Use by, of the Heroic couplet,108Roman laws on Infectious Disease,508Romantic poetry of the 19th century, Morris’s perhaps the last of,539Weirdness and Terror of, in early period,390Romaunt of the Rose(Chaucer),437Rome, Keats’s journey to, and death in,498,501,502et sqq.,512et sqq.Keats-Shelley Memorial at,542Severn at, after Keats’s death,522,530Shelley’s burial place at,521Rondeau, the, Keats’s view on,388Ronsard, Pierre, Ode of, to Michel de l’Hôpital, on the Titans,428-9Ross, Sir John, and the search for the North-West passage,324Rossetti, Dante Gabriel, enthusiasms of, and high tribute to Keats,538,539Evocation in, of Pre-Raphaelitism,325onThe Eve of St Mark,437,439-40Rossetti, William, on the poetry of Shelley and of Keats,541‘Rowleyism’ ofThe Eve of St Mark,438Rune-inscribed Shell, inEndymion,196&n.Ruskin, John, and others, praises by, of theOde to Psyche,413Ruth(Wordsworth),121Rydal, Keats’s visit to, in Wordsworth’s absence,274Sabrina, Keats’s poem planned on,495,504‘Sacrifice to Apollo,’ picture by Claude, as inspiration to Keats,264Sad Shepherd, The(Fletcher),206‘Sad stories of the deaths of Kings,’ Shelley’s outburst with,138&n.Safie(Reynolds),74St Columb Major, the Keats of,5St Paul’s School, Reynolds at,74Saintsbury, Professor, and the debt ofEndymionto thePharonnidaof Chamberlayne,209n.St. Stephen’s, Colman Street burial-place of Keats’s grandmother,16n.1St Thomas’s Street, Keats’s “chummery” at,28,30Samson Agonistes(Milton),272St. Teath, the Keats’ of,4n.,5Sanctuary, the, inHyperion,451-2Sandell, Rowland,16Sandoval(Llanos),536Sandys, George, translation by, of Ovid’sMetamorphoses, Keats’ use of,171Echoes of, in Keats’s poems,206,224,428Use in, of the heroic couplet,99-100San Giuliano,Adonaiscomposed at,517Sangrado, Dr., origin of the name,309&n.Sappho, lines from, on Love, the limb-loosener,332&n.Poem of, on the Endymion legend,166n.Sarcophagus reliefs, as inspiration of Keats’s Bacchic lines,231, &n.,232Satyr, The, masque (Jonson), and the legend of St. Agnes’ Eve,396Metre of,386Scenery, Keats’s attitude to,153,174et sqq.Science and Poetry, views on, of Hunt, Keats and Wordsworth,408-11Scotland, Keats’s comments on,278,282et sqq.Scott, Anne,525Scott, John, the ‘Z’ papers denounced by,311; duel over, resulting in death of,519,526Scott, Sir Walter, friend of Haydon,62Letter from, to Lockhart, on his method of criticism,305-6Poems of,21,49,108,537Attitude to, of Hunt,21,45,303Environment as affecting,1Commercial success of,82Position of, as poet,526and his Publishers,303Relations of, with theBlackwoodgroup and Lockhart,303-6in Rome,525Smile of, Haydon on,525n.Wordsworth’s sonnet to,525n.on theChaldee Manuscript,304on Criticism,305-6on Keats,525Scott, William Bell, onThe Eve of St Mark,440-1Scottish Chiefs, The(Porter),325Scottish Lowlands, Keats’s tour in,278Scots and Edinburgh Magazine, Review in of ‘Poems,’132,311&n.Scylla, inEndymion,190et sqq.Sea, the, Keats on,149Sonnet on (Keats),135Selections from the English Poets(Ward), Arnold’s essay on Keats in,543n.Selene, Artemis, Diana, and the Endymion myth,116n.Sensations, Keats’s use of the term,155-6,266Sentence-structure, Keats’s aptitude for,209That ofEndymionand ofPharonnidacompared,209n.Session of the Poets(Suckling),Sethos, old French romance, imitations of,186n.Severn, James, father of Joseph,78; wrath at Severn’s going to Italy with Keats,488Severn, Arthur, and the lost drawing of Keats,495Severn, Joseph, artistic gifts of,78Account by, of the voyage with Keats to Italy,489et sqq.andA Lover’s Complaint,492-4Attitude of, to Fanny Brawne,33&n.,331Drawings by, of Keats in his Berth at sea,495(lost); in his Bed in Rome,511; at Novello’s (lost),328; aminiature once owned by Fanny Brawne,533Friendship of, with Keats,77-8,141,262Keats’s companion in Italy,487et sqq.; devotion shown by to the end,504et sqq.; and the effect of the Reviews on Keats,516,522; loyalty to Keats,324; a touching incident recorded by,524-5Letters from, to various friends on the journey to Italy and Keats’s last days there,489et sqq.,passimLetters to, from Keats’s friends, while in Rome,513et sqq.Life of, in Rome,530,536Parents of,78Pictures by,380,487Religious views of,71Sharp’sLifeof, new knowledge of Keats derived from,545on Fanny Brawne,330; on Keats’s artistic instincts,255-6; on Keats’s eyes,79; on Keats’ elation over a meeting with Wordsworth,250; on Keats as invalid,456; on Keats’s Museum reveries,416; on the True cause of Keats’s distress in his illness,534Shakespeare, William, birth-place of, Keats’s visit to,144Coleridge’s Lectures on,244Influence seen inEndymion,185,189,206,217,239Keats compared with,537,543Keats’s study of,135-6,430Keats on his understanding of,254Line by, criticised by Wordsworth,402Lines of, on Endymion,167Middle age of, Keats on,356Negative capability of,253Plays of,see underNamesSonnets of, Brown’s book on,530-1; Keats’ appreciation of,153Use by, of the couplet compared with Pope’s,105Shakespearean quality of certain lines inEndymion,217,239Shanklin, Keats’s stay at, and writings while there,357et sqq.,405Sharp, William, new knowledge of Keats furnished by hisLife of Severn,545on Keats at 21,79Shelley, Harriet, death of,70Shelley, Percy Bysshe,245Anatomical studies of,29Appearance, voice and manner of,70,71Challenge to, inEndymion,189,239Characteristics, contrasted with those of Keats,72-3Debt of, toEndymion,238,239-40Derivation and nature of the beliefs sung by,220,540-1Devotion to, apparently incompatible with full justice to Keats,540-1Domestic difficulties of, and generosity during that time to Hunt,69-70Eccentricities of,138&n.Exasperation of, with certain verse,459Friendship of, with Hunt,69et sqq.,515Impression made on, bythe Alps,237Wordsworth’sExcursion,233-4Influence of, seen inEndymion,235et sqq.and Keats, relations between,69,70,71-3,256,481,483Keats’s fear of being influenced by,236Letter drafted by, to theQuarterly Reviewafter the attack on Keats,238Letters from, to Keats, inviting him to Italy,467,501from Switzerland, &c., compared with those of Keats, from the Lakes, &c.,275to Mrs Leigh Hunt on his desire to take care of Keats in Italy,483Letters to, from Keats, on the invitation to Italy,405; on his own unripe mentality,411Poems of,see underNamesAllegoric theme ofAlastor,171-2Beauty of rhythm used by,241Cambridge enthusiasm for,520,527,530Echoes in, of Milton,430Freedom of, from faults,50Galignani’s edition of,159n.2,527&n.2Gift of, toBrowning, effect of,526Keats, the reception of,467Influences moulding,241Lyrics in,241Posthumous, Hazlitt’s criticism of,521-2Rossetti’s enthusiasm for,536Referred to by Hunt inYoung Poets,54,69Use by, of rimed couplet,241Publishers of,83,131Views of, on theBlackwoodandQuarterlyReviews on Keats’s poems,238,315,516Death of (1822),521,522onEndymion,238,467,481; on Keats’s place among the Poets,545; on theLamiavolume,481-3; on study of the great Poets,89Shenstone, W., poems of,19Use by, of Spenserian stanza,445Shepheard’s Calendar, The,19Sheridan, Richard Brinsley, pension of,481Sicilian Story, The(Procter), identical in subject withIsabella,459Sickness, Keats on,263Siddons, Mrs. on the Head of Christ in Haydon’s painting,461Sidmouth, Reynolds’s love of,74Siege of Corinth(Byron), tag from, used by Keats,243Skiddaw, Keats’s climb on,274,275-6Sleep, invocations to, in Keats’s poems,177Sleep and Poetry(Keats),53,58,75n.,122Adverse criticism on,132Affinities with lines inEndymion,176n.,198-9Analysis of, with quotations,115et sqq.Date discussed,115Echoes in, of the ‘Great Spirits’ sonnet,121Haydon on,130Ideas in,448Invocation in, to Sleep,177Metre, diction and subject of,114-15,124,125Pope-Boileau passage in, derided byBlackwood,307; wrath of Byron on,480-1Published inPoems,114, place of in the volume,115References in, to the intimacy with Hunt,53-4Relation of, to contemporaries,125, and to the Elizabethans,124-5Use in, of the couplet,124-5‘Small, busy flames play through the fresh-laid coals’ (To My Brothers) sonnet (Keats),53Included inPoems,90Smith, Horace, friend of Haydon,62Keats’s acquaintance with,245Smith’sStandard Library, first separate collected edition of Keats’s poems issued in,528n.2Snook, John and Mrs, Keats’s visits to,333,491Soames, William,82Solitude wrong for the Poet, Wordsworth’s doctrine on, endorsed by Keats and Shelley,234et sqq.‘Some Titian colours touched into real life’ (Keats), from Epistle to Reynolds,264Somerset, the Keates of,4n.Song of the Four Fairies(Keats),350,441Song of the Indian Maiden inEndymion, fine quality of,225; in style an Ode,411Song, A, about Myself(Keats), (‘There was a naughty boy’),9-10Song, A, of Opposites(Keats),263,389Sonnet-beginnings of Dante, and of Keats,92& n.1Sonnet-forms employed by Keats,86,257Sonnet onPoems(Hunt),130-1Sonnets by Keats,see underFirst Lines, and TitlesinPoemsCharacter of,87Classes or GroupsAutumn group,90-1ExceptionsChapman sonnet,87-8Kosciusko sonnet,91Margate sonnet,91Leigh Hunt group,90Occasional,87; the great exception,87-8Sex-chivalry group,89Forms employed,86Haydon pair, the,91Problems of selection,91-2Sonnet, written at the end ofThe Floure and the Lefe(Keats),75Sonnets on the Nile by Hunt, Keats, and Shelley,256Sonnets showing strain of Keats’s love affair,343-4So reaching back to boyhood: make me ships, lines inEndymion,10Sosibios, Vase of, Keats’s tracing of,416& n.Sotheby, W., translator of Wieland’s Oberon,86-7& n.,309
Use by, of the Heroic couplet,108
Use by, of the Heroic couplet,108
Roman laws on Infectious Disease,508
Romantic poetry of the 19th century, Morris’s perhaps the last of,539
Weirdness and Terror of, in early period,390
Weirdness and Terror of, in early period,390
Romaunt of the Rose(Chaucer),437
Rome, Keats’s journey to, and death in,498,501,502et sqq.,512et sqq.
Keats-Shelley Memorial at,542Severn at, after Keats’s death,522,530Shelley’s burial place at,521
Keats-Shelley Memorial at,542
Severn at, after Keats’s death,522,530
Shelley’s burial place at,521
Rondeau, the, Keats’s view on,388
Ronsard, Pierre, Ode of, to Michel de l’Hôpital, on the Titans,428-9
Ross, Sir John, and the search for the North-West passage,324
Rossetti, Dante Gabriel, enthusiasms of, and high tribute to Keats,538,539
Evocation in, of Pre-Raphaelitism,325onThe Eve of St Mark,437,439-40
Evocation in, of Pre-Raphaelitism,325
onThe Eve of St Mark,437,439-40
Rossetti, William, on the poetry of Shelley and of Keats,541
‘Rowleyism’ ofThe Eve of St Mark,438
Rune-inscribed Shell, inEndymion,196&n.
Ruskin, John, and others, praises by, of theOde to Psyche,413
Ruth(Wordsworth),121
Rydal, Keats’s visit to, in Wordsworth’s absence,274
Sabrina, Keats’s poem planned on,495,504
‘Sacrifice to Apollo,’ picture by Claude, as inspiration to Keats,264
Sad Shepherd, The(Fletcher),206
‘Sad stories of the deaths of Kings,’ Shelley’s outburst with,138&n.
Safie(Reynolds),74
St Columb Major, the Keats of,5
St Paul’s School, Reynolds at,74
Saintsbury, Professor, and the debt ofEndymionto thePharonnidaof Chamberlayne,209n.
St. Stephen’s, Colman Street burial-place of Keats’s grandmother,16n.1
St Thomas’s Street, Keats’s “chummery” at,28,30
Samson Agonistes(Milton),272
St. Teath, the Keats’ of,4n.,5
Sanctuary, the, inHyperion,451-2
Sandell, Rowland,16
Sandoval(Llanos),536
Sandys, George, translation by, of Ovid’sMetamorphoses, Keats’ use of,171
Echoes of, in Keats’s poems,206,224,428Use in, of the heroic couplet,99-100
Echoes of, in Keats’s poems,206,224,428
Use in, of the heroic couplet,99-100
San Giuliano,Adonaiscomposed at,517
Sangrado, Dr., origin of the name,309&n.
Sappho, lines from, on Love, the limb-loosener,332&n.
Poem of, on the Endymion legend,166n.
Poem of, on the Endymion legend,166n.
Sarcophagus reliefs, as inspiration of Keats’s Bacchic lines,231, &n.,232
Satyr, The, masque (Jonson), and the legend of St. Agnes’ Eve,396
Metre of,386
Metre of,386
Scenery, Keats’s attitude to,153,174et sqq.
Science and Poetry, views on, of Hunt, Keats and Wordsworth,408-11
Scotland, Keats’s comments on,278,282et sqq.
Scott, Anne,525
Scott, John, the ‘Z’ papers denounced by,311; duel over, resulting in death of,519,526
Scott, Sir Walter, friend of Haydon,62
Letter from, to Lockhart, on his method of criticism,305-6Poems of,21,49,108,537
Letter from, to Lockhart, on his method of criticism,305-6
Poems of,21,49,108,537
Attitude to, of Hunt,21,45,303Environment as affecting,1Commercial success of,82
Attitude to, of Hunt,21,45,303
Environment as affecting,1
Commercial success of,82
Position of, as poet,526and his Publishers,303Relations of, with theBlackwoodgroup and Lockhart,303-6in Rome,525Smile of, Haydon on,525n.Wordsworth’s sonnet to,525n.on theChaldee Manuscript,304on Criticism,305-6on Keats,525
Position of, as poet,526
and his Publishers,303
Relations of, with theBlackwoodgroup and Lockhart,303-6
in Rome,525
Smile of, Haydon on,525n.
Wordsworth’s sonnet to,525n.
on theChaldee Manuscript,304
on Criticism,305-6
on Keats,525
Scott, William Bell, onThe Eve of St Mark,440-1
Scottish Chiefs, The(Porter),325
Scottish Lowlands, Keats’s tour in,278
Scots and Edinburgh Magazine, Review in of ‘Poems,’132,311&n.
Scylla, inEndymion,190et sqq.
Sea, the, Keats on,149
Sonnet on (Keats),135
Sonnet on (Keats),135
Selections from the English Poets(Ward), Arnold’s essay on Keats in,543n.
Selene, Artemis, Diana, and the Endymion myth,116n.
Sensations, Keats’s use of the term,155-6,266
Sentence-structure, Keats’s aptitude for,209
That ofEndymionand ofPharonnidacompared,209n.
That ofEndymionand ofPharonnidacompared,209n.
Session of the Poets(Suckling),
Sethos, old French romance, imitations of,186n.
Severn, James, father of Joseph,78; wrath at Severn’s going to Italy with Keats,488
Severn, Arthur, and the lost drawing of Keats,495
Severn, Joseph, artistic gifts of,78
Account by, of the voyage with Keats to Italy,489et sqq.andA Lover’s Complaint,492-4Attitude of, to Fanny Brawne,33&n.,331Drawings by, of Keats in his Berth at sea,495(lost); in his Bed in Rome,511; at Novello’s (lost),328; aminiature once owned by Fanny Brawne,533Friendship of, with Keats,77-8,141,262Keats’s companion in Italy,487et sqq.; devotion shown by to the end,504et sqq.; and the effect of the Reviews on Keats,516,522; loyalty to Keats,324; a touching incident recorded by,524-5Letters from, to various friends on the journey to Italy and Keats’s last days there,489et sqq.,passimLetters to, from Keats’s friends, while in Rome,513et sqq.Life of, in Rome,530,536Parents of,78Pictures by,380,487Religious views of,71Sharp’sLifeof, new knowledge of Keats derived from,545on Fanny Brawne,330; on Keats’s artistic instincts,255-6; on Keats’s eyes,79; on Keats’ elation over a meeting with Wordsworth,250; on Keats as invalid,456; on Keats’s Museum reveries,416; on the True cause of Keats’s distress in his illness,534
Account by, of the voyage with Keats to Italy,489et sqq.
andA Lover’s Complaint,492-4
Attitude of, to Fanny Brawne,33&n.,331
Drawings by, of Keats in his Berth at sea,495(lost); in his Bed in Rome,511; at Novello’s (lost),328; aminiature once owned by Fanny Brawne,533
Friendship of, with Keats,77-8,141,262
Keats’s companion in Italy,487et sqq.; devotion shown by to the end,504et sqq.; and the effect of the Reviews on Keats,516,522; loyalty to Keats,324; a touching incident recorded by,524-5
Letters from, to various friends on the journey to Italy and Keats’s last days there,489et sqq.,passim
Letters to, from Keats’s friends, while in Rome,513et sqq.
Life of, in Rome,530,536
Parents of,78
Pictures by,380,487
Religious views of,71
Sharp’sLifeof, new knowledge of Keats derived from,545
on Fanny Brawne,330; on Keats’s artistic instincts,255-6; on Keats’s eyes,79; on Keats’ elation over a meeting with Wordsworth,250; on Keats as invalid,456; on Keats’s Museum reveries,416; on the True cause of Keats’s distress in his illness,534
Shakespeare, William, birth-place of, Keats’s visit to,144
Coleridge’s Lectures on,244Influence seen inEndymion,185,189,206,217,239Keats compared with,537,543Keats’s study of,135-6,430Keats on his understanding of,254Line by, criticised by Wordsworth,402Lines of, on Endymion,167Middle age of, Keats on,356Negative capability of,253Plays of,see underNamesSonnets of, Brown’s book on,530-1; Keats’ appreciation of,153Use by, of the couplet compared with Pope’s,105
Coleridge’s Lectures on,244
Influence seen inEndymion,185,189,206,217,239
Keats compared with,537,543
Keats’s study of,135-6,430
Keats on his understanding of,254
Line by, criticised by Wordsworth,402
Lines of, on Endymion,167
Middle age of, Keats on,356
Negative capability of,253
Plays of,see underNames
Sonnets of, Brown’s book on,530-1; Keats’ appreciation of,153
Use by, of the couplet compared with Pope’s,105
Shakespearean quality of certain lines inEndymion,217,239
Shanklin, Keats’s stay at, and writings while there,357et sqq.,405
Sharp, William, new knowledge of Keats furnished by hisLife of Severn,545
on Keats at 21,79
on Keats at 21,79
Shelley, Harriet, death of,70
Shelley, Percy Bysshe,245
Anatomical studies of,29Appearance, voice and manner of,70,71Challenge to, inEndymion,189,239Characteristics, contrasted with those of Keats,72-3Debt of, toEndymion,238,239-40Derivation and nature of the beliefs sung by,220,540-1Devotion to, apparently incompatible with full justice to Keats,540-1Domestic difficulties of, and generosity during that time to Hunt,69-70Eccentricities of,138&n.Exasperation of, with certain verse,459Friendship of, with Hunt,69et sqq.,515Impression made on, by
Anatomical studies of,29
Appearance, voice and manner of,70,71
Challenge to, inEndymion,189,239
Characteristics, contrasted with those of Keats,72-3
Debt of, toEndymion,238,239-40
Derivation and nature of the beliefs sung by,220,540-1
Devotion to, apparently incompatible with full justice to Keats,540-1
Domestic difficulties of, and generosity during that time to Hunt,69-70
Eccentricities of,138&n.
Exasperation of, with certain verse,459
Friendship of, with Hunt,69et sqq.,515
Impression made on, by
the Alps,237Wordsworth’sExcursion,233-4
the Alps,237
Wordsworth’sExcursion,233-4
Influence of, seen inEndymion,235et sqq.and Keats, relations between,69,70,71-3,256,481,483
Influence of, seen inEndymion,235et sqq.
and Keats, relations between,69,70,71-3,256,481,483
Keats’s fear of being influenced by,236
Keats’s fear of being influenced by,236
Letter drafted by, to theQuarterly Reviewafter the attack on Keats,238Letters from, to Keats, inviting him to Italy,467,501
Letter drafted by, to theQuarterly Reviewafter the attack on Keats,238
Letters from, to Keats, inviting him to Italy,467,501
from Switzerland, &c., compared with those of Keats, from the Lakes, &c.,275to Mrs Leigh Hunt on his desire to take care of Keats in Italy,483
from Switzerland, &c., compared with those of Keats, from the Lakes, &c.,275
to Mrs Leigh Hunt on his desire to take care of Keats in Italy,483
Letters to, from Keats, on the invitation to Italy,405; on his own unripe mentality,411Poems of,see underNames
Letters to, from Keats, on the invitation to Italy,405; on his own unripe mentality,411
Poems of,see underNames
Allegoric theme ofAlastor,171-2Beauty of rhythm used by,241Cambridge enthusiasm for,520,527,530Echoes in, of Milton,430Freedom of, from faults,50Galignani’s edition of,159n.2,527&n.2Gift of, to
Allegoric theme ofAlastor,171-2
Beauty of rhythm used by,241
Cambridge enthusiasm for,520,527,530
Echoes in, of Milton,430
Freedom of, from faults,50
Galignani’s edition of,159n.2,527&n.2
Gift of, to
Browning, effect of,526Keats, the reception of,467
Browning, effect of,526
Keats, the reception of,467
Influences moulding,241Lyrics in,241Posthumous, Hazlitt’s criticism of,521-2Rossetti’s enthusiasm for,536Referred to by Hunt inYoung Poets,54,69Use by, of rimed couplet,241
Influences moulding,241
Lyrics in,241
Posthumous, Hazlitt’s criticism of,521-2
Rossetti’s enthusiasm for,536
Referred to by Hunt inYoung Poets,54,69
Use by, of rimed couplet,241
Publishers of,83,131Views of, on theBlackwoodandQuarterlyReviews on Keats’s poems,238,315,516Death of (1822),521,522onEndymion,238,467,481; on Keats’s place among the Poets,545; on theLamiavolume,481-3; on study of the great Poets,89
Publishers of,83,131
Views of, on theBlackwoodandQuarterlyReviews on Keats’s poems,238,315,516
Death of (1822),521,522
onEndymion,238,467,481; on Keats’s place among the Poets,545; on theLamiavolume,481-3; on study of the great Poets,89
Shenstone, W., poems of,19
Use by, of Spenserian stanza,445
Use by, of Spenserian stanza,445
Shepheard’s Calendar, The,19
Sheridan, Richard Brinsley, pension of,481
Sicilian Story, The(Procter), identical in subject withIsabella,459
Sickness, Keats on,263
Siddons, Mrs. on the Head of Christ in Haydon’s painting,461
Sidmouth, Reynolds’s love of,74
Siege of Corinth(Byron), tag from, used by Keats,243
Skiddaw, Keats’s climb on,274,275-6
Sleep, invocations to, in Keats’s poems,177
Sleep and Poetry(Keats),53,58,75n.,122
Adverse criticism on,132Affinities with lines inEndymion,176n.,198-9Analysis of, with quotations,115et sqq.Date discussed,115Echoes in, of the ‘Great Spirits’ sonnet,121Haydon on,130Ideas in,448Invocation in, to Sleep,177Metre, diction and subject of,114-15,124,125Pope-Boileau passage in, derided byBlackwood,307; wrath of Byron on,480-1Published inPoems,114, place of in the volume,115References in, to the intimacy with Hunt,53-4Relation of, to contemporaries,125, and to the Elizabethans,124-5Use in, of the couplet,124-5
Adverse criticism on,132
Affinities with lines inEndymion,176n.,198-9
Analysis of, with quotations,115et sqq.
Date discussed,115
Echoes in, of the ‘Great Spirits’ sonnet,121
Haydon on,130
Ideas in,448
Invocation in, to Sleep,177
Metre, diction and subject of,114-15,124,125
Pope-Boileau passage in, derided byBlackwood,307; wrath of Byron on,480-1
Published inPoems,114, place of in the volume,115
References in, to the intimacy with Hunt,53-4
Relation of, to contemporaries,125, and to the Elizabethans,124-5
Use in, of the couplet,124-5
‘Small, busy flames play through the fresh-laid coals’ (To My Brothers) sonnet (Keats),53
Included inPoems,90
Included inPoems,90
Smith, Horace, friend of Haydon,62
Keats’s acquaintance with,245
Keats’s acquaintance with,245
Smith’sStandard Library, first separate collected edition of Keats’s poems issued in,528n.2
Snook, John and Mrs, Keats’s visits to,333,491
Soames, William,82
Solitude wrong for the Poet, Wordsworth’s doctrine on, endorsed by Keats and Shelley,234et sqq.
‘Some Titian colours touched into real life’ (Keats), from Epistle to Reynolds,264
Somerset, the Keates of,4n.
Song of the Four Fairies(Keats),350,441
Song of the Indian Maiden inEndymion, fine quality of,225; in style an Ode,411
Song, A, about Myself(Keats), (‘There was a naughty boy’),9-10
Song, A, of Opposites(Keats),263,389
Sonnet-beginnings of Dante, and of Keats,92& n.1
Sonnet-forms employed by Keats,86,257
Sonnet onPoems(Hunt),130-1
Sonnets by Keats,see underFirst Lines, and Titles
inPoems
inPoems
Character of,87Classes or Groups
Character of,87
Classes or Groups
Autumn group,90-1Exceptions
Autumn group,90-1
Exceptions
Chapman sonnet,87-8Kosciusko sonnet,91Margate sonnet,91
Chapman sonnet,87-8
Kosciusko sonnet,91
Margate sonnet,91
Leigh Hunt group,90Occasional,87; the great exception,87-8Sex-chivalry group,89
Leigh Hunt group,90
Occasional,87; the great exception,87-8
Sex-chivalry group,89
Forms employed,86Haydon pair, the,91Problems of selection,91-2
Forms employed,86
Haydon pair, the,91
Problems of selection,91-2
Sonnet, written at the end ofThe Floure and the Lefe(Keats),75
Sonnets on the Nile by Hunt, Keats, and Shelley,256
Sonnets showing strain of Keats’s love affair,343-4
So reaching back to boyhood: make me ships, lines inEndymion,10
Sosibios, Vase of, Keats’s tracing of,416& n.
Sotheby, W., translator of Wieland’s Oberon,86-7& n.,309