It was on the evening of the 27th of November, 1902, I at the Metropolitan Club, New York City, that Col. George Harvey, president of the Harper Company, gave Mark Twain a dinner in celebration of his sixty-seventh birthday. The actual date fell three days later; but that would bring it on Sunday, and to give it on Saturday night would be more than likely to carry it into Sabbath morning, and so the 27th was chosen. Colonel Harvey himself presided, and Howells led the speakers with a poem, "A Double-Barreled Sonnet to Mark Twain," which closed:
Still, to have everything beyond cavil right,We will dine with you here till Sunday night.
Thomas Brackett Reed followed with what proved to be the last speech he would ever make, as it was also one of his best. All the speakers did well that night, and they included some of the country's foremost in oratory: Chauncey Depew, St. Clair McKelway, Hamilton Mabie, and Wayne MacVeagh. Dr. Henry van Dyke and John Kendrick Bangs read poems. The chairman constantly kept the occasion from becoming too serious by maintaining an attitude of "thinking ambassador" for the guest of the evening, gently pushing Clemens back in his seat when he attempted to rise and expressing for him an opinion of each of the various tributes.
"The limit has been reached," he announced at the close of Dr. van Dyke's poem. "More that is better could not be said. Gentlemen, Mr. Clemens."
It is seldom that Mark Twain has made a better after-dinner speech than he delivered then. He was surrounded by some of the best minds of the nation, men assembled to do him honor. They expected much of him—to Mark Twain always an inspiring circumstance. He was greeted with cheers and hand-clapping that came volley after volley, and seemed never ready to end. When it had died away at last he stood waiting a little in the stillness for his voice; then he said, "I think I ought to be allowed to talk as long as I want to," and again the storm broke.
It is a speech not easy to abridge—a finished and perfect piece of after-dinner eloquence,—[The "Sixty-seventh Birthday Speech" entire is included in the volume Mark Twain's Speeches.]—full of humorous stories and moving references to old friends—to Hay; and Reed, and Twichell, and Howells, and Rogers, the friends he had known so long and loved so well. He told of his recent trip to his boyhood home, and how he had stood with John Briggs on Holliday's Hill and they had pointed out the haunts of their youth. Then at the end he paid a tribute to the companion of his home, who could not be there to share his evening's triumph. This peroration—a beautiful heart-offering to her and to those that had shared in long friendship—demands admission:
Now, there is one invisible guest here. A part of me is not present; the larger part, the better part, is yonder at her home; that is my wife, and she has a good many personal friends here, and I think it won't distress any one of them to know that, although she is going to be confined to her bed for many months to come from that nervous prostration, there is not any danger and she is coming along very well—and I think it quite appropriate that I should speak of her. I knew her for the first time just in the same year that I first knew John Hay and Tom Reed and Mr. Twichell—thirty-six years ago—and she has been the best friend I have ever had, and that is saying a good deal—she has reared me—she and Twichell together —and what I am I owe to them. Twichell—why, it is such a pleasure to look upon Twichell's face! For five and twenty years I was under the Rev. Mr. Twichell's tuition, I was in his pastorate occupying a pew in his church and held him in due reverence. That man is full of all the graces that go to make a person companionable and beloved; and wherever Twichell goes to start a church the people flock there to buy the land; they find real estate goes up all around the spot, and the envious and the thoughtful always try to get Twichell to move to their neighborhood and start a church; and wherever you see him go you can go and buy land there with confidence, feeling sure that there will be a double price for you before very long.
I have tried to do good in this world, and it is marvelous in how many different ways I have done good, and it is comfortable to reflect—now, there's Mr. Rogers—just out of the affection I bear that man many a time I have given him points in finance that he had never thought of—and if he could lay aside envy, prejudice, and superstition, and utilize those ideas in his business, it would make a difference in his bank-account.
Well, I liked the poetry. I liked all the speeches and the poetry, too. I liked Dr. van Dyke's poem. I wish I could return thanks in proper measure to you, gentlemen, who have spoken and violated your feelings to pay me compliments; some were merited and some you overlooked, it is true; and Colonel Harvey did slander every one of you, and put things into my mouth that I never said, never thought of at all.
And now my wife and I, out of our single heart, return you our deepest and most grateful thanks, and—yesterday was her birthday.
The sixty-seventh birthday dinner was widely celebrated by the press, and newspaper men generally took occasion to pay brilliant compliments to Mark Twain. Arthur Brisbane wrote editorially:
For more than a generation he has been the Messiah of a genuine gladness and joy to the millions of three continents.
It was little more than a week later that one of the old friends he had mentioned, Thomas Brackett Reed, apparently well and strong that birthday evening, passed from the things of this world. Clemens felt his death keenly, and in a "good-by" which he wrote for Harper's Weekly he said:
His was a nature which invited affection—compelled it, in fact—and met it half-way. Hence, he was "Tom" to the most of his friends and to half of the nation . . . .
I cannot remember back to a time when he was not "Tom" Reed to me, nor to a time when he could have been offended at being so addressed by me. I cannot remember back to a time when I could let him alone in an after-dinner speech if he was present, nor to a time when he did not take my extravagance concerning him and misstatements about him in good part, nor yet to a time when he did not pay them back with usury when his turn came. The last speech he made was at my birthday dinner at the end of November, when naturally I was his text; my last word to him was in a letter the next day; a day later I was illustrating a fantastic article on art with his portrait among others—a portrait now to be laid reverently away among the jests that begin in humor and end in pathos. These things happened only eight days ago, and now he is gone from us, and the nation is speaking of him as one who was. It seems incredible, impossible. Such a man, such a friend, seems to us a permanent possession; his vanishing from our midst is unthinkable, as was the vanishing of the Campanile, that had stood for a thousand years and was turned to dust in a moment.
The appreciation closes:
I have only wished to say how fine and beautiful was his life and character, and to take him by the hand and say good-by, as to a fortunate friend who has done well his work and gees a pleasant journey.
The North American Review for December (1902) contained an instalment of the Christian Science series which Mark Twain had written in Vienna several years before. He had renewed his interest in the doctrine, and his admiration for Mrs. Eddy's peculiar abilities and his antagonism toward her had augmented in the mean time. Howells refers to the "mighty moment when Clemens was building his engines of war for the destruction of Christian Science, which superstition nobody, and he least of all, expected to destroy":
He believed that as a religious machine the Christian Science Church was as perfect as the Roman Church, and destined to be more formidable in its control of the minds of men . . . .
An interesting phase of his psychology in this business was not. only his admiration for the masterly policy of the Christian Science hierarchy, but his willingness to allow the miracles of its healers to be tried on his friends and family if they wished it. He had a tender heart for the whole generation of empirics, as well as the newer sorts of scienticians, but he seemed to base his faith in them largely upon the failure of the regulars, rather than upon their own successes, which also he believed in. He was recurrently, but not insistently, desirous that you should try their strange magics when you were going to try the familiar medicines.
Clemens never had any quarrel with the theory of Christian Science or mental healing, or with any of the empiric practices. He acknowledged good in all of them, and he welcomed most of them in preference to materia medica. It is true that his animosity for the founder of the Christian Science cult sometimes seems to lap over and fringe the religion itself; but this is apparent rather than real. Furthermore, he frequently expressed a deep obligation which humanity owed to the founder of the faith, in that she had organized a healing element ignorantly and indifferently employed hitherto. His quarrel with Mrs. Eddy lay in the belief that she herself, as he expressed it, was "a very unsound Christian Scientist."
I believe she has a serious malady—self-edification—and that it will be well to have one of the experts demonstrate over her. [But he added]: Closely examined, painstakingly studied, she is easily the most interesting person on the planet, and in several ways as easily the most extraordinary woman that was ever born upon it.
Necessarily, the forces of Christian Science were aroused by these articles, and there were various replies, among them, one by the founder herself, a moderate rejoinder in her usual literary form.
"Mrs. Eddy in Error," in the North American Review for April, 1903, completed what Clemens had to say on the matter for this time.
He was putting together a book on the subject, comprised of his various published papers and some added chapters. It would not be a large volume, and he offered to let his Christian Science opponents share it with him, stating their side of the case. Mr. William D. McCrackan, one of the church's chief advocates, was among those invited to participate. McCrackan and Clemens, from having begun as enemies, had become quite friendly, and had discussed their differences face to face at considerable length. Early in the controversy Clemens one night wrote McCrackan a pretty savage letter. He threw it on the hall table for mailing, but later got out of bed and slipped down-stairs to get it. It was too late—the letters had been gathered up and mailed. Next evening a truly Christian note came from McCrackan, returning the hasty letter, which he said he was sure the writer would wish to recall. Their friendship began there. For some reason, however, the collaborated volume did not materialize. In the end, publication was delayed a number of years, by which time Clemens's active interest was a good deal modified, though the practice itself never failed to invite his attention.
Howells refers to his anti-Christian Science rages, which began with the postponement of the book, and these Clemens vented at the time in another manuscript entitled, "Eddypus," an imaginary history of a thousand years hence, when Eddyism should rule the world. By that day its founder would have become a deity, and the calendar would be changed to accord with her birth. It was not publishable matter, and really never intended as such. It was just one of the things which Mark Twain wrote to relieve mental pressure.
The Christmas number of Harper's Magazine for 1902 contained the story, "Was it Heaven? or Hell?" and it immediately brought a flood of letters to its author from grateful readers on both sides of the ocean. An Englishman wrote: "I want to thank you for writing so pathetic and so profoundly true a story"; and an American declared it to be the best short story ever written. Another letter said:
I have learned to love those maiden liars—love and weep over them —then put them beside Dante's Beatrice in Paradise.
There were plenty of such letters; but there was one of a different sort. It was a letter from a man who had but recently gone through almost precisely the experience narrated in the tale. His dead daughter had even borne the same name—Helen. She had died of typhus while her mother was prostrated with the same malady, and the deception had been maintained in precisely the same way, even to the fictitiously written letters. Clemens replied to this letter, acknowledging the striking nature of the coincidence it related, and added that, had he invented the story, he would have believed it a case of mental telegraphy.
I was merely telling a true story just as it had been told to me by one who well knew the mother and the daughter & all the beautiful & pathetic details. I was living in the house where it had happened, three years before, & I put it on paper at once while it was fresh in my mind, & its pathos still straining at my heartstrings.
Clemens did not guess that the coincidences were not yet complete, that within a month the drama of the tale would be enacted in his own home. In his note-book, under the date of December 24(1902), he wrote:
Jean was hit with a chill: Clara was completing her watch in hermother's room and there was no one able to force Jean to go to bed.As a result she is pretty ill to-day-fever & high temperature.
Three days later he added:
It was pneumonia. For 5 days jean's temperature ranged between 103 & 104 2/5, till this morning, when it got down to 101. She looks like an escaped survivor of a forest fire. For 6 days now my story in the Christmas Harper's "Was it Heaven? or Hell?"—has been enacted in this household. Every day Clara & the nurses have lied about Jean to her mother, describing the fine times she is having outdoors in the winter sports.
That proved a hard, trying winter in the Clemens home, and the burden of it fell chiefly, indeed almost entirely, upon Clara Clemens. Mrs. Clemens became still more frail, and no other member of the family, not even her husband, was allowed to see her for longer than the briefest interval. Yet the patient was all the more anxious to know the news, and daily it had to be prepared—chiefly invented—for her comfort. In an account which Clemens once set down of the "Siege and Season of Unveracity," as he called it, he said:
Clara stood a daily watch of three or four hours, and hers was a hard office indeed. Daily she sealed up in her heart a dozen dangerous truths, and thus saved her mother's life and hope and happiness with holy lies. She had never told her mother a lie in her life before, and I may almost say that she never told her a truth afterward. It was fortunate for us all that Clara's reputation for truthfulness was so well established in her mother's mind. It was our daily protection from disaster. The mother never doubted Clara's word. Clara could tell her large improbabilities without exciting any suspicion, whereas if I tried to market even a small and simple one the case would have been different. I was never able to get a reputation like Clara's. Mrs. Clemens questioned Clara every day concerning Jean's health, spirits, clothes, employments, and amusements, and how she was enjoying herself; and Clara furnished the information right along in minute detail—every word of it false, of course. Every day she had to tell how Jean dressed, and in time she got so tired of using Jean's existing clothes over and over again, and trying to get new effects out of them, that finally, as a relief to her hard-worked invention, she got to adding imaginary clothes to Jean's wardrobe, and probably would have doubled it and trebled it if a warning note in her mother's comments had not admonished her that she was spending more money on these spectral gowns and things than the family income justified.
Some portions of detailed accounts of Clara's busy days of this period, as written at the time by Clemens to Twichell and to Mrs. Crane, are eminently worth preserving. To Mrs. Crane:
Clara does not go to her Monday lesson in New York today [her mother having seemed not so well through the night], but forgets that fact and enters her mother's room (where she has no business to be) toward train-time dressed in a wrapper.
LIVY. Why, Clara, aren't you going to your lesson?CLARA (almost caught). Yes.L. In that costume?CL. Oh no.L. Well, you can't make your train; it's impossible.CL. I know, but I'm going to take the other one.L. Indeed that won't do—you'll be ever so much too late foryour lesson.CL. No, the lesson-time has been put an hour later.L. (satisfied, then suddenly). But, Clara, that train and the latelesson together will make you late to Mrs. Hapgood's luncheon.CL. No, the train leaves fifteen minutes earlier than it used to.L. (satisfied). Tell Mrs. Hapgood, etc., etc., etc. (which Clarapromises to do). Clara, dear, after the luncheon—I hate to putthis on you—but could you do two or three little shopping-errandsfor me?CL. Oh, it won't trouble me a bit-I can do it. (Takes a list ofthe things she is to buy-a list which she will presently hand toanother.)
At 3 or 4 P.M. Clara takes the things brought from New York,studies over her part a little, then goes to her mother's room.
LIVY. It's very good of you, dear. Of course, if I had known itwas going to be so snowy and drizzly and sloppy I wouldn't haveasked you to buy them. Did you get wet?CL. Oh, nothing to hurt.L. You took a cab both ways?CL. Not from the station to the lesson-the weather was good enoughtill that was over.L. Well, now, tell me everything Mrs. Hapgood said.
Clara tells her a long yarn-avoiding novelties and surprises and anything likely to inspire questions difficult to answer; and of course detailing the menu, for if it had been the feeding of the 5,000 Livy would have insisted on knowing what kind of bread it was and how the fishes were served. By and by, while talking of something else:
LIVY. Clams!—in the end of December. Are you sure it was clams?CL. I didn't say cl—-I meant Blue Points.L. (tranquilized). It seemed odd. What is Jean doing?CL. She said she was going to do a little typewriting.L. Has she been out to-day?CL. Only a moment, right after luncheon. She was determined to goout again, but——L. How did you know she was out?CL. (saving herself in time). Katie told me. She was determinedto go out again in the rain and snow, but I persuaded her to stayin.L. (with moving and grateful admiration). Clara, you arewonderful! the wise watch you keep over Jean, and the influence youhave over her; it's so lovely of you, and I tied here and can't takecare of her myself. (And she goes on with these undeserved praisestill Clara is expiring with shame.)
To Twichell:
I am to see Livy a moment every afternoon until she has another bad night; and I stand in dread, for with all my practice I realize that in a sudden emergency I am but a poor, clumsy liar, whereas a fine alert and capable emergency liar is the only sort that is worth anything in a sick-chamber.
Now, Joe, just see what reputation can do. All Clara's life she has told Livy the truth and now the reward comes; Clara lies to her three and a half hours every day, and Livy takes it all at par, whereas even when I tell her a truth it isn't worth much without corroboration . . . .
Soon my brief visit is due. I've just been up listening at Livy's door.
5 P.M. A great disappointment. I was sitting outside Livy's door waiting. Clara came out a minute ago and said L ivy is not so well, and the nurse can't let me see her to-day.
That pathetic drama was to continue in some degree for many a long month. All that winter and spring Mrs. Clemens kept but a frail hold on life. Clemens wrote little, and refused invitations everywhere he could. He spent his time largely in waiting for the two-minute period each day when he could stand at the bed-foot and say a few words to the invalid, and he confined his writing mainly to the comforting, affectionate messages which he was allowed to push under her door. He was always waiting there long before the moment he was permitted to enter. Her illness and her helplessness made manifest what Howells has fittingly characterized as his "beautiful and tender loyalty to her, which was the most moving quality of his most faithful soul."
Most of Mark Twain's stories have been dramatized at one time or another, and with more or less success. He had two plays going that winter, one of them the little "Death Disk," which—in story form had appeared a year before in Harper's Magazine. It was put on at the Carnegie Lyceum with considerable effect, but it was not of sufficient importance to warrant a long continuance.
Another play of that year was a dramatization of Huckleberry Finn, by Lee Arthur. This was played with a good deal of success in Baltimore, Philadelphia, and elsewhere, the receipts ranging from three hundred to twenty-one hundred dollars per night, according to the weather and locality. Why the play was discontinued is not altogether apparent; certainly many a dramatic enterprise has gone further, faring worse.
Huck in book form also had been having adventures a little earlier, in being tabooed on account of his morals by certain librarians of Denver and Omaha. It was years since Huck had been in trouble of that sort, and he acquired a good deal of newspaper notoriety in consequence.
Certain entries in Mark Twain's note-book reveal somewhat of his life and thought at this period. We find such entries as this:
Saturday, January 3, 1903. The offspring of riches: Pride, vanity,ostentation, arrogance, tyranny.
Sunday, January 4, 1903. The offspring of poverty: Greed, sordidness, envy, hate, malice, cruelty, meanness, lying, shirking, cheating, stealing, murder.
Monday, February 2, 1903. 33d wedding anniversary. I was allowed to see Livy 5 minutes this morning in honor of the day. She makes but little progress toward recovery, still there is certainly some, we are sure.
Sunday, March 1, 1903. We may not doubt that society in heaven consists mainly of undesirable persons.
Thursday, March 19, 1903. Susy's birthday. She would be 31 now.
The family illnesses, which presently included an allotment for himself, his old bronchitis, made him rage more than ever at the imperfections of the species which could be subject to such a variety of ills. Once he wrote:
Man was made at the end of the week's work when God was tired.
And again:
Adam, man's benefactor—he gave him all that he has ever received that was worth having—death.
The Riverdale home was in reality little more than a hospital that spring. Jean had scarcely recovered her physical strength when she was attacked by measles, and Clara also fell a victim to the infection. Fortunately Mrs. Clemens's health had somewhat improved.
It was during this period that Clemens formulated his eclectic therapeutic doctrine. Writing to Twichell April 4, 1903, he said:
Livy does make a little progress these past 3 or 4 days, progress which is visible to even the untrained eye. The physicians are doing good work for her, but my notion is, that no art of healing is the best for all ills. I should distribute the ailments around: surgery cases to the surgeon; lupus to the actinic-ray specialist; nervous prostration to the Christian Scientist; most ills to the allopath & the homeopath; & (in my own particular case) rheumatism, gout, & bronchial attack to the osteopathist.
He had plenty of time to think and to read during those weeks of confinement, and to rage, and to write when he felt the need of that expression, though he appears to have completed not much for print beyond his reply to Mrs. Eddy, already mentioned, and his burlesque, "Instructions in Art," with pictures by himself, published in the Metropolitan for April and May.
Howells called his attention to some military outrages in the Philippines, citing a case where a certain lieutenant had tortured one of his men, a mild offender, to death out of pure deviltry, and had been tried but not punished for his fiendish crime.—[The torture to death of Private Edward C. Richter, an American soldier, by orders of a commissioned officer of the United States army on the night of February 7, 1902. Private Richter was bound and gagged and the gag held in his mouth by means of a club while ice-water was slowly poured into his face, a dipper full at a time, for two hours and a half, until life became extinct.]
Clemens undertook to give expression to his feelings on this subject, but he boiled so when he touched pen to paper to write of it that it was simply impossible for him to say anything within the bounds of print. Then his only relief was to rise and walk the floor, and curse out his fury at the race that had produced such a specimen.
Mrs. Clemens, who perhaps got some drift or the echo of these tempests, now and then sent him a little admonitory, affectionate note.
Among the books that Clemens read, or tried to read, during his confinement were certain of the novels of Sir Walter Scott. He had never been able to admire Scott, and determined now to try to understand this author's popularity and his standing with the critics; but after wading through the first volume of one novel, and beginning another one, he concluded to apply to one who could speak as having authority. He wrote to Brander Matthews:
DEAR BRANDER,—I haven't been out of my bed for 4 weeks, but-well, I have been reading a good deal, & it occurs to me to ask you to sit down, some time or other when you have 8 or 9 months to spare, & jot me down a certain few literary particulars for my help & elevation. Your time need not be thrown away, for at your further leisure you can make Columbian lectures out of the results & do your students a good turn.
1. Are there in Sir Walter's novels passages done in good English—English which is neither slovenly nor involved?
2. Are there passages whose English is not poor & thin & commonplace, but is of a quality above that?
3. Are there passages which burn with real fire—not punk, fox- fire, make-believe? 4. Has he heroes & heroines who are not cads and cadesses?
5. Has he personages whose acts & talk correspond with their characters as described by him?
6. Has he heroes & heroines whom the reader admires—admires andknows why?
7. Has he funny characters that are funny, and humorous passagesthat are humorous?
8. Does he ever chain the reader's interest & make him reluctant to lay the book down?
9. Are there pages where he ceases from posing, ceases from admiring the placid flood & flow of his own dilution, ceases from being artificial, & is for a time, long or short, recognizably sincere & in earnest?
10. Did he know how to write English, & didn't do it because he didn't want to?
11. Did he use the right word only when he couldn't think of another one, or did he run so much to wrong words because he didn't know the right one when he saw it?
12. Can you read him and keep your respect for him? Of course a person could in his day—an era of sentimentality & sloppy romantics—but land! can a body do it to-day?
Brander, I lie here dying; slowly dying, under the blight of Sir Walter. I have read the first volume of Rob Roy, & as far as Chapter XIX of Guy Mannering, & I can no longer hold my head up or take my nourishment. Lord, it's all so juvenile! so artificial, so shoddy; & such wax figures & skeletons & specters. Interest? Why, it is impossible to feel an interest in these bloodless shams, these milk-&-water humbugs. And oh, the poverty of invention! Not poverty in inventing situations, but poverty in furnishing reasons for them. Sir Walter usually gives himself away when he arranges for a situation—elaborates & elaborates & elaborates till, if you live to get to it, you don't believe in it when it happens.
I can't find the rest of Rob Roy, I, can't stand any more Mannering —I do not know just what to do, but I will reflect, & not quit this great study rashly ….
My, I wish I could see you & Leigh Hunt!
Sincerely yours,
But a few days later he experienced a revelation. It came when he perseveringly attacked still a third work of Scott—Quentin Durward. Hastily he wrote to Matthews again:
I'm still in bed, but the days have lost their dullness since I broke into Sir Walter & lost my temper. I finished Guy Mannering that curious, curious book, with its mob of squalid shadows gibbering around a single flesh-&-blood being—Dinmont; a book crazily put together out of the very refuse of the romance artist's stage properties—finished it & took up Quentin Durward & finished that.
It was like leaving the dead to mingle with the living; it was like withdrawing from the infant class in the college of journalism to sit under the lectures in English literature in Columbia University.
I wonder who wrote Quentin Durward?—[This letter, enveloped, addressed, and stamped, was evidently mislaid. It was found and mailed seven years later, June, 1910 message from the dead.]
Among other books which he read that winter and spring was Helen Keller's 'The Story of My Life', then recently published. That he finished it in a mood of sweet gentleness we gather from a long, lovely letter which he wrote her—a letter in which he said:
I am charmed with your book—enchanted. You are a wonderful creature, the most wonderful in the world—you and your other half together—Miss Sullivan, I mean—for it took the pair of you to make a complete & perfect whole. How she stands out in her letters! her brilliancy, penetration, originality, wisdom, character, & the fine literary competencies of her pen—they are all there.
When reading and writing failed as diversion, Mark Twain often turned to mathematics. With no special talent for accuracy in the matter of figures, he had a curious fondness for calculations, scientific and financial, and he used to cover pages, ciphering at one thing and another, arriving pretty inevitably at the wrong results. When the problem was financial, and had to do with his own fortunes, his figures were as likely as not to leave him in a state of panic. The expenditures were naturally heavy that spring; and one night, when he had nothing better to do, he figured the relative proportion to his income. The result showed that they were headed straight for financial ruin. He put in the rest of the night fearfully rolling and tossing, and reconstructing his figures that grew always worse, and next morning summoned Jean and Clara and petrified them with the announcement that the cost of living was one hundred and twenty-five per cent. more than the money-supply.
Writing to MacAlister three days later he said:
It was a mistake. When I came down in the morning, a gray and aged wreck, I found that in some unaccountable way (unaccountable to a business man, but not to me) I had multiplied the totals by two. By God, I dropped seventy-five years on the floor where I stood!
Do you know it affected me as one is affected when one wakes out of a hideous dream & finds it was only a dream. It was a great comfort & satisfaction to me to call the daughters to a private meeting of the board again. Certainly there is a blistering & awful reality about a well-arranged unreality. It is quite within the possibilities that two or three nights like that of mine would drive a man to suicide. He would refuse to examine the figures, they would revolt him so, & he would go to his death unaware that there was nothing serious about them. I cannot get that night out of my head, it was so vivid, so real, so ghastly: In any other year of these thirty-three the relief would have been simple: go where you can, cut your cloth to fit your income. You can't do that when your wife can't be moved, even from one room to the next.
The doctor & a specialist met in conspiracy five days ago, & in their belief she will by and by come out of this as good as new, substantially. They ordered her to Italy for next winter—which seems to indicate that by autumn she will be able to undertake the voyage. So Clara is writing to a Florence friend to take a look around among the villas for us in the regions near that city.
Mark Twain had been at home well on toward three years; but his popularity showed no signs of diminishing. So far from having waned, it had surged to a higher point than ever before. His crusade against public and private abuses had stirred readers, and had set them to thinking; the news of illness in his household; a report that he was contemplating another residence abroad—these things moved deeply the public heart, and a tide of letters flowed in, letters of every sort—of sympathy, of love, or hearty endorsement, whatever his attitude of reform.
When a writer in a New York newspaper said, "Let us go outside the realm of practical politics next time in choosing our candidates for the Presidency," and asked, "Who is our ablest and most conspicuous private citizen?" another editorial writer, Joseph Hollister, replied that Mark Twain was "the greatest man of his day in private life, and entitled to the fullest measure of recognition."
But Clemens was without political ambitions. He knew the way of such things too well. When Hollister sent him the editorial he replied only with a word of thanks, and did not, even in jest, encourage that tiny seed of a Presidential boom. One would like to publish many of the beautiful letters received during this period, for they are beautiful, most of them, however illiterate in form, however discouraging in length —beautiful in that they overflow with the writers' sincerity and gratitude.
So many of them came from children, usually without the hope of a reply, some signed only with initials, that the writers might not be open to the suspicion of being seekers for his autograph. Almost more than any other reward, Mark Twain valued this love of the children.
A department in the St. Nicholas Magazine offered a prize for a caricature drawing of some well-known man. There were one or two of certain prominent politicians and capitalists, and there was literally a wheelbarrow load of Mark Twain. When he was informed of this he wrote: "No tribute could have pleased me more than that—the friendship of the children."
Tributes came to him in many forms. In his native State it was proposed to form a Mark Twain Association, with headquarters at Hannibal, with the immediate purpose of having a week set apart at the St. Louis World's Fair, to be called the Mark Twain week, with a special Mark Twain day, on which a national literary convention would be held. But when his consent was asked, and his co-operation invited, he wrote characteristically:
It is indeed a high compliment which you offer me, in naming an association after me and in proposing the setting apart of a Mark Twain day at the great St. Louis Fair, but such compliments are not proper for the living; they are proper and safe for the dead only. I value the impulse which moves you to tender me these honors. I value it as highly as any one can, and am grateful for it, but I should stand in a sort of terror of the honors themselves. So long as we remain alive we are not safe from doing things which, however righteously and honorably intended, can wreck our repute and extinguish our friendships.
I hope that no society will be named for me while I am still alive, for I might at some time or other do something which would cause its members to regret having done me that honor. After I shall have joined the dead I shall follow the custom of those people, and be guilty of no conduct that can wound any friend; but until that time shall come I shall be a doubtful quantity, like the rest of our race.
The committee, still hoping for his consent, again appealed to him. But again he wrote:
While I am deeply touched by the desire of my friends of Hannibal to confer these great honors upon me I must still forbear to accept them. Spontaneous and unpremeditated honors, like those which came to me at Hannibal, Columbia, St. Louis, and at the village stations all down the line, are beyond all price and are a treasure for life in the memory, for they are a free gift out of the heart and they come without solicitation; but I am a Missourian, and so I shrink from distinctions which have to be arranged beforehand and with my privity, for I then become a party to my own exalting. I am humanly fond of honors that happen, but chary of those that come by canvass and intention.
Somewhat later he suggested a different feature for the fair; one that was not practical, perhaps, but which certainly would have aroused interest—that is to say, an old-fashioned six-day steamboat-race from New Orleans to St. Louis, with the old-fashioned accessories, such as torch-baskets, forecastle crowds of negro singers, with a negro on the safety-valve. In his letter to President Francis he said:
As to particulars, I think that the race should be a genuine reproduction of the old-time race, not just an imitation of it, and that it should cover the whole course. I think the boats should begin the trip at New Orleans, and side by side (not an interval between), and end it at North St. Louis, a mile or two above the Big Mound.
In a subsequent letter to Governor Francis he wrote:
It has been a dear wish of mine to exhibit myself at the great Fair & get a prize, but circumstances beyond my control have interfered . . . .
I suppose you will get a prize, because you have created the most prodigious Fair the planet has ever seen. Very well, you have indeed earned it, and with it the gratitude of the State and the nation.
Newspaper men used every inducement to get interviews from him. They invited him to name a price for any time he could give them, long or short. One reporter offered him five hundred dollars for a two-hour talk. Another proposed to pay him one hundred dollars a week for a quarter of a day each week, allowing him to discuss any subject he pleased. One wrote asking him two questions: the first, "Your favorite method of escaping from Indians"; the second, "Your favorite method of escaping capture by the Indians when they were in pursuit of you." They inquired as to his favorite copy-book maxim; as to what he considered most important to a young man's success; his definition of a gentleman. They wished to know his plan for the settlement of labor troubles. But they did not awaken his interest, or his cupidity. To one applicant he wrote:
No, there are temptations against which we are fire-proof. Your proposition is one which comes to me with considerable frequency, but it never tempts me. The price isn't the objection; you offer plenty. It is the nature of the work that is the objection—a kind of work which I could not do well enough to satisfy me. To multiply the price by twenty would not enable me to do the work to my satisfaction, & by consequence would make no impression upon me.
Once he allowed himself to be interviewed for the Herald, when from Mr. Rogers's yacht he had watched Sir Thomas Lipton's Shamrock go down to defeat; but this was a subject which appealed to him—a kind of hotweather subject—and he could be as light-minded about it as he chose.
The Clemenses were preparing to take up residence in Florence, Italy. The Hartford house had been sold in May, ending forever the association with the city that had so long been a part of their lives. The Tarrytown place, which they had never occupied, they also agreed to sell, for it was the belief now that Mrs. Clemens's health would never greatly prosper there. Howells says, or at least implies, that they expected their removal to Florence to be final. He tells us, too, of one sunny afternoon when he and Clemens sat on the grass before the mansion at Riverdale, after Mrs. Clemens had somewhat improved, and how they "looked up toward a balcony where by and by that lovely presence made itself visible, as if it had stooped there from a cloud. A hand frailly waved a handkerchief; Clemens ran over the lawn toward it, calling tenderly." It was a greeting to Howells the last he would ever receive from her.
Mrs. Clemens was able to make a trip to Elmira by the end of June, and on the 1st of July Mr. Rogers brought Clemens and his wife down the river on his yacht to the Lackawanna pier, and they reached Quarry Farm that evening. She improved in the quietude and restfulness of that beloved place. Three weeks later Clemens wrote to Twichell:
Livy is coming along: eats well, sleeps some, is mostly very gay, not very often depressed; spends all day on the porch, sleeps there a part of the night; makes excursions in carriage & in wheel-chair; &, in the matter of superintending everything & everybody, has resumed business at the old stand.
During three peaceful months she spent most of her days reclining on the wide veranda, surrounded by those dearest to her, and looking out on the dreamlike landscape—the long, grassy slope, the drowsy city, and the distant hills—getting strength for the far journey by sea. Clemens did some writing, occupying the old octagonal study—shut in now and overgrown with vines—where during the thirty years since it was built so many of his stories had been written. 'A Dog's Tale'—that pathetic anti-vivisection story—appears to have been the last manuscript ever completed in the spot consecrated by Huck and Tom, and by Tom Canty the Pauper and the little wandering Prince.
It was October 5th when they left Elmira. Two days earlier Clemens had written in his note-book:
Today I placed flowers on Susy's grave—for the last time probably—& read words:
"Good-night, dear heart, good-night."
They did not return to Riverdale, but went to the Hotel Grosvenor for the intervening weeks. They had engaged passage for Italy on the Princess Irene, which would sail on the 24th. It was during the period of their waiting that Clemens concluded his final Harper contract. On that day, in his note-book, he wrote:
In 1895 Cheiro the palmist examined my hand & said that in my 68th year (1903) I would become suddenly rich. I was a bankrupt & $94,000 in debt at the time through the failure of Charles L. Webster & Co. Two years later—in London—Cheiro repeated this long-distance prediction, & added that the riches would come from a quite unexpected source. I am superstitious. I kept the prediction in mind & often thought of it. When at last it came true, October 22, 1903, there was but a month & 9 days to spare.
The contract signed that day concentrates all my books in Harper's hands & now at last they are valuable; in fact they are a fortune. They guarantee me $25,000 a year for 5 years, and they will yield twice as much as that.—[In earlier note-books and letters Clemens more than once refers to this prophecy and wonders if it is to be realized. The Harper contract, which brought all of his books into the hands of one publisher (negotiated for him by Mr. Rogers), proved, in fact, a fortune. The books yielded always more than the guarantee; sometimes twice that amount, as he had foreseen.]
During the conclusion of this contract Clemens made frequent visits to Fairhaven on the Kanawha. Joe Goodman came from the Pacific to pay him a good-by visit during this period. Goodman had translated the Mayan inscriptions, and his work had received official recognition and publication by the British Museum. It was a fine achievement for a man in later life and Clemens admired it immensely. Goodman and Clemens enjoyed each other in the old way at quiet resorts where they could talk over the old tales. Another visitor of that summer was the son of an old friend, a Hannibal printer named Daulton. Young Daulton came with manuscripts seeking a hearing of the magazine editors, so Clemens wrote a letter which would insure that favor: INTRODUCING MR. GEO. DAULTON:
TO GILDER, ALDEN, HARVEY, McCLURE, WALKER, PAGE, BOK, COLLIER, and such other members of the sacred guild as privilege me to call them friends-these:
Although I have no personal knowledge of the bearer of this, I have what is better: He comes recommended to me by his own father—a thing not likely to happen in any of your families, I reckon. I ask you, as a favor to me, to waive prejudice & superstition for this once & examine his work with an eye to its literary merit, instead of to the chastity of its spelling. I wish to God you cared less for that particular.
I set (or sat) type alongside of his father, in Hannibal, more than 50 years ago, when none but the pure in heart were in that business. A true man he was; and if I can be of any service to his son—and to you at the same time, let me hope—I am here heartily to try.
Yours by the sanctions of time & deserving,
Sincerely,S. L. CLEMENS.
Among the kindly words which came to Mark Twain before leaving America was this one which Rudyard Kipling had written to his publisher, Frank Doubleday:
I love to think of the great and godlike Clemens. He is the biggestman you have on your side of the water by a damn sight, and don'tyou forget it. Cervantes was a relation of his.
It curiously happened that Clemens at the same moment was writing toDoubleday about Kipling:
I have been reading "The Bell Buoy" and "The Old Man" over and over again-my custom with Kipling's work—and saving up the rest for other leisurely and luxurious meals. A bell-buoy is a deeply impressive fellow-being. In these many recent trips up and down the Sound in the Kanawha he has talked to me nightly sometimes in his pathetic and melancholy way, sometimes with his strenuous and urgent note, and I got his meaning—now I have his words! No one but Kipling could do this strong and vivid thing. Some day I hope to hear the poem chanted or sung-with the bell-buoy breaking in out of the distance.
P. S.—Your letter has arrived. It makes me proud and glad—what Kipling says. I hope Fate will fetch him to Florence while we are there. I would rather see him than any other man.
From the note-book:
Saturday, October 24, 1903. Sailed in the Princess Irene for Genoa at 11. Flowers & fruit from Mrs. Rogers & Mrs. Coe. We have with us Katie Leary (in our domestic service 23 years) & Miss Margaret Sherry (trained nurse).
Two days later he wrote:
Heavy storm all night. Only 3 stewardesses. Ours served 60 meals in rooms this morning.
On the 27th:
Livy is enduring the voyage marvelously well. As well as Clara &Jean, I think, & far better than the trained nurse.
She has been out on deck an hour.
November 2. Due at Gibraltar 10 days from New York. 3 days to Naples, then 2 day to Genoa. At supper the band played "Cavalleria Rusticana," which is forever associated in my mind with Susy. I love it better than any other, but it breaks my heart.
It was the "Intermezzo" he referred to, which had been Susy's favorite music, and whenever he heard it he remembered always one particular opera-night long ago, and Susy's face rose before him.
They were in Naples on the 5th; thence to Genoa, and to Florence, where presently they were installed in the Villa Reale di Quarto, a fine old Italian palace built by Cosimo more than four centuries ago. In later times it has been occupied and altered by royal families of Wurtemberg and Russia. Now it was the property of the Countess Massiglia, from whom Clemens had leased it.
They had hoped to secure the Villa Papiniano, under Fiesole, near Professor Fiske, but negotiations for it had fallen through. The Villa Quarto, as it is usually called, was a more pretentious place and as beautifully located, standing as it does in an ancient garden looking out over Florence toward Vallombrosa and the Chianti hills. Yet now in the retrospect, it seems hardly to have been the retreat for an invalid. Its garden was supernaturally beautiful, all that one expects that a garden of Italy should be—such a garden as Maxfield Parrish might dream; but its beauty was that which comes of antiquity—the accumulation of dead years. Its funereal cypresses, its crumbling walls and arches, its clinging ivy and moldering marbles, and a clock that long ago forgot the hours, gave it a mortuary look. In a way it suggested Arnold Bocklin's "Todteninsel," and it might well have served as the allegorical setting for a gateway to the bourne of silence.
The house itself, one of the most picturesque of the old Florentine suburban palaces, was historically interesting, rather than cheerful. The rooms, in number more than sixty, though richly furnished, were vast and barnlike, and there were numbers of them wholly unused and never entered. There was a dearth of the modern improvements which Americans have learned to regard as a necessity, and the plumbing, such as it was, was not always in order. The place was approached by narrow streets, along which the more uninviting aspects of Italy were not infrequent. Youth and health and romance might easily have reveled in the place; but it seems now not to have been the best choice for that frail invalid, to whom cheer and brightness and freshness and the lovelier things of hope meant always so much.—[Villa Quarto has recently been purchased by Signor P. de Ritter Lahony, and thoroughly restored and refreshed and beautified without the sacrifice of any of its romantic features.]—Neither was the climate of Florence all that they had hoped for. Their former sunny winter had misled them. Tradition to the contrary, Italy—or at least Tuscany—is not one perpetual dream of sunlight. It is apt to be damp and cloudy; it is likely to be cold. Writing to MacAlister, Clemens said:
Florentine sunshine? Bless you, there isn't any. We have heavy fogs every morning & rain all day. This house is not merely large, it is vast—therefore I think it must always lack the home feeling.
His dissatisfaction in it began thus early, and it grew as one thing after another went wrong. With it all, however, Mrs. Clemens seemed to gain a little, and was glad to see company—a reasonable amount of company—to brighten her surroundings.
Clemens began to work and wrote a story or two, and those lively articles about the Italian language.
To Twichell he reported progress:
I have a handsome success in one way here. I left New York under a sort of half-promise to furnish to the Harper magazines 30,000 words this year. Magazining is difficult work because every third page represents two pages that you have put in the fire (you are nearly sure to start wrong twice), & so when you have finished an article & are willing to let it go to print it represents only 10 cents a word instead of 30.
But this time I had the curious (& unprecedented) luck to start right in each case. I turned out 37,000 words in 25 working days; & the reason I think I started right every time is, that not only have I approved and accepted the several articles, but the court of last resort (Livy) has done the same.
On many of the between-days I did some work, but only of an idle & not necessarily necessary sort, since it will not see print until I am dead. I shall continue this (an hour per day), but the rest of the year I expect to put in on a couple of long books (half- completed ones). No more magazine work hanging over my head.
This secluded & silent solitude, this clean, soft air, & this enchanting view of Florence, the great valley & snow-mountains that frame it, are the right conditions for work. They are a persistent inspiration. To-day is very lovely; when the afternoon arrives there will be a new picture every hour till dark, & each of them divine—or progressing from divine to diviner & divinest. On this (second) floor Clara's room commands the finest; she keeps a window ten feet high wide open all the time & frames it in that. I go in from time to time every day & trade sass for a look. The central detail is a distant & stately snow-hump that rises above & behind black-forested hills, & its sloping vast buttresses, velvety & sun- polished, with purple shadows between, make the sort of picture we knew that time we walked in Switzerland in the days of our youth.
From this letter, which is of January 7, 1904, we gather that the weather had greatly improved, and with it Mrs. Clemens's health, notwithstanding she had an alarming attack in December. One of the stories he had finished was "The $30,000 Bequest." The work mentioned, which would not see print until after his death, was a continuation of those autobiographical chapters which for years he had been setting down as the mood seized him.
He experimented with dictation, which he had tried long before with Redpath, and for a time now found it quite to his liking. He dictated some of his copyright memories, and some anecdotes and episodes; but his amanuensis wrote only longhand, which perhaps hampered him, for he tired of it by and by and the dictations were discontinued.
Among these notes there is one elaborate description of the Villa di Quarto, dictated at the end of the winter, by which time we are not surprised to find he had become much attached to the place. The Italian spring was in the air, and it was his habit to grow fond of his surroundings. Some atmospheric paragraphs of these impressions invite us here:
We are in the extreme south end of the house, if there is any such thing as a south end to a house, whose orientation cannot be determined by me, because I am incompetent in all cases where an object does not point directly north & south. This one slants across between, & is therefore a confusion. This little private parlor is in one of the two corners of what I call the south end of the house. The sun rises in such a way that all the morning it is pouring its light through the 33 glass doors or windows which pierce the side of the house which looks upon the terrace & garden; the rest of the day the light floods this south end of the house, as I call it; at noon the sun is directly above Florence yonder in the distance in the plain, directly across those architectural features which have been so familiar to the world in pictures for some centuries, the Duomo, the Campanile, the Tomb of the Medici, & the beautiful tower of the Palazzo Vecchio; in this position it begins to reveal the secrets of the delicious blue mountains that circle around into the west, for its light discovers, uncovers, & exposes a white snowstorm of villas & cities that you cannot train yourself to have confidence in, they appear & disappear so mysteriously, as if they might not be villas & cities at all, but the ghosts of perished ones of the remote & dim Etruscan times; & late in the afternoon the sun sets down behind those mountains somewhere, at no particular time & at no particular place, so far as I can see.
Again at the end of March he wrote:
Now that we have lived in this house four and a half months my prejudices have fallen away one by one & the place has become very homelike to me. Under certain conditions I should like to go on living in it indefinitely. I should wish the Countess to move out of Italy, out of Europe, out of the planet. I should want her bonded to retire to her place in the next world & inform me which of the two it was, so that I could arrange for my own hereafter.
Complications with their landlady had begun early, and in time, next to Mrs. Clemens's health, to which it bore such an intimate and vital relation, the indifference of the Countess Massiglia to their needs became the supreme and absorbing concern of life at the villa, and led to continued and almost continuous house-hunting.
Days when the weather permitted, Clemens drove over the hills looking for a villa which he could lease or buy—one with conveniences and just the right elevation and surroundings. There were plenty of villas; but some of them were badly situated as to altitude or view; some were falling to decay, and the search was rather a discouraging one. Still it was not abandoned, and the reports of these excursions furnished new interest and new hope always to the invalid at home.
"Even if we find it," he wrote Howells, "I am afraid it will be months before we can move Mrs. Clemens. Of course it will. But it comforts us to let on that we think otherwise, and these pretensions help to keep hope alive in her."
She had her bad days and her good days, days when it was believed she had passed the turning-point and was traveling the way to recovery; but the good days were always a little less hopeful, the bad days a little more discouraging. On February 22d Clemens wrote in his note-book:
At midnight Livy's pulse went to 192 & there was a collapse. Great alarm. Subcutaneous injection of brandy saved her.
And to MacAlister toward the end of March:
We are having quite perfect weather now & are hoping that it will bring effects for Mrs. Clemens.
But a few days later he added that he was watching the driving rain through the windows, and that it was bad weather for the invalid. "But it will not last," he said.
The invalid improved then, and there was a concert in Florence at whichClara Clemens sang. Clemens in his note-book says:
April 8. Clara's concert was a triumph. Livy woke up & sent forher to tell her all about it, near midnight.
But a day or two later she was worse again—then better. The hearts in that household were as pendulums, swinging always between hope and despair.
One familiar with the Clemens history might well have been filled with forebodings. Already in January a member of the family, Mollie Clemens, Orion's wife, died, news which was kept from Mrs. Clemens, as was the death of Aldrich's son, and that of Sir Henry M. Stanley, both of which occurred that spring.
Indeed, death harvested freely that year among the Clemens friendships.Clemens wrote Twichell:
Yours has just this moment arrived-just as I was finishing a note to poor Lady Stanley. I believe the last country-house visit we paid in England was to Stanley's. Lord! how my friends & acquaintances fall about me now in my gray-headed days! Vereshchagin, Mommsen, Dvorak, Lenbach, & Jokai, all so recently, & now Stanley. I have known Stanley 37 years. Goodness, who is there I haven't known?