Drear-nighted December,’ printed in,159n.
‘In Drear-nighted December,’ printed in,159n.
‘Gallipots’ article, inBlackwood’s,307-8
Galloway, Keats in,279et sqq.
Garden of Proserpine(Swinburne), metre of,161
Garden of Florence(Reynolds),333
Garnett, Richard, on Shelley’s letters and those of Keats,541
Gem, The,‘In a Drearnighted December’ printed in,159n.
George, Prince-Regent, “baited” inThe Twopenny Post,43
George III., poetry of his period,207
Gibson, John, the Sculptor, and Severn,503
Gifford, William, editor of theQuarterly Review,299
Critical ferocity of,137Hazlitt’sLetter to,341Shelley’s letter of remonstrance to (unsent) on the hostile criticism on Keats,482,516-17
Critical ferocity of,137
Hazlitt’sLetter to,341
Shelley’s letter of remonstrance to (unsent) on the hostile criticism on Keats,482,516-17
Gil Blas(Le Sage), and the word ‘Sangrado,’309& n.
Gipsies, The(Wordsworth), Keats on,151
Gisborne, Mr. & Mrs., and Keats,466-7,516
‘Give me a golden pen,’ sonnet (Keats), inPoems,90
‘Give me women, wine and snuff,’ couplets (Keats),32
Gladstone, Rt Hon. W. E., and Severn,526
Glaucus, inEndymion,140; magic robe of, possible source of,170,190et sqq.
Gleig, Bishop,306
Gleig, Chaplain-general,306,310,341
Glencroe and Loch Awe, Keats on,289& n.,290
‘Glory and Loveliness have pass’d away,’ sonnet to Leigh Hunt (Keats),83,90
‘God of the golden bow,’ inHymn to Apollo(Keats),58
Godfrey of Bulloigne(Tasso, trs. Fairfax), metre of,390
Godwin, Mary (Mrs Shelley),70
Godwin, William, influence of, on Shelley,540
Primer of Mythology by,228n.,231on Keats’s poems,41
Primer of Mythology by,228n.,231
on Keats’s poems,41
Goethe Circle, at Weimar, Lockhart’s intimacy with,298,309
Golden Assof Apuleius, as possible inspiration to Keats,412& n.
Golden TreasurySeries edition of Keats’s poems,544
Goldsmith’sGreek History, Haydon’s gift of, to Keats,65
Gollancz, Prof. Israel,551,553
Goylen, ruins and legend of,291
Gray, Thomas, poems of,19; influence of, on Keats,23
Verse-forms used by,108
Verse-forms used by,108
Great Smith St., the Dilkes in,374
‘Great Spirits now on Earth are Sojourning,’ sonnet to Haydon (Keats),65,120; echoes of, inEndymion,120; included inPoems,91
Greek History(Goldsmith), given by Haydon to Keats,65
Greek Liberation, Byron, and Trelawny,521,522
Mythology, the Endymion legend in,166n.
Mythology, the Endymion legend in,166n.
Keats’s delight in,2,81,114, and poetical use of,218-19,224et sqq.,264-5,414,418,426; Sources of his knowledge of,14,126,171; his Talk on,78; its Vitality to him,110Revitalization of, in Europe,219-20
Keats’s delight in,2,81,114, and poetical use of,218-19,224et sqq.,264-5,414,418,426; Sources of his knowledge of,14,126,171; his Talk on,78; its Vitality to him,110
Revitalization of, in Europe,219-20
Religion, and its evolution, Wordsworth on,125-6,220Sculpture,seeElgin Marbles
Religion, and its evolution, Wordsworth on,125-6,220
Sculpture,seeElgin Marbles
Influence of, on Keats,231n.,414et sqq.
Influence of, on Keats,231n.,414et sqq.
Style in poetry, Keats on,426
Style in poetry, Keats on,426
Green, Joseph Henry,346& n.,347
Green, Miss E. M.,A Talk with Coleridge, edited byCornhill Magazine, (April 1917),cited,347-8& n.
Guy Mannering(Scott),279
Guy’s Hospital, Keats’s student days at,16& n.
‘HadI a Man’s fair form,’ sonnet (Keats), included inPoems,89
Hadrian, age of, Parthenon sculptures assigned to by the dilettanti,60
‘Hadst thou lived in days of old’ (Keats), Valentine for Miss Wylie, metre of,34,269,386
Halecret, meaning of,429& n.
Hallam, Arthur, and the poems of Shelley and Keats,527
Hammond, Thomas, surgeon, Keats’s apprenticeship to,16& n.2,26n.,30
Hampstead, Hunt’s home at, Keats’s pleasure at,35-7
Keats’s life at,141,244,245et sqq.,322
Keats’s life at,141,244,245et sqq.,322
Hampstead Public Library, the Dilke Keats collection at,16n.,33n.
Handful of Pleasant Delites(Robinson), Keats’s possible knowledge of,158& n.
Happiness, Keats on,154
Happy is England, sonnet (Keats),34; included inPoems,89
Happy Warrior, The(Wordsworth), form of,108
Hare, Julius, Sterling’s letter to, on the Poems of Tennyson & Keats,528
Haslam, William, the “oak friend” of Keats,77,141,345,487
in love, Keats’s mockery on,371Letters to, from Severn, on Keats’s health in 1820,466; on the voyage to Italy,489et sqq., and Keats’s life there,498et sqq.; on money troubles in Rome,508-9and the Milnes Biography,534on his love for Keats,513-14
in love, Keats’s mockery on,371
Letters to, from Severn, on Keats’s health in 1820,466; on the voyage to Italy,489et sqq., and Keats’s life there,498et sqq.; on money troubles in Rome,508-9
and the Milnes Biography,534
on his love for Keats,513-14
Haydon, Benjamin,135,347
Appearance,62as Artist, Controversialist, Writer,59-62,67Characteristics,59,60et sqq.,532and the Elgin marbles,59-61,63Friends of, and his quarrels with them,62,71,153,254Friendship with Keats, beginning and course of,64et sqq.,135,136,141,255,347
Appearance,62
as Artist, Controversialist, Writer,59-62,67
Characteristics,59,60et sqq.,532
and the Elgin marbles,59-61,63
Friends of, and his quarrels with them,62,71,153,254
Friendship with Keats, beginning and course of,64et sqq.,135,136,141,255,347
Keats’s Sunday Evenings with, and meeting with Wordsworth during,245et sqq.
Keats’s Sunday Evenings with, and meeting with Wordsworth during,245et sqq.
in Great Marlborough St.,150,151Letters from, to Keats, on their friendship,67-8; on Prayer,62,138-9Letters to, from Keats, on dissatisfaction withEndymion,150; on Haydon’s painting,256; on a new Romance in his mind,334Letters to and from Keats, on a Loan,323-4,337-8,339-40,354-5;see also370and theOde to a Nightingale,354Pictures by,60
in Great Marlborough St.,150,151
Letters from, to Keats, on their friendship,67-8; on Prayer,62,138-9
Letters to, from Keats, on dissatisfaction withEndymion,150; on Haydon’s painting,256; on a new Romance in his mind,334
Letters to and from Keats, on a Loan,323-4,337-8,339-40,354-5;see also370
and theOde to a Nightingale,354
Pictures by,60
“Christ’s Entry into Jerusalem,” heads of his friends in,60,250,462Exhibition of, Keats at,460Keats’s estimation of,256
“Christ’s Entry into Jerusalem,” heads of his friends in,60,250,462
Exhibition of, Keats at,460
Keats’s estimation of,256
Pseudo-vegetarianism of,250and Shelley, a heated dessert-talk between,71Sonnets addressed to, by
Pseudo-vegetarianism of,250
and Shelley, a heated dessert-talk between,71
Sonnets addressed to, by
Keats,65,66,67,91,120Reynolds,65Wordsworth,65
Keats,65,66,67,91,120
Reynolds,65
Wordsworth,65