A SCOTS BALL-ROOM BALLAD(By The MacPry)Why sit ye on the stair, ladie,Why sit ye on the stair?It’s merry dancing in the hall,And partners still are there.Ye arena in a cosy neuk,But in the lamp’s full glare;No gentle whisperin’ words are spoke—Why sit ye on the stair?The runkled carle that’s by your sideNo tale of luve can tell;He fain wad win ye for his brideBy talkin’ o’ himsel’.Your voice is clear, your laugh is cheer,But oh, your eyes are sad;You answer what the gaffer says,You’re lookin’ for the lad.(They winna stint their prattlin’ talk—Oh, but her eyes are sad!—Tis vain to cherche the fammy here,I’ll gang and speer the lad.)Why prop ye up the wa’, laddie,Why prop ye up the wa’?Your lissom shoes are stickit oot,Ye’ll gar the dancers fa’.Or feckless couples tearin’ past,Wi’ elbows at an angle,Will pin ye to the wainscoat fastAs wild boar in a jungle.The floor’s as smooth as summer grassSma’ feet, like crickets, caper,And whirlin’ kirtles, as they pass,Sair waste the swealing taper.The lassies’ gowns are creased and rent;The lads are oot o’ knowledge;They are as hot wi’ twirlin’ roonAs blacksmith frae the village.The fiddles pour their love-sick pray’rsThe flutie-man is whis’lin’,Just like when ancient madam scaresA thrummock-touzle hisslin’.There’s young folks movin’ like a fair,There’s auld folks quaffin’ sherry.An’ you sae weary, fu’ o’ care,When all the world is merry?Gin ye maun feed your dowie grudge,At least fill up your programme,And come victorious from the crushLike Bonaparte from Wagram.Nay, dinna off the lassie score;Her heart sings, “Waly, waly!”She’s talkin’ with that awfu’ bore,The Laird o’ Lanthorn Jawley.Quit, quit, for shame! This winna do.Rouse up and play the man, sir!For they should dance who have the chance,And they should sup who can, sir.Ah, see, she smiles! Could any wordMore eloquently call ye?Now go and soothe your bonnie burd,And banish Lanthorn Jawley.So prop nae mair the wa’, laddie,So prop nae mair the wa’——’(Ye dinna ken that on your coatYon candle-droppin’s fa’?)Mariner.“Yo hoy, Bill, stand by! We’ll find a ’bacco shop alongside. Here’s the Scotsman!”“IS IT GREEK?”Foreigner.“’Say, mun, rax me owre the pourrie.”Southerner.“I’m sorry—Je ne parle no French.”Foreigner.“O, I beg ye’re paurdon—han’ me the cream-jug.”[No—it is Scotch.EXPENSIVE!Londoner (to Friend from the North).“Well, how do you like the opera, MacAlister?”Mr. MacAlister.“No that bad. But is’t no dreadfu’, man, to be sittin’ in thae chairs at ten shullins apiece!”“LIVE AND LET LIVE”Village Doctor (to the Grave-Digger, who is given to whisky).“Ah, John! I’m sorry to see you in this pitiable condition again!”Grave-Digger.“Toots, sir! can ye no’ let a’e little fau’t o’ mine gae by? It’s mony a muckle ane o’ yours I ha’e happit owre, an’ said naething aboot!”“SCOTCH MIST”“The rain seems to be clearing off at last, Sandy.”“Ay, I doot it’sthreatenin’ to be dry!”PROPHETIC!Guest (late for dinner, the delicious odour of the Haggis, just coming up, met him in the hall).—“A——h!” (On second thoughts.) “E——h! I’ll be bad the morn!!”Following their Noses.—We read a report of whales running ashore on the Orkney coast last week. They were of the bottle-nose kind, and probably followed their noses, tempted by the free flow of “het-pint,” a very tempting new year’s tipple, largely indulged in north of the Tweed.Question.Why may Scotsmen be supposed to like policemen?Answer.Eh, sirs, it’s just because they’re vera fond of theBawbees.PRETTY DRYYoung Beginner (fishing with dry fly).“Am I keeping my fly properly dry, Duncan?”Scots Keeper.“Oh, I’m thenkin’ she’ll be dry enough. She’s stickin up in that big willow near by where ye started fushin’.”
(By The MacPry)
Why sit ye on the stair, ladie,Why sit ye on the stair?It’s merry dancing in the hall,And partners still are there.Ye arena in a cosy neuk,But in the lamp’s full glare;No gentle whisperin’ words are spoke—Why sit ye on the stair?The runkled carle that’s by your sideNo tale of luve can tell;He fain wad win ye for his brideBy talkin’ o’ himsel’.Your voice is clear, your laugh is cheer,But oh, your eyes are sad;You answer what the gaffer says,You’re lookin’ for the lad.(They winna stint their prattlin’ talk—Oh, but her eyes are sad!—Tis vain to cherche the fammy here,I’ll gang and speer the lad.)Why prop ye up the wa’, laddie,Why prop ye up the wa’?Your lissom shoes are stickit oot,Ye’ll gar the dancers fa’.Or feckless couples tearin’ past,Wi’ elbows at an angle,Will pin ye to the wainscoat fastAs wild boar in a jungle.The floor’s as smooth as summer grassSma’ feet, like crickets, caper,And whirlin’ kirtles, as they pass,Sair waste the swealing taper.The lassies’ gowns are creased and rent;The lads are oot o’ knowledge;They are as hot wi’ twirlin’ roonAs blacksmith frae the village.The fiddles pour their love-sick pray’rsThe flutie-man is whis’lin’,Just like when ancient madam scaresA thrummock-touzle hisslin’.There’s young folks movin’ like a fair,There’s auld folks quaffin’ sherry.An’ you sae weary, fu’ o’ care,When all the world is merry?Gin ye maun feed your dowie grudge,At least fill up your programme,And come victorious from the crushLike Bonaparte from Wagram.Nay, dinna off the lassie score;Her heart sings, “Waly, waly!”She’s talkin’ with that awfu’ bore,The Laird o’ Lanthorn Jawley.Quit, quit, for shame! This winna do.Rouse up and play the man, sir!For they should dance who have the chance,And they should sup who can, sir.Ah, see, she smiles! Could any wordMore eloquently call ye?Now go and soothe your bonnie burd,And banish Lanthorn Jawley.So prop nae mair the wa’, laddie,So prop nae mair the wa’——’(Ye dinna ken that on your coatYon candle-droppin’s fa’?)
Why sit ye on the stair, ladie,Why sit ye on the stair?It’s merry dancing in the hall,And partners still are there.Ye arena in a cosy neuk,But in the lamp’s full glare;No gentle whisperin’ words are spoke—Why sit ye on the stair?The runkled carle that’s by your sideNo tale of luve can tell;He fain wad win ye for his brideBy talkin’ o’ himsel’.Your voice is clear, your laugh is cheer,But oh, your eyes are sad;You answer what the gaffer says,You’re lookin’ for the lad.(They winna stint their prattlin’ talk—Oh, but her eyes are sad!—Tis vain to cherche the fammy here,I’ll gang and speer the lad.)Why prop ye up the wa’, laddie,Why prop ye up the wa’?Your lissom shoes are stickit oot,Ye’ll gar the dancers fa’.Or feckless couples tearin’ past,Wi’ elbows at an angle,Will pin ye to the wainscoat fastAs wild boar in a jungle.The floor’s as smooth as summer grassSma’ feet, like crickets, caper,And whirlin’ kirtles, as they pass,Sair waste the swealing taper.The lassies’ gowns are creased and rent;The lads are oot o’ knowledge;They are as hot wi’ twirlin’ roonAs blacksmith frae the village.The fiddles pour their love-sick pray’rsThe flutie-man is whis’lin’,Just like when ancient madam scaresA thrummock-touzle hisslin’.There’s young folks movin’ like a fair,There’s auld folks quaffin’ sherry.An’ you sae weary, fu’ o’ care,When all the world is merry?Gin ye maun feed your dowie grudge,At least fill up your programme,And come victorious from the crushLike Bonaparte from Wagram.Nay, dinna off the lassie score;Her heart sings, “Waly, waly!”She’s talkin’ with that awfu’ bore,The Laird o’ Lanthorn Jawley.Quit, quit, for shame! This winna do.Rouse up and play the man, sir!For they should dance who have the chance,And they should sup who can, sir.Ah, see, she smiles! Could any wordMore eloquently call ye?Now go and soothe your bonnie burd,And banish Lanthorn Jawley.So prop nae mair the wa’, laddie,So prop nae mair the wa’——’(Ye dinna ken that on your coatYon candle-droppin’s fa’?)
Why sit ye on the stair, ladie,Why sit ye on the stair?It’s merry dancing in the hall,And partners still are there.
Why sit ye on the stair, ladie,
Why sit ye on the stair?
It’s merry dancing in the hall,
And partners still are there.
Ye arena in a cosy neuk,But in the lamp’s full glare;No gentle whisperin’ words are spoke—Why sit ye on the stair?
Ye arena in a cosy neuk,
But in the lamp’s full glare;
No gentle whisperin’ words are spoke—
Why sit ye on the stair?
The runkled carle that’s by your sideNo tale of luve can tell;He fain wad win ye for his brideBy talkin’ o’ himsel’.
The runkled carle that’s by your side
No tale of luve can tell;
He fain wad win ye for his bride
By talkin’ o’ himsel’.
Your voice is clear, your laugh is cheer,But oh, your eyes are sad;You answer what the gaffer says,You’re lookin’ for the lad.
Your voice is clear, your laugh is cheer,
But oh, your eyes are sad;
You answer what the gaffer says,
You’re lookin’ for the lad.
(They winna stint their prattlin’ talk—Oh, but her eyes are sad!—Tis vain to cherche the fammy here,I’ll gang and speer the lad.)
(They winna stint their prattlin’ talk—
Oh, but her eyes are sad!—
Tis vain to cherche the fammy here,
I’ll gang and speer the lad.)
Why prop ye up the wa’, laddie,Why prop ye up the wa’?Your lissom shoes are stickit oot,Ye’ll gar the dancers fa’.
Why prop ye up the wa’, laddie,
Why prop ye up the wa’?
Your lissom shoes are stickit oot,
Ye’ll gar the dancers fa’.
Or feckless couples tearin’ past,Wi’ elbows at an angle,Will pin ye to the wainscoat fastAs wild boar in a jungle.
Or feckless couples tearin’ past,
Wi’ elbows at an angle,
Will pin ye to the wainscoat fast
As wild boar in a jungle.
The floor’s as smooth as summer grassSma’ feet, like crickets, caper,And whirlin’ kirtles, as they pass,Sair waste the swealing taper.
The floor’s as smooth as summer grass
Sma’ feet, like crickets, caper,
And whirlin’ kirtles, as they pass,
Sair waste the swealing taper.
The lassies’ gowns are creased and rent;The lads are oot o’ knowledge;They are as hot wi’ twirlin’ roonAs blacksmith frae the village.
The lassies’ gowns are creased and rent;
The lads are oot o’ knowledge;
They are as hot wi’ twirlin’ roon
As blacksmith frae the village.
The fiddles pour their love-sick pray’rsThe flutie-man is whis’lin’,Just like when ancient madam scaresA thrummock-touzle hisslin’.
The fiddles pour their love-sick pray’rs
The flutie-man is whis’lin’,
Just like when ancient madam scares
A thrummock-touzle hisslin’.
There’s young folks movin’ like a fair,There’s auld folks quaffin’ sherry.An’ you sae weary, fu’ o’ care,When all the world is merry?
There’s young folks movin’ like a fair,
There’s auld folks quaffin’ sherry.
An’ you sae weary, fu’ o’ care,
When all the world is merry?
Gin ye maun feed your dowie grudge,At least fill up your programme,And come victorious from the crushLike Bonaparte from Wagram.
Gin ye maun feed your dowie grudge,
At least fill up your programme,
And come victorious from the crush
Like Bonaparte from Wagram.
Nay, dinna off the lassie score;Her heart sings, “Waly, waly!”She’s talkin’ with that awfu’ bore,The Laird o’ Lanthorn Jawley.
Nay, dinna off the lassie score;
Her heart sings, “Waly, waly!”
She’s talkin’ with that awfu’ bore,
The Laird o’ Lanthorn Jawley.
Quit, quit, for shame! This winna do.Rouse up and play the man, sir!For they should dance who have the chance,And they should sup who can, sir.
Quit, quit, for shame! This winna do.
Rouse up and play the man, sir!
For they should dance who have the chance,
And they should sup who can, sir.
Ah, see, she smiles! Could any wordMore eloquently call ye?Now go and soothe your bonnie burd,And banish Lanthorn Jawley.
Ah, see, she smiles! Could any word
More eloquently call ye?
Now go and soothe your bonnie burd,
And banish Lanthorn Jawley.
So prop nae mair the wa’, laddie,So prop nae mair the wa’——’(Ye dinna ken that on your coatYon candle-droppin’s fa’?)
So prop nae mair the wa’, laddie,
So prop nae mair the wa’——’
(Ye dinna ken that on your coat
Yon candle-droppin’s fa’?)
Mariner.“Yo hoy, Bill, stand by! We’ll find a ’bacco shop alongside. Here’s the Scotsman!”
Mariner.“Yo hoy, Bill, stand by! We’ll find a ’bacco shop alongside. Here’s the Scotsman!”
Mariner.“Yo hoy, Bill, stand by! We’ll find a ’bacco shop alongside. Here’s the Scotsman!”
“IS IT GREEK?”Foreigner.“’Say, mun, rax me owre the pourrie.”Southerner.“I’m sorry—Je ne parle no French.”Foreigner.“O, I beg ye’re paurdon—han’ me the cream-jug.”[No—it is Scotch.
“IS IT GREEK?”Foreigner.“’Say, mun, rax me owre the pourrie.”Southerner.“I’m sorry—Je ne parle no French.”Foreigner.“O, I beg ye’re paurdon—han’ me the cream-jug.”[No—it is Scotch.
“IS IT GREEK?”
Foreigner.“’Say, mun, rax me owre the pourrie.”
Southerner.“I’m sorry—Je ne parle no French.”
Foreigner.“O, I beg ye’re paurdon—han’ me the cream-jug.”
[No—it is Scotch.
EXPENSIVE!Londoner (to Friend from the North).“Well, how do you like the opera, MacAlister?”Mr. MacAlister.“No that bad. But is’t no dreadfu’, man, to be sittin’ in thae chairs at ten shullins apiece!”
EXPENSIVE!Londoner (to Friend from the North).“Well, how do you like the opera, MacAlister?”Mr. MacAlister.“No that bad. But is’t no dreadfu’, man, to be sittin’ in thae chairs at ten shullins apiece!”
EXPENSIVE!
Londoner (to Friend from the North).“Well, how do you like the opera, MacAlister?”
Mr. MacAlister.“No that bad. But is’t no dreadfu’, man, to be sittin’ in thae chairs at ten shullins apiece!”
“LIVE AND LET LIVE”Village Doctor (to the Grave-Digger, who is given to whisky).“Ah, John! I’m sorry to see you in this pitiable condition again!”Grave-Digger.“Toots, sir! can ye no’ let a’e little fau’t o’ mine gae by? It’s mony a muckle ane o’ yours I ha’e happit owre, an’ said naething aboot!”
“LIVE AND LET LIVE”Village Doctor (to the Grave-Digger, who is given to whisky).“Ah, John! I’m sorry to see you in this pitiable condition again!”Grave-Digger.“Toots, sir! can ye no’ let a’e little fau’t o’ mine gae by? It’s mony a muckle ane o’ yours I ha’e happit owre, an’ said naething aboot!”
“LIVE AND LET LIVE”
Village Doctor (to the Grave-Digger, who is given to whisky).“Ah, John! I’m sorry to see you in this pitiable condition again!”
Grave-Digger.“Toots, sir! can ye no’ let a’e little fau’t o’ mine gae by? It’s mony a muckle ane o’ yours I ha’e happit owre, an’ said naething aboot!”
“SCOTCH MIST”“The rain seems to be clearing off at last, Sandy.”“Ay, I doot it’sthreatenin’ to be dry!”
“SCOTCH MIST”“The rain seems to be clearing off at last, Sandy.”“Ay, I doot it’sthreatenin’ to be dry!”
“SCOTCH MIST”
“The rain seems to be clearing off at last, Sandy.”
“Ay, I doot it’sthreatenin’ to be dry!”
PROPHETIC!Guest (late for dinner, the delicious odour of the Haggis, just coming up, met him in the hall).—“A——h!” (On second thoughts.) “E——h! I’ll be bad the morn!!”
PROPHETIC!Guest (late for dinner, the delicious odour of the Haggis, just coming up, met him in the hall).—“A——h!” (On second thoughts.) “E——h! I’ll be bad the morn!!”
PROPHETIC!
Guest (late for dinner, the delicious odour of the Haggis, just coming up, met him in the hall).—“A——h!” (On second thoughts.) “E——h! I’ll be bad the morn!!”
Following their Noses.—We read a report of whales running ashore on the Orkney coast last week. They were of the bottle-nose kind, and probably followed their noses, tempted by the free flow of “het-pint,” a very tempting new year’s tipple, largely indulged in north of the Tweed.
Question.Why may Scotsmen be supposed to like policemen?
Answer.Eh, sirs, it’s just because they’re vera fond of theBawbees.
PRETTY DRYYoung Beginner (fishing with dry fly).“Am I keeping my fly properly dry, Duncan?”Scots Keeper.“Oh, I’m thenkin’ she’ll be dry enough. She’s stickin up in that big willow near by where ye started fushin’.”
PRETTY DRYYoung Beginner (fishing with dry fly).“Am I keeping my fly properly dry, Duncan?”Scots Keeper.“Oh, I’m thenkin’ she’ll be dry enough. She’s stickin up in that big willow near by where ye started fushin’.”
PRETTY DRY
Young Beginner (fishing with dry fly).“Am I keeping my fly properly dry, Duncan?”
Scots Keeper.“Oh, I’m thenkin’ she’ll be dry enough. She’s stickin up in that big willow near by where ye started fushin’.”