on Keats’sPoems(Golden Treasury Series),544Pan,seeHymn toPan’s Anniversary(Jonson),225, lines from,226Paradise Lost(Milton), compared withHyperion,333Echoes of, in Keats’s poems, 90,154,155,401, and in Shelley’s,430Feast of Fruits in,401Keats’s notes to,152Keats’s study of, and criticisms on,262,369Titans in,428Parisina(Byron),302Park, Mungo,246Park, Thomas, editor ofHeliconia,157n.Parnaso Italiano, Hunt’s reading of,44Parsons, Keats on,335Parthenon Marbles,seeElgin MarblesPastoral spirit of the Elizabethans blent with love of Country Pleasures, and Renaissance delight in Classic Poetry, re-emergence in Keats’s poetry,226Patmore, Coventry,300; and Milnes’sLifeof Keats,531,540,542Pause, the, in metre,94-5Peacock, Thomas Love, Keats on,263Letter to, from Shelley, onHyperion,482Poem by, metre of, and similarity of subject toLamia,405Penseroso, Il(Milton), metre of,386Peona, inEndymion,177,202,203,204; the confession to,178, her expostulation,179, and his defence,180et sqq.Percy’sReliques,107‘Peter Corcoran,’ in Reynolds’sThe Fancy,475&n.Peter Bell(Wordsworth), skit on, by Reynolds: notice of the latter by Keats,348Petersburg, Brown’s connection with,142‘Pet lamb’ phrase, inthe Ode to Indolence,415Pharonnida, (Chamberlayne), character of the verse of in,100-1Philaster(Beaumont and Fletcher), phrase from, adapted by Keats in his epitaph,510Philips, Katherine (Orinda), poems of, Keats on,150; use by, of the Heroic couplet,103Philological Journalof Chicago University, article in, on Keats,398n.Philosophy, Keats’s use of the word,266Pidgeon, Miss, Keats’s fellow-passenger,488,489,499Piron, allusions to, by Lockhart,309Pisa,517,522Adonaisprinted at,519Plato, and the myths of the Aphrodites, Pandêmos and Urania,549n.1Shelley’s enthusiasm for; Keats’s indirect knowledge of,237Plays, Keats’s ambition to write,381Plymouth and Devonport Weekly Journal, Brown’s touring diary published in,273n.Poems, Keats’s first book, its spirit and contents,85et sqq.; publication of,164; public reception of, and Reviews on,130-3,311Sonnet dedicating it to Hunt,83,90, and the reply,130-1Poems, long, Hunt’s adverse view on; contraverted by Keats,165Poet, the, Death-bed feelings of, Keats on, in theEpistle to George Keats,112Prime endowments of, Keats on,165Wordsworth’s doctrine on,233-4, endorsed by Keats and by Shelley,234et sqq.Poet, The, a fragment (Keats),425Poetic license revived by Keats,207Revolution, the captains of,108,118,119,207Style, Hunt’s views on,47,49Poetical Sketches(Blake), on the older style of verse,107Poetry, Keats onAxioms,254Conception of,252-3His own need of,136Polar Star of,165New, arising from the world war,547-8Renaissance of, in England,1,21,82Romantic,19th century, Morris’s perhaps the last of,539Weirdness and terror in the early period,396Technique of, Keats’s insight into,38Polymetis(Spence), picture in,200, possibly inspiring Keats,200,231Polyphemus and Galatea story; Ovid’s version, and Keats’s,201,204Pope, Alexander,428Poems of (and of his school), Byron’s championship of,480Early Victorian depreciation of,537Keats’s dislike of,18,31,139,393Use by, of the heroic couplet, long ascendancy of his method,104,106-7; illustration and contrast with Shakespeare,105-6on ‘our rustic vein’ in poetry,207Pope-Boileau passage inSleep and Poetry,Blackwoodon,307; Byron’s rage at,480-1Popular Antiquities(Brand), on the legend of St Agnes’ Eve 397Popular Tales of the West Highlands(Campbell), on the Goylen story,291n.Porphyro, inEve of St Agnes,401et sqq.Porter, Jane, and Anna Maria, works of, and encouragement by, of Keats,325Pen portraits by the former,326Portsmouth, Keats’s landing at,491Poultry, The, home at, of the Keats brothers,28,38,40n.,135Poussin, Nicholas, picture by, inspiration of, to Keats,198,219,416Prayer, Haydon’s letter on, to Keats,62,138-9Pre-Raphaelitism, evoking cause,325Pre-Raphaelitism and the Pre-Raphaelite Brotherhood(Morris),538n.Pre-Raphaelite Brotherhood, enthusiasm of, for Keats, as shown by its paintings,538andThe Eve of St Mark,439Prelude, The(Wordsworth),128; the last published passages in,250-1; the Mystic Shell in, Mackail on,196n.Prince Regent, the, andThe Examiner,42; Moore’s skits on,43Pride in his work, Keats on,364& seen.1Prior, Matthew, metre of his day,86Procter, Bryan Walter (Barry Cornwall),21n.; kindness of, to Keats,459Poem by, on the same subject asIsabella,459Style of, Shelley’s disgust at,482on Keats’s manner, conversation and appearance,459n.on the Lambs’ evening parties,68on Leigh Hunt,47n.Procter, Mrs,321n.; on Keats’s eyes,466Prometheus Unbound(Shelley),89; Keats echoes in,239; linescited,240Keats on, in advance,467Review of, inBlackwood,477-8Proper Wooing Song, A, echo of, by Keats,157-8Prothero, George,528n.1Prowse, Mrs, and Keats,262Psyche(Tighe),19,412Punning,327Purgatory, (Dante), the Eagle in,186Pymmes Brook, the, Keats’s allusions to,10QuarterlyReview, The,77Harsh criticisms in,299onEndymion,137,310-11,476,527-8Influence of,316, Keats on,341Keats’s illness ascribed to, by his friends,516et sqq.Politics, publisher and rivals of,297Review in, of Tennyson’s poems,527-8Queen Lab, oriental counterpart of Circe,195Raccoltaof Prints by Zanconi,325n.Raeburn, Sir Henry, portrait by, of the Countess of Northampton singing,525Rainbow, The(Campbell), echoed by Keats,408-9Rawlings, Mrs,seeKeats, Mrs ThomasRawlings, William, stepfather of Keats,8-9Rawlingsv.Jennings,15n.‘Read Me a Lesson, Muse,’seeBen Nevis, sonnetRecollections of Writers(Cowden Clarke),13n.Redding, Cyrus,473, and Galignani’s edition of Keats’s and other poems,527n.2Redgauntlet(Scott), the dancing dame in,277n.Reflector, edited by Hunt,46Lamb’sSpecimensprinted in,388n.Regalities, Keats on, inEndymion,189Rejected Addresses,533Reminiscences of a Literary Life(Macfarlane),502n.Restoration Poets, compared with Georgian,207Retribution, or The Chieftain’s Daughter(Dillon), Macready in, Keats’s criticism on,242Reviews, effect of, on the public, Keats on,340-1Hostile to Keats, and their effect,seeColeridge, Severn and others on,see alsoBlackwood’s, ‘Cockney School,’Quarterly Review, Severn, Shelley, Taylor, ‘Z’ articlesRevolt of Islam(Shelley), first title for,73Reynolds, Charlotte,55,76Reynolds family,74; Keats’s estrangement from,465Reynolds, Jane (later Mrs Thomas Hood),55Keats’s verses in her album,76Letter to, from Keats, on gay and grave,149on the date of ‘In a drear-nighted December,’158Reynolds, John Hamilton, friendship of, with Keats,65,73-6,141,151,242,504,529Bailey’s friendship with, and with his family,134,341Epistle to, from Keats,389Latter days of,533as Lawyer,75,76,533Letters to, from Keats, on Autumn weather,421-2; on being Haunted by a Woman’s shape and voice,316-17; on Confused and Clear Mental Images,263-5; onEndymion, and on Shakespeare’s sonnets,153, on the intended preface toEndymion,269; on his feelings on Life and Literature (1819),364; on the genius of Wordsworth and Milton,266; on Human life,267; onIsabella, or,The Pot of Basil,312-13; on leaving town,135, and one from Carisbrooke,135-6; at Oxford,149; on Social doings,245; on his Thirst for Knowledge,265-6; on Thrush music,260,424; on the two Chambers of Thought,267,448; on the Visit to Burns’s cottage,284,285; with lines to Apollo,257;from Winchester,371et sqq.; on Wordsworth’s dogmatism and on Hunt’s,252-3Literary work of,65,74,75,348,475n.,521,533and Milnes’sBiography,533-4Medley by (The Fancy),475n.Poems,521,533Letters on, from Byron and from Wordsworth,74Models of,74Inspired by Boccaccio,259-60,333,389Parodies,74Skit by, onPeter Bell(Wordsworth),348Sonnet to Keats (Thy thoughts, dear Keats),75Sonnet to Haydon,65Quarrels of,254-5Wit of, Keats on,383onEndymion,312-13, and on the preface thereto,269on Fanny Brawne,331; on hopes for Keats’s recovery,513; onIsabella,312-13; on Keats, as killed by the Reviews,521Reynolds, Mariane,55,76Bailey’s attachment to,134, end of,341Reynolds, MissesKeats’s letter to, from Oxford,147Keats’s changed feelings for,337Reynolds, Mr and Mrs, friends and home of,74Rhododaphne, poem (Peacock), resemblance of, toLamia,406,408Rice, James, friend of Reynolds and of Keats,76,135,141,263,366,533Help from, to Keats,486Keats’s stay with, at Shanklin,357-9Letter to, from Keats, during his illness,458Wit of, Keats on,383Richard, Duke of York, and Kean’s acting in, Keats’s criticism on,242-3Richard III.(Shakespeare), Keats’s criticism of, and of Kean’s acting in,242-4Undersea lines in, Keats’s challenging passage inEndymion,239, Jeffrey’s praise of, and Shelley’s assimilation of,239-40Richards, ——. wit of, Keats on,383Richardson, Sir B.W., on the composition of the line ‘A Thing of Beauty,’176n.Rime, Keats’s faults in use of,211-12Rimed couplet, Shelley’s use of,241Ritchie, Joseph, the explorer,246et sqq.,324Robin Hood, poem (Keats),258; date of,386; included in theLamiavolume,470Robinson, Clement, echo of, in Keats,158&n.Robinson, Henry Crabb,244-5; friendly to Keats,251on poems in theLamiavolume,483on Wordsworth at the time of Keats’s meeting with him,245et sqq.Rob Roy(Scott), Wordsworth’s advance criticism on,246Rob Roy(Wordsworth’s ballad), the writer’s estimate of,246Rogers, Samuel, poems of, Jeffrey on,528
on Keats’sPoems(Golden Treasury Series),544
on Keats’sPoems(Golden Treasury Series),544
Pan,seeHymn to
Pan’s Anniversary(Jonson),225, lines from,226
Paradise Lost(Milton), compared withHyperion,333
Echoes of, in Keats’s poems, 90,154,155,401, and in Shelley’s,430Feast of Fruits in,401Keats’s notes to,152Keats’s study of, and criticisms on,262,369Titans in,428
Echoes of, in Keats’s poems, 90,154,155,401, and in Shelley’s,430
Feast of Fruits in,401
Keats’s notes to,152
Keats’s study of, and criticisms on,262,369
Titans in,428
Parisina(Byron),302
Park, Mungo,246
Park, Thomas, editor ofHeliconia,157n.
Parnaso Italiano, Hunt’s reading of,44
Parsons, Keats on,335
Parthenon Marbles,seeElgin Marbles
Pastoral spirit of the Elizabethans blent with love of Country Pleasures, and Renaissance delight in Classic Poetry, re-emergence in Keats’s poetry,226
Patmore, Coventry,300; and Milnes’sLifeof Keats,531,540,542
Pause, the, in metre,94-5
Peacock, Thomas Love, Keats on,263
Letter to, from Shelley, onHyperion,482Poem by, metre of, and similarity of subject toLamia,405
Letter to, from Shelley, onHyperion,482
Poem by, metre of, and similarity of subject toLamia,405
Penseroso, Il(Milton), metre of,386
Peona, inEndymion,177,202,203,204; the confession to,178, her expostulation,179, and his defence,180et sqq.
Percy’sReliques,107
‘Peter Corcoran,’ in Reynolds’sThe Fancy,475&n.
Peter Bell(Wordsworth), skit on, by Reynolds: notice of the latter by Keats,348
Petersburg, Brown’s connection with,142
‘Pet lamb’ phrase, inthe Ode to Indolence,415
Pharonnida, (Chamberlayne), character of the verse of in,100-1
Philaster(Beaumont and Fletcher), phrase from, adapted by Keats in his epitaph,510
Philips, Katherine (Orinda), poems of, Keats on,150; use by, of the Heroic couplet,103
Philological Journalof Chicago University, article in, on Keats,398n.
Philosophy, Keats’s use of the word,266
Pidgeon, Miss, Keats’s fellow-passenger,488,489,499
Piron, allusions to, by Lockhart,309
Pisa,517,522Adonaisprinted at,519
Plato, and the myths of the Aphrodites, Pandêmos and Urania,549n.1
Shelley’s enthusiasm for; Keats’s indirect knowledge of,237
Shelley’s enthusiasm for; Keats’s indirect knowledge of,237
Plays, Keats’s ambition to write,381
Plymouth and Devonport Weekly Journal, Brown’s touring diary published in,273n.
Poems, Keats’s first book, its spirit and contents,85et sqq.; publication of,164; public reception of, and Reviews on,130-3,311
Sonnet dedicating it to Hunt,83,90, and the reply,130-1
Sonnet dedicating it to Hunt,83,90, and the reply,130-1
Poems, long, Hunt’s adverse view on; contraverted by Keats,165
Poet, the, Death-bed feelings of, Keats on, in theEpistle to George Keats,112
Prime endowments of, Keats on,165Wordsworth’s doctrine on,233-4, endorsed by Keats and by Shelley,234et sqq.
Prime endowments of, Keats on,165
Wordsworth’s doctrine on,233-4, endorsed by Keats and by Shelley,234et sqq.
Poet, The, a fragment (Keats),425
Poetic license revived by Keats,207
Revolution, the captains of,108,118,119,207Style, Hunt’s views on,47,49
Revolution, the captains of,108,118,119,207
Style, Hunt’s views on,47,49
Poetical Sketches(Blake), on the older style of verse,107
Poetry, Keats on
Axioms,254Conception of,252-3His own need of,136Polar Star of,165
Axioms,254
Conception of,252-3
His own need of,136
Polar Star of,165
New, arising from the world war,547-8Renaissance of, in England,1,21,82Romantic,19th century, Morris’s perhaps the last of,539
New, arising from the world war,547-8
Renaissance of, in England,1,21,82
Romantic,19th century, Morris’s perhaps the last of,539
Weirdness and terror in the early period,396
Weirdness and terror in the early period,396
Technique of, Keats’s insight into,38
Technique of, Keats’s insight into,38
Polymetis(Spence), picture in,200, possibly inspiring Keats,200,231
Polyphemus and Galatea story; Ovid’s version, and Keats’s,201,204
Pope, Alexander,428
Poems of (and of his school), Byron’s championship of,480
Poems of (and of his school), Byron’s championship of,480
Early Victorian depreciation of,537Keats’s dislike of,18,31,139,393
Early Victorian depreciation of,537
Keats’s dislike of,18,31,139,393
Use by, of the heroic couplet, long ascendancy of his method,104,106-7; illustration and contrast with Shakespeare,105-6on ‘our rustic vein’ in poetry,207
Use by, of the heroic couplet, long ascendancy of his method,104,106-7; illustration and contrast with Shakespeare,105-6
on ‘our rustic vein’ in poetry,207
Pope-Boileau passage inSleep and Poetry,Blackwoodon,307; Byron’s rage at,480-1
Popular Antiquities(Brand), on the legend of St Agnes’ Eve 397
Popular Tales of the West Highlands(Campbell), on the Goylen story,291n.
Porphyro, inEve of St Agnes,401et sqq.
Porter, Jane, and Anna Maria, works of, and encouragement by, of Keats,325
Pen portraits by the former,326
Pen portraits by the former,326
Portsmouth, Keats’s landing at,491
Poultry, The, home at, of the Keats brothers,28,38,40n.,135
Poussin, Nicholas, picture by, inspiration of, to Keats,198,219,416
Prayer, Haydon’s letter on, to Keats,62,138-9
Pre-Raphaelitism, evoking cause,325
Pre-Raphaelitism and the Pre-Raphaelite Brotherhood(Morris),538n.
Pre-Raphaelite Brotherhood, enthusiasm of, for Keats, as shown by its paintings,538
andThe Eve of St Mark,439
andThe Eve of St Mark,439
Prelude, The(Wordsworth),128; the last published passages in,250-1; the Mystic Shell in, Mackail on,196n.
Prince Regent, the, andThe Examiner,42; Moore’s skits on,43
Pride in his work, Keats on,364& seen.1
Prior, Matthew, metre of his day,86
Procter, Bryan Walter (Barry Cornwall),21n.; kindness of, to Keats,459
Poem by, on the same subject asIsabella,459Style of, Shelley’s disgust at,482on Keats’s manner, conversation and appearance,459n.on the Lambs’ evening parties,68on Leigh Hunt,47n.
Poem by, on the same subject asIsabella,459
Style of, Shelley’s disgust at,482
on Keats’s manner, conversation and appearance,459n.
on the Lambs’ evening parties,68
on Leigh Hunt,47n.
Procter, Mrs,321n.; on Keats’s eyes,466
Prometheus Unbound(Shelley),89; Keats echoes in,239; linescited,240
Keats on, in advance,467Review of, inBlackwood,477-8
Keats on, in advance,467
Review of, inBlackwood,477-8
Proper Wooing Song, A, echo of, by Keats,157-8
Prothero, George,528n.1
Prowse, Mrs, and Keats,262
Psyche(Tighe),19,412
Punning,327
Purgatory, (Dante), the Eagle in,186
Pymmes Brook, the, Keats’s allusions to,10
QuarterlyReview, The,77
Harsh criticisms in,299
Harsh criticisms in,299
onEndymion,137,310-11,476,527-8Influence of,316, Keats on,341Keats’s illness ascribed to, by his friends,516et sqq.
onEndymion,137,310-11,476,527-8
Influence of,316, Keats on,341
Keats’s illness ascribed to, by his friends,516et sqq.
Politics, publisher and rivals of,297Review in, of Tennyson’s poems,527-8
Politics, publisher and rivals of,297
Review in, of Tennyson’s poems,527-8
Queen Lab, oriental counterpart of Circe,195
Raccoltaof Prints by Zanconi,325n.
Raeburn, Sir Henry, portrait by, of the Countess of Northampton singing,525
Rainbow, The(Campbell), echoed by Keats,408-9
Rawlings, Mrs,seeKeats, Mrs Thomas
Rawlings, William, stepfather of Keats,8-9
Rawlingsv.Jennings,15n.
‘Read Me a Lesson, Muse,’seeBen Nevis, sonnet
Recollections of Writers(Cowden Clarke),13n.
Redding, Cyrus,473, and Galignani’s edition of Keats’s and other poems,527n.2
Redgauntlet(Scott), the dancing dame in,277n.
Reflector, edited by Hunt,46
Lamb’sSpecimensprinted in,388n.
Lamb’sSpecimensprinted in,388n.
Regalities, Keats on, inEndymion,189
Rejected Addresses,533
Reminiscences of a Literary Life(Macfarlane),502n.
Restoration Poets, compared with Georgian,207
Retribution, or The Chieftain’s Daughter(Dillon), Macready in, Keats’s criticism on,242
Reviews, effect of, on the public, Keats on,340-1
Hostile to Keats, and their effect,seeColeridge, Severn and others on,see alsoBlackwood’s, ‘Cockney School,’Quarterly Review, Severn, Shelley, Taylor, ‘Z’ articles
Hostile to Keats, and their effect,seeColeridge, Severn and others on,see alsoBlackwood’s, ‘Cockney School,’Quarterly Review, Severn, Shelley, Taylor, ‘Z’ articles
Revolt of Islam(Shelley), first title for,73
Reynolds, Charlotte,55,76
Reynolds family,74; Keats’s estrangement from,465
Reynolds, Jane (later Mrs Thomas Hood),55
Keats’s verses in her album,76Letter to, from Keats, on gay and grave,149on the date of ‘In a drear-nighted December,’158
Keats’s verses in her album,76
Letter to, from Keats, on gay and grave,149
on the date of ‘In a drear-nighted December,’158
Reynolds, John Hamilton, friendship of, with Keats,65,73-6,141,151,242,504,529
Bailey’s friendship with, and with his family,134,341Epistle to, from Keats,389Latter days of,533as Lawyer,75,76,533Letters to, from Keats, on Autumn weather,421-2; on being Haunted by a Woman’s shape and voice,316-17; on Confused and Clear Mental Images,263-5; onEndymion, and on Shakespeare’s sonnets,153, on the intended preface toEndymion,269; on his feelings on Life and Literature (1819),364; on the genius of Wordsworth and Milton,266; on Human life,267; onIsabella, or,The Pot of Basil,312-13; on leaving town,135, and one from Carisbrooke,135-6; at Oxford,149; on Social doings,245; on his Thirst for Knowledge,265-6; on Thrush music,260,424; on the two Chambers of Thought,267,448; on the Visit to Burns’s cottage,284,285; with lines to Apollo,257;from Winchester,371et sqq.; on Wordsworth’s dogmatism and on Hunt’s,252-3Literary work of,65,74,75,348,475n.,521,533and Milnes’sBiography,533-4Medley by (The Fancy),475n.Poems,521,533
Bailey’s friendship with, and with his family,134,341
Epistle to, from Keats,389
Latter days of,533
as Lawyer,75,76,533
Letters to, from Keats, on Autumn weather,421-2; on being Haunted by a Woman’s shape and voice,316-17; on Confused and Clear Mental Images,263-5; onEndymion, and on Shakespeare’s sonnets,153, on the intended preface toEndymion,269; on his feelings on Life and Literature (1819),364; on the genius of Wordsworth and Milton,266; on Human life,267; onIsabella, or,The Pot of Basil,312-13; on leaving town,135, and one from Carisbrooke,135-6; at Oxford,149; on Social doings,245; on his Thirst for Knowledge,265-6; on Thrush music,260,424; on the two Chambers of Thought,267,448; on the Visit to Burns’s cottage,284,285; with lines to Apollo,257;from Winchester,371et sqq.; on Wordsworth’s dogmatism and on Hunt’s,252-3
Literary work of,65,74,75,348,475n.,521,533
and Milnes’sBiography,533-4
Medley by (The Fancy),475n.
Poems,521,533
Letters on, from Byron and from Wordsworth,74Models of,74Inspired by Boccaccio,259-60,333,389Parodies,74Skit by, onPeter Bell(Wordsworth),348Sonnet to Keats (Thy thoughts, dear Keats),75Sonnet to Haydon,65
Letters on, from Byron and from Wordsworth,74
Models of,74
Inspired by Boccaccio,259-60,333,389
Parodies,74
Skit by, onPeter Bell(Wordsworth),348
Sonnet to Keats (Thy thoughts, dear Keats),75
Sonnet to Haydon,65
Quarrels of,254-5Wit of, Keats on,383onEndymion,312-13, and on the preface thereto,269on Fanny Brawne,331; on hopes for Keats’s recovery,513; onIsabella,312-13; on Keats, as killed by the Reviews,521
Quarrels of,254-5
Wit of, Keats on,383
onEndymion,312-13, and on the preface thereto,269
on Fanny Brawne,331; on hopes for Keats’s recovery,513; onIsabella,312-13; on Keats, as killed by the Reviews,521
Reynolds, Mariane,55,76
Bailey’s attachment to,134, end of,341
Bailey’s attachment to,134, end of,341
Reynolds, Misses
Keats’s letter to, from Oxford,147Keats’s changed feelings for,337
Keats’s letter to, from Oxford,147
Keats’s changed feelings for,337
Reynolds, Mr and Mrs, friends and home of,74
Rhododaphne, poem (Peacock), resemblance of, toLamia,406,408
Rice, James, friend of Reynolds and of Keats,76,135,141,263,366,533
Help from, to Keats,486Keats’s stay with, at Shanklin,357-9Letter to, from Keats, during his illness,458Wit of, Keats on,383
Help from, to Keats,486
Keats’s stay with, at Shanklin,357-9
Letter to, from Keats, during his illness,458
Wit of, Keats on,383
Richard, Duke of York, and Kean’s acting in, Keats’s criticism on,242-3
Richard III.(Shakespeare), Keats’s criticism of, and of Kean’s acting in,242-4
Undersea lines in, Keats’s challenging passage inEndymion,239, Jeffrey’s praise of, and Shelley’s assimilation of,239-40
Undersea lines in, Keats’s challenging passage inEndymion,239, Jeffrey’s praise of, and Shelley’s assimilation of,239-40
Richards, ——. wit of, Keats on,383
Richardson, Sir B.W., on the composition of the line ‘A Thing of Beauty,’176n.
Rime, Keats’s faults in use of,211-12
Rimed couplet, Shelley’s use of,241
Ritchie, Joseph, the explorer,246et sqq.,324
Robin Hood, poem (Keats),258; date of,386; included in theLamiavolume,470
Robinson, Clement, echo of, in Keats,158&n.
Robinson, Henry Crabb,244-5; friendly to Keats,251
on poems in theLamiavolume,483on Wordsworth at the time of Keats’s meeting with him,245et sqq.
on poems in theLamiavolume,483
on Wordsworth at the time of Keats’s meeting with him,245et sqq.
Rob Roy(Scott), Wordsworth’s advance criticism on,246
Rob Roy(Wordsworth’s ballad), the writer’s estimate of,246
Rogers, Samuel, poems of, Jeffrey on,528